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Miley Cyrus makes it eight straight weeks atop the U.K. singles chart with “Flowers” (Columbia), an effort that places the U.S. pop star in some esteemed company.
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That two-month reign is the longest since LF SYSTEM’s disco number “Afraid to Feel” managed eight weeks at the chart peak from last summer, and the longest-running No. 1 by a female solo artist since Olivia Rodrigo’s breakthrough hit “drivers license” from 2021, which logged nine weeks at the top. The all-time longest streak by a female solo artist in the U.K. belongs to Tones And I, and her song “Dance Monkey” which led for 11 weeks in 2019.
Cyrus will expect to stick around the U.K. charts for some time yet. Her eighth and latest studio album, Endless Summer Vacation, dropped last Friday, March 10.
With Cyrus locking-up the U.K. singles crown for another week, PinkPantheress enters another cycle in the runner-up spot with “Boy’s a liar” (Warner Records).
The gap between the top two tracks appears to be closing, notes the Official Charts Company, as “Boy’s a liar” lifts its game to lead the U.K. in streams. Just 1,000 chart units separate “Flowers” and “Boy’s a liar.”
Completing the podium on the latest Official U.K. Singles Chart is the Weeknd’s 2016 release “Die For You” (Republic Records/XO) up 4-3 following the release of a new cut featuring Ariana Grande.
Meanwhile, Cameroonian-American Afrobeats star Libianca lands her first U.K. Top 10 single with “People” (5K), up 11-8.
This highest debut on the latest chart, published March 10, belongs to Nicki Minaj with “Red Ruby Da Sleeze” (Republic Records). It’s new at No. 30 for the Trinidadian rap star’s 41st U.K. top 40 appearance.
And there’s a new entry from BTS’ J-Hope with “On The Street” (BigHit Entertainment), featuring J Cole. It’s new at No. 37, marking the first top 40 appearance by a solo member of BTS.
Finally, honors for the biggest climb goes to rapper Jayo, whose “22” (The Flight Club) explodes 67-32 on the U.K. tally, for the north Londoner’s first top 40 entry.
Miley Cyrus is now head of the Cyrus clan.
The U.S. pop star’s “Flowers” (via Columbia/Sony) logs an eighth consecutive week at No. 1 on Australia’s chart, beating the old Cyrus mark set by Billy Ray back in 1992 with “Achy Breaky Heart,” which ruled the ARIA survey for seven weeks.
Don’t expect “Flowers” to wither anytime soon; Cyrus’ eighth studio album, Endless Summer Vacation, which features the two-times platinum single, dropped Friday (March 10).
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Meanwhile, PinkPantheress’ “Boy’s A Liar” (Parlophone/Warner) is “very close behind” at No. 2, ARIA reports, with the Weeknd’s “Die For You” (Universal), which features a fresh assist from Ariana Grande, completing an unchanged podium.
Over on the ARIA Albums Chart, Harry Styles nabs a 10th non-consecutive week at No. 1 with Harry’s House (Columbia/Sony), his third solo album. The former One Direction star recently wrapped a lap of stadiums in these parts, for the domestic leg of his Love On Tour, produced by Live Nation.
The afterglow of those seven trans-Tasman dates can be seen up and down the charts. His sophomore longplay Fine Line dips 5-6, and his debut self-titled holds at No. 12 on the albums survey, while “As It Was,” IFPI’s top global single for 2022, holds at No. 5 on the singles tally; it’s one of the English singer’s 14 tracks currently impacting the top 100.
Harry’s House holds-off two debut releases on the latest ARIA Chart. Coming in at No. 2 on the latest survey, published March 10, is One Day At A Time (Mercury/Universal), the third studio effort by U.S. country star Morgan Wallen.
The sprawling, 36-track album is the followup to 2021’s The Double Album, which has spent more than two years on the ARIA Chart and is currently at No. 31.
The third spot belongs to Ruel, with his first full-length album 4th Wall (RCA/Sony). The 20-year-old Sydney singer won the ARIA Award for breakthrough artist (now the Michael Gudinski breakthrough artist award) in 2018, and bagged a No. 3 on the national survey with his 2019 EP, Free Time.
Finally, Korean boy band NCT 127 enjoys a top 20 debut with Ay-Yo – The 4th Album Repackage (Virgin Music Australia/Universal), at No. 13; Mornington Peninsula-based four-piece indie act Teenage Dads start at No. 28 with the Midnight Driving EP (via MGM); and Melbourne singer-songwriter Jen Cloher bows at No. 30 with I Am The River, The River Is Me (Inertia), her fifth studio album.
Miley Cyrus scores her first No. 1 on Billboard’s Dance/Mix Show Airplay chart as “Flowers” tops the tally dated March 11. Previously, she achieved top 10 hits with “Party in the U.S.A.” (No. 9, 2009) and as featured on Mark Ronson’s “Nothing Breaks Like a Heart” (No. 5, 2019).
With radio-friendly remixes from Tommie Sunshine/On Deck/JustnKayse, Dark Intensity and Kue, among others, “Flowers” is finding core-dance airplay on outlets including KNHC (C89.5) Seattle, iHeartRadio’s Pride Radio and SiriusXM’s Diplo’s Revolution Feb. 24-March 2, according to Luminate. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
Starting with “See You Again” (No. 17, 2008), Cyrus has tallied eight appearances on Dance/Mix Show Airplay. Her other entries: “We Can’t Stop” (No. 14, 2013), “Wrecking Ball” (No. 19, 2013), “Malibu” (No. 19, 2017) and “Midnight Sky” (No. 26, 2020).
“Flowers” just spent six weeks at No. 1 on both the Billboard Hot 100 and Billboard Global 200 charts, among other successes.
Additionally on the Dance/Mix Show Airplay chart, Loud Luxury lifts to its fifth top 10 and Hook N Sling celebrates its first with “Afterparty” (12-9). Plus, VAVO and Clara Mae each earn initial top 10 placements with “Take Me Home” (13-10).
Shifting to the multi-metric Hot Dance/Electronic Songs chart, Skrillex, Missy Elliott and Mr. Oizo jump 14-8 with “RATATA.” Skrillex’s seventh top 10 and the first each for Elliott and Oizo, “RATATA” racked up 1.4 million U.S. streams and sold 700 downloads in the tracking week.
Sticking with Hot Dance/Electronic Songs, MK collects his fifth top 10 and Dom Dolla draws his second with “Rhyme Dust,” new at No. 9. The track earned 1.2 million streams and sold 900, the latter figure also enabling a top 10 debut on Dance/Electronic Digital Song Sales (No. 8).
On the Top Dance/Electronic Albums chart, Dutch DJ/producer MELON and Dance Fruits make their first Billboard chart appearance with This Is Melon, Vol. 1 (No. 7). The set, which starts with 4,000 equivalent album units, is a sprawling, 41-track collection of upbeat dance covers of dance, pop, rock and R&B classics, including ABBA’s “Dancing Queen,” Avicii’s “Levels,” Gloria Gaynor’s “I Will Survive,” Pink Floyd’s “Another Brick in the Wall” and Swedish House Mafia’s “Don’t You Worry Child.”
De La Soul could cap an eventful stretch with a career-best U.K. chart position for the hip-hop legends’ 3 Feet High and Rising (via Chrysalis).
At the midweek point, De La Soul’s 1989 debut LP blasts to No. 5, well ahead of its No. 13 peak from January 1990 and a potential career high.
A top 5 appearance would cap a particularly eventful stretch for the Grammy Award-winning trio, which lost its founding member Trugoy the Dove (born David Jude Jolicoeur) last month, at the age of 54.
The rush for 3 Feet High and Rising is powered by streaming, and the long-overdue release of the New Yorkers’ catalog on digital streaming services last Friday (March 3) for the first time.
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That campaign followed months of work with the act and their record label, AOI, along with Reservoir, and includes De La Soul’s first six albums, 3 Feet High and Rising, De La Soul Is Dead (1991), Buhloone Mindstate (1993), Stakes Is High (1996), Art Official Intelligence: Mosaic Thump (2000), and AOI: Bionix (2001). Just one of those LPs has cracked the U.K. top 10 — De La Soul Is Dead, which peaked at No. 7.
Flying high at the top of the Official Chart Update is the Lathums’ From Nothing to a Little Bit More (Island). If it holds its position, the Wigan, England rock outfit will earn a second leader following their 2021 debut, How Beautiful Life Can Be.
Close behind is British rapper slowthai, who is chasing his third consecutive top 10 with UGLY (Method). It’s new at No. 3 on the chart blast. Raised in Northampton (and born Tyron Frampton), slowthai landed a No. 1 with his previous, sophomore effort, Tyron.
Completing the podium on the chart blast is Mimi Webb’s first full-length album Amelia (RCA), set for a No. 3 debut.
Also eyeing top 10 stars are Scottish folk band Tide Lines (An Ocean Full of Islands currently at No. 6 via Tide Lines Music); “Songbird” singer Eva Cassidy’s posthumous collection with the London Symphony Orchestra and Australian-British composer Christopher Willis (I Can Only Be Me at No. 7 via Blix Street) and prog-rock legends Genesis (BBC Broadcasts at No. 9 via UMR/Virgin).
U.S. country star Morgan Wallen will need to show a clean set of heels in the final stages of the chart race if he’s to nab his first U.K. top 40 appearance. Wallen’s 36-track third album One Thing At A Time (EMI) appears at No. 40 on the Official Chart Update.
All will be revealed when the weekly chart is published Friday.
Miley Cyrus’ “Flowers” (via Columbia) remains the single to beat in the U.K., as it takes an early lead in the chart race.
“Flowers” powered to a seventh consecutive No. 1 when the Official U.K. Singles Chart was published last Friday (March 3), and it’s making ground on its bid for an eighth.
Based on sales and streaming data captured from the first 48 hours of the chart week, “Flowers” is out front, with PinkPantheress’ “Boy’s a liar” (Warner Records) less than 3,000 chart sales behind in second place, the Official Charts Company reports.
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“Boy’s a liar” has logged eleven weeks on the chart — and counting — but has never reached the summit.
Don’t expect “Flowers” to wilt anytime soon. A “demo” version dropped last Friday ahead its hotly anticipated parent album, Endless Summer Vacation, due out this Friday (March 10).
After flying 37-4 on the latest chart, the Weeknd’s 2016 number “Die For You” (Republic Records/XO) is on track for another peak position. Fueled by a new cut featuring Ariana Grande, the track lifts 4-3 on the First Look survey.
Further down the chart blast, Afrobeats stars Libianca could finally enter the top 10 with “People” (5K), up 11-10, while the title track from Pink’s chart-leading new album Trustfall (RCA) is on the rise, set for a boost 14-11. Trustfall album track “Never Gonna Not Dance Again” is hovering around the U.K. top 20, up 22-20 on the early tally.
Finally, two British singer-songwriters are chasing new chart highs. Mimi Webb’s “Red Flags” (Epic) is set to gain 17-13, while Mae Stephens “If We Ever Broke Up” (EMI) could improve 20-19.
All will be revealed when the Official U.K. Singles Chart is published Friday (March 10).
After seven weeks, nothing and no one can cut down Miley Cyrus’ “Flowers” (via Columbia) in the U.K.
“Flowers” stays put for a seventh consecutive No. 1 on the Official U.K Singles Chart, published March 3. It’s still the most streamed song in the market, according to the Official Charts Company, where it racks-up another 5.2 million streams.
With its reign heading towards two full months, “Flowers” becomes the longest-running No. 1 by a female solo artist in the U.K. since Adele’s “Easy On Me,” which logged eight non-consecutive weeks at the summit in 2021 and 2022.
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The all-time leader among solo female artists is Tones And I, the former busker from Australia whose “Dance Monkey” ruled for 11 weeks in 2019.
With “Flowers” digging in for another title, PinkPantheress must make-do with another stint at No. 2 for “Boy’s a liar” (Warner Records).
Sparks fly for the Weeknd, as the Canadian R&B star’s 2016 track “Die For You” (Republic Records/XO) roars into the top 10 for the first time, thanks to the release of a new cut featuring Ariana Grande. It’s up 37-4, for Abel Tesfaye’s 14th U.K. top 10 hit.
U.S. rapper SuperStar Pride (real name: Cadarrius Pride) earns the highest new release in the U.K. this week, with his breakthrough independent release “Painting Pictures” (via SuperStar Pride). Sampling Faith Evans’ “Soon As I Get Home,” it’s new at No. 33 on the latest tally, for SuperStar Pride’s U.K. chart debut.
Finally, Brighton, England-based pop newcomer Caity Baser enjoys her first U.K. top 40 single with the viral number “Pretty Boys” (EMI/Chosen Music), soaring 91- 35, while SZA scores a fourth top 40 appearance from her hit sophomore album SOS, as “Snooze” (RCA/Top Dawg) gets the wake-up call, lifting 47-40. SOS also yielded “Kill Bill” (currently at its peak position of No. 3), “Shirt” (No. 17) and “Nobody Gets Me” (No. 27).
It’s been 17 long years since Gorillaz lorded over the U.K. Albums Chart. That could be about to change, with the virtual band’s Cracker Island (via Parlophone) taking pole position at the midweek point.
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Cracker Island starts at No. 1 on the Official Chart Update. Should it stay there when the national survey is published late Friday (March 3), it would mark the British act’s first leader since 2005’s Demon Days.
A creation of Blur frontman Damon Albarn and Tank Girl artist Jamie Hewlett, Gorillaz has clocked up six top 10 appearances on the national albums chart since their 2001 self-titled debut, which peaked at No. 3.
Recorded in London and Los Angeles, Cracker Island is the group’s eighth studio album, and features assists from the likes of Bad Bunny, Stevie Nicks, Adeleye Omotayo, Thundercat, Tame Impala’s Kevin Parker, Bootie Brown and Beck.
Coming in hot at No. 2 on the chart blast is Gracie Abrams‘ debut album Good Riddance (Interscope). The 23-year-old L.A.-born singer and songwriter has yet to make an impression on either U.K. charts, but will make her mark when the albums survey is published later this week.
U.S. pop star Adam Lambert could create some high drama of his own with a first top 5 solo appearance on the U.K. albums tally. The American Idol alum blasts to No. 4 on the midweek list with High Drama (EastWest/Rhino), which carries reinterpretations of songs by Duran Duran, Billie Eilish and more. Lambert’s previous best is a No. 8 for The Original High from 2015, though his Live Around The World LP with Queen went to No. 1 in 2020.
Based on sales and streaming data published by the Official Charts Company, collaborative project Obey Robots could complete the top 5 with One in a Thousand (My Big Sister Recordings), while Manchester rock act the Slow Readers Club (Knowledge Freedom Power at No. 7 via Velveteen), and Scottish singer and songwriter Callum Beattie (Vandals at No. 9 via 3 Beat/AATW) are eying top 10 bows.
Further down the chart blast, new albums from Shame (Food for Worms at No. 14 via Dead Oceans), Yeat (Aftërlyfe at No. 16 via Geffen), Hamish Hawk (Angel Numbers at No. 23 via Post Electric) and Don Toliver (Love Sick at No. 33 via Atlantic) are aiming for top 40 berths.
The Weeknd is on the verge of an unlikely U.K. top 5 appearance with “Die For You” (via Republic Records/XO) – seven years after its release.
Based on sales and streaming data captured from the first 48 hours in the chart week, “Die For You” is set to spike 37-4, thanks to the release last week of a remix with Ariana Grande.
The original cut appears on the Canadian R&B star’s Billboard 200-topping album Starboy from 2016 (Starboy peaked at No. 5 on the U.K. tally).
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Pink is currently riding high on the Official U.K. Albums Chart with Trustfall (RCA), her fourth No. 1. The Fred Again-produced title track is ready for a rise to No. 11, for what would be the U.S. pop star’s highest-charting track since 2018’s A Million Dreams, which also peaked at No. 11.
Brit Award-winning English singer and songwriter George Ezra is on track for a return to the top 10 with “Green Green Grass” (Columbia), which is benefiting from a viral, sped-up mix. The tune, which originally peaked at No. 3 in July 2022, bounces to No. 10 on the First Look chart.
Another viral tune is strolling up the singles survey. Mae Stephens’ “If We Ever Broke Up” (EMI), which last week became the English singer-songwriter’s first top 40 hit (up 45-23), is chasing its first appearance in the top 20. It’s at No. 20 on the First Look tally.
At the top end of the chart blast, Miley Cyrus appears likely to snag a seventh consecutive week at No. 1 with “Flowers,” while PinkPantheress’ “Boy’s a Liar” looks set to hold at No. 2.
According to the Official Charts Company, some 3,000 chart units separate the top two tracks in the early phases of the chart week.
All will be revealed when the Official U.K. Singles Chart is published late Friday.
Miley Cyrus hits the U.K. singles chart for six with “Flowers” (via Columbia), which continues to lead the market in streams.
Cyrus’ catchy number is already 2023’s longest-reigning single in the U.K., and it soaks-up another 7.4 million streams across the latest cycle to enter a sixth consecutive week at No. 1.
PinkPantheress mounts a spirited challenge with “Boy’s a liar” (Warner Records), but the English singer, songwriter and producer’s viral single can’t catch “Flowers’.
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Thanks to a remix featuring rising U.S. rapper Ice Spice, “Boy’s a liar” lifts 3-2 on the latest chart, published Friday Feb. 24. That’s a new career-best chart position for the BBC Sound of competition winner.
A handful of songs climb to new peaks inside the top 10, including Rema’s “Calm Down” (Mavin), up 8-5; Coi Leray’s “Players” (Uptown/Republic Records) up 12-7; Tiësto and Tate McRae’s “10:35” (Atlantic/Ministry of Sound) up 11-8; and Lizzy McAlpine’s “Ceilings” (Harbour Artists & Music) up 21-9.
As her ninth and latest studio album Trustfall (via RCA) blasts to No. 1 on the Official U.K. Albums Chart, Pink sees two of its tracks climb the singles survey. The Fred Again-produced title track improves 35-14 while “Never Gonna Not Dance Again” gains 40-19.
Former One Direction star Niall Horan nails the week’s highest new entry with “Heaven” (Capitol). It’s new at No. 18 for the Irishman’s eighth solo top 40 single. “Heaven” is the first single lifted from his forthcoming third studio album, The Show.
English singer and songwriter Mae Stephens has her first top 40 appearance on the Official U.K. singles chart with “If We Ever Broke Up” (EMI). After tearing up TikTok, the track makes the transition to the mainstream chart, lifting 45-23.
Finally, London-based, Philippines-born indie-pop artist Beabadoobee claims her first top 40 track as a lead artist, and second overall, with viral wonder “Glue Song” (Dirty Hit). It’s new at No. 38.
Pink is queen and ruler of the U.K. albums chart as Trustfall (via RCA) blasts to No. 1.
The Philly native completes a fourth title on the Official U.K. Albums Chart as Trustfall blows away its closest rival by more than 2-to-1, the Official Charts Company reports.
Trustfall is a hit on physical formats, which account for roughly two-thirds of its first-week total, according to the OCC.
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Previously, the pop superstar led the chart with Funhouse (2008), Beautiful Trauma (2017) and Hurts 2B Human (2019).
With her latest feat, Pink now ties with Lady Gaga, Rihanna, Ariana Grande, Adele and Beyoncé on the list of female solo artists with the most No. 1 albums in Official Charts history. Madonna is far and away the leader on that particular tally, with 12 career U.K. No. 1 albums.
With Pink all set to hit the road in support of her ninth and latest studio set, her 2010 compilation Greatest Hits…So Far!!! returns to the U.K. top 40 at No. 34. Meanwhile, Trustfall drops at No. 1 in Australia, and at No. 2 in the United States.
Also debuting high on the latest U.K. chart, published Friday, Feb. 24, is Inhaler’s sophomore studio effort, Cuts & Bruises (Polydor). It’s new at No. 2.
Cuts & Bruises is the followup to the rock act’s 2021 leader It Won’t Always Be Like This, which made Inhaler the first Irish act to top the Official Albums Chart with their debut record in 13 years.
Completing the podium finish this week is Welsh rock outfit Those Damn Crows with Inhale/Exhale (Earache). It’s a career best for the band, which previously landed at No. 14 with 2020’s Point of No Return.
Finally, veteran British electronic duo Orbital bag a fourth top 10 appearance with Optical Delusion (London Music Stream), new at No. 6. Optical Delusion is Orbital’s tenth studio LP, and their first top 10 in 24 years. Their last shot at the top tier was 1999’s The Middle of Nowhere, which peaked at No. 4.