Billboard Boxscore

19 Jan 2024

Mariah Carey’s 2023 Holiday Tour Scored Her Best Concert Attendance in 25 Years

Mariah Carey’s Merry Christmas One and All! tour grossed $29.6 million and sold 214,000 tickets according to figures reported to Billboard Boxscore. On a per-show basis, the tour’s 15 dates sold more tickets than any Carey tour in 25 years, dating back to the Butterfly World Tour in 1998.

Carey released Merry Christmas in 1994, featuring the iconic and evergreen smash single, “All I Want for Christmas Is You.” That would be enough to cement her status as the Queen of Christmas, but Carey has put in the work each year and assumed her throne on stage as well. For every year since 2014 (except for the 2020-21 COVID years), she has toured and/or held mini residencies honoring her holiday material.

For four years, Carey played a stint at New York’s Beacon Theatre, building from 16,200 tickets in 2014, to 20,700 in 2015, and to 23,400 in 2016. She cut down to just three shows at the Beacon in 2017, before rebuilding at Madison Square Garden in 2019, 2022 and 2023. Her two shows there in December sold a combined 28,700 tickets and grossed $4.5 million, both of which are bigger than ever.

Not only has Carey increased her efficiency in New York, she’s built out across the country and into Europe. What began as a NYC-only event in 2014, expanded to Europe in 2017 and 2018, plus more North American cities in 2019. After last year’s post-pandemic return focused on just New York and Toronto, the 2023 tour boasts Carey’s biggest holiday routing yet, never playing to fewer than 12,500 fans across the U.S. and Canada. Holiday classics or not, it’s her first such major arena tour since 2006.

Considering “All I Want for Christmas Is You” re-entered the Billboard Hot 100 based on the tracking week of Nov. 10-16, and stayed at No. 2 through the first week of 2024, it’s possible she could expand beyond the Nov. 17-Dec. 17 window of this year’s run.

The Merry Christmas One and All! tour averaged $2 million and 14,200 tickets per show. Those revenue figures are Carey’s biggest ever, dating back more than 30 years since she crashed the Billboard charts.

But while a bustling concert economy and decades of inflation can explain some of her recent success, Carey’s reach – the sheer number of tickets she sold – is also sky high. That 14,200 average is the best per-show attendance for any of her tours since 1998, when she was supporting the previous year’s Butterfly.

Leading up to that 1998 tour, Carey amassed four No. 1 albums on the Billboard 200 and 12 No. 1 songs on the Hot 100. Since then, there have been another two No. 1 albums and seven No. 1 songs, including 14 weeks on top, spread across the last five holiday seasons, for “All I Want for Christmas Is You.” In 2019, one month before that track reached the summit, Carey ranked No. 4 on Billboard’s Greatest of All Time Artists chart, leading among women and Black artists.

Still, Carey has never toured with the same intensity as many of the acts that surrounded her on that list, such as Elton John, Madonna or Taylor Swift. Her first three concert tours, in the midst of her ‘90s chart-topping spree, each lasted for no more than 11 shows, almost one eighth of Swift’s calendar for 2024.

It’s encouraging that Carey has arguably been busier than ever on the road in the last decade, including her annual holiday series, two Las Vegas residencies and three international tours. Far removed from releasing her last chart-topper, her 2023 upswing in concert attendance, not to mention the all-time-high grosses, tells a positive story about Carey’s legacy as the Queen of Christmas, using her unique niche (and 19 No. 1 hits – a record among soloists – expanding their presence in the holiday show setlist) to fill arenas.

22 Dec 2023

RBD Conquers Billboard’s November Boxscore Report

After two months at No. 2, a reunited RBD takes the lead as the highest grossing touring act of November. According to figures reported to Billboard Boxscore, the group’s Soy Rebelde Tour grossed $71.1 million and sold 734,000 tickets from Nov. 3 to 30. The tour is the act’s first trek since 2008’s Tour del Adios.

Current through Nov. 30, the Soy Rebelde Tour has grossed $197.1 million since launching in August. About half a million dollars shy of Daddy Yankee’s 2022 farewell tour, RBD’s reunion will become the second-highest grossing tour by a Latin act once its December shows are reported, behind Bad Bunny‘s World’s Hottest Tour.

RBD’s monthly crown is due to hustle. Other than Trans-Siberian Orchestra, the perennial holiday favorite that includes two touring ensembles for either coast of the U.S., RBD played more shows in November than any act among the top 30. With 17 shows split between seven markets, the group earned its spot atop the heap by playing hard.

After sitting at No. 2 behind Beyoncé and Pink in September and October, respectively, RBD levels up, and its routing has much to do with it. Not only did the group play more shows than in either of the previous months, but after touring the U.S., RBD took on Latin America in November, transitioning to a primarily Spanish-language audience.

That move allowed RBD to move from arenas to stadiums, multiplying its nightly audience by more than two. In the U.S., the group paced about 18,000 tickets per night before rocketing to more than 43,000 each show in Colombia, Brazil and Mexico.

But the ticket pricing economy is much different in these geographical regions, and RBD’s average ticket price went from $241.30 in the U.S. to $96.81 in Latin America. In all, its average gross stayed almost the same, even dipping by 4%. But the pure volume of seats that RBD could sell made up the difference, giving RBD its first monthly win yet.

At No. 1 for November, RBD is only the third Latin act to lead the monthly Top Tours chart. Los Bukis first broke ground in September 2021, and Bad Bunny pushed the boundaries further, ruling in February, March, August and September of 2022. Aventura, Daddy Yankee, Maluma, and Rauw Alejandro have also hit the top five.

That means that RBD is the source for the genre’s first female artists to hit the top tier. The mixed-gender group’s reunion features original members Anahi, Dulce Maria and Maite Perroni, all hailing from Mexico. Beyond Latin music, they continue a hot streak for women atop the chart: after a nearly four-year drought, Beyoncé, Pink and RBD have kept women at No. 1 for six of the last seven months.

Beyond the No. 1 act, Pink and Madonna add support at Nos. 3 and 5, respectively. Mariah Carey, Shania Twain, Ms. Lauryn Hill, and in her monthly Boxscore debut, Doja Cat, follow. While a grand total of seven women acts in the top 30 doesn’t give them a majority, the 23.3% gender split is up from the 2023 year-end wrap, where women’s representation doubled from the previous year.

Doja leads a growing list of hip-hop acts on the Top Tours chart. Travis Scott, Rod Wave, Ms. Lauryn Hill & The Fugees and 50 Cent appear between Nos. 22-29. Though they miss the top 10, five rap acts on the chart foreshadow a promising year, when the genre’s share among the top 100 tours of 2023 dipped below 3%.

Four of RBD’s seven stops in November crack the 30-position Top Boxscores chart. Four shows at Allianz Parque in Sao Paulo, Brazil (Nov. 16-19) earned $17.4 million and sold 191,000 tickets, while another four at Estadio Antanasio Girardot (Medellin, Colombia; Nov. 3-6) took in $17.2 million from 150,000 tickets.

In Sao Paulo, RBD played another two shows at Estadio do Morumbi on Nov. 12-13, grossing $11 million. If the group had consolidated their Sao Paulo run at one venue, the combined gross would’ve given them the No. 1 spot with more than $28 million.

Instead, Mexico City’s Corona Capital festival took top honors among individual engagements, as the three-day festival grossed $26.5 million and sold 216,000 tickets. It’s followed by the final three shows of U2’s first leg at Las Vegas’ Sphere. Those shows earned $19.4 million, making up a small part of the $109 million run that began in late September. It’s enough to put Sphere at No. 4 on the Top Venues (15,001+ capacity) chart and situate U2 at No. 12 on Top Tours.

It was a banner month for Latin American shows. Not only did RBD and Corona Capital dominate Top Tours and Top Boxscores, Luis Miguel, Paul McCartney and Red Hot Chili Peppers all charted from shows south of the U.S. Even on Top Promoters, Mexico’s OCESA is No. 2 with $123.9 million and 1.5 million tickets sold, pushing perennial top-two candidate AEG Presents to No. 3, also above $100 million.

On the venue charts, Mexico City and Sao Paulo take the top four spots on Top Stadiums, plus Medellin’s Estadio Atanasio Girardo and Rio de Janeiro’s Estadio Nilton Santos at Nos. 6-7. The former market adds notices on three of the four capacity-based venue charts, notably with Auditorio Nacional at No. 2 among venues with a capacity between 5,001-10k.

Even more, the November recap captures a thriving global box office. Just among the month’s top five tours, RBD and Red Hot Chili Peppers hit Latin America, Coldplay played in Asia and Australia, Pink toured the U.S. and Canada, and Madonna celebrated in Europe. Only two of the top 10 – Morgan Wallen and The Trilogy Tour, starring Enrique Iglesias, Pitbull and Ricky Martin – played exclusively in the U.S. during November.

14 Dec 2023

Top 10 Highest Grossing Rap Tours of 2023

Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. Here, we are breaking down the year’s biggest tours, genre by genre. Today, we continue with rap.

Hip-hop had a confusing year, celebrating all of the groundbreaking art and success that has come in its first 50 years, while also dealing with a drought of crossover hits. But major releases from Drake, Nicki Minaj and Travis Scott helped momentum in the second half of 2023, while a new class of headliners waits in the wings.

Rap has never scaled on stage in quite the same way that pop, rock and country have. Its share of the top 100 tour grosses slips from 3.4% in 2022 to 2.7% this year, having peaked at 5.2% in 2019. And even as Latin and K-pop acts increase their touring footprint with international stadium shows, hip-hop artists have yet to cross that threshold. The genre’s biggest names have mounted stadium tours alongside pop peers (Jay-Z with Beyoncé and Justin Timberlake; Eminem with Rihanna) but outside of one-off dates, there has yet to be a major stadium tour by a rapper on their own.

That’s not to say that rap hasn’t generated stars big enough to compete with pop stars such as Taylor Swift and Harry Styles. R&B/hip-hop was confirmed as the most popular genre in America in 2017 and has continued that reign into the new decade. Rap artists led Billboard’s year-end Top Artist ranking for four consecutive years (2018-21) and there are six in this year’s top 20 – more than any other genre. With Doja Cat, Lil Uzi Vert, Rod Wave and Travis Scott already touring into the 2024 reporting period, the genre’s prospects are looking up.

Keep reading to check out the top 10 highest grossing tours of 2023 by hip-hop artists, with such acts qualifying due to recent performance on Billboard’s Top Rap Albums and/or Hot Rap Songs charts. Rankings are determined according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023, are eligible.

13 Dec 2023

Top 10 Highest Grossing Comedy Tours of 2023

Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. Here, we are breaking down the year’s biggest tours, genre by genre. Today, we continue with comedy.

Comedy is an outlier as a Boxscore genre, as it obviously exists outside of the traditional music industry. That’s not to say that the two don’t intersect – Adam Sandler has been a highly influential in musical comedy since the 1990s – but generally, comedians are playing a different game than Taylor Swift or Beyoncé. Most recently, Bo Burnham’s genre- and form-blending Inside hit No. 7 on the Billboard 200 albums chart and has logged 125 weeks (to date) at No. 1 on Comedy Albums.

With smaller traveling production, touring comedians have simpler stage setups. That can allow them to float from theaters to arenas and from amphitheaters to clubs from night to night. They can also perform multiple shows per night without the physical and vocal tolls of headlining pop stars. Two of 2023’s top 10 comedians played more than 100 shows during the tracking period, which no other act in the entire all-genre top 100 did.

Comedy’s share of the top 100 tours’ overall gross dipped to 1.8% this year. In part, astronomically rising ticket prices for stadium acts are creating a bigger gap between the biggest touring musicians and comedians who have stayed closer to more conservative pre-pandemic prices. Routing is also key – John Mulaney, Sebastian Maniscalco and Hasan Minhaj had much lighter schedules than in 2022.

Scroll to check out the top 10 highest grossing tours by comedy performers, according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023, are eligible.

12 Dec 2023

Top 10 Highest Grossing Country Tours of 2023

Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. This week, we are breaking down the year’s biggest tours, genre by genre. Today, we continue with country.

Country music has been a reliable pillar of the touring industry for several decades. Tradition states that Nashville singer-songwriters take to American arenas and amphitheaters each weekend, often returning home for the week to write and prepare new material. This established model continues to work for artists across the genre, with its share of the top 100 tours oscillating between 12-15% for much of the last decade.

In 2017, however, country’s share dipped below 10% and stayed in the single digits through the pandemic. But after a small boost back to 10% last year, it’s up to 12.7% in 2023. Not only does it bounce back with a slew of amphitheater artists, but newer headliners such as Morgan Wallen and Luke Combs ascend to stadiums, while extending their schedules to Australia and Europe.

With their tours continuing into the 2024 tracking period, and Zach Bryan joining them in U.S. stadiums, the genre’s restored strength is likely to hold steady in the year to come.

Scroll to check out the top 10 highest grossing tours by country artists, with such acts qualifying due to recent performance on Billboard’s Top Country Albums and/or Hot Country Songs charts. Rankings are determined according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023, are eligible.

11 Dec 2023

Top 10 Highest Grossing K-Pop Tours of 2023

Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. This week, we are breaking down the year’s biggest tours, genre by genre. Today, we begin with K-pop, spotlighting artists who primarily perform in Korean.

Among all the genres we’re recapping this week, K-pop is the youngest, at least in terms of the global box office. In the last 10 years (excluding COVID-impacted years of 2020-21), there were no K-pop artists on the overall top 100 in 2012-14 and 2016, and the genre took up less than 1% of the overall gross in another three year-end periods.

BTS broke ground first, ending 2019 at No. 3 and helping spike the genre’s share from 0.3% to 4%. Off cycle as its members serve in the South Korean military (their last reported show was on April 16, 2022), that share backed down to 1.6% in 2022. But as the group’s international impact spreads further among its peers and reporting increases, the genre’s widespread popularity comes into fuller focus.

K-pop’s share of this year’s top 100 is up to an all-time high of 5.1% thanks to a long list of idol groups selling out venues in Asia, Europe, Latin America and the U.S.

Scroll to check out the top 10 highest grossing tours by K-pop artists, according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023, are eligible.

08 Dec 2023

Madison Square Garden, Radio City Music Hall and More Lead Billboard Boxscore’s Year-End Venue Rankings

Last week, Billboard kicked off its 2023 year-end Boxscore coverage. Beyoncé led reported tours, Taylor Swift is poised for a record-setting finish and BLACKPINK and Karol G are helping usher in a new generation of genre diverse headliners. Plus, Boxscore breaks down the highest-grossing venues in the world, split between four capacity categories, plus a chart for stadiums.

New York City is spotlighted atop two of these lists. Madison Square Garden reigns supreme amongst venues with a capacity of 15,001 or more (excluding stadiums), while Radio City Music Hall is tops for venues with a capacity of 5,001-10,000.

For Madison Square Garden, 2023 marks its 15th year at No. 1 in its capacity category, dating back to 1999. It’s been No. 1 for six of the last seven years, after dipping to No. 2 in 2021. And for the second consecutive year, it’s the highest-grossing venue, regardless or capacity or structure. According to figures reported to Billboard Boxscore, MSG’s 116 shows grossed $223 million and sold 1.6 million tickets between Nov. 1, 2022 and Sept. 30, 2023.

For Radio City Music Hall, it’s back at No. 1 for the first time since 2020, after Colorado’s Red Rocks Amphitheater led in 2021-22. Over 231 shows in the tracking period, the theater earned $122 million from 1.2 million tickets.

Red Rocks remains the venue with the most tickets sold in the 5,001-10k category (1.4M), while London’s O2 Arena takes top honors for 15,001+ (2.4M).

In between, Dickies Arena (Fort Worth, Texas) completes a steady climb to its first year-end No. 1 in the 10,001-15,000 category. After opening in November 2019, the arena was No. 10 on the 2020 year-end recap, and No. 4 in 2021 and 2022. With $70.5 million, it narrowly takes the gold over Berlin’s Mercedes-Benz Arena ($69.3M), Austin’s Moody Center ($67.8M) and Glasgow’s OVO Hydro ($67.3M).

Even newer, Las Vegas’ Resorts World Theatre claims the top spot among venues with capacity of 5,000 or less. It opened in December 2021 and remains undefeated after crowning last year’s chart. Bolstered by residencies by Luke Bryan, Katy Perry and Carrie Underwood, the theater hosted 90 shows and grossed $45.3 million.

Finally, the Top Stadiums chart is led by SoFi Stadium in Inglewood, Calif., outside Los Angeles. Like Dickies, it’s a relatively new building, after launching in September 2020. This year marks a return to the top, after leading in 2021 and sitting at No. 2 last year behind Allegiant Stadium in Las Vegas. The venue reported 19 shows that collectively earned $175.1 million and sold more than 1 million tickets.

08 Dec 2023

Madonna’s The Celebration Tour Approaching $100 Million in Grosses

The numbers are in for the first leg of Madonna’s The Celebration Tour. According to figures reported to Billboard Boxscore, the European leg grossed $77.5 million and sold 429,000 tickets.

In January, Madonna announced The Celebration Tour, slated to honor the biggest hits of her legendary career. After a medical emergency forced a postponement of the first batch of North American dates, she launched the trek on Oct. 14 at London’s O2 Arena.

Over four shows that week, Madonna earned $14.7 million and sold 60,000 tickets, only to return to the O2 for the leg’s final two shows on Dec. 5-6, which added another $7.5 million and 31,000 tickets. Since returning from the pandemic, only Elton John and Queen + Adam Lambert have amassed bigger totals at the O2, and they did it with nine and 10 shows, respectively. When Madonna last played the O2, it was just two nights in 2015, compared to this year’s six.

In between, Madonna stopped in Belgium, France, Germany, Italy, Portugal and more, for a total of 27 shows across 11 European markets. Four nights at Paris’ Accor Arena provided the tour’s other eight-figure gross, bringing in $10.7 million from 62,000 tickets on Nov. 12-13 and 19-20.

Madonna’s European totals average out to $2.9 million and 15,900 tickets per night on a $180.53 ticket. Compared to the theater-residency run of her last tour, the Madame X Tour (2019-20), she’s up by 312% in nightly earnings and by 518% in average attendance.

On more level footing with the European leg from the Rebel Heart Tour from 2015-16, Madonna’s last arena tour, her 2023 shows are still up – by 9% in attendance, sold out on every show, and by 70% in average gross, thanks in large part to bulked up ticket pricing.

Immediate demand for The Celebration Tour expanded Madonna’s initial routing of 12 shows in Europe to 27. Likewise, the first batch of 26 shows in the U.S. and Canada has swelled to 47. She kicks off the North American leg on Wednesday (Dec. 13) at Brooklyn’s Barclays Center. After a handful of shows this month, she’s back for the rest in 2024, playing through April 15 in Austin, plus five shows from April 20-26 at Mexico City’s Foro Sol.

Looking at the relationship between Madonna’s European shows and stateside shows on the Rebel Heart Tour, Billboard expects the U.S. and Canadian leg to earn about $150 million from 650,000 tickets.

With the handful of Mexico shows to follow, the current routing for The Celebration Tour is headed toward a total haul of $240-245 million and 1.1-1.2 million tickets over 79 shows. That would situate it behind stadium runs on the Sticky & Sweet Tour (2008-09; $407.7 million) and The MDMA Tour (2012; $305.2 million), but ahead of arena treks the Confessions Tour (2006; $194.8 million) and the Rebel Heart Tour (2015-16; $169.8 million).

08 Dec 2023

Top 10 Highest-Grossing Rock Tours of 2023

Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages, and in turn, our charts. This week, we are breaking down the year’s biggest tours, genre by genre. Today, we continue with rock.

Rock music has been at the center of the touring industry for decades, with legendary acts like The Rolling Stones, U2, and the Eagles controlling stadium calendars and delivering record-breaking grosses. That is still the case, as rock is responsible for more entries in the all-genre top 10, 20, 40 and 100 than any other genre.

But at 32.4% of all top 100 tours’ grosses, rock takes a dramatic hit from last year’s 42.5% figure. Combined with pop, the two central genres have lost a third of their total market share since the pandemic, as pockets of Latin and K-pop acts take up prime Boxscore real estate. And as rock accounts for many of the oldest artists in the top 100, with Latin and K-pop bringing up the chart’s youngest names, the future of rock bands as touring titans is blurrier than it was 5-10 years ago.

But with a new round of legacy tours from ‘90s and ‘00s bands, plus steady arena grosses from 21st century acts like Arctic Monkeys, Greta Van Fleet and Imagine Dragons, there is still plenty of juice for the coming years.

Scroll to check out the top 10 highest-grossing tours by rock artists, with such acts qualifying due to recent performance on Billboard’s Top Rock Albums and/or Hot Rock Songs charts. Rankings are determined according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023 are eligible.

07 Dec 2023

Top 10 Highest Grossing R&B Tours of the Year

Last week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues and promoters of 2023. That coverage included analysis of the new wave of genre diverse artists crashing stadium stages and in turn, our charts. This week, we are breaking down the year’s biggest tours, genre by genre. Here, we continue with R&B.

R&B has some humongous contemporary stars – Beyoncé, Bruno Mars, Usher and more – but in the last decade, it’s been too reliant on those stars to keep it afloat. The graph below shows how the genre has experienced severe spikes and drops, often victim to the scheduling whims of a small group of headliners.

In 2016, when Beyoncé mounted The Formation World Tour, R&B spiked from 3.5% of the overall top 100 gross, to 8%. But in 2019, after Bruno Mars wrapped his globe-conquering 24K Magic Tour, its share plummeted from 11.5% to 2.7%.

In 2023, R&B is hitting from all sides. The established superstars named above – Beyoncé, Bruno Mars, Usher – were all active, joining forces with next-gen headliners such as SZA and The Weeknd. More than that, Lionel Richie, New Edition and others are harnessing their legacies to build the next phase of their touring careers. All of that builds to the genre’s biggest share of the top 100 tours, dating back more than a decade.

That mix of classic artists and ascendant stars bodes well for the genre, even when its biggest icons are off cycle.

Keep reading to check out the top 10 highest grossing tours by R&B artists, according to figures reported to Billboard Boxscore. All reported shows worldwide between Nov. 1, 2022 – Sept. 30, 2023, are eligible. Here, we define R&B acts as artists who have recently featured on Billboard’s Top R&B Albums or Hot R&B Songs charts.