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Cazzu expands her ruling on the Billboard Argentina Hot 100 as her chart-topping single “Con Otra” adds a third consecutive week atop the ranking (dated May 10). It’s the second-longest command of the year, after La T y La M’s “Amor De Vago,” featuring Malandro de América, dominated for 12 weeks between January and April (the latter holds at No. 4 for a second week).
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Cazzu also adds her 19th entry and fourth song of her No. 4-peaking album Latinaje, as “Mala Suerte,” bows at No. 76.
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Back in the top 10, Beéle, Westcol, and Ovy On The Drums’ “W Sound 05: La Plena” holds steady at No. 2 for a second week, while Emilia, TINI, and Nicki Nicole’s “Blackout” maintains its No. 3 position.
Brazilian Dennison de Lima Gomes, better known as DENNIS, scores his first entry and top 10 on the the Billboard Argentina Hot 100, thanks to the remix of “Motinha 2.0,” with Luísa Sonza and Emilia, which debuts at No. 5, the Hot Shot Debut of the Week.
“Motinha 2.0” gives Sonza her second top 10. Her first arrived also through an Emilia collab, as “Bunda” reached No. 3 in March. Plus, Emilia continues with the second-most top 10s since the chart launched in 2018, after Maria Becera’’s 29 top 10s to date.
The week’s Greatest Gainer honors belongs to Lali and Miranda!, whose pop duet “Mejor Que Vos,” vaults a staggering 38 spots, leaping from No. 52 to No. 14.
Five other songs debut on the chart, starting with Oro600, Pablo Chill-E, Duki and Quevedo’s “Nena Sad (RMX)” which arrives at No. 25.
Elsewhere, Lali places two simultaneous entries: “33,” with Dillom, opens at No. 29, while “Loco un Poco,” with Turf, starts at No. 88. Plus, Rodrigo’s “Amor de Alquiler (En Vivo)” debuts at No. 58.
Lastly, Uruguayan rock band La Vela Puerca, makes it Billboard Argentina Hot 100 debut with “Zafar” at No. 86.
Edén Muñoz’s impressive track record of No. 1 hits on Billboard’s Regional Mexican Airplay chart endures, as “Mi Primer Día Sin Ti” climbs from No. 3 to No. 1 for its first week atop the chart dated May 10. This latest milestone marks his eighth champ, all achieved within a span of three years. His first leader came in May of 2022 with “Chale!”
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“Mi Primer Día Sin Ti” lands at the summit after a 29% gain in audience impressions, translating to 7.3 million earned in the U.S. during the April 25-May 1 tracking week, according to Luminate.
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“I’m happy that ‘Mi Primer Día Sin Ti’ is leading the chart just because I know many will relate to it and will become part of their life soundtrack,” Muñoz tells Billboard.
By notching his eighth ruler on Regional Mexican Airplay, and fifth as a soloist, Muñoz joins two other solo singers who have achieved eight or more No. 1s in the 2020s decade. Alejandro Fernández continues to lead with 12 champs, followed by Christian Nodal with 10. Among all acts, Muñoz breaks a tie with Carín León for the seventh-most leaders, a list where Calibre 50 leads with 13 No. 1s overall this decade.
Here’s the list of the acts with the most No. 1s on the chart in the 2020s:
No. 1s, Artists13, Calibre 5012, Alejandro Fernández12, Grupo Frontera10, Banda MS de Sergio Lizárraga10, Christian Nodal10, Grupo Firme8, Eden Muñoz
“‘Mi Primer Día Sin Ti’ is a ballad with the banda sound and some elements that make it feel different, yet still packed with emotion,” says Muñoz. “The song is one of those ballads that comes from my heart every so often but remains timeless.”
The song reaches the summit with Greatest Gainer honors, given weekly to the song with the biggest gain in audience impressions among the list’s 40 songs. The song ejects Los Ángeles Azules and Thalia’s “Yo Me Lo Busqué,” which drops abruptly from No. 1 to No. 15, after a 46% decline in weekly impressions.
“Mi Primer Día Sin Ti” also pushes 14-3 on the overall Latin Airplay chart, for its first week in the top 10. It becomes Muñoz’s ninth top 10 — all achieved since 2022.
Cazzu has a lot to celebrate this week with the arrival of her debut studio album, Latinaje, on the Billboard charts. The album comes in at Nos. 4 and 48 on the Top Latin Pop Albums and Top Latin Albums rankings, respectively (charts dated May 10).
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“I’m a bit ignorant about managing badges or when one earns medals, it’s a strange feeling,” Cazzu tells Billboard. “But being on the charts makes me very happy because I think that basically determines that people are liking the album, so it fills me with great satisfaction.”
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Latinaje was released April 24 on Dale Play/Rimas and marks her first entry on any album chart after multiple visits across other songs charts. The 14-track set launches with 3,000 equivalent album units earned in the U.S. in the week ending May 1, according to Luminate. Most of the LPs opening sum stems from streaming activity, which translates to 4.5 million official on-demand streams of the set’s songs.
“The album is full of moments like with [the album’s first single] ‘La Cueva’ which I didn’t want to release,” says Cazzu. “It took a lot of work from my friends and my team to convince me it was a beautiful song. It was decided at the last minute. We shot a video, I didn’t like it, we shot another one in three days, we made a super-quick announcement, and the next day it came out. And well, I was amazed at how well the song did.”
In addition to giving her a No. 27 high on the multi-metric Hot Latin Songs chart, which blends streams, radio airplay and digital sales into its formula, “La Cueva” debuted and peaked at No. 2 on Latin Digital Song Sales in January.
“The recording process was so long,” Cazzu remembers. “It was supposed to be an album of collabs, but we changed our minds. It told one story, but it ended up telling another. ‘Con Otra,’ for example, was supposed to be a merengue, and we ended up making a cumbia.”
“Con Otra” is the latest hit on the songs charts for Cazzu, as the tune rallies 45-29 on the overall Latin Airplay chart, after launching at No. 36 on the April 6-dated ranking. The song marks Cazzu’s second visit there, following “Tú y Tú,” with Los Ángeles Azules and Santa Fe Klan, which landed at No. 5, her first top 10. That collaboration was a major achievement for Cazzu, earnin a No. 1 hit on the Regional Mexican Airplay chart, where it ruled for one week in 2023.
Elsewhere, Latinaje opens at No. 48 on the all-genre Top Latin Abums, for the Argentinian’s first appearance there.
About the song she relates with the most: “I love ‘Odiarme,’ it has a lot of Cazzu, of that romantic darkness that I love, but ‘Engreído’ has strong trap lyrics, and the music is a bolero, it is a very beautiful collaboration.” The song is her first pair-up with Venezuelan Elena Rose.
Myke Towers and Benny Blanco take “Degenere,” their first ever collaboration, to No. 1 on Billboard’s Latin Airplay chart (dated May 3). The song, rising 5-1, marks Blanco’s first champ on the overall Latin radio ranking after two chart visits and the 14th No. 1 for Towers.
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“Myke’s such a talent and a star,” lanco tells Billboard. “He knew exactly what to do on this song the moment I turned the beat on in the studio… he’s like a magician sometimes… the song just appears out of thin air… he’s incredible.”
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“Degenere,” added to the deluxe edition of of Towers’ album La Pantera Negra, was released on Oct. 17, 2024, via One World International/Warner/Warner Latina. The original version of the album was released on Aug. 22, 2024, and earned Towers his fifth top 10 entry on the Top Latin Albums chart, where it debuted and peaked at No. 7.
“It’s an honor to achieve another Billboard No. 1, especially with a song like ‘Degenere,’ created alongside a genius like Benny Blanco,” Towers adds. “His vision and creativity were essential in the shaping of this song that continues to bring us so much satisfaction. Thanks to my team, the fans, and everyone who makes these dreams possible. We keep writing history.”
“Degenere” reaches the summit in its 21st week, after two weeks in the top 10, thanks to a 20% boost in audience impressions, to 7.8 million, earned in the U.S. during the April 18-24 tracking week, according to Luminate.
With the track, Towers secures his 14th No. 1 on the Latin Airplay chart. It’s the second hit from the deluxe edition of the Pantera album to reach the top spot, following “Otra Noche” featuring Darell, which spent one week at No. 1 in February.
Blanco, meanwhile, secures his first ruler, after “I Can’t Get Enough,” with Tainy, Selena Gómez and J Balvin, reached No. 37 high in 2019.
“Degenere” also ascends 3-1 on Latin Rhythm Airplay. On that list it marks Towers’ 14th No. 1 and gives Blanco his first chart-topper.
Prince Royce collects his 36th top 10 on Billboard’s Tropical Airplay chart with the bilingual bachata, “How Deep Is Your Love,” as the song debuts at No. 6 on the chart dated April 26. It also opens in the top 10 on the new Hot Tropical Songs chart. Explore Explore See latest videos, charts and […]
Seven weeks after landing at No. 1 on Billboard‘s Latin Pop Airplay chart, Danny Ocean and Kapo‘s hit “Imagínate” has climbed to the top spot on the overall Latin Airplay chart (rising 7-1), dated April 26. The track additionally continues atop both Latin Pop Airplay and Latin Rhythm Airplay, for a seventh and second week, respectively.
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“Imagínate” rules the overall Latin Airplay ranking after a 35% boost in audience impressions, to 8.4 million, earned in the U.S. during the April 11-17 tracking week, according to Luminate. The song, released Nov. 7, 2024, via Atlantic/Warner Latina, debuted at No. 48 in January, and makes its way to the top of the chart in its 17th week.
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Coincidentally, both Ocean and Kapo secure their second No. 1 on the overall Latin Airplay chart. Previously, Ocean led for one week with “Amor” in June 2024. Kapo, meanwhile, replaces himself atop the list, after “Más Que Tú,” with Ozuna, reached No. 1 last week, chart dated April 19. The latter falls to No. 3 following a 15% dip in audience impressions (to 7.1 million).
The last act to replace itself at No. 1 was Grupo Firme, when the band’s “El Beneficio De La Duda” ejected its collaboration with Thalia, “Te Va a Doler” (chart dated July 2024).
“Imagínate” continues making its rounds atop two other Latin radio rankings: over on the Latin Pop Airplay chart, it holds strong at the summit for a seventh consecutive week, tying with Shakira’s “Soltera” for the most in 2025 so far. The latter has spent a total of 14 total weeks at No. 1 between 2024-25.
On Latin Rhythm Airplay, “Imagínate” rebounds to its No. 1 for a total of two nonconsecutive weeks in charge, Ocean’s sole No. 1 to date, and Kapo’s third.
Thanks to its radio draw, the song also holds steady at its No. 3 peak on the third iteration of the new Hot Latin Pop Songs chart. Plus, it also moves up on the airplay-, streaming-, and digital sales-blended Hot Latin Songs chart, where it jumps 35-32.
Natti Natasha earns her first No. 1 as a soloist, unaccompanied by another artist, on Billboard’s Tropical Airplay chart with “Desde Hoy” which jumps 2-1 for its first week atop the April 19-dated ranking. It’s her first return to the summit in over five years.
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“Desde Hoy” takes the lead on Tropical Airplay, with the week’s Greatest Gainer honors, after a 9% gain in audience impressions, up 6.6 million, earned in the U.S. during the April 4-10 tracking week, according to Luminate. The song is the opening track off Natti’s fourth studio album, Natti Natasha En Amargue, her maiden entrance and first top 10 on the Tropical Albums chart (No. 6 debut and peak, Feb. 22 dated list).
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“Desde Hoy” marks Natti Natasha’s first No. 1 on Tropical Airplay in over five years. Her previous chart-topping hit, “La Mejor Versión de Mí,” her first collaboration with Romeo Santos as a co-billed artist, ruled the chart for 15 weeks between 2019-2020. Rewind to 2019, and her featured role on Don Omar’s “Dutty Love” reigned for one week then.
Notably, with “Desde Hoy” reaching No. 1, Natti joins an elite group of female artists who have topped the Tropical Airplay chart as soloists, unaided by any other act, during the 2020s decade. Before Natti, Rosalía’s “Despechá” reigned for four weeks in 2022, while Karol G most recently made history with “Si Antes Te Hubiera Conocido.” The latter broke the longest-leading record by surpassing Prince Royce’s 29-week reign with “Carita de Inocente” (chart dated Feb. 8). Ultimately, “Si Antes” dominated Tropical Airplay for 31 weeks between 2024-25.
With the new No. 1 by a woman, let’s review all the female artists who have led Tropical Airplay this decade, either as solo acts or through collaborations;
Title, Artist, Peak Date“La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, Oct. 26, 2019“Víctimas Las Dos,” Víctor Manuelle & La India, May 29, 2021“La Fama,” Rosalía Featuring The Weeknd, May 14, 2022“Te Espero,” Prince Royce & Maria Becerra, May 28, 2022“Despechá,” Rosalía, Oct. 1, 2022“Monotonía,” Shakira + Ozuna, Dec. 3, 2022“El Pañuelo,” Romeo Santos & Rosalía, Feb. 4, 2023“Así Es La Vida,” Enrique Iglesias & Maria Becerra, Dec. 9, 2023“Si Antes Te Hubiera Conocido,” Karol G, July 20, 2024“Desde Hoy,” Natti Natasha, April 19, 2025
“Desde Hoy” also makes progress son the overall Latin Airplay chart, where it climbs 9-5
Ozuna and Kapo‘s debut collaboration is making waves, as “Más Que Tú” claims the No. 1 spot on Billboard‘s Latin Airplay chart (dated April 19). Colombian artist Kapo achieves a career milestone as he celebrates his first-ever chart-topping hit on the overall Latin radio ranking. Meanwhile, Ozuna continues as one of the chart’s top performers, adding a 35th No. 1 to his ledger.
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“Más Que Tú,” released Feb. 12 on Nibiru/Sony Music Latin, jumps 3-1 after earning 8.3 million audience impressions in the U.S. in the tracking week ending April 10, according to Luminate. That is a 14% gain in impressions from the week prior. The song ejects another Puerto Rican-Colombian pair-up from the lead: Yandel and Feid’s “Habláme Claro,” falls 1-13 with a 43% decline in audience (to 5.2 million), after one week in charge.
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Thanks to “Más Que Tú,” Ozuna reaches a new milestone, securing his 35th chart-topping hit on Latin Airplay since the chart’s inception in 1994. He ranks just behind J Balvin, who holds the record with 37 No. 1 hits. The latest chart-topping track comes a year after Ozuna last claimed the peak with “Baccarat,” which spent one week at No. 1 in March 2024.
Kapo, meanwhile, scores his first No. 1 on his sixth chart visit. The Colombian has earned four top 10s, including two No. 2-peaking songs, “Ohnana” last November and “Imagínate,” with Danny Ocean, on the April 5-dated list. The song drops 4-7 on the current ranking.
Notably, in 2025 so far, 11 songs have reached the top on the Latin Airplay chart. While Shakira (“Soltera”) and Karol G “(Si Antes Te Hubiera Conocido”) mark the only female presence among those winners, five of those emerge from collaborations between male soloists; all one-week rulers. Here’s the recap of the male collabs:
Title, Artist, Peak Position“Doblexxo,” J Balvin & Feid, March 15“Khe?,” Rauw Alejandro & Romeo Santos, March 29“Háblame Claro,” Yandel & Feid, April 12“Más Que Tú,” Ozuna & Kapo, April 19
Elsewhere, “Más Que Tú” also improves on the Latin Rhythm Airplay chart, where it jumps 2-1 for its first week atop.
All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Selena Gomez is back in the top 10 on Billboard’s Hot Latin Songs chart (dated April 5) as “Ojos Tristes,” with Benny Blanco and The Marias, debuts at No. 4. Thanks to the reimagination of Jeanette’s 1981 classic ballad “El Muchacho De Los Ojos Tristes,” Blanco and The Marias secure their first top 10 on their second visit to the chart.
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“Ojos Tristes” opens at No. 4 on Hot Latin Songs –which blends airplay, digital sales and streaming data into its formula– thanks to gains mainly through streaming activity. The song registered 8.2 million official streams in the U.S. in the tracking week ending March 27, according to Luminate. The sum yields a No. 3 start on Latin Streaming Songs, the fifth top 10 for Gomez and an equal first top 10 for Blanco and The Marias.
Gomez’s “Ojos Tristes” samples “El Muchacho De Los Ojos Tristes” by Spanish-British Jeanette, who rose to the spotlight in the 1970s. While the song, composed by Manuel Alejandro, did not enter the charts, the singer-songwriter’s global hit, “Porque Te Vas,” reached No. 25 high on Latin Pop Airplay in 2008.
The bilingual “Ojos Tristes” intertwines nostalgic melodies with a modern sound, where Gomez sings in English and Maria Zardoya, of The Marias, lends her soft vocals to mirror Jeanette’s style for a modern audience.
The collaboration has propelled Blanco and The Marias to secure their first top 10 on Hot Latin Songs, after each scored an entry. Blanco reached No. 22 high last December as a featured artist on Myke Towers’ “Degenere.” The Marias, meanwhile, scored a No. 17 peak through their Bad Bunny collab “Otro Atardecer” in 2022.
For Gomez, “Ojos Tristes” gives her a fifth top 10 and first since “Selfish Love,” with DJ Snake, debuted and peaked at No. 6 in 2021.
“Ojos Tristes” also makes inroads across other Billboard charts. It debuts at No. 59 on the all-genre Billboard Hot 100. Plus, it starts at No. 63 on the Billboard Global 200 with 19.5 million streams, and at No. 118 on Global Excl. U.S. with 11.3 million clicks outside the U.S.
Sales too assist on the song’s top 10 debut on Hot Latin Songs, as “Ojos Tristes” registers 1,000 downloads in the U.S. which translates into a No. 1 debut on Latin Digital Song Sales.
Rauw Alejandro lands his first No. 1 single from Cosa Nuestra, his fifth studio album, on Billboard’s Latin Airplay chart, as “Khe?,” with Romeo Santos, rises from No. 3 for its first week at the summit (ranking dated March 29). The song is the fourth from the set to rank on the overall tally, two of which previously reached the top 10.
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“Khe?” is the most heard song among Latin-formatted radio stations thanks to a 5% bump in audience impressions, equating to 7.9 million earned in the U.S. during the March 14-20 tracking week, according to Luminate.
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The song reigns over previous No. 1 “El Amor de Mi Vida” by Carín León, which drops to No. 8 with a 22% dip in impressions.
“Khe?” is Rauw Alejandro and Romeo Santos’ first collab, and, coincidentally, their first No. 1 on Latin Airplay since 2023. While Rauw Alejandro last led through “Party,” with Bad Bunny, the Santos’ previous coronation arrived via another team-up, “El Pañuelo,” with Rosalía. The two leaders were only two weeks away from each other.
For Santos, while “Khe?” puts him in a tie with Wisin (22) for the ninth-most champs overall since Latin Airplay began in 1994, the new coronation expands his already-established No. 1 record among tropical acts –way ahead of his next competitor, Prince Royce, who has achieved 17 No. 1s to date.
Before “Khe?” topped the Latin Airplay chart, Rauw’s No. 1 album Cosa Nuestra delivered the No. 23-peaking “Touching The Sky” (Aug. 2024), while “Tú Con Él” landed at No. 7 and “Qué Pasaría,” with Bad Bunny, reached No. 3 high on the Feb. 15- and the March 8-dated charts, respectively.
All charts (dated March 29, 2025) will update on Billboard.com tomorrow, March 25. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.