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Miley Cyrus flourishes on Australia’s singles chart with “Flowers” (Columbia/Sony), which debuts at No. 1.
“Flowers” is, surprisingly, the U.S. pop star’s first leader in the land Down Under. Her previous best on the ARIA Singles Chart was No. 2 for 2013’s “Wrecking Ball,” though she has led the national albums chart with two titles — Bangerz in 2013 and Breakout in 2008.
Cyrus has a deep connection with Australia, which extends beyond music. She and Aussie actor Liam Hemsworth dated on and off for years after meeting on the set of the 2010 film movie The Last Song. The couple married in December 2018, but separated the following year. Later, Cyrus briefly dated another Aussie singer, Cody Simpson.
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Raye is enjoying the best-possible start to 2023. First, she crashed the Official U.K. Singles Chart with “Escapism” (via RCA/Sony), the British singer’s first No. 1 in her homeland. Now, the single climbs to a new high in Australia. “Escapism,” featuring U.S. rapper 070 Shake, lifts 4-3 on the ARIA Singles Chart, published Friday (Jan. 20).
Also bringing a fresh vibe to the ARIA Chart is “Vibe” (Interscope/Universal), the new collaboration from BigBang member Taeyang and BTS member Jimin. It’s new at No. 48. “Vibe” should get a shot in the arm from the release this week of a new live performance of the song, accompanied with a full backing band.
Over on the ARIA Albums Chart, also published Jan. 20, Taylor Swift locks-up another No. 1 with Midnights (Universal). Swift’s tenth and latest studio album has led the Australian survey for 11 non-consecutive weeks, her longest-running leader in these parts.
Meanwhile, SZA’s SOS (RCA/Sony) holds at No. 2 for a third week, while British acts Arctic Monkeys and Elton John enjoy sales spikes following their recent, respective live runs. Arctic Monkeys’ The Car (Domino/EMI) freewheels 46-3, and Elton’s Diamonds (Universal) shines at No. 5.
The only new title to debut this week on the ARIA Albums Chart is Duncan Toomb’s Steel On Steel (Compass Brothers Records/Universal), the Australian country artist’s solo debut. It’s new at No. 30.
Elvis Presley and Britney Spears debut on Billboard‘s multi-metric Hot Dance/Electronic Songs chart (dated Jan. 21) with “Toxic Las Vegas (Jamieson Shaw Remix)” at No. 26. The track earned 493,000 U.S. streams and sold 500 downloads in the Jan. 6-12 tracking week, according to Luminate.
Heard in the 2022 Presley biopic Elvis, and released Jan. 6, the track is a mash-up of two classics from different eras: Presley’s “Viva Las Vegas” and Spears’ “Toxic.” “Viva,” credited to Presley with the Jordanaires, reached No. 29 on the Billboard Hot 100 in 1964; “Toxic” rose to No. 9 in 2004.
Elvis director Baz Luhrmann compared the King of Rock and Roll to the Princess of Pop in an interview with entertainment.ie last June. “Just like Britney, who creates the quintessential ’90s pop music, you’re richer than God and you’re in the Hollywood bubble,” he said. “That’s what happens to Elvis. He’s gone from being this rebel, this punk, deeply steeped with his Black music friends doing radical music, to suddenly being isolated in Hollywood doing pop.”
The star pairing gives Presley his inaugural appearance on the Hot Dance/Electronic Songs chart, which premiered 10 years ago this month. It’s the eighth placement for Spears, who earned her second No. 1 last September, alongside Elton John on “Hold Me Closer.” (Spears first led with “Scream & Shout,” with will.i.am, on that inaugural survey, dated Jan. 26, 2013, beginning a five-week reign.)
Concurrently, “Toxic Las Vegas” opens at No. 12 on the Dance/Electronic Digital Song Sales chart, eclipsing the peak of Spears’ original “Toxic”; although its release predated the chart’s 2010 inception, “Toxic” hit No. 31 on that chart’s first edition in 2010.
On Dance/Electronic Digital Song Sales, Spears has three No. 1s and nine top 10s among 23 appearances. “Toxic Las Vegas” is Presley’s second hit there, following “Don’t Fly Away (PNAU Remix),” billed as by Presley and PNAU (No. 18, last July).
Meanwhile, “Toxic” marks the latest revival as a mash-up for the enduring song: In early 2022, “Toxic Pony,” a blend with Ginuwine’s No. 1 Hot R&B/Hip-Hop Songs smash, and a No. 6 Hot 100 hit, from 1996, reached No. 7 on R&B Digital Song Sales and No. 40 on Pop Airplay, among other showings.
Raye had the feel-good chart story of 2023 with “Escapism,” a slow burner that finally climbed to No. 1 earlier in the month for the British singer’s first leader.
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With Lewis Capaldi’s “Pointless” pushing “Escapism” to No. 2 on the latest chart, published last Friday (Jan. 13), Raye is making another push for the summit.
“Escapism,” featuring U.S. rapper 070 Shake, leads the U.K.’s First Look survey, which ranks the most popular singles after the first 48 hours in the chart cycle.
It’s not a done deal. Miley Cyrus is hot on her heels with “Flowers,” the Official Charts Company reports. It’s new at No. 2 on the chart blast.
The lead off to Cyrus’ eighth studio set Endless Summer Vacation, due out March 10, “Flowers” features production work from Tyler Johnson and Kid Harpoon.
Wherever it lands on the U.K. chart, “Flowers” should become her eighth U.K. Top 10 single, a list that she most recently added to in 2020 with Plastic Hearts tracks “Midnight Sky” (No. 5) and the Dua Lipa-assisted “Prisoner” (No. 8).
As Raye and Cyrus duke it out, Capaldi’s “Pointless” is out of the picture, certainly at this early stage. “Pointless, lifted from Capaldi’s forthcoming sophomore LP, Broken By Desire To Be Heavenly Sent, is set to drop 1-11 on the weekly tally. Finally, “Creepin’” by producer Metro Boomin’ featuring The Weeknd and 21 Savage is creeping up the chart, and could finally crack the top 10. It’s at No. 10 on the First Look tally.
All will be revealed when the Official U.K. Singles Chart is published Friday.
It’s still Taylor Swift time in the U.K., where Midnights (via EMI) enters a fifth non-consecutive week at No. 1.
Swift’s 10th and latest studio album extends its lead as her longest-reigning champion on the Official U.K. Albums Chart, and it’s the longest-running No. 1 in the U.K. since Harry Styles’ Harry’s House logged six weeks atop the survey.
The best-seller at the midweek point, Midnights leads an unchanged top five ahead of SZA’s SOS (via RCA/Top Dawg) and The Weeknd’s greatest hits collection The Highlights (Republic Records/XO), respectively, while Lewis Capaldi reenters the top 10 with former No. 1 Divinely Uninspired To A Hellish Extent (EMI).
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Divinely Uninspired lifts 16-10 on the latest survey, published Jan. 13, ahead of the release of his sophomore LP, Broken By Desire To Be Heavenly Sent. The Scottish artist’s sophomore set is due in May and contains “Pointless,” the new No. 1 on the Official U.K. Singles Chart.
The week’s highest debut belongs to Gabrielle Aplin, whose fourth album Phosphorescent (Never Fade) starts at No. 15, for the British singer and songwriter’s third top 20 album. Aplin’s 2013 debut English Rain peaked at No. 2 and 2015’s Light Up The Dark hit No. 14.
As The 1975 kick off their tour of the U.K. and Ireland in support of their latest set Being Funny In A Foreign Language (Dirty Hit), the album leaps 31-19 on the national chart.
All five of the band’s studio albums have hit No. 1 in the U.K., including 2022’s Being Funny.
Last week, Matty Healy and Co. sent Swifties into a frenzy when TayTay joined the band at The O2 in London to perform “Anti-Hero on stage for the first time.
Finally, Detroit punk icon Iggy Pop bows at No. 33 with Every Loser (Atlantic), his 19th solo album. It’s Iggy’s fifth U.K. Top 40 title.
Following a tight chart race which saw Raye take an early lead, it’s Lewis Capaldi who takes the U.K. crown with “Pointless” (via Vertigo).
The Scottish singer songwriter bags his fourth No. 1, as “Pointless,” co-written by Ed Sheeran, finishes just 1,200 combined sales ahead of its closest competition, Raye’s independently-released hit “Escapism” (Human Re Sources), featuring 070 Shake.
“Pointless” improves 15-1 on the Official U.K. Singles Chart, published Jan. 13, powered by physical and digital download sales, the Official Charts Company reports, as “Escapism” dips 1-2.
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“Pointless” is the second single lifted from his upcoming second studio album Broken By Desire To Be Heavenly Sent, slated to drop in May.
“4 u.k. number 1’s!!!!. Over the moon to finally have as many number 1’s as a do STI’s,” he quips on social media.
Capaldi enjoyed a global breakthrough with 2019’s “Someone You Loved,” which logged seven weeks atop the U.K. chart. He led the chart again in 2020 with “Before You Go” for one week in 2020, and with Broken By Desire release “Forget Me,” for one week in 2022.
Completing the chart podium on the current tally is SZA’s SOS cut “Kill Bill” (via RCA/Top Dawg), up 4-3 for a new peak.
Also on the rise this week is U.S. singer Miguel, who vaults 83-14 with “Sure Thing” (Jive), his first U.K. top 20 single; Irish singer-songwriter Cian Ducrot with “I’ll Be Waiting” (Polydor) up 39-22; Lil Uzi Vert’s “Just Wanna Rock” (Atlantic) up 38-32; Tory Lanez’s “The Color Violet” (The One Umbrella) gains 41-36 and Hotel Ugly’s viral effort, “Shut Up My Moms Calling” (Hotel Ugly), which checks into the top 40, improving 47-38.
The highest new entry on the latest chart comes courtesy of producers Skrillex, Fred Again, and rapper/producer Flowdan, as their collaborative “Rumble” (Atlantic) gets to work at No. 19.
SZA cleans-up on the Australian singles chart with “Kill Bill” (via RCA/Sony), while Taylor Swift enters a 10th non-consecutive week at No. 1 on the national albums survey with Midnights (Universal).
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Swift’s 10th and latest album becomes her longest-reigning No. 1 on the ARIA Chart, eclipsing the nine-week run for 1989’s 2014. On the latest chart, published Friday, Jan. 13, 1989 dips 19-20.
“Congratulations Taylor! Ten weeks at No. 1 is a great achievement and 10 chart-topping albums in just 12 years is incredible,” comments ARIA CEO Annabelle Herd. “Australia’s love affair with Taylor and her music is not slowing down.”
Midnights manages to hold off SZA’s SOS from a first stint on the albums chart throne, as it holds at No. 2 — though the U.S. R&B star goes one better on the ARIA Singles Chart.
In a week that saw SZA drop a bloody music video for “Kill Bill,” the track lifts 2-1 on the ARIA Chart for her first leader in Australia.
Until now, SZA’s best was a No. 2 placing for “All The Stars” with Kendrick Lamar, lifted from the Black Panther soundtrack in 2018. She also featured on Doja Cat’s “Kiss Me More,” which peaked at No. 2 in 2021.
“Kill Bill” switches places with Sam Smith & Kim Petras’ “Unholy” (Capitol/Universal), which slips 1-2, just days after Smith performed an exclusive, intimate concert at the d’Arenberg Cube winery in McLaren Vale, Adelaide.
Raye’s “Escapism” (Orchard) featuring U.S. rapper 070 Shake reaches a new high, up 7-4. The British singer and songwriter snagged the U.K. No. 1 this week with “Escapism,” released independently after her public split with Polydor, part of Universal Music Group.
Meanwhile, Dean Lewis’ “How Do I Say Goodbye” (Island/Universal) is the best-placed homegrown track on Australia’s official singles chart, up 26-16, just two places removed from its peak position.
Also noteworthy is Stephen Sanchez and Em Beihold’s dark horse “Until I Found You” (Universal), which races 30-12, six months after it first impacted the top 100, while Skrillex, Fred Again and Flowdan bag the week’s highest debut, as “Rumble” (Atlantic/Warner) starts at No. 35.
Taylor Swift’s Midnights (via EMI) is set to extend its reign in the U.K.
Based on midweek data published by the Official Charts Company, Swift’s tenth and latest studio album is on track for a fifth non-consecutive week at No. 1.
It’s already Swift’s longest-reigning album in the U.K., overtaking the three-week lead for 2020’s Folklore.
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Meanwhile, SZA holds at No. 2 on the midweek chart with SOS (RCA/Top Dawg), while The Weeknd’s The Highlights (Republic Records/XO) should complete the podium.
The highest debut on the next chart would appear to be Gabrielle Aplin’s Phosphorescent (Never Fade), the English singer-songwriter’s fourth LP. Phosphorescent lights up the Official Chart Update at No. 4, and should give Aplin her first top 10 since English Rain, her debut album which peaked at No. 2 back in 2013.
Also on the brink of a top 10 finish is punk legend Iggy Pop, whose 19th album Every Loser (Atlantic) is on track for a No. 9 start. If it holds its course, Iggy’s LP would be just his second top 10 appearance as a solo artist, after 2016’s Post Pop Depression peaked at No. 5.
Former The Maccabees frontman Orlando Weeks’ could nab a solo top 40 appearance with The Gritterman (Blood), the original soundtrack to his debut book of the same name. It’s at No. 36 on the midweek chart. The Maccabees landed four top 40 albums, including a No. 1 for 2015’s Marks To Prove It.
The Gritterman, first published as an ebook in 2017, and the following year in paperback, is described as “a song for the unsung hero” and “a bittersweet story about stoicism, dignity and a man leaving behind the work that he loves,” with illustrations by Weeks.
Over on the midweek singles chart, Lewis Capaldi’s “Pointless” (Vertigo) leapfrogs Raye’s current leader, “Escapsim” (Human Re Sources), in what’s shaping as a tight race.
All will be revealed when the Official Charts are published late Friday.
A star is born in Raye, whose “Escapism” is the first U.K. No. 1 of 2023 – and the first of her career.
Based on early chart data, “Escapism” is heading for a second week in the box seat, though Lewis Capaldi could stage an upset.
Featuring U.S. rapper 070 Shake, “Escapism” leads the Official Charts Company’s First Look survey, which ranks singles based on the first 48 hours in the cycle.
“Escapism” is lifted from Raye’s upcoming debut album My 21st Century Blues, alongside “Hard Out Here,” “Black Mascara” and “The Thrill Is Gone,” and is released independently through Human Re Sources, after she cut ties with Polydor, part of Universal Music Group, in 2021.
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“We are Number 1 in the U.K.! It’s the first Number 1 of the year, it’s my first Number 1 in my life. I’m an independent artist, this is sickening,” she tells the OCC.
Capaldi has plans of his own. The Scottish singer (and Raye’s touring mate) soars 15-2 with “Pointless,” co-written by Ed Sheeran.
Just 2,000 combined units currently separate the two best-sellers.
The chart race has some added spice. Just last week, Raye announced that Capaldi has welcomed her on his U.K. tour, which kicks off Jan. 14 at Leeds’ First Direct Arena. Capaldi is “kindly letting me open his UK arena tour, I get to sing you some songs from my album on these huge stages just before it’s released,” Raye tweeted. “I am so grateful for this opportunity.”
The lovely man @lewiscapaldi is kindly letting me open his UK arena tour, I get to sing you some songs from my album on these huge stages just before it’s released 🥹🫀 I am so grateful for this opportunity thanks Lewis ♥️ xxx pic.twitter.com/0fOUjT0GKH— RAYE (@raye) January 4, 2023
Meanwhile, Stormzy’s “Hide & Seek” is juiced-up by a new remix featuring BRITs Rising Star and BBC Sound Of 2023 winners Flo. The grime star’s tune is set to rise 18-14.
The runner-up in the BBC Sound Of 2023 poll, Fred Again, could have the week’s highest new entry with “Rumble,” a collaboration with Skrillex and Flowdan. It’s forecast to arrive at No. 16, for what would be Skrillex’s fourth, Fred Again’s third, and Flowdan’s first top 40 appearance.
The Official U.K. Single Chart is published late Friday.
Raye ascends the U.K. singles chart for the very first time with “Escapism,” while Taylor Swift snags another albums chart crown.
A teary Raye celebrated her spectacular result on social media. It’s a moment that carries extra significance for an artist who, in 2021, publicly cut ties with her major label after claiming she’d been shelved and overlooked for years.
Released through Human Re Sources, J. Erving’s distribution and artist services company, “Escapism” is one of several singles Raye has dropped in recent months ahead of her upcoming debut album My 21st Century Blues, alongside “Hard Out Here,” “Black Mascara” and “The Thrill Is Gone.”
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The most-streamed song for the latest chart U.K. chart week, with 5.6 million streams, “Escapism,” featuring U.S. rapper 070 Shake, is Raye’s tenth top 40 single, and first U.K. top 10 as lead artist.
Meanwhile, SZA lands her first solo top 10 in the U.K. (and third overall) with “Kill Bill” (up 32-4 via RCA/Top Dawg), while Bugzy Malone and TeeDee also earn their first spot in the top 10, as “Out of Nowhere” (BSomebody) lifts 38-9.
The Christmas music exodus is in full force, which powers a string of singles to new peaks on the latest chart, published Jan. 6. They include Lewis Capaldi’s “Pointless” (up 60-15 via Vertigo); Tiesto & Tate McRae’s “10:35” (up 80-18 via Atlantic/Ministry of Sound); Lady Gaga’s Born This Way-era recording “Bloody Mary (up 74-22 via Interscope); which is powered by a viral TikTok dance sensation inspired by Wednesday star Jenna Ortega; and Australian singer-songwriter Dean Lewis’s tear-jerker “How Do I Say Goodbye” (up 86-23 via Universal Music Australia).
Over on the national albums survey, Swift secures the first No. 1 for 2023 with Midnights.
By racking-up four non-consecutive weeks at the top, Midnights surpasses Swift’s 2020 effort folklore as her longest reigning LP in the U.K.
Brits love the U.S. pop star in 2023 just as much as they did in 2022. Midnights is one of five Swift studio albums in the top 40 — folklore (No. 22), 1989 (No. 24), Lover (No. 35) and Reputation (No. 40).
It’s a New Year, Christmas songs perform their disappearing act for another time, and “Unholy” is back on top in Australia.
Sam Smith and Kim Petras’ global hit lifts 13-1 on the ARIA Chart, published Jan. 6, for its fifth non-consecutive week at No. 1.
The 2023 rebirth of “Unholy” (Capitol/EMI) closely follows the announcement that Petras will headline Sydney WorldPride’s closing concert, Rainbow Republic, on March 5, and comes ahead of Smith’s intimate performance at McLaren Vale’s d’Arenberg Cube in Adelaide.
“Unholy” leads a fresh top 10 on the ARIA Singles Chart, as Xmas tunes tumble out of sight.
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SZA‘s “Kill Bill” (RCA/Sony) vaults 12-2, while former leader “I’m Good (Blue)” (Warner) by David Guetta and Bebe Rexha leaps 25-3.
Meanwhile, British singer and songwriter Raye enjoys a new chart peak with “Escapism” (Orchard), up 26-7. “Escapism,” which represents a new, independent era for the rising artist, was the top single on the midweek U.K. chart.
Following the publication of ARIA’s year-end charts, which saw Harry Styles’ “As It Was” (Columbia/Sony) coming in at No. 1 for 2022, the Harry’s House number is once again on the rise. “As It Was” lifts 34-9 on the weekly survey.
Just one single makes its debut in the top 40 on the new chart, Dutch DJ Tiesto’s collaboration with Canadian singer-songwriter Tate McRae, “10:35” (Sony/Warner). It’s new at No. 24.
The top album for 2022, ARIA reported earlier in the week, is Taylor Swift’s Midnights (Universal). Swift’s tenth and latest studio album holds at No. 1 on the latest ARIA Chart, for its ninth non-consecutive week at the summit. It’s one of five Swift albums currently in the top 40.