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Ivan Cornejo is hitting the road in 2023 with his first-ever U.S. tour, which is slated to kick off Jan. 31 in Santa Cruz, Calif.
The 18-year-old, who won best new artist at this year’s Billboard Latin Music Awards, will headline the 11-date stint, dubbed Dañado Tour, which is slated to visit such Latin markets as Los Angeles, Houston and Phoenix, before wrapping up in Dallas on Feb. 17.
“I am super excited to go on my first tour,” Cornejo tells Billboard. “We made sure to put a lot of thought into all the details. We wanted intimate venues because now more than ever, the connection to the fans is super important.”
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Richard Vega, the WME agent who signed Cornejo in all areas, adds, “We feel very proud to represent such a young rising star. His fans have been wanting to see him live for a while and the response from all our partners has been amazing. This will be the first of many.”
Being produced by local promoters was key to making this happen, points out Ximena Acosta, the strategy consultant on the project. “We went with local promoters in each market [because] we wanted to make sure we had the right partners who really understood him and his fan base,” Acosta says.
Cornejo, who broke out in 2021 with his first album, Alma Vacía, has been making a name for himself in the Mexican music space and beyond (he’s collaborated with urban act JhayCo). The Mexican-American teen secured his first entrance on any Billboard chart with his debut album, released through Manzana Records, which arrived at No. 2 on the Regional Mexican Albums chart. On Top Latin Albums, the seven-track set, featuring sad sierreño anthems such as “Está Dañada,” peaked at No. 7. Additionally, Cornejo topped Billboard‘s Latin Songwriters chart dated Oct. 30, 2021.
Subsequently, over the summer, the singer-songwriter scored his first No. 1 on Billboard’s Regional Mexican Albums chart as his sophomore album, Dañado, debuted atop the chart dated June 18.
Tickets to Cornejo’s tour go on sale Monday (Nov. 7). Check out the complete list of his tour dates below.
Jan. 31: Santa Clara, Calif. (The Catalyst)
Feb. 2: Los Angeles (Roxy Theater)
Feb. 3: Riverside, Calif. (Riverside Municipal Auditorium)
Feb. 4: Santa Ana, Calif. (Constellation Room)
Feb. 7: San Diego (VooDoo Room)
Feb. 8: Phoenix (Crescent Ballroom)
Feb. 11: El Paso, Texas (Lowbrow Palace)
Feb. 14: McAllen, Texas (Cine El Rey)
Feb. 15: Austin (Antone’s)
Feb. 16: Houston (HOB Bronze Peacock)
Feb. 17 – Dallas – Cambridge Room
Los40 Music Awards are a wrap.
The 2022 edition of the ceremony took place Friday (Nov. 4) live from the WiZink Center in Madrid. The fan-voted awards, produced by the Los40 radio station, were broken into three categories: Spain, International and Global Latin.
The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).
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Below, see Los40 Music Awards complete list of winners.
CATEGORY: SPAIN
Best artist or group: Dani Fernández
Best new artist or group: Leo Rizzi
Best album: Motomami by Rosalía
Best song: “Música Ligera” by Ana Mena
Best music video: “360” by Marc Seguí
Best artist or group in concert: Lola Índigo
Best collaboration: “Formentera” by Aitana & Nicki Nicole
Best urban artist or group: Maikel de la Calle
Best festival, tour or concert: Motomami World Tour by Rosalía
Artist ‘Del 40 al 1’: Chanel
CATEGORY: INTERNATIONAL
Best artist or group: Ava Max
Best new artist or group: Yungblud
Best album: Harry’s House by Harry Styles
Best song: “Enemy” by Imagine Dragons
Best music video: “Maybe You’re the Problem” by Ava Max
Best artist or group in concert: Dua Lipa
Best collaboration: “Crazy What Love Can Do” by David Guetta, Becky Hill & Ella Henderson
Best dance artist or producer: David Guetta
CATEGORY: GLOBAL LATIN
Best artist or group: Anitta
Best new artist or group: Tiago PZK
Best album: Dharma by Sebastián Yatra
Best song: “La Bachata” by Manuel Turizo
Best music video: “Te Felicito” by Shakira & Rauw Alejandro
Best artist or group in concert: María Becerra
Best collaboration: “París” by Morat & Duki
Best urban artist or producer: Bizarrap
Best festival, tour or concert: De Adentro Pa Afuera Tour by Camilo
GOLDEN MUSIC AWARDS
Manuel Carrasco
Pedro Almodóvar
Leiva
Juanes
Rosalía
With riveting performances by artists such as Rosalía, Maria Becerra, Manuel Turizo, Lola Índigo, Marc Seguí, Tiago PZK and many more, Los40 Music Awards was the place to be on a cold Friday night in Madrid.
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The 2022 edition of the award’s ceremony took place Nov. 4 at the WiZink Center near the city’s downtown area. While performances were among the show’s highlights, there were also red carpet interviews and a speech by the legend Pedro Almodóvar that are worth an entry in the best moments of the night.
Below, highlights from this year’s Los40 Music Awards.
Morat on “No Se Va” Going viral
The Colombian band’s 2019 single “No Se Va” is currently having a moment — thanks to a cover by emerging regional Mexican ensemble Grupo Frontera. Their norteño rendition of the their norteño the track “No Se Va” became only the fifth regional Mexican song in Hot 100 history, reaching a No. 57 high after entering the all-genre songs chart in early October. About Frontera breathing fresh air into their single, Morat told Billboard this on the red carpet: “When we heard about it, it wasn’t that surprising. This has happened to us with many of our songs. We’re happy for them, and we’re happy for the song. It’s great that the song is transcending.”
Rosalía fangirls over a soccer player
When Rosalía picked up her award for best album for Motomami in the Spain category, she expressed her admiration for Alexia Putellas, who plays for Barcelona’s women’s fútbol team and won a Balón de Oro this year. “Wow this is crazy,” she said as she giggled her way to the stage. “I am such a big fan of Alexia and I had no idea that she would be the one handing this award to me. I’m a huge fan!”
Ricky Montaner on “Llorar, Llorar” being a gift that keeps on giving
“It’s one of my favorite songs that we’ve done in our entire career,” Ricky, of duo Mau Y Ricky, said about their collaboration with Carin Leon. “It’s a song that’s given us joy and has evolved organically with time. We released it a few months ago and just new we’re seeing it go up on the charts. It’s a blessing and I’m so proud of it.” The singer-songwriter also said he and his brother wrote the song while living in Mexico when they were recording the show La Voz México. “I needed a Mexican singer who would give it the seal of approval of someone from Mexico and we had so much chemistry with Carin. I love him and I’m so grateful.” Ricky also teased the the duo’s next album is due next year.
Tiago PZK takes a moment to reflect
The Argentine’s debut album, Portales, was a game-changer for him. “I learned so much about myself and how it is to have a more clear vision. It gave me identity,” he told Billboard. “I learned to work under pressure. Now, that I’ve released my first I have to start thinking about the next album. There’s no break in between.”
Pedro Almodóvar urges fans to watch movies … in a theater
The legendary film director, screenwriter and producer, Pedro Almodóvar, took the stage at Los40 to accept one of the Golden Music Awards that night. During his speech, he asked fans to go watch movies in theaters. “I know that you all don’t go out to the movies often,” he said confidently. “I’m not sure if you all know that movie theaters are going through an enormous crisis. My advice to you is go back and experience what it is to go watch a movie in a screen that’s way bigger than the one in your home. If you haven’t experience that yet, it will change your life. It’s hypnotizing. And for that hypnosis to happen, you have to become small and be surrounded by strangers in a dark place.
Sebastián Yatra danced the night away
If there’s anyone who hands down had the most fun on Friday, it was Sebastián Yatra. The Colombian star danced the night away as he cheered on his colleagues who took the stage such as María Becerra and Manuel Carrasco. He was the ultimate fan who also took the stage to accept the award for best album (Dharma) in the Global Latin category.
Another red carpet in the books. This time, in Madrid for Los40 Music Awards, which took place Friday (Nov. 4) at the WiZink Center.
Before heading into the awards show ceremony, artists such as Rosalía, Manuel Turizo and Pol Granch, among others, strutted the alfombra roja with their stunning and high-fashion looks that were captured on camera.
Spain’s very own Rosalía turned heads with a classy long black dress with a twist: a cutout on the top part of the outfit that semi-exposed her left side (including arm and stomach) that was covered with mesh-like fabric. Meanwhile, Turizo was dressed in a modern-vintage three-piece that was composed of oversized burgundy slacks, a bicolor vest that was paired with a sweater-like blazer. To add another layer of coolness, he accessorized his outfit with black platform shoes and a silver chain with a pendant.
Los40 Music Awards, produced by the Los40 radio station, are fan-voted awards. They were launched in 2006 in celebration of the station’s 40th anniversary. This year, the awards were broken into three categories: Spain, International and Global Latin.
The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).
Just minutes after nominations to the 2022 Latin Grammy Awards were announced in September, Manuel Abud called all of the nominees in the best new artist category.
“One of our nominees was at school,” the Latin Recording Academy CEO says, referring to 15-year-old Yahritza Martinez, frontwoman of sierreño trio Yahritza y Su Esencia. “She stepped out to take my call and then went back to class.”
Artists don’t usually learn about their nominations in a personal call from the academy’s CEO. But Abud — who stepped into the new role in 2021, succeeding longtime president/CEO Gabriel Abaroa Jr. after 18 years — says a top priority is making the academy more accessible to the Latin music community. The goal is more participation and greater representation across what Abud calls the “four Gs”: geography, genre, gender and generation.
“Those four Gs need to be adequately represented in my membership, in my staff, in everything that we do,” he says.
Abud’s background is in TV, not music. He came to the academy as COO in 2019 after five years as president/CEO of Azteca America and was elevated to CEO at a time when the academy was under scrutiny, criticized by the reggaetón and regional Mexican artistic communities for lack of inclusion in the main categories. In response to that criticism — which included a Latin Grammys boycott by artists such as J Balvin in 2019 — the best reggaetón performance and best rap/hip-hop song categories were created for the 2020 edition. But to date, regional Mexican music has remained largely left out.
“It’s not something you can change in a day,” says Abud. “There’s only so much we can do as the academy to expose the different genres to the membership,” he says. “[But] I’ve been meeting with the regional Mexican community. I’ve invited them to be more active in the meetings, making surethey understand how to get involved. We need to evolve the artists to be more participant and the membership to be more receptive.”
While change doesn’t happen overnight, Abud is launching new initiatives. The Latin Grammy Acoustic Sessions is a globally minded series of concerts that have included performances by artists such as El Fantasma, Becky G and Giulia Be and taken place in Mexico, Brazil and Spain ahead of the Latin Grammy ceremony on Nov. 17. Notably, the Mexican show featured exclusively regional Mexican acts. “These Acoustic Sessions, which represent the four Gs, are a first step to make sure we’re getting closer to every community.”
As one of the four Gs is “generation,” Abud has beefed up the digital side of the academy to reach Facebook and TikTok users. “My responsibility is to get our celebration to as many people as possible. Of course, we love our partnership with Univision, but it is a bigger picture now and we want to be everywhere.”
Also, Abud and his team are spotlighting the best new artist nominees with a first-ever showcase event during Latin Grammys week. “This year, there’s importance of nurturing future talent. You’ll see some of that in the actual ceremony, but I’m also very excited that we’ll be able to provide a platform to all nominees for best new artists.
This story will appear in the Nov. 5, 2022, issue of Billboard.
Yahritza Y Su Esencia has signed a label deal with Columbia Records, Billboard can confirm. The deal is a partnership between Columbia and the trio’s regional Mexican indie label Lumbre Music, who first signed them in February.
Composed of 15-year-old singer-songwriter Yahritza Martinez and her brothers Armando (guitar) and Jairo (bass), the sierreño band is currently managed by their older sister, Adriana Martinez. In April, Yahritza y Su Esencia made chart history with their heartbreak track “Soy El Unico” as the youngest Latin performer to enter the Billboard Hot 100 debuting at No. 20. Since then, major Latin and mainstream record labels had expressed interest in signing the regional Mexican act.
“Lumbre is really happy to partner with Columbia Records for Yaritza Y Su Esencia. It speaks volumes for an American-Mexican indie label like us to work hand in hand with a major label,” says Ramon Ruiz, CEO of Lumbre Music. “We have been working hard to develop and really get the kids’ music out to the masses and we have done some great work with them, including their first diamond certification, but are so excited to take them to the next level. We are all so passionate about this project it was important that whoever came into the project felt that same passion, and both the artists and Lumbre felt that with Columbia from the get-go. It felt like the right choice. Great things are coming for Yahritza Y Su Esencia!”
Yahritza Y Su Esencia, up for best new artist at the 2022 Latin Grammys, broke out on TikTok earlier this year where they uploaded covers and quickly created a zealous fan base. In March, after being discovered by Lumbre Music on the platform’s For You Page, they released their first single, “Soy El Único,” which peaked at No. 1 on Billboard’s Hot Latin Songs chart.
Since, they scored their first No. 1 on the Regional Mexican Albums chart with their debut album, Obsessed, released in May. Elsewhere, the five-track set debuted at No. 7 on Top Latin Albums, and it also entered the all-genre Billboard 200 at No. 173.
Yahritza Y Su Esencia added in a statement: “We are so excited to be working now with not only Lumbre but also a big label like Columbia! For us it’s just another step forward in accomplishing our dreams. We still have to go to school, but we are working hard on recording new music for our fans that we love so much and who helped get us to where we are today. We are very grateful to our entire team for all their support, and we can’t wait to see what the future holds.”
First Stream Latin is a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin editors. Check out this week’s picks below.
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Julieta Venegas, “La Nostalgia” (Altafonte)
The beloved Mexican artist knows her way around a perfect tune, the kind that instantly sticks and peeks into your soul. But above all, Julieta Venegas knows just how to capture those moments, the special ones, in just three minutes. “La Nostalgia” quintessentially embodies that feeling. In fact, the song came to fruition as she reminisced about her native bordertown, Tijuana — she’s now based in Argentina. Whether it’s her serene voice and whimsical wordplay (“I see you singing an old melody, the one you sang in another life,” she coos in Spanish), or the dusty acoustic guitar strums in the background, the single, off her upcoming album Tu Historia (due Nov. 10th), harkens back to another time. — ISABELA RAYGOZA
Paula Arenas, “Un Día A La Vez” (Do Re Millions LLC)
This week, Colombian singer-songwriter Paula Arenas releases “Un Día A La Vez” (One Day At A Time), an introspective pop song that is the result of a period of reflection and internal struggle with depression and anxiety. “If I turn off the lights I know/ That I am only soul, bone and skin/ And what judges me/ I wish I didn’t care later/ One day at a time, one day at a time,” sings the Latin Grammy-nominated artist in the chorus of the mid-tempo tune, which she co-wrote with Valentina Rico. The music video, directed by her husband Beto Pérez Fleta, offers a glimpse into Paula’s thoughts and feelings while writing the song. “Un Día A La Vez” is the third single from Arena’s next studio, album after “Volando Bajito” and “Puro Sentimiento,” featuring Manuel Medrano. The album, still untitled, should be out in the first quarter of 2023. — SIGAL RATNER-ARIAS
Don Omar & Akon, “Good Girl” (Unisono/Saban Music Group)
In the past year, Don Omar has made a remarkable comeback, collaborating with artists such as Residente, Nio Garcia, Wisin, Gente de Zona, Lil’ Jon, and most recently, Akon. In “Good Girl,” the reggaetón veteran joins forces with the renowned Senegalese-American hitmaker for a certified club banger that starts off with a reggae beat and transitions into an electronic mambo. Produced by Don’s longtime producer Alcover and co-written by Don and Akon, “Good Girl” addresses the titular female, whose looks are deceiving. A music video directed by Carlos Perez in Miami features both artists singing to a model at a strip club. — JESSICA ROIZ
Rauw Alejandro, “Dime Quien???” (Sony Music Latin)
Amid the TikTok success he’s been having with “Punto 40,” Rauw Alejandro takes a full leap into the synth-pop sounds of the ’80s, following along a similar formula to the one that worked for his global smash hit “Todo De Ti.” “Dime Quién???” is Rauw’s third single of his upcoming album Saturno, which drops on Nov. 11. The electro-pop track tells the story of when you lose someone and your ex has already found a new love. “Tell me, who is that? The one who now makes love to you in the car? The last one who speaks to you at night?” he pleads in the chorus. — INGRID FAJARDO
Lupita Infante, “Las Flores del Camposanto” (Sony Music)
On her mariachi rendition of “Las Flores del Camposanto,” Lupita Infante revitalizes the storied, impassioned ballad about comparing withering flower fields to heartbreak and despair. Originally written by poet Luis Rosado Vega in the early 1900s, and sung by the Mexican troubadour Óscar Chávez, the young traditionalist recorded the song to honor a bygone era for Day of the Dead and resurrect it for a newer generation. With twinkling harp strokes, sweeping violins, and an invigorating brass section, Infante’s rousing voice is simply astounding. “Las flores de camposanto” is also a lyric to the classic “La Llorona,” famously sung by Chavela Vargas. — I.R.
Natalia Lafourcade, De Todas las Flores (Sony Music México)
In a prosperous career that spans alternative rock, indie pop, and Latin American folk, Natalia Lafourcade returns to the scene with De Todas las Flores, after a seven year hiatus. This time, the esteemed singer-songwriter turns her attention to careful orchestration and grand symphonic arrangements. Produced by Adanowsky and recorded on analog tape, her pandemic-era 10th studio album sees Lafourcade in lockdown from her beloved Veracruz. However, she draws from a world inspired by her native landscapes, beaches and hummingbirds. For instance, “Llévame Viento” impressively recreates the whooshing and blowing of a furious ocean sea, but songs like “Canta la Arena” echo the carefree, feel-good lifestyle of life by the coast. — I.R.
Morat & Feid, “Salir Con Vida” (Universal Music Spain)
Morat recruits Feid for their new single, titled “Salir Con Vida.” The track unites the pop band with their fellow Colombian urban singer to reach the ultimate fusion of vocals, blending both worlds into one romantic combination. Produced by Andres Torres, Mauricio Rengifo and Juan Pablo Isaza, this new single is part of Morat’s new album slated to release on Nov. 4, which will portray a more mature image and sound. “Never leave, I want to get out alive/ And even if I tried to forget you, my mouth would not do it/ Don’t hurt me, I want to get out alive,” they sing in the chorus. — I.F.
El Fantasma & Yeison Jiménez, “Un Loco Enamorado” (AfinArte Music)
After teasing it on social media, regional Mexican and Colombian “Musica Popular” once again come together to gift fans a new collaboration between El Fantasma and Yeison Jiménez. Penned by renowned singer-songwriter Eden Muñoz and El Fantasma, this main banda rhythm track tells the story of a “crazy lover” who could fall in love with a woman by simply seeing her smile. The romanticism of both singers makes the song even more special. “A madman in love with her … just a quick smile excites him, and wants to give her his heart,” they sing. — I.F.
The World Cup was inaugurated in 1930, but it wasn’t until 1990 that the Fédération Internationale de Football Association, or FIFA, began to adopt songs that would become the official soundtrack of the global soccer tournament, which happens every four years.
Some more popular than others, these official anthems have not only soundtracked World Cups, they’ve gone on to change the careers of the artists who’ve performed them. Such was the case for Ricky Martin, who in 1998 recorded the euphoric official song “Cup of Life (La Copa de la Vida)” for the tournament that took place that year in France.
At the peak of the “Latin explosion,” with artists such as Martin crossing over to the English market, the Puerto Rican star teamed up with Desmond Child and Draco Rosa to write and produce the song, which originally peaked at No. 60 on the Billboard Hot 100 in 1998 and re-entered the chart at No. 45 in August 1999. The international smash hit also won a Grammy for best Latin pop performance.
Another official song that took on a life of its own is Shakira‘s joyful “Waka Waka (This Time for Africa),” featuring Afro-fusion band Freshlyground, for the 2010 soccer event held in South Africa. With more than 3 billion views on YouTube to date, the track peaked at No. 38 on the Hot 100 chart dated July 3, 2010.
This year, FIFA has released a handful of official songs for the 2022 World Cup, set to kick off Nov. 20 in host country Qatar. The first song released was the uplifting track “Hayya Hayya (Better Together),” featuring Trinidad Cardona, Davido and Aisha, which fuses R&B and reggae influences. For the first time ever, the tournament’s soundtrack will feature a multi-song collection, with international artists “showcasing diverse musical genres that span the world, setting the tone for a truly global celebration,” according to FIFA.
It’s worth noting that World Cup-inspired songs have been released since 1962, but not all have been adopted by FIFA. The ones below, for each year since 1990, are recognized as FIFA official theme songs and anthems.
The Latin Recording Academy announced today (Oct. 24) additional performers for the 23rd annual Latin Grammy Awards, which include Ángela Aguilar, Marc Anthony, Banda Los Recoditos, Carin León, Nicky Jam and Sin Bandera — all current nominees and past Latin Grammy winners.
Ángela Aguilar is nominated for best ranchero/mariachi album for Mexicana Enamorada and best regional song for “Ahí Donde Me Ven.” Marc Anthony is up for four awards including record of the year and album of the Year; previous Latin Grammy winners Banda Los Recoditos are up for best banda album with Me Siento A Todo Dar.
Meanwhile, first-time Latin Grammy nominee Carin León is nominated for best regional song for “Como Lo Hice Yo,” Latin Grammy winner Nicky Jam is up for best urban song and best reggaeton performance and two-time Latin Grammy winners Sin Bandera are shortlisted for best traditional pop vocal album and best short form music video. Check out the complete list of nominees here.
The newly-announced artists set to take the stage join previously announced performers such as Rauw Alejandro, Chiquis, Jesse & Joy, Sebastián Yatra, and this year’s Latin Recording Academy Person of the Year, Marco Antonio Solís.
The Latin Grammy Awards will be held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and will air live on Univision beginning at 8 p.m. ET.
The Latin Grammy Premiere, a non-televised ceremony in which the winners in most categories are announced, will take place before the broadcast. Additional details about this ceremony will be announced soon.
Just days after announcing their collaboration, The Rudeboyz, Maluma and Adam Levine have released “Ojalá,” a sultry reggaeon track, on which the Maroon 5 frontman sings in Spanish for the first time.
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The new song — produced by Maluma’s longtime collaborators The Rudeboyz — finds the Colombian star and Levine trading verses about losing a girl and getting over the heartbreak. They both declare: It won’t be easy getting over them. “Ojalá” is the debut single from The Rudeboyz’s upcoming debut album.
The track arrived alongside a music video directed by Diane Martel via NEON16 & Sony Music Latin. The three-minute clip stars off with Chan El Genio and Kevin ADG (The Rudeboyz) listening to an “incredible” beat they just produced and say, “What if we can get Maluma and Adam Levine on this song, we’d kill it. Can you imagine? That would be a dream.”
The artists first announced the collaboration Oct. 14 on social media. Levine teased a 20-second clip of the upbeat track on his TikTok page, captioning the post, “#Ojala @RUDEBOYZ @Juan Luis.” Maluma shared the snippet to his Instagram Stories and as a post, writing on one Story, “What do you think about this?” Meanwhile, The Rudeboyz wrote, “A very important release for us with people we admire a lot!! Keep your eyes on this !! @maluma @adamlevine.”
Back in June, Levine had already hinted at a possible collaboration with Maluma. He posted a photo of them on Instagram of the two hanging out in a studio and wrote, “World ain’t ready.”
The Rudeboyz, who were recently signed by Tainy‘s NEON16, have produced hits for artists such as Shakira, Sech, Jennifer Lopez, Prince Royce and Sebastián Yatra, among others.
Check out “Ojalá’s” music video below: