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After Bad Bunny and Harry Styles ruled the 2022 year-end global rankings, 2023 is all about the ladies: Taylor Swift finishes as the No. 1 Billboard Global 200 Artist and Billboard Global Excl. U.S. Artist, while Miley Cyrus’ “Flowers” is the No. 1 title on the year-end Billboard Global 200 and Billboard Global Excl. U.S. recaps.
While the 2023 year-end tracking period began with the Nov. 19, 2022-dated chart, Cyrus rang in the calendar year almost immediately, with the Jan. 12 release of “Flowers.” By the end of the month, it debuted atop both global charts, and made itself at home. The song reigned for 13 weeks on Global Excl. U.S. and for 12 on the Global 200, tying Harry Styles’ “As It Was” for the longest run at No. 1 on the former list (dating back to its Sept. 2020 launch).
Explore All of Billboard’s 2023 Year-End Charts
Throughout the year, “Flowers” appeared on 39 of Billboard’s Hits of the World charts and topped lists in 26 international territories, including those in Africa, Asia, Europe and Oceania. In North America, it crowned the U.S.-based Billboard Hot 100 for eight non-consecutive weeks, winding up No. 2 on its year-end tally.
Eight songs appear in the year-end top 10 of both global lists. In addition to “Flowers,” there’s Rema and Selena Gomez’s “Calm Down,” “SZA’s “Kill Bill,” Taylor Swift’s “Anti-Hero,” The Weeknd & Ariana Grande’s “Die For You,” Sam Smith & Kim Petras’ “Unholy,” David Guetta and Bebe Rexha’s “I’m Good (Blue),” and last year’s champion, Harry Styles’ “As It Was.”
The Global 200 top 10 is rounded out by Metro Boomin, The Weeknd & 21 Savage at No. 9 with “Creepin’” and Morgan Wallen at No. 10 with “Last Night.” On Global Excl. U.S., the two final missing pieces are Tom Odell’s “Another Love” at No. 9 and Jung Kook’s “Seven,” featuring Latto, at No. 10. Last year, both charts’ top 10s contained the same songs, albeit in slightly different order.
Both lists’ top 10s are performed entirely in English. In each of their three annual recaps so far, “Dakiti” by Bad Bunny and Jhay Cortez is the only non-English song to hit the top 10, at No. 6 for both in 2021. Still, six non-English songs topped the weekly Global Excl. U.S. survey during the 2023 tracking period, up from four in 2022 and three in 2021. This year’s haul includes the first Japanese-language song the reach the summit, via YOASOBI’s “Idol.”
Bolstered by the hangover success of last year’s Midnights, plus the July release of Speak Now (Taylor’s Version), Taylor Swift finishes as the No. 1 Billboard Global 200 Artist and Billboard Global Excl. U.S. Artist. In all, she landed 54 songs on the former survey and 46 on the latter. In addition to new hits like “Anti-Hero” and “Karma,” featuring Ice Spice, Swift’s year on the charts was bolstered by buzz surrounding The Eras Tour. Though the trek never went beyond North America in the tracking period (the tour continues throughout next year, traveling from continent to continent), global buzz via word-of-mouth and social media spring boarded various hits across Swift’s eras onto the charts.
As the tour continues, so likely will her global chart success. Already in the 2024 tracking period, she has hit No. 1 on the Global 200 twice – first, with 2019’s “Cruel Summer,” and then with “Is It Over Now? (Taylor’s Version) (From the Vault),” one of 19 top-40 debuts from 1989 (Taylor’s Version).
Aside from Olivia Rodrigo as 2021’s No. 1 year-end Global 200 Artist, Cyrus and Swift are the first artists from the mainland U.S. to crown annual global recaps. BTS (South Korea) and Dua Lipa (U.K.) covered the other three in 2021, and Bad Bunny (Puerto Rico) and Harry Styles (U.K.) reigned over 2022.
Ed Sheeran and The Weeknd appear in the top 10 of both charts’ artist lists for the third year in a row. While global-chart-era hits like “Shivers” and “Save Your Tears” have been key to their sustained success, they’ve each maintained consistent weekly marks for older titles like “Perfect” and “Shape of You” for Sheeran and “The Hills” and “Starboy” for The Weeknd.
Just as Styles repeats in both top 10s with last year’s champ, “As It Was,” Bad Bunny is back on both artist tallies, at No. 2 on Global 200 Artists and No. 3 on Global Excl. U.S. Artists. Like Swift, he is setting himself for a successful 2024, as 19 songs from Nadie Sabe Lo Que Va A Pasar Manana debuted on each chart in the first week of the ’24 tracking period, including “Monaco” at No. 1 on both.
In year-end recaps for 2021 and 2022, Bad Bunny was the only Latin act to reach the top 10 of any of the four global charts. This year, he is joined in the top 10 by Peso Pluma (No. 6 – Global 200 Artists; No. 7 – Global Excl. U.S. Artists), plus Feid and Karol G, at Nos. 8-9, respectively, on Global Excl U.S. Artists.
NewJeans is the highest-ranking K-Pop act, at No. 9 on Global 200 Artists and No. 4 on Global Excl. U.S. Artists.
Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Nov. 19, 2022, through Oct. 21, 2023. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the November-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.
Just one month after making his first Billboard chart appearance, 310babii is now officially a Billboard Hot 100-charting artist. The Los Angeles-based rapper scores his first career entry on the Nov. 25-dated Hot 100, as “Soak City (Do It)” debuts at No. 100. The song, released in June on sal.vo sounds, enters with 5.2 million […]
Stray Kids are officially Billboard Hot 100-charting artists, as the group scores its first entry on the Nov. 25-dated list with “LALALALA.”
The song, released Nov. 10 on the group’s new album ROCK-STAR, debuts at No. 90 on the Hot 100 with 6.1 million U.S. streams and 3,000 downloads sold in the Nov. 10-16 tracking week, according to Luminate.
The set launches at No. 1 on the Billboard 200 with 224,000 equivalent album units earned in its opening week. It’s the group’s fourth No. 1 (encompassing all of its entries), after ODDINARY (in 2022), MAXIDENT (2022) and 5-STAR (2023). Stray Kids become the first act to debut their first four chart entries atop the chart since Alicia Keys in 2001-07, when she achieved the feat with Songs in A Minor (2001), The Diary of Alicia Keys (2003), the live set Unplugged (2005) and As I Am (2007).
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All four of Stray Kids’ albums have topped the Billboard 200 in a span of nearly 20 months. That’s the fastest accumulation of four No. 1s since Taylor Swift notched four in just under 16 months with Folklore, Evermore, Fearless (Taylor’s Version) and Red (Taylor’s Version) between August 2020 and November 2021.
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While “LALALALA” earns Stray Kids their first career entry on the Hot 100, the group has already made a mark on several other Billboard charts. The act scored its first overall appearance on the chart dated Nov. 18, 2017, when “Hellevator” debuted and peaked at No. 6 on World Digital Song Sales. Since then, the group has charted 52 total hits on World Digital Song Sales (as of this week), the third-most in the chart’s 13-year history, after BTS (148) and EXO (81). Of Stray Kids’ 52 entries, four have hit No. 1: “Mixtape : OH,” “Maniac,” “Case 143,” and, as of this week, “LALALALA.”
The group has also charted 16 titles on World Albums, tied with Red Velvet for the fifth-most among K-pop acts, after GOT7 (19), SEVENTEEN (18), BTS (17) and TWICE (17). Of those 16 sets, four have hit No. 1.
Stray Kids have also logged seven songs on the Billboard Global 200 and 15 on Billboard Global Excl. U.S.
Stray Kids are the seventh K-pop group in history to chart on the Hot 100. They follow Wonder Girls (who earned their first entry in 2009), BTS (2017), BLACKPINK (2018), TWICE (2021), NewJeans (2023) and FIFTY FIFTY (2023).
Stray Kids, signed to JYP Entertainment, comprises Bang Chan, Changbin, Felix, Han, Hyunjin, I.N, Lee Know and Seungmin.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Lauran Hibberd, Ariana and the Rose, Shygirl and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
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Shygirl feat. Cosha, “Thicc”
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“Thicc” thumps, ceaselessly and irresistibly, in the way that all great club music pulses through your veins; British producer Shygirl has experimented with dance’s pressure points throughout her career, but her new single featuring Cosha delivers a straight hit to the listener’s pleasure center. The track should be a staple of crowded dance floors in the coming months, as well as an immediate pick-me-up in your headphones after a long day. – Jason Lipshutz
Biig Piig, “Watch Me”
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“It’s a song to feel yourself unapologetically and to strut to,” Biig Piig explains in a press release for new single “Watch Me.” “Telling the world, ‘I am that bitch, watch me.’” While the Irish artist showcases that confidence in her commanding vocals on the track, “Watch Me” adopts an industrial whirr that turns hypnotic in its back half, particularly as the drums kick back in to emphasize the darkly lit, alluring production. – J. Lipshutz
Lauran Hibberd, “Mary”
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UK pop artist Lauran Hibberd has bulldozed her way back into our lives with three minutes of undeniable sunshine: “Mary,” a pop-punk anthem of the highest degree, swivels through hooks and blurted-out double-date details with aplomb, and Hibberd tosses out plenty of charisma along the way. Can the Warped Tour return solely for “Mary” to serve as its authoritative new soundtrack? – J. Lipshutz
gglum, “Easy Fun”
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Having recently signed to Secretly Canadian, gglum’s first few singles present a bold new vision of indie-pop, mixing guitar fuzz, sweetened hooks, classic emo flourishes and drum-n-bass undertones. “Easy Fun” takes a few listens to wrap its arms around you, but the attention to detail sets the track apart, with each moment containing carefully considered pieces of instrumentation moving in conjunction with each other. – J. Lipshutz
Ryder Beer, “Can’t Take It”
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Ryder Beer, the younger brother of Madison, makes an attention-grabbing studio debut with “Can’t Take It,” an emotionally charged slice of synth-pop that demonstrates his gentle voice and ability to attack spaces of silence within complex production. The highlight comes at the very end, as the track concludes with the dangling question, “Where do we go?”; Beer will provide an answer soon following this strong start. – J. Lipshutz
Crawlers, “Call It Love”
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British rock band Crawlers took off in 2021 thanks to their viral hit “Come Over,” and the British rock band has sustained momentum since; as it gears up for the February release of its debut album, The Mess We Seem To Make, second single “Call It Love” proves why. The aching alt-rock song sounds like how it feels to be the last pair on the dance floor — a sign of time well spent, and also of a bittersweet impending end. – Lyndsey Havens
Lloyiso, “I Hate That I Care”
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The latest from rising soul-pop artist Lloyiso is reminiscent of the 2010s amped-up electro-pop hits à la Disclosure’s “Latch” — and much like that song’s vocalist Sam Smith, Lloyiso possesses the same passion and soul that makes his vocal delivery all the more convincing, especially on lines like, “Don’t care if I lose / I’ll fight for you.” Just one listen is all it takes to believe him. – L.H.
Frost Children, “Marigold”
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Frost Children’s 2022 LP Spiral was a genre-hopping affair touching on electro-pop, hyperpop and bratty emo, but the sibling duo’s 2023 album Hearth Room is as soft and inviting as the furry pups on its album cover. Accessible doesn’t mean predictable, though, and songs like “Marigold” demonstrate that you can balance sweet harmonics with compelling sonic flourishes, creating sturdy indie-pop delights that deserve repeat listens. – Joe Lynch
Ariana and the Rose, “Cosmic Lover”
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As staccato, arpeggiated synths a la “I Feel Love” dance around the speaker channels, Ariana and the Rose urges you to “f—k the noise, come on boy” and hit the interstellar dance floor on “Cosmic Lover.” The video arrives with a remix from Initial Talk that transports you back to NYC’s famed Danceteria circa 1983 – a time-travel loop we’re happy to get lost in. “The music video, remixes and tour feel like a perfect way to close out this [Lonely Hearts Club] album, I cannot wait to be singing these songs with everyone at the shows,” says Ariana. – J. Lynch
Evanescence, “Breathe No More”
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Twenty years has passed since Evanescence released its 2003 debut, Fallen, and now a few vault tracks have been given their chance to shine amid the record’s 20th anniversary re-release. The newly remastered version of “Breathe No More” is one of them — originally relegated to a B-side, the piano-driven track channels the greatness of the tragic yet touching ballads “My Immortal” and “Hello,” allowing Amy Lee’s crystal-clear vocals to delicately soar over twinkling keys. Whereas the prior two tracks found Lee grappling with painful memories and death from a child’s point of view, “Breathe” is a hard look in the mirror following a toxic relationship, as Lee wonders if she likes the person she has become. – Starr Bowenbank
Peso Pluma introduces his band while backstage at his Billboard Music Awards performance at the 2023 Billboard Music Awards Presented by Marriott Bonvoy. Peso Pluma: Here is the boss, music director, and the double bass and second voice, most bad ass producer. This is Iván Leal also known as “Parka.” On this side, we have […]
Here are the biggest winners, the best performances and all the highlights from the 2023 Billboard Music Awards Presented by Marriott Bonvoy. Tetris Kelly:From Karol G’s theatrical performance in water, to Peso Pluma bringing us into the ring with a very special guest, the reimagined Billboard Music Awards took over the world Sunday night with […]
T.I. opens up about creating some of his greatest hits, leaving his DNA on tracks, working with Rihanna and Justin Timberlake and more for Hip-Hop Through the Charts at the 2023 Billboard Music Awards Presented by Marriott Bonvoy.
T.I.:This journey has taught me so much about how to respect your art and remain true to the essence of who you are, you know what I mean?
Dawton Thomas:My man, Tip, back in the building!
T.I.:What’s happening, king?
Dawton Thomas:Good to see you, family.
T.I.:Always a pleasure!
Dawton Thomas:So before we start into the tracks and everything and the accolades, how does it feel to have over 20 years of dope hip-hop success?
T.I.:Man, it feels like a lot of work. You know, what I’m saying? A lot of hard work that paid off. You know what I mean? I’m the proudest of the music that we made then, you know? It inspired so much to happen that has evolved to still be relevant now.
Dawton Thomas:That’s real, man. Three No. 1 albums, nine top 10s, four Billboard Hot 100 No. 1 hits. We’re gonna get into some of these joints now.
T.I.:OK!
Dawton Thomas:“Bring Em Out” peaked at No. 9.
T.I.:Wow. I met Swizz in the room and remember it was me, him, Craig Kallman, and at first I heard it had Jay [Jay-Z] on there, and when I first heard it the first thing I said, “Hey, do Jay-Z know you’re playing this for me, man? Did he say … did he approve this, bro? I don’t just want to put his voice on my record and not have him OK it.”Watch the full video above!
David Guetta shares the story behind making his hit song “I’m Good (Blue)” with Bebe Rexha at the 2023 Billboard Music Awards Presented by Marriott Bonvoy. David GuettaThe story of “I’m Good” is actually crazy because we’re just jamming in the studio four years ago and we didn’t want to put it out really. I […]
Ludacris breaks down his biggest hits in Hip-Hop Through the Charts at the 2023 Billboard Music Awards Presented by Mariott Bonvoy.
Ludacris:Hip-hop is everything to me. It’s how we talk, it’s how we dress, it’s how we walk. Like, everything that I do is to give back to the culture that gave me.
Datwon Thomas:My man Luda, thank you for rocking with us on Billboard Music Awards.
Ludacris:Always a pleasure, man. It’s always great. Let’s talk the hits, man.
Datwon Thomas:Got a lot of them.
Ludacris:Man, appreciate you, bro.
Datwon Thomas:We are going to run the stats real quick.
Ludacris:OK.
Datwon Thomas:You have five Billboard Hot 100 No. 1s, four No. 1 albums, 56 charted singles.
Ludacris:That’s dope.
Datwon Thomas:That’s crazy, bro.
Ludacris:It is crazy.
Datwon Thomas:That’s crazy.
Ludacris:I never knew that’s love. Wow.
Datwon Thomas:I’m gonna start with “Money Maker” featuring Pharrell. You were on there for 25 weeks.
Ludacris:I remember winning a Grammy for that single, man, and it was like a long time coming. It definitely put the stock up for them shows a little more. You could say that.
Datwon Thomas:“Stand Up.” 2003. Twenty-eight weeks on.
Ludacris:Yeah, man. My best memory of that is Irv Gotti. We were all at Def Jam. I just remember Irv coming up to us like, “That’s how you put out a first single right there.” For soon as he heard it, I was just like, yeah, man, we knew we had one man. It was like, tempo, you know, subject matter, just it was it was everything all balled in one.
Datwon Thomas:And the video?
Ludacris:Yeah, video with the big shoes. Yes. You know what I mean? So we made something that lasted.
Watch the interview above!
Mariah Carey’s production designer and producer Rohit Kapoor and director, creative director and choreographer Debbie Allen share a behind-the-scenes look at the star’s performance of “All I Want For Christmas Is You” at the 2023 Billboard Music Awards Presented by Marriott Bonvoy. Rohit Kapoor: I’m Rohit Kapoor, and I’m production designer and producer on the […]