Billboard 200
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NewJeans land both their first No. 1 and first entry on the Billboard 200 albums chart (dated Aug. 5) as their 2nd EP ‘Get Up’ debuts atop the list. The set earned 126,500 equivalent album units in the U.S. in the week ending July 27, according to Luminate, mostly driven by CD sales of the album.
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The Korean quintet brings a second all-female group to No. 1 on the Billboard 200 in less than a year, following BLACKPINK’s Born Pink last September. They are the only two albums by all-female groups to reach No. 1 in the last 15 years. (Before BLACKPINK, the last all-female group to lead the tally was Danity Kane with Welcome to the Dollhouse in April of 2008.)
Also in the top 10 of the new Billboard 200, the all-star Barbie soundtrack bows at No. 2 – with the biggest week, by units earned, for a theatrical film soundtrack in over four years. Plus, Greta Van Fleet claims its third top 10-charting effort as Starcatcher starts at No. 8.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 5, 2023-dated chart will be posted in full on Billboard‘s website on Aug. 2. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Get Up’s 126,500 equivalent album units earned in the week ending July 27, album sales comprise 101,500 (with 99% of that sum driven by CD sales and 1% via digital download), SEA units comprise 24,500 (equaling 34.39 million on-demand official streams of the set’s six tracks) and TEA units comprise 500.
Like many K-pop releases, the CD edition of Get Up was issued in collectible CD packages (three main versions, available in 14 different iterations, with different covers and packaging individualized to the different group members, and all with a set of randomized branded merchandise inside, including photo books, lyric books and photo cards). Most of the permutations of the CD edition of the album saw their contents housed in a branded bag, which was then contained inside a box. The set was only available for purchase as a CD or a digital download album.
Get Up is mostly in the Korean language, but includes some English lyrics. It is the 20th mostly non-English language album to hit No. 1, and the fourth of 2023, following Stray Kids’ 5-STAR (one week at No. 1, June 17 chart), Karol G’s Mañana Será Bonito (one week, March 11) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).
Though Get Up is NewJeans’ first album to chart on the Billboard 200, the group logged three entries before the album’s release on the U.S.-based Billboard Hot 100 songs chart, including the Get Up track “Super Shy,” which climbs to a new peak of No. 48 on the Aug. 5-dated chart.
Notably, the six-track Get Up is the second No. 1 album of 2023 to have fewer than 10 tracks, after another K-pop project, TOMORROW X TOGETHER’s five-song The Name Chapter: Temptation.
The all-star Barbie film soundtrack bounds in at No. 2 on the Billboard 200 with 126,000 equivalent album units earned — the biggest week for a full-length theatrical film soundtrack, by units, in more than four years. The last soundtrack to score a bigger week was Lady Gaga and Bradley Cooper’s A Star Is Born, which registered 129,000 on the March 9, 2019, chart (at No. 1), following its exposure on that year’s Academy Awards (Feb. 24).
Barbie marks the highest charting soundtrack in more than a year, since Encanto led the list for nine nonconsecutive weeks (January-March 2022). Barbie is also the highest debut for a full-length theatrical film soundtrack since the Beyoncé-led The Lion King: The Gift also opened at No. 2 three years ago (Aug. 3, 2019, chart).
The Barbie album features new music from Billie Eilish, Dua Lipa, Lizzo, Nicki Minaj and Ice Spice and Sam Smith (among many others), and even a pair of tracks from the film’s co-star Ryan Gosling.
Of Barbie’s starting unit sum of 126,000, SEA units comprise 70,000 (equaling 93.81 million on-demand official streams of the set’s 19 songs), album sales comprise 53,000, and TEA units comprise 3,000.
Meanwhile, Barbie boasts the largest sales week on vinyl for a theatrical film soundtrack (33,000) since Luminate began electronically tracking music sales in 1991. (The set’s vinyl sales were enhanced by its availability across at least six color variants.) Further, Barbie scores the largest first-week streams (93.81 million) for a soundtrack in over five years, since Black Panther started with 138.95 million (Feb. 24, 2018, chart).
Morgan Wallen’s former No. 1 One Thing at a Time dips 2-3 on the Billboard 200 with 103,000 equivalent album units (down 2%). The set has earned in excess of 100,000 equivalent album units in all 21 of its chart weeks, extending its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.
Taylor Swift’s Speak Now (Taylor’s Version) falls to No. 4 in its third week (79,000 equivalent album units; down 35%) after spending its first two weeks at No. 1. Peso Pluma’s Génesis drops 3-5 (53,000; down 4%), Swift’s chart-topping Midnights descends 4-6 (49,000; down 4%) and Wallen’s former leader Dangerous: The Double Album falls 5-7 (47,000; down 1%).
Greta Van Fleet notches its third top 10-charting album on the Billboard 200 as Starcatcher starts at No. 8. The set launches with 45,500 equivalent album units earned. Of that sum, album sales comprise 41,000, SEA units comprise 4,500 (equaling 5.83 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum.
Rounding out the top 10 is a pair of former No. 1s: SZA’s SOS (7-9 with just over 42,000; down 2%) and Swift’s Lover (6-10 with 42,000; down 3%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Taylor Swift currently has four albums on the Billboard 200 chart’s top 10, marking the first time in nearly 60 years that a living artist has at least four albums in the top 10 at the same time. Explore See latest videos, charts and news See latest videos, charts and news The last time this happened was […]
Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), has earned over 575,000 equivalent album units in the U.S. in its first four days of release (July 7-10), according to initial reports to Luminate — marking the biggest week for any album in 2023. Of that sum, album sales comprise over 400,000 copies – the largest sales week for an album this year, too.
Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 No. 1 Billboard 200 studio album Speak Now. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021. Both debuted at No. 1 on the Billboard 200 chart.
If Speak Now (Taylor’s Version) debuts at No. 1 on the July 22-dated Billboard 200 chart (which reflects the tracking week ending July 13), Swift’s count of No. 1 albums will rise to 12, surpassing Barbra Streisand (with 11 leaders) for the most No. 1 albums among female artists. Swift would also tie Drake for the third-most No. 1s among all acts, with only The Beatles (19) and Jay-Z (14) ahead of them. (The Billboard 200 began publishing on a regular, weekly basis in March 1956.) The top 10 of the July 22-dated Billboard 200 chart is scheduled to be announced on Sunday, July 16.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
2023’s previous largest week, by equivalent album units earned, was tallied by Morgan Wallen’s One Thing at a Time, which launched with 501,000 units in the week ending March 9, as reflected on the Billboard 200 chart dated March 18. The year’s largest sales week was held by the debut frame of Stray Kids’ 5-STAR with 235,000 copies sold in the week ending June 8, as reflected on the June 17-dated charts.
Sales: With over 400,000 sold in only four days, Speak Now (Taylor’s Version) already has the largest sales week for any album since Swift’s own last studio album, Midnights, debuted with 1.14 million copies sold last year (week ending Oct. 27, 2022; as reflected on the Nov. 5-dated Billboard charts).
Vinyl sales comprise over half of Speak Now (Taylor’s Version)’s sales – as the three-LP set has sold over 225,000 copies on wax. The latter marks the second-largest sales week for a vinyl album in the modern era (since Luminate began electronically tracking sales in 1991). It is second only to the first week of Midnights’ vinyl LP, with 575,000 sold in its opening frame. Speak Now (Taylor’s Version) is available in three color variants on vinyl – orchid marbled, violet marbled and a Target-exclusive lilac marbled color.
The remainder of Speak Now (Taylor’s Version) sales is comprised of CDs, digital album download purchases and cassette tape sales.
Streaming: The collected 22 songs on Speak Now (Taylor’s Version) generated more than 200 million on-demand official streams in the U.S. July 7-10, according to Luminate. The most-streamed tune on the album, by audio on-demand official streams, is the “from the vault” cut “I Can See You (Taylor’s Version),” with over 13 million on-demand official audio streams in those four tracking days.
Morgan Wallen’s One Thing at a Time logs a 15th nonconsecutive and total week at No. 1 on the Billboard 200 albums chart (dated July 8), as it earned 110,500 equivalent album units in the U.S. in the week ending June 29 (up less than 1%), according to Luminate.
One Thing at a Time, released via Big Loud/Mercury/Republic Records, continues to have the most weeks at No. 1 among all albums since Adele’s 21 logged 24 nonconsecutive weeks atop the list in 2011-12.
The Republic label has topped the chart for the last 17 weeks in a row, since the March 18-dated tally, when One Thing at a Time debuted at No. 1. That album spent 12 consecutive weeks at No. 1, and then stepped aside on the June 10 and 17 charts when Taylor Swift’s Midnights (on Republic) returned to the top and Stray Kids’ 5-STAR (JYP/Imperial/Republic) debuted at No. 1, respectively. One Thing at a Time then returned to No. 1 for the last three weeks (June 24-July 8 charts).
With Republic’s 17th straight week at No. 1, the label has the longest streak for any label atop the chart since 1992, when Mercury ruled for 17 consecutive frames with Billy Ray Cyrus’ Some Gave All.
Also in the top 10 of the new Billboard 200 albums chart, Young Thug scores his eighth top 10-charting effort with Business Is Business debuting at No. 2, Peso Pluma captures his first top 10 and the highest charting album ever for a regional Mexican release as Génesis launches at No. 3, and Kelly Clarkson nabs her ninth top 10 with the No. 6 arrival of Chemistry.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 8, 2023-dated chart will be posted in full on Billboard‘s website on July 5, one day later than usual due to the Independence Day holiday in the U.S. on Tuesday, July 4. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 110,500 equivalent album units earned in the week ending June 29, SEA units comprise 104,000 (up less than 1%, equaling 139.68 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down 6%) and TEA units comprise 2,000 (up 5%).
One Thing at a Time has earned in excess of 100,000 equivalent album units in all 17 of its chart weeks – the most weeks any album has exceeded 100,000 units since the Billboard 200 began ranking titles by units in December of 2014. It surpasses the 16 frames logged by Bad Bunny’s Un Verano Sin Ti in 2022.
Young Thug clocks his eighth top 10-charting album on the Billboard 200 as Business Is Business bows at No. 2 with 89,000 equivalent album units earned. Of that sum, SEA units comprise 80,000 (equaling 106.32 million on-demand official streams of the set’s tracks), album sales comprise 8,500 and TEA units comprise 500. The album’s release came while the rapper is incarcerated, awaiting trial on racketeering charges.
If Business Is Business goes no higher than No. 2, it will mark the 11th album that One Thing at a Time has blocked from the No. 1 position. The latter has stood at No. 1 while 11 albums have debuted at No. 2: TWICE’s Ready To Be (March 25 chart), Jimin’s FACE (April 8), Melanie Martinez’s Portals (April 15), NF’s Hope (April 22), Metallica’s 72 Seasons (April 29), Agust D’s D-Day (May 6), SEVENTEEN’s SEVENTEEN 10th Mini Album: FML (May 13), Ed Sheeran’s – (Subtract) (May 20), Niall Horan’s The Show (June 24), ATEEZ’s The World EP.2: Outlaw (July 1) and Business Is Business (July 8).
It’s not unusual for an album to spend a lengthy amount of time at No. 1 and end up keeping a number of albums from the top slot. Last year, eight different albums peaked at No. 2 behind Bad Bunny’s Un Verano Sin Ti. In 2016, Drake’s Views also kept eight albums at No. 2 during its 13-week run at No. 1. In 2014, the Frozen soundtrack prevented 10 different No. 2-peaking albums from hitting No. 1 during the set’s 13-week run at the top. The last No. 1 album before One Thing at a Time to hold back at least 11 different albums from the top was Adele’s 21, which blocked 15 titles from the top over the course of its 24 nonconsecutive weeks at No. 1 in 2011-12.
Back on the new Billboard 200, Peso Pluma achieves the highest-charting regional Mexican album ever, as his debut album Génesis debuts at No. 3 with 73,000 equivalent album units earned. The set is only the third regional Mexican effort to reach the top 10 (following two titles from Eslabon Armado in only the past 14 months) and it bows with the biggest week, by units earned, for any regional Mexican title since the list began measuring by units in December of 2014. The previous highest-charting regional Mexican album, and biggest week by units for the genre, was tallied by Eslabon Armado’s Desvelado, which debuted and peaked at No. 6 on the May 13-dated list with 44,000 units.
Of Génesis’ 73,000 units, SEA units comprise 72,000 (equaling 101.18 million on-demand official streams of the set’s songs – the largest streaming week ever for a regional Mexican album), album sales comprise just under 1,000 and TEA units comprise a negligible sum. (Génesis was released on an off-cycle Thursday, June 22, instead of the traditional Friday for most new albums. The tracking week ending June 29 is the set’s first full chart tracking week.)
Peso Pluma has been red-hot on the all-genre Billboard Hot 100 songs chart in 2023, having charted 11 entries on the list, including the top five smash “Ella Baila Sola,” with Eslabon Armado (which is not included on the Génesis album).
Taylor Swift’s chart-topping Midnights is a non-mover at No. 4 on the Billboard 200 with 57,000 equivalent album units (down 6%), while Gunna’s A Gift & A Curse falls 3-5 in its second week with 55,000 (down 36%).
Kelly Clarkson claims her ninth top 10-charting effort on the Billboard 200 as her latest studio album Chemistry bows at No. 6. The set launches with 53,000 equivalent album units earned, of which album sales comprise 43,000 (making it the top-selling album of the week), SEA units account for 9,000 (equaling 11.25 million on-demand official streams of the set’s tracks) and TEA units comprise 1,000.
Chemistry is Clarkson’s first studio album of non-holiday material in over five years, since 2017’s Meaning of Life. Clarkson charted her first album on the Billboard 200 just over 20 years ago, when her debut release Thankful opened at No. 1 on the May 3, 2003-dated list.
A trio of former No. 1s is next on the Billboard 200, as Wallen’s Dangerous: The Double Album falls 6-7 (47,000 equivalent album units; up 3%), SZA’s SOS dips 5-8 (47,000; down 2%) and Swift’s Lover bumps 10-9 (43,000; up 9%). ATEEZ’s The World EP.2: Outlaw rounds out the top 10, falling 2-10 in its second week with 34,000 units (down 68%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
For the last 16 weeks, one label has topped the Billboard 200 – Republic Records. That marks the longest streak for any label at No. 1 since 1998, when the Titanic soundtrack kept the Sony Classical label afloat at No. 1, also for 16 weeks.
Republic has led the chart since the March 18-dated tally, when Morgan Wallen’s One Thing at a Time (released via Big Loud/Mercury/Republic) debuted at No. 1. That album spent 12 weeks in a row at No. 1, and then stepped aside on the June 10 and 17 charts when Taylor Swift’s Midnights (on Republic) returned to the top and Stray Kids’ 5-STAR (JYP/Imperial/Republic) debuted at No. 1, respectively. One Thing at a Time then returned to No. 1 for the last two weeks (June 24 and July 1 charts).
Sony Classical was the last label to rule the Billboard 200 for 16 straight weeks – and it did so with just one album: the Titanic soundtrack. From the Jan. 24 through May 9, 1998-dated charts, the Titanic album sailed at No. 1 (the entirety of its run in the top spot).
Republic could capture a 17th straight week at No. 1 on the Billboard 200 (on the July 8 chart, the top 10 of which is slated to be announced Sunday, July 2). The last label to hold the No. 1 spot for 17 weeks was Mercury, in 1992, when Billy Ray Cyrus’ Some Gave All logged 17 consecutive frames at No. 1 (June 13-Oct. 3, 1992, the entirety of its weeks at No. 1).
Mercury Records was founded in 1945 and continued to operate as a label until the late 1990s. It was reactivated in 2007 but went dormant again in the mid-2010s. Most recently, in 2022, it was relaunched as an imprint of Republic Records. As for Republic, the company debuted as a label in 1995, co-founded by brothers Avery and Monte Lipman. Today, they are Republic’s chief operating officer and chief executive officer, respectively.
If Republic can manage a 17th and then an 18th week in a row at No. 1 on the Billboard 200 (on the July 15 chart), it would mark the longest reign for a label since Capitol claimed the top slot for 18 straight frames with M.C. Hammer’s Please Hammer Don’t Hurt ‘Em in 1990 (on the July 7-Nov. 3, 1990-dated lists). Please Hammer spent a total of 21 nonconsecutive weeks at No. 1.
One Thing at a Time recently made news as the album with the most total weeks at No. 1 on the Billboard 200 (14) since Adele’s 21 (released via XL/Columbia Records) collected 24 nonconsecutive weeks at No. 1 in 2011-12. That 24 weeks in the lead for 21 were pieced together through 10 different stays atop the list, none of which were long enough to give XL or Columbia 16 weeks in a row atop the list.
Morgan Wallen’s One Thing at a Time clocks a 14th nonconsecutive and total week atop the Billboard 200 albums chart (dated July 1), marking the most weeks at No. 1 for any album since Adele’s 21 logged 24 nonconsecutive weeks in charge in 2011-12.
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One Thing at a Time earned 110,000 equivalent album units in the U.S. in the week ending June 22 (down 1%), according to Luminate. One Thing at a Time is now Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200, surpassing the 13 weeks of Drake’s Views in 2016. One Thing at a Time was released via Big Loud/Mercury/Republic, while Views was issued via Young Money/Cash Money/Republic.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It then stepped aside for two weeks, and then returned to the top for the last two consecutive frames (June 24 and July 1-dated charts).
Also in the top 10 of the new Billboard 200 albums chart, ATEEZ scores its highest-charting set yet as The World EP.2: Outlaw bows at No. 2, Gunna lands his fifth top 10-charting effort as A Gift & A Curse debuts at No. 3 and Queens of the Stone Age log their fourth top 10 as In Times New Roman… launches at No. 9.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 1, 2023-dated chart will be posted in full on Billboard‘s website on June 27. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 110,000 equivalent album units earned in the week ending June 22, SEA units comprise 103,500 (down 1%, equaling 139.04 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down less than 1%) and TEA units comprise 2,000 (down 2%).
One Thing at a Time has earned in excess of 100,000 equivalent album units in all 16 of its chart weeks. Since the Billboard 200 began ranking titles by equivalent album units in December of 2014. The set ties Bad Bunny’s Un Verano Sin Ti in 2022 for the most weeks north of 100,000 (since Dec. 2014).
ATEEZ scores its highest-charting album on the Billboard 200 as The World EP.2: Outlaw bows at No. 2 with 105,500 equivalent album units earned — the Korean pop act’s best week by units. Album sales comprise nearly all of that sum — 101,000, which marks the group’s biggest sales week (and the top-selling album of the week). SEA units comprise 4,5000 — equaling 6.32 million on-demand official streams of the set’s six songs, while TEA units comprise a minimal sum.
The World EP.2: Outlaw is the third top 10-charting effort for the eight-member group, which previously hit the top 10 with Spin Off: From the Witness (No. 7 in January) and The World EP.1: Movement (No. 3 in 2022).
Like many K-pop releases, the CD edition of The World EP.2: Outlaw was issued in collectible CD packages (21 total, including exclusive editions for Barnes & Noble, Target and Walmart, as well as some signed editions), each containing a standard set of branded merchandise items and randomized branded elements (action cards, partner cards, photo cards). Of the album’s sales, 97.5% were on the CD format, with the remainder generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).
The World EP.2: Outlaw is the 10th album to sell at least 100,000 copies in a single week in 2023. Of those 10, seven of them are K-pop titles, with sales largely driven by collectible CD variants.
Gunna earns his fifth top 10-charting set on the Billboard 200 as A Gift & A Curse debuts at No. 3. The title launches with 85,000 equivalent album units earned. Of that sum, SEA units comprise 84,000 (equaling 112.65 million on-demand official streams of the set’s 15 songs) while album sales comprise 1,000 and TEA units comprise a negligible sum.
A trio of former No. 1s is next on the Billboard 200 as Taylor Swift’s Midnights is a non-mover at No. 4 (60,000; down 13%); SZA’s SOS rises 8-5 (48,000; down 3%); and Morgan Wallen’s Dangerous: The Double Album climbs 9-6 (46,000; up 1%). Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack dips 5-7 (42,000; down 22%) and Lil Durk’s Almost Healed falls 7-8 (41,000; down 17%).
Queens of the Stone Age land their fourth top 10-charting effort on the Billboard 200 as In Times New Roman… debuts at No. 9 with 40,000 equivalent album units earned. Of that sum, album sales comprise 36,000, SEA units comprise 4,000 (equaling 5.68 million on-demand official streams of the set’s 10 songs) and TEA units comprise a negligible sum. Sales of the album were bolstered by its availability across seven vinyl variants, and combined, the set sold nearly 21,000 vinyl copies.
Rounding out the new Billboard 200’s top 10 is Swift’s chart-topping Lover, which is steady at No. 10 with 40,000 (up 6%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
A familiar face is back at No. 1 on the Billboard 200 albums chart (dated June 24), as Morgan Wallen’s One Thing at a Time climbs 2-1 to collect its 13th nonconsecutive week atop the list. The set earned 111,500 equivalent album units in the United States in the week ending June 15 (down 4%), according to Luminate.
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One Thing at a Time ties with three other albums for the most weeks at No. 1 on the Billboard 200 in the last 10 years. It matches the total weeks at No. 1 of Bad Bunny’s Un Verano Sin Ti (in 2022), Drake’s Views (2016), and the Frozen soundtrack (2014). The last album to have more than 13 weeks at No. 1 was Adele’s 21, with 24 nonconsecutive weeks in 2011-12.
One Thing at a Time also ties Views to become Republic Records’ album with the most weeks at No. 1 ever on the Billboard 200. One Thing was released via Big Loud/Mercury/Republic, while Views was issued through Young Money/Cash Money/Republic.
Also in the top 10 of the new Billboard 200 albums chart, Niall Horan claims his highest-charting album since 2017 as The Show starts at No. 2, while Noah Kahan’s Stick Season surges into the top 10 for the first time (jumping 100-3) after its deluxe reissue and debut on vinyl.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 24, 2023-dated chart will be posted in full on Billboard‘s website on Wednesday (June 21), one day later than usual, owed to the Juneteenth holiday in the U.S. on June 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 111,500 equivalent album units earned in the week ending June 15, SEA units comprise 105,000 (down 3%, equaling 140.74 million on-demand official streams of the set’s 36 songs), album sales comprise 4,500 (down 1%) and TEA units comprise 2,000 (down 4%). One Thing debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks at No. 1. It stepped aside for the last two weeks, when Stray Kids’ 5-STAR debuted atop the tally (June 17 chart) and Taylor Swift’s Midnights returned to No. 1 (June 10).
Horan’s The Show starts at No. 2 on the Billboard 200, marking his third consecutive top five-charting effort (comprising all three of his solo releases). The set launches with 80,500 equivalent album units. Of that sum, album sales comprise 68,000 (making it the top-selling album of the week), SEA units comprise 12,000 (equaling 15.42 million on-demand official streams of the set’s tracks) and TEA units comprise 500. Horan previously hit the top five with Heartbreak Weather (No. 4 in 2020) and Flicker (No. 1, 2017).
The new album was preceded by the single “Heaven,” which peaked in the top 25 on both the Pop Airplay and Adult Pop Airplay charts in April. It hit No. 62 on the Billboard Hot 100 in March.
The Show’s sturdy sales start was bolstered by an array of available physical editions: eight deluxe boxed sets containing a CD and branded merch, a signed CD sold through Horan’s webstore, a Target-exclusive CD with an alternative cover and a poster packaged inside, a zine CD package sold through his webstore, six vinyl variants (including color variants for Target, Spotify, Urban Outfitters and his webstore) and a cassette.
Kahan’s Stick Season, which was released in October of 2022, jumps into the top 10 for the first time, as it bolts 100-3 after its deluxe reissue and vinyl debut on June 9. The set earned 71,000 equivalent album units (up 574%) in the week ending June 15. Of that sum, SEA units comprise 48,000 (equaling 60.91 million on-demand official streams of its collected tracks, up 388%), album sales comprise 22,500 (up 3,080%) and TEA units comprise 500 (up 1,036%).
Stick Season, Kahan’s third studio album, was reissued on June 9 with seven additional tracks. It also garnered its first pressing on vinyl. The album originally debuted and peaked at No. 14 on the Oct. 29, 2022-dated list, and logged 28 nonconsecutive weeks on the tally before its deluxe reissue and vault into the top 10.
Swift’s Midnights rises 5-4 on the Billboard 200 with 69,000 equivalent album units (down 17%); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack rises 7-5 in its second week (54,000; down 18%); Stray Kids’ 5-STAR falls 1-6 in its second week (53,000; down 79%); and Lil Durk’s Almost Healed dips 6-7 (50,000; down 26%).
A trio of former No. 1s rounds out the top 10, as SZA’s SOS climbs 9-8 (49,000 equivalent album units earned; down 3%); Wallen’s Dangerous: The Double Album bounces back into the top 10 with an 11-9 rise (45,000; down 1%); and Swift’s Lover bumps 12-10 (37,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Stray Kids lead a busy week in the top 10 on the Billboard 200 albums chart (dated June 17), as the pop group debuts at No. 1 with 5-STAR. It’s the Korean act’s third chart entry, and third to debut at No. 1, following MAXIDENT and ODDINARY, both in 2022.
The new album launches with 249,500 equivalent album units earned in the United States in the week ending June 8, according to Luminate. That marks the fourth-largest week, by units earned, for any album in 2023. Further, of its starting unit sum, album sales comprise 235,000 — the largest sales week for an album this year, and the biggest for any title since Taylor Swift’s Midnights sold 1.14 million in its first week (Nov. 5, 2022-dated chart).
Also in the top 10 of the new Billboard 200 albums chart, five other titles arrive in the region: Jelly Roll’s Whitsitt Chapel starts at No. 3; ENHYPEN’s Dark Blood bows at No. 4 after its CD release on June 2 (it was issued via streamers and digital download on May 22); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack flies in at No. 7; Foo Fighters’ But Here We Are starts at No. 8; and Moneybagg Yo’s Hard to Love enters at No. 10.
With six debuts in the top 10, the region hosts the most new arrivals in over two and a half years, since the Oct. 10, 2020-dated chart, when six albums also began in the top 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 17, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (June 13). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of 5-STAR’s 249,500 equivalent album units earned, album sales comprise 235,000, SEA units comprise 14,000 (equaling 19.55 million on-demand official streams of the set’s tracks) and TEA units comprise 500.
As Stray Kids have seen their first three entries on the Billboard 200 all debut at No. 1, the last act also to have its first three chart entries all debut atop the list was Harry Styles, with his first three solo albums: Harry Styles (2017), Fine Line (2019) and Harry’s House (2022).
Like many K-pop releases, the CD edition of 5-STAR was issued in collectible CD packages (18 total, including exclusives for Barnes & Noble, Target, Walmart and a signed edition in the group’s webstore), each containing a standard set of bonus items and randomized elements (photo cards, mini posters, sticker sets, photo books). There were also four alternative digital versions of the album, sold only in the act’s webstore, each containing the base song tracklist, but with alternative covers and bonus voice memos from individual members of the eight-member group, each selling for $6.99.
Effectively all of 5-STAR’s first-week album sales were CDs (98%; 231,000), with about 2% from digital album sales (about 4,000). The set was not available in any other retail format (such as vinyl or cassette).
5-STAR is mostly in the Korean language, but includes some English lyrics. It is the 19th mostly non-English language album to hit No. 1, and the third of 2023, following Karol G’s Mañana Será Bonito (one week, March 11 chart) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).
Stray Kids have yet to chart a song on the U.S.-based Billboard Hot 100 songs chart (through the most recently published list, dated June 10). The act has notched four entries on the Billboard Global 200, and seven titles on the Billboard Global 200 Excl. U.S. chart, which rank the most popular songs globally, and globally excluding the U.S., respectively.
Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 117,000 equivalent album units earned (down 7%).
Jelly Roll rocks in at No. 3 on the Billboard 200 with Whitsitt Chapel, starting with 90,000 equivalent album units earned — his biggest week yet and first top 40-charting release. (He previously logged three albums, none going higher than No. 97.) Of the new set’s first-week units, album sales comprise 63,000, SEA units comprise 25,000 (equaling 33.09 million on-demand official streams of the set’s songs) and TEA units comprise 2,000.
Whitsitt’s album sales were aided by three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD sold through Jelly Roll’s webstore, a deeply-discounted digital album (only $4.20 for a limited time during the tracking week in his webstore), nine deluxe CD boxed sets that included branded merch and a copy of the CD and a “hymnal” Zine/CD package.
ENHYPEN notches its second top 10 on the Billboard 200, and the Korean pop group’s highest charting effort yet, as Dark Blood bows at No. 4 with 88,000 equivalent album units earned (also the act’s best week yet by units). Of its first-week units, album sales comprise 85,000, SEA units comprise 3,000 (equaling 3.79 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.
Like many K-pop releases, the CD edition of Dark Blood was issued in collectible CD packages (17 total, including a number of retailer-exclusives), each containing a standard set of bonus items and randomized elements. Dark Blood’s debut on the Billboard 200 comes only after its CD was released, as its digital album and streaming album both dropped on May 22.
Swift’s chart-topping Midnights falls 1-5 on the Billboard 200 with 83,000 equivalent album units earned (down 70%) and Lil Durk’s Almost Healed dips 3-6 in its second week (67,000; down 46%).
Metro Boomin’s star-studded soundtrack to Spider-Man: Across the Spider-Verse swings in, debuting at No. 7 with 66,000 equivalent album units earned. Of that sum, streaming equivalent album units comprise 62,000 (equaling 83.57 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise 1,000. It’s the sixth top 10-charting set for Metro Boomin. The album features guests such as Future, Lil Wayne and Nas.
Foo Fighters’ But Here We Are — the band’s first album since the death of drummer Taylor Hawkins in early 2022 — starts at No. 8 with 62,000 equivalent album units earned. It’s the 10th top 10 album for the group. The album was led by the single “Rescued,” which topped both the Alternative Airplay chart (the act’s 11th leader there) and the Mainstream Rock Airplay chart (its 12th No. 1).
SZA’s chart-topping SOS drops 4-9 with 51,000 equivalent album units (down 8%).
Moneybagg Yo’s Hard to Love is the sixth and final debut in the top 10, as it bows at No. 10 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 48,500 (equaling 66.56 million on-demand official streams of the set’s songs), album sales comprise 2,500 and TEA units comprise a negligible sum. It’s the sixth top 10-charting set for the rapper.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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