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Mariah Carey isn’t called the queen of Christmas for nothing. The U.S. pop veteran lives up to her nickname as her enduring holiday classic “All I Want For Christmas Is You” rings in Christmas as the No. 1 single in Australia.
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Carey’s 1994 release bags a second consecutive week at the top Down Under, and a fifth year at No. 1 during the Christmas week, ARIA reports.
Although it’s peak summer in Australia, a time when Aussies head to the beach en masse, those wintry yuletide classics dominate playlists in these parts, a fact that’s reflected by both main ARIA Charts.
Four of the top 10 singles on the chart published Dec. 23 are Christmas numbers, including Wham’s “Last Christmas” (up 6-3), Michael Bublé’s “It’s Beginning to Look a Lot Like Christmas” (up 11-5), Brenda Lee’s “Rockin’ Around the Christmas Tree” (up 12-7) and Ariana Grande’s “Santa Tell Me” (up 15-8), while Bobby Helms’ ‘50s tune Jingle Bell Rock lifts 19-14. Also, Xmas singles from Kelly Clarkson, Andy Williams, The Ronettes, Band Aid, Sia, John & Yoko/Plastic Ono Band and Burl Ives impact the top 40.
The highest debut belongs to British rapper Central Cee, whose sentimental song “Let Go” bows at No. 15. The song, which samples the 2008 track “Let Her Go” by English singer-songwriter Passenger, recently cracked the top 10 in the U.K. It’s the only new release to impact the Top 40 on either of ARIA’s main surveys.
Over on the ARIA Albums Chart, Taylor Swift’s platinum-certified 2022 juggernaut Midnights holds at No. 1, ahead of SZA’s sophomore album SOS and Michael Bublé’s Christmas, respectively, while Christmas-themed albums from the Bocelli family, Paul Kelly, Jimmy Barnes, Mariah Carey, and Vika & Linda appear further down the list.
Rihanna conquers a new radio format with her long-awaited comeback single, “Lift Me Up.” The track, from the soundtrack to the film Black Panther: Wakanda Forever, crowns the Adult R&B Airplay list dated Dec. 24. It’s her first No. 1 — and top 10 — on the chart and her ninth charting song on the list to date.
“Lift” jumps from No. 3 after a 24% surge in plays that made it the most-played song on U.S. monitored adult R&B stations in the week ending Dec. 18, according to Luminate. Thanks to the double-digit improvement, the new champ captures the weekly Greatest Gainer honor for the biggest increase in plays among the chart’s 30 titles.
“Lift” seizes the throne from Jazmine Sullivan’s “Hurt Me So Good,” displacing the latter after two weeks in charge. “Hurt” is pushed 1-2, despite a 5% gain in plays at the format.
With “Lift,” Rihanna registers her first Adult R&B Airplay No. 1 upon her ninth appearance on the list. Before the new champ, her previous career peak was a No. 13 result from her and Bryson Tiller’s featured slots on DJ Khaled’s “Wild Thoughts” in 2018. As a lead act, her prior best was her maiden entry, “Take a Bow,” which reached No. 21 in 2008.
Elsewhere, “Lift” continues its run across several other formats. It repeats at No. 5 on the R&B/Hip-Hop Airplay chart, where it registered 17.1 million in weekly audience impressions, an 18% upswing from the prior week. With that boost, the single captures that chart’s Greatest Gainer honor, too. On Rhythmic Airplay, it holds at its No. 6 peak thus far, though it gained 3% in weekly plays in the latest tracking week. The single moves 9-8 on the Mainstream R&B/Hip-Hop Airplay chart to return to its peak, first reached two weeks ago, and added 5% more plays. And though it slides 14-17 on Adult Pop Airplay, “Lift” registered a 4% bump in weekly plays at that format.
One week after SZA’s first anniversary at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, the singer-songwriter returns to the summit for her second career chart-topper thanks to “Kill Bill.” The track debuts at No. 1 on the list dated Dec. 24 and is one of seven SZA titles in the top 10, all from her new album, SOS.
“Kill Bill” traces its chart-topping start largely to 36.9 million official U.S. streams in the week ending Dec. 15, according to Luminate, for a No. 1 opening on the R&B/Hip-Hop Streaming Songs chart. The track also sold 1,000 downloads in the same period and pulled 22,000 in radio audience impressions. The low radio audience is due to the song not being an actively promoted single to radio stations — “Shirt” is the current track at R&B/hip-hop stations, while “Nobody Gets Me” is targeted toward the pop and rhythmic sectors.
Before “Kill Bill,” SZA reigned on the Hot R&B/Hip-Hop Songs chart with “I Hate U,” which likewise earned its chart-topping rule by debuting in the top slot. The single arrived in the penthouse on the chart dated Dec. 18, 2021, and led for one week. As both “I Hate U” and “Kill Bill” appear on SOS, the album is the first to yield two Hot R&B/Hip-Hop Songs leaders since The Weeknd’s After Hours sparked No. 1s in “Heartless” and “Blinding Lights.”
SOS also arrives with chart-topping accolades. The set storms in at No. 1 on the all-genre Billboard 200, Top R&B/Hip-Hop Albums and Top R&B Albums charts with 318,000 equivalent album units. Of that sum, 310,000 units derive from streaming — equal to 404.6 million official on-demand U.S. streams for the album’s songs, a new one-week record for any R&B album. On the former two charts, SOS grants SZA her first No. 1, while she picks up her second on the lattermost, after Ctrl reigned in 2017 upon its original release and again, earlier this year, following its deluxe edition’s premiere on the set’s fifth anniversary.
“Kill Bill” leads a parade of SZA cuts onto Hot R&B/Hip-Hop Songs, with seven tracks in the top 10 and 20 on the chart overall. Here’s a rundown of all her placements this week:
No. 1, “Kill Bill”No. 2, “Nobody Gets Me”No. 3, “Blind”No. 6, “Low”No. 7, “Shirt”No. 8, “Love Language”No. 9, “Seek & Destroy”No. 11, “Snooze”No. 12, “Used,” featuring Don ToliverNo. 13, “SOS”No. 16, “Special”No. 17, “Ghost in the Machine,” featuring Phoebe BridgersNo. 19, “Gone Girl”No. 20, “Notice Me”No. 23, “Smoking on My Ex Pack”No. 24, “Open Arms,” featuring Travis ScottNo. 27, “Conceited”No. 29, “Far”No. 30, “Too Late”No. 35, “Forgiveless,” featuring Ol’ Dirty Bastard
Plus, in addition to “I Hate U,” another prior SOS single, “Good Days,” reached No. 3 in 2021.
The SZA takeover also extends to the Hot R&B Songs chart, where the hitmaker posts eight tracks in the top 10 and 18 songs on the 25-position list. “Bill” leads the pack and becomes her third No. 1 on the list, after “The Weekend” and “I Hate U” each ruled for one week in, respectively, 2018 and 2021.
The queen of Christmas is crowned on Australia’s chart, while SZA makes her presence felt on both main surveys with her sophomore album and several singles from it.
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Nothing can top Mariah Carey’s “All I Want For Christmas Is You” (via Columbia/Sony) at this time of year. The 1994 holiday classic lifts 3-1 on the ARIA Singles Chart, published Dec. 16, ahead of former leaders “Unholy” (Capitol/Universal), by Sam Smith & Kim Petras; and “Anti-Hero” (Universal) by Taylor Swift, respectively.
Carey’s seasonal number finally cracked the summit in 2018. It has returned there each December, like clockwork.
SZA’s long-anticipated second album SOS (RCA/Sony) has been well-received by Aussie fans, as album track “Kill Bill” bows at No. 5 on the singles survey, “Nobody Gets Me” arrives at No. 16, “Blind” drops at No. 27, “Low” appears at No. 34, and “Seek and Destroy” starts at No. 38.
Indeed, the U.S. R&B singer is responsible for the only tracks to debut in the top 40 on the latest cycle.
It’s that most wonderful time of the year, again, and Christmas is the big story on the ARIA Singles Chart, where perennial hits by Wham (“Last Christmas” up 11-6 via RCA/Sony) and Michael Buble (“It’s Beginning To Look A Lot Like Christmas” up 13-11 via Reprise/Warner), Brenda Lee (“Rockin’ Around the Christmas Tree” up 15-12 via Universal), Ariana Grande (“Santa Tell Me” up 17-15 via Universal) and Bobby Helms (“Jingle Bell Rock” up 21-19 via Universal) climb the top 20.
SZA’s SOS, meanwhile, enjoys the highest debut on the ARIA Albums Chart at No. 2, behind Swift’s long-reigning Midnights.
The top five on the albums list is rounded out by Songs of Disappearance – Australian Frog Calls (MGM), which stays put at No. 3, and respective former best-sellers from Jimmy Barnes (Blue Christmas via Liberation/Universal) and Harry Styles (Harry’s House via Columbia/Sony).
Finally, Coterie makes a splash with their self-titled debut LP. The four-piece Australian-New Zealand band blasts in at No. 13 on the ARIA Albums Chart with Coterie (Sony), one of just two new releases to crack the top 50, after SZA’s latest LP.
It’s a one-two punch for Metro Boomin this week as the hitmaking producer takes over at No. 1 on both Billboard’s Hot R&B Songs and Hot Rap Songs charts. The former comes through the No. 1 arrival of “Creepin’,” with The Weeknd and 21 Savage, while the latter’s new champ is “Superhero (Heroes & Villains),” with Future and Chris Brown. Both tracks appear on Metro Boomin’s new album, Heroes & Villains, which likewise debuts at No. 1 on the Billboard 200 albums chart.
“Creepin’, by itself, scores another double play as the song also storms in at No. 1 on the Hot R&B/Hip-Hop Songs chart. It traces its entrance on the list, which factors streaming, radio airplay and sales into its rankings, mostly to 30.8 million official U.S. streams in the week ending Dec. 8, according to Luminate. The sum prompts a No. 1 arrival on the R&B/Hip-Hop Streaming Songs chart. It also begins at No. 4 on the R&B/Hip-Hop Digital Song Sales chart with 3,000 downloads sold in the same period and registered 2.3 million in radio airplay.
The new champ also brings a former genre hit back into play. “Creepin’” heavily reworks Mario Winans’ “I Don’t Wanna Know,” featuring P. Diddy and Enya, which reached No. 2 on Hot R&B/Hip-Hop Songs in 2004.
“Creepin’” gives Metro Boomin his first No. 1 on Hot R&B/Hip-Hop Songs. He previously reached a No. 5 best on another 21 Savage collaboration: The pair’s “Runnin” debuted and peaked there in October 2020.
21 Savage, for his part, picks up his fifth Hot R&B/Hip-Hop Songs leader and third of 2022, after a featured turn on Drake’s “Jimmy Cooks,” a one-week No. 1 in July and “Rich Flex,” with Drake, for the four prior weeks. Thus, as “Creepin’” replaces “Rich Flex,” 21 Savage is the first act to complete a self-replacement at No. 1 on Hot R&B/Hip-Hop Songs since Lizzo’s “Truth Hurts” ceded the throne to “Good as Hell” in November 2019.
The Weeknd, meanwhile, adds his seventh career No. 1 on Hot R&B/Hip-Hop Songs. On Hot R&B Songs, though, The Weeknd achieves his 10th leader and extends his record as the artist with the most No. 1s on the list since it launched in 2012. Here’s an updated look at his chart-topping collection on Hot R&B Songs:
“Earned It (Fifty Shades of Grey),” 14 weeks at No. 1, beginning April 11, 2015“Can’t Feel My Face,” 11, July 18, 2015“The Hills,” 14, Oct. 3, 2015“Starboy,” featuring Daft Punk, 20, Oct. 15, 2016“Call Out My Name,” one, April 14, 2018“Heartless,” one, Dec. 14, 2019“Blinding Lights,” 48, March 7, 2020“You Right,” with Doja Cat, one, Sept. 4, 2021“Sacrifice,” one, Jan. 22, 2022“Creepin’,” with Metro Boomin & 21 Savage, one (to date), Dec. 17, 2022
Both Metro Boomin and 21 Savage each earns his first No. 1 on Hot R&B Songs.
Over on the Hot Rap Songs chart, “Superhero (Heroes & Villains)” begins with 27.4 million official U.S. streams, 1,000 in download sales and 149,000 in radio airplay in the week ending Dec. 8.
In line with the Hot R&B Songs achievements, Metro Boomin acquires his first Hot Rap Songs No. 1. “Runnin,” with 21 Savage, which peaked at No. 5, was his prior best showing.
Future gets his third Hot Rap Songs No. 1, after he and Young Thug’s guest spots on Drake’s “Way 2 Sexy” led for two weeks in 2021, and his own “Wait for U,” featuring Drake and Tems, a two-week champ earlier this year.
Chris Brown grabs his fifth champ on Hot Rap Songs and returns to the summit for the first time in almost exactly eight years. “Superhero” joins this crew as the latest of Brown’s chart-toppers:
“Shortie Like Mine,” Bow Wow featuring Chris Brown & Johnta Austin, seven weeks at No 1, beginning Dec. 2, 2006“Look at Me Now,” featuring Lil Wayne & Busta Rhymes, 10, April 23, 2011“My Last,” Big Sean featuring Chris Brown, two, July 2, 2011“Only,” Nicki Minaj featuring Drake, Lil Wayne & Chris Brown, one, Dec. 27, 2014“Superhero (Heroes & Villians),” with Metro Boomin & Future, one (to date), Dec. 17, 2022
Elsewhere, both songs start in the top 10 of the all-genre Billboard Hot 100, with “Creepin’” arriving at No. 5 and “Superhero” at No. 8. The pair lead all 15 songs from Heroes & Villians onto the chart.
The Christmas takeover is about to begin on the U.K. chart, with three holiday classics jostling for the crown.
Based on sales and streaming data published by the Official Charts Company, Mariah Carey’s “All I Want For Christmas Is You” (Columbia) holds the edge at the halfway point, ahead of Wham’s “Last Christmas” (RCA) and Ed Sheeran & Elton John’s “Merry Christmas” (Atlantic), respectively.
Just 1,000 chart sales separate the three tracks at the midweek point, the OCC reports.
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All three tracks have led the Official U.K. Singles Chart, with Carey’s 1994 classic the current No. 1.
They’ll face some stiff competition for the coveted Christmas No. 1 in the form of LadBaby. The husband and wife duo of Mark and Roxanne Hoyle last year made history with a fourth consecutive U.K. Christmas No. 1, a streak they intend to extend with a fundraising cover of Band Aid’s “Do They Know It’s Christmas?”
The single will drop this Friday (Dec. 16), with proceeds from it divided equally between food bank charity The Trussell Trust and the Band Aid Trust.
This year’s countdown to the Christmas No. 1 will be revealed on Friday, Dec. 23.
Meanwhile, the original Band Aid all-star recording is one of many Christmas songs which stuff the Official Chart Update, as classics by Brenda Lee, Michael Buble, the Pogues featuring Kirsty MacColl, and Bobby Helms rise in the top 10.
Also noteworthy is Lizzo’s cover of Stevie Wonder’s “Someday At Christmas” (Atlantic), an Amazon Music “Original,” which eyes a new peak, up 21-13 on the chart blast, while Kelly Clarkson’s “Underneath The Tree” (RCA) could land its highest spot on the chart, at No. 14.
The highest debut on the chart should belong to SZA, whose “Kill Bill” (RCA/Top Dawg) bows at No. 24 at the midweek point, and “Nobody Gets Me” is set to start at No. 28. Both are lifted from the U.S. R&B artist’s long-awaited sophomore album, SOS, which dropped last Friday.
Sam Ryder is up, up and away in the U.K. albums chart race.
The hirsute Eurovision contestant leads the midweek chart with There’s Nothing But Space, Man! (via Parlophone), his debut album.
Space, Man holds an advantage of almost 2-to-1 over its nearest competitor, SZA’s SOS, the Official Charts Company reports.
Ryder represented England at Eurovision 2022 in May, his entry “Space Man” raking in 466 points for second place behind the winners from Ukraine, Kalush.
“Space Man” went on to peak at No. 2 on the Official U.K. Singles Chart in the same month, losing out to Harry Styles’ mega-hit “As It Was.”
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If it maintains its trajectory, There’s Nothing But Space, Man! would become the first debut album by a solo artist to hit No. 1 in the U.K. since Oliva Rodrigo’s Sour in March 2021, according to the OCC.
Coming in at No. 2 on the Chart Update is SZA’s long-awaited second LP SOS (via RCA/Top Dawg), which is on track to land the U.S. singer a career chart peak and her first U.K. top 10. Regardless of where it enters, SOS should top the No. 45 best for her critically-regarded debut Ctrl from 2017.
English singer and songwriter Sam Fender could nab two top 10 titles this week, with Live From Finsbury Park (Polydor) set to debut at No. 7, and his former leader Seventeen Going Under on course to lift 45-9. Earlier in the week, Fender was announced as a headliner for the 2023 edition of Britain’s Reading and Leeds Festivals.
Also eying a top 40 U.K. debut is A Boogie Wit Da Hoodie’s fourth album Me Vs Myself (Atlantic), which currently sits at No. 21. The U.S. rapper hit No. 11 with his previous collection, 2020’s Artist 2.0.
As the U.K. enters a cold snap, Christmas tunes are dominating playlists at home. No less than four holiday-themed albums appear in the top 10 of the chart blast, led by Michael Buble’s Christmas (via Reprise), up 5-4.
All will be revealed when the weekly chart is published Friday.
Paul Kelly scores an early Christmas gift, as the veteran Australian singer, songwriter and wordsmith bags the chart crown with his holiday collection.
Kelly’s “2022 Edition” of Christmas Train (GAWD/EMI) stops at No. 1 on the ARIA Albums Chart, published Dec. 9. That’s one better than Christmas Train’s No. 2 debut and peak position following its original release in 2021, an effort that made it the highest-charting Christmas album of the year in Australia.
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Christmas Train collects a batch of classics, and features a new recording of Ron Sexsmith’s “Maybe This Christmas” — recorded with Kelly’s live band at Soundpark Studios in Melbourne — and, of course, Kelly’s own holiday standard, “How to Make Gravy,” a tale of a prisoner reflecting on the friends and family he’ll miss while he’s locked up for Christmas.
Guest vocalists on the LP include Marlon Williams, Waleed Aly, Lior, Emma Donovan, Kasey Chambers, Kate Miller-Heidke, Vika & Linda Bull, and more.
With another Aussie Christmas set blazing to No. 1 last week, Jimmy Barnes’ Blue Christmas (down 4-1 this cycle), ARIA CEO Annabelle Herd is calling the result “amazing” and “one more thing to celebrate as we enter the festive season. Congratulations to Paul for his success, it’s fantastic to see such an accomplished and important national storyteller continue to reach new heights.”
Kelly had to wait for his first No. 1. It finally came in 2017 with Life Is Fine, his 23rd studio album. Its followup, 2018’s Nature, also scaled the summit.
A smattering of Christmas gifts are placed on the ARIA Charts, including Michael Bublé’s Christmas (Reprise/Warner), up 36-8 on the albums survey, and the Bocellis’ A Family Christmas (Decca/Universal), which holds at No. 9.
Leaping in at No. 3 on the ARIA Albums Chart, just behind Taylor Swift’s Midnights (Universal), is Australian Frog Calls: Songs of Disappearance (via MGM), an album that features calls from 43 of Australia’s most threatened frogs.
The set is a collaborative project of Australia Museum FrogID project, the Bowerbird Collective, Listening Earth and Mervyn Street of Mangkaja Arts, and aims to raise awareness for Australia’s declining frog population. Currently, one in six Australian native frog species are threatened.
The amphibian benefit recording is from the same well as Australian Bird Calls: Songs of Disappearance, an album of bird songs that reached No. 2 on the national chart in 2021.
Also new to the ARIA Albums Chart is Metro Boomin’s Heroes & Villains (Republic/Universal), new at No. 5, while BTS star RM’s starts at No. 26 with his solo debut Indigo (Interscope/Universal), and Magic Dirt singer Adalita bows at No. 29 with Inland (Liberation/Universal).
Over on the ARIA Singles Chart, Sam Smith & Kim Petras’ “Unholy” (Capitol/Universal) unseats “Taylor Swift’s “Anti-Hero” (Universal) after six weeks, while Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) races 11-3.
Metro Boomin’ has the top debut on the singles survey with his Heroes & Villains release, “Creepin’” featuring the Weeknd and 21 Savage. It’s new at No. 8.
Daft Punk debuts on Billboard‘s Top Dance/Electronic Albums chart (dated Dec. 10) with Homework: Remixes at No. 17. The limited edition two-LP Record Store Day release earned 2,000 equivalent album units, with nearly all from physical sales, Nov. 25 (its release day) through Dec. 1, according to Luminate.
The set supports the 25th anniversary of the original Homework album, which spent 18 weeks on the Billboard 200 in 1997-98 (peaking at No. 150); it predated the June 2001 inception of the Top Dance/Electronic Albums chart.
Homework: Remixes contains original remixes of Homework hits “Around the World,” by Masters at Work and Todd Terry; “Burnin’,” by DJ Sneak and Ian Pooley; and “Revolution 909,” by Roger Sanchez and Junior Sanchez, among others.
Homework: Remixes is Daft Punk’s 11th charted title on Top Dance/Electronic Albums. The act’s six No. 1s are tied with The Chainsmokers’ total for the second-most of all acts – and the most among duos or groups. Only Lady Gaga and Louie DeVito have more (seven each).
Daft Punk also improves on the latest list with Random Access Memories (9-7, up 15%) and Discovery (23-16, up 3%). Random, the act’s longest-running title with 369 chart weeks and counting, reaped 21 weeks at No. 1 in 2013-14. Discovery, released just prior to the chart’s start in 2001, hit No. 4 that year and made it to No. 1 at last, following the announcement of the act’s dissolution, in 2021.
‘All’ in Top 10
Shifting to the Dance/Mix Show Airplay chart, Alok, Sigala and Ellie Goulding lift into the top 10 with “All by Myself” (15-10). Alok’s third top 10, Sigala’s sixth and Goulding’s 10th, the song is scoring core-dance airplay on Music Choice’s Dance/EDM channel, iHeartRadio’s Evolution and Channel Q, among others. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
On the multi-metric Hot Dance/Electronic Songs chart, “Myself,” which samples Depeche Mode’s 1990 smash “Enjoy the Silence,” motors to a new peak (33-26). The track earned earning 629,000 U.S. streams, up 38%, in the wake of the Nov. 25 release of its club mix.
More ‘Good’ News
Speaking of Hot Dance/Electronic Songs, David Guetta and Bebe Rexha reign for an 11th week with “I’m Good (Blue).” The total ties Beyoncé’s “Break My Soul” for the second-most weeks at No. 1 in 2022; Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” spent 22 of its total 36 frames at No. 1 this year, after first reigning in October 2021.
“Good,” which earns top Airplay Gainer honors with 62.9 million all-format radio airplay audience impressions (up 8%), also matches Guetta and Rexha’s longest commands on the chart, as his “Hey Mama,” featuring Rexha, Nicki Minaj and Afrojack, dominated for 11 weeks in 2015.
“Good” leads the Dance/Electronic Streaming Songs and Dance/Electronic Digital Song Sales charts for a 12th week each, with 10.1 million streams and sold 5,000 downloads sold in the tracking week.
When news of Christine McVie’s death reached the U.K., her fans turned to Fleetwood Mac‘s music.
The English singer and songwriter died last Wednesday (Nov. 30) following a “short illness,” her family explained. She was 79.
Now, based on sales and streaming data captured by the Official Charts Company, the group’s iconic 1977 LP Rumours (Rhino/Warner Bros) is surging, and is on track for a return to the top 10.
The set, which led the chart for a single week following its release, rises 28-9 on the midweek survey, thanks to a 200% week-on-week uplift, the OCC reports. Further down the chart blast, Fleetwood Mac’s hits collection 50 Years – Don’t Stop vaults 29-14.
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McVie was inducted into the Rock And Roll Hall of Fame for her work with Fleetwood Mac, which she joined in 1970.
She wrote and sang lead vocals on a raft of the group’s biggest songs, including “Hold Me,” “Little Lies,” “Don’t Stop,” “Say You Love Me” and “You Make Loving Fun.”
During her lifetime, she received a Gold Badge of Merit Award from the Ivors Academy, the Ivor Novello Award for lifetime achievement, and two Grammy Awards.
With McVie in the lineup, Fleetwood Mac had 25 Hot 100 hits in the United States, including nine top 10s on the Billboard Hot 100 and one No. 1 smash: “Dreams” in 1977.
In the U.K., the band has ten top 10 singles, including a No. 1 with 1968’s “Albatross” (a pre-McVie lineup), and four No. 1 albums.
The Official U.K. Albums Chart is published Friday.