Billboard Pride
Chappell Roan is over-the-top. The “Hot To Go” singer who has established a reputation for elaborate costumes and aesthetics inspired by drag queens can often seem like a character from a camp movie. And, as it turns out, there’s a good reason for that.
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During a conversation at the Grammy Museum in Los Angeles moderated by Brandi Carlile on Thursday night (Nov. 7), Roan talked about making her breakthrough album, The Rise and Fall of a Midwest Princess, and how the woman born Kayleigh Rose Amstutz transformed into megawatt pop star Chappell Roan.
“Chappell is a character,” Roan, 26, told Carlile, according to The Hollywood Reporter. “I just can’t be here all the time. It’s just too much.”
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Roan explained that it took “a lot of years” to convince people that her debut album was worth releasing. Recorded with producer Dan Nigro (Olivia Rodrigo), the LP which has logged 32 weeks on the Billboard 200 chart was released in 2023 after five years of work. “I had no money. I had no numbers backing me up,” she said. “I had an EP [2017’s School Nights] that did not do well by the music standards. I had toured, but no headlines. There was nothing backing me up.”
The star said that one of the early songs she worked on with Nigro, signature banger “Pink Pony Club” — which she performed during her Saturday Night Live musical debut last weekend — was released at the “worst time” for a club anthem, April 2020, during the early peak of the COVID-19 pandemic.
It was, however, the track that helped her pull off a “complete 180” from how she dressed and performed at the time, which consisted of wearing “only black on stage. It was very serious.” But, she noted, as soon as she stopped taking herself so seriously “things started working.”
Roan has been open about how her rocket ride to fame has been disorienting. In addition to recently being being diagnosed with severe depression amid her Midwest Princess tour, she was previously diagnosed with bipolar II disorder. The singer canceled two shows on her tour in September just days before they were set to take place after saying she needed a break after feeling overwhelmed.
Asked by Carlile to describe her mental health routine, Roan said it is evolving in the wake of her sudden success this year. “My life is completely different now. Everything is out of whack right now,” she said. “This type of year does something to people. Every big thing that happens in someone’s career happened in five months for me. It’s so crazy that things I never thought would happen happened times 10. I think that that just really rocked my system. I don’t know what a good mental health routine looks like for me right now.”
Roan debuted a new song, the country pop tune “The Giver,” on SNL, just weeks after appearing to tease her next music era in an Instagram post in which she shared selfies and hinted at the follow-up to her debut breakthrough LP. “Album kinda popped off imo but it is time to welcome a hot new bombshell into the villa,” she captioned the pics, in a reference to the Love Island catchphrase welcoming new contestants, which led fans to speculate that she’s working on her second LP. In addition, Nigro has teased that Roan’s next album will be a “new version” of her.
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VINCINT, Ethel Cain, Allison Ponthier, Peach PRC and more were in attendance for the celebration.
06/28/2024
“Did you come in when I was dressed like a sperm?” Despite her wry tone, Annie Clark — the artist better known as St. Vincent — isn’t joking. Not quite an hour earlier, Clark was posing for her Billboard photo shoot in a hooded, ruffled cream mini-dress in front of a billowing blush-pink backdrop meant to […]
Billie Eilish had a major revelation last year while working on her new album, Hit Me Hard and Soft: she loves women. Like a lot. “I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina,” the 22-year-old singer tells Rolling Stone in a new cover story.
The profile delves into some of the songs on the album, including the second one, “Lunch,” described as a “sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likes sex with her to devouring a meal.” It was while recording that song that Eilish says she became acutely aware of who she really is, recording some of it before she’d ever been with a woman and the rest after her first same-sex experience.
“I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up,” she says of a 2023 Variety magazine interview in which she mentioned that she was attracted to women “for real.” The quote went viral around the globe and on a red carpet a month later Eilish was asked if she had intentionally come out in that story, telling the interviewer, “no, I didn’t,” but then thinking to herself, “‘wasn’t it obvious?’”
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She followed up with an Instagram post thanking the magazine for her Hitmakers award and also for “outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.” Eilish has typically kept her love life private and was only ever publicly linked with men, including The Neighbourhood’s Jesse Rutherford, who she broke up with in May 2023.
Now, Eilish says, she think the post was a bit of an overreaction. “Who f–king cares? The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she says. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”
For such a global megastar, Eilish is refreshingly candid in the cover story about sex, saying it is what she likes to do to decompress. “I basically talk about sex any time I possibly can. That’s literally my favorite topic,” she says. “My experience as a woman has been that it’s seen in such a weird way. People are so uncomfortable talking about it, and weirded out when women are very comfortable in their sexuality and communicative in it. I think it’s such a frowned-upon thing to talk about, and I think that should change. You asked me what I do to decompress? That s–t can really, really save you sometimes, just saying. Can’t recommend it more, to be real.”
And then, Eilish goes on a deep-dive into another favorite, often taboo topic for women: masturbation. She says pleasing herself has boosted her confidence and is an “enormous, enormous part of my life, and a huge, huge help for me. People should be jerking it, man. I can’t stress it enough, as somebody with extreme body issues and dysmorphia that I’ve had my entire life.”
In case you had questions, Eilish also describes liking to masturbate in front of a mirror, partly because “it’s hot,” but also because it allows her to have a “raw, deep connection” to herself and her body. “And have a love for my body that I have not really ever had,” says Eilish, who notes that at this point she should basically have a “Ph.D.” in onanism. “I got to say, looking at yourself in the mirror and thinking ‘I look really good right now’ is so helpful. You can manufacture the situation you’re in to make sure you look good. You can make the light super dim, you can be in a specific outfit or in a specific position that’s more flattering. I have learned that looking at myself and watching myself feel pleasure has been an extreme help in loving myself and accepting myself, and feeling empowered and comfortable.”
Having lived in the hot spotlight for nearly her entire adolescence and young adulthood, Eilish says while others have been dissecting and contemplating her sex life for “years and years,” she is only now figuring it all out. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying,” she says.
Given the chance for a do-over, the singer says she would have ignored the question, even though she knows it could have been way worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”
The interview also touches on how her upcoming third album is a return to the darker sounds of her 2019 debut, When We Fall Asleep, Where Do We Go? Hit Me Hard and Soft is due out on May 17.
Sufjan Stevens is bringing the noise to Broadway. The acclaimed singer/songwriter’s new musical, Illinoise, is slated to graduate to the Great White Way after sold-out productions at New York’s Park Avenue Armory and the Chicago Shakespeare Theater when it opens at New York’s St. James Theatre on April 24.
The show is set to the songs from Stevens’ fifth studio LP, 2005’s concept album Illinoise (also known as Sufjan Stevens Invites You to: Come on Feel the Illinoise) which features songs and characters based on the Prairie state as the follow-up to his previous “state” album, 2003’s Michigan.
The show will be directed and choreographed by Tony-winner Justin Peck (Carousel, West Side Story), with an original story by Peck and Pulitzer Prize-winning playwright Jackie Sibbles Drury (Fairview, Marys Seacole).
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The cast of Illinoise includes: Yesenia Ayala (West Side Story film), Kara Chan (Twyla Tharp Dance), Ben Cook (West Side Story film), Gaby Diaz (So You Think You Can Dance? winner, Maestro), Jeanete Delgado (Miami City Ballet), Carlos Falu (West Side Story film), Christine Flores (Dance Heginbotham), Jada German (Twyla Tharp Dance) and Zachary Gonder (Carmen at Lyric Opera), among others. The vocalists and band for the show will be announced soon.
According to an announcement, the show “brings the original story to life, set to the entirety of Stevens’ album with new arrangements by composer, pianist, and frequent Stevens collaborator Timo Andres, ranging in style from DIY folk and indie rock to marching band and ambient electronics, performed live by an 11-member band and three vocalists.”
“We’re absolutely thrilled to bring Illinoise to the St. James Theatre on Broadway. This project has been ruminating in my mind for nearly 20 years, which makes this moment even more sublime,” said Peck in a statement. “The audience response throughout our engagement at Fisher Center at Bard, Chicago Shakespeare Theater and Park Avenue Armory has been extraordinary, and we feel lucky that we get to continue sharing this unique show with future audiences on Broadway.”
Peck described the show as a coming-of-age story that “takes the audience on a journey through the American heartland — from campfire storytelling to the edges of the cosmos — all told in through a unique blend of music, dance, and theater. On behalf of my team, we welcome this rare opportunity with full hearts.”
Playwright Sibblies Drury added, “Supporting the craft of each of the artists involved in making up this show has been a joy and an inspiration. For me, the thing that makes Illinoise so special is how it allows incredible performers to come together with an audience and welcome emotion and connection with open arms. It is rare to have an experience, in a public space, that is moving on an elemental level, so we are all incredibly gratified to bring Illinoise to the St. James on Broadway.”
The musical’s limited engagement will run through August 10, with tickets on sale now here. The show is produced for Broadway by Orin Wolf, John Styles and David Binder in association with Seaview and executive produced by Nate Koch and co-produced by Thomas O. Kriegsmann and the Fisher Center at Bard.
Renée Rapp used her time on stage at Thursday night’s (March 14) at the 2024 GLAAD Media Awards to speak her mind about the ongoing war between Israel and Hamas. While accepting the award for outstanding music artist at the Beverly Hilton hotel in Los Angeles in front of a star-studded crowd, Rapp urged for an end to the hostilities that began after members of militant group Hamas stormed into Israel on Oct. 7, murdering, raping and assaulting more than 1,200 Israelis while taking more than 250 hostages.
“We’re in a room of very influential people, very privileged people, which is exciting and also a huge privilege to be a part of that,” Rapp said while reading a statement from her phone to applause from some in the room at the event hosted by Wayne Brady that also honored Niecy Nash-Betts, and Oprah Winfrey. “Having said that, I’d like to take the opportunity to show support and call for an immediate ceasefire and permanent ceasefire in Gaza.”
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The “Not My Fault” singer and Mean Girls star ended by urging the audience to “continue to advocate for yourselves, continue to advocate for your friends, your queer friends and for those who can’t advocate for themselves.”
To date, Israel’s deadly military response to the Hamas attack has reportedly killed more than 32,000 Palestinians in Gaza and the West Bank — many of them women and children — and displaced nearly two million Gazans as the war has dragged into its sixth month with no end in sight. Israeli Prime Minister Benjamin Netanyahu has rejected calls for a ceasefire to end the conflict that has also caused a massive humanitarian crisis, with the UN warning that more than half a million Palestinians are facing famine-like conditions in the territory where nearly all infrastructure has broken down.
To date a number of other celebrities have also called for a ceasefire, including Gigi and Bella Hadid, Susan Sarandon, Kehlani, The Weeknd, Annie Lennox, Hunter Schafer, Hozier, Pedro Pascal, Angelina Jolie, Mark Ruffalo and Boygenius. On Thursday, Senate Majority leader Chuck Schumer called for new elections in Israel to replace Netanyahu, saying the hardline leader’s government “no longer fits the needs of Israel.”
Schumer, who is Jewish and a long-time vigorous supporter of Israel, said, “As a democracy, Israel has the right to choose its own leaders, and we should let the chips fall where they may. But the important thing is that Israelis are given a choice. There needs to be a fresh debate about the future of Israel after Oct. 7. In my opinion, that is best accomplished by holding an election.”
See video of Rapp’s statement below.
Kim Petras has the perfect soundtrack for you Valentine’s Day. The Grammy-winning singer dropped a 12-track sex positive lust bomb EP on Wednesday (Feb. 14) entitled Slut Pop Miami, a sequel her 2002 seven-track Slut Pop EP.
The collection that a press release explains was “inspired by hedonistic trips to Miami” pulls no punches from jump on “Slut Pop Reprise,” on which Petras promises “these b–ches can’t suck like me/ Walk in, I’m the sucking queen” over an insistent disco beat and a robotic voice announcing “this is slut pop.”
The pleasure-seeking party doesn’t stop there, with X-rated jams including “Gag On It,” “F–in’ This F–kin’ That,” “Get F–ked,” “Rim Job,” “C–kblocker,” “B-tt Slut,” “Whale C-ck” and the EDM banger “Banana Boat,” on which Petras coos “So ripe, so sweet, big and juicy/ Can’t wait to put ya in my smoothie/ I wanna ride, ride, ride your banana boat.”
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Petras has been hyping the collection on her Instagram for the past two weeks, showing off a custom Corvette with the album’s title, a teaser for the album’s title track in which Petras poses on the beach in a barely there silver bikini hiding, over inflated, exploding breast implants. After that clip was posted, Petras’ “Unholy” collaborator, Sam Smith, commented “UNBELIEVABLE.”
In the day leading up the EPs release, Petras released two more NSFW teaser videos that, well, see for yourself.
Petras is currently on the European leg of her Feed the Beast world tour in support of her 2023 albums Feed the Beast and Problématique.
Listen to Slut Pop Miami below.
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