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Michael Buble’s Christmas (via Reprise) is back on familiar territory — at No. 1 in the U.K.
The Canadian crooner’s holiday classic lifts 3-1, for its fifth non-consecutive week at the summit. Christmas first led the Official U.K. Albums Chart following its release in 2011, and last reached the top in December 2021.
With Christmas in the rearview, holiday albums are enjoying mixed fortunes. On the way down are Cliff Richard’s Christmas With Cliff (2-12 via EastWest/Rhino), the Bocellis’ A Family Christmas (5-20 via Decca), and Andre Rieu & Johann Strauss Orchestra’s Silver Bells (7-36 via Decca), while the late Bing Crosby bucks the trend with Christmas Classics (UMC/Virgin), up 91-27.
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In the absence of any new releases, hits collections figure prominently on the latest survey, published Friday, Dec. 30.
Among the best-sellers are Elton John’s Diamonds (Mercury/UMC), up 14-5; and the Weeknd’s The Highlights (Republic Records/XO), which lifts 12-7 following the release of his Avatar 2: The Way of Water soundtrack single, “Nothing Is Lost (You Give Me Strength).”
Also climbing are Fleetwood Mac’s Rumours (up 13-8 via Rhino/Warner Bros) and 50 Years – Don’t Stop (up 25-15 via Rhino); Eminem’s Curtain Call – The Hits (up 18-11 via Interscope); ABBA’s Gold – Greatest Hits (up 20-13 via Polydor in its 1,078th week on the chart, a record); the U.K.’s top-selling album of all time, Queen’s Greatest Hits (up 23-16 via EMI); Oasis’ Time Flies – 1994-2009 (up 38-23 via Big Brother), Elvis Presley’s Elv1s – 30 Number 1 Hits (up 60-31 via BMG) and George Michael’s Twenty Five (up 74-40 via Aegean).
Wham’s “Last Christmas” (via RCA) is the gift that keeps giving, as the ‘80s classic returns to No. 1 in the U.K.
The holiday standard lifts 2-1 on the Official U.K. Singles Chart, published Dec. 30, for its second stint at the summit in 2022.
According to the Official Charts Company, “Last Christmas” scoops over 79,000 combined chart units, including a market-leading 18 million streams, to bag the last No. 1 of the year.
Less than a year earlier, “Last Christmas” was finally crowned on the survey, setting a new mark for the longest journey to the top, at 36 years.
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The latest survey is brimming with Christmas spirit. Indeed, holiday numbers swamp the Top 40, taking out 34 spots, including nine of the top 10. Mariah Carey’s “All I Want For Christmas Is You” (Columbia) improves 4-2; Ed Sheeran & Elton John’s “Merry Christmas” (Atlantic) is up 5-3; Brenda Lee’s 1962 hit “Rockin’ Around The Christmas Tree” (MCA) lifts 8-4, for a new peak; Michael Bublé’s “It’s Beginning To Look A Lot Like Christmas rebounds” (Reprise) is up 11-6; Bobby Helms bags a posthumous top 10 — his first in the U.K. — with “Jingle Bell Rock” (MCA) up 14-7; Lizzo lifts 15-8 with her Amazon Music “Original Someday At Christmas” (Atlantic); The Pogues featuring Kirsty MacColl’s “Fairytale of New York” (Warner Bros) gains 13-9; and Andy Williams’ “It’s The Most Wonderful Time Of Year” (Sony Music) soars 21-10.
LadBaby set a new chart record when “Food Aid” (BMG) bowed at No. 1 last week, the husband-and-wife duo’s fifth Christmas leader. The charity fundraised falls sharply in its second week, down to No. 85.
Expect an entirely different looking chart this Friday (Jan. 6), as Christmas songs make their annual exodus.
The highest charting non-Christmas-themed song belongs to Stormzy, whose This Is What I Mean ballad “Firebabe” (0207/Merky) lights up 10-5, for its equal peak position.
SZA’s SOS rules the Billboard 200 chart (dated Jan. 7) for a third straight and total week as the set earned 128,000 equivalent album units in the U.S. in the week ending Dec. 29 (down 29%), according to Luminate. Plus, five holiday albums populate the top 10 — the most in a year — led by Michael Bublé’s former No. 1 Christmas.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 7, 2023-dated chart will be posted in full on Billboard‘s website on Jan. 4 (one day later than usual, due to the New Year’s Day holiday on Jan. 1). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of SOS’ 128,000 equivalent album units earned, SEA units comprise 126,500 (down 29%, equaling 168.73 million on-demand official streams of the set’s tracks), album sales comprise 1,000 (down 20%) and TEA units comprise 500 (up 3%).
SOS is the first R&B album by a woman to spend three weeks at No. 1 since Beyoncé’s self-titled effort also spent its first three weeks atop the list in 2013. (R&B albums are defined as those that have hit Billboard’s Top R&B Albums chart.)
Taylor Swift’s former No. 1 Midnights is a non-mover at No. 2 with 106,000 equivalent album units (down 32%), while Bublé’s Christmas rises 5-3 with 62,000 units (down 14%). Christmas is one of five holiday albums in the top 10, the most in the region since the chart dated Jan. 2, 2022, when the top 10 also housed five festive sets.
Metro Boomin’s chart-topping Heroes & Villains is stationary at No. 4 with 58,000 equivalent album units earned (down 24%). Nat King Cole’s The Christmas Song hits a new peak, rising 7-5 with 57,000 units. It previously topped out at No. 6, first achieved on the Jan. 2, 2021-dated list.
Drake and 21 Savage’s former leader, Her Loss, holds at No. 6 with 50,000 equivalent album units earned (down 16%) and Bad Bunny’s former No. 1 Un Verano Sin Ti climbs 10-7 with 48,000 (down 9%). A Christmas Gift for You From Phil Spector climbs to a new chart high, rising 11-8 with 47,000 units (down 1%). The set had earlier plateaued at No. 10 on the Jan. 8, 2022-dated tally. Mariah Carey’s Merry Christmas is a non-mover at No. 9 with 47,000 units (down 10%) and Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack falls 8-10 with 45,000 units (down 20%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Mariah Carey already locked up the Christmas No. 1, now she’s certain to see in the New Year as queen of the Australian singles chart.
Carey’s nine-times platinum hit from 1994, “All I Want For Christmas Is You” (Columbia/Sony), enters a third week at No. 1 on the latest ARIA Singles Chart, as holiday numbers flood the survey.
“All I Want” leads an “all-Christmas” top ten, published Dec. 30, and is one of 18 Christmas songs impacting the top 20, with SZA’s “Kill Bill” (down 2-12 via RCA/Sony) and Sam Smith & Kim Petras’ former leader “Unholy” (down 3-14 via Capitol/Universal) the only exceptions.
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A string of Xmas-themed tracks impact the upper tier of the chart for the first time, including the late Nat King Cole’s 1946 recording “The Christmas Song (Merry Christmas To You)” (via Universal), new at No. 27; The Beach Boys’ “Little Saint Nick” (Universal) at No. 39; Bing Crosby’s “White Christmas” (Universal) at No. 41; Darlene Love’s “Christmas (Baby Please Come Home)” (via Sony) at No. 49; and another Nat King Cole classic, “Deck The Hall” (EMI), at No. 50.
Over on the ARIA Albums Chart, Taylor Swift’s platinum-certified Midnights (Universal) retains top spot, ahead of Michael Buble’s Christmas (up 3-2 via Reprise/Warner) and SZA’s SOS. (down 2-3 via RCA/Sony).
As the New Year nears, Swift can rest assured that her fanbase in Australia is amped for a potential tour to these parts. The U.S. pop superstar makes her presence known up and down the national albums survey, with Folklore (up 31-21), Evermore (up 50-22), Red (Taylor’s Version) (up 33-23), 1989 (up 32-27), Lover (up 34-30), Reputation (up 53-44), and Fearless (Taylor’s Version) (up 62-50) making gains.
LadBaby lands the ultimate Christmas present with “Food Aid” (via BMG) earning the coveted Christmas No. 1 in the U.K. — and doing so in record-busting fashion.
The charity single debuts at No. 1 on the Official Singles Chart with more than 65,000 chart sales, the Official Charts Company reports, for the fastest-selling week of any recording in 2022.
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The husband-and-wife duo of Mark and Roxanne Hoyle become the first act to nab five Official U.K. Christmas No. 1 singles, beating the old mark held by the Beatles, who bagged four non-consecutive Christmas leaders in 1963, 1964, 1965 & 1967.
Previously, LadBaby ruled the Christmas chart with “We Built This City” (in 2018), “I Love Sausage Rolls” (2019), “Don’t Stop Me Eatin’” (2020) and 2021’s “Sausage Rolls For Everyone” with Ed Sheeran and Elton John.
Proceeds from the single, a re-interpretation of Band Aid’s ‘80s classic “Do They Know It’s Christmas?,” are split equally between food bank charity The Trussell Trust and the Band Aid Trust.
“It only seems yesterday that LadBaby turned up with their first festive campaign four years ago, so it feels slightly surreal to be sending hearty congratulations on their fifth successive Official Christmas No. 1,” comments Martin Talbot, chief executive of the OCC. “Securing one Christmas No. 1 is a huge achievement in itself – to do it five times, in successive years, is unprecedented and frankly incredible.”
There’s Christmas cheer to be found up and down the chart, as Wham’s “Last Christmas” (RCA) dips 1-2, but racks up a market-leading 12.9 million streams. Meanwhile, another fundraising holiday number, Sidemen’s “Christmas Drillings,” is the highest climber, blasting 41-3; while yuletide favorites from Mariah Carey (“All I Want For Christmas Is You” down 2-4 via Columbia), Ed Sheeran and Elton John (“Merry Christmas” down 4-5 via Atlantic) and Brenda Lee (“Rockin’ Around The Christmas Tree” down 5-8 via MCA) impact the top 10.
It’s the season to be jolly, and it’s also the season for punk act the K**ts to stage a return with a protest song. At No. 7, “F**k The Tories” (via Tactical Voting) is the highest new entry on the chart, published Dec. 23. It’s the English act’s third consecutive Christmas top 10, following “Boris Johnson Is Still A F**king C**t” in 2021 and “Boris Johnson Is A F**king C**t” in 2020, both peaking at No. 5.
The Christmas albums crown belongs to Taylor Swift, whose 2022 smash Midnights (EMI) lifts 3-1 on the Official Chart, with over 17,000 chart units, according to the OCC.
Midnights joins 2020’s Folklore as Swift’s only LPs to log three weeks at the U.K. summit, and it’s the only non-Christmas album to inhabit the current top 3, as Cliff Richard’s Christmas With Cliff (EastWest/Rhino) lifts 8-2, and Michael Bublé’s Christmas (Reprise) improves 4-3.
Mariah Carey isn’t called the queen of Christmas for nothing. The U.S. pop veteran lives up to her nickname as her enduring holiday classic “All I Want For Christmas Is You” rings in Christmas as the No. 1 single in Australia.
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Carey’s 1994 release bags a second consecutive week at the top Down Under, and a fifth year at No. 1 during the Christmas week, ARIA reports.
Although it’s peak summer in Australia, a time when Aussies head to the beach en masse, those wintry yuletide classics dominate playlists in these parts, a fact that’s reflected by both main ARIA Charts.
Four of the top 10 singles on the chart published Dec. 23 are Christmas numbers, including Wham’s “Last Christmas” (up 6-3), Michael Bublé’s “It’s Beginning to Look a Lot Like Christmas” (up 11-5), Brenda Lee’s “Rockin’ Around the Christmas Tree” (up 12-7) and Ariana Grande’s “Santa Tell Me” (up 15-8), while Bobby Helms’ ‘50s tune Jingle Bell Rock lifts 19-14. Also, Xmas singles from Kelly Clarkson, Andy Williams, The Ronettes, Band Aid, Sia, John & Yoko/Plastic Ono Band and Burl Ives impact the top 40.
The highest debut belongs to British rapper Central Cee, whose sentimental song “Let Go” bows at No. 15. The song, which samples the 2008 track “Let Her Go” by English singer-songwriter Passenger, recently cracked the top 10 in the U.K. It’s the only new release to impact the Top 40 on either of ARIA’s main surveys.
Over on the ARIA Albums Chart, Taylor Swift’s platinum-certified 2022 juggernaut Midnights holds at No. 1, ahead of SZA’s sophomore album SOS and Michael Bublé’s Christmas, respectively, while Christmas-themed albums from the Bocelli family, Paul Kelly, Jimmy Barnes, Mariah Carey, and Vika & Linda appear further down the list.
Rihanna conquers a new radio format with her long-awaited comeback single, “Lift Me Up.” The track, from the soundtrack to the film Black Panther: Wakanda Forever, crowns the Adult R&B Airplay list dated Dec. 24. It’s her first No. 1 — and top 10 — on the chart and her ninth charting song on the list to date.
“Lift” jumps from No. 3 after a 24% surge in plays that made it the most-played song on U.S. monitored adult R&B stations in the week ending Dec. 18, according to Luminate. Thanks to the double-digit improvement, the new champ captures the weekly Greatest Gainer honor for the biggest increase in plays among the chart’s 30 titles.
“Lift” seizes the throne from Jazmine Sullivan’s “Hurt Me So Good,” displacing the latter after two weeks in charge. “Hurt” is pushed 1-2, despite a 5% gain in plays at the format.
With “Lift,” Rihanna registers her first Adult R&B Airplay No. 1 upon her ninth appearance on the list. Before the new champ, her previous career peak was a No. 13 result from her and Bryson Tiller’s featured slots on DJ Khaled’s “Wild Thoughts” in 2018. As a lead act, her prior best was her maiden entry, “Take a Bow,” which reached No. 21 in 2008.
Elsewhere, “Lift” continues its run across several other formats. It repeats at No. 5 on the R&B/Hip-Hop Airplay chart, where it registered 17.1 million in weekly audience impressions, an 18% upswing from the prior week. With that boost, the single captures that chart’s Greatest Gainer honor, too. On Rhythmic Airplay, it holds at its No. 6 peak thus far, though it gained 3% in weekly plays in the latest tracking week. The single moves 9-8 on the Mainstream R&B/Hip-Hop Airplay chart to return to its peak, first reached two weeks ago, and added 5% more plays. And though it slides 14-17 on Adult Pop Airplay, “Lift” registered a 4% bump in weekly plays at that format.
One week after SZA’s first anniversary at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, the singer-songwriter returns to the summit for her second career chart-topper thanks to “Kill Bill.” The track debuts at No. 1 on the list dated Dec. 24 and is one of seven SZA titles in the top 10, all from her new album, SOS.
“Kill Bill” traces its chart-topping start largely to 36.9 million official U.S. streams in the week ending Dec. 15, according to Luminate, for a No. 1 opening on the R&B/Hip-Hop Streaming Songs chart. The track also sold 1,000 downloads in the same period and pulled 22,000 in radio audience impressions. The low radio audience is due to the song not being an actively promoted single to radio stations — “Shirt” is the current track at R&B/hip-hop stations, while “Nobody Gets Me” is targeted toward the pop and rhythmic sectors.
Before “Kill Bill,” SZA reigned on the Hot R&B/Hip-Hop Songs chart with “I Hate U,” which likewise earned its chart-topping rule by debuting in the top slot. The single arrived in the penthouse on the chart dated Dec. 18, 2021, and led for one week. As both “I Hate U” and “Kill Bill” appear on SOS, the album is the first to yield two Hot R&B/Hip-Hop Songs leaders since The Weeknd’s After Hours sparked No. 1s in “Heartless” and “Blinding Lights.”
SOS also arrives with chart-topping accolades. The set storms in at No. 1 on the all-genre Billboard 200, Top R&B/Hip-Hop Albums and Top R&B Albums charts with 318,000 equivalent album units. Of that sum, 310,000 units derive from streaming — equal to 404.6 million official on-demand U.S. streams for the album’s songs, a new one-week record for any R&B album. On the former two charts, SOS grants SZA her first No. 1, while she picks up her second on the lattermost, after Ctrl reigned in 2017 upon its original release and again, earlier this year, following its deluxe edition’s premiere on the set’s fifth anniversary.
“Kill Bill” leads a parade of SZA cuts onto Hot R&B/Hip-Hop Songs, with seven tracks in the top 10 and 20 on the chart overall. Here’s a rundown of all her placements this week:
No. 1, “Kill Bill”No. 2, “Nobody Gets Me”No. 3, “Blind”No. 6, “Low”No. 7, “Shirt”No. 8, “Love Language”No. 9, “Seek & Destroy”No. 11, “Snooze”No. 12, “Used,” featuring Don ToliverNo. 13, “SOS”No. 16, “Special”No. 17, “Ghost in the Machine,” featuring Phoebe BridgersNo. 19, “Gone Girl”No. 20, “Notice Me”No. 23, “Smoking on My Ex Pack”No. 24, “Open Arms,” featuring Travis ScottNo. 27, “Conceited”No. 29, “Far”No. 30, “Too Late”No. 35, “Forgiveless,” featuring Ol’ Dirty Bastard
Plus, in addition to “I Hate U,” another prior SOS single, “Good Days,” reached No. 3 in 2021.
The SZA takeover also extends to the Hot R&B Songs chart, where the hitmaker posts eight tracks in the top 10 and 18 songs on the 25-position list. “Bill” leads the pack and becomes her third No. 1 on the list, after “The Weekend” and “I Hate U” each ruled for one week in, respectively, 2018 and 2021.
The queen of Christmas is crowned on Australia’s chart, while SZA makes her presence felt on both main surveys with her sophomore album and several singles from it.
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Nothing can top Mariah Carey’s “All I Want For Christmas Is You” (via Columbia/Sony) at this time of year. The 1994 holiday classic lifts 3-1 on the ARIA Singles Chart, published Dec. 16, ahead of former leaders “Unholy” (Capitol/Universal), by Sam Smith & Kim Petras; and “Anti-Hero” (Universal) by Taylor Swift, respectively.
Carey’s seasonal number finally cracked the summit in 2018. It has returned there each December, like clockwork.
SZA’s long-anticipated second album SOS (RCA/Sony) has been well-received by Aussie fans, as album track “Kill Bill” bows at No. 5 on the singles survey, “Nobody Gets Me” arrives at No. 16, “Blind” drops at No. 27, “Low” appears at No. 34, and “Seek and Destroy” starts at No. 38.
Indeed, the U.S. R&B singer is responsible for the only tracks to debut in the top 40 on the latest cycle.
It’s that most wonderful time of the year, again, and Christmas is the big story on the ARIA Singles Chart, where perennial hits by Wham (“Last Christmas” up 11-6 via RCA/Sony) and Michael Buble (“It’s Beginning To Look A Lot Like Christmas” up 13-11 via Reprise/Warner), Brenda Lee (“Rockin’ Around the Christmas Tree” up 15-12 via Universal), Ariana Grande (“Santa Tell Me” up 17-15 via Universal) and Bobby Helms (“Jingle Bell Rock” up 21-19 via Universal) climb the top 20.
SZA’s SOS, meanwhile, enjoys the highest debut on the ARIA Albums Chart at No. 2, behind Swift’s long-reigning Midnights.
The top five on the albums list is rounded out by Songs of Disappearance – Australian Frog Calls (MGM), which stays put at No. 3, and respective former best-sellers from Jimmy Barnes (Blue Christmas via Liberation/Universal) and Harry Styles (Harry’s House via Columbia/Sony).
Finally, Coterie makes a splash with their self-titled debut LP. The four-piece Australian-New Zealand band blasts in at No. 13 on the ARIA Albums Chart with Coterie (Sony), one of just two new releases to crack the top 50, after SZA’s latest LP.
It’s a one-two punch for Metro Boomin this week as the hitmaking producer takes over at No. 1 on both Billboard’s Hot R&B Songs and Hot Rap Songs charts. The former comes through the No. 1 arrival of “Creepin’,” with The Weeknd and 21 Savage, while the latter’s new champ is “Superhero (Heroes & Villains),” with Future and Chris Brown. Both tracks appear on Metro Boomin’s new album, Heroes & Villains, which likewise debuts at No. 1 on the Billboard 200 albums chart.
“Creepin’, by itself, scores another double play as the song also storms in at No. 1 on the Hot R&B/Hip-Hop Songs chart. It traces its entrance on the list, which factors streaming, radio airplay and sales into its rankings, mostly to 30.8 million official U.S. streams in the week ending Dec. 8, according to Luminate. The sum prompts a No. 1 arrival on the R&B/Hip-Hop Streaming Songs chart. It also begins at No. 4 on the R&B/Hip-Hop Digital Song Sales chart with 3,000 downloads sold in the same period and registered 2.3 million in radio airplay.
The new champ also brings a former genre hit back into play. “Creepin’” heavily reworks Mario Winans’ “I Don’t Wanna Know,” featuring P. Diddy and Enya, which reached No. 2 on Hot R&B/Hip-Hop Songs in 2004.
“Creepin’” gives Metro Boomin his first No. 1 on Hot R&B/Hip-Hop Songs. He previously reached a No. 5 best on another 21 Savage collaboration: The pair’s “Runnin” debuted and peaked there in October 2020.
21 Savage, for his part, picks up his fifth Hot R&B/Hip-Hop Songs leader and third of 2022, after a featured turn on Drake’s “Jimmy Cooks,” a one-week No. 1 in July and “Rich Flex,” with Drake, for the four prior weeks. Thus, as “Creepin’” replaces “Rich Flex,” 21 Savage is the first act to complete a self-replacement at No. 1 on Hot R&B/Hip-Hop Songs since Lizzo’s “Truth Hurts” ceded the throne to “Good as Hell” in November 2019.
The Weeknd, meanwhile, adds his seventh career No. 1 on Hot R&B/Hip-Hop Songs. On Hot R&B Songs, though, The Weeknd achieves his 10th leader and extends his record as the artist with the most No. 1s on the list since it launched in 2012. Here’s an updated look at his chart-topping collection on Hot R&B Songs:
“Earned It (Fifty Shades of Grey),” 14 weeks at No. 1, beginning April 11, 2015“Can’t Feel My Face,” 11, July 18, 2015“The Hills,” 14, Oct. 3, 2015“Starboy,” featuring Daft Punk, 20, Oct. 15, 2016“Call Out My Name,” one, April 14, 2018“Heartless,” one, Dec. 14, 2019“Blinding Lights,” 48, March 7, 2020“You Right,” with Doja Cat, one, Sept. 4, 2021“Sacrifice,” one, Jan. 22, 2022“Creepin’,” with Metro Boomin & 21 Savage, one (to date), Dec. 17, 2022
Both Metro Boomin and 21 Savage each earns his first No. 1 on Hot R&B Songs.
Over on the Hot Rap Songs chart, “Superhero (Heroes & Villains)” begins with 27.4 million official U.S. streams, 1,000 in download sales and 149,000 in radio airplay in the week ending Dec. 8.
In line with the Hot R&B Songs achievements, Metro Boomin acquires his first Hot Rap Songs No. 1. “Runnin,” with 21 Savage, which peaked at No. 5, was his prior best showing.
Future gets his third Hot Rap Songs No. 1, after he and Young Thug’s guest spots on Drake’s “Way 2 Sexy” led for two weeks in 2021, and his own “Wait for U,” featuring Drake and Tems, a two-week champ earlier this year.
Chris Brown grabs his fifth champ on Hot Rap Songs and returns to the summit for the first time in almost exactly eight years. “Superhero” joins this crew as the latest of Brown’s chart-toppers:
“Shortie Like Mine,” Bow Wow featuring Chris Brown & Johnta Austin, seven weeks at No 1, beginning Dec. 2, 2006“Look at Me Now,” featuring Lil Wayne & Busta Rhymes, 10, April 23, 2011“My Last,” Big Sean featuring Chris Brown, two, July 2, 2011“Only,” Nicki Minaj featuring Drake, Lil Wayne & Chris Brown, one, Dec. 27, 2014“Superhero (Heroes & Villians),” with Metro Boomin & Future, one (to date), Dec. 17, 2022
Elsewhere, both songs start in the top 10 of the all-genre Billboard Hot 100, with “Creepin’” arriving at No. 5 and “Superhero” at No. 8. The pair lead all 15 songs from Heroes & Villians onto the chart.
