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Nearly a year after appearing on the December 2021-dated Billboard’s Top TV Songs chart, powered by Tunefind, and after being heard in Paramount’s Yellowstone, Colter Wall’s “Sleeping on the Blacktop” takes the top spot of the October 2022 survey due to an appearance in Apple TV+’s Bad Sisters.
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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of October 2022.
“Blacktop,” from Wall’s 2015 album Imaginary Appalachia, originally ranked at No. 2 in December 2021 thanks to its Yellowstone sync. It returns at No. 1 after being heard in Bad Sisters’ season one finale, which aired Oct. 14.
In October 2022, the song earned 7.4 million official on-demand U.S. streams and 2,000 downloads, according to Luminate.
“Wall” is joined by one other song from Bad Sisters’ season finale on Top TV Songs: First Aid Kit’s “My Silver Lining,” at No. 4, with 1.2 million streams and 1,000 downloads.
The highest non-Bad Sisters entry comes from Thunderstorm Artis, whose “Stronger” arrives at No. 2 after being heard in the 19th season premiere of ABC’s long-running Grey’s Anatomy.
“Stronger” snagged 379,000 streams and 1,000 downloads in October 2022.
See the full top 10 below.
Rank, Song, Artist, Show (Network)1. “Sleeping on the Blacktop,” Colter Wall, Bad Sisters (Apple TV+)2. “Stronger,” Thunderstorm Artis, Grey’s Anatomy (ABC)3. “Can’t Take My Eyes Off You,” Lauryn Hill, From Scratch (Netflix)4. “My Silver Lining,” First Aid Kit, Bad Sisters (Apple TV+)5. “Fields of Gold,” Ava Cassidy, CSI: Miami (CBS)6. “Whiplash,” The Night Lands, Grey’s Anatomy (ABC)7. “Angela,” Bob James, Rick and Morty (Cartoon Network)8. “The Crown of Jaehaerys,” Ramin Djawadi, House of the Dragon (HBO)9. “Per favore,” Nyv, From Scratch (Netflix)10. “Love Is Stronger Than Pride,” Sade, Atlanta (FX)
Beastie Boys fans who want to immerse themselves in the world and ethos of the pioneering rap band will get a chance to in Los Angeles next month.
Beginning Dec. 10, street art gallery Beyond the Streets will mount an exhibition of archival items and memorabilia spotlighting the raucous hip-hop group, who became the first rap act to chart a Billboard top album with 1986’s Licensed to Ill, which included the songs “Brass Monkey”, “(You Gotta) Fight for Your Right (To Party!)” and “Girls.”
The exhibit, which will be free to the public and open through Jan. 23, is set to include a trove of items from the personal collections of Adam “Ad-Rock” Horowitz and Michael “Mike D” Diamond. (After the death of third member Adam “MCA” Yauch in 2012 from cancer, the group disbanded.)
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Titled Exhibit and presented in partnership with Goldenvoice (the promoter behind most of the band’s California shows), the exhibition will showcase everything from original handwritten lyrics and clothing worn by Beastie Boys in their music videos to musical instruments, such as an 808 drum machine, and vintage merch. Also on view will be a “handwritten note from Madonna from when they were on tour with her,” says Beyond the Streets founder Roger Gastman.
Many things in the show, which will encompass around 4,000 square feet of the gallery, have never before been seen by the public.
“Not only are we honored to be a part of Beyond the Streets, we’re happy that someone besides us appreciates all the weird shit we’ve collected, and made music on for the past forty years that will be on display,” says Horovitz in a statement.
Gastman — also the cofounder of the adjacent Control gallery with Sky Gellatly — tells The Hollywood Reporter he was inspired to pursue creating the exhibit after reading Beastie Boys Book, Diamond and Horovitz’s 2018 history of the band, and seeing photos within of some of the ephemera associated with the group’s history.
Gastman connected with the band’s management, asking, “‘Where’s all this stuff? You know, where’s the lyrics? Where’s this flyer? Where’s this t-shirt?,’” he recalls. “And they’re like, ‘We have bits and pieces of it. It’s in the guys’ houses. It’s in a storage unit. It’s in an old apartment. Some of it’s in this office. It wasn’t centrally located and archived is a nice, clean way to say it.”
Eventually, Gastman visited Diamond and Horovitz — “I just went over to their houses and did a handwritten inventory,” says the gallerist — and over the course of months worked with the band and their management to sort through items and curate the show. (The band was also the subject of the 2020 Spike Jonze/Apple TV+ documentary Beastie Boys Story.)
“Beastie Boys were a part of so many people’s lives. It was hard to be anywhere in the ’80s through the early 2000s without seeing, hearing or having something to do with Beastie Boys. We’re excited to tell their story in an authentic, real way that the fans can relate to,” says Gastman, adding “I remember when License to Ill came out — watching the videos on TV. I was in grade school. I probably still have the cassette tape at my mom’s house in storage. And then I remember Paul’s Boutique came out and so many didn’t like it at first. And then the next record [Check Your Head] came out. I was like, ‘Holy shit, this is amazing!’ And then I listened to Paul’s Boutique again and I was like, ‘Roger, you’re an idiot. This is one of the best records.’ They’ve just continued to stay so relevant in my life.”
While items in the exhibition will not be for sale, Beyond the Streets (located at 434 N. La Brea Ave.) will debut exclusive new Beastie Boys merchandise in its gift shop, including zines, collectibles and apparel.
Timed-entry tickets for the show — which Gastman curated with Michael Delahaut and Tim Conlon — are now available via AXS.
This article originally appeared in THR.com.
Taylor Swift retains the chart double in Australia with Midnights and “Anti-Hero,” as Louis Tomlinson beats Bruce Springsteen to the runner-up spot on the national albums chart.
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Tomlinson can claim bragging rights in his duel with the Boss, as the former One Direction star debuts at No. 2 on the ARIA Chart with Faith In The Future.
The British pop singer’s second album manages to outrun Bruce Springsteen’s latest effort Only The Strong Survive, which opens at No. 3 on the ARIA Chart.
Faith In The Future bags a solo career best for Tomlinson, bettering the No. 6 peak for 2020’s Walls. Springsteen, however, has racked up five No. 1 ARIA Albums over the course of his decades-long, 21-album career.
Making a noteworthy splash is King Stingray’s self-titled album, which returns to the top 10, at No. 6. It’s shaping as a big month for the Yolŋu indie-rockers, who are in the hunt for several ARIA Awards, including album of the year, best group, the Michael Gudinski breakthrough artist, best rock album and best cover art, with the winners announced next Thursday (Nov. 24) in Sydney.
Also new to the albums chart is Noiseworks’ Evolution, the Aussie pop-rock act’s first album in 30 years. It’s new at No. 25.
Over on the ARIA Singles Chart, Swift enters a fourth week at No. 1 with “Anti-Hero,” one of a string of Midnights tracks still impacting the national survey (most, however, are losing traction).
No new releases appear on the ARIA top 40, published Nov. 11, though Meghan Trainor can feel brand new with “Made You Look.” The doo-wop number cracks the top 10 for the first time in its third week, lifting 12-7. Trainor’s profile is set to soar in these parts, with the U.S. pop star appearing in the ad campaign for free-to-air Channel 7’s new season of Australian Idol, for which she will serve as a judge alongside Harry Connick Jr, Amy Shark and shock-jock Kyle Sandilands.
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Gryffin debuts at No. 3 on Billboard‘s Top Dance/Electronic Albums chart (dated Nov. 19) with Alive. The set starts with 5,000 equivalent album units earned in the Nov. 4-10 tracking week, according to Luminate.
It’s Gryffin’s second top 10 and fourth chart entry, following Gravity (No. 1, 2019), Gravity, Pt. 1 (Remixes) (No. 20, 2019) and EP Gravity, Pt. 1 (No. 12, 2018).
On the multi-metric Hot Dance/Electronic Songs chart, Gryffin (aka DJ/producer Dan Griffith) has amassed 33 total entries, including 10 from Alive. The new set has yielded Gryffin’s first Hot Dance/Electronic Songs top 10, “Woke Up in Love” (with Kygo and Calum Scott), which started at its No. 9 best in September and rebounds 28-18 this week.
New this frame from Alive is “Lose Your Love,” with Matt Maeson (912,000 U.S. streams). It’s the second straight week in which Gryffin has debuted a track at No. 20, after “Forever,” featuring Elley Duhe. “Lose” is singer Maeson’s second showing on Hot Dance/Electronic Songs, following another DJ collab, “Heavenly Side,” with ILLENIUM (No. 12, July 2021).
Gryffin also scores on the Dance/Mix Show Airplay chart, where his track with Olivia O’Brien, “Caught Up,” cruises 22-9. Gryffin’s fifth top 10 and O’Brien’s first, the team-up (which reached No. 12 on Hot Dance/Electronic Songs in May) is drawing core-dance airplay on Music Choice’s Dance/EDM channel, iHeartRadio’s Evolution network and iHeartRadio’s Pride Radio, among other supporters.
Not So ‘Bad’
Steve Lacy also lifts to his second Dance/Mix Show Airplay top 10 with “Bad Habit” (14-10). His “Live Without Your Love,” with Love Regenerator, hit No. 7 in 2020. (The chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
As previously reported, “Bad Habit” concurrently crowns the all-format Radio Songs chart, as well as Pop Airplay.
Time for Tiësto
Returning to Hot Dance/Electronic Songs, Tiësto bows at No. 8 with “10:35,” featuring Tate McRae. Tiësto’s eighth top 10 earned 3.5 million domestic streams in the tracking week. Tiësto has added three of his top 10s this year, as “10:35” follows “Hot in It,” with Charli XCX (No. 10, July), and “The Motto,” with Ava Max (No. 2, March).
“10:35” is McRae’s second top 10 on the tally, after “You,” with Regard and Troye Sivan, reigned for eight weeks in June-August 2021.
Concurrently, “10:35” starts on Dance/Electronic Digital Song Sales (No. 6) and Dance/Electronic Streaming Songs (No. 8). The track is from Tiësto’s album Drive, due Feb. 24, 2023.
Bad Omens ride TikTok virality to their first No. 1 on a multi-metric Billboard songs chart, jumping to the top of the Hot Hard Rock Songs list dated Nov. 19 with “Just Pretend.”
In the Nov. 4-10 tracking week, the song earned 2.8 million official U.S. streams, up 26%, according to Luminate. It also garnered 538,000 audience impressions on radio and sold 1,000 downloads.
Bad Omens’ first Hot Hard Rock Songs No. 1 follows the band’s “Like a Villain,” which hit No. 17 in March. The other song that the band has placed on the chart, “The Death of Peace of Mind,” re-enters the latest tally at No. 19, a new high (689,000 streams).
“Just Pretend” also appears at Nos. 22, a new best, and 32 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively. The TikTok trend for the song largely finds users lip syncing the lyrics, particularly a portion directly before and during the chorus, with some videos also addressing mental health.
The track concurrently rules Hard Rock Digital Song Sales for a third week (after debuting on the Oct. 22 survey) and leaps 24-11 in its second week on Hard Rock Streaming Songs. The song — the band’s current radio single — climbs 22-17 on Mainstream Rock Airplay and it marks Bad Omens’ third top 20 hit, following the aforementioned “Villain” (No. 10, June) and “Limits” (No. 19, 2020).
“Just Pretend” is the second single from the album The Death of Peace of Mind, which zooms 25-13 on Top Hard Rock Albums with 5,000 equivalent album units earned, up 20%. The set premiered at its No. 11 peak in March with 6,000 units and has earned 93,000 units to date.
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The Latin Recording Academy on Wednesday (Nov. 16) celebrated the fruitful careers of eight artists from diverse genres and nationalities who have left a deep mark on Latin music.
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Rosario Flores from Spain, Myriam Hernández from Chile, Rita Lee from Brazil, Amanda Miguel from Argentina and Yordano from Venezuela received the Lifetime Achievement Award, given to performers who have made contributions of outstanding artistic value to Latin music and their communities. While Spanish musician and executive Manolo Díaz, Cuban jazz player Paquito D’Rivera and Mexican bassist Abraham Laboriel received the Trustees Award, which recognizes individuals who have made outstanding contributions to Latin music, though not necessarily in an interpretive capacity. (D’Rivera and Laboriel, for example, are renowned instrumentalists).
“These are industry professionals who, with their work and life example, forge the true meaning of the word excellence,” said Manuel Abud, CEO of the Latin Recording Academy, as he opened the ceremony in Las Vegas. “This is one of those events that fills you with very special pride, because this award celebrates not a song or a specific achievement, but a great journey, a life journey that we know and remember forever.”
There was laughter — mainly courtesy of D’Rivera — and also tears from the honorees and the audience. The emotional ceremony was hosted by salsa singer Víctor Manuelle and included artists such as Fito Páez, Carlos Vives, Cami, Ana Victoria, Ricardo Montaner and Sebastián Yatra as presenters. The only one missing was the Brazilian star Rita Lee, who sent word that she was “happy as a partridge,” according to Giulia Be, who presented her award.
The event preceded the 2022 Latin Grammy Awards, which take place on Thursday (November 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas. The show will be broadcast live on Univision at 8 p.m. (Eastern Time) and will also be available on HBO Max.
Here are the five best quotes from the Latin Grammys Special Awards honorees:
Amanda Miguel, on finding peace after the passing of her husband, singer-songwriter Diego Verdaguer: “This is an award that gives me peace and fulfillment and the love that music returns to you. Music is that, it is God. It is the way to express ourselves without speaking, but with such beautiful, distinguished sounds. I thank God for making me a musician, a singer, a composer, for having given me that pleasure. Eternal thanks to all the people who made me who I am, because I did not do it alone — first and foremost my husband, Diego Verdaguer […] I share this with him because he was the creator, he was my biggest fan.”
Myriam Hernández, on the recent wave of female singer-songwriters hailing from Chile: “I come from a wonderful country, Chile, where making it in the music industry was very difficult for us. […] But today I see with great optimism and joy that there are many women from my country who are in music and I hope that one day they too will achieve this recognition that I am receiving today. I thank my country for having supported me, and above all, I thank God for giving us this gift.”
Paquito D’Rivera, on his idol Benny Goodman and the “carne y frijol” (meat and beans): “I remember one day my father, who was a saxophonist, came home with a Benny Goodman record and I asked him ‘What is that!?’ I fell in love with that music. He told me: ‘That’s swing, that’s jazz, and that’s New York, and that’s Carnegie Hall’. When he said Carnegie Hall, I understood ‘carne y frijol’ (meat and beans). […] Well, the point is that many years later I celebrated my 50th anniversary in music at the ‘carne y frijol’, the Carnegie Hall. And I remember once when Benny Goodman, who was my idol, was awarded a statuette like this one, he said something I could never forget: ‘It’s incredible to me that they’re giving me such an important award just for doing the only activity that I really enjoy doing’. Thank you […] for helping me to do the only thing that really interests me in life: playing music for you.”
Rosario Flores, on growing up in a family of artists: “For me today is an exceptional day because today I receive the award for my art, for my dedication since I was born. To my inspiration. To the energy of my mother (Lola Flores) […] of my brother Antonio and my sister Lolita. I take all of them with me, and because of them I am an artist, because they were all artists and they taught me what art was. I have many angels with me that are them. I honor art with every pore of my skin.”
Yordano, on singing what is hard for him to say: “I was a big stutterer when I was a kid. During my childhood and adolescence it was difficult for me to speak, and that was terrible because I would fall in love and it would become even worse. Every summer we would go to the beach and every summer I would fall madly in love, since I was 12 years old. I suffered a lot. I think that, thanks to that accumulated suffering, I managed to create many love songs.”
Pink loves a challenge. Whether its learning a new instrument and playing it live, touring with her babies, or dangling from a building on national TV, Pink flicks a middle finger at her comfort zone.
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On Wednesday night’s (Nov. 16) episode of Jimmy Kimmel Live, the pop star relived some of her heart-stopping moments with the mic, and hinted at more to come.
Earlier in the week, the Philadelphia native announced a 21-date stadium tour of North America next year, under the banner Summer Carnival 2023. Special guests include Brandi Carlile and brand new Rock and Roll Hall of Famers Pat Benatar & Neil Girlado.
Does her family join her on the road? “Always, everywhere,” she explains. “They’re older now, so now I tour around Willow’s theater schedule.”
Touring with babies is a fool’s errand, working a routine where you step off stage at 11.30pm, you’re wired until 2.30am, and repeat it for 200 days. She’s managed it. “I can’t do everything,” Pink admits. “So you have to decide. Like okay, what is this one thing I’m going to give to myself and try not to feel guilty about, and for that it was breakfast.” With the help of sleep trainers, the super-mom, super-performer plan “worked brilliantly,” she explains.
When other touring moms caught wind of her wins, she was asked her to write a playbook. That’s another win right there.
Pink also discussed her walk on the wild side… of a building, the JW Marriott in Los Angeles, for her performance of “Beautiful Trauma” at the 2017 American Music Awards. “That was a lot,” she recounts. “I was a lot higher than I wanted to be.” She had just three days to learn the ropes, we learned, and she had some Dutch courage before the performance, in the form of a nip of whiskey.
Pink also discussed forgetting words to her own songs (Willow keeps tabs on her blunders), life on the farm, the Nov. 20 AMAs (where she’ll perform a tribute to Olivia Newton-John), and she sang a never-before-seen number, written for “wing it and sing it,” a spot that left her “terrified.”
Pink’s Live Nation-produced North America tour will kick off on July 24, 2023 in Toronto at the Roger Centre and hit Cincinnati, Boston, New York, Pittsburgh, Chicago, Detroit, Nashville, San Antonio, San Diego and Los Angeles before wrapping up on Oct. 9 at Chase Field in Phoenix.
She recently released her second new song of the year, “I’m Never Going to Not Dance Again.”
Bad Bunny made history on Tuesday (Nov. 15) when Un Verano Sin Ti became the first Spanish-language album to be nominated for the Grammy Award for album of the year.
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It was one of three nominations the Puerto Rican superstar scooped for his mega-successful set, and many had anticipated it. Perhaps less expected was Anitta’s nomination for best new artist, since the Brazilian star debuted almost a decade ago with a self-titled album that was followed by four other LPs.
However, the “Downtown” and “Me Gusta” singer has made a bigger impact in the American market, incorporating some English into her last two albums, 2019’s Kisses and 2022’s Version Of Me, as well as with songs like “Lobby” with Missy Elliott and “Envolver”, a Spanish-language hit that spent six weeks on the Billboard Hot 100 and 21 weeks on the Hot Latin Songs, where it peaked at No. 3.
“Wow! Wow wow wow… never in my life would I have imagined that this moment would come. I’m from Brazil guys… I mean… wow! Speechless,” Anitta tweeted in response to her nomination in a category considered the most coveted of the Grammys. “Thank you, thank you, thank you… forever grateful. Winning or losing this is the biggest achievement I could imagine.”
Wow! Wow Wow Wow… never in life I would imagine this moment coming. I’m from Brazil guys… I mean .. wow! Speechless. Thank you, thank you, thank you… grateful forever. Winning or losing this is the biggest achievement I could ever imagine. pic.twitter.com/XZaUSAeKaL— Anitta (@Anitta) November 15, 2022
Bad Bunny, who leads the Latin Grammys nominations with 10 nods this year, will also compete for the Grammy for best pop solo performance for “Moscow Mule” — alongside the likes of Adele (“Easy on Me”) and Harry Styles (“As It Was”) — as well as Best Música Urbana Album.
Another Latino up for the best new artist Grammy is Omar Apollo, a singer-songwriter of Mexican parents, who creates pop, alternative music and R&B. Apollo began his career uploading his songs to SoundCloud before releasing his first EP, Stereo, in 2018. Since then, he has since released the EP Friends in 2019, the mixtape Apolonio in 2020, and two productions in 2022: his first full-length album, Ivory, which spent seven weeks on the Billboard 200 chart, peaking at No. 128, and the EP Live at NPR’s Tiny Desk. His song “Evergreen” entered the Billboard Hot 100 in October, where it spent seven weeks and peaked at No. 51, as well as the Streaming Songs chart (four weeks, peak at No. 21).
“Got nominated for best new artist omg,” he shared on Twitter with a series of emoticons to show how he feels.
Rosalía was nominated for best Latin rock or alternative music album for Motomami, and also got a nod under the best music film category for Motomami (Rosalía TikTok Live Performance,) directed by Ferrán Echegaray, Rosalía Vila Tobella & Stillz.
AGUILERA, Christina Aguilera’s latest Spanish-language album, got two nominations: best Latin pop album, and best immersive audio album (an award to the engineers.)
Both Motomami and AGUILERA will compete Thursday (Nov. 17) for the album of the year Latin Grammy with Un Verano Sin Ti. (See the full list of nominees here)
Under the Grammy’s Latin music categories there are other such favorites as Camilo, Sebastián Yatra, Rauw Alejandro, Christian Nodal and Marco Antonio Solís, the Latin Recording Academy Person of the Year of 2022.
The nominees are:
Best Latin Pop Album:
AGUILERA, Christina Aguilera
Pasieros, Rubén Blades & Boca Livre
De Adentro Pa Afuera, Camilo
VIAJANTE, Fonseca
Dharma+, Sebastian Yatra
Best Musica Urbana Album:
TRAP CAKE, VOL. 2, Rauw Alexander
Un Verano Sin Ti, Bad Bunny
LEGENDADDY, Daddy Yankee
167, Farruko
The Love & Sex Tape, Maluma
Best Latin Rock or Alternative Album:
El Alimento, Cimafunk
Tinta y Tiempo, Jorge Drexler
1940 Carmen, Mon Laferte
Alegoría, Gaby Moreno
Los Años Salvajes, Fito Páez
MOTOMAMI, Rosalía
Best Regional Mexican Music Album (including Tejano):
Abeja Reina, Chiquis
Un Canto por México – El Musical, Natalia Lafourcade
La Reunión (Deluxe), Los Tigres Del Norte
EP #1 Forajido, Christian Nodal
Qué Ganas de Verte (Deluxe), Marco Antonio Solis
Best Tropical Latin Album:
Pa’llá Voy, Marc Anthony
Quiero Verte Feliz, La Santa Cecilia
Lado A Lado B, Víctor Manuelle
Legendario, Tito Nieves
lmágenes Latinas, Spanish Harlem Orchestra
Cumbiana II, Carlos Vives
For the Best Latin Jazz Album Grammy, the nominees are:
Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective
Crisalida, Danilo Pérez with The Global Messengers
If You Will, Flora Purim
Rhythm & Soul, Arturo Sandoval
Music of the Americas, Miguel Zenón
Other jazz categories also have Latin nominees. Chilean saxophonist Melissa Aldana is nominated for Best Improvised Jazz Solo for “Falling”, from her album 12 Stars, and Puerto Rican double bassist Eddie Gómez appears in the Best Large Jazz Ensemble Album category for Center Stage, along with Steve Gadd, Ronnie Cuber & the WDR BigBand led by Michael Abene.
For Best Instrumental Composition, Cuban maestro Paquito D’Rivera is nominated for “African Tales”, Puerto Rican Miguel Zenón for “El País Invisible”, and Panamanian Danilo Pérez for “Fronteras (Borders) Suite: AI-Musafir Blues.”
As expected, Disney’s Encanto was also recognized, with nods for Lin-Manuel Miranda’s soundtrack and Germaine Franco’s original score. The movie’s mega-hit “We Don’t Talk About Bruno,” a Billboard Hot 100 No. 1, was nominated for Best Song Written for Visual Media.
Lin-Manuel Miranda is also up for the award for Best Audio Book, Narration, and Storytelling Recording for Aristotle and Dante Dive Into the Waters of the World.
In other areas, singer-songwriter Miguel, whose father is Mexican, shares a nod with Diplo for Best Dance/Electronic Recording for “Don’t Forget My Love.” And Lucky Diaz and the Family Jam Band compete for Best Children’s Music Album for their EP Los Fabulosos, an upbeat bilingual effort that includes tracks like “Ridiculous” and “Me Gusta.” Up for Best Album Notes is Fernando González for his work for Astor Piazzolla’s The American Clave Recordings.