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Shania Twain is back on her horse with “Queen Of Me,” her first album in more than five years.
The Canadian country-pop superstar marks her comeback with the 12-track set, led by “Waking Up Dreaming,” her first single since 2017, and her latest, “Giddy Up!”.

A five-time Grammy Award winner, Queen of Me marks the first artist release through Republic Nashville.

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“I’m honored and excited to be the label’s first artist and lead the charge of this new and exciting chapter,” she said last September when the deal was struck. “In this respect, it feels like a new beginning all around, and I’m embracing it wholeheartedly.”

Queen of Me is the followup to Twain’s fifth studio album Now, which blasted to No. 1 on the Billboard 200 chart in 2017. Prior to that, Twain’s fourth album release was 2002’s Up, which also hit No. 1 on the main U.S. chart.

Considering that timeline, which, for lengthy periods saw Twain sidelined with health problems, including Lyme disease, dysphonia and throat surgery, Queen of Me is just her second studio LP in more than 20 years.

Twain has been in the headlines of late, discussing her severe reaction to the COVID-19 virus, which evolved into pneumonia and required her to be airlifted to a hospital, and for an interview with Apple Music in which she talked about the time she almost worked with Prince before his death.

On her phone call with the Purple One, Prince laid out some ground rules for what would-be studio time with Twain — namely that there was no swearing allowed at Paisley Park.

“So that was another strike,” Twain told Apple Music’s Zane Lowe. “I’m like, ‘Oh no, I love you so much, but I don’t think I could get through writing and recording an album without swearing, somewhere along the way.”

Twain is set to serve as a presenter at the 2023 Grammy Awards and she’s the subject of the Netflix documentary Not Just A Girl, produced by Mercury Studios and directed by Joss Crowley.

Stream Queen of Me below.

Smashing Pumpkins will rock Australia this April for a 10-date festival run, dubbed The World Is A Vampire and featuring touring buddies Jane’s Addiction.
Takings its name from the opening line of “Bullet with Butterfly Wings,” from the Pumpkins’ Grammy Award-winning third studio LP Mellon Collie and the Infinite Sadness, Vampire is the brainchild of founder and frontman Billy Corgan.

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Set to kick off April 15 at Stuart Park, Wollongong, Vampire criss-crosses four state and comes to a halt April 30 at Broadwater Parklands, on the Gold Coast.

The trek reunites Smashing Pumpkins and Jane’s Addiction, which joined forces for a major U.S. tour in 2022, Spirits on Fire.

Also on the bill are ARIA Award-winning punk rock heroes Amyl And The Sniffers, alongside Sydney rockers RedHook and seven-piece guitar band Battlesnake, plus local acts.

The alternative music fest promises a break from traditional programming by pitching wrestling matches from Corgan’s NWA (National Wrestling Alliance) with WAOA (Wrestling Alliance of Australia) as part the daily activities.

One World Entertainment is producing the Australian jaunt. General tickets are released midday local time on Friday (Feb. 3).

The World Is A Vampire Festival 2023 Australia tour dates:

April 15 — Stuart Park, Wollongong NSW

April 16 — Sandstone Point, Bribie Island QLD

April 18 — Hordern Pavilion, Sydney NSW *

April 19 — Newcastle Entertainment Centre NSW *

April 22 — Hastings Foreshore, Mornington Peninsula VIC

April 23 — Kryal Castle, Ballarat VIC

April 26 — Adelaide Entertainment Centre SA *

April 27 — PICA, Port Melbourne VIC *

April 29 — Nepean Aerospace Park – Penrith NSW

April 30 — Broadwater Parklands, Gold Coast QLD

Harry Styles, Mariah Carey and big streaming gains helped Sony Music Entertainment finish 2022 with a bang. Styles’ album Harry’s House and Carey’s typically strong holiday performance drove SME’s revenues up 22.9% to 363.7 billion yen ($2.57 billion at quarter’s average exchange rate) in its fiscal third quarter ended Dec. 31, 2022.
Styles’ 2022 release Harry’s House and 2019 album Fine Lines were among SME’s top performing titles of the quarter. Carey’s “All I Want for Christmas is You” topped the U.S. Hot 100 chart for four weeks (chart dates of Dec. 17, Dec. 24, Dec. 31 and Jan. 7). The company also pointed to strong sales and streams by Steve Lacy’s Gemini Rights, SZA’s SOS, Future’s I Never Liked You, Chris Brown’s Indigo, Beyonce’s Renaissance and Bruce Springsteen’s Only the Strong Survive.

Quarterly operating income improved 14.3% to 63 billion yen ($445 million). Adjusted earnings before interest, taxes, depreciation and amortization were 80 billion yen ($565 million).

The recorded music division’s revenues improved 30.1% to 239 billion yen ($1.69 billion). Streaming revenue grew 33.2% to 159.1 billion yen ($1.12 billion) and accounted for 66.6% of recorded music revenue, up from 65% in the prior-year period. Download revenue, up 14.3%, accounted for just 4.7% of digital revenues compared to 5.5% a year earlier. Physical sales declined 6% to 31.1 billion yen ($219.1 million) and accounted for 13% of total recorded music revenue, down from 18%.

Publishing revenues increased 42.9% to 74.2 billion yen ($523.4 million) in the quarter. Within publishing, streaming revenue improved 59.8% to 41.6 billion yen ($293.3 million). Streaming’s share of publishing revenue grew to 56% from 50.1% in the prior-year period. Other publishing income rose 25.9% to 32.6 billion yen ($230.1 million).

Excluding foreign exchange and the visual media and platform segment, SME’s recorded music and publishing divisions grew 10% in the quarter. That is a smaller improvement because changes in foreign exchange rates helped SME’s yen-denominated results. From the end of 2021 to 2022, the value of the yen declined against the three main foreign currencies: -10% against the U.S. dollar, -6.9% against the euro and -1.8% against the pound.

The visual media and platform segment was a drag on earnings due to lower anime sales, however. The segment’s revenue fell 16.3% to 47.4 billion yen ($334.7 million).

Looking ahead, the company maintained its forecast for full-year revenue at 1.37 billion yen (approximately $9.7 billion) at operating income at 265 billion yen (approximately $1.87 billion).

Warren Zevon’s daughter Ariel says that “tears came to my eyes” when she learned that her father was finally nominated for the Rock and Roll Hall of Fame. But she and her brother Jordan were all smiles as they discussed the nod with Billboard via Zoom on Wednesday (Feb. 1).

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The consideration has been a long time coming. Zevon — who died in 2003 at the age of 56 from mesothelioma, a type of cancer — has been eligible since the mid-90s, and his exclusion from the ballot has been among the most controversial through the years. Social media groups were started to protest and also promote a nomination — echoing good friend and early producer Jackson Browne, who once told Billboard, “Why the fuck isn’t he in there? Come-on!”

Most recently it was revealed that Billy Joel wrote a letter to the Rock Hall in praise and support of Zevon.

And there were huzzahs from many corners of the music world when the nomination was formally announced on Wednesday morning.

Zevon’s legacy certainly merits the celebration. He left 15 studio albums — including The Wind, recorded after his terminal diagnosis. It won Grammy Awards — Zevon’s first — for best contemporary folk album and best rock performance from the track “Disorder in the House,” featuring Bruce Springsteen. Linda Ronstadt, Bob Dylan and Browne are just a couple of the artists who have covered Zevon’s songs over the years. And former manager/producer Andrew Slater is moving forward with a family-approved documentary.

Both of Zevon’s children have followed in their father’s footsteps and released music of their own. Jordan, who resides in Los Angeles, contributed tracks to the tribute albums Enjoy Every Sandwich and Hurry Home Early, and Ariel, who’s in Vermont, also has acting credits in Silence & Darkness, My Little Assassin and TV’s ER. And while they’re not getting ahead of themselves, both are happy that their father’s finally getting this long-awaited opportunity…

Billboard: How are you feeling about the nomination?

Jordan: I’m excited. I had to wake up at 4.50 in the morning to get the news firsthand, so I’m very caffeinated and possibly a little dizzy, but I’m excited.

Ariel: When I first saw it, tears came to my eyes first and then sort of the shock of it being 20 years later since he passed away. It feels definitely, like, significant. I don’t pay much attention to any of this type of stuff; I’ve removed myself from the whole business aspect of it. But it feels like a significant moment for the Zevon family.

How would he have felt about it?

Jordan: There’s this misconception that dad wouldn’t have cared. I think maybe, to be blunt, the later records didn’t sell a million copies; that didn’t mean he hated the industry. It just meant he was on the fringes because he wasn’t Britney Spears. But he wouldn’t have been, like, “Who cares about that?” It’d be like, “Hey Johnny, hey Ariel, guess what?!” It would have been, “It’s a big deal.” It was his business. He wanted to be good at it. You want to win, you know, best plumber of the year. (laughs)

He’s been on so many lists over the years of someone who’s nomination was overdue. Did you feel that way as well?

Jordan: I’ve respected the choices that they’ve made. It’s been such a broad range of people that I kind of didn’t think it would happen. I thought he was worthy of it, but it seemed like there were so many boxes they were trying to check that getting around to dad might not have happened. It was such a grassroots thing, people rooting for it, that I was excited for them. There’s been Facebook groups and stuff like that for years.

Ariel: I have been asked — and Jordan might have had this similar experience where some of the fans ask me in this, like accusatory way, like I’ve stood in the way somehow, allowing (the exclusion) to happen. And It’s like, “No, I would love it. It’d be great!” So, yeah, I’m especially thrilled for all of those fans who have been pounding their fists saying, “Why hasn’t this happened yet?!” It’s great for them.

Do you have any sense about why it finally happened this year?

Jordan: I don’t know exactly what’s happening right now. I get notifications form the Facebook groups, just so I can post things once in awhile. They’re hosted by other people. But the people asking to join his group and the amount of people that have gone to his website over the past few months has just skyrocketed. So I don’t know.

I think there is a feeling from awhile back, like strike while the iron is hot. But I’ve seen this resurgence lately that I can’t really account for. It’s been amazing to watch. But before any of this…I just kept wondering, “Where is everybody coming from?” It’s pretty exciting. It’s just something in the air, I guess.

What’s today been like? Have you been hearing from a lot of people?

Jordan: Yeah, I have. It’s just some of the people like Roger Bell and Duncan Aldrich, and some of the crew that he’s worked with. I haven’t heard from, like Jackson (Browne) or Waddy (Wachtel) or anybody like that. But it’s bene nice.

Ariel: Some, although again I’m pretty removed from everything. But yes, I have gotten calls and messages saying congratulations. There is definitely a buzz about it, and it’s exciting. It’s an exciting thing to share with my kids. My kids are actually almost 20, so for them it’s like, “Look what’s going on!” They’re pretty psyched about it. They’re passing around the voting thing to all their buddies at college. That’s great.

Jordan: I’m the older one but Ariel is the smarter one, and she’s distanced herself from social media and stuff, which I should really be doing at my age. (laughs) But I’ve been more kind of tuned into all the Facebook hits and sharing and everything else and, yeah, that part has been a little out of control. My 14-year-old is excited, but her biggest question is, “If he does get in, will Billie Eilish be at the ceremony?” (laughs)

Were the two of you aware of the Billy Joel letter that had been sent?

Jordan: No.

Ariel: No, I didn’t know. He’d be cool to see play a song.

Jordan: OK, we’ll put that one out there.

Ariel: That’s one I hadn’t even thought about but that’d be really cool. (laughs)

It is just a nomination at this point, but are you allowing yourselves to think about what the induction night might be like?

Jordan: I do. It’s been a while since I’ve attended or done one of those things, and you know it may be a little geeky, but that’s kind of like a like a sports game, or something like that. I know the energy and the way they’re put together. So I can just kind of picture it almost on the technical aspect and basically the adrenaline of the entire evening, and I kind of picture it that way.

It’s almost a rhetorical question, but what’s your stump speech to the voters? Why does your dad deserve to get in?

Ariel: For one thing, you know, great artists, great writers, great songwriters, write things that echo again and again throughout the ages, right? And I feel like probably some of that momentum happening right now is that his words are still resonating, maybe truer than ever, his view on his perspective on the world.

It resonates in a whole deeper, broader sense, I think, for a lot of people nowadays given where we’re at globally and everything else. So I would say that’s a good sign of somebody who probably deserves to be recognized, for a contribution to the arts, just generally speaking.

Jordan: You know, I’ve been just engulfed in music all my life, and listening to so many different genres. And I just think the quality of the music and the songwriting, it’s such a different level, and I think that he put so much care into it. He didn’t flippantly write songs. When he was writing songs there was a typewriter. There was a lot of little balled up pieces of paper. He even told me, “It’s really hard.”

And I think that when you put his education, musically and intellectually, along with his experiences, it just combined to make something that is really in, and of its own. You can have, like, the dangerous songs and the party songs, and then the more fore-thinking songs like “Don’t Let Us Get Sick” and “My Shit’s fucked up,” which means so much more even now than they did then. I just think his view and the way that he managed to keep writing for such a long time. And commercial put aside, quality-wise he still kept writing some songs that I think are just really, truly amazing, throughout his career. I just think he is pretty fucking good!

Billboard‘s Latin & Spanish Artists to Watch Class of 2023 has been unveiled.

The 23 artists that comprise the wide-ranging list include Mexican artist Bratty, who will be performing at the 2023 Coachella Festival; Victor Cibrian, whose raspy voice is bringing a fresh take to the corrido movement; and Grupo Frontera, who since going viral last year, has become the only Regional Mexican act to achieve three songs on the all-genre Billboard Hot 100 chart, to name a few. 

Representing Brazil is powerhouse performer Ludmilla, who has been rising to the top with her baile funk versatility that spans pop, trap, R&B and more. “I think of funk as an agent of change, especially in the lives of so many peripheral people who don’t have opportunities,” she told Billboard Español. 

From Spain, there’s acts such as Rels B who’s monthly listeners on Spotify rose from 15.6 million in November to 17.6 million today, and placed two songs on Spain’s Promusicae year-end charts: the more urban “Mi Luz” alongside RVFV at No. 21 and his urban/pop “Cómo dormiste” at No. 86.

Every year, Billboard’s Latin staff compiles a list of artists to watch in the coming months. In honor of 2023, we are spotlighting 23 Latin and Spanish acts that cover a broad variety of Latin music genres, from pop to reggaetón to R&B, música Mexicana and rock. 

We want to know which of 2023’s Latin & Spanish Artist to Watch is your favorite. You can check out the list here, and vote in the poll below.

Ozzy Osbourne is calling time on touring due to crippling injuries which, despite several surgeries, have rendered the rocker “physically weak.”
The legendary Black Sabbath frontman, now 74, can no longer do the miles, though his singing voice is “fine.”

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“This is probably one of the hardest things I’ve ever had to share with my loyal fans,” he writes on social media. “As you may all know, four years ago, this month, I had a major accident, where I damaged my spine.”

After three operations, stem cell surgeries, cutting-edge procedures and grueling therapy sessions, Ozzy admits he’s “not physically capable” of completing his upcoming European/U.K. tour dates, “as I know I couldn’t deal with the travel required.”

He continues: “Never would I have imagined that my touring days would have ended this way. My team is currently coming up with ideas for where I will be able to perform without having to travel from city to city and country to country.”

With his concession, Ozzy calls time on his No More Tours 2 final tour of the U.K. and Europe, which had been pushed back due to his health issues and COVID.

Though it’s the end of the road for the legendary British rocker, he hasn’t ruled out performing, so long as travel isn’t required.

“My team is currently coming up with ideas for where I will be able to perform without having to travel from city to city and country to country.”

Ozzy has soldiered on for years. His injury dates back to 2019, when the singer, who is also battling Parkinson’s disease, had surgery to repair an older injury he sustained during a 2003 ATV accident. A fall at home in 2019 complicated matters by dislodging metal rods surgically implanted in Ozzy’s body after the ATV accident, resulting in 15 screws being placed in his back.

Last year, he went under the knife for a vitally important procedure that wife/manager Sharon Osbourne said could determine his future.

The heavy metal icon was inducted into the Rock and Roll Hall of Fame in 2006 as a member of Black Sabbath and into the U.K. Music Hall of Fame as a solo artist and as a member of the band.

Read the statement in full below.

Australian audiences will get a taste of BlackPink’s record-busting antics when the K-pop superstars drop by mid-year for an east-coast run.
The BlackPink [Born Pink] World Tour will set down at Melbourne’s Rod Laver Arena for a brace of dates (June 10 and 11), followed by a pair of shows at Sydney’s Qudos Bank Arena (June 16 and 17).

However, the ”originally announced Auckland show will no longer be feasible” due to “unforeseen logistical challenges,” reads a statement from promoters Frontier Touring.

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The Australian dates should sell like hotcakes – if recent chart performance is a good indicator.

Lisa, Jennie, Rosé, and Jisoo smashed chart records in these parts with Born Pink. Its lead single “Pink Venom” flew to No. 1 on the ARIA Singles Chart last August, making BlackPink the first K-pop group to do so, beating the No. 2 start for BTS’ 2020 hit “Dynamite.”

Born Pink went on to debut at No. 2 on the national albums survey.

BlackPink has a special connection with this country. Rosè (aka Roseanne Park) was born in Auckland, New Zealand, and raised in Melbourne. At age 15, the world of K-pop came calling when, at her father’s suggestion, she auditioned for South Korean music company YG Entertainment.

The rest is history – and a growing list of shattered records.

Just last week, Lisa nabbed a hattrick of Guinness World Records and, earlier in the month, they were announced as headliners for Coachella 2023 — a booking that would make the quartet the first Asian act to do so. 

BlackPink is currently on an extensive tour through Asia.

General public tickets for the four Australia shows go on sale next Thursday (Feb. 9).

BlackPink ​Australia Tour June 2023:

June 10 — Rod Laver Arena, Melbourne​June 11 — Rod Laver Arena, MelbourneJune 16 — Qudos Bank Arena, SydneyJune 17 —  Qudos Bank Arena, Sydney

Charles “Chip” Rachlin, the trailblazing agent for Billy Joel and the Beach Boys, died last Wednesday (Jan. 25) following a short illness. He was 73.
A rock pioneer, Rachlin, like so many others of his generation, had a life-changing experience when the Beatles performed on the Ed Sullivan Show back in February 1964. He started a band, the Gremlins. But it was in presenting and showcasing talent that he found his calling.

Born in Summit, New Jersey, Rachlin — a lifelong Yankees fan — learned the ropes as an agent working for Bill Graham at the Fillmore East, and later, as a junior agent with the Millard Agency.

Rachlin and his Fillmore friend Michael Klenfner showed their entrepreneurial chops when, in February 1971, they booked the Beach Boys to headline Carnegie Hall. It was a turning point for everyone involved, as Rachlin soon found himself representing the group, and its lead singer, the late Carl Wilson during his solo career.

Once Graham closed the Filllmore, “Millard went ‘uptown,’’” remembers Rachlin in a timeline on the Rachlin Entertainment website.

“We built an All Star Team with Danny Weiner, Tom Ross, Budd Carr and Shelly Schultz,” with a roster that swelled to include Aerosmith, Eric Clapton, America, Seals & Crofts, Loggins & Messina, James Taylor, Fleetwood Mac, Linda Ronstadt, CSN, and Eagles.

By the mid-‘70s, Rachlin was a major figure in ICM’s music department, where he repped the future Rock And Roll Hall of Famers the Beach Boys and a young Billy Joel.

“By the end of my run with ICM we were the top concert department among the major agencies,” he recounts. “It was an amazing eight years and the best training ground in the music business.”

He toured with the Rolling Stones, and rode the “fantastic rocket ship ride” that was the launch of MTV.

As styles and formats changed, Rachlin went out on his own. In the early 1990s, he launched Rachlin Entertainment, an enterprise that would become a “unique talent resource” for elite buyers such as Atlantis Paradise Island in the Bahamas and Cunard Cruise Lines.

Among the success stories for Atlantis Paradise Island are the late David Bowie, Taylor Swift, Justin Bieber, and Katy Perry. It was Rachlin who produced the All Star Tribute To Brian Wilson at Radio City Music Hall in March of 2001, headlined by Elton John, Billy Joel, Paul Simon and many more.

Tributes are pouring in for the legendary talent booker. “Thanks to Chip being my agent in the early days,” writes Billy Joel on social media, “the band and I were able to make a living as performing musicians before I became more widely known as a recording artist. I will always be grateful for his efforts on my behalf back in the day.”

Chip Rachlin has died.Chip was responsible for booking us into most of our U.S. concerts during the early and mid 1970s.Thanks to Chip being my agent in the early days, the band and I were able to make a living as performing musicians before I became more widely known as (1/2) pic.twitter.com/7D92tdUERY— Billy Joel (@billyjoel) January 29, 2023

Eagles manager Irving Azoff recounts Chip as “not only a pioneer in how the business operates today,” but, for over 40 years, “he remained somebody who I always wanted to hear from.” The veteran music executive adds: “He was an innovator. More importantly, on a one-to-one level, he displayed all the personal qualities that make this business great. He was not just passionate about the music and any artist he worked with but a great person. This one hurts very badly.”

We’re so saddened to learn of Chip Rachlin’s passing. Chip, seen here with Bill in 1982 on the Rolling Stones tour, went on to produce an amazing array of events. Along the way, he made many friends who now mourn his loss. Our deepest condolences to his family and loved ones. pic.twitter.com/jlMlICdCw1— Bill Graham Found. (@BillGrahamFound) January 26, 2023

“We’re so saddened to learn of Chip Rachlin’s passing,” reads a post from the Bill Graham Foundation. Chip “went on to produce an amazing array of events. Along the way, he made many friends who now mourn his loss. Our deepest condolences to his family and loved ones.”

Rachlin is survived by his wife Wendy, his sons Josh and Alex, and their extended family.

With three nominations, Vance Joy is the leader of the pack heading into the 2023 Rolling Stone Australia Awards.
The Melbourne singer and songwriter lands nominations for best record (his third studio album, In Our Own Sweet Time, which peaked at No. 3 on the ARIA Chart), best single (“Clarity”), and the coveted Rolling Stone Global Award, details for which were announced Tuesday (Feb. 1).

Also snagging multiple nominations is ARIA Award-winning star-on-the-rise Budjerah, veteran kid’s entertainers the Wiggles, indie-rock faves Spacey Jane, rock act Gang of Youths, and country star Keith Urban.

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Urban will have his work cut out in the Global Award category. It’s a starry list, in which he’s named along with Alison Wonderland, Gang of Youths, Iggy Azalea, Kylie Minogue, Rüfüs Du Sol, Tash Sultana, The Wiggles, Tones And I, Troye Sivan and Vance Joy.

Each year, Rolling Stone Australia invites international writers, including editors from the U.S. and U.K. brands, to vote in the Rolling Stone Global Award category.

“We take great pride in the fact that, by hosting our third annual Rolling Stone Australia Awards, we get to play a part in recognizing Australian music’s growth,” comments Poppy Reid, editor-in-chief at Rolling Stone Australia publisher the Brag Media.

The Rolling Stone Australia Awards return to Sydney on April 4. Sponsors this year include headline partner Shure alongside Australis, Canna, Panhead, JMC Academy and Jim Beam.

In the weeks ahead, RS Australia will reveal hosts, performers and the nominees in the Rolling Stone Readers’ Award.

“I am immensely proud to be part of the team pushing local acts worldwide through our awards judging process, and our editorial partnership with Rolling Stone parent company PMC,” adds Reid.

Winners at last year’s ceremony include Genesis Owusu, The Kid LAROI and King Stingray, with live performances from Amy Shark and Ruby Fields.

2023 Shure Rolling Stone Australia Awards Nominees:

Best SingleAmy Shark – “Only Wanna Be With You”Budjerah – “Ready for the Sky”Courtney Barnett – “Rae Street”Keith Urban – “Brown Eyes Baby”Ruel – “Growing up is _”Spacey Jane – “Hardlight”The Kid LAROI – “Thousand Miles”Vance Joy – “Clarity”

Best New ArtistBlake RoseBudjerahEliza & The DelusionalsForest ClaudetteJames JohnstonLara DMerci, MercyTeen Jesus and the Jean Teasers

Best Record5 Seconds of Summer – 5SOS5Gang of Youths – angel in realtimeJulia Jacklin – Pre PleasureParkway Drive – Darker StillSpacey Jane – Here Comes EverybodyThe Wiggles – ReWiggledThelma Plum – MeanjinVance Joy – In Our Own Sweet Time

Rolling Stone Global AwardAlison WonderlandGang Of YouthsIggy AzaleaKeith UrbanKylie MinogueRüfüs Du SolTash SultanaThe WigglesTones And ITroye SivanVance Joy

The Beatport Group has acquired a majority stake in the International Music Summit, the electronic music and culture platform known for its flagship industry conference, IMS Ibiza, Billboard can exclusively reveal.
This partnership is intended to secure the growth of IMS, which has happened annually in Ibiza since 2007 (minus the two years it rolled out online during the pandemic) and has over the years produced additional summits in Los Angeles, Shanghai, Singapore and Malta.

Via this partnership, IMS has plans to again expand its global footprint, with details forthcoming. IMS will continue to operate under the direction of its co-founders, with full support from The Beatport Group. (The Beatport Group currently encompasses digital electronic music store Beatport, open format DJ community Beatsource, Loopmasters, Loopcloud and other platforms.)

Financial terms weren’t disclosed.

IMS Ibiza was founded in 2007 by five partners including dance scene pioneer Pete Tong and industry exec and artist manager Ben Turner, with the intention to create a hub for conversation and progressive change within electronic dance music.

“We are very proud of what we’ve built at IMS over these past 16 years, driving the narrative and agenda of the culture forward from the genre’s spiritual home of Ibiza,” IMS’ founding partners say in a joint statement.

“Aligning with Beatport, who have been supporters of IMS from our inception,” the statement continues, “will enable us to action many of our ideas on how to continue to grow the platform all year round; to further educate and mentor the next generation; and to help focus the industry’s attention on the issues that matter. It will help increase our ability to have more impact for the genre.”

The next IMS Ibiza summit is set for April 26-28 at the island’s luxe Destino Pacha Ibiza resort. This three-day conference will again feature keynotes, seminars, performances, masterclasses, mentorship, health and wellness initiatives, parties and much more. A pillar of the conference is its annual presentation of the IMS Business Report, the annual valuation of the global electronic music industry presented in conjunction with data and analysis on myriad aspects of the business. IMS Ibiza 2023 will once again be hosted by Tong and fellow BBC Radio 1 presenter Jaguar.

“IMS has become one of the most impactful gatherings for the global DJ and dance music industries, and everyone at Beatport is excited to take this brand to the next level,” Beatport CEO Robb McDaniels says in a statement. “We look forward to partnering with Pete, Ben and the entire IMS team to broaden the IMS footprint as a major component of our plan to expand the Beatport brand around the world through community, education, and thought leadership initiatives.”