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Miley Cyrus is now head of the Cyrus clan.
The U.S. pop star’s “Flowers” (via Columbia/Sony) logs an eighth consecutive week at No. 1 on Australia’s chart, beating the old Cyrus mark set by Billy Ray back in 1992 with “Achy Breaky Heart,” which ruled the ARIA survey for seven weeks.

Don’t expect “Flowers” to wither anytime soon; Cyrus’ eighth studio album, Endless Summer Vacation, which features the two-times platinum single, dropped Friday (March 10).

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Meanwhile, PinkPantheress’ “Boy’s A Liar” (Parlophone/Warner) is “very close behind” at No. 2, ARIA reports, with the Weeknd’s “Die For You” (Universal), which features a fresh assist from Ariana Grande, completing an unchanged podium.

Over on the ARIA Albums Chart, Harry Styles nabs a 10th non-consecutive week at No. 1 with Harry’s House (Columbia/Sony), his third solo album. The former One Direction star recently wrapped a lap of stadiums in these parts, for the domestic leg of his Love On Tour, produced by Live Nation.

The afterglow of those seven trans-Tasman dates can be seen up and down the charts. His sophomore longplay Fine Line dips 5-6, and his debut self-titled holds at No. 12 on the albums survey, while “As It Was,” IFPI’s top global single for 2022, holds at No. 5 on the singles tally; it’s one of the English singer’s 14 tracks currently impacting the top 100.

Harry’s House holds-off two debut releases on the latest ARIA Chart. Coming in at No. 2 on the latest survey, published March 10, is One Day At A Time (Mercury/Universal), the third studio effort by U.S. country star Morgan Wallen.

The sprawling, 36-track album is the followup to 2021’s The Double Album, which has spent more than two years on the ARIA Chart and is currently at No. 31.

The third spot belongs to Ruel, with his first full-length album 4th Wall (RCA/Sony). The 20-year-old Sydney singer won the ARIA Award for breakthrough artist (now the Michael Gudinski breakthrough artist award) in 2018, and bagged a No. 3 on the national survey with his 2019 EP, Free Time.

Finally, Korean boy band NCT 127 enjoys a top 20 debut with Ay-Yo – The 4th Album Repackage (Virgin Music Australia/Universal), at No. 13; Mornington Peninsula-based four-piece indie act Teenage Dads start at No. 28 with the Midnight Driving EP (via MGM); and Melbourne singer-songwriter Jen Cloher bows at No. 30 with I Am The River, The River Is Me (Inertia), her fifth studio album.

The month of March has been an electrifying one for TWICE, the K-pop girl group which in short time has collected a special award, dropped a mini album and performed on late-night U.S. TV.

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First, the Breakthrough Award at Billboard’s Women In Music Event, where Chaeyoung, Nayeon, Tzuyu, Momo, Sana, Jihyo, Mina, Dahyun and Jeongyeon graced the red carpet and performed “Moonlight Sunrise,” video for which has since racked-up about four million views on YouTube.

TWICE was honored at the annual event March 1 at YouTube Theater in Los Angeles, where they chatted with Billboard on the red carpet about the LP.

Then, overnight (March 9), the singers stopped by The Tonight Show Starring Jimmy Fallon for a performance of “Set Me Free.”

The NBC studio audience emptied its collective lungs at the group, as they delivered their style of slick pop with clockwork-like choreography, all bathed in blue light.

“Moonlight Sunrise,” “Set Me Free” and earlier single “The Feels” appear on Ready to Be, the 12th mini-album from TWICE, which dropped at the stroke of midnight. “Set Me Free” is the only track on the record that receives versions cut both English and Korean.

If you need a pointer to its potential chart success, the last TWICE mini-album was August 2022’s Between 1&2, which logged eight weeks on the Billboard 200, peaking at No. 3.

In an interview with Billboard ahead of the 2023 WIM, the nine-member act spoke of their global success despite language differences. “I think it’s the songs of ours that carry TWICE’s color rather than the language in which the song is sung,” Jihyo said at the time. “I don’t think the language is that relevant in carrying out TWICE’s [identity].”

Watch the late-night TV performance below and stream Ready to Be here.

Dance music power couple Calvin Harris and Ellie Goulding have returned with a trance anthem.

Out now, “Miracle” is pure trance, marking each artist’s venture into the genre. “I’m asking you to believe, to believe in a miracle” urges Goulding over Harris’ urgently celestial production that gives light Robert Miles/”Children” vibes.

Harris takes us back in time with punchy ’90s rave vibes, keys and some breakbeat in the outro.

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“Miracle” — which Harris teased this past January — marks Harris and Goulding’s third collaboration in the last ten years.

Together, they hit No. 16 on the Billboard Hot 100 in August of 2013 with “I Need Your Love.” Coming from Harris’ all time classic LP 18 Months, the song spent 25 weeks on the chart and served as a key track of the EDM era. 2014’s “Outside” — from Harris’ Motion — reached No. 29 on the Hot 100 and spent 20 weeks on the chart. Goulding was indeed one of the genre’s most crucial voices, appearing on tracks by Harris, Skrillex, Major Lazer, Seven Lions and a flurry of other genre stars.

Harris is also set to headline Coachella next month, a return to the desert fest that will follow the release of his 2022 LP Funk Wav Bounces Vol. II, which featured collaborators including Halsey, Justin Timberlake, Snoop Dogg and many more. That R&B-focused album followed Harris’ acid house Love Regenerator project, which produced an EP and several singles, including the Steve Lacy featuring “Live Without Your Love.”

Stream “Miracle” below.

While Anne-Marie is the English pop star known for massive collaborations with Marshmello and Clean Bandit, and Minnie is the Thailand-raised singer and producer in K-pop girl group (G)I-DLE, there are universal frustrations both pop stars can agree upon that get explored in “Expectations.”

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The new collaboration speaks to sticking to your guns and blazing your own path in life. The pair brush off unsolicited career advice, declare their past music doesn’t define them today (Minnie shouts out (G)I-DLE’s 2020 summer single “Dumdi Dumdi” while Anne-Marie throws back to her debut single “Karate” from 2015), and share a message with the Recording Academy, shouting, “F-ck that Grammy nomination/ Happiness cannot be bought!”

The pair show off their different personalities in the music video where both get rowdy and let loose while singing their stories in their own studios.

“Expectations” is Anne-Marie’s latest plug in the K-pop scene since jumping on a remix to boy band SEVENTEEN‘s single “_WORLD” last year. The U.K. starlet has become a favorite in South Korea after the remarkable local success of singles like “2002” and “Friends,” that’s led her to wins at Korean-music ceremonies including the V Live Awards, Gaon Chart Music Awards, Asia Artist Awards and more.

Watch Anne-Marie and Minnie challenge “Expectations” in their music video below:

Miley Cyrus scores her first No. 1 on Billboard’s Dance/Mix Show Airplay chart as “Flowers” tops the tally dated March 11. Previously, she achieved top 10 hits with “Party in the U.S.A.” (No. 9, 2009) and as featured on Mark Ronson’s “Nothing Breaks Like a Heart” (No. 5, 2019).

With radio-friendly remixes from Tommie Sunshine/On Deck/JustnKayse, Dark Intensity and Kue, among others, “Flowers” is finding core-dance airplay on outlets including KNHC (C89.5) Seattle, iHeartRadio’s Pride Radio and SiriusXM’s Diplo’s Revolution Feb. 24-March 2, according to Luminate. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)

Starting with “See You Again” (No. 17, 2008), Cyrus has tallied eight appearances on Dance/Mix Show Airplay. Her other entries: “We Can’t Stop” (No. 14, 2013), “Wrecking Ball” (No. 19, 2013), “Malibu” (No. 19, 2017) and “Midnight Sky” (No. 26, 2020).

“Flowers” just spent six weeks at No. 1 on both the Billboard Hot 100 and Billboard Global 200 charts, among other successes.

Additionally on the Dance/Mix Show Airplay chart, Loud Luxury lifts to its fifth top 10 and Hook N Sling celebrates its first with “Afterparty” (12-9). Plus, VAVO and Clara Mae each earn initial top 10 placements with “Take Me Home” (13-10).

Shifting to the multi-metric Hot Dance/Electronic Songs chart, Skrillex, Missy Elliott and Mr. Oizo jump 14-8 with “RATATA.” Skrillex’s seventh top 10 and the first each for Elliott and Oizo, “RATATA” racked up 1.4 million U.S. streams and sold 700 downloads in the tracking week.

Sticking with Hot Dance/Electronic Songs, MK collects his fifth top 10 and Dom Dolla draws his second with “Rhyme Dust,” new at No. 9. The track earned 1.2 million streams and sold 900, the latter figure also enabling a top 10 debut on Dance/Electronic Digital Song Sales (No. 8).

On the Top Dance/Electronic Albums chart, Dutch DJ/producer MELON and Dance Fruits make their first Billboard chart appearance with This Is Melon, Vol. 1 (No. 7). The set, which starts with 4,000 equivalent album units, is a sprawling, 41-track collection of upbeat dance covers of dance, pop, rock and R&B classics, including ABBA’s “Dancing Queen,” Avicii’s “Levels,” Gloria Gaynor’s “I Will Survive,” Pink Floyd’s “Another Brick in the Wall” and Swedish House Mafia’s “Don’t You Worry Child.”

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Chaim Topol, the spirited Israeli actor and singer who, one season following another, portrayed Tevye the milkman in Fiddler on the Roof on stages all around the world and in an Oscar-nominated turn in Norman Jewison’s 1971 film adaptation, has died. He was 87.

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The Associated Press, citing Israeli leaders, reported that Topol died Thursday in Tel Aviv.

Israel’s first international movie star, Topol also played famed Italian astronomer Galileo Galilei in Galileo (1975); an American scientist, Dr. Hans Zarkov, in the cult sci-fi classic Flash Gordon (1980); and Milos Columbo, a Greek smuggler and ally of Roger Moore’s James Bond, in For Your Eyes Only (1981).

As Polish family man Berel Jastrow, he was central to the plot of two acclaimed 1980s ABC miniseries, The Winds of War and War and Remembrance, both based on Herman Wouk novels.

In a pairing that a matchmaker would surely appreciate, Topol by his own estimation connected with Tevye more than 3,500 times over more than four decades, starting with a Hebrew-language production in his home country when he was 30.

He also starred as the Jewish dairyman and father of five daughters — and performed such signature songs as “Sunrise, Sunset,” “Tradition” and “If I Were a Rich Man” — on the West End in the mid-1960s and on Broadway in 1990-91, receiving a Tony nomination in the process.

“How many people are known for one part? How many people in my profession are known worldwide? So, I am not complaining,” he said in a 2015 interview. “Sometimes I am surprised when I come to China or when I come to Tokyo or when I come to France or when I come wherever and the clerk at the immigration says, ‘Topol, Topol, are you Topol?’ So yes, many people saw it [Fiddler], and it is not a bad thing.”

The oldest of three kids, Chaim Topol was born in Tel Aviv on Sept. 9, 1935. His father, Jacob, was a plasterer, and his mother, Imrela, a seamstress. He worked as a printer for a newspaper while taking high school classes at night, then lived on a kibbutz for a year.

He gained experience as an entertainer in the Israeli army, where he acted and sang in a traveling theatrical troupe. After the service, he honed his skills performing around the country for three years in a kibbutz theater group that he and his friends had founded in 1957.

Topol had a major breakthrough when he was cast as a Middle Eastern immigrant struggling to fend for his family in Israel in Sallah Shabati (1964). A huge hit at home, the social satire was nominated for the Oscar for best foreign-language film, and Topol, then 29, received a Golden Globe for most promising male newcomer for playing a character in his 50s. (Topol had performed the title role in a play while in the army.)

Two years later, he made his English-language film debut alongside Kirk Douglas in Cast a Giant Shadow (1966), playing a Bedouin leader in the drama set amid the 1948 Arab-Israeli War.

At the urging of friends, Topol came to New York to see Zero Mostel star as Sholem Aleichem’s Tevye in the original 1964-72 Broadway production of Hal Prince’s Fiddler on the Roof, featuring music by Jerry Bock, lyrics by Sheldon Harnick and direction and choreography by Jerome Robbins. He then played the milkman for 10 weeks in Israel, stepping in for Shmuel Rodensky, who had taken ill.

Prince had seen Topol in Sallah Shabati and invited him to test for the lead in the London production of Fiddler as it moved from Broadway in 1966.

“They could not believe it was me when I went to the audition because I was too young! They expected Sallah, who was old. Not me!” he said. “I knew no English. I studied the songs. I sang ‘If I Were a Rich Man’ and then another song from Fiddler. It was the first audition in my life.

“They asked how many times I had seen the show. I said maybe four times. They couldn’t understand how I knew all the movements, all the songs from the show. I said, ‘No, you don’t understand … I’m currently performing in Fiddler, in Tel Aviv!”

After he was hired, he began to go by Topol after the British producers had trouble pronouncing his first name.

He landed the lead in Jewison’s film version at United Artists despite lobbying by Mostel, Rod Steiger, Danny Kaye and Frank Sinatra to play the part. He was hired “probably because I was cheaper,” he told The Jerusalem Post in 2013.

In its review, THR noted that Topol imbued his performance “with all the compassion, intensity and rough humor it requires. His speaking voice is magnificent, and if his singing voice is imperfect, this only seems appropriate to the characterization.”

Fiddler on the Roof was nominated for best picture and Topol for best actor, but The French Connection and its star Gene Hackman prevailed on Oscar night. Topol, however, did receive a Golden Globe for best actor in a comedy or musical.

His big-screen rÊsumÊ also included Before Winter Comes (1968) and a turn opposite Mia Farrow in The Public Eye (1972), directed by Carol Reed.

Topol last portrayed Tevye on a Boston stage in 2009 but was forced to exit the musical after suffering a shoulder injury.

A year later, he founded the Jordan River Village, where children with serious illnesses come to have fun. (His inspiration was Paul Newman’s Hole in the Wall camps.) He was also a member of the board of directors of Variety Israel, a nonprofit organization that assists kids with special needs, regardless of religion, race and gender.

He received the prestigious Israel Prize for lifetime achievement from his government in 2015.

Survivors include his wife, Galia, whom he married in October 1956. They had three children, Omer, Adi and Anat.

This article originally appeared in THR.com.

The latest contestant to lift the helmet on season nine of The Masked Singer now has extra time for sitting on the dock of the bay, watching the tide do its stuff.
Wednesday night’s (March 8) episode was a flex for the DC comic universe, with the judges all playing their part in costume, and the show appropriately opening by way of Nicole Scherzinger (in a Catwoman suit) tackling Bonnie Tyler’s “Holding Out for a Hero.”

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Three new contestants showed their best, with Gargoyle striking the first blow with a performance of Charlie Puth’s “One Call Away”.

Next up, Wolf with a rendition of the Doors’ “Break on Through,” followed by Squirrel’s take on Pink’s “Try”.

The canine, however, got canned.

When the helmet came off, the celebrity inside was none other than late ’80s/early ‘90s crooner Michael Bolton, who, during his career, has bagged a brace of Grammy Awards and Billboard Hot 100 leaders, with “How Am I Supposed to Live Without You” and “When A Man Loves A Woman.”

“I could get used to being the Wolf,” he told host Nick Cannon on his exit. “It’s great, the audience is great, the show’s great,” said the clearly-disappointed singer.

And what next for the blue-eyed soul man? “I’ve got some things going on, an album coming out in the spring. It’s about making this a beautiful world, despite what’s going on, whatever the climb we’ve got to do our best to make it a beautiful world.”

With Bolton unmasked, Squirrel and Gargoyle entered a Battle Royale, squaring off to 3 Doors Down’s “Kryptonite.”

Squirrel won, but Gargoyle was handed a reprieve by the judging panel.

Earlier, during the premiere of season nine, the Gnome was unmasked to reveal the Emmy, Golden Globe, Tony and Grammy-winning entertainer and comedian Dick Van Dyke. Also unmasked on episode one was the Mustang, who turned out to be “A Little Bit Stronger” singer Sara Evans.

Fox’s unusual hit returns next week with a Sesame Street-themed episode.

Watch Bolton’s performance of “Break On Through,” his unmasking, the Battle Royale and Gargoyle’s save.

The clocks don’t lie; more than a decade has passed since Macklemore had us all wanting to blow a few bucks at a thrift shop.

With his breakthrough hit “Thift Shop,” the Seattle rapper, ably supported by Ryan Lewis and Wanz, steamed ahead in a career that swiftly yielded four Grammy Awards, including best new artist, best rap album and a pair of rap single trophies. The song was big everywhere, even landing at No. 1 on Australia’s Hottest 100 countdown for the year 2012, when a then-record 1.5 million-plus votes were cast.

Fast forward to 2023, and Macklemore is back with Ben (he was born Ben Haggerty), his third solo album, which dropped last Friday (March 3).

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Ahead of its release, the hip-hop artist went on the record to discuss how his relapse during lockdown and subsequent recovery had shaped the LP.

“I think that pain is a catalyst for great art,” he said recently for an interview on The Kelly Clarkson Show. “I don’t want to inflict the pain on myself anymore to make art. It’s not like I need to self-sabotage in order to create, but I think that it created some darker, more honest and vulnerable moments on the album,” he shared.

Macklemore was back on our screens Tuesday night (March 7), this time with The Tonight Show for a performance of album cut “Tail Lights” featuring Morray.

Drenched in red light, and wearing a black-leather jacket and tie with a smart shirt, Macklemore spread the love (and shared the spotlight) with his support cast.

Watch the late-night TV performance below.

No blind audition is the same. And precisely no singer on NBC’s The Voice has made an arrival quite like Kala Banham.
The 24-year-old Windermere, Florida native stepped onto the Voice stage Tuesday night (March 7), for a rendition of “Both Sides Now,” a song that appeared on Joni Mitchell’s 1969 album Clouds.

Banham kept her vocals in a velvety pocket, finding the emotional connection while never showing off.

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Kelly Clarkson and Niall Horan turned together, only the former One Direction singer was fast enough to trigger a block on the U.S. country artist.

Another new additional to the panel, Chance the Rapper, turned, leaving Blake Shelton the odd one out.

There were tears of joy from Banham’s folks, who were watching on, feeling the vibe, and Clarkson blasted the non-plussed Shelton with multiple volleys of “what are you doing?”

“What a perfect song,” enthused Clarkson. “You showed dynamic, to see you emote like that, you really felt the message and the words mean something to you. We would have been beautiful together. I’m going to steal you, mark my words.”

Horan praised her “impeccable” song choice, and her ability to show tenderness in the softer moments. “I haven’t got a singer like you on my team.” Then he stepped up his sales pitch.

“You are unbelievable,” the 1D singer said. “You’ve got such a storytelling voice, so sweet so beautiful. And the song choices that are available for you is huge.”

After learning some of her story, Chance praised Banham for having the “most unique voice that we’ve heard so far” which, he notes, is coupled with the “most control and range.”

Shelton offered his 5 cents (he wasn’t familiar with the song), and it was over to Banham to make the tough choice. Ultimately, she joined Team Niall.

Does Horan possesses the luck of the Irish? We’ll have to wait and see.

Watch the performance below.