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After back-to-back No. 2 finishes for his last two releases, Jack Harlow captures his first No. 1 on Billboard’s Top Rap Albums chart with Jackman. The set opens atop the list dated May 13 with 35,500 equivalent album units earned in the week ending May 4, according to Luminate.
Jackman. was effectively a surprise release, with the first announcement on April 25, three days ahead of its April 28th drop. Streaming contributes the majority of the 10-track album’s first-week results, with 33,500 units from streaming-equivalent album units. The five-figure sum equals 43.4 million official on-demand streams of the album’s songs. Traditional album sales comprise 1,500 units, with the outstanding 500 deriving from track-equivalent album units.
On his fourth visit, Harlow claims his first Top Rap Albums champ. He first appeared on the list with his Sweet Action EP, which peaked at No. 13 in July 2020. His full-length debut, That’s What They All Say, debuted and peaked at No. 2 in December 2020, as did his sophomore LP, Come Home the Kids Miss You, in May 2022.
Elsewhere, Jackman. kicks off at No. 2 on Top R&B/Hip-Hop Albums and ties That’s What They All Say and Come Home the Kids Miss You for his best showing there. On the all-genre Billboard 200, Jackman. begins at No. 8, his third top 10 on that list.
The Jackman. impact extends to the Hot Rap Songs chart, where five tracks debut. “They Don’t Love It” leads the new entries at No. 9, securing Harlow’s ninth top 10 on the list. Here’s an updated look at the collection:
Song Title, Artist (if other than Jack Harlow), Peak Position, Peak Date“What’s Poppin,” featuring DaBaby, Tory Lanez & Lil Wayne, No. 2, July 11, 2020“Tyler Herro,” No. 10, Nov. 7, 2020“Industry Baby,” with Lil Nas X, No. 1 (19 weeks), Aug. 7, 2021“Nail Tech,” No. 4, March 5, 2022“First Class,” No. 1 (14 weeks), April 23, 2022“Dua Lipa,” No. 6, May 21, 2022“Churchill Downs,” featuring Drake, No. 7, May 21, 2022“Yungen,” Rod Wave featuring Jack Harlow, No. 10, Aug. 27, 2022“They Don’t Love It,” No. 9 (to date), May 13, 2023
In addition to “They Don’t Love It,” Jackman. also launches Hot Rap Songs starts for “Common Ground” (No. 18), “Ambitious” (No. 22), “Denver” (No. 23) and “Is That Ight” (No. 24).
Toosii’s “Favorite Song” proves to be just that on Billboard’s Hot Rap Songs chart, as the track advances from No. 2 to rule the list dated May 13. The track, released through SouthCoast/Capitol Records, reaches the apex on the list – which blends streaming, airplay and sales – thanks to consistent performance in the foremost category and growth in the latter pair.
The melodic rap track amassed 19.5 million official U.S. streams in the week ending May 4, according to Luminate, essentially even with the prior week, and holds at No. 2 on Rap Streaming Songs after a previous three-week reign. On the R&B/Hip-Hop Digital Song Sales chart, it likewise captures the silver medal – a new peak for the track – with 3,000 downloads sold, a 4% bump from the prior week. At radio, “Song” ascends 24-20 on R&B/Hip-Hop Airplay, with a 17% gain to 5.5 million in audience impressions.
As “Favorite Song” reigns on the Hot Rap Songs chart, it pushes 5-4 on Hot R&B/Hip-Hop Songs and 13-11 on the all-genre Billboard Hot 100. Should the track climb on the latter list, it would mark the rapper/singer’s first top 10 Hot 100 hit. If already favorable trends at radio and sales stats weren’t enough, the release of a “Favorite Song” remix featuring Khalid on May 5, which will impact next week’s charts, improve the track’s chances of cracking the top 10 barrier. (The original and remix versions of songs are combined into one listing for tracking and chart purposes.)
With “Favorite Song,” Toosii, born Nau’Jour Grainger has captured the biggest hit of his still-young career. TikTok has been key to the track’s success, with both its original and a sped-up version being popular choices to soundtrack clips on the social media app. Between the two two renditions, “Favorite Song” has soundtracked nearly 1.1 million clips. (Activity on TikTok does not contribute to Billboard’s charts, many of the app’s most popular songs have seen corresponding gains on streaming services that factor into Billboard chart rankings.)
23-year-old Toosii first landed on the Billboard charts in February 2020 with the mixtape album, Platinum Heart, which included his first charting song, “Truth Be Told,” a No. 38 hit on the Mainstream R&B/Hip-Hop Airplay chart. Follow-up single “Love Cycle” built on the initial breakthrough, and, thanks to a remix with Summer Walker, flew to No. 9 on the airplay list in early 2021.
The Lottery Winners roll to their first U.K. No. 1 with Anxiety Replacement Therapy (Modern Sky), their fifth studio album.
After leading at the halfway mark, the British four-piece (Thom Rylance, Robert Lally, Katie Lloyd and Joe Singleton) completes a tight finish ahead of new albums by Nines, Jessie Ware and the National, the Official Charts Company reports.
Prior to Anxiety Replacement Therapy, the Lottery Winners had never entered the top 10, and impacted the top 40 just twice — with 2020’s The Lottery Winners (No. 23 peak) and 2021’s Something To Leave The House For (No. 11).
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Anxiety Replacement Therapy is the best-selling title on physical formats and digital downloads, the Official Charts Company reports.
Coming in at No. 2 is Londoner Nines with Crop Circle 2 (Warner Records). It’s his fourth top 5 album, following 2017’s One Foot Out (No. 4), 2018’s Crop Circle (No. 5) and 2020 leader Crabs in a Bucket.
Completing the podium is Jessie Ware’s That Feels Good (EMI). It’s new at No. 3, for the British singer and songwriter’s third top 5 album.
The latest albums survey, published May 5, is stacked with new releases. Among them, U.S. alternative rock outfit the National’s First Two Pages of Frankenstein (4AD). Thanks in part to assists from Taylor Swift, Phoebe Bridgers and Sufjan Stevens, the set opens at No. 4, and leads the Official Vinyl Albums Chart.
Meanwhile, Reverend & the Makers’ Heatwave in the Cold North (Distiller) bows at No. 6, for the Sheffield-formed rock act’s first top 10 appearance in 16 years. That’s just one spot adrift of the band’s 2007 album The State of Things, which peaked at No. 5.
Also enjoying top 10 debuts this week are English artist Freya Ridings’ Blood Orange (Good Soldier), new at No. 7 for her second top tier effort; and punk veterans the Damned’s Darkadelic (Ear Music), new at No. 9, also for the English punk veterans’ second stint in the top frame.
With Fifty Fifty’s “Cupid” soaring into the U.K. top 10, South Korea’s latest pop export snags a slice of U.K. chart history.
On the latest Official U.K. Singles Chart, published May 5, “Cupid” improves 18-9, giving Fifty Fifty honors as the first K-pop girl group to appear in the top 10.
True, BlackPink has smashed various records, and chalked up eight U.K. top 40 appearances along the way.
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In the U.K., however, their best showing on the national singles tally is No. 17 for “Sour Candy” their 2020 collaboration with Lady Gaga. BlackPink does, however, boast a No. 1 on the U.K. Albums Chart with 2022’s Born Pink, and a No. 2 peak for 2020’s The Album.
Comprising Aran, Keena, Saena and Sio, Fifty Fifty was formed in 2022 by South Korean entertainment agency ATTRAKT.
The track caught fire on TikTok, where it has generated more than 8 million TikTok videos, and views on the short-video platform are at about 12 billion.
As “Cupid” opened its wings and took flight on sales and consumption charts last month, Warner Records/Warner Music Group Korea announced a partnership for the group.
Australians, meanwhile, are officiallysmitten with “Cupid”. The track zooms 6-2 on the latest ARIA Chart, also published last Friday. Blackpink already has its flag planted in the land Down Under; their Born Pink hit “Pink Venom” blasted to No. 1 there last August.
Calvin Harris and Ellie Goulding keep the good times rolling, as “Miracle” (via Columbia) rules the U.K. survey for a fourth non-consecutive week.
The throwback ‘90s club tune continues to rack-up a market-leading volume of streams, bagging 5.4 million over the latest chart cycle, the Official Charts Company reports.
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“Miracle” matches Goulding’s 2015’s release “Love Me Like You Do” for her longest reigning U.K. leader. It’s still a month off equalling Harris’ eight-week reign with “One Kiss,” his 2018 collaboration with Dua Lipa.
Meanwhile, David Kushner’s “Daylight” (Miserable Music) holds at No. 2 on the Official U.K. Singles Chart, published May 5, while Libianca’s Afrobeats sensation “People” (5K) lifts 4-3.
Another club tune dances up the chart this week — Switch Disco’s “React” (Relentless) featuring Ella Henderson, and sampling Robert Miles’ mid-’90s dream-house classic “Children”. “React” lifts 8-7, for a new high.
Close behind, “Cupid” (Attrakt) opens its wings and gives K-pop girl group Fifty Fifty a new chart high — and a piece of history. The slick pop production flies 18-9, giving the four-piece honors as the first K-pop girl group to crack the U.K. top 10.
Blackpink has set all manner of records, and accumulated eight U.K. top 40 appearances along the way. However, their best effort on the national singles tally is No. 17 for “Sour Candy,” their 2020 collaboration with Lady Gaga. Blackpink does, though, boast a No. 1 on the U.K. Albums Chart with 2022’s Born Pink, and a No. 2 best for 2020’s The Album.
Finally, London rapper Nines grabs his first U.K. top 10 as “Tony Soprano 2” (Warner Records) lifts 11-10. It’s one of three numbers from his new album Crop Circle 2 to make an impression on the top 40, as “Calendar” opens at No. 19 for the highest debut on the latest survey, while “Favela” featuring J Styles is new at No. 34, lifting Nines’ tally of U.K. top 40 hits to five.
It remains tight at the top of the U.K. singles chart race, as Calvin Harris and Ellie Goulding‘s “Miracle” (Columbia) holds a slim advantage over David Kushner’s “Daylight” (Miserable Music).
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“Miracle,” the throwback trance tune, edged out “Daylight” last week for a third non-consecutive week atop of the Official U.K. Singles Chart.
When the sales and streams were tallied, just 267 combined units separated the two best-sellers at week’s end.
It’s a similar story this time, with less than 2,000 combined units splitting the pair in the early part of the latest chart cycle, the Official Charts Company reports.
Libianca’s Afrobeats hit “People” (5K) completes the podium on the chart blast, up 4-3.
London rapper Nines is poised to make a splash on the singles survey, thanks to the release of his fourth album, Crop Circle 2. Three tracks from it — the maximum allowed under the OCC’s rules — are set to enter the top 40, led by “Tony Soprano 2” (No. 9), “Calendar” (No. 17) and “Highly Blessed” featuring Skrapz and Wretch-32 (No. 25), all via Warner Records. “Calendar” is poised to be the best-placed debut and the only new release in the top 20.
K-pop’s latest girl group to grab the limelight, Fifty Fifty, is on the rise with “Cupid” (ATTRAKT). After improving 26-18 last week, the tune is closing-in on a top 10 appearance, lifting to No. 13 on the chart blast.
Also on the way up is David Guetta, Anne-Marie and Coi Leray’s “Baby Don’t Hurt Me” (Parlophone), which interpolates Haddaway’s ‘90s club classic. After climbing 23-19 last week, it’s set to go even higher, to No. 15.
All will be revealed when the Official U.K. Singles Chart is published late Friday (May 5).
After seven studio album releases, Enter Shikari finally snags a U.K. No. 1.
The St Albans, England-formed rock band blasts to No. 1 on the Official U.K. Albums Chart with A Kiss for the Whole World (via So Recordings), their sixth top 10 appearance.
Previously, the group scored top 10s with their 2007 debut album Take to the Skies (No. 4 peak), 2012’s A Flash Flood of Colour (No. 4), 2015’s The Mindsweep (No. 6), 2017’s The Spark (No. 5) and 2020’s Nothing Is True And Everything Is Possible (No. 2). Also, thanks to the release of a vinyl-exclusive pressing, Live At Alexandra Palace 3 enters the weekly survey at No. 15.
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A Kiss for the Whole World completes a tight race, finishing just 800 combined units ahead of its nearest rival, The 1975’s Live with the BBC Philharmonic Orchestra (Polydor). The 1975’s live set, an exclusive physical-only release (vinyl, CD and cassette) for the 16th annual Record Store (April 22), is new at No. 2 on the Official Chart, published April 28.
After starting the week with a slim lead, British indie pop duo Everything But The Girl debuts at No. 3 with Fuse (Buzzin’ Fly), for a new career best. Fuse is Tracey Thorn and Ben Watt’s first studio album as a duo in 24 years, and it’s their fifth top 10, following 1985 debut Love Not Money (No. 10 peak), 1990’s The Language of Love (No. 10), 1993 greatest hits collection Home Movies (No. 5) and 1996’s Walking Wounded (No. 6).
Completing an all-new top four is Taylor Swift’s folklore – The Long Pond Studio Sessions (EMI), a Record Store Day exclusive. The Long Pond Studio Sessions is the U.K.’s best-selling album on wax for the latest chart week, and bows at No. 4 on the all-genres albums chart. The original version of folklore spent three weeks at No. 1 in 2020.
Finally, new releases from Jethro Tull (RökFlöte at No. 17 via Century Media), Post Malone (The Diamond Collection No. 25 via Republic Records), Songer (Skala at No. 30 via Hard Reality), and Tiësto (Drive at No. 34 via Atlantic) crack the U.K. top 40 on debut.
He might be sidelined from his U.S. tour, citing doctor-ordered vocal rest, but Morgan Wallen is the talk of Australia right now.
For the very first time, Wallen has a chart double in the land Down Under.
The country star’s hit “Last Night” (Republic/Universal) holds at No. 1 on the ARIA Singles Chart for the third straight week, while its parent One Thing At A Time (Mercury/Universal) returns to the summit of the national albums survey for a second, non-consecutive week.
Wallen, who recently completed a tour of Australia, produced by Frontier Touring, becomes the first male American country singer to achieve the chart double in more than three decades, ARIA reports.
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The last was Billy Ray Cyrus, back in October 1992 when he ruled with his hit single “Achy Breaky Heart” and the album Some Gave All.
In his homeland, Wallen is facing a fair amount of backlash for scrapping a stadium show in Oxford, Mississippi at the last minute, then wiping a week of shows, citing those health issues. There were no such problems on his six-date run of arena and festival shows here last month.
Staying with the ARIA Albums Chart, published Friday, April 28, Metallica’s 72 Seasons (down 1-2 via Universal) and Taylor Swift’s Midnights (unchanged at No. 3 via Universal) complete the podium, respectively.
There’s a new arrival at No. 4 for D-DAY (BigHit Entertainment), the debut solo album from BTS’ Suga, released under his other stage name Agust D. Suga’s 2020 mixtape D-2 peaked at No. 2 in these parts.
Animated Aussie kid’s TV star Bluey fetches another No. 10 on the ARIA Albums Chart with Dance Mode! (Rkt/Orchard). It’s new at No. 7. The international phenomenon led the chart in 2021 with Bluey The Album and went on to win best children’s album at the ARIA Awards of that year.
After scooping a string of RIAA “Diamond” certifications, and releasing a greatest hits album to celebrate the achievement, Post Malone makes a sparkling chart appearance. The U.S. singer and rapper’s The Diamond Collection (Republic/Universal), which gathers eight of his most popular numbers, plus his new pop cut “Chemical,” starts at No. 16 on the ARIA Chart. It’s his fifth top 20 appearance on the tally, including two leaders with Beerbongs & Bentleys (2018) and Hollywood’s Bleeding (2019).
With Wallen reclaiming the top spot on the singles chart, TikTok star David Kushner makes his first appearance in the top five with viral number “Daylight” (Virgin/Universal), up 6-5, while ascendant K-pop girl group Fifty Fifty enjoys a fresh high with “The Beginning: Cupid” (Warner), up 9-6.
The highest entry on the latest chart belongs to The Weeknd and Future, with “Double Fantasy” (Universal). It’s new at No 9, giving The Weeknd two top 10 hits on the latest survey (“Die For You” is down 5-7), and his eighth top 10 hit in Australia across his career. “Double Fantasy” represents Future’s second ARIA top 10.
Metallica surges to the U.K. chart title with 72 Seasons (via Vertigo), for the U.S. metal giants’ fourth leader.
Debuting at the summit of the Official U.K. Albums Chart, 72 Seasons is the band’s first U.K. No. 1 in 15 years, and their ninth top 10.
Previously, James Hetfield and Co. led the weekly survey with 1991’s Metallica (aka The Black Album), 1996’s Load, and 2008’s Death Magnetic.
According to the Official Charts Company, 72 Seasons outsells the rest of the top 5 combined, and it’s the market-leader on vinyl. 72 Seasons led at the midweek stage, and finished its first chart week at No. 2 on the Billboard 200, and at No. 1 on the ARIA Albums Chart.
Fans in the U.K. can feel the noise when Metallica’s M72 World Tour 2023/4 stops by Download Festival at Donington Park, with performances on June 8 and June 10.
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Meanwhile, The Weeknd’s hits compilation The Highlights (Republic Records/XO) lifts 3-2, for its equal high, doing so in its 115th week on the survey.
Taylor Swift isn’t in the U.K. – yet – with her The Eras Tour. Swifties in this part of the world, however, are ready and waiting for their hero, and they’re absorbing her records in the meantime. Five of Swift’s LPs moves up the latest tally: 2022’s Midnights (up 5-3), 2014’s 1989 (17-13), 2019’s Lover (20-15), 2020’s Folklore (25-20), and 2017’s Reputation (27-29) – all via EMI. The Eras Tour is currently working its way around the United States, with dates slated to wrap Aug. 9 at Sofi Stadium in Los Angeles. International shows, including the U.K., have not yet been announced.
Finally, Houston, TX rock act Waterparks slide to a debut U.K. top 10 appearance and a career high with Intellectual Property (Parlophone), their fifth studio album. It’s new at No. 10.
Linkin Park’s Meteora motors back to the top of multiple Billboard album charts following its 20th anniversary deluxe reissue. The set, released in 2003, was reintroduced in an expanded edition on April 7 with bonus tracks and available in multiple formats.
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The band’s second studio effort re-enters the Top Album Sales chart (dated April 22) at No. 3, jumping 23-1 on Top Hard Rock Albums, and re-entering straight in at No. 1 on Top Rock Albums, Catalog Albums and Vinyl Albums. On the latter four charts, it’s the first week at No. 1 for the album. On the Billboard 200, Meteora – which marked the group’s first of six No. 1s – re-enters at No. 8.
Meanwhile, also on Top Album Sales, NF collects his third No. 1, as his new studio effort Hope arrives atop the list, while Daniel Caesar notches his first top 10 with the No. 10 arrival of Never Enough.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Top Rock Albums, Top Hard Rock Albums and Catalog Albums rank the week’s most popular rock, hard rock and catalog releases, respectively, by equivalent album units. (Catalog albums are older albums, generally those at least 18-months old.) Vinyl Albums tallies the top-selling vinyl albums of the week. (The Top Rock Albums and Top Hard Rock Albums charts were started in 2006 and 2007, respectively, years after Meteora’s initial release and success on the Billboard 200.)
Meteora sold 19,500 copies in the United States in the week ending April 13. In the previous week, it sold less than 500 copies. Of its 19,500 sold, physical sales comprise 18,000 (13,000 on vinyl and 5,000 on CD) and digital download sales comprise 1,500.
Meteora marked Linkin Park’s first of six No. 1s on the Billboard 200, when it debuted atop the chart dated April 12, 2003. The group’s second studio album spent two weeks atop the list. Previous to Meteora, the band logged a pair of No. 2-peaking efforts with its debut studio set Hybrid Theory and the remix project Reanimation (both in 2002).
Following Meteora’s initial release, the set spun off five No. 1s on Billboard’s Alternative Airplay chart: “Somewhere I Belong,” “Faint,” “Numb,” “Lying From You” and “Breaking the Habit.”
The 20th anniversary reissue was led by its first single, the new from-the-vaults track “Lost” that was recorded for Meteora but didn’t make the original album’s final tracklist. The cut – one of the new tracks added to the reissue – features the vocals of the band’s late lead singer Chester Bennington, who died in 2017. “Lost” debuted at No. 38 on the Billboard Hot 100 (Feb. 25, 2023 chart) and marked the group’s first new top 40 hit in over a decade. It also topped the Alternative Airplay chart. Other new bonus tracks on the Meteora reissue include demo recordings, live cuts and other rarities.
Meteora was reissued in multiple expansive formats, including an 89-track digital download and streaming edition, a three-CD set, a four vinyl LP box and a super deluxe boxed set priced at $199.98 (containing five vinyl LPs, four CDs, three DVDs, a book and collectibles). All versions of the album, new and old, are combined for tracking and charting purposes.
Also in the top 10 of the Top Album Sales chart, NF lands his third No. 1 as Hope bows atop the tally with 80,500 copies sold – his second-largest sales week ever. Its sales were bolstered by the album’s availability in an autographed CD edition in his webstore, a Target-exclusive CD with a poster packaged inside, four deluxe CD/merch boxed sets and a both a white vinyl and a standard black vinyl edition.
Melanie Martinez’s Portals falls to No. 2 in its second week with 20,000 sold (down 80%) after debuting at No. 1 a week ago. Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. dips 3-4 (14,000; down 45%), Taylor Swift’s chart-topping Midnights is steady at No. 5 (nearly 14,000; down 3%), Jimin’s former leader FACE falls 4-6 (12,000; down 38%). Boygenius’ The Record drops 2-7 in its second week (11,000; down 79%), TWICE’s chart-topping Ready to Be: 12th Mini Album descends 6-8 (10,000; down 23%) and TOMORROW X TOGETHER’s The Name Chapter: Temptation is a non-mover at No. 9 with 9,000 (down 13%).
Daniel Caesar’s new Never Enough rounds out the top 10, as it bows at No. 10 with nearly 9,000 sold.
In the week ending April 13, there were 2.014 million albums sold in the U.S. (down 4.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.667 million (down 6%) and digital albums comprised 347,000 (down 3.2%).
There were 696,000 CD albums sold in the week ending April 13 (down 4.9% week-over-week) and 961,000 vinyl albums sold (down 6.8%). Year-to-date CD album sales stand at 9.770 million (up 3.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 13.522 million (up 27.6%).
Overall year-to-date album sales total 28.763 million (up 9.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 23.441 million (up 16%) and digital album sales total 5.321 million (down 13%).