Billboard 200
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Morgan Wallen’s One Thing at a Time clocks a 14th nonconsecutive and total week atop the Billboard 200 albums chart (dated July 1), marking the most weeks at No. 1 for any album since Adele’s 21 logged 24 nonconsecutive weeks in charge in 2011-12.
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One Thing at a Time earned 110,000 equivalent album units in the U.S. in the week ending June 22 (down 1%), according to Luminate. One Thing at a Time is now Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200, surpassing the 13 weeks of Drake’s Views in 2016. One Thing at a Time was released via Big Loud/Mercury/Republic, while Views was issued via Young Money/Cash Money/Republic.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It then stepped aside for two weeks, and then returned to the top for the last two consecutive frames (June 24 and July 1-dated charts).
Also in the top 10 of the new Billboard 200 albums chart, ATEEZ scores its highest-charting set yet as The World EP.2: Outlaw bows at No. 2, Gunna lands his fifth top 10-charting effort as A Gift & A Curse debuts at No. 3 and Queens of the Stone Age log their fourth top 10 as In Times New Roman… launches at No. 9.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 1, 2023-dated chart will be posted in full on Billboard‘s website on June 27. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 110,000 equivalent album units earned in the week ending June 22, SEA units comprise 103,500 (down 1%, equaling 139.04 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down less than 1%) and TEA units comprise 2,000 (down 2%).
One Thing at a Time has earned in excess of 100,000 equivalent album units in all 16 of its chart weeks. Since the Billboard 200 began ranking titles by equivalent album units in December of 2014. The set ties Bad Bunny’s Un Verano Sin Ti in 2022 for the most weeks north of 100,000 (since Dec. 2014).
ATEEZ scores its highest-charting album on the Billboard 200 as The World EP.2: Outlaw bows at No. 2 with 105,500 equivalent album units earned — the Korean pop act’s best week by units. Album sales comprise nearly all of that sum — 101,000, which marks the group’s biggest sales week (and the top-selling album of the week). SEA units comprise 4,5000 — equaling 6.32 million on-demand official streams of the set’s six songs, while TEA units comprise a minimal sum.
The World EP.2: Outlaw is the third top 10-charting effort for the eight-member group, which previously hit the top 10 with Spin Off: From the Witness (No. 7 in January) and The World EP.1: Movement (No. 3 in 2022).
Like many K-pop releases, the CD edition of The World EP.2: Outlaw was issued in collectible CD packages (21 total, including exclusive editions for Barnes & Noble, Target and Walmart, as well as some signed editions), each containing a standard set of branded merchandise items and randomized branded elements (action cards, partner cards, photo cards). Of the album’s sales, 97.5% were on the CD format, with the remainder generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).
The World EP.2: Outlaw is the 10th album to sell at least 100,000 copies in a single week in 2023. Of those 10, seven of them are K-pop titles, with sales largely driven by collectible CD variants.
Gunna earns his fifth top 10-charting set on the Billboard 200 as A Gift & A Curse debuts at No. 3. The title launches with 85,000 equivalent album units earned. Of that sum, SEA units comprise 84,000 (equaling 112.65 million on-demand official streams of the set’s 15 songs) while album sales comprise 1,000 and TEA units comprise a negligible sum.
A trio of former No. 1s is next on the Billboard 200 as Taylor Swift’s Midnights is a non-mover at No. 4 (60,000; down 13%); SZA’s SOS rises 8-5 (48,000; down 3%); and Morgan Wallen’s Dangerous: The Double Album climbs 9-6 (46,000; up 1%). Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack dips 5-7 (42,000; down 22%) and Lil Durk’s Almost Healed falls 7-8 (41,000; down 17%).
Queens of the Stone Age land their fourth top 10-charting effort on the Billboard 200 as In Times New Roman… debuts at No. 9 with 40,000 equivalent album units earned. Of that sum, album sales comprise 36,000, SEA units comprise 4,000 (equaling 5.68 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum. Sales of the album were bolstered by its availability across seven vinyl variants, and combined, the set sold nearly 21,000 vinyl copies.
Rounding out the new Billboard 200’s top 10 is Swift’s chart-topping Lover, which is steady at No. 10 with 40,000 (up 6%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
A familiar face is back at No. 1 on the Billboard 200 albums chart (dated June 24), as Morgan Wallen’s One Thing at a Time climbs 2-1 to collect its 13th nonconsecutive week atop the list. The set earned 111,500 equivalent album units in the United States in the week ending June 15 (down 4%), according to Luminate.
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One Thing at a Time ties with three other albums for the most weeks at No. 1 on the Billboard 200 in the last 10 years. It matches the total weeks at No. 1 of Bad Bunny’s Un Verano Sin Ti (in 2022), Drake’s Views (2016), and the Frozen soundtrack (2014). The last album to have more than 13 weeks at No. 1 was Adele’s 21, with 24 nonconsecutive weeks in 2011-12.
One Thing at a Time also ties Views to become Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200. One Thing was released via Big Loud/Mercury/Republic, while Views was issued through Young Money/Cash Money/Republic.
Also in the top 10 of the new Billboard 200 albums chart, Niall Horan claims his highest-charting album since 2017 as The Show starts at No. 2, while Noah Kahan’s Stick Season surges into the top 10 for the first time (jumping 100-3) after its deluxe reissue and debut on vinyl.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 24, 2023-dated chart will be posted in full on Billboard‘s website on Wednesday (June 21), one day later than usual, owed to the Juneteenth holiday in the U.S. on June 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 111,500 equivalent album units earned in the week ending June 15, SEA units comprise 105,000 (down 3%, equaling 140.74 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down 1%) and TEA units comprise 2,000 (down 4%). One Thing debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It stepped aside for the last two weeks, when Stray Kids’ 5-STAR debuted atop the tally (June 17 chart) and Taylor Swift’s Midnights returned to No. 1 (June 10).
Horan’s The Show starts at No. 2 on the Billboard 200, marking his third consecutive top five-charting effort (comprising all three of his solo releases). The set launches with 80,500 equivalent album units. Of that sum, album sales comprise 68,000 (making it the top-selling album of the week), SEA units comprise 12,000 (equaling 15.42 million on-demand official streams of the set’s tracks) and TEA units comprise 500. Horan previously hit the top five with Heartbreak Weather (No. 4 in 2020) and Flicker (No. 1, 2017).
The new album was preceded by the single “Heaven,” which peaked in the top 25 on both the Pop Airplay and Adult Pop Airplay charts in April. It hit No. 62 on the Billboard Hot 100 in March.
The Show’s sturdy sales start was bolstered by an array of available physical editions: eight deluxe boxed sets containing a CD and branded merch, a signed CD sold through Horan’s webstore, a Target-exclusive CD with an alternative cover and a poster packaged inside, a zine CD package sold through his webstore, six vinyl variants (including color variants for Target, Spotify, Urban Outfitters and his webstore) and a cassette.
Kahan’s Stick Season, which was released in October of 2022, jumps into the top 10 for the first time, as it bolts 100-3 after its deluxe reissue and vinyl debut on June 9. The set earned 71,000 equivalent album units (up 574%) in the week ending June 15. Of that sum, SEA units comprise 48,000 (equaling 60.91 million on-demand official streams of its collected tracks, up 388%), album sales comprise 22,500 (up 3,080%) and TEA units comprise 500 (up 1,036%).
Stick Season, Kahan’s third studio album, was reissued on June 9 with seven additional tracks. It also garnered its first pressing on vinyl. The album originally debuted and peaked at No. 14 on the Oct. 29, 2022-dated list, and logged 28 nonconsecutive weeks on the tally before its deluxe reissue and vault into the top 10.
Swift’s Midnights rises 5-4 on the Billboard 200 with 69,000 equivalent album units (down 17%); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack rises 7-5 in its second week (54,000; down 18%); Stray Kids’ 5-STAR falls 1-6 in its second week (53,000; down 79%); and Lil Durk’s Almost Healed dips 6-7 (50,000; down 26%).
A trio of former No. 1s rounds out the top 10, as SZA’s SOS climbs 9-8 (49,000 equivalent album units earned; down 3%); Wallen’s Dangerous: The Double Album bounces back into the top 10 with an 11-9 rise (45,000; down 1%); and Swift’s Lover bumps 12-10 (37,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Stray Kids lead a busy week in the top 10 on the Billboard 200 albums chart (dated June 17), as the pop group debuts at No. 1 with 5-STAR. It’s the Korean act’s third chart entry, and third to debut at No. 1, following MAXIDENT and ODDINARY, both in 2022.
The new album launches with 249,500 equivalent album units earned in the United States in the week ending June 8, according to Luminate. That marks the fourth-largest week, by units earned, for any album in 2023. Further, of its starting unit sum, album sales comprise 235,000 — the largest sales week for an album this year, and the biggest for any title since Taylor Swift’s Midnights sold 1.14 million in its first week (Nov. 5, 2022-dated chart).
Also in the top 10 of the new Billboard 200 albums chart, five other titles arrive in the region: Jelly Roll’s Whitsitt Chapel starts at No. 3; ENHYPEN’s Dark Blood bows at No. 4 after its CD release on June 2 (it was issued via streamers and digital download on May 22); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack flies in at No. 7; Foo Fighters’ But Here We Are starts at No. 8; and Moneybagg Yo’s Hard to Love enters at No. 10.
With six debuts in the top 10, the region hosts the most new arrivals in over two and a half years, since the Oct. 10, 2020-dated chart, when six albums also began in the top 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 17, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (June 13). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of 5-STAR’s 249,500 equivalent album units earned, album sales comprise 235,000, SEA units comprise 14,000 (equaling 19.55 million on-demand official streams of the set’s tracks) and TEA units comprise 500.
As Stray Kids have seen their first three entries on the Billboard 200 all debut at No. 1, the last act also to have its first three chart entries all debut atop the list was Harry Styles, with his first three solo albums: Harry Styles (2017), Fine Line (2019) and Harry’s House (2022).
Like many K-pop releases, the CD edition of 5-STAR was issued in collectible CD packages (18 total, including exclusives for Barnes & Noble, Target, Walmart and a signed edition in the group’s webstore), each containing a standard set of bonus items and randomized elements (photo cards, mini posters, sticker sets, photo books). There were also four alternative digital versions of the album, sold only in the act’s webstore, each containing the base song tracklist, but with alternative covers and bonus voice memos from individual members of the eight-member group, each selling for $6.99.
Effectively all of 5-STAR’s first-week album sales were CDs (98%; 231,000), with about 2% from digital album sales (about 4,000). The set was not available in any other retail format (such as vinyl or cassette).
5-STAR is mostly in the Korean language, but includes some English lyrics. It is the 19th mostly non-English language album to hit No. 1, and the third of 2023, following Karol G’s Mañana Será Bonito (one week, March 11 chart) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).
Stray Kids have yet to chart a song on the U.S.-based Billboard Hot 100 songs chart (through the most recently published list, dated June 10). The act has notched four entries on the Billboard Global 200, and seven titles on the Billboard Global 200 Excl. U.S. chart, which rank the most popular songs globally, and globally excluding the U.S., respectively.
Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 117,000 equivalent album units earned (down 7%).
Jelly Roll rocks in at No. 3 on the Billboard 200 with Whitsitt Chapel, starting with 90,000 equivalent album units earned — his biggest week yet and first top 40-charting release. (He previously logged three albums, none going higher than No. 97.) Of the new set’s first-week units, album sales comprise 63,000, SEA units comprise 25,000 (equaling 33.09 million on-demand official streams of the set’s songs) and TEA units comprise 2,000.
Whitsitt’s album sales were aided by three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD sold through Jelly Roll’s webstore, a deeply-discounted digital album (only $4.20 for a limited time during the tracking week in his webstore), nine deluxe CD boxed sets that included branded merch and a copy of the CD and a “hymnal” Zine/CD package.
ENHYPEN notches its second top 10 on the Billboard 200, and the Korean pop group’s highest charting effort yet, as Dark Blood bows at No. 4 with 88,000 equivalent album units earned (also the act’s best week yet by units). Of its first-week units, album sales comprise 85,000, SEA units comprise 3,000 (equaling 3.79 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.
Like many K-pop releases, the CD edition of Dark Blood was issued in collectible CD packages (17 total, including a number of retailer-exclusives), each containing a standard set of bonus items and randomized elements. Dark Blood’s debut on the Billboard 200 comes only after its CD was released, as its digital album and streaming album both dropped on May 22.
Swift’s chart-topping Midnights falls 1-5 on the Billboard 200 with 83,000 equivalent album units earned (down 70%) and Lil Durk’s Almost Healed dips 3-6 in its second week (67,000; down 46%).
Metro Boomin’s star-studded soundtrack to Spider-Man: Across the Spider-Verse swings in, debuting at No. 7 with 66,000 equivalent album units earned. Of that sum, streaming equivalent album units comprise 62,000 (equaling 83.57 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise 1,000. It’s the sixth top 10-charting set for Metro Boomin. The album features guests such as Future, Lil Wayne and Nas.
Foo Fighters’ But Here We Are — the band’s first album since the death of drummer Taylor Hawkins in early 2022 — starts at No. 8 with 62,000 equivalent album units earned. It’s the 10th top 10 album for the group. The album was led by the single “Rescued,” which topped both the Alternative Airplay chart (the act’s 11th leader there) and the Mainstream Rock Airplay chart (its 12th No. 1).
SZA’s chart-topping SOS drops 4-9 with 51,000 equivalent album units (down 8%).
Moneybagg Yo’s Hard to Love is the sixth and final debut in the top 10, as it bows at No. 10 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 48,500 (equaling 66.56 million on-demand official streams of the set’s songs), album sales comprise 2,500 and TEA units comprise a negligible sum. It’s the sixth top 10-charting set for the rapper.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Taylor Swift’s Midnights jumps back to No. 1 on the Billboard 200 albums chart (dated June 10), for a sixth nonconsecutive week atop the list. The set bumps 3-1 after the May 26 release of two deluxe editions of the album, along with a new color vinyl variant of the original standard album.
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Midnights earned 282,000 equivalent album units in the United States in the week ending June 1 (up 389%), according to Luminate – the second-largest week of 2023 for any album. Only the debut frame of Morgan Wallen’s One Thing at a Time posted a bigger week this year, when it launched at No. 1 with 501,000 (chart dated March 18).
Midnights debuted at No. 1 on the Billboard 200 dated Nov. 5, 2022, and spent its first two weeks at No. 1. It then notched three further weeks at No. 1 on the charts dated Nov. 26-Dec. 10, 2022. The album has never left the top 10 in its 32 weeks on the chart.
Midnights’ return to No. 1 halts the chart-topping run of Morgan Wallen’s One Thing at a Time, which falls to No. 2 after spending its first 12 weeks at No. 1 – the most weeks atop the chart for a country album in over 30 years. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)
Also in the top 10 of the new Billboard 200 chart, rapper Lil Durk score his sixth top 10, as Almost Heated starts at No. 3.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 10, 2023-dated chart will be posted in full on Billboard‘s website on June 6. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Midnights’ 282,000 equivalent album units earned in the week ending June 1, album sales comprise 196,000 (up 1,529% — the largest sales week for any album in 2023 and the biggest since Midnights itself debuted with 1.114 million sold on the Nov. 5-dated chart), SEA units comprise 80,000 (up 79%, equaling 107.6 million on-demand official streams of the set’s songs), album sales comprise 6,000 (down 30%) and TEA units comprise 6,000 (up 618%).
Midnights had an array of drivers assisting its return to No. 1 on the Billboard 200. On May 26, Swift released a new deluxe edition of Midnights, dubbed The Til Dawn Edition, through digital retailers, Swift’s webstore and streaming services. The 23-track set includes the original standard album’s 13 tracks, plus the seven bonus tracks from the earlier-released Midnights (The 3am Edition; originally released on Oct. 21, 2022, shortly after the standard album), and three bonus tracks: “Hits Different,” which was previously only on the Target-exclusive CD edition of the standard edition of Midnights; a new version of the standard album’s “Snow on the Beach,” featuring Lana Del Rey, and a remix of the standard set’s “Karma,” adding Ice Spice as a featured artist.
The “Karma” remix, alongside its official music video, also premiered across streamers and digital retailers as a single on May 26. Swift and Ice Spice gave the first live performance of the track at Swift’s May 26 The Eras Tour concert at MetLife Stadium in East Rutherford, N.J.
In addition to the Midnights (The Til Dawn Edition), on May 26 Swift introduced a further iteration of the album, named Midnights (The Late Night Edition). The 21-track set contains the original standard album’s 13 tracks, plus five of the seven bonus tracks from The 3am Edition and three bonus tracks: the previously noted new versions of “Snow on the Beach” and “Karma,” along with a previously unreleased track titled “You’re Losing Me (From the Vault).” The Late Night Edition version of the album is available only as a CD sold at merch stands at Swift’s The Eras Tour stops (having started on May 26) for $10 and was briefly sold through Swift’s webstore (for 24 hours only) as a digital download album for $5.99 (from 8 p.m. ET on May 26 to 8 p.m. ET on May 27). “You’re Losing Me” is exclusive to The Late Night edition of the album and is not available to stream anywhere officially, nor sold as a stand-alone track.
There is no word on when, or if, The Late Night Edition will be widely released, nor if “You’re Losing Me” will be released a la carte.
Beyond the above drivers, the standard Midnights vinyl album was reissued in a color variant on May 26. The day, the Love Potion purple marble color variant of Midnights was available in select independent record stores, after being previously sold in a short pre-order window through Swift’s webstore (with orders shipping out starting May 26).
Wallen’s One Thing at a Time surrenders the No. 1 slot after spending its first 12 weeks at No. 1, as the album dips to No. 2 with 126,000 equivalent album units earned (down 2%).
Lil Durk notches his sixth top 10-charting effort on the Billboard 200 as Almost Heated debuts at No. 3 with 125,000 equivalent album units earned. Of that sum, SEA units comprise 122,000 (equaling 167.82 million on-demand official streams of the set’s tracks), album sales comprise 2,000 and TEA units comprise 1,000. Notably, the 125,000-unit start marks Durk’s best week, outside of his collaborative set with Lil Baby, which bowed at No. 1 with 150,000 (June 19, 2021, chart).
A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS dips 2-4 (55,000 equivalent album units earned; down 29%), Wallen’s Dangerous: The Double Album falls 4-5 (48,000; up 2%) and Swift’s Lover is a non-mover at No. 6 (38,000; down 1%). Luke Combs’ Gettin’ Old rises one rung to No. 7 with 33,000 (down 4%).
Bad Bunny’s chart-topping Un Verano Sin Ti climbs one spot to No. 8 (nearly 33,000 equivalent album units; down 3%), Zach Bryan’s American Heartbreak bumps 10-9 (31,000; down 1%) and Bailey Zimmerman’s Religiously. The Album. climbs back to the top 10, up 11-10 (30,000; down 4%).
As the top 10 contains Wallen’s two albums (One Thing at a Time and Dangerous at Nos. 2 and 5), Combs’ Gettin’ Old (No. 7), Bryan’s American Heartbreak (No. 9) and Zimmerman’s Religiously. The Album. (No. 10), there are five country albums in the top 10 for the first time in nearly a decade. The chart last had at least five country sets in the top 10 on the Oct. 5, 2013-dated list. That week, Justin Moore’s Off the Beaten Path debuted at No. 2, Chris Young’s A.M. launched at No. 3, Luke Bryan’s former leader Crash My Party fell 4-6, Keith Urban’s Fuse fell 1-8 and Billy Currington’s We Are Tonight debuted at No. 10.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Lewis Capaldi claims his first top 10-charting effort on Billboard’s Top Album Sales chart (dated June 3) as his second studio album, Broken By Desire to Be Heavenly Sent, debuts at No. 4 with his best sales week ever — 20,000 copies sold in the United States in the week ending May 25, according to Luminate.
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Capaldi’s first studio album, Divinely Uninspired to a Hellish Extent, saw its largest sales week in its opening frame, when it sold about 3,500 copies (bowing and peaking at No. 26 on the June 1, 2019-dated chart).
Also in the top 10 of the new Top Album Sales chart, Dave Matthews Band notches its eighth No. 1 with the chart-topping bow of Walk Around the Moon, Ghost’s five-song covers set Phantomime enters at No. 2, SZA’s SOS re-enters at No. 3 after its physical release on CD and vinyl, Sleep Token’s Take Me Back to Eden bows at No. 6, (G)I-DLE’s I Feel starts at No. 7 and Def Leppard’s Drastic Symphonies, with the Royal Philharmonic Orchestra, rocks in at No. 8.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Broken By Desire…’s 20,000 sold, physical sales comprise 15,000 (8,000 on CD, 7,000 on vinyl) and digital download sales comprise 5,000. The set’s first-week sales were supported by its availability across multiple vinyl LPs (including exclusive color variants for Target, independent record stores, Spotify and the artist’s official webstore; as well as a signed vinyl sold through the artist’s webstore), four CD editions (including a Target-exclusive with two bonus tracks, a signed edition sold in his webstore and an Amazon-exclusive variant with an alternative cover), and an iTunes Store-exclusive digital album with two bonus tracks.
Dave Matthews Band’s Walk Around the Moon lands at No. 1 on Top Album Sales, marking the eighth chart-topper for the group. It launches with 40,000 copies sold. The album’s sales were bolstered by its availability across multiple vinyl variants, including exclusive color variants for the band’s fan club, Barnes & Noble, independent record stores and Target.
Ghost’s five-song covers project Phantomime bows at No. 3 on Top Album Sales with 34,000 copies sold, supported by its availability across multiple vinyl variants (resulting in 16,500 copies sold on the format – the week’s second-largest selling album on vinyl).
SZA’s SOS, released in December, re-enters Top Album Sales at No. 3 – its first week in the top 10 – following the set’s debut on physical formats (CD and vinyl). It surges back onto the chart with 29,000 copies sold across all of its retail formats. The bulk of that figure comprises vinyl LPs – with 25,000 copies sold on vinyl, marking the largest sales week on vinyl in 2023 for an R&B/hip-hop album. It debuts at No. 1 on the Vinyl Albums chart.
SEVENTEEN’s former No. 1 SEVENTEEN 10th Mini Album: FML rises 6-5 with a little over 16,000 copies sold (up 2%). Sleep Token’s Take Me Back to Eden debuts at No. 6 with 16,000. (G)I-DLE’s I Feel bows at No. 7 with 16,000, while Def Leppard’s Drastic Symphonies, with the Philharmonic Orchestra, starts at No. 8 with 15,000 sold.
The Guardians of the Galaxy Vol. 3: Awesome Mix Vol. 3 soundtrack falls 5-9 with 12,000 (down 37%) and Taylor Swift’s chart-topping Midnights dips 8-10 with 12,000 (down 5%).
In the week ending May 25, there were 1.795 million albums sold in the U.S. (up 1% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.436 million (down 0.8%) and digital albums comprised 359,000 (up 8.6%).
There were 625,000 CD albums sold in the week ending May 25 (up 0.9% week-over-week) and 799,000 vinyl albums sold (down 2.2%). Year-to-date CD album sales stand at 13.918 million (up 4.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 19.588 million (up 25.8%).
Overall year-to-date album sales total 41.127 million (up 9.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 33.726 million (up 15.8%) and digital album sales total 7.402 million (down 12.8%).
Morgan Wallen’s One Thing at a Time spends a 12th week in a row, and in total, atop the Billboard 200 albums chart (dated June 3) – the most weeks at No. 1 for a country album in over 30 years. As the album surpasses the 11-week reign of Taylor Swift’s Fearless in 2008-09, Wallen’s set has the most weeks at No. 1 for a country album since Billy Ray Cyrus’ Some Gave All, which notched 17 weeks, all consecutively, atop the list (June 13-Oct. 3, 1992-dated charts). (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)
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One Thing at a Time earned 129,000 equivalent album units in the United States in the week ending May 25 (down 4%), according to Luminate.
One Thing at a Time continues to have the most weeks in a row at No. 1 since the Titanic soundtrack ruled at No. 1 for 16 consecutive weeks in 1998 (its entire run at No. 1, Jan. 24-May 9 of that year). The last album to spend at least 12 weeks in total at No. 1 was Bad Bunny’s Un Verano Sin Ti, which notched 13 nonconsecutive weeks atop the list in May-October 2022.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and has yet to yield the top slot. As it has now spent its first 12 weeks at No. 1, One Thing at a Time is just the second album to rule for its first 12 weeks on the chart, after Stevie Wonder’s Songs in the Key of Life logged its first 13 weeks at No. 1 (of a total of 14 weeks in the top slot) in late 1976 and early 1977. (For context, today, it’s common for albums to debut at No. 1. However, before 1991, when the Billboard 200 began utilizing Luminate’s electronically monitored tracking information, only six albums debuted at No. 1, including Songs In the Key of Life.)
Wallen has now spent a total of 22 weeks at No. 1 across his two chart-topping albums (One Thing at a Time, with 12 weeks, and his last album, Dangerous: The Double Album, with 10). Among acts with the most weeks at No. 1 this decade (2020-onwards), Wallen pulls further ahead of the act with the second-most weeks at No. 1 in that span of time – Taylor Swift, with 20.
Notably, Swift’s most recent No. 1, Midnights (which spent five weeks atop the list in late 2022), was reissued in multiple formats on May 26 (on vinyl, CD, digital download and via streaming services), with some iterations containing additional bonus tracks. The sales and streaming impact of those new variations will be reflected on next week’s Billboard 200 chart, dated June 10.
Also in the top 10 of the new Billboard 200 albums chart, Dave Matthews Band earns its 14th top 10-charting effort with the debut of Walk Around the Moon at No. 5. Plus, Ghost logs it fourth top 10, and second in a little over a year, as its new five-song covers set Phantomime bows at No. 7.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 3, 2023-dated chart will be posted in full on Billboard‘s website on May 31 (a day later than usual due to the Memorial Day holiday in the U.S. on May 29). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 129,000 equivalent album units earned in the week ending May 25, SEA units comprise 121,000 (down 3%, equaling 162.52 million on-demand official streams of the set’s 36 songs), album sales comprise 6,000 (down 30%) and TEA units comprise 2,000 (up less than 1%).
SZA’s chart-topping SOS jumps 5-2 with 77,000 equivalent album units earned (up 52%) following the album’s release on CD and vinyl on May 19. The set sold 29,000 copies across all formats (physical and digital) – up 22,963% from a negligible sum the previous week. SOS was released on Dec. 9, 2022, via streaming services and to purchase as a digital download album.
Swift’s Midnights falls 2-3 with 58,000 equivalent album units (down 4%), while Wallen’s Dangerous climbs 6-4 with 47,000 units (down 2%).
Dave Matthews Band achieves its 14th top 10-charting album on the Billboard 200 as its new studio effort Walk Around the Moon debuts at No. 5. It’s the act’s first new studio set since 2018. The new album earned 44,000 equivalent album units in its first week. Of that sum, album sales comprise 40,000 (making it the top-selling album of the week), SEA units comprise 4,000 (equaling 5.45 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were supported by multiple vinyl editions, including exclusive color variants for the band’s fan club and webstore, Barnes & Noble, independent record stores and Target.
Dave Matthews Band notched its first top 10 with Crash (No. 2 in 1996) and has earned at least one new top 10 album in every decade since (three total in the 1990s, eight in the 2000s, two in the ‘10s and one so far in the ‘20s). In addition, Matthews himself has three solo top 10s.
Dave Matthews Band is the 11th group to have tallied a new top 10 in each of those four decades, joining AC/DC, Def Leppard, Foo Fighters, Green Day, Marilyn Manson, Megadeth, Metallica, Pearl Jam, Red Hot Chili Peppers and U2.
Swift’s former No. 1 Lover jumps 10-6 with 38,000 equivalent album units earned (up 1%). That’s the highest rank for the 2019 set since that December, sparked by Swift performing songs from it live for the first time on her ongoing juggernaut The Eras Tour.
Ghost’s five-song covers project Phantomime debuts at No. 7 on the Billboard 200 with 36,000 equivalent album units earned. It’s the fourth top 10 for the band, and second in a little over a year, following Impera, which debuted and peaked at No. 2 (March 26, 2022-dated chart).
Of Phantomime’s 36,000 units earned, album sales comprise 34,000, SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across a variety of physical formats, including multiple vinyl LPs (including exclusives color variants for independent record stores, Target and Urban Outfitters) and even a cassette tape.
Phantomime boasts covers of Genesis (“Jesus He Knows Me”), Iron Maiden (“Phantom of the Opera”) and the late Tina Turner (“We Don’t Need Another Hero [Thunderdome]”).
Luke Combs’ Gettin’ Old rises 12-8 on the Billboard 200 with 34,000 equivalent album units earned (down 3%), Bad Bunny’s former No. 1, Un Verano Sin Ti, ascends 11-9 with nearly 34,000 (down 4%) and Zach Bryan’s American Heartbreak bumps 15-10 with 32,000 (up 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen’s One Thing at a Time clocks an 11th consecutive, and total, week atop the Billboard 200 albums chart (dated May 27). It now has the most weeks in a row at No. 1 since the Titanic soundtrack sailed at No. 1 for 16 consecutive weeks (its entire run at No. 1).
One Thing at a Time is also the first album of any genre to spend its first 11 weeks at No. 1 since Whitney Houston’s Whitney also ruled for its first 11 weeks in 1987 (its total run at No. 1). The only other album to spend its first 11 weeks at No. 1 is Stevie Wonder’s Songs in the Key of Life, which logged its first 13 weeks at No. 1 (of a total of 14 weeks in the top slot) in late 1976 and early 1977.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and has yet to depart the top slot. It has now surpassed the total No. 1 run of Wallen’s last release, Dangerous: The Double Album, which spent its first 10 weeks at No. 1 (Jan. 23-March 27, 2021-dated charts).
One Thing at a Time earned 134,500 equivalent album units in the United States in the week ending May 18 (down 5%), according to Luminate.
The last album to spend at least 11 weeks in total at No. 1 was Bad Bunny’s Un Verano Sin Ti, which pieced together 13 nonconsecutive weeks atop the list in May-October 2022.
One Thing at a Time has the most weeks at No. 1 for any country album since Taylor Swift’s Fearless notched 11 nonconsecutive weeks at No. 1 in late 2008 and early 2009. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)
Further, Wallen has now spent a total of 21 weeks at No. 1 across his two chart-topping albums (One Thing, with 11 weeks, and Dangerous, with 10). He surpasses Swift for the most weeks at No. 1 this decade (2020-onwards). Swift logged eight weeks at No. 1 with Folklore in 2020, four with Evermore in 2020-21, two with Fearless (Taylor’s Version) in 2021, one with Red (Taylor’s Version) in 2021 and five with Midnights in 2022. Swift will release her third Taylor’s Version re-recorded album, Speak Now, on July 7.
Also in the top 10 of the new Billboard 200, Jonas Brothers notch their seventh top 10 with the No. 3 arrival of The Album, YoungBoy Never Broke Again achieves his 15th top 10 (and third of 2023) with the No. 4 bow of Richest Opp, Bailey Zimmerman earns his second top 10 with the No. 7 debut of Religiously. The Album., and Daft Punk’s chart-topping Random Access Memories re-enters the chart at No. 8 after its 10th anniversary deluxe reissue.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 27, 2023-dated chart will be posted in full on Billboard‘s website on May 23. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 134,500 equivalent album units earned in the week ending May 18, SEA units comprise 124,500 (down 7%, equaling 165.47 million on-demand official streams of the set’s 36 songs), album sales comprise 8,000 (up 61% after the release of its standard vinyl album on May 12) and TEA units comprise 2,000 (down 5%).
Taylor Swift’s chart-topping Midnights rises 3-2 with 60,000 equivalent album units earned (up 1%).
Jonas Brothers notch their seventh top 10-charting album on the Billboard 200 as The Album debuts at No. 3. The set launches with 52,000 equivalent album units earned. Of that sum, album sales comprise 35,500 (making it the top-selling album of the week), SEA units comprise 16,000 (equaling 20.5 million on-demand official streams of the set’s 12 songs) and TEA units comprise a little over 500.
The album’s current single, “Waffle House,” climbed 88-82 on the most recently published Billboard Hot 100 songs chart (dated May 20). It also stepped 37-34 on the all-format Radio Songs tally the same week. On the Pop Airplay chart, “Waffle” wings 18-15 on the latest list (dated May 27).
The prolific YoungBoy Never Broke Again clocks his third top 10 of 2023 on the Billboard 200, as Richest Opp bows at No. 4. In total, it’s the rapper’s 15th top 10 — all earned since 2018. He now ties Drake and Future for the second-most top 10s among rap acts. Only Jay-Z and Nas have more among rap acts, each with 16.
Richest Opp enters with 51,000 equivalent album units earned. SEA units comprise nearly all of that sum, with 50,500 (equaling 74.37 million on-demand official streams of the set’s 17 songs). Album sales comprise 500 and TEA units comprise a negligible sum.
In total, YoungBoy Never Broke Again has placed 30 titles on the Billboard 200 albums chart, starting with AI YoungBoy in 2017, which peaked at No. 24 in August 2017.
SZA’s former leader SOS falls 4-5 with 51,000 equivalent album units earned (down 5%), while Wallen’s Dangerous: The Double Album, dips 5-6 with 48,000 (down 1%).
Bailey Zimmerman nabs his second top 10-charting effort on the Billboard 200 as Religiously. The Album. starts at No. 7. The set bows with 46,500 equivalent album units earned. Of that sum, SEA units comprise 38,000 (equaling 50.5 million on-demand official streams of the set’s 15 songs), album sales comprise 8,000 and TEA units comprise 500.
In October 2022, Zimmerman made his Billboard 200 debut with Leave the Light On, debuting and peaking at No. 9. In a little over a year, he’s earned eight top 40-charting his on Billboard’s Hot Country Songs chart (through the most recently published list, dated May 20).
Chart-watchers may have noticed that there are three titles in the top 10 that use the word “album” in their title: Jonas Brothers’ The Album at No. 3, Wallen’s Dangerous: The Double Album at No. 6 and Zimmerman’s Religiously. The Album. at No. 7. It’s the first time at least three albums concurrently in the top 10 have had the word “album” in their title since August of 1963, when Billboard combined its separate stereo and mono album charts into one single album chart. (See more history on the Billboard 200, which began publishing as a regular, weekly fixture in March of 1956.)
Daft Punk’s former No. 1 Random Access Memories jumps back onto the Billboard 200, re-entering at No. 8 with 40,000 equivalent album units earned (up 1,046%). The set was reissued for its 10th anniversary in a deluxe edition with previously unreleased archival tracks from the album’s recording sessions. Of its 40,000 units earned, album sales comprise 32,000, SEA units comprise nearly 8,000 and TEA units comprise a negligible sum. The set became the first leader for the duo, which disbanded in 2021, spending its first two weeks at No. 1 in June 2013.
Rounding out the top 10 of the new Billboard 200 is Ed Sheeran’s – (Subtract), falling 2-9 with nearly 40,000 equivalent album units (down 64%) in its second week and Swift’s chart-topping Lover, descending 7-10 with 38,000 units (up 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen’s One Thing at a Time logs a 10th consecutive, and total, week at No. 1 on the Billboard 200 albums chart (dated May 20). The album bowed at No. 1 on the chart dated March 18 and has yet to depart the top slot. It equals the No. 1 run of Wallen’s last release, Dangerous: The Double Album, which also spent its first 10 weeks at No. 1 (Jan. 23-March 27, 2021-dated charts).
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One Thing at a Time earned 141,000 equivalent album units in the United States in the week ending May 11 (up 2%), according to Luminate.
As One Thing at a Time holds at No. 1, Wallen becomes the first male soloist to spend 10 weeks at No. 1 with back-to-back full-length albums, since the Billboard 200 began publishing on a regular, weekly basis in March of 1956. Only five acts — including Wallen — have notched consecutive No. 1s that ruled for at least 10 weeks. Wallen joins Adele (25, 10 weeks, 2015-16 and 21, 24 weeks, 2011-12), Whitney Houston (Whitney, 11 weeks, 1987 and her self-titled album, 14 weeks, 1986), The Monkees (More of the Monkees, 18 weeks, 1967 and its self-titled album, 13 weeks 1966-67) and The Kingston Trio (String Along, 10 weeks, 1960 and Sold Out, 12 weeks, 1960).
Wallen is now the third solo male artist overall to have at least two albums spend 10 or more weeks at No. 1 each. He joins Elvis Presley and Henry Mancini. The former did it four times with his self-titled album (10 weeks in 1956) and the soundtracks for Loving You (10, 1957), G.I. Blues (10, 1960-61) and Blue Hawaii (20, 1961-62) and the latter did so twice, with the soundtracks The Music From Peter Gunn (10, 1959) and Breakfast at Tiffany’s (12, 1962).
Further, Wallen becomes the only act with at least two country albums to have spent 10 or more weeks at No. 1. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)
In total, nine acts — including Wallen — have at least two albums that have spent at least 10 weeks at No. 1. Wallen is now among elite company, standing alongside only The Beatles, Presley (four such albums each); Houston, The Kingston Trio (three each); Adele, Mancini, The Monkees and Taylor Swift (two each).
Also in the top 10 of the new Billboard 200, Ed Sheeran achieves his sixth top 10-charting effort as his new studio set, pronounced Subtract, starts at No. 2, while Korean girl group LE SSERAFIM notches its first top 10 (and second chart entry) with the No. 6 bow of Unforgiven.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 141,000 equivalent album units earned in the week ending May 11, SEA units comprise 134,000 (up 3%, equaling 179.33 million on-demand official streams of the set’s 36 songs), album sales comprise 5,000 (down 6%) and TEA units comprise 2,000 (down 5%).
Sheeran collects his sixth top 10-charting effort on the Billboard 200 as his latest studio album, – (Subtract), debuts at No. 2. The set starts with 112,000 equivalent album units earned. Of that sum, album sales comprise 81,000 (making it the top-selling album of the week), SEA units comprise 29,000 (equaling 38.43 million on-demand official streams of the set’s tracks) and TEA units comprise 2,000.
The album was preceded by its lead single “Eyes Closed,” which debuted and has so far peaked at No. 26 on the Billboard Hot 100 dated April 8. Sheeran’s last three albums (Equals, No. 6 Collaborations Project and Multiply) were each led by top 10-charting singles before the sets dropped: “Bad Habits” (No. 2), “I Don’t Care,” with Justin Bieber (No. 2) and the dual lead singles off Multiply, “Shape of You” (No. 1) and “Castle on the Hill” (No. 6).
Subtract marks Sheeran’s biggest sales week since 2017, thus larger than any week posted by Sheeran’s last two albums (Equals and No. 6 Collaborations Project). Subtract also nets 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.
Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).
A trio of former No. 1s is next on the Billboard 200, as Taylor Swift’s Midnights is a non-mover at No. 3 (60,000 equivalent album units; up 4%), SZA’s SOS is stationary at No. 4 (54,000; down 4%) and Wallen’s Dangerous is steady at No. 5 (49,000; up 4%).
LE SSERAFIM debuts at No. 6 with Unforgiven, marking its first top 10 and second charting effort on the Billboard 200. The Korean pop girl group’s album enters the chart with 45,000 equivalent album units earned (up 691%). Of that sum, 38,500 comprise album sales, 6,500 comprise SEA units (equaling 9.04 million on-demand official streams of the set’s 13 tracks) and TEA units comprise a negligible sum.
The album was released to digital retailers and streaming services on May 1, and earned 6,000 equivalent album units in the week ending May 4 (not enough to debut on the Billboard 200). The set debuts on the chart following the release of its CD edition on May 5.
Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s first-week album sales were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).
While LE SSERAFIM has yet to chart on the Billboard Hot 100, the album’s title track — with Nile Rodgers — debuted at No. 61 on the Billboard Global 200 and No. 39 on the Global 200 Excluding U.S. chart (both dated May 13).
Swift’s chart-topping Lover rises 10-7 on the Billboard 200 (37,000 equivalent album units earned; up 8%), Bad Bunny’s former leader Un Verano Sin Ti jumps back to the top 10, climbing 11-8 (36,000; up 8%), Luke Combs’ Gettin’ Old falls 7-9 (nearly 36,000; down 3%) and Metro Boomin’s former No. 1 Heroes & Villains dips 9-10 (34,000; down 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.