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Three songs to celebrate their three years as a couple. On Friday (March 24), Rosalía and Rauw Alejandro dropped their highly-anticipated joint project, RR, featuring three songs: “Beso,” “Vampiros” and “Promesa.”

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The EP — which marks the first that the couple recorded songs together — arrives after both artists had hinted at a potential collaboration. In November, the Spanish superstar teased that they had been in the studio together without revealing much. “We’ll see, we’ll see,” she added.

Meanwhile, Alejandro also talked about collaborating with Rosalía during his panel at Billboard’s MusicCon back in May. “For sure we have a few stuff in the studio already,” he confirmed. “It’s a surprise. Those songs are [under] extra security. We’re planning to do the release, I’m not going to say when, but soon. We’re doing it for the love of the fans and she’s my girl and I did those songs with more love. No. 1 for sure.”

Previously, the couple had subtly collaborated on each other’s previous projects; Rosalía sang backing vocals on “Dile a Él” from the Puerto Rican artist’s first album, Afrodisiaco (2020) as well as “Corazón Despeinado” from Saturno (2022). He also co-wrote some lyrics in Rosalía’s “Chicken Teriyaki” from her Grammy and Latin Grammy-winning 2022 album, Motomami. She also lent her pen on “Caprichoso” from Rauw’s EP Trap Cake, Vol. 2 (2022). 

Alejandro kicked off his Saturno World Tour last month in the Dominican Republic, and will continue his trek in cities such as New Jersey, New York and Chicago. Most recently, Rosalía was recognized as Producer of the Year at the Billboard Women In Music awards. The Spanish idol, who had one of the most successful tours of 2022 with Motomami, will be performing at Coachella in April.

Stream RR below:

Peso Pluma is 10 minutes early to his Zoom interview with Billboard.
It’s not super common for an artist to appear on the screen right on time, much less earlier than expected — but the Mexican corridos performer is eager to start the interview and talk about “all the crazy” stuff that’s been happening in his short but rapidly ascending career. “Everything is happening so fast,” the 23-year-old artist says. “I’m as excited about everything as I am scared. I’m just enjoying the moment. I think I’m doing all right.”

It’s safe to say that Peso Pluma is doing just fine. In the past year alone, Peso signed with indie label Prajin Records, his first record deal, and has so far placed nine songs on the Hot Latin Songs chart, including three top 10s: corridos anthem “AMG” with Natanael Cano and Gabito Ballesteros, his slowed-down sierreño track “Por Las Noches” and “PRC” with Cano. He scored his first global chart hit, with the Luis R Conriquez-assisted “Siempre Pendientes,” it reached No. 155 on Global Excl. U.S. and No. 174 on the Global 200.

“It took me a while to assimilate what was happening,” says Peso, who has 216 million on-demand official streams in the U.S., according to Luminate. “To see my name on the charts, to see my name next to really important artists, I always dreamed with this. I know it’s all happening so fast, but that doesn’t mean that we’re going to stop working hard. On the contrary, I feel obligated to continue delivering hits.”

Born in Guadalajara, Jalisco, Mexico, Peso Pluma (who prefers not to share his real name) doesn’t come from an artistic family and learned to navigate this complex world on his own. Inspired by artists such as the late sierreño icon Ariel Camacho, Peso learned to play the guitar at age 15 by watching videos on YouTube. Then he started writing.

“Ever since I was a kid, I would write down my emotions because it was like therapy for me,” he explains. “I used to have a diary and my friends would make fun of me — because that’s considered ‘girly’ — but it worked for me. That’s where I’d write how I was feeling, then I realized some stuff would rhyme. I kept practicing and became better with time.”

Showcasing his blunt style of writing corridos about the highs and lows of life and his ability to also be vulnerable in a song, has caught the attention of Argentine rapper and singer Nicki Nicole and Colombian hitmaker Ovy on the Drums, who’ve recently teamed up with Peso for collaborations.

“Those that know me know that I love reggaetón, it’s what I listen to the most,” he says. “I was positive I’d do a reggaetón song with Ovy, but then they told me that he wanted to do regional Mexican. I was shocked, because he’s a renowned producer who wants to do Mexican music. I added my style, he added his and I love the song.”

Promising to deliver more star-studded collaborations, Peso also has his eyes set on global domination. “I feel like Mexican Music has come close to really going international, but it hasn’t fully happened yet. The United States isn’t everything. I want to go to Brazil, Spain, Argentina. I’m up for the challenge. The regional Mexican artist is emerging — we’re growing within the industry, you can’t deny that anymore.”

Below, meet this month’s Latin Artist on the Rise:

Age: 23

Recommended Song: “If you want to know all about Peso Pluma, listen to ‘AMG.’ You’ll then want to listen everything else.”

Major Accomplishment: “What a good question. I hadn’t thought about this. I think everything. To see my name on the charts. These past few days have been crazy because I keep thinking about all that’s happened. I’m really excited to show everyone what I can do but all in its time.”

What’s Next: “We have more collaborations coming. There’s one that I’m super excited about. You guys are going to love it, and I’m sure it’ll hit No. 1.”

Emilia, Big One and Callejero Fino’s “En La Intimidad” rules the Billboard Argentina Hot 100 chart (dated March 18) for a fourth week. It joins Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” as the only other title to crown the ranking for at least four weeks in 2023.
Karol G and Shakira’s “TQG” holds steady at No. 2 for a third week, encompassing its entire run on the chart. TINI’s “Cupido” rebounds 4-3, while BM’s “M. A. (Mejores Amigos)” climbs 5-4 for a new peak after it held strong at No. 5 for a four consecutive weeks. Plus, Lil Cake and Migrantes also make progress as “Mercho,” featuring Nico Valdi, rises to its No. 5 high.

Argentinian Ecko earns his first top 10 on the 100-deep tally as “Te Escapas De Mis Brazos,” his partnership with Callejero Fino and El Perro, ascends 14-10. The rapper had reached a No. 37 high with first entry “Matatan,” with Cazzu, Brray, Alan Gómez, Kaleb Di Masi and Dj Tao, in March 2022. While Fino ups his top 10 career count to five, El Perro secures his second top 10. 

The week’s Greatest Gainer honors goes to Ke Personajes’ “Pobre Corazón,” featuring Onda Sabanera, which rallies 54-16. It’s the highest ranking for the Colombian cumbia ensemble, while Argentinian Ke Personajes reached No. 1 through their featuring turn on Luka Ra’s “Ya No Vuelvas,” which also features La K’onga, in February. 

Nicki Nicole’s “No Voy a Llorar :’)” takes the Hot Shot Debut of the week, at No. 36. It’s her highest start since “Ya Me Fui,” with Bizarrap and Duki, opened at No. 15 in July 2021. 

Elsewhere, seven other songs debut this week, starting with Wisin, Emilia and Lyanno’s “Tu Recuerdo” at No. 63. La Planta, Bm and Alejo Isakk’s “Discoteca,” featuring Locura Mix, follows at No. 72.  Plus, Puerto Rican trap artist Young Miko achieves her first entry with “Lisa” at No. 74. Meanwhile, Mambo Kingz and DJ Luian make their comeback after almost four years with “Más Rica Que Ayer,” with Anuel AA, at No. 75. 

Further, Mya and Cali y El Dandee’s “Legendaria” bows at No. 78. Lolo OG, Callejero Fino, and Alejo Isakk’s “Azote (remix)” debuts at No. 84. And lastly, Milo J scores his third entry with “Morning” at No. 97.

Every month, Billboard Latin and Billboard Español editors will feature a small group of new or relatively unknown artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover. In honor of Women’s History Month, our newest “On The Radar Latin” list includes up-and-coming mujeres that you should be listening to.

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See our recommendations below:

Artist: Cammie

Country: Brazil

Why they should be on your radar: Brazilian pop/soul singer Cammie may have just released her first single with L.A.-based indie record label Super Pop, “Baby I Love You,” but the 22-year-old is far from being new to music and the entertainment business. A semifinalist of The Voice Brasil 2016, the bilingual artist (Portuguese/English) from Rio de Janeiro with a powerful voice began her career at the age of nine, appearing in various musicals and as a voice actress in the Portuguese versions of movies including Toy Story. In 2012 she made her singing debut in a jingle, and last year she released the seven-song EP Doce Como Bala, with romantic mixes of samba-tinged soul, and guests like R&B singer Anchietx and samba vocalist Ferrugem. Throughout the deliciously funky “I Love You”, which Cammie co-wrote with producer Guilherme França, you can hear her undeniable influences of ‘70-‘80s-era Brazilian soul/funk. — SIGAL RATNER-ARIAS.

Song for Your Playlist: “Baby I Love You”

Artist: Ela Taubert

Country: Colombia

Why they should be on your radar: Thanks to a video that Feid reacted to on TikTok — where she’s singing a piano-heavy ballad version of his “Si Te La Encuentras Por Ahí“ — I discovered Taubert, a 22-year-old singer-songwriter from Colombia. But far beyond a couple of covers on social media, Taubert holds a sweet potent vocal range that’s both melancholic and mesmerizing that can be heard in her own original music, such as her debut single “Salto de Fe” in 2019, as well as “¿Cómo es que tú?,” and “Crecer.” A well-rounded pop artist, Taubert has been taken under the wings of Latin Grammy-winning producer Julio Reyes Copello, and has already shared stages with renowned stars Diego Torres and Alejandro Sanz. Showcasing her vulnerability and maturity, amongst other qualities, Taubert sings about love, heartbreak and dreams. She forms part of the inaugural generation of Universal Music Latin’s Abbey Road Institute & Art House Academy. — JESSICA ROIZ

Song For Your Playlist: “Yo Primero”

Artist: La Favi

Country: The United States (Los Angeles via Bay Area) 

Why they should be on your radar: On her latest bilingual EP, Para Ti, West Coast singer-songwriter La Favi brings her enigmatic allure to the dance floor. Yet it starts with her spellbinding serene croon against melancholy guitar arpeggios and dingy electronic beats. It’s a gripping contrast that straddles dreamy sad-girl lyricism, occasional flamenco melismas (“Wachu Did”) and glitchy reggaetón production. The five-track EP was produced by Ulises “El Licenciado” Lozano of Kinky fame, who has also been at the helm of helping cultivate the neoperreo (Ms Nina, Tomasa del Real) scene that’s been buzzing on SoundCloud and beyond. La Favi, whose of Spanish descent, is the newest signee to Steve Aoki’s Dim Mak En Fuego label, and she is beautifully repping the freaky urbano movement with ease, confidence, and a tinge of salacity for good measure. — ISABELA RAYGOZA

Song For Your Playlist: “Para Ti” feat. YAWNS

Artist: Michi Sanz

Country: Venezuela

Why they should be on your radar: Three years ago, Michi Sanz (real name: Michelle Valentina Sanz Mateu) dropped her debut single “123,” backed by hip-op beats and accompanied by artists Splitmusic and Dakeator. Her dulcet, high vocals set the tone for her next musical projects, all of which are innovative and experimental in their own right. Based in Miami, Sanz has explored ’80s retro funk as heard in “VIBES,” reggaetón-pop as heard in “+58,” and most recently, punk rock in her new single “FKN indirectas.” 

She has composed music for other artists, including popular Peruvian act Leslie Shaw, and just performed at her first SXSW in Austin, Texas. “My lyrics define real-life situations and moments that we have all gone through,” Sanz, who describes herself as “super pana” (cool in Venezuelan slang), notes on her Spotify profile. “They are stories that will lead me to sing to the world that we can dream, love, cry, and dance.” — J.R.

Song For Your Playlist: “FKN Indirectas”

Artist: Tania Domínguez

Country: Mexican-American

Why They Should Be On Your Radar: Mexican Music with a twist. Tania Domínguez’s refreshing take on the legacy genre is head-turning. While most artists from her generation have taken on the sierreño or urban-infused route, Dominguez is placing all bets on an almost jazz-like alternative sound to stand out from the crowd. At least that’s the route the Rancho Humilde-signed artist — who previously served in the U.S. Army and spent her days in South Korea listening to music and discovering artists such as Ariel Camacho and Junior H — has taken for “Enamorarse Suavecito,” No Me Puedo Detener” and “No Puedo Olvidarte” with label mate Ivonne Galaz. The new tracks are a departure from the sad sierreño songs the 23-year-old singer-songwriter first released, which showcase her slick guitar skills and gristly vocals. — GRISELDA FLORES

Song For Your Playlist: “Enamorarse Suavecito”

Armed with confidence, artistic prowess and infectious beats and lyrics, Nathy Peluso has quickly become one of the most fascinating artists of our time.
After releasing her first full-length album Calambre in 2020, which scored her a few Latin Grammy nominations, Peluso was catapulted to worldwide acclaim — thanks to a creative spirit that’s allowed her to thrive in different spaces, as a true chameleon in the industry. She’s taken genres such as salsa, bachata, R&B, pop and funk and effortlessly made them her own.

“The best advice I’ve received as a woman in music was from my mom, to never compromise my authenticity for anyone or anything,” the “Estás Buenísimo” singer tells Billboard.

In honor of Women’s History Month, Billboard kicked off its “Las Poderosas” series, featuring a select number of powerful Latinas who get real about the word “empowerment,” their space in Latin music, and more. The series launched Monday (March 20) with LALI, which you can read here.

Below, our exclusive Q&A with Peluso:

What does empowerment mean to you as an artist and as a woman?

Empowerment to me as an artist and as a woman means having the freedom to express myself, create my art, and make my own decisions without being constrained by societal expectations or prejudices. It’s about embracing my identity and my strength and inspiring others to do the same.

What does empowerment NOT mean to you?

Empowerment does NOT mean putting others down or diminishing their experiences. It’s not about being better than anyone else, but rather about recognizing and celebrating our unique qualities and using them to uplift and support each other.

What is the best advice you have received as a woman in music?

The best advice I’ve received as a woman in music was from my mom, to never compromise my authenticity for anyone or anything. Staying true to myself, my values, and my art has been key to my success and personal fulfillment. 

Which woman has served you as a mentor or role model? Who do you admire and why?

I have always admired J.Lo for her incredible talent, work ethic, and multifaceted career. She has broken barriers for Latinas in music, film, and business. 

Have things changed for Latin women in music in the last five years and how?

In the last five years, things have changed for Latin women in music in many ways. There is now more visibility, representation, and support for female artists in the industry. We have seen a rise in successful Latina singers and songwriters across various genres, breaking down stereotypes and challenging the status quo. While progress has been made, there’s still much work to be done to ensure equal opportunities and recognition for Latin women in music.

What is your favorite “girl power” song?

My favorite “girl power” song is “Respect” by Aretha Franklin. It’s a classic anthem that has inspired generations of women to stand up for themselves and demand the respect they deserve.

Just minutes before going stage for her Lollapalooza Argentina set on March 17, Rosalía gave her dancers the ultimate pep talk.

The Spanish star’s microphone inadvertently turned on just minutes before going on stage and her sweet words were heard by attendees. “This is the first show we’re doing and I hope you guys feel very proud of this [and] that you enjoy the show,” she said in English before going on stage to sing her hits “Saoko,” “Bizcochito” and “La Fama.”

“You know that I cannot do this without you. And I feel very happy, very blessed that you’re here. And I really, really, really hope that you enjoy this set tonight on stage. I learn a lot from all each one of you during this process. I want you to know that I admire you and I love you. I’m grateful for your presence. We’re gonna kill this s–t! Okay? Let’s go!”

Lollapalooza Argentina took place Friday-Sunday at the Hipódromo de San Isidro, with Drake and Rosalía headlining the first night; the “Despechá” singer also performed at Lollapalooza Chile over the weekend.

Most recently, Rosalía’s Motomami logo became the first to be featured on both FC Barcelona’s men’s and women’s teams home kits as part of the team’s partnership with Spotify. The limited-edition shirt will also be available for fans to purchase.

On Friday (March 24), Rosalía and Rauw Alejandro will drop a three-song project titled RR. The EP is comprised of three tracks: “Beso,” “Vampiros” and “Promesa.” It marks the first time that the couple has recorded songs together.

Nearly a year after Menudo Productions announced they were on the search for new members to form the next generation of Menudo, the band has officially unveiled the five boys that will comprise the group.

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On Monday (March 20), Nicolas Calero (10), Gabriel Rossell (13), Andres Emilio (14), Alejandro Querales (15) and Ezra Gilmore (12) were announced as the new faces of the eternally youthful boy band. And, in celebration of the announcement, the group also released their very first single “Mi Amore,” the first song off their upcoming debut album.

The process to find its new members kicked off in August when Menudo Productions, along with television personality Mario Lopez, began virtually auditioning talent between the ages of 12 and 16. The new members are multi-talented performers with experience in acting, singing and songwriting.

“Deciding on the final five was harder than we ever imagined because there was so much great talent to choose from,” Lopez said in a statement. “The five boys we selected gelled together instantly, and the music they’ve created have exceeded all of our expectations. I think we have several massive hits, and I’m more excited than ever to introduce these boys to the world in less than three weeks.”

According to a previous statement issued to Billboard, “unlike previous group incarnations,” the new Menudo members will be “sharing in all concert, merchandise, and music revenue.” Menudo’s management will be Miami-based.

The most successful Latin boy band of all time, Menudo was originally established in Puerto Rico in 1977 by Edgardo Diaz, releasing a handful of hit songs such as “Quiero Ser” and “Claridad” and launching the music careers of Ricky Martin and Draco Rosa, among many others.

Watch the “Mi Amore” music video below.

Mexican singer and saxophonist Rodolfo “Fito” Olivares has died. He was 75 years old.

Olivares passed away at his home in Houston on Friday (March 17), according to his wife, Griselda Olivares, The Associated Press reports. He was diagnosed with cancer in 2022.

Born in Tamaulipas, Mexico in 1947, Olivares spent the last 50 years as a musician making back-to-back hits that soundtracked households from weddings to quinceañeras and multigenerational households in Latin America and the U.S.

He was best known for his saxophone-powered cumbia anthems such as “Juana La Cubana,” “El Colesterol,” “Aguita de Melón,” “Cumbia de la Cobra” and “La Gallina.” Olivares got his start in music as a teenager playing with and writing music for groups such as Duet Estrella, Tam and Tex. He later formed his own band called Fito Olivares y su Grupo La Pura Sabrosura in Houston in 1980.

With his band, he scored 10 entries on Billboard‘s Hot Latin Songs chart, including one top 10. “El Colesterol” peaked at No. 4 on the tally (dated Dec. 24, 1994). Fito Olivares y su Grupo also entered seven titles in the Top Latin Albums chart.

Mexican norteño singer Ramón Ayala took to social media to honor Olivares with a heartfelt post.

“It is with great lament that I am finding out about your passing, my dear colleague, but more than anything my friend The King of Cumbia. Thank you for your music, your dedication and professionalism onstage. La Pura Sabrosura as your unique rhythm with your saxophone, with which you’re now serenading God. From king to king, rest in peace my brother. Light to your soul and your eternal rest.”

In the comments, fans reacted to the news with comments such as “only good memories thanks to his music” and “childhood memories, in all parties and in all homes we’d listen to cumbia by Fito Olivares.”

See Ayala’s tribute below.

What’s your favorite new Latin music release this week? Vote below!

This week, our New Music Latin roundup — a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin and Billboard Español editors each week — is powered by new music from Elena Rose, Grupo Frontera and Lupita Infante, to name a few.

The list highlights Elena Rose’s first song of 2023, “El Hombre.” The Venezuelan singer-songwriter’s pop track describes an evolved man, one who isn’t scared to be vulnerable. “He’s different from the rest,” she sings. It’s not the man that opens the door for you but the one who doesn’t want to close doors for you.” Another song on the list is Luis R Conriquez and Grupo Frontera’s “Dame un Chance,” which marks their first-ever team up. The pair offer a fresh regional Mexican fusion that effortlessly combines traditional norteño sounds with the lively rhythm of cumbia. 

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With a retro sound and very sweet, innocent lyrics, “Besarte Así,” written by Lupita Infante with Pedro Dabdoub, imagines what would be the perfect kiss with the perfect someone: “If I get closer, little by little, I feel my voice tremble/ When I say your name what I really want is kissing you,” she sings, in Spanish. The song is about “letting your imagination take you somewhere you’ve never been before.”

In an extended playlist, Billboard included other new Latin noteworthy releases including Peso Pluma and Eslabon Armado’s “Ella Baila Sola,” Ramon Vega’s “Everest,” Lasso’s new album Eva and Carlos Jean and Villano Antillano’s “Kriptonita,” among others.

Listen to the complete playlist here

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Manuel Turizo, 2000 (La Industria Inc./Sony Music Latin)

In 2000, named after his birth year, Manuel Turizo is more experimental than ever — and the first few songs are proof of that. Though he stays truthful to his reggaetón-pop core, the Colombian artist does not shy away from techno beats (as heard in “Triste”) fast-paced merengue (the Marshmello-assisted “El Merengue”) sultry reggae and dancehall fusions (“Jamaica”) and trap (“U Lala”). 2000 is a feel-good, summer-ready production that’s home to 15 track — including the previously released “Extasis” with Maria Becerra and “La Bachata,” which hit No. 1 on Billboard‘s Tropical Airplay Chart, Latin Airplay Chart, and most recently, the Argentina Hot 100.

Over energized rhythms and relatable lyrics, the Colombian artist also gets ultra-personal in the notable “Vacio” — a track where he opens up about chasing his dreams at such a young age (Turizo was 15 years old when he dropped his first hit “Una Lady Como Tú”). Further solidifying a very intimate set, the cover art is an actual photo of Turizo when he was a baby. — JESSICA ROIZ

Elena Rose, “El Hombre” (Warner Music Latina)

A groovy pop track is Elena Rose’s first single of the year, which also serves as a preview to her upcoming debut album. As ever, the singer-songwriter’s ethereal vocals — which adapt to whichever style will serve as her canvas — take center stage in this soon-to-be anthem. The sweet, yet poignant “El Hombre” describes an evolved man, one who isn’t scared to be vulnerable and has embraced his softer side. “He’s different from the rest,” she sings, introducing this unicorn of a man. “It’s not the man that opens the door for you, but the one who doesn’t want to close doors for you. A man isn’t the one that loves you but the one who teaches you how to love.” — GRISELDA FLORES

Lupita Infante, “Besarte Así” (Sony Music Latin)

In times when lyrics are getting more and more explicit, it’s refreshing to hear Lupita Infante’s utterly romantic “Besarte Así” (To Kiss You Like This,) the third single from her upcoming album Amor Como En Las Películas de Antes (Love Like in the Old Movies). With a retro sound and very sweet, innocent lyrics, the mariachi ballad (written by Infante with Pedro Dabdoub) imagines what would be the perfect kiss with the perfect someone: “If I get closer, little by little, I feel my voice tremble/ When I say your name what I really want is kissing you,” she sings, in Spanish. The song is about “letting your imagination take you somewhere you’ve never been before,” Infante says in the production notes, adding that the track “lets you envision that one kiss you have dreamed about your entire life, allowing yourself to embrace those loving feelings.” — SIGAL RATNER-ARIAS

Isabella Lovestory, “Latina” (Isabella Lovestory)

Freaky urbano purveyor Isabella Lovestory doesn’t mind sharing alcohol, men and lipstick with her Latina comrades — after all, it’s a sisterhood. Buoyed by a glitchy, intoxicating reggaetón beat and her riot grrrl antics, the Honduran-born artist arrives with a powerful mission statement that’s filled with pride and conviction: “Latina.” Her first track of 2023 already sounds like an electrifying art-pop feminist anthem, one that’s empowering mujeres the web over (“I feel beautiful listening to this queen” or “I didn’t ask to be Latina I just got lucky,” commented some online users).

“Tongue-in-cheek and playful, [‘Latina’] is a song that celebrates being Latina without being cliché and ‘dove commercial’ about it,” she says in a press release. “It’s a commentary on the tokenizing of latinidad, reclaiming the uniqueness and poignancy of every experience each Latina has.” Produced by Chicken, Kamixlo and Nick León, the commanding neo-perreo song also coincides with the announcement of her upcoming tour, Laticonica. — ISABELA RAYGOZA

Luis R Conriquez & Grupo Frontera “Dame un Chance” (Kartel Music)

Luis R Conriquez and Grupo Frontera team up to deliver “Dame un Chance.” The contemporary norteño band and the Mexican singer-songwriter offer a fresh regional Mexican fusion that effortlessly combines traditional norteño sounds with the lively rhythm of cumbia. Produced by Edgar Barrera, the song serves as a romantic plea to be given a chance, committing to change (and even to consume less alcoho)l if it would grant them an opportunity with the person they love: “I have a feeling that my life is better with you/ I know very well that they say that I am a mess/ And it’s true I admit it too, but I also know how to love you pretty/ I’ll go down and drink a little so that you can see that I need you.” The accompanying video showcases the artists performing live with an enthusiastic group of men dancing and partying. — LUISA CALLE

Lenier & Yomo, “Corazón Callejero” (Mr. 305 Records)

Cuban singer-songwriter Lenier recruits Puerto Rican artist Yomo to deliver a love letter in “Corazón Callejero.” With a blend of charming melodies and uptempo beats, the heartfelt track — a sweet confession of love — seamlessly balances Yomo’s signature vocals and Lenier’s raspy-yet-soothing voice. “Yo tengo un corazón callejero, un corazón bandolero que de ti se enamoró (I have a street heart, a bandit’s heart that fell in love with you),” they sing in the chorus. — INGRID FAJARDO

Below, stream Billboard’s New Music Latin playlist, also featuring other recent releases from the Latin world.