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Alicia Keys extends her record for the most No. 1s on Billboard’s Adult R&B Airplay chart as “Trillions,” featuring Brent Faiyaz, crowns the chart dated Jan. 28. The single advances from No. 2, and, despite its 1% decrease in weekly plays, it became the most-played song on U.S. monitored adult R&B radio stations in the week ending Jan. 19, according to Luminate.
With her new champ, Alicia Keys improves her career total of Adult R&B Airplay No. 1s to 13. She remains atop the leaderboard for the most No. 1s among all acts since the chart began in 1993. Now, she moves two ahead of her nearest competitor, Toni Braxton, and her 11 leaders. Here’s a look at the artists with the most chart-toppers in Adult R&B Airplay history:
13, Alicia Keys11, Toni Braxton9, Charlie Wilson8, Bruno Mars8, Kem8, Maxwell7, H.E.R.7, Mary J. Blige7, R. Kelly7, Tank
“Big love to my AK fam,” Keys said in an Instagram post celebrating the accomplishment. “Big love to Brent Faiyaz – I told you we were going to get that No. 1!,” the singer-songwriter said.” The R&B legend also noted the feat occurred during her birthday week, as she turned 42 on Jan. 25.
At 22 weeks, “Trillions” ties for Keys’ second-longest trek to the summit among her 13 champs. “Fire We Make,” her duet with Maxwell, also required 22 weeks on its way to a seven-week reign in 2013; they both rank behind “So Done,” featuring Khalid, which reached No. 1 in its 28th week on the chart.
For Brent Faiyaz, his featured turn on “Trillions” yields his first Adult R&B Airplay No. 1 with his debut appearance on the chart.
“Trillions” also marks Keys and Faiyaz’s second charted collaboration; their prior release, “Ghetto Gatsby,” from Faiyaz’s Wasteland album, reached No. 8 on the Hot R&B Songs chart in July 2022. “Trillions” appears on the deluxe edition of Keys’ 2021 album Keys, dubbed Keys II, that dropped in August 2022. (All versions of the Keys album are combined for tracking and charting purposes.)
Elsewhere, “Trillions” climbs to a new peak of No. 17 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience listenership from adult R&B and mainstream R&B/hip-hop stations. There, the song climbs again, despite, a 5% drop to 6.7 million in audience.
Miley Cyrus’ “Flowers” (via Columbia) is sowing the seeds for a second week atop the U.K. chart.
Based on midweek sales and streaming data captured by the Official Charts Company, “Flowers” is “storming” ahead of its rivals.
If it holds its ground, “Flowers” would become the U.S. pop star’s longest-reigning U.K. No. 1, and her only single to spend multiple weeks at the summit. Her previous leaders “We Can’t Stop” and “Wrecking Ball” both logged single stints at No. 1 back in 2013.
“Flowers” got away to a fast start around the globe, smashing Spotify’s one-week streaming record, and bowing at No. 1 in Australia.
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In the U.K., “Flowers” leads an unchanged top 5 on the midweek chart, which is completed by singles from Raye, SZA, Taylor Swift, and Venbee & Goddard, respectively.
Meanwhile, hot Afrobeats artist Rema is eying a new peak position with “Calm Down” (Mavin), up 9-6 on the Official Chart Update, while Tiësto and Tate McRae’s “10:35” (up 17-14 via Atlantic/Ministry of Sound) and Cian Ducrot’s “I Will Be Waiting” (up 23-19) are on the climb.
The highest new entry on the forthcoming Official U.K. Singles Chart could belong to Headie One, with “Martin’s Sofa” (Relentless) on track for a No. 9 debut. If it stays put, “Martin’s Sofa” would give the London rapper and songwriter a fifth U.K. top 10 and 13th top 40 appearance.
The only other new arrival in the midweek top 40 belongs to Ed Sheeran, with “F64” (Atlantic), the Brit’s tribute to his friend Jamal Edwards, the late founder of SBTV, who died in Feb. 2022 from cardiac arrhythmia after taking recreational drugs, aged 31.
“F64” is on target for a No. 33 start, which would give Sheeran his 58th top 40 hit.
All will be revealed when the national weekly chart is published this Friday (Jan. 27).
The Reytons could ride all the way to No. 1 in the U.K. with What’s Rock And Roll? (via The Reytons), the British indie band’s third LP.
Formed in South Yorkshire, the Reytons take pole position on the midweek survey and, assuming the album continues to reach fans in the second half of the chart week, should set a new career-best performance.
The group previously cracked the top 40 on the Official U.K. Albums Chart with May Seriously Harm You And Others Around (No. 27) and Kids Off The Estate (No. 11), both from 2021.
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It’s not the only rock album rolling to a top 5 berth. Black Star Riders are racing to No. 2 with Wrong Side Of Paradise (Earache), the band’s fifth studio album. Featuring several members of Thin Lizzy, Black Star Riders bagged top 40 appearances with each of their previous four LPs: 2013’s All Hell Breaks Loose (No. 25), 2015’s The Killer Instinct (No. 13), 2017’s Heavy Fire (No. 6) and 2019’s Another State Of Grace (No. 14).
Meanwhile, 2021 Eurovision winners Måneskin are tracking for a first-ever U.K. top 10 album with Rush (Columbia). It’s new at No. 3 on the Official Chart Update.
The rockers — Damiano David, Victoria De Angelis, Ethan Torchio and Thomas Raggi — made history when, in June 2021, they landed two singles in the U.K. top 10 (“I Wanna Be Your Slave” and the cover “Beggin’”), becoming the first Italian act to do so. Måneskin previously impacted the Official U.K. Albums Chart with Teatro d’ira – Vol. I (No. 49), also from 2021.
Also eyeing a top 10 debut is Dublin outfit The Murder Capital, with Gigi’s Recovery (Human Season). It’s new at No. 7 on the chart blast. Meanwhile, recordings from electronic-leaning outfit Ladytron (Time’s Arrow at No. 17 via Cooking Vinyl), metal act Riverside (ID.Entity at No. 22 via Inside Out), Welsh artist and Velvet Underground founding member John Cale (Mercy at No. 37 via Double Six), and NYC rock band We Are Scientists (Lobes at No. 38 via 100 Percent Records) are set to make a splash.
All will be revealed when the Official U.K. Albums Chart is published Friday (Jan. 27).
Almost 15 years after its release, Courteeners’ debut St. Jude (via Polydor/UMR) hits No. 1 on the U.K. album chart — setting a new mark in the process.
The 2008 debut album blasts to the summit of the Official U.K. Albums Chart, published Jan. 20, powered by a 15th anniversary edition containing remastered tracks, rarities and previously-unreleased works.
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St. Jude becomes the album with the longest span between release and charting at No. 1 in U.K. chart history, the Official Charts Company reports, doing so in 14 years, 9 months and 14 days after its initial release.
It’s the first leader for the Manchester trio, and it sees them join the rarest of company. Liam Fray, Michael Campbell and Daniel “Conan” Moores are, collectively, only the third act to chart at No. 1 with a reissued album. The others? The Rolling Stones (Goats Head Soup, Exile On Main St.) and the Beatles (Abbey Road, Sgt Pepper’s Lonely Hearts Club Band).
St. Jude previously peaked at No. 4 back in 2008, and carries three U.K. top 40 singles: “Not Nineteen Forever,” “No You Didn’t, No You Don’t” and “What Took You So Long?”
Physical sales (97%) fueled its big week, as St. Jude tops the Official Vinyl Albums Chart.
Meanwhile, London rapper Clavish bows at No. 4 with his 28-track mixtape Rap Game Awful (via Polydor), while former Supergrass guitarist Gaz Coombes scores his first solo top 10 with Turn The Car Around (Hot Fruit), his fourth effort. Turn The Car Around parks at No. 6.
Liverpool indie rocker outfit Circa Waves score a fifth top 40 with Never Going Under (Lower Third). The followup to 2020’s Sad Happy (No. 4 peak), Never Going Under bobs up at No. 15.
Finally, Garthamlock, Scotland singer Joesef earns a top 20 on debut with his first album, Permanent Damage (Bold Cut). It’s new at No. 18.
Miley Cyrus stands tall on the U.K. singles chart as “Flowers” (via Columbia) arrives at No. 1, for her third leader.
“Flowers” blooms with imposing numbers. During its first chart cycle, “Flowers” racks up 92,000 chart units, including total streams of nearly 10 million. That’s Cyrus’ biggest-ever opening week for streams, the Official Charts Company reports, and the market’s biggest debut week since Harry Styles’ “As It Was” blasted to the summit in May 2022.
Lifted from Cyrus’ forthcoming eighth studio album Endless Summer Vacation, “Flowers” got away to a hot start everywhere. The single opened at No. 1 on Australia’s chart, and it smashed Spotify’s global one-week streaming mark. The track will make its official mark on the Billboard Hot 100 when the latest charts are unveiled Monday (Jan. 23), though Billboard readers already voted it as their favorite new release last week.
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Previously, Cyrus lead the Official U.K. Singles Chart with “We Can’t Stop” (from 2013) and “Wrecking Ball” (2013), the latter earning her a chart double as its parent Bangerz simultaneously led the national albums survey.
Positions 2-6 are unchanged on the current survey, while St. Louis-raised Metro Boomin bags a career-best with “Creepin’” (Republic Records), featuring the Weeknd and 21 Savage. It’s up 11-7 for Metro Boomin’s first-ever U.K. top 10 single.
Further down the list, British singer and songwriter Mimi Webb lands her sixth top 40 with “Red Flags” (Epic). It’s the second-highest new entry this week at No. 23.
Also new to the chart, published Jan. 20, is Fredo’s “Flow” (PG Records), new at No. 30. It’s the London rapper’s 17th top 40 appearance.
Finally, Shakira scores her first U.K. top 40 appearance in almost a decade with “Bizarrap – BZRP Music Sessions #53” (via Dale Play), the break-up song cut Argentine DJ and YouTuber Bizarrap. It’s new at No. 31, Shakira’s 13th top 40 hit — and first for the Colombian star since 2014’s “Empire” (No. 25 peak).
Miley Cyrus flourishes on Australia’s singles chart with “Flowers” (Columbia/Sony), which debuts at No. 1.
“Flowers” is, surprisingly, the U.S. pop star’s first leader in the land Down Under. Her previous best on the ARIA Singles Chart was No. 2 for 2013’s “Wrecking Ball,” though she has led the national albums chart with two titles — Bangerz in 2013 and Breakout in 2008.
Cyrus has a deep connection with Australia, which extends beyond music. She and Aussie actor Liam Hemsworth dated on and off for years after meeting on the set of the 2010 film movie The Last Song. The couple married in December 2018, but separated the following year. Later, Cyrus briefly dated another Aussie singer, Cody Simpson.
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Raye is enjoying the best-possible start to 2023. First, she crashed the Official U.K. Singles Chart with “Escapism” (via RCA/Sony), the British singer’s first No. 1 in her homeland. Now, the single climbs to a new high in Australia. “Escapism,” featuring U.S. rapper 070 Shake, lifts 4-3 on the ARIA Singles Chart, published Friday (Jan. 20).
Also bringing a fresh vibe to the ARIA Chart is “Vibe” (Interscope/Universal), the new collaboration from BigBang member Taeyang and BTS member Jimin. It’s new at No. 48. “Vibe” should get a shot in the arm from the release this week of a new live performance of the song, accompanied with a full backing band.
Over on the ARIA Albums Chart, also published Jan. 20, Taylor Swift locks-up another No. 1 with Midnights (Universal). Swift’s tenth and latest studio album has led the Australian survey for 11 non-consecutive weeks, her longest-running leader in these parts.
Meanwhile, SZA’s SOS (RCA/Sony) holds at No. 2 for a third week, while British acts Arctic Monkeys and Elton John enjoy sales spikes following their recent, respective live runs. Arctic Monkeys’ The Car (Domino/EMI) freewheels 46-3, and Elton’s Diamonds (Universal) shines at No. 5.
The only new title to debut this week on the ARIA Albums Chart is Duncan Toomb’s Steel On Steel (Compass Brothers Records/Universal), the Australian country artist’s solo debut. It’s new at No. 30.
Elvis Presley and Britney Spears debut on Billboard‘s multi-metric Hot Dance/Electronic Songs chart (dated Jan. 21) with “Toxic Las Vegas (Jamieson Shaw Remix)” at No. 26. The track earned 493,000 U.S. streams and sold 500 downloads in the Jan. 6-12 tracking week, according to Luminate.
Heard in the 2022 Presley biopic Elvis, and released Jan. 6, the track is a mash-up of two classics from different eras: Presley’s “Viva Las Vegas” and Spears’ “Toxic.” “Viva,” credited to Presley with the Jordanaires, reached No. 29 on the Billboard Hot 100 in 1964; “Toxic” rose to No. 9 in 2004.
Elvis director Baz Luhrmann compared the King of Rock and Roll to the Princess of Pop in an interview with entertainment.ie last June. “Just like Britney, who creates the quintessential ’90s pop music, you’re richer than God and you’re in the Hollywood bubble,” he said. “That’s what happens to Elvis. He’s gone from being this rebel, this punk, deeply steeped with his Black music friends doing radical music, to suddenly being isolated in Hollywood doing pop.”
The star pairing gives Presley his inaugural appearance on the Hot Dance/Electronic Songs chart, which premiered 10 years ago this month. It’s the eighth placement for Spears, who earned her second No. 1 last September, alongside Elton John on “Hold Me Closer.” (Spears first led with “Scream & Shout,” with will.i.am, on that inaugural survey, dated Jan. 26, 2013, beginning a five-week reign.)
Concurrently, “Toxic Las Vegas” opens at No. 12 on the Dance/Electronic Digital Song Sales chart, eclipsing the peak of Spears’ original “Toxic”; although its release predated the chart’s 2010 inception, “Toxic” hit No. 31 on that chart’s first edition in 2010.
On Dance/Electronic Digital Song Sales, Spears has three No. 1s and nine top 10s among 23 appearances. “Toxic Las Vegas” is Presley’s second hit there, following “Don’t Fly Away (PNAU Remix),” billed as by Presley and PNAU (No. 18, last July).
Meanwhile, “Toxic” marks the latest revival as a mash-up for the enduring song: In early 2022, “Toxic Pony,” a blend with Ginuwine’s No. 1 Hot R&B/Hip-Hop Songs smash, and a No. 6 Hot 100 hit, from 1996, reached No. 7 on R&B Digital Song Sales and No. 40 on Pop Airplay, among other showings.
Raye had the feel-good chart story of 2023 with “Escapism,” a slow burner that finally climbed to No. 1 earlier in the month for the British singer’s first leader.
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With Lewis Capaldi’s “Pointless” pushing “Escapism” to No. 2 on the latest chart, published last Friday (Jan. 13), Raye is making another push for the summit.
“Escapism,” featuring U.S. rapper 070 Shake, leads the U.K.’s First Look survey, which ranks the most popular singles after the first 48 hours in the chart cycle.
It’s not a done deal. Miley Cyrus is hot on her heels with “Flowers,” the Official Charts Company reports. It’s new at No. 2 on the chart blast.
The lead off to Cyrus’ eighth studio set Endless Summer Vacation, due out March 10, “Flowers” features production work from Tyler Johnson and Kid Harpoon.
Wherever it lands on the U.K. chart, “Flowers” should become her eighth U.K. Top 10 single, a list that she most recently added to in 2020 with Plastic Hearts tracks “Midnight Sky” (No. 5) and the Dua Lipa-assisted “Prisoner” (No. 8).
As Raye and Cyrus duke it out, Capaldi’s “Pointless” is out of the picture, certainly at this early stage. “Pointless, lifted from Capaldi’s forthcoming sophomore LP, Broken By Desire To Be Heavenly Sent, is set to drop 1-11 on the weekly tally. Finally, “Creepin’” by producer Metro Boomin’ featuring The Weeknd and 21 Savage is creeping up the chart, and could finally crack the top 10. It’s at No. 10 on the First Look tally.
All will be revealed when the Official U.K. Singles Chart is published Friday.
It’s still Taylor Swift time in the U.K., where Midnights (via EMI) enters a fifth non-consecutive week at No. 1.
Swift’s 10th and latest studio album extends its lead as her longest-reigning champion on the Official U.K. Albums Chart, and it’s the longest-running No. 1 in the U.K. since Harry Styles’ Harry’s House logged six weeks atop the survey.
The best-seller at the midweek point, Midnights leads an unchanged top five ahead of SZA’s SOS (via RCA/Top Dawg) and The Weeknd’s greatest hits collection The Highlights (Republic Records/XO), respectively, while Lewis Capaldi reenters the top 10 with former No. 1 Divinely Uninspired To A Hellish Extent (EMI).
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Divinely Uninspired lifts 16-10 on the latest survey, published Jan. 13, ahead of the release of his sophomore LP, Broken By Desire To Be Heavenly Sent. The Scottish artist’s sophomore set is due in May and contains “Pointless,” the new No. 1 on the Official U.K. Singles Chart.
The week’s highest debut belongs to Gabrielle Aplin, whose fourth album Phosphorescent (Never Fade) starts at No. 15, for the British singer and songwriter’s third top 20 album. Aplin’s 2013 debut English Rain peaked at No. 2 and 2015’s Light Up The Dark hit No. 14.
As The 1975 kick off their tour of the U.K. and Ireland in support of their latest set Being Funny In A Foreign Language (Dirty Hit), the album leaps 31-19 on the national chart.
All five of the band’s studio albums have hit No. 1 in the U.K., including 2022’s Being Funny.
Last week, Matty Healy and Co. sent Swifties into a frenzy when TayTay joined the band at The O2 in London to perform “Anti-Hero on stage for the first time.
Finally, Detroit punk icon Iggy Pop bows at No. 33 with Every Loser (Atlantic), his 19th solo album. It’s Iggy’s fifth U.K. Top 40 title.
Following a tight chart race which saw Raye take an early lead, it’s Lewis Capaldi who takes the U.K. crown with “Pointless” (via Vertigo).
The Scottish singer songwriter bags his fourth No. 1, as “Pointless,” co-written by Ed Sheeran, finishes just 1,200 combined sales ahead of its closest competition, Raye’s independently-released hit “Escapism” (Human Re Sources), featuring 070 Shake.
“Pointless” improves 15-1 on the Official U.K. Singles Chart, published Jan. 13, powered by physical and digital download sales, the Official Charts Company reports, as “Escapism” dips 1-2.
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“Pointless” is the second single lifted from his upcoming second studio album Broken By Desire To Be Heavenly Sent, slated to drop in May.
“4 u.k. number 1’s!!!!. Over the moon to finally have as many number 1’s as a do STI’s,” he quips on social media.
Capaldi enjoyed a global breakthrough with 2019’s “Someone You Loved,” which logged seven weeks atop the U.K. chart. He led the chart again in 2020 with “Before You Go” for one week in 2020, and with Broken By Desire release “Forget Me,” for one week in 2022.
Completing the chart podium on the current tally is SZA’s SOS cut “Kill Bill” (via RCA/Top Dawg), up 4-3 for a new peak.
Also on the rise this week is U.S. singer Miguel, who vaults 83-14 with “Sure Thing” (Jive), his first U.K. top 20 single; Irish singer-songwriter Cian Ducrot with “I’ll Be Waiting” (Polydor) up 39-22; Lil Uzi Vert’s “Just Wanna Rock” (Atlantic) up 38-32; Tory Lanez’s “The Color Violet” (The One Umbrella) gains 41-36 and Hotel Ugly’s viral effort, “Shut Up My Moms Calling” (Hotel Ugly), which checks into the top 40, improving 47-38.
The highest new entry on the latest chart comes courtesy of producers Skrillex, Fred Again, and rapper/producer Flowdan, as their collaborative “Rumble” (Atlantic) gets to work at No. 19.
