State Champ Radio bbcharts
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Björk begins at No. 2 on Billboard‘s Top Dance/Electronic Albums chart (dated Oct. 15) with Fossora. The set starts with 10,000 equivalent album units earned, including 9,000 in album sales, in the Sept. 30-Oct. 6 tracking week, according to Luminate.
It’s the Icelandic songstress’ sixth top 10 dating to the chart’s 2001 inception, a run that began with Vespertine (three weeks at No. 1, 2001). Björk’s other top 10s are Greatest Hits (No. 2, 2002), Family Tree (No. 6, 2002), Volta (nine weeks at No. 1, 2007) and Biophilia (No. 1, 2011).
Björk landed five earlier titles on the Billboard 200, led by Homogenic (No. 28, 1997). Volta brought Björk her highest rank, and lone top 10 to date, on the chart (No. 9).
Concurrently, Fossora arrives on Top Album Sales (No. 7), Vinyl Albums (No. 7; 5,000 vinyl copies), Top Alternative Albums (No. 9), Independent Albums (No. 15) and the Billboard 200 (No. 100), among other tallies.
Additionally on Top Dance/Electronic Albums, Shygirl (aka Blane Muise) starts at No. 7 with Nymph (3,000 units). The U.K.-based DJ/singer has scored two hits on the multi-metric Hot Dance/Electronic Songs chart: “Sour Candy (Mura Masa Remix),” with Lady Gaga and BLACKPINK (No. 24, September 2021), and as featured on FKA Twigs’ “Papi Bones” (No. 32, this January).
Speaking of Hot Dance/Electronic Songs, Farruko flies20-12 with “Nazareno,” earning top Streaming Gainer honors following the Sept. 29 drop of a remix and video with Ankhal. The track, which reached No. 7 in June, earned 1.2 million U.S. streams, up 102%, in addition to gathering 2.6 million in all-format radio airplay audience impressions.
Shifting to the Dance/Mix Show Airplay chart, MK collects his fourth top 10 and BURNS earns its first with “Better,” featuring Teddy Swims, who adds his second (13-10). The song is drawing core-dance airplay on Music Choice’s Dance/EDM channel, iHeartRadio’s Evolution and KMVQ-HD2 San Francisco, among other outlets. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
Burna Boy lands his first No. 1 on Billboard’s Mainstream R&B/Hip-Hop Airplay chart as “Last Last” captures first place on the chart dated Oct. 15. The single climbs from the runner-up spot after a 9% increase in weekly plays made it the most-played song on U.S. monitored R&B/hip-hop stations in the week ending Oct. 9, according to Luminate.
“Last Last” gives Burna Boy his first Mainstream R&B/Hip-Hop Airplay chart-topper with his second career entry. He previously reached a No. 26 best with “Ye” in 2019. With its ascent, “Last” also halts the record-breaking stay of Future’s “Wait for U,” featuring Drake and Tems, which logged an unprecedented 14th week at No. 1 on the chart last week.
Plus, the new champ brings a former R&B hit to the summit via a sample. “Last” prominently samples Toni Braxton’s “He Wasn’t Man Enough,” which reached No. 6 on Mainstream R&B/Hip-Hop Airplay in 2001.
The new champ adds to the Afrobeats genre’s mounting presence on R&B/hip-hop radio. It’s the genre’s third No. 1 on Mainstream R&B/Hip-Hop Airplay in the past year, after the 10-week reign of Wizkid’s “Essence,” featuring Tems, beginning last November and a one-week visit for CKay’s “Love Nwantiti” in February. “Last Last” also retains its status as one of the top Afrobeats songs in the U.S., ranking at No. 2 on the latest Billboard U.S. Afrobeats Songs chart. The track previously clocked eight weeks at No. 1 from July to September.
Elsewhere, “Last” repeats at its No. 3 peak thus far on the R&B/Hip-Hop Airplay, which ranks songs by combined audience at adult and mainstream R&B/hip-hop radio stations. There, the single adds 8% in weekly audience to reach 14.6 million in the week ending Oct. 9. Similarly, “Last” holds at its current No. 8 peak on Rhythmic Airplay, with a 9% improvement in weekly plays.
Thanks to its strength at R&B/hip-hop and rhythmic radio, “Last” advances 29-24 on the all-genre Radio Songs chart. There, it surges 18% to 22.3 million in total radio audience. Radio airplay, in turn, helps the track lift 49-44 on the Billboard Hot 100, which combines radio airplay with sales and streams to arrive at its rankings.
