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Flaunting a ’60s-inspired dress and hairdo, Maria Becerra attended the inaugural Billboard Mujeres Latinas en la Música (Billboard Latin Women in Music), where she received the Visionary Award from newlyweds Lele Pons and Guaynaa.
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“First of all, I want to thank Billboard for this incredible recognition as a visionary. Thank you for joining so many talented women and for thinking of awards that recognize the effort and work all of us dedicate to our job each day,” she said during her speech on Sunday (May 7). “This tribute is not only for me. This award has a lot to do with the capacity to generate ideas, of not staying still for one second but also with a big team that accompanies and empowers everything I propose. Thank for you trusting in my vision and thank you for having a big vision as well, for your ideas, for your work, and for your love, above all. And I want to send a shout-out to all my colleagues and congratulate you for all your incredible work.”
Becerra, who started as a YouTuber as an adolescent and was later nominated for a Latin Grammy for best new artist in 2021, also took center stage to perform her uptempo urban-cumbia track “Adiós” joined by a nine-member band. “Adiós” reached the Top 10 on the Billboard Argentina Hot 100 chart.
Maria Becerra at Billboard Latin Women In Music held at the Watsco Center on May 6, 2023 in Coral Gables, Florida. The show airs on Sunday, May 7, 2023 on Telemundo.
Gustavo Caballero
For Becerra, receiving the Visionary Award represents having confidence in her project and being surrounded by a supportive team.
“I am a very active person, a person who shoots ideas, who wants to generate new concepts, who want to make new and different genres,” she previously told Billboard. “I think it goes more on that side, in the sense of not stagnating and always thinking about new things and looking to the future.”
The two-hour music special, hosted by Ivy Queen and Jacqueline Bracamontes, honors Latin women in music. Mujeres Latinas en la Música aired on Sunday, May 7 at 9 p.m. ET exclusively on Telemundo and Peacock.
A first of its kind for Latin music, the inaugural Latin Women in Music event is an expansion of Billboard’s Women in Music franchise and celebrates Latin female artists, executives and creatives who are proactively working for positive change, inclusion and gender parity in the music industry. Shakira will receive the first-ever Woman of the Year award. Other honorees, in addition to Becerra, include Ana Gabriel, who will receive the Living Legend Award; Emilia, who will receive the Rising Star Award; Evaluna, who will receive the Tradition and Future Award; Goyo, who will receive the Agent of Change Award, and Thalia, who will receive the Global Powerhouse Award.
Billboard and Telemundo aim to further elevate Latin music globally and celebrate the women who have made a concrete impact on Latin music through their artistic achievements, or through tangible, noteworthy actions that have brought measurable recognition and opportunity to women, affecting positive change to the industry as a whole.
Ivy Queen, alongside Jacqueline Bracamontes, co-hosted the first-ever Billboard Mujeres Latinas en la Música (Billboard Latin Women in Music) on Sunday night (May 7). Flaunting a bedazzled boxing robe with a hood covering her face, Ivy (real name: Martha Ivelisse Pesante Rodríguez) also took center stage to exclusively premiere her new single “Toma” (Take It).
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“The queen is here,” she kicked off the track as she removed the robe and showed off her curves in a fitted golden ensemble and knee-high boots. A hard-hitting reggaetón song fused with Middle Eastern melodies that later transition to an old-school perreo (produced by Young Hollywood), “Toma” is a reassurance of her “Queen of Reggaeton” title.
“Toma reggaeton pa’ que sientan la presion,” she sings in the chorus, which loosely translates to “take reggaeton to feel the pressure.” “I’m the essence of PR [Puerto Rico] and New York City” and “they have to respect the ranks” are some of the many empowered lines in the tune, before it finishes off with the voice of virtual assistant Siri reminding everyone that “Ivy Queen became known as the Queen of Reggaeton, a singer with a fierce stage persona.”
Watch Ivy Queen’s full performance here:
In March, the 50-year-old Puerto Rican rapper was honored with the Women In Music Icon Award at the 2023 Billboard Women in Music gala.
A first of its kind for Latin music, Billboard Mujeres Latinas en la Música, an expansion of Billboard’s Women in Music franchise, celebrates Latin female artists, executives and creatives who are proactively working for positive change, inclusion and gender parity in the music industry.
Shakira will receive the first-ever Woman of the Year award. Other honorees include Ana Gabriel, who will receive the Living Legend Award; Emilia, who will receive the Rising Star Award; Maria Becerra, who will receive the Visionary Award; Evaluna, who will receive the Tradition and Future Award; Goyo, who will receive the Agent of Change Award, and Thalia, who will receive the Global Powerhouse Award.
Billboard and Telemundo aim to further elevate Latin music globally and celebrate the women who have made a concrete impact on Latin music through their artistic achievements, or through tangible, noteworthy actions that have brought measurable recognition and opportunity to women, affecting positive change to the industry as a whole.
Shakira, Thalia, Ana Gabriel, Evaluna Montaner, Goyo, Emilia and Maria Becerra reunited in one room — along with many other powerful women in the Latin music industry — where they were honored as the first class of the Billboard Latin Women in Music on Saturday (May 6) in Miami.
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Hosted by Ivy Queen and Jacqueline Bracamontes, the inaugural Mujeres Latinas en la Música, presented by Billboard in partnership with Telemundo, which aired Sunday (May 7), kicked off with a bang thanks to Thalia’s epic medley (including “Amor a la Mexicana” and “A Quién Le Importa”) that showcased her prowess onstage.
The exhilarating performance set up the vibe for the night, one that included not only riveting performances but also speeches that either made you tear up or feel like you could conquer the world. Take Goyo’s mother who stole the night with an emotional speech that really pulled at everyone’s heartstrings.
“Buenas noches, there aren’t words when emotions speak for themselves,” Nelfa Perea said about her daughter, who was awarded with the Agent of Change Award. “It’s an honor to give this award to my daughter, whom with lots of love we call Goyo. Ladies and gentleman, thank you Billboard, God for giving me this daughter and thanks to all of you for supporting [women] day after day.”
If that wasn’t enough, Goyo’s adorable daughter also said a few words to honor her mother. “I want to thank my mom for always inspiring me and encouraging me to chase my dreams. I love her, I love you mom and thank you Billboard for giving her this award, I really think she deserves it,” added Saba Perea.
Emilia, Maria Becerra and Evaluna all took the stage to sing and accept their awards. Emilia thanked her mother, Becerra thanked her team and Evaluna her family. “I wouldn’t be here if it wasn’t for la madre que me parió (the mother that birthed me),” the “Índigo” singer said.
Ana Gabriel, as the powerhouse that she is, gave one of the best performances of the night. She passionately sang the certified anthem “Simplemente Amigos,” in which she was joined by literally the entire crowd in attendance at the Watsco Center. She, of course, received a standing ovation and then was honored the Living Legend Award, which was given to her by Mexican duo Ha*Ash.
“I don’t mean to give a class but the word legend comes from the Latin ‘legenda,’ which refers to something that is meant to be read or seen,” Ana Gabriel expressed. The secret, she said, is her audience. “Thanks to you I have this career.”
The moment everyone was waiting for came towards the end: Shakira taking the stage. The Colombian singer-songwriter, who was honored as Woman of the Year, didn’t perform but she gave a nearly five-minute poignant speech that really struck a chord. After thanking Maluma for being the person to present her the award, Shakira spoke.
“The most important lessons I learned from other women, and for them I wrote what I wrote and I sang what I sang. Because only a woman can love until she’s ripped apart; can speak with the most brutal honesty; can sing with anger; dance in ecstasy and be brought to tears with emotion. Only a woman can do that.”
Read Shakira’s speech in its entirety here and watch a clip here.
And last but not least, to close the two-hour show, reggaeton icon Ivy Queen took the stage to sing her new single “Toma,” a hard-hitting reggaetón song fused with Middle Eastern melodies that later transition to an old-school perreo (produced by Young Hollywood).
The inaugural Latin Women in Music event was announced earlier this year as an expansion of Billboard’s Women in Music franchise. Billboard and Telemundo aim to further elevate Latin music globally and celebrate the women who have made a concrete impact on Latin music through their artistic achievements, or through tangible, noteworthy actions that have brought measurable recognition and opportunity to women, affecting positive change to the industry as a whole.
Lizzo isn’t feeling special right now.
The celebrated singer scrapped her concert Thursday (May 4) at Montreal’s Centre Bell, due to illness.
It’s no ordinary sniffle. The Detroit native posted an apology on her socials just hours before showtime. “Montreal I’m so sorry but I physically cannot do the show. I promise we will honor your tickets,” reads her post on Instagram.
The award-winning singer also shared a video, in which she appears to be wrapped up in bed, with a mask over her face, clearly suffering.
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After feeling unwell Wednesday night, she went to bed. “And I woke up this morning and its worse,” she remarks. “My body’s weak, and I have chills and my head hurts. Normally if it’s just a cold, I’d shower, I’ll eat, take some medicine and get better, but this is getting worse. I think it’s the flu. And I have to make the unfortunate decision to cancel today. I want to find a date to reschedule but I just can’t perform tonight. This is the second time I’ve had to cancel due to health in my entire career. And I will make it up to you, Montreal. So sorry.”
The next date on Lizzo’s current tour, in support of her 2022 LP Special, her first No. 1 on Billboard’s Top Album Sales chart, is set for Saturday (May 6) at the XL Center in Hartford, CT.
The trek has been action-packed. So far, she’s used the platform of her concerts to protest anti-LGBTQ+ laws in Tennessee with help from several queens from RuPaul’s Drag Race, designed a custom tattoo for a fan mid-show, danced in a bikini in front of the famous St. Louis Arch and more.
Earlier in the week, Lizzo made an appropriately dramatic entrance at the 2023 Met Gala, wearing a sleek updo which paid homage to Audrey Hepburn.
See her Insta post below.
DistroKid is all grown up, with the launch of its first-ever branded mobile app.
Initially available for iPhone, DistroKid’s app puts the independent digital music distributor’s tools at the fingertips of artists, all the time.
From today (May 4), clients can upload new releases, receive instant payment alerts, access stats from Apple and Spotify, and edit metadata, all from their devices, according to a presser.
“The number one request we’ve gotten from DistroKid members is a dedicated mobile app,” comments Matthew Ogle, VP of product at DistroKid. “With music consumption, promotion, and increasingly even music creation happening predominately on mobile, we are meeting artists where they’re at, on their phones.”
British R&B singer Xadi participated in the beta-rollout, and, in a statement, vouches that the app “felt so familiar and easy to use.”
It’s unclear when the app will be available for Android.
The DistroKid iPhone app is the latest innovation from DistroKid, which claims to distribute 30-40% of all new music in the world and, in 2021, was valued at $1 billion.
Earlier in 2023, the business pressed the button on Mixea, an AI-powered intelligent mastering tool that helps artists prep their tunes for radio.
Last year, DistroKid officially got busy in the music video space with the launch of DistroVid, which enables artists to upload an unlimited number of music videos to leading digital service providers for one flat price.
And in 2021, the rollout of Upstream, a service that would allow independent artists using the platform to share data with record labels in hopes of grabbing attention, and getting signed.
Now in its 10th year, DistroKid pays artists 100% of their earnings, and claims to have processed more than 25 million songs.
Two years ago, WWE Superstar Damien Priest had his Wrestlemania moment when he partnered with his then-brother-in-arms Bad Bunny in an action-packed tag-team match. For Priest, he was a burgeoning rookie looking to make a splash of an entrance alongside the music behemoth. Their chemistry was electric, as Priest’s powerhouse strength and Bunny’s daredevil acrobats sealed them the win against The Miz and John Morrison. Fast forward, and now the two friends-turned-enemies will square off in a San Juan Street Fight this Saturday night (May 6) at the WWE’s live premium event Backlash.
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The lovefest between the Puerto Rican stars ended last month, when Bunny involved himself in a skirmish between Priest’s villainous group, The Judgement Day, and WWE Hall of Famer Rey Mysterio. Priest — the stable’s muscle — showcased his unrelenting power, chokeslamming his former friend through a table. Weeks later, Bunny returned the favor, mercilessly attacking Priest with a kendo stick and challenging him to a San Juan Street Fight at the same show he would be hosting in Puerto Rico.
The hellacious showdown will have an exciting backstory: Priest and Bunny’s relationship dates back to their time on the island, when the WWE superstar’s aunt — a teacher — taught the singer’s brother. Priest also served as a mentor to the wrestling aficionado, whose in-ring skills are now equally impressive to his hitmaking prowess.
“Being someone who was also a street fighter, then a professional fighter, this is what I do for a living,” says the former WWE United States Champion. “I’m not doing a battle of the bands with him. Now, he’s stepping into the ring with me. He’s been successful in the WWE because I was there to help him. Now I’m there to do the opposite. I’m gonna hurt him, and I don’t think he’s gonna be ready for that.”
Billboard spoke to Priest about his excitement performing in his homeland of Puerto Rico, his upcoming match with Bunny, their history and why the global superstar’s presence is a big win for the WWE.
Because you have Puerto Rican roots, what does it mean for you performing in front of your family and friends at this year’s Backlash event?
When it comes to culture, it’s all about representation, trying to level up and putting Latinos and Hispanics — not just from Puerto Rico, but all around the world — in the spotlight. I feel like we’ve had different Latinos here, and they’re making a splash. But never like now. I feel like there’s a group of us and everybody’s on fire.
Then, you take all that, and now we’re having a premium live event in Puerto Rico — which is insane to me that we got to do this. We made it. This is hopefully the beginning to a lot of other opportunities for a lot of different people. Going out and having different premium live events in different countries like Money in the Bank in London, and obviously we had [Clash of the Castles] in Cardiff last year — I’d love to keep that ball rolling and continue going to different countries.
Speaking specifically about Latinos and Hispanics, this is huge. The representation that we’re putting on display right front and center is wild. I get goosebumps just talking about it, because this one means a lot. There’s matches that, obviously, for gain and growth are important, but this one is for a lot of people, not just myself. The pressure is there, but also excitement and the gratitude outweighs that, and I’m so pumped for this.
Your relationship with Bad Bunny goes back. You guys were tag partners at Wrestlemania 37 two years ago, and now you’re preparing to battle in a San Juan Street Fight. Talk about that relationship and how we ended up here with that upcoming match.
Bro, Bad Bunny Vs. Damien Priest in a street fight in Puerto Rico just sounds wild. Look, we hit it off because I was raised in the same town that he’s from. We have those roots in the island. Then, our love for the business, that’s how we became friends. Then, him getting involved with WWE and getting picked on a little bit, I wasn’t cool with that at the time. I had his back and we formed a relationship.
Then, I started doing my own thing. He went off to do his and I did mine. I’m extremely happy to have my homies in The Judgement Day by my side at all times, and we’ve grown into basically like a family. I know we say that at times on the mic, but we mean it. Like I love those three individuals — they’re like my brothers and sister. I don’t know what I wouldn’t do for them.
So when he gets involved… like everybody else, when someone messes with your family, man — it doesn’t matter if they’re your friend, your family is family. That’s how this came to be. And obviously on TV, I told him, “Come be a part of the WWE. Great. Do your thing. Just stay out of our stuff.” And he didn’t, so he we are. He made the match. He’s hosting Puerto Rico, so he had the power to make this match. He’s the one that said he wants to come for a street fight. I don’t think he really understands what’s happening.
Yeah, man. If you chokeslam him through another table, I don’t know if he can go on tour anymore.
He almost didn’t make it at Coachella! [Laughs.]
You said on a recent episode of RAW in reference to Bunny that you don’t go to Coachella and do his job. When you think about people like Bunny, Shaq or even a Logan Paul who stepped inside the ring, do you think that adds to the sport or takes away from it?
It has to add, because you’re bringing in new viewers. I know we have our faithfuls that aren’t too thrilled when this happens, but they don’t turn away, and we gain some more. Those same faithfuls will have to educate the new fanbase and I think that’s cool. I think that’s great. You’re creating more moments for more people and I think that’s beneficial to all parties involved.
With Bad Bunny, we may have our differences now, but I take nothing away from his contributions to what he’s done for the WWE, what he’s done for the culture and what he’s done for me and my name. As much as I hate to admit it, he’s done more for a lot of us than if it just happened on its own. I don’t know if the show in Puerto Rico is happening [without him]. I don’t know where I’m at. My debut on Raw was next to Bad Bunny. I don’t know where I’m at today. So it’s just one of those things where celebrities can definitely enhance. I’m not saying it always works, it’s not always a home run, but specifically speaking about Bad Bunny, there’s been no failure at all, it’s been all positive and it works.
It’s good because he’s passionate about the business, too. I’ll give him that. A lot of celebrities like to come and promote or just put something over that they’re doing on the side — that wasn’t his interest. He loves this business, and he just wanted to be a part of it and live out another dream he had. Whether this is the best way to go about it — a street fight against me in Puerto Rico — probably not. [Laughs]. I don’t know how he’s going to enjoy this dream, but he we are.
Do you have a gameplay going into your match with Bunny, especially knowing you teamed up with him before and he’s a high-flyer in the ring?
Yeah. beat him up. [Laughs.] Take him out, go home and celebrate it on the island. That’s the gameplan. I mean, first of all, I’m the one that trained him. So I know what he knows at what to do, that’s No. 1. No. 2, I get it’s a street fight and I know where he’s from. I’m sure he’s had his share of street fights, but I’m a different animal, man. This is what I do.
Who’s the one artist you would love to see in the ring next and feel they have the most potential?
That’s a good one. Artist? You know, Bad Bunny, I would have never guessed he would have been this good as a superstar. So it’s hard to pick one because you don’t know what they have inside. You don’t know any of that. That’s a tough one because I don’t know.
Or even athlete?
Athletes are a little easier because you see they’re physical. Every sport has their monster. We have tons of guys that came from the NFL and collegiate. I always try to pick a different kind of athlete, like a baseball player or a basketball player,x because it’s not that common. For me, Aaron Judge. I think he would fit right in with The Judgement Day. All rise.
I saw Finn Bálor posted an edited photo of him having holding the newly-revealed WWE Heavyweight Title. Why do you think he should be the first to hold that belt?
I think Finn Bálor has unfinished business when it comes to a new championship being presented. The last time was the Universal Title, and unfortunately he got to hold it for a day because he got injured. I think he’s hungry, man and I get it. He needs that back. He needs that moment back and showcase what can come after with him being the guy.
To me, I think the world of him and I know exactly what kind of champion he can be. It would be nice to show the world on the biggest stage him holding that title. That would be awesome. But to counter that one, too, I think it’s time to see another Latino Heavyweight Champion. More specifically, a Puerto Rican one. The title is very beautiful, but I think it would better around my waist.
Is that an internal conversation you guys are having, regarding trying to hold all the titles in a similar way to how The Bloodline has over the last few years?
We’ve definitely had those talks. We all know that would be so special if we all held titles. That’s always on our minds. Obviously, we all have business to take care of so to speak at the moment whether it’s Rey [Mysterio], Bad Bunny or whoever else comes our way. But at some point, I feel like that’s inevitable. We’re all going to be holding titles at the same time.
Linda Lewis, the British vocalist who enjoyed hits in the 1970s with “It’s In His Kiss” and others, and was the envy of fellow singers due to her five-octave range, died Wednesday (May 3) at 72.
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The tragic news was confirmed by her sister, Dee Lewis Clay. “It is with the greatest sadness and regret we share the news that our beloved beautiful sister Linda Lewis passed away today peacefully at her home,” she writes on social media. “The family asks that you respect our privacy and allow us to grieve at this heartbreaking time.”
Born Linda Ann Fredericks in West Ham, London, Lewis attended stage school, and landed film roles, including a part as a screaming fan in Beatles film, A Hard Day’s Night.
Later, fans would scream for Lewis, as she reeled off U.K. hits through the 1970s with “Rock-A-Doodle-Doo,” “It’s In His Kiss,” “Baby I’m Yours” and “I’d Be Surprisingly Good For You.”
Written and composed by Rudy Clark, “It’s In His Kiss” would give Lewis a U.K. top 10 appearance, peaking at No. 6 in 1975, and a spot on the Billboard Hot 100, at No. 96.
Lewis’ extraordinary range, and her gifts across folk, soul, pop and reggae, would catch the attention of rock music’s superstars, including David Bowie and Rod Stewart, both of whom recruited her for backing vocals. She would also work with the likes Joan Armatrading, Basement Jaxx, Turin Brakes and Jamiroquai.
Covers and samples of her work has been artists including Joss Stone and Common.
Across her career, Lewis cut ten studio album, including Say No More, her 1971 debut, which was inspired by living with fellow artists in a commune in Hampstead, north London, a place where Cat Stevens (later Yusuf Islam), Marc Bolan and Elton John would drop by.
In 2002, Warner Music released a collection of her ‘70s music, Reach for the Truth. The following year, BMG issued a career retrospective The Best of Linda Lewis, and later, the 3-CD boxed set Legends, including hits and rarities. In 2017, to celebrate her 50th anniversary in the music business, Lewis released Funky Bubbles, a 5-CD box set including rarities and live versions.
The music community is paying tribute to the late singer. “Really sad to hear this,” writes Ultravox frontman Midge Ure in a social post. “I had a massive crush on Linda Lewis. ‘Not a little girl anymore’ was a great song and beautifully sung by her.”
Really sad to hear this. I had a massive crush on Linda Lewis. ‘Not a little girl anymore’ was a great song and beautifully sung by her🙏 https://t.co/Q6QC3ADePl— midge ure💙 (@midgeure1) May 4, 2023
Mike Scott, frontman of British band The Waterboys, tweets: “Very sorry to hear about the death of British singer Linda Lewis. She was fabulous.”
Very sorry to hear about the death of British singer Linda Lewis. She was fabulous.— Mike Scott (@MickPuck) May 3, 2023
Sex Pistols bass player Glen Matlock added that Linda was “lovely.”
That’s very sad. Linda was lovely whenever I met her. 😢— Glen Matlock (@GlenMatlock) May 4, 2023
Armatrading writes, “I’m so sad to hear of the death of Linda Lewis. She had a beautiful voice and was a really lovely person.”
I’m so sad to hear of the death of Linda Lewis. She had a beautiful voice and was a really lovely person. RIP Linda xhttps://t.co/6UF7nsfkc4— Joan Armatrading (@ArmatradingJoan) May 4, 2023
French indie pop band Tahiti 80 remembers Lewis as a talent “like no one else.” A post from the band reads, “Very sad to hear of Linda Lewis’s passing. We were lucky enough to collaborate with Linda on Your Love Shines on Fosbury. She sang like no one else. I discovered her music in Japan and was instantly hooked. Collaborating with her was such a high.”
Very sad to hear of Linda Lewis’s passing. We were lucky enough to collaborate with Linda on Your Love Shines on Fosbury. She sang like no one else. I discovered her music in Japan and was instantly hooked. Collaborating with her was such a high ❤️✨ pic.twitter.com/mPhZGWjrlG— Tahiti 80 (@wearetahiti80) May 4, 2023
The British invasion was the theme. But at the conclusion of The Masked Singer’s episode on Wednesday night, an American beauty queen was sent packing.
Fox’s quirky series has reached the pointy end of the season, with just four contestants remaining in the game.
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Make that three, after UFO was unmasked on the latest show.
Episode 12 of the current ninth season was devoted to the British wave. California Roll tackled Radiohead’s “Creep,” Macaw sang Elton John’s “Your Song,” UFO performed the late Amy Winehouse’s “Tears Dry On Their Own,” and Medusa hit Adele’s “Someone Like You.”
The singer with the fewest votes is out.
Sadly for UFO, she took off for her last flight on The Masked Singer.
When the helmet came off, Olivia Culpo came out smiling. “That was fun you guys,” remarked the model, influencer and former Miss Universe.
Culpo’s talent has remained a secret until now. “I’m no Nicole Scherzinger but I like to sing in the shower,” she quipped.
And will she pursue a career in singing after her QF run? Well, no, the shower will remain her platform. “I might just bump it up a notch in there.”
Pussycat Doll Scherzinger remarked that Culpo had the best energy and spirit among this season’s contestants, but that wasn’t enough to see her progress to the final.
Culpo thanked the show for the opportunity and, “although I had a mask on, this is more of my personality that I got to share for the first time. So much of what I feel I have to do is not about that, people don’t want to see your personality. So, this was really really fun for me.”
With Culpo (as UFO) heading home, she joins the likes of Lou Diamond Phillips (Mantis), Dee Snider (Doll), Grandmaster Flash (Polar Bear), Debbie Gibson (Night Owl) as unmasked singers.
This season’s batch of celebrities boast a combined 28 Emmy nominations, six Grammy wins, 10 gold albums, four Golden Globe nominations, two Tony Award nominations, and four stars on the Hollywood Walk of Fame, according to producers.
Our ‘Global Powerhouse Award’ recipient Thalía talks about what the award means to her, how she got her start in music, paving the way for other women in the industry, her new album ‘Thalia’s Mixtape’, and more!
Get your tickets to Billboard’s #MujeresLatinas in Miami, for May 6th, and tune in to watch it on Telemundo on May 7th at 9PM/8C.
Irv Lichtman, for decades one of Billboard’s most respected and beloved editors and columnists and an advocate for songwriters who chiseled out a niche as the go-to expert in music publishing, has died at the age of 87.Lichtman passed peacefully in his sleep on Tuesday (May 2), his son David Lichtman confirms to Billboard.
Born May 21, 1935, Lichtman worked at Cashbox right out of college, from 1956 until 1975.
He went on to work for NY Times Music Publishing for roughly a year, before joining Audio Fidelity Records. From there, Lichtman made the leap to Billboard, joining the music trade in late 1978.
It proved a perfect fit.
Former executive editor Ken Schlager remembers Lichtman as a “genuinely warm and funny man,” whose columns Inside Track and Words & Music were a “must-read.” “When I joined Billboard as managing editor in 1985, Irv as deputy editor unselfishly guided me every step of the way, from putting out the weekly magazine to learning my way around the business,” Schlager says. “I could not have asked for a more generous or knowledgeable mentor. It was, as Bogie would say, the beginning of a beautiful friendship.” An “incredibly sensitive soul,” Lichtman cared deeply about his colleagues and the music industry, notes Schlager, especially the publishing business, and, “through his deep and wide network of sources, served the industry well as a conduit for scoops they couldn’t find anywhere else.”His joyful trait was always close to the surface, recounts Linda Moran, CEO/president of Songwriters Hall of Fame. “Irv was one of the wittiest guys I have ever known with a great sense of humor,” she says. “For many years he was the face of Billboard because he knew everyone and he was respected for his encyclopedic knowledge of music while exuding trustworthiness which is a tremendous asset for any journalist.”As a Songwriters Hall of Fame Board member he represented the SHOF on the Library of Congress’s National Recording Preservation Board due to his extensive knowledge of music, from decades before his birth through to contemporary. Those who knew him well remember Lichtman’s love for show tunes, and “he could always be counted on to be the champion, fighting for the Broadway songwriters on the [SHOF] induction ballot because he felt they were under-appreciated,” recounts Moran.
But his love for music went far beyond show tunes, as he stayed up with contemporary artists. “I recall a moment walking on Broadway when we encountered the rapper M.C. Hammer. Irv bubbled over with enthusiasm, greeting Hammer like an old friend. I don’t believe they had ever met,” Schlager recalls.After retiring from Billboard in February 2001, Lichtman devoted much of his time to the Friedberg Jewish Community Center, where he remained an active participant in the Current Events Club. His favorite charity was Feeding America, the largest hunger-relief organization in the country.
He never lost his love for the Yankees or that famous, “if corny,” sense of humor, remarks Schlager. The pair frequently lunched together. “Invariably, when the waiter or waitress first approached out table, Irv would greet the server with his patented line: ‘We’re in a hurry. Can we please get the check?’ Some got it, some didn’t. We lunched for what I didn’t know would be the final time last fall. On that occasion I noticed he didn’t use his usual line. His explanation: ‘I can’t. They know me here.’ Amazingly, he had come up with a fresh punchline.”Fellow former Billboard Pro Audio editor Paul Verna has similarly fond memories. “It’s telling that on my first day at Billboard, no one thought to tell me where the bathrooms were. Irv literally showed me the way, and then would proceed to show me the ropes of the music industry and our role in covering it,” he comments. “To say he was a mentor is an understatement. I’ll always cherish having had the guiding hand of someone who had seen so much. But as we all know, the best thing about Irv wasn’t his industry experience — it was his humor, his generosity, and his always cheerful spirit.”
Lichtman is survived by his wife Phyllis, sons Steven and David and grandchildren, Kate, Jane, Emma, Jack, Frank and Ben. He was preceded in death by his son, Robbie.
His funeral will take place Friday (May 5) on Long Island. Details are to come.