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It’s still Taylor Swift time in the U.K., where Midnights (via EMI) enters a fifth non-consecutive week at No. 1.

Swift’s 10th and latest studio album extends its lead as her longest-reigning champion on the Official U.K. Albums Chart, and it’s the longest-running No. 1 in the U.K. since Harry Styles’ Harry’s House logged six weeks atop the survey.

The best-seller at the midweek point, Midnights leads an unchanged top five ahead of SZA’s SOS (via RCA/Top Dawg) and The Weeknd’s greatest hits collection The Highlights (Republic Records/XO), respectively, while Lewis Capaldi reenters the top 10 with former No. 1 Divinely Uninspired To A Hellish Extent (EMI).

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Divinely Uninspired lifts 16-10 on the latest survey, published Jan. 13, ahead of the release of his sophomore LP, Broken By Desire To Be Heavenly Sent. The Scottish artist’s sophomore set is due in May and contains “Pointless,” the new No. 1 on the Official U.K. Singles Chart.

The week’s highest debut belongs to Gabrielle Aplin, whose fourth album Phosphorescent (Never Fade) starts at No. 15, for the British singer and songwriter’s third top 20 album. Aplin’s 2013 debut English Rain peaked at No. 2 and 2015’s Light Up The Dark hit No. 14.

As The 1975 kick off their tour of the U.K. and Ireland in support of their latest set Being Funny In A Foreign Language (Dirty Hit), the album leaps 31-19 on the national chart.

All five of the band’s studio albums have hit No. 1 in the U.K., including 2022’s Being Funny.

Last week, Matty Healy and Co. sent Swifties into a frenzy when TayTay joined the band at The O2 in London to perform “Anti-Hero on stage for the first time.

Finally, Detroit punk icon Iggy Pop bows at No. 33 with Every Loser (Atlantic), his 19th solo album. It’s Iggy’s fifth U.K. Top 40 title.

The 28th Annual Critics Choice Awards were handed out on Sunday night, with A24’s Everything Everywhere All at Once winning best picture — one of its four prizes of the evening.

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Filmmaking duo Daniels (Daniel Kwan and Daniel Scheinert) also won best original screenplay and best director(s) for Everything Everywhere All at Once. Accepting the award for the latter category, in which they beat veterans like James Cameron, Baz Luhrmann and Steven Spielberg. Kwan held up the envelope to show their names to the audience as Scheinert said, “It’s not a mistake!”

Addressing their fellow nominees, Scheinert added, “Thank you to all the storytellers and filmmakers that inspired me to become a filmmaker — you’re in the same category as me. That’s disgusting! Hello?! But you inspired me, and that means a lot. And your movies have changed my life.” Kwan thanked his mother, who he counts as the inspiration for Evelyn Wang, played in the film by Michelle Yeoh. “She was the first person to plant the seed in my head that I could be a director,” said Kwan. “She [is] maybe the first Asian-American immigrant mother to ever tell their son to go to film school.”

Brendan Fraser won best actor for his role in A24’s The Whale. “The Whale is about love. It’s about redemption. It’s about finding the light in a dark place,” said a visibly emotional Fraser. After thanking co-stars Hong Chau, Sadie Sink and Ty Simpkins, Fraser thanked director Darren Aronofsky. “I was in the wilderness, and I probably should have left a trail of breadcrumbs. But you found me and, like all the best directors, you merely just showed me where to go to get to where I needed to be.”

Best actress went to Tár‘s Cate Blanchett. “Best actress … I mean, it is extremely arbitrary considering how many extraordinary performances there have been by women, not only in this room,” said Blanchett, name-dropping Decision to Leave and To Leslie stars Tang Wei and Andrea Riseborough, respectively, neither of whom were nominated for their lead roles. “You don’t stand here unless … [a] director asks you to do something that you think is impossible, and you’re terrified to do,” she added while thanking Todd Field, who wrote and directed the Focus Features drama.

Last year’s best supporting actor winner Troy Kotsur, the first deaf actor to win the prize for his performance in CODA, presented best supporting actress to Black Panther: Wakanda Forever star Angela Bassett. “I’m proud of the work that we did with Black Panther and now with Wakanda Forever, said Bassett. “We show the world that we could create and lead a billion-dollar box-office success. And my prayer is that that door remains open, and the sky’s the limit for other Black creators and storytellers around the world to join us.”

Ke Huy Quan picked up best supporting actor for his role in Everything Everywhere All at Once, and thanked his “entire EEAAO family” including those who championed the film and “helped audiences remember who I am.”

Kicking off the show, host Chelsea Handler said, “It is an honor to be here hosting tonight after everything that we’ve all been through together over the past few years. Between COVID, Monkeypox, the Don’t Worry Darling press tour, it’s been a lot. I’m just happy to be here tonight supporting the critics’ right to choose.”

She then made quips about the number of LGBTQ films nominated at the ceremony, including “Bros, Fire Island and Top Gun: Maverick.” She also added a reference to the end of Ellen DeGeneres’ long-running show when joking about Focus Features’ Tár: “In the movie, Cate [Blanchett] portrayed an iconic lesbian whose career is upended by her toxic behavior — and she didn’t even have to host her own daytime talk show.”

RRR was the first surprise of the evening, taking home the award for best international film. The Indian blockbuster is ineligible for this category at the Oscars, as its home country submitted Last Film Show (which also made the Academy’s shortlist ahead of the Jan. 24 Oscar nominations). It is a contender in other categories, however, including best original song “Naatu Naatu,” which also took home that prize at the Critics Choice Awards. Director S.S. Rajamouli thanked “the women in my life” while accepting the award for international film, beginning with his mother. “She thought school education was overrated and she encouraged me to read comics and storybooks, and she encouraged my creativity,” said Rajamouli, who also thanked his wife, costume designer Rama Rajamouli. “More than that, she’s the designer of my life”

Guillermo del Toro won best animated feature for his stop-motion adaptation of Pinocchio for Netflix. “Animation is not a genre for kids,” said del Toro, who dedicated his award to director James Cameron. “It’s a medium to tackle bigger themes.”

Other wins include Women Talking writer-director Sarah Polley for best adapted screenplay, Top Gun: Maverick DP Claudio Miranda for best cinematography, Ruth E. Carter for best costume design for Black Panther: Wakanda Forever and Women Talking composer Hildur Gudnadóttir for best original score. Best editing went to Everything Everywhere All at Once‘s Paul Rodgers and best production design to Babylon‘s Florencia Martin and Anthony Carlino. Avatar: The Way of Water won best visual effects, while Elvis won for best hair and makeup. Netflix’s Glass Onion won best comedy film and best acting ensemble, and Gabriel LaBelle won best young actor for Universal’s The Fabelmans.

Kate Hudson presented the SeeHer Award to her Glass Onion: A Knives Out Mystery co-star Janelle Monáe. “There are so many ways to describe Janelle: visionary artist, brilliant musician, inspirational, one-of-a-kind human being,” said Hudson. “I remember the moment we met on Glass Onion. Janelle walked down the staircase in this bright yellow dress, just exuding goddess, regal energy. It was like the seas parted. Everyone’s jaws dropped and the room instantly fell in love. It’s hard not to, but to know her, to see the care and dedication she nurtures in her relationships and in her art, is to really fall in love with her.”

Accepting the honor, Monáe announced that her pronouns are “she, her, they, them” as she recently came out as non-binary. After reflecting on the characters she has played in Glass Onion, Moonlight and Hidden Figures, Monáe said, “I’ve tried to make an effort in my work, whether it’s storytelling through music, through film, through TV, through fashion, through literature, to highlight the ones who have been pushed to the margins of society who’ve been outcast or relegated to the other.

“I am non-binary, I am queer, and my identity influences my decisions in my work,” Monáe continued. “I’ve always believed that through storytelling, we are able to shed light on a human experience, an experience that most people around this world won’t get an opportunity to see. And I keep this glimmer of hope in my heart that when someone meets a character, like the ones I’ve had an opportunity to play, you’d be more empathetic to their experience … You want to be more like them. You want to be more kind, less judgmental, and more eager to advocate for them.”

Jeff Bridges received the lifetime achievement award, presented by his The Big Lebowski co-star John Goodman. (Michelle Pfeiffer was initially scheduled to present the honor, but bowed out of the ceremony due to COVID.) Accepting the award, Bridges noted that today is his father Lloyd Bridges’ birthday. “He’s the reason I’m up here,” said Bridges. “He loved showbiz and acting so much, and as a kid I said, ‘Dad, I’m not sure I want to be an actor. I want to do painting, maybe music.’ He said, ‘Don’t be ridiculous. Being an actor, they’re going to call on you to do all of those things you’re interested in. And besides that, you get to tell all these wonderful stories and from all these different perspectives. … This is a wonderful profession.’ And he was so right. I’m so glad I listened to the old man.”

Speaking backstage in the press room, Bridges reflecting on his return to acting in FX’s drama series The Old Man after being diagnosed with lymphoma in 2020. “What I wanted to say up there — I was sick for two years with cancer [during the pandemic]. And when I talked about my family, [my wife] Susan and my daughters, I wanted to talk about their support during that time. I didn’t think I was gonna make it at all, let alone going back to work. But because they supported me so beautifully, I was able to go back and finish The Old Man. We stopped in the middle of the season. It was very surreal, it was like we had a two-year long weekend, then we came back to work. … Doing that show was so terrific, and I’m so happy that we’re doing other seasons.”

In the television categories, ABC’s Abbott Elementary won best comedy series. Jeremy Allen White won best actor in a comedy series for FX’s The Bear, while Hacks‘ Jean Smart won her second consecutive win for best actress in the HBO Max comedy.

AMC’s Better Call Saul won best drama series, with showrunner Peter Gould joking, “I can’t believe we won. We never win.” (The drama has been nominated for 48 Emmys throughout its six-season run, and has won none.) Better Call Saul star Bob Odenkirk won best actor in a drama series, while Zendaya won best actress in a drama series for HBO’s Euphoria.

Hulu’s The Dropout won best limited series. “Thank you, Mike White, for not being nominated in this category,” joked showrunner and creator Elizabeth Meriwether. (Season two of anthology series The White Lotus was classified as a drama this year by the Critics Choice Association.) Amanda Seyfried won best actress in a limited series or television movie for her portrayal of Elizabeth Holmes in The Dropout, a performance for which she also won a Primetime Emmy in September 2022. She was notably absent at the Golden Globes on Tuesday, for which she also won for The Dropout, as she was in development of a new musical version of Thelma & Louise. Daniel Radcliffe, who did not attend the ceremony, won best actor in a limited series or television movie for his portrayal of “Weird Al” Yankovic in The Roku Channel’s Weird: The Al Yankovic Story.

Niecy Nash-Betts won best supporting actress in a limited series for Netflix’s Dahmer – Monster: The Jeffrey Dahmer Story. In an emotional speech, Nash-Betts expressed her long desire to be recognized for her dramatic chops. “When I decided to become an actor, I saw myself doing drama. And the industry was kind, but they said, ‘Stay in your comedy lane,’” said Nash-Betts. “Sometimes people want to leave you when they meet you. I cried to my mother and I said, ‘Mama, don’t you think I’m a good dramatic actress?’ And she said, ‘Girl, I don’t. But you can be.’” Nash-Betts ended her speech with a line that caused the audience to erupt in cheers: “To everybody who doubted this Black woman and told me what I couldn’t do? I want to lovely and humbly say: In your face!”

Paul Walter Hauser won best supporting actor in a limited series for his role in Apple TV+’s Black Bird, for which he also won a Golden Globe on Tuesday. Henry Winkler and Sheryl Lee Ralph won supporting actor and actress in a comedy series, respectively, for HBO’s Barry and ABC’s Abbott Elementary.

Jennifer Coolidge continued her winning streak, taking the award for best actress in a drama for HBO’s The White Lotus. “I know you’ve heard a lot from me in the last month or two, but I just want to say this is such an honor,” she said. In the male companion category, Giancarlo Esposito won for his role in AMC’s Better Call Saul.

Other TV winners include Roku’s Weird: The Al Yankovic Story (best made for television movie), HBO Max’s Harley Quinn (best animated series), Apple TV+’s Pachinko (best foreign language series), Netflix’s Norm Macdonald: Nothing Special (best comedy special), and HBO’s Last Week Tonight with John Oliver (best talk show).

Read the full list of winners here and see the night’s best-dressed stars here.

This article originally appeared in THR.com.

Following a tight chart race which saw Raye take an early lead, it’s Lewis Capaldi who takes the U.K. crown with “Pointless” (via Vertigo).
The Scottish singer songwriter bags his fourth No. 1, as “Pointless,” co-written by Ed Sheeran, finishes just 1,200 combined sales ahead of its closest competition, Raye’s independently-released hit “Escapism” (Human Re Sources), featuring 070 Shake.

“Pointless” improves 15-1 on the Official U.K. Singles Chart, published Jan. 13, powered by physical and digital download sales, the Official Charts Company reports, as “Escapism” dips 1-2.

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“Pointless” is the second single lifted from his upcoming second studio album Broken By Desire To Be Heavenly Sent, slated to drop in May.

“4 u.k. number 1’s!!!!. Over the moon to finally have as many number 1’s as a do STI’s,” he quips on social media.

Capaldi enjoyed a global breakthrough with 2019’s “Someone You Loved,” which logged seven weeks atop the U.K. chart. He led the chart again in 2020 with “Before You Go” for one week in 2020, and with Broken By Desire release “Forget Me,” for one week in 2022.

Completing the chart podium on the current tally is SZA’s SOS cut “Kill Bill” (via RCA/Top Dawg), up 4-3 for a new peak.

Also on the rise this week is U.S. singer Miguel, who vaults 83-14 with “Sure Thing” (Jive), his first U.K. top 20 single; Irish singer-songwriter Cian Ducrot with “I’ll Be Waiting” (Polydor) up 39-22; Lil Uzi Vert’s “Just Wanna Rock” (Atlantic) up 38-32; Tory Lanez’s “The Color Violet” (The One Umbrella) gains 41-36 and Hotel Ugly’s viral effort, “Shut Up My Moms Calling” (Hotel Ugly), which checks into the top 40, improving 47-38.

The highest new entry on the latest chart comes courtesy of producers Skrillex, Fred Again, and rapper/producer Flowdan, as their collaborative “Rumble” (Atlantic) gets to work at No. 19.

Legendary Japanese drummer, YMO co-founder and music producer Yukihiro Takahashi passed away Jan. 11 at 5:59 a.m. Japan time. He was 70.
According to an announcement from his management, Takahashi had been diagnosed with a brain tumor in the summer of 2020, and had been in and out of hospital repeatedly after surgery while undergoing rehabilitation.

The pioneering musician had been recuperating at home since November, but his condition deteriorated at the end of the year and he passed away from aspiration pneumonia associated with his brain disease.

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Takahashi was born in Tokyo in 1952. He began his career as a studio musician in high school, and after playing in Sadistic Mika Band, he formed Yellow Magic Orchestra in 1978 with co-founders Haruomi Hosono and Ryuichi Sakamoto.

As a solo artist, he released 23 original albums, from Saravah! in 1978 to Life Anew in 2013. Along with his solo career, he also played in The Beatniks with Keiichi Suzuki, Sketch Show with Hosono, and pupa with Tomoyo Harada, Hiroshi Takano, and others. He was also known as a fashion designer.

A special concert celebrating Takahashi’s 50th anniversary in music took place in September last year, and while the iconic singer-songwriter had been scheduled to perform, he was unable to do so due to his illness.Following Takahashi’s death, a wave of musicians have paid tribute online including Orbital, Sparks, Erol Alkan, Junior Boys, Mouse on Mars, and 808 State.

A ceremony celebrating his life will be held at a later date.

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Awards season is here, with the Critics Choice Awards coming up this weekend.

Chelsea Handler is set to host the 28th annual event live from the Fairmont Century Plaza Hotel in Los Angeles on Sunday (Jan. 15). The ceremony will broadcast at 7 p.m. ET/PT on The CW.

While the Critics Choice Awards honor the best in film and television over the past year, a number of music stars have made the nominations cut. Lady Gaga’s “Hold My Hand,” Taylor Swift’s “Carolina,” and Rihanna’s “Lift Me Up” will battle it out in the best song category alongside “Ciao Papa” by Alexandre Desplat, Roeban Katz and Guillermo del Toro, LCD Soundsystem’s “New Body Rhumba,” and “Naatu Naatu” by Kala Bhairava, M.M. Keeravani and Rahul Sipligunj.

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Elsewhere on the Critics Choice nominees list, Janelle Monáe earned a best supporting actress nod for her role in Glass Onion: A Knives Out Mystery. Monáe will also receive the SeeHer Award, which recognizes a woman who embodies the values of the SeeHer movement, which advocates for gender equality and accurate portrayals of women and girls in advertising and media.

For those without cable, The CW can be streamed live on DirectTV Stream, YouTube TVand fuboTV (in select markets), all of which offer free trials. Looking for a deal? T-Mobile customers can save $10 a month off YouTube TV for a year, DirectTV Stream is discounted $50 over five months and Sling TV is $20 for the first month.

DirectTV Stream
$59.99 for 5 months $69.99 14% off% OFF

Hulu + Live TV is the more expensive option among the streaming packages mentioned, but you’ll get lots of bang for your buck with 75+ live and local channels, plus Hulu and Disney+. 

Elsewhere on the list of nominations, Everything Everywhere All At Once leads the pack with 14 nods. The Fabelman’s came in second place with 11 nods, followed by Babylon and The Banshees of Inisherin with nine nods, while Elvis and Tár snagged seven nominations each. See the full list of nominees here.

Actor Jeff Bridges will receive the Critics Choice Lifetime Achievement Award presented by Michelle Pfeiffer. Other presenters include Benjamin Bratt, Quinta Brunson, Cedric the Entertainer, Misha Collins, Claire Danes, Phoebe Dynevor, Ayo Edebiri, Eve Hewson, Jude Hill, Tyler Hoechlin, Sharon Horgan, Sarah Hyland, Troy Kotsur, Diego Luna, Natasha Lyonne, Ebon Moss-Bachrach, Aubrey Plaza, Jean Smart, Anya Taylor-Joy, Miles Teller, Elizabeth Tulloch, Kerry Washington, and Jeremy Allen White.

SZA cleans-up on the Australian singles chart with “Kill Bill” (via RCA/Sony), while Taylor Swift enters a 10th non-consecutive week at No. 1 on the national albums survey with Midnights (Universal).

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Swift’s 10th and latest album becomes her longest-reigning No. 1 on the ARIA Chart, eclipsing the nine-week run for 1989’s 2014. On the latest chart, published Friday, Jan. 13, 1989 dips 19-20.

“Congratulations Taylor! Ten weeks at No. 1 is a great achievement and 10 chart-topping albums in just 12 years is incredible,” comments ARIA CEO Annabelle Herd. “Australia’s love affair with Taylor and her music is not slowing down.”

Midnights manages to hold off SZA’s SOS from a first stint on the albums chart throne, as it holds at No. 2 — though the U.S. R&B star goes one better on the ARIA Singles Chart.

In a week that saw SZA drop a bloody music video for “Kill Bill,” the track lifts 2-1 on the ARIA Chart for her first leader in Australia.

Until now, SZA’s best was a No. 2 placing for “All The Stars” with Kendrick Lamar, lifted from the Black Panther soundtrack in 2018. She also featured on Doja Cat’s “Kiss Me More,” which peaked at No. 2 in 2021.

“Kill Bill” switches places with Sam Smith & Kim Petras’ “Unholy” (Capitol/Universal), which slips 1-2, just days after Smith performed an exclusive, intimate concert at the d’Arenberg Cube winery in McLaren Vale, Adelaide.

Raye’s “Escapism” (Orchard) featuring U.S. rapper 070 Shake reaches a new high, up 7-4. The British singer and songwriter snagged the U.K. No. 1 this week with “Escapism,” released independently after her public split with Polydor, part of Universal Music Group.

Meanwhile, Dean Lewis’ “How Do I Say Goodbye” (Island/Universal) is the best-placed homegrown track on Australia’s official singles chart, up 26-16, just two places removed from its peak position.

Also noteworthy is Stephen Sanchez and Em Beihold’s dark horse “Until I Found You” (Universal), which races 30-12, six months after it first impacted the top 100, while Skrillex, Fred Again and Flowdan bag the week’s highest debut, as “Rumble” (Atlantic/Warner) starts at No. 35.

Rihanna is ready to own 2023.
The superstar Barbadian singer and songwriter will make her long-awaited live comeback next month when she graces the biggest stage of them all, the Super Bowl Halftime Show.

The NFL and Apple Music, the league’s partner for the entertainment slot, ratchet-up the hype with a new 30-second spot.

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In the clip, posted to Rihanna’s social accounts, the returning star twirls and snakes to a montage of broadcasters commenting on RiRi and her lengthy absence from the spotlight.

As the voices overlap and form a cacophony, a dramatic pause. Rihanna gets her close-up with her hair in a dramatic twist, she stares down the barrel and gives us the universal sign for “shush”.

The promo closes out with a snippet of “Needed Me,” lifted from her eighth studio album, Anti — a possible nod to her setlist for the newly rebranded Apple Music Super Bowl Halftime Show, 

As previously reported, RiRi will perform Feb. 12 during the long break for Super Bowl LVII, which is being produced by DPS with Roc Nation.

State Farm Stadium in Glendale, Arizona will host the big game.

Just last week, Rhianna used the platform of football’s showpiece event to show off a new limited-edition collection of football-inspired Fenty gear under the “Game Day” banner. The sporty drop features 17 styles, from hoodies to boxers, sweatpants, two-tone varsity jerseys, beanies, bandanas and tube tops, with sizes ranging from XXS to 4X. 

There’s a good chance Rhianna will back up the Super Bowl with a performance at the 2023 Academy Awards on March 12, assuming “Lift Me Up” from Black Panther: Wakanda Forever is nominated for best original song.

“Lift Me Up,” which reached No. 2 on the Billboard Hot 100 chart, was co-written with Ludwig Göransson, Ryan Coogler and Tems, and is one of 15 songs shortlisted in that category last month.

Across her career, Rihanna has bagged 14 No. 1s on the Hot 100, and two leaders on the Billboard 200 chart, including Anti.

Watch the latest Super Bowl teaser below.

When Duran Duran was inducted into the Rock And Roll Hall of Fame last November, just reward for a 40-year-plus career of hits and flashy music videos which helped ignite the format, one essential bandmate was missing from the picture — founding guitarist Andy Taylor.

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Duranies — the enduring collective noun for Duran Duran fans — had hoped for an on-stage reunion with Taylor and his former bandmates, the first in 17 years. It wasn’t to be.

As Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor (none of the Taylors are related) accepted their Rock Hall induction, a message was read out from the axeman, addressing for the first time his cancer battle.

“Four years ago, Andy was diagnosed with stage four prostate cancer,” LeBon said, breaking the news, before reading a portion of a letter.

Taylor returns to his health battles for a new interview for U.K. TV, and explains how music and creativity has lifted his spirits.

The diagnosis came when Andy was 56 years old, and presented when he went jogging and felt what he describes as “arthritic sort of pain.” He began to “have these symptoms, and didn’t recognize them for what they could be.” Lumps would appear on his neck, a troubling sign that the cancer had metastasized. The biopsy results confirmed the worst, an illness he describes as “a death sentence.”

On hearing the extent of his illness, “no one can be prepared for that.”

Due to his poor health, Taylor missed the ceremony in Los Angeles, for which he’d planned to break out a new guitar.

Now that the word is out, Taylor, 61, uses his platform to tell others to get checked, and urges female fans to apply gentle pressure on the men in their lives. “Give him a nudge, go get a test,” he tells 5 News.

In a fight with cancer, time is precious. “Every minute is like an hour, every day is like a week,” he explains. “You really want to get the most out of life. And I’ve been very fortunate. I’ve had so much in terms of living the dream.”

Taylor has lived the dream like few others. With a string of hits, including “Girls On Film,” “Rio,” “Hungry Like The Wolf,” “Is There Something I Should Know,” “The Reflex,” “Wild Boys,” Duran Duran was arguably the most popular band on the planet in the first half of the 1980s. All those numbers came with slick music videos which either looked like shorts from blockbuster movies, or, in the case of “Girls On Film” and “The Chauffeur,” were too risqué for mainstream TV.

With his rock ‘n’ roll attitude and playing style, Taylor was something of an outlier in the band, contributing a rawness to Duran Duran’s sound during those golden years.

Without Andy Taylor’s contribution, many fans and critics argue, Duran Duran wouldn’t be the Hall of Famers they are today.

When the group split in two in 1985, following the release of the James Bond theme “A View to A Kill,” Taylor and bassist John Taylor formed The Power Station with the late Robert Palmer and Tony Thompson, while the others created Arcadia.

Taylor contributed to sessions for the 1986 album Notorious, then went his own way with a solo career. He’d reunite with DD for 2004’s Astronaut album, and for tour dates in support.

Taylor has recorded three albums since learning of his illness, and continues to perform when possible.

Playing guitar has had an unexpected benefit. “It’s really helped me to live with the pessimism of an incurable disease,” he notes, “but the optimism of creating music.”

Watch the interview below.

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