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Billboard Lists

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Former A&M Records executive Derek Taylor captured the sound of Sergio Mendes and Brasil ’66 in a few well-chosen phrases in in his liner notes to the group’s first album for the label. Taylor wrote excitedly about its “delicately-mixed blend of pianistic jazz, subtle Latin nuances, cool minor chords, a danceable beat, gentle laughter and a little sex.”

With all that going for it, how could it miss?

Mendes, who died on Thursday Sept. 5 at age 83, had the kind of career artists dream about. He had enormous success in the 1960s fronting Sergio Mendes & Brasil ’66, which had three top 10 albums on the Billboard 200 and two top 10 hits on the Billboard Hot 100. But Mendes’ success didn’t end when that group’s fortunes cooled. He enjoyed periodic comebacks and periods of rediscovery for decades to come.

He had a big comeback in 1983 with the Barry Mann & Cynthia Weil power ballad “Never Gonna Let You Go,” which reached the top five on the Hot 100. He enjoyed another rediscovery in 2006 when his album Timeless, which he co-produced with will.i.am, reached No. 44 on the Billboard 200 and received a pair of Grammy nods. (The album featured such guest artists as The Black Eyed Peas, Erykah Badu, Stevie Wonder, John Legend and Justin Timberlake.) In 2012, he was nominated for an Oscar for best original song for a song he co-wrote for the film Rio.

Mendes won a Grammy for best world music album for his 1992 album Brasileiro and two Latin Grammys for best Brazilian contemporary pop album for Bom Tempo and Timeless. He received a lifetime achievement award from the Latin Recording Academy in 2005.

In 1966, Mendes came to the attention of Herb Alpert, co-founder of A&M Records, and one of the top-selling album artists of the 1960s. Alpert produced the group’s first three albums, all of which went gold. Alpert also took Brasil ’66 on tour with him and even wrote an enthusiastic recommendation that appeared on the back cover of their debut album: “One afternoon recently, a friend of mine called to ask if I wanted to hear a new group. From the first note I was grinning like a kid who’d just found a new toy.” That album remained on the Billboard 200 for more than two years (a rarity in those days) and was voted into the Grammy Hall of Fame in 2012.

Alpert was a close friend of Mendes’ for nearly 60 years. “Sergio Mendes, my brother from another country, passed away quietly and peacefully,” Alpert said in a statement on Friday. “He was a true friend and extremely gifted musician who brought Brazilian music in all its iterations to the entire world with elegance and joy.” (Another bond between the two musicians: Lani Hall, to whom Alpert has been married since 1973, was one of two female singers in Sergio Mendes & Brasil ’66.)

The group’s sound was cool, yet hot, and brimming with confidence. Still, it was a new sound in 1966, so new that A&M took no chances and supplied parenthetical phonetic spellings for five song titles on the album, including “Mais Qu Nada (Ma-sh Kay Nada).” That pronunciation gambit may seem quaint in an era when Bad Bunny gives acceptance speeches on general-audience award shows in Spanish, but, hey, baby steps. One generation paves the way for the next.

The group’s music was often featured in “lounge music” compilations of pop songs from the 1960s, which were a forerunner to today’s “yacht rock” collections of pop songs from the 1970s and 1980s. Some people, it seems, can only enjoy pop music if they’re being ironic about it. (But they’re listening, so I’ll take it.)

Here are 10 Mendes tracks which will remind you of his greatness or give you a good place to start in exploring this talented and innovative musician.

I wrote the liner notes for a CD compilation, Sergio Mendes & Brasil ’66-86, which was released in 1987 amid A&M’s 25th anniversary celebration. This piece draws some material from those notes.

“Acode” (2008)

08/15/2024

Of the 10 double honorees, seven are women, two are men and just one is a group.

08/15/2024

06/18/2024

Our picks of the best songs from the most packed first half of a year in recent memory.

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Katie Atkinson, Eric Renner Brown, Hannah Dailey, Stephen Daw, Angel Diaz, James Dinh, Frank DiGiacomo, Thom Duffy, Griselda Flores, Josh Glicksman, Paul Grein, Lyndsey Havens, Rylee Johnston, Elias Leight, Meghan Mahar, Taylor Mims, Gail Mitchell, Jessica Nicholson, Danielle Pascual, Isabela Raygoza, Dan Rys, Michael Saponara, Damien Scott, Andrew Unterberger, Christine Werthman

06/18/2024

06/17/2024

Our favorite LPs from a year that’s wasted no time getting busy with the big releases.

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Katie Atkinson, Katie Bain, Dave Brooks, Eric Renner Brown, Hannah Dailey, Stephen Daw, Kyle Denis, Angel Diaz, Frank DiGiacomo, Thom Duffy, Griselda Flores, Josh Glicksman, Elias Leight, Joe Lynch, Heran Mamo, Taylor Mims, Jessica Nicholson, Danielle Pascual, Isabela Raygoza, Kristin Robinson, Jessica Roiz, Dan Rys, Michael Saponara, Damien Scott, Andrew Unterberger, Christine Werthman

06/17/2024

Broadway’s biggest night, the Tony Awards, is almost here. It all gets underway Sunday, June 16, at 6:30 p.m. PT/3:30 p.m. PT with The Tony Awards: Act One, co-hosted by Julianne Hough and Utkarsh Ambudkar. That 90-minute pre-show, where many of the technical awards are presented, streams on Pluto TV (click on the “ET” channel). […]

06/10/2024

This star-studded list will get you in the mood for this year’s Tonys, which are set for Sunday June 16.

06/10/2024

Taylor Swift’s Lover logs its 45th week at No. 1 on Billboard’s Catalog Albums chart, extending its record for the longest run by a female solo artist in the chart’s history. Lover eclipsed Adele’s debut album, 19, four weeks ago.

Lover didn’t get all that much love (at least by Swift’s sky-high standards) when it was released. The album spent just one week at No. 1 on the Billboard 200 and was passed over for a Grammy nod for album of the year (though it did receive a Grammy nod for best pop vocal album). But the belated success of “Cruel Summer,” which topped the Billboard Hot 100 for four weeks starting in October 2023, more than four years after the album’s release, has revived the album. The phenomenal success of the Eras Tour has also kept it high on the charts.

The Catalog Albums chart ranks the week’s most popular catalog albums in the U.S. Catalog albums are titles that are older than 18 months old and have fallen below No. 100 on the Billboard 200 — or holiday albums in their second holiday season. The chart was introduced in Billboard in the issue dated May 25, 1991.

For the first 18 years of Top Catalog Albums, catalog albums weren’t eligible to appear on the Billboard 200. That changed with the Dec. 5, 2009-dated chart, when catalog restrictions were lifted, turning the Billboard 200 into an all-inclusive list of the best-selling albums in the country, regardless of their age. (The adjustment came after Michael Jackson’s death in June 2009, which triggered a sales explosion for his catalog titles. Jackson’s catalog compilation Number Ones was the best-selling album in six of the first seven weeks following his death, yet was ineligible for Billboard’s flagship chart – marking the first time a catalog album had outsold the No. 1 album on the Billboard 200.) Starting with the issue dated Dec. 13, 2014, Billboard shifted from pure sales to a multi-factor consumption formula that also includes on-demand streaming and digital track sales.

We’re going to count down the 17 albums with the longest runs at No. 1 on Catalog Albums from 1991 to the present. It’s an eclectic list, to say the least. It includes two Christmas albums, a film soundtrack and a remarkably wide range of music, including pop, traditional pop, rock, hard rock, R&B, rap, country and reggae.

Eight of the albums on the list were released prior to the 1991 inception of the chart. Impressively, they made the list even though activity prior to the chart’s inception doesn’t count.

Here are the albums with the longest runs at No. 1 on Catalog Albums from 1991 to the present. Each entry includes the album’s release date, the date the album first reached No. 1 on Catalog Albums and the album’s peak position on the Billboard 200.

Prince, The Very Best of Prince, 18 weeks

Image Credit: Jonathan Daniel/Getty Images

Depending on who you’re talking to, sex is either the most natural thing on earth or a shameful sin that must be endured without pleasure to ensure the future of the human race.

Whether it’s being celebrated or censored, discussed openly or surreptitiously, done for procreation or recreation, you can be sure of one thing – if you mention it, you get people’s attention. (Hey, that’s just biology. Or chemistry. Or some sort of science thing.)

When the Billboard Hot 100 launched on Aug. 4, 1958, America wasn’t exactly in its most socially progressive era. You could sing about crushes, hand holding and even kissing on the radio, but you dare not mention the dirty. But since humans are wired to think about it regardless of social mores, songs that subtly tipped to the nasty penetrated popular music anyway.

Musicians spoke about it in coded slang terms, alluded to it in song lyrics (both poetic and crass) or implied it by singing the most innocent words in a suggestive tone. Heck, rock n’ roll – the youth culture music of the Boomer Era – is named after it (as far back as the 1910s, African American communities were using the phrase “rock and roll” as a euphemism for sex).

Following the sexual revolution of the ‘60s, the U.S. began to loosen up, and by the ‘70s, it was only the old fogies wagging their fingers and clucking their tongues when the words “sex” and “sexy” began to appear in the titles of hit songs on the Billboard charts.

And that’s what this list is about – the most popular songs in Hot 100 history to have the words “sex” or “sexy” in the title. Some of these Hot 100 hits are, well, hot; others are hokey; a couple have aged poorly.

Without beating around the bush any further, here are the 15 biggest songs with “sex” or “sexy” in the title in Hot 100 history.

This ranking is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.

Marcy Playground, “Sex and Candy”

05/21/2024

Male solo artists dominate, though three female solo artists and two groups have also achieved the feat.

05/21/2024

05/16/2024

Despite being voted off, several of these contestants went on to do just fine, thank you.

05/16/2024