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A clash of the titans is playing out in the U.K., as Noel Gallagher’s High Flying Birds goes head-to-head with Foo Fighters for top spot.
Based on midweek sales and streaming data published by the Official Charts Company, Gallagher’s Council Skies (via Sour Mash) has the edge. It’s a wafer-thin margin. The Foos’ But Here We Are (Columbia) is just 200 combined units behind, for second place on the Official Chart Update.
Gallagher scores U.K. No. 1s for fun. He’s enjoyed an unbroken streak of 10 consecutive No. 1 studio albums, across his career with Oasis (seven) and with High Flying Birds (three). No other individual has a more impressive track record. Furthermore, every one of Gallagher’s studio LPs has debuted at No. 1.
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The Foos, meanwhile, have led the Official Chart with five albums, including their most recent effort, 2021’s Medicine At Midnight.
But Here We Are represents a new chapter for Dave Grohl’s band, which is still grieving the sudden death last year of drummer Taylor Hawkins.
There’s a touch of beef to this chart race. As the OCC points out, during the Foos’ set at the 2019 Reading Festival, Grohl told the crowd that he wanted to start a petition to get Oasis to reunite. That apparently didn’t sit well with Gallagher, who, during a subsequent concert in San Diego, joked with his audience: “Is anyone gonna sign that petition Dave Grohl wants to get together to get us back together?… I’d like to start a petition to get the Foo Fighters to split up”.
The midweek U.K. podium is completed by Sophie Ellis-Bextor’s Hana (Cooking Vinyl), new at No. 3, for what could be the English pop artist’s fifth top 10 LP, and highest charting title since 2002 debut Read My Lips hit No. 2.
Meanwhile, Bob Dylan’s Shadow Kingdom (Sony Music CG), a collection of rerecorded songs from early in the legendary songsmith’s career, could start at No. 4.
Also eyeing top ten berths are British pop veteran Louise’s career retrospective Greatest Hits (No. 6 via BMG), Scissor Sisters’ Jake Shears’s second solo set Last Man Dancing (No. 7 via Mute), and American heavy metal act Avenged Sevenfold’s eighth studio album Life Is But A Dream… (No. 8 via Warner Records).
All will be revealed when the Official Chart is published late Friday (June 9).
The chart miracle that is Calvin Harris and Ellie Goulding’s EDM hit is showing no signs of letting-up in the U.K.
“Miracle” (via Columbia) retains top spot on the Official U.K. Singles Chart, published June 2, for an eighth non-consecutive week at No. 1.
That feat equals Harris’ all-time reign over the U.K. survey, matching the eight weeks “One Kiss” with Dua Lipa spent at the summit back in 2018.
Meanwhile, David Kushner’s viral hit “Daylight” (Miserable Music) holds at No. 2, while Afrobeats artist Rema’s “Calm Down” (Mavin) completes the podium, up 5-3 for a new high.
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Loreen’s 2023 Eurovision Song Contest-winning entry “Tattoo” (Polydor) continues to stick around, logging a third week in the top 10. The Swedish singer’s pan-European hit dips 4-10.
The highest new entry on the latest survey belongs to J Hus, as “It’s Crazy” (Black Butter) arrives at No. 15. “It’s Crazy” is the East London rapper’s first taste of new music as a lead artist in three years. With its lofty debut, the hip-hop artist earns his 13th U.K. top 40 appearance.
Taylor Swift is on the rise once again, thanks to the release of Midnights (The Til Dawn Edition) (via EMI). A trio of tracks make a dent — the maximum allowed under the Official Charts Company’s singles chart criteria — led by “Karma,” this week’s big gainer thanks to a new cut featuring rising rapper “Ice Spice”. It’s up 67-12, while “Hits Different” bows at No. 18 and “Snow On The Beach,” which features additional lines from guest artist Lana Del Rey, reenters the top 40 at No. 24.
Also new to the chart is Dua Lipa’s “Dance The Night” (Warner Records), lifted from the forthcoming Barbie movie soundtrack. It drops in at No. 20, for Lipa’s 23rd U.K. top 40 appearance.
Finally, as news of Tina Turner’s death spread the globe, fans paid their respects by listening to the rock legend’s greatest hits. The late singer’s signature song “The Best” (Parlophone) reenters the U.K. chart at No. 25, having peaked at No. 5 in 1989, while her comeback smash from 1984, “What’s Love Got To Do With It,” returns at No. 35. “What’s Love Got To Do With It” is Turner’s highest-peaking solo track in the U.K., reaching No. 3. Turner died May 24 at the age of 83.
Fans rallied to the late Tina Turner’s catalog in massive numbers in the week following the icon’s death. Her tracks collected more than 40 million U.S. on-demand streams from May 24, the day of her passing, through the six days after, according to preliminary reports to Luminate.
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Turner, the electric performer whose career spanned multiple generations and multiple genres – with pop, rock, soul and even country among her gifts – died at age 83 on May 24 at her home in Switzerland. Her legacy includes a rare double induction into the Rock and Roll Hall of Fame, as she was honored in 1991 part of Ike & Tina Turner and again in 2021 for her solo efforts.
Across all her work, Turner’s tunes captured 40.1 million U.S. on-demand streams May 24-30, up from 2.7 million May 17-23 – a 1,367% increase. Turner’s solo material, consisting of songs largely recorded from 1978 on, contributed 36.1 million clicks of the posthumous activity. Songs credited to Ike & Tina Turner, active from 1960 to 1976, accounted for 4 million streams. (The totals above include both official on-demand streams and user-generated activity [“UGC”] to give a full view of Turner’s posthumous impact. UGC streams do not count toward Billboard’s chart calculations.)
“What’s Love Got To Do With It” led all of the diva’s songs, with 7.2 million clicks May 24-30, up 686% from 912,000 in the previous seven days. The 1984 Billboard Hot 100 No. 1 was the main driver behind her monumental comeback that year. It became her sole Hot 100 No. 1, leading the list for three weeks, and ended 1984 at No. 2 on the year-end Hot 100 chart. The single won Turner two Grammy Awards, including record of the year, at the 1985 ceremony and ranks first on the recap of Turner’s biggest Hot 100 hits.
“The Best” claimed second place among Turner’s streamed songs May 24-30, with 4.5 million on-demand clicks, up 1,022%. Turner’s 1989 cover of the Bonnie Tyler cut became a signature song, inspiring the title of her 1991 greatest-hits set, Simply the Best. The same phrase became a common refrain in many tributes and eulogies on social media.
Ike & Tina Turner’s 1971 classic “Proud Mary” cover ranked third May 24-30 thanks to 3.9 million on-demand streams (up 1,132%). Two cuts from Turner’s 1984 LP, Private Dancer, the title track (2.04 million, up 2,502%) and “Better Be Good to Me” (1.8 million, up 1,714%), round out the top five.
On the Billboard charts (dated June 3), “What’s Love” also generated the strongest impact, despite only two days of the posthumous activity surge in the last chart tracking week (May 19-25). (The weekly airplay, sales and streaming windows for Billboard charts run on a Friday-Thursday cycle.) The single debuts at No. 11 on the Hot R&B Songs chart, which began in 2012 and blends streaming, radio airplay and sales activity.
“What’s Love” also returns at No. 1 on the R&B Digital Song Sales chart with 7,000 downloads sold (up from a nominal sum) and leads eight Turner songs onto the 15-position list:
No. 1, “What’s Love Got To Do With It”No. 2, “We Don’t Need Another Hero (Thunderdome)”No. 3, “Proud Mary”No. 4, “Better Be Good to Me”No. 5, “Private Dancer”No. 7, “I Don’t Wanna Lose You”No. 9, “Let’s Stay Together”No. 10, “River Deep – Mountain High”
All told, Turner sold 78,000 song downloads May 24-30, a 6,238% vault from a little over 1,000 in the prior seven-day window.
The streaming and sales activity spark album gains for her 2005 greatest-hits effort, All the Best: The Hits. The set debuts at No. 6 on the June 3-dated Top R&B Albums chart, No. 14 on Top R&B/Hip-Hop Albums and No. 45 on the Billboard 200.
Morgan Wallen’s name is now etched in the ARIA history books as “Last Night” (via Republic/Universal) enters week eight at No. 1. “Last Night” holds top spot on the latest Australian singles chart, published June 2, making it the longest reigning leader by a male American country singer since the ARIA Charts launched in 1983. It beats by a week Billy Ray Cyrus’ seven-week stint at the top with “Achy Breaky Heart” in 1992.Taylor Swift gets some good karma on the ARIA Charts, following the release of Midnights (Til Dawn Edition) (via Universal), which returns to No. 1. Swifties have been obsessing over the fresh cut of “Karma,” which features Ice Spice and flies 59-2 for a new chart peak, besting its No. 9 high from 2022. It’s one of several album tracks on the rise, including “Snow on The Beach,” which features additional lyrics from Lana Del Rey and reenters at No. 12; while “Hits Different” impacts the chart for the first time at No. 16. Dua Lipa shuffles into the top 40 with “Dance The Night,” lifted from the Barbie soundtrack. It’s new at No. 22 for her 21st top 50 single in Australia, a streak that dates back to “Be The One,” which reached No. 6 in 2015, ARIA reports.Also impacting the chart for the first time is “America Has a Problem” by Beyonce and Kendrick Lamar, a remix of a cut from Bey’s chart-topping album from 2022, Renaissance. It’s new at No. 32. Over on the ARIA Albums Chart, Swift’s Midnights returns to the summit, up 7-1, for its first stint in the penthouse since February of this year. Midnights has now logged 13th non-consecutive weeks at No. 1. Matchbox Twenty lights up the tally with Where The Light Goes (Atlantic/Warner), their fifth studio album. It’s new at No. 2 for the week’s highest debut. Thanks to Swift, the U.S. group misses out on extending its streak of No. 1s. They’ve landed four thus far, with Yourself Or Someone Like You (1996), Mad Season (2000), career retrospective Exile On Mainstream (2007) and North, their most recent studio album from 2012.Rockabilly “supergroup” the Barnestormers complete the podium with their self-titled set, new at No. 3 with the debut of their self-titled album (via Mushroom Group’s Bloodlines, distributed by Universal Music Australia). The Barnestormers features Jimmy Barnes on vocals, the Living End’s Chris Cheney on guitar, Stray Cats’ Slim Jim Phantom on drums, producer Kevin “Caveman” Shirley on bass, and Squeeze keyboardist and broadcaster Jools Holland.Close behind is Sydney indie band Boy & Bear, which bows at No. 4 with their eponymously titled fifth album (through UNFD/Orchard). It’s the fourth top 5 appearance for the ARIA Award winners, a run that includes No. 1s for 2013’s Harlequin Dream and 2015’s Limit Of Love.Finally, Tina Turner proves she’s still simply the best, as Aussies remember the U.S. R&B legend by returning to her greatest hits. “The Best” (Rhino/Warner), which soundtracked Turner’s campaigns for Australia’s professional rugby league, reenters at No. 29 on the singles survey after peaking at No. 4 in 1989 (a duet with Aussie rocker Jimmy Barnes, which also appeared in a league campaign, hit No. 14 in 1992). Her signature comeback song “What’s Love Got To Do With It” returns at No. 84, while a string of her albums enjoy sales and streaming spikes: All The Best (up 28-17), Private Dancer (reentering at No. 53) Tina! (No. 58). Turner passed away May 24, aged 83.
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The late, great Tina Turner is about to make a major chart comeback. As U.K. fans mourn Turner’s death last Wednesday (May 24), aged 83, the legendary performer could land four titles in the national albums chart, led by The Platinum Collection. Turner’s career retrospective could crack the top 10 for the first time, reentering at No. 8 on the midweek chart, the Official Charts Company reports. The Platinum Collection originally peaked at No. 14 following its release in 2009.
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Close behind is Turner’s 1989 LP Foreign Affair, which features her hit “The Best.” Foreign Affair is set to reenter the Official Chart at No. 10.
Another hits compilation, 1994’s The Collected Recordings, is poised for a No. 12 return, while the U.S. superstar’s Private Dancer from 1984, one of the greatest comebacks of the 20th century, could vault to No. 31, having originally peaked at No. 2.
During her lifetime, Turner landed nine top 10 albums in the U.K., including two No. 1s (Foreign Affair and the soundtrack to What’s Love Got To Do With It).Lewis Capaldi blasted to No. 1 on the Official U.K. Albums Chart last Friday (May 26) with Broken By Desire To Be Heavenly Sent, the fastest-selling album of 2023. Broken By Desire leads the midweek chart again, ahead of two former leaders, Taylor Swift’s Midnights (up 10-2), which benefits from the release of Midnights (The Til Dawn Edition); and Harry Styles’ Harry’s House (up 5-3), which lifts as he makes a victory lap of his homeland with his Love On Tour. Meanwhile, Mick Hucknall’s Simply Red could bag the highest new entry with Time, new at No. 4 on the Official Chart Update. If Time keeps ticking away, it’ll give the British act their 15th U.K. top 10. Also eyeing top 10 berths are singer-songwriter Arlo Parks’ sophomore album My Soft Machine, the followup to the U.K. indie star’s debut Mercury Prize-winning LP from 2021, Collapsed in Sunbeam. My Soft Machine is new at No. 5 on the chart blast.
Finally, veteran alternative pop act Sparks’ is set for a best chart position since 1974 with The Girl Is Crying In Her Latte. The U.S. act, which recently completed a tour of the U.K., is eying a No. 6 bow on the national chart.
All will be revealed when the Official U.K. Albums Chart is published Friday (June 2).
Lewis Capaldi wouldn’t be denied his first No. 1 in Australia, as Broken By Desire To Be Heavenly Sent blasts to the summit.
The Scottish singer and songwriter’s sophomore album eclipses the No. 7 best for his debut Divinely Uninspired To A Hellish Extent from 2019. Platinum-certified Divinely Uninspired bounces 34-30 this week in its 210th cycle on the survey.
Coming in at No. 2 on the ARIA Chart, published May 26, is John Farnham’s Finding The Voice (Wheatley Records / Sony Music Australia), the soundtrack to the documentary of the same name.
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Finding The Voice becomes the legendary Australian singer’s 20th top 10 album in Australia.
The documentary, like its companion album, is a hit. In the weeks following its release May 18 through Sony Pictures, Finding the Voice was confirmed as the best-selling theatrical release of an Australian music documentary.
Farnham is accustomed to life at or near the top of the charts. His blockbuster 1986 album Whispering Jack spending 25 weeks at No. 1, and is the highest selling album by an Australian act, shifting more than 1.6 million copies. Today, it’s certified 24-times platinum.
He also led the albums tally with Age Of Reason (1988), Chain Reaction (1990), Then Again… (1993), Highlights From The Main Event with Olivia Newton-John and Anthony Warlow (1998), 33 1/3 (2000), The Last Time (2002), Highlights from Two Strong Hearts: Live (2015) and Friends For Christmas, both with Olivia Newton-John (2016).
Farnham has been in the headlines due to poor health. The ARIA Hall of Fame-inducted singer underwent major surgery last year to remove a cancerous growth on his throat, and subsequently endured a stint in hospital as he battled a chest infection.
Completing an all-new top three is Sleep Token’s third album, Take Me Back To Eden (Spinefarm/Inertia). It’s new at No. 3 for the British rock band’s first appearance on the ARIA Chart, while Ed Sheeran‘s latest, Subtract (Atlantic/Warner), dips 1-4.
Also cracking the top 10 on debut is South Coast, Australian indie band The Vanns with their second album Last Of Your Kind (Upper River Records/AWAL), new at No. 8, for their first impression on the tally.
Adelaide alternative rock band Bad//Dreems starts at No. 10 with Hoo Ha! (BMG/ADA).
Over on the ARIA Singles Chart, Morgan Wallen logs a seventh week at No. 1 with “Last Night” (Republic/Universal).
Finally, Lana Del Rey secures the top debut with her recently unearthed recording from 2012, “Say Yes To Heaven” (Interscope/Universal), new at No. 20, while Australia’s pop princess Kylie Minogue scores her 49th top 50 single with “Padam Padam” (Liberation), new at No. 39.
Lewis Capaldi can almost taste victory in the U.K. chart race.
The Scottish singer and songwriter will be hard to beat, as Broken By Desire To Be Heavenly Sent (EMI) notches 68,000 chart sales by the midweek point, the Official Charts Company reports, and is currently outselling the rests of the top 20 combined.
It’s on track to overtake Ed Sheeran’s Subtract (Asylum) as the year’s fastest-selling LP, and push Sheeran’s album from the summit after a two-week stay (Subtract opened with 76,000 chart sales).
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Assuming Capaldi reigns supreme when the Official U.K. Albums Chart is published Friday, May 26, it’ll give the Scot his second leader after his 2019 debut Divinely Uninspired To A Hellish Extent, which has passed one million U.K. combined sales and features the global hit “Someone You Loved,” which is recognized by the OCC as the most-streamed song in the U.K.
Broken By Desire To Be Heavenly Sent is already a hit machine. Three songs from it, “Forget Me,” “Pointless,” and “Wish You The Best,” have led the Official U.K. Singles Chart.
Capaldi leads an all-new top four on the Official Chart Update. Based on midweek sales and streaming data, ‘80s rockers Def Leppard could debut at No. 2 with Drastic Symphonies (Mercury), a collaboration with the Royal Philharmonic Orchestra, while fellow British rock band Sleep Token could complete the podium with Take Me Back To Eden (Spinefarm), set to arrive at No. 3.
Close behind is Swedish rock act Ghost with their covers EP Phantomime (Loma Vista), set to start at No. 4, while Sheeran’s Subtract is poised to drop 1-5.
Also eyeing top 10 berths are veteran prog-rock group Yes with Mirror To The Sky (Century Media), at No. 6 on the chart update, and iconic U.S. singer and songwriter Paul Simon with Seven Psalms (Sony Music CG), set to bow at No. 9.
Finally, as fans mourn the death of the Smiths’ bass player Andy Rourke, the indie legends’ music is providing some comfort. The Smiths’ hits compilation The Sound of The Smiths (Rhino) could return to top 40, at No. 30.
Lana Del Rey‘s long-overdue release of “Say Yes To Heaven” (via Polydor) could immediately land her a U.K. top 10. The U.S. alternative pop star blasts to No. 8 on the chart update, and is on track for the week’s top debut. Co-written and produced in 2012 with her frequent collaborator Rick Nowels, “Heaven” was […]
Loreen very nearly made it two wins in the space of a week.
Sweden’s representative at the 2023 Eurovision Song Contest won by a landslide with “Tattoo”. And in the U.K., “Tattoo” (via UMG International) has made a big impression with music fans, as it gathered momentum through the chart week.
“Tattoo” debuts at No. 2 on the Official U.K. Singles Chart, published last Friday (May 19), in a tight race won by Calvin Harris and Ellie Goulding’s “Miracle” (Columbia).
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According to the Official Charts Company, “Miracle” clocked up a market-leading 5.1 million U.K. streams during the latest seven-day stretch, for its sixth non-consecutive week at No. 1.
Meanwhile, Loreen lands a new career high, beating the No. 3 best for “Euphoria,” her winning entry from the 2012 Eurovision.
“Tattoo” leads a “record-breaking” charge for Eurovision songs in the U.K. top 10, the OCC reports, as Finland act Käärijä’s “Cha Cha Cha” (No. 6 via WM Finland), U.K. entry Mae Muller’s “I Wrote A Song” (up 45-9 via Capitol) and Norway singer Alessandra’s “Queen of Kings” (No. 10 via Universal Music AS) all enter the top tier for the first time, following the recent song contest, the final of which took place held at May 13 at Liverpool’s M&S Arena.
Further down the list, Chicago hip-hop artist Lil Durk bags his third U.K. top 40 appearance as “All My Life” (Ministry of Sound) featuring J Cole starts at No. 17, while east coast drill rapper Lil Mabu cracks the top 40 for the first time with “Mathematical Disrespect” (Lil Mabu), new at No. 27.
Finally, two songs are enjoying revivals for totally different reasons. Florence + The Machine’s “Dog Days Are Over” (Island), which appeared on the English act’s 2009 album Lungs, is on the rise following its sync to Guardians Of The Galaxy Vol. 3. It’s up 27-21.
And as the U.K. leg of her Renaissance World Tour gets underway, Beyonce’s “Cuff It” (Columbia/Parkwood Ent) reenters the chart at No. 24.
Ke Personajes, Big One, and FMK’s “Un Finde: Big One Crossover #2” claims a fourth week at No. 1 on the Billboard Argentina Hot 100 chart (dated May 13). The song enters into a tie with Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” for the second-longest reign in 2023, trailing Big One’s own “En La Intimidad,” with Emilia and Callejero Fino, which dominated for seven consecutive weeks starting the Feb. 25-dated ranking.
BM’s “M.A (Mejores Amigos)” holds strong at No. 2, four weeks after it became his first No. 1 (chart dated April 15).
The Hot Shot Debut of the week goes to Emilia’s “Jagger” at No. 11. With the latter plus ”No_Se_Ve.Mp3,” with Ludmila, debuting at No. 41 this week, Emilia collates her 21st entry on the Argentina Hot 100 and joins the exclusive group of female artists with 21 entries or more: Maria Becerra has secured 39 entries, Karol G posts 30, Tini holds 29, while Nicki Nicole has claimed a total of 26 career entries.
Overall, Bad Bunny continues at the lead with a total of 58 chart entries.
Further, Duki’s “aPoLLo13” launches at No. 32. With the new entry, the Argentinian rapper adds a 40th entry to his account, the fourth-most after Bad Bunny’s 59 titles, J Balvin’s 49, and Bizarrap’s 43 chart appearances.
Khea and Tiago Pzk’s “Para Amarte a Ti” take the Greatest Gainer honor of the week as the song climbs 26 rankings, from No. 76 to No. 50.
Elsewhere, Mesita picks up his first entry as a soloist, unaccompanied by any other act, as “Dale Mecha” starts at No. 81.
The chart boasts six other debuts this week, starting with MYA and Rusherking’s “Mya Live P1: Chanel De Coco” at No. 84. Meanwhile, Lola Indigo and Quevedo’s “El Tonto” bows at No. 87; WOS’ “Descartable” joins at No. 89; Luck Ra and La Renga’s “Bebe Dame” debuts at No. 90; while La Joaqui’s “Cachorro” arrives at No. 97.
Lastly, thanks to the biographical Nexflix series El Amor Después del Amor, a classic of singer-songwriter Fito Páez makes its chart debut as “11 y 6” starts at No. 99. With the new arrival, Paez captures his fifth entry.
