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Billboard Explains: Luísa Sonza’s Global Force On The Charts

Narrator:

Brazilian artists Luísa Sonza knows a thing or two about getting on the Billboard charts. And that’s why she’s this year as Women In Music Global Force honoree. Luísa first got her start in 2014, singing covers on YouTube and first entered the charts in 2020. This is Billboard Explains Luísa Sonza’s global force on the charts. Luísa has seven songs on the global excluding US chart including “Cachorrinhas” which peaked at No. 69 in 2022. “Modo Turbo” with Pablo Vittar, featuring Anitta, that one hit No. 71 in 2021, and Chico, which peaked at No. 78 in 2023. Those three songs also charted on the Billboard Global 200. Outside of the US, Luísa has charted 12 songs on the Billboard Brazil Hot 100 including three top 10s. “Chico” which hit No. 1,”Penhasco2″ with Demi Lovato which hit No. 4 and “Sou Musa do Verão” with Marshmello which hit No. 9. She’s released three studio albums, two EPs and two compilations, has collaborated with Katy Perry on the song “Cry About It Later.” The Brazilian artist is already making an impact around the world and we can’t wait to see what’s coming next.

Taylor Swift Becomes First Act to Spend 100 Weeks at No. 1 on Billboard Artist 100 Chart

Taylor Swift makes Billboard chart history by becoming the first artist to spend 100 total weeks at No. 1 on the Billboard Artist 100.

The Artist 100 measures artists’ activity across key metrics of music consumption: album sales, track sales, radio airplay and streaming. Using a methodology comprising those metrics, the chart provides a weekly multi-dimensional ranking of artist popularity.

Billboard launched the Artist 100 in July 2014. Since then, Swift’s No. 1 run is more than twice as long as any other act’s. Here’s an updated look at the artists with the most weeks spent at the top spot (through the latest, March 2, 2024-dated survey).

Most Weeks at No. 1 on Billboard Artist 100:
100, Taylor Swift
38, Drake
28, The Weeknd
21, BTS
20, Adele
15, Ariana Grande
15, Ed Sheeran
14, Justin Bieber
14, Post Malone
13, Morgan Wallen
12, Billie Eilish

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Swift continues her tear atop the Artist 100 thanks to the continued success of her catalog. Her music generated the most streams among all artists in the Feb. 16-22 tracking week, according to Luminate, while she was also the most-heard artist on radio and the top-selling artist, in terms of both combined album and digital song sales.



That chart domination results in two currently-charting songs on the Billboard Hot 100 – “Cruel Summer” at No. 7 and “Is It Over Now? (Taylor’s Version) [From the Vault]” at No. 18 – and 10 albums on the Billboard 200: No. 6, 1989 (Taylor’s Version); No. 7, Lover; No. 9, Midnights; No. 15, Folklore; No. 21, reputation; No. 29, Speak Now (Taylor’s Version); No. 31, Red (Taylor’s Version); No. 34, Evermore; No. 58, Fearless (Taylor’s Version); and No. 65, 1989.

As Swift spends a milestone 100th week at No. 1 on the Artist 100, she also logs a landmark 500th total week on the chart. She’s the second-longest-charting act in the list’s history, after Drake, who reached the mark four weeks ago.

Here’s a breakdown of the metrics contributing to Swift’s historic week on the Artist 100.

Streaming

Swift continues her record run at No. 1 on the Artist 100 due, in large part, to her streaming consumption totals. Over Feb. 16-22, Swift’s catalog garnered a combined 319.4 million on-demand official U.S. streams, according to Luminate (encompassing songs on which she has lead artist billing). That makes her the most-streamed artist of the week.

Her songs that generated the most streams in that span: “Cruel Summer” (13.7 million), “Is It Over Now (Taylor’s Version) [From the Vault]” (7.6 million), “Anti-Hero” (7.5 million), “Lover” (6.7 million) and “Karma,” featuring Ice Spice (6 million).

Radio Airplay

Swift was also the most-heard artist on the radio Feb. 16-22. Songs by Swift earned a combined 177.3 million radio airplay audience impressions in that span.

The songs that earned the most impressions: “Is It Over Now” (49.8 million, making it the fifth most-heard song across all formats, as reflected on the Radio Songs chart), “Cruel Summer” (48.4 million; the sixth most-heard song overall), “Anti-Hero” (16.5 million), “Karma” (10.3 million) and “Blank Space” (28.3 million).

Swift is also currently charting on the following radio rankings:

Pop Airplay: “Is It Over Now?” (No. 4) and “Cruel Summer” (No. 12)
Adult Pop Airplay: “Cruel Summer” (No. 3) and “Is It Over Now?” (No. 4)
Adult Contemporary: “Cruel Summer” (No. 1 for a fifth week), “Anti-Hero” (No. 5), “Is It Over Now?” (No. 17) and “Bad Blood (Taylor’s Version)” (No. 29)
Dance/Mix Show Airplay: “Is It Over Now?” (No. 22)

Album Consumption

Swift is additionally the top artist of the week in terms of album consumption. Her albums earned a combined 297,000 equivalent album units in the latest tracking week, the biggest total among all acts.

Here’s a breakdown of her album sales Feb. 16-22:

Overall album sales: 60,000, the most among all artists
Vinyl sales: 33,000, the most among all artists
CD sales: 20,000, the most among all artists

Swift’s top-selling albums of the week: 1989 (Taylor’s Version) (11,000 copies sold; it’s No. 3 on the Top Album Sales chart), Lover (9,000; No. 4), Midnights (7,000; No. 7), Folklore (7,000; No. 8) and Evermore (5,000; No. 15).

As for her albums selling the most on vinyl: Folklore (6,000; No. 1 on the Vinyl Albums chart), 1989 (Taylor’s Version) (5,000; No. 2), Lover (5,000; No. 5), Midnights (4,000; No. 8) and Evermore (3,000; No. 11).

Digital Song Sales

Finally, Swift is also the top-selling artist of the week in terms of digital song sales. Swift’s songs sold a combined 36,000 downloads Feb. 16-22.

Her songs selling the most downloads in that tracking period: “Cruel Summer,” “Anti-Hero,” “You’re Losing Me (From the Vault)” (2,000 each), “Karma” (1,000), and “Love Story (Taylor’s Version)” (1,000 each).

Billboard Exclusive: Behind the Scenes of LE SSERAFIM’s ‘Easy’ | Billboard

Billboard and the members of LE SSERAFIM, Sakura, Kim Chae-won, Huh Yun-jin, Kazuha and Hong Eun-chae show you the behind the scenes of their music video for “Easy.”

LE SSERAFIM
Hi Billboard we are LE SSERAFIM, I’m Hong Eunchae, I’m Sakura, I’m Huh Yunjin, I’m Kazuha, I’m Kim Chaewon, and today we’re so excited to share with you guys, an exclusive behind the scenes look at our music video for our new song “Easy.”

Nina McNeely
Hey Billboard I’m Nina McNeely, I’m the director of LE SSERAFIM’s new music video “Easy.” I came up with the concept for the video to create this futuristic surrealist world for the girls to explore. It’s like a post apocalyptic world realm that’s been taken over by nature, we’re exploring working with projections, we’re exploring iconography and different symbolism and it’s been a real joy to work with the girls on this.

Jonas Morales
My name is Jonas Morales, I’m your 1st AD, my job as an AD is to keep the set in rhythm. They call me making moves Morales and we got a lot more coming to you.

Huh Yunjin
Hi Billboard, this is Yunjin and the next scene I’m gonna to be filming is me laying in Hong Eunchae’s lap and shedding some golden tears.

Nina McNeely
So in this video I really wanted to create like a heightened sense of fashion and drama and really recreate some more unique things that aren’t seen in K-Pop videos quite as often. So we just shot a scene that just resembled Michelangelo’s sculpture the Pietà.

Watch the full video above!

Billboard Explains: Kylie Minogue Dancing Up the Charts

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Kylie Minogue is Billboard‘s 2024 Icon honoree at Women in Music. Throughout her decades-long career, Minogue has put out huge hits on multiple Billboard charts.

This is Billboard Explains: Kylie Minogue Dancing Up the Charts.

The Australian hitmaker got her first Hot 100 top 10 chart debut back in 1988 with her massive hit the “The Loco-Motion,” which peaked at No. 3. Fourteen years later, she made it to the top 10 again with her sensational hit “Can’t Get You Out of My Head,” a song that we definitely couldn’t get out of our heads in 2002.

Her sweet spot is the Hot Dance/Electronic Songs chart, where she had 18 songs, including her big hit “Padam Padam,” which peaked at No. 7 in June 2023. The song even won her a Grammy in the newly formed Best Pop Dance Recording category.

Kylie is also no stranger to the Billboard 200. She’s had 11 albums chart, including Fever, which hit the top 10, peaking at No. 3 in 2002.

With her long span on the Billboard charts, it’s no wonder Kylie is the 2024 Billboard Women in Music Icon honoree.

J Noa on Love for Kany García & Kenia OS, Upcoming New Music & More | Premio Lo Nuestro 2024

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Boza on His Latest EP ‘Par De Quina,’ Talks Upcoming Music & More | Premio Lo Nuestro 2024

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GALE on Nomination, Transitioning From Songwriter to Artist & More | Premio Lo Nuestro 2024

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Billboard Explains: NewJeans’ Fast Rise on the Charts

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NewJeans is just getting started on the Billboard charts, but the K-pop group has made quite an entrance, and that’s why they are Billboard‘s Women in Music Group of the Year. This is Billboard Explains NewJeans’ fast rise on the charts.

In just a few short years, the girl group has dominated the Billboard charts with five songs on the Hot 100, all in 2023, including “Super Shy,” which peaked at No. 48, and “ETA” at No. 81 on the chart. They have also made a steady climb up the Billboard global 200 with three top 10 hits: “Super Shy,” “Ditto” and “OMG.”

And if that’s not enough, they charted a No.1 album on the Billboard 200 with their second EP Get Up. NewJeans has proven that they are here for the long haul and earned their group of the year honor.

Beyoncé Goes No.1 On Billboard Hot Country Songs Charts With “Texas Hold ‘Em”

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Celebrity Sightings In New York City - February 13, 2024

Beyoncé may not be what some country music fans are used to witnessing within the genre, but it is clear that she is coming to show and prove that she belongs in the arena. The Houston superstar saw her new single “Texas Hold ‘Em” reach No. 1 on Billboard‘s Hot Country Songs chart and it appears she’s made history along the way.

Beyoncé became the first Black woman to ever go No. 1 on the Hot Country Songs chart with “Texas Hold ‘Em,” a single from her upcoming album, tentatively titled Act II which will be a followup to 2022’s Act I: Renaissance. Along with the Hot Country Songs honors, “Texas Hold ‘Em” and another Act II single, “16 Carriages,” debuted at No. 2 and No. 38 respectively on the Billboard Hot 100.

Viewers of Super Bowl LVIII were treated to the announcement of the singles and musical direction of Queen Bey by way of a Verizon commercial, so many knew what to expect. However, the shift in sound is evidently a welcome one and part of a growing trend in country music of Black creators getting their shine within a space that normally was not one many felt included in.

Adding to this, Beyoncé going No. 1 with “Texas Hold ‘Em” places her in rare air as she once sat at the top of seven of Billboard’s song charts in the soloist capacity which include Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs.

Further, Beyoncé made history yet again by becoming the first woman to top the Hot Country Songs and Hot R&B/Hip-Hop Songs charts, joining the likes of Justin Bieber, Ray Charles, Billy Ray Cyrus, and Morgan Wallen.

Act II is slated for a March 29 release.

Photo: James Devaney / Getty

Five Usher Albums Shake Up Billboard 200 After Super Bowl

Following Usher’s 2024 Super Bowl halftime show on Feb. 11, four of his catalog albums surge on the Billboard 200 chart (dated Feb. 24), alongside the debut of his new release, Coming Home, at No. 2.

Coming Home arrives on the list with 91,000 equivalent album units earned in the U.S. in the week ending Feb. 15, according to Luminate. Of that sum, album sales comprise 53,000 – making it the top-selling album of the week, and the largest sales week for any R&B album in more than four years.

Four more Usher albums dot the Billboard 200: his former No. 1 Confessions, released in 2004, flies 92-15 with 33,500 units (up 199%), 2010’s chart-topping Raymond V Raymond re-enters at No. 68 (14,000; up 154%), 2001’s 8701 re-enters at No. 122 (10,000; up 187%) and 1997’s My Way re-enters at No. 197 (8,000; up 175%). The four albums house songs that Usher performed during his halftime show.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

In total, Usher’s catalog of albums, including Coming Home, earned 145,000 equivalent album units in the week ending Feb. 15 – up 428% compared to the previous week (27,500 units). Removing Coming Home from the equation, his albums earned 54,500 units for the week – up 98% compared to the previous week (27,500 units).

Meanwhile, Usher’s halftime closer, “Yeah!,” featuring Lil Jon and Ludacris, re-enters the Billboard Hot 100 songs chart at No. 20 and Hot R&B/Hip-Hop Songs at No. 8. It’s the single’s first appearance on either chart since 2004, when the Confessions’ smash spent 12 weeks atop the Hot 100 and eight weeks leading the Hot R&B/Hip-Hop Songs tally. In the week ending Feb. 15, “Yeah!” earned 13.4 million official streams (up 142%), 8.7 million in airplay audience (up 66%) and sold 11,000 downloads (up 636%).