Billboard Music Awards
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Hosts Tetris Kelly and Rania Aniftos talk about their favorite Billboard Music Awards moments, the biggest artists of the year based on their chart achievements, new categories in the Billboard Music Awards like K-Pop and Afrobeats, what makes this new reimagined Billboard Music Awards different from other music award shows and more! Tetris Kelly 0:07Welcome […]
Fans who tune in to the 2023 Billboard Music Awards on Sunday will see performances by Morgan Wallen, Mariah Carey, Peso Pluma, Tate McRae, Bebe Rexha & David Guetta, Stray Kids, NewJeans and KAROL G. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday (Nov. 19) beginning at 8 p.m. ET/5 p.m. PT.
The performances will be tailored to each artist. Wallen will perform “98 Braves” from the Braves’ home field, Truist Park in Atlanta, while the country superstar is in the midst of his sold-out U.S. tour.
Carey will give a festive, Aspen-inspired performance of “All I Want for Christmas Is You,” which will mark the first time the holiday perennial has ever been performed on an awards show. Legendary choreographer (and onetime R&B chart hitmaker) Debbie Allen will oversee creative direction of the sequence.
Peso Pluma’s performance of “Rubicón” will include a special guest appearance by boxing legend Mike Tyson, who is a self-declared Pluma superfan. Over the summer, Tyson posted a video promoting Pluma’s album, Génesis, saying, “Ahhh, it’s my sh–!” when one of the songs started playing.
McRae will make her BBMAs debut by performing her hit “greedy,” which leaps from No. 22 to No. 11 on this week’s Billboard Hot 100. The performance was filmed at the new Moxy Hotel in downtown Los Angeles.
Rexha and Guetta will perform their global hit “I’m Good (Blue)” and their follow-up “One in a Million.”
Stray Kids will make their BBMAs debut with an action-packed performance featuring two of their hit singles, “S-Class” and “LALALALA.” This will mark the first time “LALALALA” has been performed on an awards show.
NewJeans will perform “Super Shy” and “OMG,” two of their five songs that made the Hot 100 this year.
The lineup includes two K-pop acts (NewJeans and Stray Kids) and two Latin artists (Peso Pluma and Karol G), which says a lot about the increased diversification of the contemporary music scene.
Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Pluma (six each); and Ariana Grande, Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).
The 2023 BBMAs will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, produced by Dick Clark Productions, will deliver a reimagined award show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.
In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans received a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.
Marriott Bonvoy, Marriott’s travel program and marketplace, is presenting this year’s BBMAs. Other sponsors include Lexus, who surprised one lucky fan with VIP treatment with a private ride in a luxury Lexus vehicle to the one-of-a-kind performance.
Here’s the full list of 2023 Billboard Music Awards performers:
Mariah Carey
KAROL G
Tate McRae
NewJeans
Peso Pluma
Bebe Rexha & David Guetta
Stray Kids
Morgan Wallen
Tate McRae will make her Billboard Music Awards debut by performing her hit “Greedy,” which leaps from No. 22 to No. 11 on the current Billboard Hot 100. It is her second top 20 hit, following “You Broke Me First,” which reached No. 17 in March 2021. In addition to her debut BBMA performance, McRae also makes her debut on Billboard‘s cover this week.
The performance was filmed at the new Moxy Hotel in downtown Los Angeles, a part of the Marriott Bonvoy portfolio of hotel brands. Marriott Bonvoy, Marriott’s travel program and marketplace, is presenting this year’s BBMAs.
McRae is a 2023 Billboard Music Awards finalist for top dance/electronic song for the second year in a row for the Tiësto-led track “10:35,” which reached No. 2 on Billboard’s Hot Dance/Electronic Songs chart and No. 69 on the Hot 100. McRae was nominated in that same category last year for “You,” a collab with Regard and Troye Sivan.
“Greedy” will be featured on McRae’s sophomore album Think Later, to be released Dec. 8 via RCA Records in advance of her 2024 world tour.
McRae joins previously announced BBMAs performers Mariah Carey, Bebe Rexha & David Guetta, KAROL G, NewJeans, Peso Pluma, Stray Kids and Morgan Wallen. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19, beginning at 8 p.m. ET/5 p.m. PT.
McRae, 20, has had seven Hot 100 hits, including two this year. The singer, who was born in Calgary, Alberta, Canada, has also had seven charted songs on Billboard’s Pop Airplay chart, including “You Broke Me First,” which reached No. 2 in April 2021. “Greedy” jumps to No. 7 on that chart this week.
Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, David Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).
The 2023 BBMAs will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, produced by Dick Clark Productions, will deliver a reimagined award show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.
In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.
McRae’s performance and two BBMAs acceptance speeches will be hosted at hotel brands within the Marriott Bonvoy portfolio. Additionally, Marriott Bonvoy will provide a select group of fans access to attend five BBMAs performances via Marriott Bonvoy Moments. Other sponsors include Lexus, who will surprise one lucky fan with VIP treatment with a private ride in a luxury Lexus vehicle to the one-of-a-kind performance.
Tate McRae was recently scrolling TikTok when an old interview she did at 16 came across the screen. “I was the most awkward person ever, and I was like, ‘There’s no chance that this is the same person,’ ” she says with a grimace. “You evolve so much, and not only am I seeing it, but I’m documenting it in my music in real time.”
Now 20 and living in Los Angeles, the native of Calgary, Alberta (which she calls “the Texas of Canada”), has spent much of her life thus far on screens — both her own, while navigating TikTok like a promotional pro, and others, whether on network TV or YouTube. As a teen, McRae placed third on the 2016 season of So You Think You Can Dance and soon after, in fall 2017, launched the weekly YouTube series Create With Tate, which she used to share new choreography and music covers. She thought she would go on to become a backup dancer, but she felt equally drawn to songwriting, covering her bedroom walls with lyrics, quotes and poems that her mother has since painted over in a shade she describes as “serial killer white.”
Tate McRae will perform at the 2023 Billboard Music Awards on Nov. 19. Watch on BBMAs.watch, @BBMAs and @billboard socials.
One of the first videos she posted was a song that proved she wasn’t destined to be anyone’s backup — and could very much hold pop’s center stage on her own. The lovelorn piano ballad “One Day” (which McRae wrote herself) gained traction online, and by early 2018, she and her parents were flying to New York for label meetings (accompanied by McRae’s dance manager at the time); just a year later, it was announced that she had signed a record deal with RCA and a management deal with Hard 8 Working Group. As her high school graduation in Calgary neared, McRae was splitting her time between midterms and awards shows.
“She was so young then, obviously, but so determined and really in some ways sort of moved like a competitive athlete, which makes a lot of sense, given her dance background,” RCA COO John Fleckenstein says. “But still, even at that age, she was so clear on where she wanted to go and what was important to her.”
And while those in McRae’s inner circle agree she has always wanted to steer her own ship — and has proved more than capable — she says that it took her until now to learn how to sail full speed ahead and in only one direction: her own. When she got her start in the industry, she was straddling two different worlds. “Now a lot of my time revolves around music in some way: thinking about music, playing music, driving and listening to music,” McRae says. “It’s all one world.” But merging the two didn’t happen without some friction.
Vintage Junya Watanabe top, MM6 Maison Margiela jeans.
By 2020, McRae was well positioned for a major year, with a proper team assembled. Then came the pandemic; still, she stuck with the plan, releasing what became her breakout hit, “You Broke Me First,” that April despite being homebound — unable to promote it or fully enjoy its success. Like “One Day,” “You Broke Me First” is a tender, midtempo pop song, and together they contributed to McRae’s early classification as a “sad pop” songwriter, drawing comparisons as Canada’s answer to Billie Eilish. But “You Broke Me First” has a bit more bite than its predecessor. It took off on TikTok within a month, ultimately peaking at No. 17 on the Billboard Hot 100, and performances at the MTV European Music Awards and on Jimmy Kimmel Live! followed — all as McRae prepared to graduate and move to Los Angeles.
McRae recalls spending a month in the city in April 2021, renting a house with her parents to “test it out,” during which they read Donald S. Passman’s industry bible, All You Need To Know About the Music Business. “We read this book together because we were like, ‘What are we walking into right now?’ ” At the end of their stay, McRae got her own apartment and has lived solo since. Though she admits she spends lots of time “inside on my couch,” she has found comfort and community in “a really awesome girl group” and fellow artist friends (like pal Olivia Rodrigo, whose “bad idea right?” video includes a McRae cameo) “because we’re private in our personal lives, but then our innermost, darkest, most intense fears are the things we’re putting on display, which is so weird.”
In the following years, McRae released music at a steady pace, including two EPs (All the Things I Never Said and Too Young To Be Sad) and a string of collaborations with artists such as Troye Sivan and Regard (“You”) and Khalid (“Working”), both of which became Hot 100 hits. Her 2022 debut album, I Used To Think I Could Fly, debuted at No. 13 on the Billboard 200 and yielded two more Hot 100 entries while also supporting her headlining tour of clubs and small theaters. All of which should have been cause for celebration — but what McRae remembers most is feeling lost.
“[That] album was a very big internal battle for me. I was so confused with who I was as a person,” she says. “I remember releasing it when I was still on tour, and it felt so overwhelming. I was just like, ‘Oh, wow. I just released my first album. It’s here, it’s happening. I am now an artist.’ And I think as much as it was a relief, I also was just like, ‘Is this right?’ ”
Ottolinger dress, Brandon Hurtado Sandler ring.
As she put together the album, McRae had felt like she “was working with every producer on the planet” and struggled with her “people-pleasing” tendencies while trying to make everyone involved happy. “It took a lot of time after that to be like, ‘OK, let me not look at any other person for a really long time and just figure out who the f–k I am and what I want to do with my life for real.’ ”
By the end of 2022, McRae knew something had to change. She trusted her gut. “I had to figure out who [in the industry] was actually on my side and who wasn’t … so a lot was shifting behind the scenes.” The biggest shift came when she signed a new management deal with Full Stop’s Tom Skoglund, Jeffrey Azoff and Tommy Bruce (all of whom also manage Harry Styles), along with Sali Kharazi and Ali Saunders.
“I was lost in the whirlwind of it all, and it got to a point where I was like, ‘I don’t feel like I’m being respected as a young woman, and I don’t think I’m being heard in the ways that I want to be,’ ” she says. “What I take a lot of pride in is being a genuine, good person. I’m always going to give out that energy, and if the people who are representing you and on your team aren’t reciprocating that, that’s just not the type of people you want on your side. I was just feeling like I was stuck in a spot I had been in for like, five years, and I was like, ‘I feel like I’m going crazy.’ ”
At such a time, she was thankful for her young artist and producer friends, whom she says were “so transparent with me on how things [looked] from the outside.” And now, she couldn’t be more grateful for her new management team and the relationship they’ve built — and the many successes they have already shared. “They look at me and they don’t question me making decisions,” she says. “I want to be a businesswoman. I’m 20 now and I’m still young, but I know what I want.”
Tate McRae photographed on October 31, 2023 in Los Angeles. Masha Popova top, Givenchy skirt, pants and shoes.
Simultaneously, McRae’s creative process shifted as she finally found a consistent co-writing crew in Ryan Tedder, Amy Allen and Jasper Harris. She says the way they made her forthcoming second album, Think Later (out Dec. 8 on RCA), was how she always imagined her idols made albums, with a sense of togetherness. “My last album wasn’t like that at all … I was getting songs from 10 different people and being like, ‘OK, here’s an album.’ And this time it was written by the same core group of people,” she says. “That’s what made the process so fun for me, because it actually felt like a project that I was working on.”
Already, the new process is yielding results. Sultry lead single “Greedy” has become McRae’s highest-charting hit to date, peaking at No. 11 on the Hot 100, driven by 104.2 million on-demand streams, according to Luminate, and its usage in 1.3 million TikTok videos. But arguably, its biggest accomplishment has been reintroducing McRae to the masses — as an artist who, this time, knows exactly who she is.
While McRae says fans shouldn’t expect the entire album to sound like “Greedy,” she thinks the song represents a stylistic through line of “straight pop. It’s also pretty savage.” She credits the shift to her alter ego, Tatiana, McRae’s tour persona whom she describes as “ballsy, so loud and obnoxious.”
Vassia Kostara suit, Givenchy shoes.
In the studio, “I was like, ‘I don’t really give a f–k. I just want to say what I want to say and I want to be 20 years old,’ ” she says. “Sometimes you just want to go out and have a good time and just live life and be present and follow your intuition and not think too hard about it — and I just didn’t feel like thinking too hard about a lot of these songs. I don’t think people are going to expect me to say the stuff that I’m saying.”
In other words, as Fleckenstein puts it: “Some of these records, you’re going to stop in your tracks and go, ‘I didn’t realize she could do that.’ ”
When we talk in early November, McRae tells me her last few weeks have felt like “a bit of a dream.” “Greedy” blasted off; she announced her second album along with a world tour, during which she’ll play her first hometown show and end at Madison Square Garden; and she started prepping for her Saturday Night Live musical guest debut. But, perhaps most impressively, she got her collaborator Tedder to work on a Sunday.
“She’s the first artist to get me to [do that] in close to 10 years!” exclaims Tedder, who executive-produced Think Later. “I don’t care how much I love you, who you are, how many Grammys or how high the stakes are, I don’t work on weekends. Weekends and late-night rap sessions are two things I’ve officially graduated from. But she got me to do it because the song was that good.”
Ottolinger dress, Cult Gaia shoes.
The song came together in one weekend — and after she had technically finished her album. The two had started working at 10 a.m., going through sequences and punching vocals, with the goal of wrapping by 7 p.m. About an hour in, McRae revealed she felt that one box had yet to be checked, sonically speaking, on the album. “We had already sent the tracklist to the label, and at 6 p.m., we walked out with a song completely written, recorded, vocaled and produced,” Tedder says. “It’s the fastest, craziest Hail Mary of my entire life.” The next day, a Sunday, they listened with what he calls “tomorrow ears” and finished the track with enough time for it to make it on Think Later.
McRae and Tedder first met over a Zoom session in 2020, after being connected by mutual friend and songwriter-producer J Kash. As they both recently recalled to each other, they wrote a “trash” song that day and didn’t work together again until late last year, on Tiësto’s thumping dance-pop track “10:35” (on which McRae features). It was clear to Tedder then that McRae had “started to definitively put up guideposts.”
That became even more apparent during their first session together late last year for Think Later, when they wrote one of Tedder’s favorite songs on the album. “That session started with her walking in, opening up a playlist that she made that had 21 to 22 songs on it, and [saying], ‘These are the songs that shaped [me]. I want to figure out the through line and attempt to beat some of these,’ ” he recalls. “She had words and phrases and endless amounts of topics and real-life stories to write from, and that just doesn’t happen. I can count on one hand the artists I’ve worked with in 20 years that have pulled that on day one. And it was the most refreshing thing in the world. Otherwise, you’re playing pin the tail on the donkey in the dark.” (As further proof, he adds that McRae’s mix notes are so detailed “you’d think Quincy Jones wrote them.”)
That session led to many more with the same tight-knit team — just how McRae had always envisioned making an album — including the one for “Greedy.” Earlier this year, Tedder had posted on Instagram a few early-2000s songs he was revisiting, including some by Nelly Furtado, to which McRae replied that she had been listening to the same material. “There was a discussion like, ‘Would it work now?’ ” Tedder says. “I said, ‘One hundred percent it will.’ I’m just old enough where I know cycles, and this cycle is going to happen.”
Vassia Kostara suit, Givenchy shoes.
McRae calls “Greedy” a “wild pass” on which they tried a totally new sound and beat — and just as Tedder predicted, it worked big time. She remembers debuting the single during her Philadelphia tour stop: “No one knew it was coming, and I remember feeling it that first night, like, ‘Holy sh-t, what’s going to happen with this song?’ ”
And while fans may not have known when to expect the song, they knew something was coming thanks to McRae’s TikTok, where she boasts 5.5 million followers (the most of her social media accounts) and had been teasing the song in a series of clips. (Within days of finishing her last song created with Tedder, she had already started teasing that on the app, too.)
“She is not scared or shy about playing music for fans and talking about what she’s doing, and she is driving that conversation every step of the way,” Fleckenstein says. “It’s not a record label ta-da! that you’re seeing around her where there’s some orchestrated marketing promotional shtick. This is about her making something, delivering it to her fans and saying, ‘This is what I care about, and I hope you do, too.’ And then we, as her partners and label, are making it as big as we can possibly make it.”
Tedder says he always tells McRae that, when it comes to social media savvy, “you’re the female [Lil] Nas [X] and he’s the male Tate,” adding that, “Understanding that the world lives on the internet and understanding what people want to hear, how they want to hear it and how they want it to be presented, that is its own art form now that I didn’t have to contend with when I started. I played a gig last night and was with Kygo and The Chainsmokers, and [The Chainsmokers’] Alex [Pall] and Drew [Taggart] cornered me to talk about Tate, and Drew said, ‘Man, I’ve been watching what’s going on with that song. She gets the internet.’ ”
Which is why McRae was well aware that the “Greedy” music video — in which she heats up an ice rink with her impressive dance moves, which she worked on with choreographer-to-the-stars Sean Bankhead — would land so well. “I’m really particular with my taste, and that hasn’t always translated through what the internet has seen of me, even with what I’m wearing and how I’m performing and the choreography,” she says. “I’m so proud of [the “Greedy” video] because I got to actually be a dancer and make a video that I was like, ‘This is sick. I want to show my friends.’ I never ever used to feel that way.”
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Now she’s thinking of how to translate this previously untapped swagger to the stage. On her most recent tour, which wrapped in October, McRae wanted to push herself as a vocalist rather than relying on her dance background to carry the show. And yet, those roots are what so many in McRae’s inner circle call her “magic.” As Tedder says, “She can outdance any pop star and it’s something she rarely flexes — and she flexed in [the “Greedy”] video.”
“The truth is, she is winning because she is singular,” Fleckenstein adds. “And particularly in a pop landscape — which is often a fickle and very difficult place to be successful — you need to be that good.”
And no one understands that better than McRae herself. When she names the artists she most admires, they’re a reflection of her own ambition — and many are former dancers who translated that foundation into global pop superstardom. “When I look at my favorite icons or videos or performances, it’s always the biggest pop stars, so I think that’s always a goal,” she says. “I think what defines a pop star is how iconic [they are]: Madonna, Britney [Spears], Christina [Aguilera]; they would put on these shows and blow everybody away and make timeless art. And that’s what I want to do: make timeless art and timeless performances — and strive to keep on doing that.”
This story will appear in the Nov. 18, 2023, issue of Billboard.
Queen of Christmas Mariah Carey will take the Billboard Music Awards stage for a festive, Aspen-inspired performance of “All I Want for Christmas Is You,” which will mark the first time the holiday perennial has been performed on an awards show. Legendary choreographer Debbie Allen will oversee creative direction of the sequence.
Carey’s performance is part of a star-filled lineup of previously announced BBMA performers, including David Guetta and Bebe Rexha, KAROL G, NewJeans, Peso Pluma, Stray Kids and Morgan Wallen. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19, beginning at 8 p.m. ET/5 p.m. PT.
Carey will be honored with the Billboard Chart Achievement Award for the holiday classic, which has climbed to No. 1 on the Billboard Hot 100 every year since 2019. It has thus far spent 12 weeks at No. 1 on Billboard’s flagship chart, becoming one of three Carey hits to log 10 or more weeks in the top spot. It joins “One Sweet Day,” a collab with Boyz II Men which spent a then-record 16 weeks at No. 1 in 1995-96 and “We Belong Together,” which spent 14 weeks on top in 2005.
Carey holds many Hot 100 records. She has had 19 No. 1 hits, the most of any solo artist. She is the artist with the most weeks at No. 1 (91). She is the female songwriter with the most No. 1 hits (18). She is the only artist to reach No. 1 with her first five singles — “Vision of Love,” “Love Takes Time,” “Someday,” “I Don’t Wanna Cry” and “Emotions.”
In addition, Carey has made her mark on many other charts. She is the artist with the most weeks at No. 1 on the Radio Songs chart (91). She has had 18 top 10 albums on the Billboard 200, including six No. 1 albums (Mariah Carey, Music Box, Daydream, Butterfly, The Emancipation of Mimi and E=MC2).
Allen has won three Primetime Emmy Awards for choreography for the TV series Fame and The Motown 25th Anniversary Special. In 2020, she received the Kennedy Center Honors. In 2021, she received a Governors Award at the 73rd Primetime Emmy Awards.
Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, David Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).
The 2023 BBMAs will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, produced by Dick Clark Productions, will deliver a reimagined award show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.
In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.
The 2023 BBMAs is presented by Marriott Bonvoy, Marriott’s travel program and marketplace. One special BBMAs performance and two exclusive acceptance speeches will be hosted at hotel brands within the Marriott Bonvoy portfolio. Additionally, Marriott Bonvoy will provide a select group of fans access to attend five BBMAs performances via Marriott Bonvoy Moments. Other sponsors include Lexus, who will surprise one lucky fan with VIP treatment with a private ride in a luxury Lexus vehicle to the one-of-a-kind performance.
Billboard announces Morgan Wallen will be performing at the Billboard Music Awards 2023. Billboard runs through some of Morgan Wallen’s biggest chart highlights of his career. Tetris Kelly:Country superstar Morgan Wallen broke records this summer with his smash hit “Last Night.” Officially named the song of the summer, it was the first time since 1974 […]
Billboard has announced that NewJeans will be performing at the 2023 Billboard Music Awards. Billboard runs through some of the biggest chart highlights of NewJeans’ career. Tetris Kelly:NewJeans is just getting started on the Billboard charts but the K-pop group has made quite an entrance. In just a few short years, the girl group has […]
K-pop girl group NewJeans will make their U.S. awards show performance debut at the 2023 Billboard Music Awards, which are just 11 days away. They are the third BBMAs performers to be announced, following Peso Pluma and Bebe Rexha & David Guetta.
Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19, beginning at 8 p.m. ET/5 p.m. PT.
The quintet, which consists of Minji, Hanni, Danielle, Haerin and Hyein, will perform “Super Shy” and “OMG,” two of their five songs that made the Hot 100 this year. In August, NewJeans’ 2nd EP ‘Get Up’ entered the Billboard 200 chart at No. 1, edging out Barbie: The Album.
NewJeans is a finalist for five BBMAs this year, putting them in a tie with Eslabon Armado for the most entries by a group. They’re up for top global K-pop artist; top Billboard global (excl. U.S.) artist; top K-pop album for 2ndEP ‘Get Up’; and top global K-pop song for both “Ditto” and “OMG.”
In addition to their achievements on the all-genre Billboard Hot 100 and Billboard 200, NewJeans have had three top 10 hits on the Billboard Global 200; four top 10 hits on the Billboard Global (Excl. U.S.) chart; and six top 10 hits on the World Digital Song Sales chart.
Taylor Swift is the top finalist at the 2023 BBMAs with 20 nods. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, David Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).
The 2023 Billboard Music Awards Presented by Marriott Bonvoy will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, produced by dick clark productions, will deliver a reimagined awards show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.
In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.
The 2023 BBMAs is presented by Marriott Bonvoy, Marriott’s travel program and marketplace. One special BBMAs performance and two exclusive acceptance speeches will be hosted at hotel brands within the Marriott Bonvoy portfolio. Additionally, Marriott Bonvoy will provide a select group of fans access to attend five BBMAs performances via Marriott Bonvoy Moments.
Other sponsors include Lexus, who will surprise a fan with the ultimate VIP treatment. In addition to having the best seat in the house, they’ll enjoy a private ride in a Lexus vehicle to the one-of-a-kind performance.
Bebe Rexha & David Guetta are set to perform at the 2023 Billboard Music Awards, which are just 12 days away. They are the second BBMAs performers to be announced, following Peso Pluma. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19, beginning at 8 p.m. ET/5 p.m. PT.
Rexha and Guetta will perform their global hit “I’m Good (Blue)” and their follow-up “One in a Million.” “I’m Good (Blue)” is a finalist for three BBMAs – top collaboration, top Billboard global (excl. U.S.) song, and top dance/electronic song.
In addition, Guetta is a finalist for two awards on his own: dance/electronic artist and a second entry for top dance/electronic song – “Baby Don’t Hurt Me,” a collab with Anne-Marie and Coi Leray.
“I’m Good (Blue)” spent 55 weeks at No. 1 on the Hot Dance/Electronic Songs chart. Only one song in the chart’s nearly 11-year history has had a longer run at No. 1; “Happier” by Marshmello and Bastille topped the chart for 69 weeks.
Rexha is no stranger to chart-busting collaborations. “Meant to Be,” her collab with Florida Georgia Line, topped Hot Country Songs for a record 50 weeks.
Rexha and Guetta are both past BBMA winners. “Meant to Be” won four years ago for top country song. Guetta was named top EDM artist in 2013.
Rexha has had a total of four top 10 hits on the Hot 100. Guetta has amassed seven. Guetta has had two top five albums on the Billboard 200: Nothing But the Beat (No. 5 in 2011) and Listen (No. 4 in 2015). Rexha’s highest charting album on the Billboard 200 was Expectations, which debuted and peaked at No. 13 in 2018.
Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).
The 2023 Billboard Music Awards Presented by Marriott Bonvoy will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, produced by Dick Clark Productions, will deliver a reimagined award show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.
In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.
The 2023 BBMAs are presented by Marriott Bonvoy, Marriott’s travel program and marketplace. One special BBMAs performance and two exclusive acceptance speeches will be hosted at hotel brands within the Marriott Bonvoy portfolio. Additionally, Marriott Bonvoy will provide a select group of fans access to attend five BBMAs performances via Marriott Bonvoy Moments.
Other sponsors include Lexus.