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The queen of Christmas is here to reclaim her crown.
Based on midweek data published by the Official U.K. Charts Company, Mariah Carey’s classic “All I Want For Christmas Is You” (Columbia) is the race leader, lifting 8-1.
Proving that Brits are in the mood for the holiday season, Carey’s “Christmas” leads an all-yuletide top three on the midweek survey, ahead of Wham’s “Last Christmas” (RCA) and Ed Sheeran’s “Merry Christmas” (Atlantic), respectively.
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All three singles have led the Official U.K. Singles Chart, with “All I Want For Christmas Is You” and “Last Christmas” taking the long route to the top – and smashing records along the way.
Originally released in 1994, Carey’s “Christmas” finally reached the summit in December 2020 to complete a 26-year journey. According to the OCC, no other song has spent more weeks in the top 40 before reaching the top.
Wham’s enduring pop hit also set a new record when, last Christmas, the single was crowned for the first time in its 36-year history. No other track has taken such a long stroll to the chart apex, an effort that eclipsed the 33-year effort of Tony Christie’s “(Is This The Way To) Amarillo.”
As Christmas playlists around the country get a solid work out, holiday tunes flood the chart blast, including top 10 reentries for Brenda Lee (“Rockin’ Around The Christmas Tree” up 19-7 via MCA), Michael Buble (“It’s Beginning To Look A Lot Like Christmas” up 24-8 via Reprise) and Shakin’ Stevens (“Merry Christmas Everyone” up 29-10 via RCA), while musical gifts from the Pogues and Kirsty MacColl, Ariana Grande, Kelly Clarkson and Band Aid, Bobby Helms and Chris Rea are eying the top 20.
The highest new entry on the chart blast belongs to Lewis Capaldi with “Pointless” (Vertigo), at No. 18. Co-written with Ed Sheeran, it’s the second single taken from his upcoming studio LP Broken By Desire To Be Heavenly Sent, and it should give the Scottish artist his seventh top 40 appearance.
The Official U.K. Singles Chart is published late Friday.
Olly Murs‘ Marry Me (via EMI) is walking up the aisle for a U.K. No. 1.
The English pop singer’s seventh studio LP leads the midweek chart, and is heading for a fifth U.K. No. 1 following In Case You Didn’t Know (from 2011), Right Place Right Time (2012), Never Been Better (2014) and 24 HRS (2016).
The X Factor alum has brushed off controversy surrounding the lyrics to Marry Me song “I Hate You When You’re Drunk,” to take pole position on the Official Chart Update, ahead of Taylor Swift’s Midnights (EMI) and Cliff Richard’s Christmas With Cliff (EastWest/Rhino), respectively.
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Meanwhile, Atlanta hip-hop producer Metro Boomin could score a career-best with Heroes & Villains (Republic Records), his sophomore solo studio album. It’s new at No. 4 on the Official Chart Update.
Metro Boomin (real name Leland Tyler Wayne) previously impacted the chart with 2018’s Not All Heroes Wear Capes (No. 16) and 2020’s Savage Mode II with 21 Savage (No. 10).
Veteran British electronic music duo Leftfield could snag a fourth top 10 with This Is What We Do (Virgin Music), their first new studio record in seven years. It’s new at No. 8 on the chart blast. The duo of Neil Barnes and Adam Wren hit No. 3 with their classic debut from 1995, Leftism; No. 1 with 1999’s Rhythm And Stealth; and No. 6 with 2015’s Alternative Light Source.
BTS star RM’s solo debut Indigo (BigHit Entertainment) could enter the top 40 at the first attempt. It’s new at No. 27 on the chart blast. As a member of BTS, the South Korean rapper has enjoyed U.K. No. 1s with Map Of The Soul – Persona in 2019, and Map Of The Soul – 7 in 2020.
Christmas has already arrived on the U.K. charts, with several titles making an impression on the midweek albums survey.
Behind Cliff Richard’s first yuletide offering in almost 20 years is Michael Bublé’s Christmas (Reprise), which is on track for its annual return to the top 5, up 11-5; Andrea, Matteo and Virginia Bocelli’s A Family Christmas (Decca) dips 6-5; Andre Rieu & Johann Strauss Orchestra’s Silver Bells (Decca) is up 10-7; Aled Jones & Russell Watson’s Christmas With Aled & Russell (BMG) lifts 37-29; and the Corrs’ lead vocalist Andrea Corr could grab a solo career-best with The Christmas Album (Atlantic), new at No. 32 on the midweek chart.
Finally, Fleetwood Mac is staging a return to the top ten, following Christine McVie’s death Nov. 30, aged 79. The Rock Hall inductees’ 1977 LP Rumours (Rhino/Warner Bros) experiences a 200% week-on-week gain, and is on track for a top 10 return, up 28-9; while 50 Years – Don’t Stop (Rhino) could lift 29-14.
All will be revealed when the Official U.K. Albums Chart is published Friday.
Taylor Swift’s “Anti-Hero” (via EMI) is still the boss in the U.K., where it racks-up six consecutive weeks at No. 1.
The Midnights tune accumulated just shy of 4.9 million streams during the latest cycle, the Official Charts Company reports, to hold off Meghan Trainor’s “Made You Look” (Epic), up 3-2; and venbee, goddard and ArrDee’s “messy in heaven” (Columbia), up 5-3. Those are new peak positions for the podium finishers.
British singer and songwriter RAYE enjoys her first taste of the high life as an independent artist, as“Escapism” (Human Re Sources) featuring 070 Shake races 31-6. It’s RAYE’s first appearance in the top 10 as a lead artist, following her assist on Jax Jones’ “You Don’t Know Me” (No. 3 in 2016), “Secrets” with Regard (No. 6 in 2020) and “Bed” with Joel Corry and David Guetta (No. 3 in 2020).
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The Londoner (real name Rachel Keen) was nominated for BBC Music’s Sound of 2017 award and is expected to drop 21st Century Blues, her debut LP, in 2023. Her debut mini-album, Euphoric Sad Songs was released in November 2020.
Stormzy is moving on up with “Firebabe” (0207/Merky), which roars 26-11 following the release of his third LP This Is What I Mean, new at No. 1 on the Official U.K. Albums Chart. Also, the record’s title track starts at No. 32 on the Official U.K. Singles Chart, published Dec. 2, for his 28th Top 40 title.
The Christmas spirit can be measured on the latest singles survey, as a string of holiday classics make their annual return.
Leading the way is Mariah Carey‘s “All I Want For Christmas Is You” (up 18-8 via Columbia), and Wham’s “Last Christmas” (up 23-9 via RCA), both former leaders.
Elsewhere in the U.K. top 40 are Ed Sheeran & Elton John’s “Merry Christmas” (up 40-15 via Atlantic), Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 42-18 via MCA), Michael Buble’s “It’s Beginning To Look A Lot Like Christmas” (up 49-20 via Reprise), Shakin’ Stevens’ “Merry Christmas Everyone” (up 54-26 via RCA), Ariana Grande’s “Santa Tell Me” (up 55-28 via Republic Records), The Pogues featuring Kirsty MacColl’s “Fairytale of New York” (up 57-30 via Warner Bros), Kelly Clarkson’s “Underneath The Tree” (up 62-31 via RCA), Band Aid’s “Do They Know It’s Christmas?” (up 63-34 via Mercury), and Bobby Helms’ “Jingle Bell Rock” (69-36 via MCA).
That’s 11 Christmas-themed songs in the top 40, and there’s still time for the publication of three more weekly charts before Dec. 25.
Chris Brown moves into a tie for the third-most No. 1s on Billboard’s Rhythmic Airplay chart as “Under the Influence” crowns the list dated Dec. 3. The single climbs from the runner-up spot after a 6% increase in plays made it the most-played song the week at U.S. monitored rhythmic radio formats in the week ending Nov. 27, according to Luminate.
As “Under” tops the chart, Brown logs his 13th career No. 1 on Rhythmic Airplay. With the new leader, he equals Bruno Mars’ total for the bronze medal among all acts since the list began in 1992. The pair trail only Drake, who holds the gold with 36 No. 1s (23 of which bill him as a lead artist) and Rihanna, who is runner-up with 17 champs.
“Influence” returns Brown to the Rhythmic Airplay summit for the first time in almost two-and-a-half years, since his and Young Thug’s “Go Crazy” earned a week in charge in August 2020. Plus, as his first champ, “Run It!,” captured the crown in November 2005, he extends his span of Rhythmic Airplay leaders to 17 years and two weeks.
Here’s a rundown of Brown’s 13 No. 1s on the radio ranking:
Song Title, Artist (if other than Chris Brown), Weeks at No. 1, Peak Date“Run It!,” seven, Nov. 19, 2005“Kiss Kiss,” featuring T-Pain, five, Nov. 17, 2007“With You,” six, March 1, 2008“Get Like Me,” David Banner featuring Chris Brown, two, Aug. 2, 2008“Look at Me Now,” featuring Lil Wayne & Busta Rhymes, one, May 7, 2011“Show Me,” Kid Ink featuring Chris Brown, three, Feb. 8, 2014“Loyal,” featuring Lil Wayne & French Montana, Too $hort or Tyga, two, May 10, 2014“New Flame,” featuring Usher & Rick Ross, one, Nov. 15, 2014“Post to Be,” Omarion featuring Chris Brown & Jhene Aiko, one, July 4, 2015“No Guidance,” featuring Drake, four, Aug. 3, 2019“Heat,” featuring Gunna, one, Nov. 23, 2019“Go Crazy,” with Young Thug, one, Aug. 1, 2020“Under the Infleunce,” one (to date), Dec. 3, 2022
“Influence” caps an unusual journey to the top of rhythmic radio, as it was first released on the extended version of Brown’s 2019 LP, Indigo, but never promoted as a single. Its resurgence began earlier this year thanks to TikTok, where it went viral and soundtracked hundreds of clips on the social media app. As it leapt from TikTok to streaming services, the song climbed onto the Streaming Songs chart in early September, and given renewed fan interest, was serviced to rhythmic radio in early October. The song’s dual threat on both streaming and radio has made it a significant hit in Brown’s catalog. The track has reached No. 3 on the Hot R&B/Hip-Hop Songs chart and, this week, achieves a new No. 14 high on the all-genre Billboard Hot 100.
In addition to its success at the rhythmic format, “Influence” maintains steady progress in both the R&B/hip-hop and pop arenas. On the R&B/Hip-Hop Airplay list, it pushes 23-19 after a 16% weekly boost to 6.6 million in audience, while it holds at No. 30 on the Pop Airplay chart, though with a 7% improvement in weekly plays.
It’s shaping to be a Jimmy Barnes Christmas in Australia, as the legendary rock singer scores another No. 1, this time with a collection of holiday classics.
Barnes’ Blue Christmas (via Liberation/Universal) blasts to the summit of the ARIA Chart, for his 15th leader, extending his all-time lead in that category.
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Blue Christmas is the 20th solo studio album for Barnesy, as he’s affectionately known in these parts. It adds to his collection of leaders, which includes Bodyswerve (1984), For The Working Class Man (1985), Freight Train Heart (1987), Barnestorming (1988), Two Fires (1990), Soul Deep (1991), Hits (1996), Double Happiness (2005), The Rhythm And The Blues (2009), 30:30 Hindsight (2014), Soul Searchin’ (2016), My Criminal Record (2019), Flesh And Blood (2021) and Soul Deep 30, an anniversary edition which landed at No. 1 in June.
Including his five leaders with Cold Chisel, Barnes boasts an unprecedented 20 No. 1s, comfortably eclipsing the Beatles (with 14), Madonna (12), Eminem and U2 (11).
If laughter is the best medicine, a No. 1 album surely has some healing powers. Barnes collects his latest honor just days after he scrapped his touring scheduled for the months ahead, when surgeons gave him the news that he requires back and hip surgery. He’s expected to make a complete recovery and return to the road again in the second half of 2023.
“This is a fantastic Christmas present and I’m grateful to receive it. It’s been a rough week given that I’ve withdrawn from summer touring to have surgery,” he says in a statement.
“I’d like to say that the warm reception for this album has put a spring in my step, but that would be a medical miracle right now. Instead, I’ll just say thanks to everyone who keeps listening to my new music and thank all the people behind the scenes for their help. I wish everyone the happiest of holidays and can’t wait to get back onstage next year.”
The “Working Class Man” singer is twice inducted into the ARIA Hall of Fame, first with Cold Chisel (in 1993), and again as a solo artist (2005), and is the first Australian solo act to have a No. 1 album in every decade since the 1980s.
Blue Christmas is Barnes’ fifth consecutive solo chart champion in Australia, unseating Taylor Swift’s Midnights after five weeks at the helm.
Barnes’ pre-Christmas gift is one of several timely titles impacting both ARIA Charts. Andrea, Matteo and Virginia Bocelli’s A Family Christmas (Decca/Universal) lifts 16-9 on the latest albums survey, published Dec. 2, while Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) is on the brink of another appearance in the singles chart top 10, vaulting 50-11. Further down the singles list, Wham’s ‘80s classic “Last Christmas” (Sony) reenters at No. 30.
Following a musical salute to the Seekers’ late singer Judith Durham at the 2022 ARIA Awards, the folk-pop outfit’s Carry Me (Decca/Universal) returns to the top tier. The album, which celebrates its 60th anniversary, drops in at No. 10 on the ARIA Chart. Durham died Aug. 5 after suffering complications from a long-standing lung disease, aged 79.
Finally, Taylor Swift’s “Anti-Hero” (Universal) refuses to budge from the top spot on the ARIA Singles Chart, while Lil Uzi Vert snags the week’s highest debuting single with “Just Wanna Rock” (Atlantic/Warner), new at No. 39.
Burl Ives blasts back onto the Billboard Hot 100 chart (dated Dec. 3), as his holiday standard “A Holly Jolly Christmas” re-enters the ranking at No. 10.
The track’s revival can be attributed to annual gains for yuletide hits during the holiday season. The song debuted on the Hot 100 during the 2016 holiday season, 52 years after its release, and has re-entered every year since. The song first hit a No. 4 high over the 2019 holidays, and has returned to its peak in each of the last two years. This year is especially notable in that it brings the song’s highest re-entry, as it becomes the first holiday song ever to re-enter in the top 10.
How rare is it for songs to return to the Hot 100 all the way in the top 10? Pretty rare. In the chart’s 64-year history, “A Holly Jolly Christmas” is just the ninth song to re-enter directly in the top 10.
Generally, songs make steady runs up and down the Hot 100, though in more recent years it’s become more common for titles to debut at high ranks thanks to splashy streaming debuts and then decline, with many also regaining their footing on the chart as their radio airplay solidifies.
Hot 100 rules prevent most catalog titles from returning or debuting if below No. 50. Descending titles are removed from the Hot 100 after 20 weeks on the chart if below No. 50 or after 52 weeks if below No. 25. To re-enter after having graduated to recurrent status, a song must garner enough chart points, with a notable reason for its resurgence.
This is all to say that, for older titles, it’s generally difficult to re-enter the Hot 100 and compete with newer songs generating hefty radio airplay and streaming figures. It’s even tougher to suddenly re-enter in the top 10.
The select songs that have achieved the feat of re-entering the Hot 100 in the top 10 have, for the most part, gained newfound interest after artists were prominently in the news, performed on massive stages or scored a notable synch, as Kate Bush did earlier this year when “Running Up That Hill (A Deal With God)” was featured in Netflix’s Stranger Things.
Here’s a look at all nine songs that have re-entered the Hot 100 in the top 10, listed chronologically:
Additional reporting by Gary Trust
Artist Billing, Title, Chart Date (Hot 100 Re-entry Rank):
It’s the time of year — the mercury is diving (or soaring, for those of us in the south), holiday classics are ringing out in the stores, and Spotify unleashes its Wrapped campaign.
Today (Dec. 1), the music streaming giant unveils the songs that kept its 456 million listeners (with 195 million “paid” subscribers) plugged in.
Puerto Rican superstar Bad Bunny is No. 1 on Spotify’s most-streamed global artists list, with more than 18.5 billion streams in 2022. The rapper becomes the first artist to top the list three consecutive years, and also dominates Spotify’s annual albums chart.
Following the smash hit that was her tenth and latest album, Midnights, Taylor Swift comes in at No. 2 among Spotify’s most-streamed artists, while the top 5 is rounded out by international acts: Drake, The Weeknd, and BTS, respectively.
The biggest single of the year belonged to Harry Styles, whose chart-leader “As It Was” racked up more than 1.6 billion streams. Lifted from the British pop singer’s third solo studio album, Harry’s House, the single this year led the Billboard Hot 100 for a whopping 15 weeks, and reigned over the Official U.K. Singles Chart for 10 weeks.
Styles leads an all-international top 5, ahead of Glass Animals’ “Heat Waves;” The Kid Laroi and Justin Bieber’s “Stay;” and Bad Bunny tracks “Me Porto Bonito” and “Me Porto Bonito,” respectively.
The former One Direction artist’s third album Harry’s House went to No. 1 on both sides of the Atlantic, and around the world, and came in at No. 2 on Spotify’s most-streamed global albums list, behind Bad Bunny’s irrepressible Un Verano Sin Ti, which dominated the Billboard 200 in 2022 for 13 weeks.
Also, Spotify drills into its data for insights into those acts whose music is most shared (Taylor Swift), the most-shared lyrics (“Heat Waves”) and most popular podcasts (The Joe Rogan Experience, which Spotify exclusively licenses).
The streaming platform’s annual chart splurge is the entre for its Wrapped experience, which eligible users can access and share from today from Spotify mobile app (iOS and Android).
“This year’s Wrapped is both a celebration of a year gone by and an invitation to join in on the fun,” reads a statement, accompanying the year-end lists.
In addition to the annual rundown, this year’s Wrapped includes a creator experience for podcasters and artists. And Artist Wrapped, now in its sixth year, rolls out with several new features including “Your Artist Messages,” a dedicated Wrapped video feed, personalized to each listener; and a “Spotlight” on merchandise and ticketing which, for the first time, sees personalized offerings integrated into the Wrapped Hub and promoted to top fans via in-app notifications and other channels.
From Dec. 1, the likes of Jack Harlow, Elton John, NIKI, and others will promote Wrapped exclusive merch to their top fans.
Launched in 2017, Artist Wrapped is now available in 36 languages.
Spotify 2022 Wrapped Global Top Lists:
Most-Streamed Artists Globally
Most-Streamed Songs Globally
“As It Was” by Harry Styles
“Heat Waves” by Glass Animals
“STAY (with Justin Bieber)” by The Kid LAROI
“Me Porto Bonito” by Bad Bunny feat. Chencho Corleone
“Tití Me Preguntó” by Bad Bunny
Most-Streamed Albums Globally
Un Verano Sin Ti, Bad Bunny
Harry’s House, Harry Styles
SOUR, Olivia Rodrigo
=, Ed Sheeran
Planet Her, Doja Cat
Most Popular Podcasts Globally
Most Viral Artists Globally
Most Shared Lyrics Globally
Spotify 2022 Wrapped U.S. Top Lists
U.S. Most-Streamed Artists
U.S. Most-Streamed Songs
“As It Was” by Harry Styles
“Heat Waves” by Glass Animals
“Bad Habit” by Steve Lacy
“Me Porto Bonito” by Bad Bunny feat. Chencho Corleone
“First Class” by Jack Harlow
U.S. Most-Streamed Albums
Un Verano Sin Ti, Bad Bunny
Harry’s House, Harry Styles
Dangerous: The Double Album, Morgan Wallen
Midnights, Taylor Swift
SOUR, Olivia Rodrigo
U.S. Most Popular Podcasts
U.S. Most Popular Audiobooks
Stormzy is eying a hattrick on the U.K. albums chart with This Is What I Mean (via 0207/Merky), which leads at the midweek point.
The Croydon, England rapper is a perfect two-from-two, having led the Official U.K. Albums Chart with with his 2017 debut Gang Signs & Prayer and 2019’s Heavy Is The Head.
The Brit Award winner’s latest LP starts at No. 1 on the midweek chart, just ahead of pop veteran Cliff Richard’s festive collection, Christmas With Cliff (EastWest/Rhino).
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Richard’s first Christmas release in almost two decades is on track to become the iconic British artist’s 47th Top 10 solo album, a feat that includes seven leaders.
It’s nearly that time of year, which means a batch of Christmas-themed records are charging up the U.K. charts.
Andrea, Matteo and Virginia Bocelli’s A Family Christmas (Decca) lifts 11-5 on the midweek survey, and Michael Bublé’s Christmas (Reprise) is hovering just outside the top 10, up 35-11.
Further down the list, a Christmas edition of George Ezra’s former leader Gold Rush Kid (Columbia) bumps 33-15, while Aled Jones & Russell Watson’s Christmas With Aled & Russell (BMG) holds at No. 37.
It’s similar story on the midweek singles survey, with holiday classics from Mariah Carey and Wham surging into the top 10.
Elsewhere on the midweek albums survey, Rock And Roll Hall of Famers The Cure could mark a return to the top tier with the goth faves’ ninth album Wish (Polydor/UMR), thanks to a reissue. Wish reached No. 1 following its original release in 1992, and blasts to No. 4 on the Official Chart Update.
Finally, David Bowie could bag a 69th top 40 appearance on the U.K. albums survey with A Divine Symmetry (Parlophone), a four-disc package of rarities and demos that traces the year leading up to the release of his 1971 classic album, Hunky Dory.
Interest in the legendary late singer continues to run hot, thanks in part to the release of Brett Morgen’s feature-length documentary Moonage Daydream, the soundtrack to which opened at No. 20 on the Official U.K. Chart last Friday (Nov. 25). A Divine Symmetry could hit the same height; it’s new at No. 20 on the midweek chart.
Bowie died Jan. 10, 2016 at the age of 69, just days after the release of his Blackstar album.
The Official U.K. Albums Chart is published late Friday.
First, the album version, then the cut featuring Jack Antonoff’s Bleachers. Now, Taylor Swift’s acoustic cut of “Anti-Hero” is keeping the pop superstar’s Midnights hit on high rotation.
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Swift dropped “Anti-Hero (Acoustic Version)” last week, when Americans were tucking into their Thanksgiving turkey.
The impact can be felt across the Atlantic where, in the U.K., “Anti-Hero,” is on track for a sixth week at No. 1.
“Anti-Hero” completed a fifth week atop the Official Chart, published last Friday (Nov. 25), and it remains in pole position on the U.K.’s First Look chart, which ranks singles based on sales and streams from the first 48 hours.
“Anti-Hero” has led the chart every week since its release Oct. 21. A fresh version, featuring Bleachers, dropped on Nov. 7.
Meanwhile, Meghan Trainor’s “Made You Look” is showing strength and stamina in the U.K., where its challenging “Anti-Hero” for the chart crown.
Trainor’s doo-wop number is inching closer and lifts 3-2 on the chart blast, for what would be a chart peak.
If “Made You Look” unseats “Anti-Hero,” it would be Trainor’s third leader and first in seven years; her last was 2015’s Charlie Puth collaboration “Marvin Gaye.”
With England getting their World Cup campaign away to winning start, Baddiel, Skinner & The Lightning Seeds’ “Three Lions” looks set to kick another goal. The former chart leader is rolling towards the top 10, up 20-12 on the chart blast, and should enjoy a lift in the leadup to England’s final Group B fixture against Wales on Tuesday (Nov. 29).
A holiday-themed version of the track, “Three Lions (It’s Coming Home For Christmas),” could keep the song in the chart for the weeks ahead.
“Three Lions” would have company, with several Christmas classics making their annual march up the chart. Mariah Carey’s “All I Want For Christmas Is You” (up 18-8 on the chart blast) and Wham’s “Last Christmas” (23-10) are set to return to the top 10. Not far behind is Ed Sheeran & Elton John’s “Merry Christmas,” which hit No. 1 last December and lifts 40-16 on the chart blast.
All will be revealed when the Official U.K. Singles Chart is published Friday (Dec. 2).
Dermot Kennedy makes it two-from-two as Sonder (via Island) debuts at No. 1 on the U.K. albums survey.
The Irishman bows at the summit of the Official Albums Chart, published Nov. 25, and shifts a market-leading volume on vinyl.
Sonder equals the peak position of his 2019 debut, Without Fear, which saw the Dublin-born singer and songwriter became the first Irish act to top the U.K. chart with their debut album in over 20 years, the OCC reports.
The Christmas chimes are ringing in the top 5, as André Rieu and the Johann Strauss Orchestra enter at No. 4 with Silver Bells (Decca), a Christmas classics collection. It’s the Dutch classical crossover artist’s 13th U.K. top 10 album entry.
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Meanwhile, Queen enjoys a miracle return to the top 10. The legendary rock act’s 1989 LP The Miracle (Virgin) blasts to No. 6 on the latest list, thanks to an eight-disc reissue featuring previously-unreleased cuts, some with the late Freddie Mercury’s vocals. The Miracle led the U.K. chart following its original release in 1989.
Nickelback roll into the top 10 with Get Rollin’ (BMG), the Canadian rockers’ tenth studio album. It’s the band’s seventh top 10 appearance and first since 2017’s Feed The Machine went to No. 3.
Manchester rapper Meekz lands a career-best with his mixtape Respect The Come Up (Neighbourhood Recordings), new at No. 12, while U.S. heavy metal veterans Disturbed earn a fifth top 40 appearance with Divisive (Reprise), new at No. 17.
The late master David Bowie lands a 68th U.K. top 40 with the Moonage Dream OST, the companion to Brett Morgen’s feature length documentary film of the same name. The posthumous recording is new at No. 20.
Christmas is less that one month away, and that mean another burst of energy for Michael Bublé’s festive collection. The multi-platinum Christmas (Reprise) set soars 50-26, and will likely continue in that trajectory for the weeks ahead.