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For the first time in 26 years, Babyface rules Billboard’s Adult R&B Airplay chart without any other credited artists, with “As a Matter of Fact” advancing from No. 3 to lead the list dated July 15. The legend last led on his own with “Every Time I Close My Eyes,” a two-week No. 1 in 1997, and collects his sixth overall chart-topper.
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“Fact” ascends to the summit after a 10% boost in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the week ending July 6, according to Luminate. The new leader extends the icon’s hot streak on Adult R&B Airplay; his last four chart entries have all reached the top five. Plus, Babyface is off to a strong start with new label P Music, as his first two visits – as featured on Charlie Wilson’s “No Stoppin’ Us,” alongside fellow guests K-Ci Hailey and Johnny Gill – and now “As a Matter of Fact” have topped the list.
“I am grateful and blessed to have another [No. 1] song on the Billboard [Adult] R&B radio chart as a solo artist after 26 years,” Babyface tells Billboard. “I am thankful to still be here and do what I love – creating music. It will always come back to the music. Thanks to my fans and my team!”
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In total, “As a Matter of Fact” gives the hitmaking performer, songwriter and producer his sixth Adult R&B Airplay No. 1. Here’s an updated look at all his champs as an artist:
“Never Keeping Secrets,” one week at No. 1, beginning Dec. 4, 1993“When Can I See You,” two, Aug. 20, 1994“Every Time I Close My Eyes,” two, March 29, 1997“Hurt You,” with Toni Braxton, four, Dec. 14, 2013“No Stoppin’ Us,” Charlie Wilson featuring Babyface, K-Ci Hailey & Johnny Gill, three, Aug. 6, 2022“As a Matter of Fact,” one (to date), July 15, 2023
Elsewhere, “As a Matter of Fact” rises 23-22 for a new peak on the R&B/Hip-Hop Airplay chart, which measures songs by combined audience from adult R&B and mainstream R&B/hip-hop stations. There, the single gained 6% in audience to reach 5.4 million in the latest tracking week. In addition to his own track, Babyface has even more to celebrate: As a co-producer and co-writer, he shares in the success of SZA’s “Snooze,” which wins a third week at No. 1 on R&B/Hip-Hop Airplay.
It’s unlikely to be a Swift Sweep, though Taylor Swift is on track to land three singles in the U.K. top 10. With Swift’s Speak Now (Taylor’s Version) crushing the midweek U.K. albums chart, a trio of her singles are well-placed at the halfway stage. Based on sales and streaming data published by the Official […]
Nothing But Thieves swipe the U.K. chart title for the first time as Dead Club City bows at No. 1.
Formed in Essex, England, the five-piece indie-rock band enjoyed top 10 appearances with each of their previous three albums: 2015’s self-titled debut (peaking at No. 7), 2017’s Broken Machine (No. 2) and 2020’s Moral Panic (No. 3).
“How’s this happened then?!,” reads a message on the band’s socials. “It’s a synth based concept record with too many guitar solos. This is all to say that despite our best efforts of self sabotage, it’s only gone and got Number 1. It can still happen.”
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Completing the podium on the Official U.K. Albums Chart, published July 7, is Elton John’s hits collection Diamonds (Universal/UMC), which holds at No. 2 as the pop veteran winds-up his record-setting final tour; and the Weeknd’s The Highlights (Republic Records/XO), up 6-3.
Further down the list, London singer and songwriter Olivia Dean blasts to No. 4 with Messy, her full-length debut LP.
Also arriving in the top 10 is Lil Uzi Vert’s Pink Tape, new at No. 7. That’s the second top 10 for the U.S. rapper, singer and songwriter, after 2020’s Eternal Atake peaked at No. 3. Lil Uzi Vert also impacted the U.K. chart with 2017’s Luv Is Rage 2 (No. 14), and Pluto x Baby Pluto (No. 39), his 2020 collaborative release with Future.
Meanwhile, Fontaines D.C. frontman Grian Chatten bags a debut solo top 10 appearance with Chaos For The Fly (Partisan). The best-seller this week on wax, Chaos For The Fly takes off at No. 10.
Olivia Rodrigo is back with “Vampire,” and her fans can’t get enough of the U.S. pop star. Rodrigo’s chart-topping debut album from 2021, Sour (Geffen), blasts 32-16 in its 110th week on the tally.
Finally, Madonna enjoys a “get well soon” message from her U.K. fans as Finally Enough Love (Rhino) rises on the chart. The Queen of Pop’s 2022 hits collection reenters the chart at No. 27 following the release of six-LP “Rainbow Edition” boxset.
The American pop legend recently spent several days in the ICU after she developed a serious bacterial infection, a development that pressed pause on her massive, career-spanning Celebration tour. Finally Enough Love originally peaked at No. 3 in the U.K. following its release in 2022.
Taylor Swift sweeps into the Australian record books, breaking a chart mark previously owned by the King of Pop, while Olivia Rodrigo nabs her third leader on the national singles survey.
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“Vampire” (via Geffen/Universal) spreads its wings to debut at No. 1 on the ARIA Chart, following the lead of “Drivers Licence” and “Good 4 U,” which both reigned in 2021.
Rodrigo’s debut album from 2021, Sour, also hit No. 1 in Australia, logging a total of eight weeks in the penthouse. With “Vampire” flying high this week, Sour soars 28-15. Rodrigo’s latest hit is the first release from the U.S. pop phenomenon’s sophomore LP Guts, due out Sept. 8.
With “Vampire” starting atop the ARIA Singles Chart published Friday, July 7, the four-week unbroken reign of Dave and Central Cee’s “Sprinter” (Virgin Music/Universal) is at an end. “Sprinter” dips 1-2, while Swift’s “Cruel Summer” (Universal) works its magic in the Australian winter, holding at No. 3.
In any other week, Rodrigo would command the headlines with her chart-topping feat.
This is no ordinary week. It’s Taylor Swift’s week.
Swift dominates both lists, as “Anti-Hero” (up 7-6) and “Karma” (up 8-7) impact the top 10 on the ARIA Singles Chart, while “Style” (reentering at No. 11) and “Blank Space” (up 20-12) and a string of her hits ascend.
The U.S. pop superstar’s dominance is outright on the ARIA Albums Chart, on which Swift completes an unprecedented sweep of the top 5, led by Midnights, which bounces 2-1 for its 13th week at No. 1, ARIA reports. The top five is closed out by Lover, 1989, Reputation, and Folklore, respectively, while Red (Taylor’s Version) vaults 15-9.
Previously, Michael Jackson was the standard-bearer for dominance, notching the top three albums in the week following his death in 2009.
Swift-mania is a triggered by the general ticket on sale for her The Eras Tour of Australia in 2024, produced by Frontier Touring.
TayTay will play her hits across seven concerts at the Melbourne Cricket Ground and Sydney’s Accord Stadium next February, tickets for which went on sale to the general public Friday, June 30. No further dates will be added for the Australian tour, Frontier Touring has confirmed.
Kelly Clarkson earns her fourth No. 1 on Billboard’s Top Album Sales chart (dated July 8) as her latest studio effort, Chemistry, debuts atop the list. The set sold 43,000 copes in the U.S. in the week ending June 29, according to Luminate. Clarkson previously led the tally with Piece by Piece (2015), All I Ever Wanted (2009) and Thankful (2003). All told, Chemistry is her 10th top 10-charting title on Top Album Sales.
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Also in the top 10 of the new Top Album Sales chart, Young Thug nabs his sixth top 10 set as Business Is Business bows at No. 6.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 8, 2023-dated chart will be posted in full on Billboard‘s website on July 5, one day later than usual, owed to the Independence Day holiday in the U.S. on July 4. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Chemistry’s 43,000 copies sold in its first week, physical sales comprise 25,500 (18,000 on CD and 7,500 on vinyl) and digital album sales comprise 17,500. The set also enters at No. 1 on the Vinyl Albums chart (her first leader there), and with 7,500 sold, Chemistry lands Clarkson her best week ever on vinyl.
Chemistry’s sales were bolstered by its availability across multiple vinyl variants, including exclusive color editions for Amazon, Barnes & Noble, Clarkson’s webstore, Spotify, Target, Urban Outfitters and Walmart. (Target’s edition also had an alternative cover.) Clarkson’s CD sales were enhanced by multiple editions, including a signed version sold through her webstore, an Amazon-exclusive that contained a poster and a Target-exclusive variant with an alternative cover.
ATEEZ’s The World EP.2: Outlaw falls to No. 2 in its second week, with 32,000 sold (down 68%) after debuting atop the list a week ago. Stray Kids’ former No. 1 5-STAR is a non-mover at No. 3 with 19,000 (down 28%) and ENHYPEN’s Dark Blood is also stationary at No. 4 with 11,000 (down 10%). Taylor Swift’s chart-topping Midnights is steady at No. 5 with nearly 11,000 sold (down 4%).
Young Thug’s Business Is Business is the second and final debut in the top 10, as it starts at No. 6 with 8,500 sold, with 97% of that figure from digital album sales. A small number of sales were generated by a CD edition of the album that was released late in the tracking week to a limited number of independent record stores. Business is the sixth top 10-charting set for the rapper.
Swift has two more albums in the top 10, as her former No. 1s Folklore (10-7 with 8,000; up 4%) and Lover (16-8 with 7,000; up 16%) both climb. Two more chart-topping sets round out the top 10, as SEVENTEEN’s SEVENTEEN 10th Mini Album: FML is a non-mover at No. 9 (nearly 7,000; down 19%) and TWICE’s Ready to Be rises 13-10 (6,000; down 9%).
In the week ending June 29, there were 1.708 million albums sold in the U.S. (down 13.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.363 million (down 17%) and digital albums comprised 346,000 (up 3.1%).
There were 620,000 CD albums sold in the week ending June 29 (down 14.4% week-over-week) and 735,000 vinyl albums sold (down 19.1%). Year-to-date CD album sales stand at 17.537 million (up 3.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 23.606 million (up 21.7%).
Overall year-to-date album sales total 50.641 million (up 7.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 41.407 million (up 13.3%) and digital album sales total 9.234 million (down 11.2%).
Nothing But Thieves are about to steal the U.K. chart title.
The five-piece indie rock band from Essex, England leads the midweek chart with Dead Club City, their fourth LP.
Whatever happens between now and when the chart is published this Friday, July 7, Dead Club City should give the act their fourth consecutive top 10 appearance, following 2015’s self-titled debut (peaking at No. 7), 2017’s Broken Machine (No. 2) and 2020’s Moral Panic (No. 3).
Coming in at No. 2 on the Official Chart Update is Grian Chatten’s debut solo album Chaos For The Fly (via Partisan). As frontman of Irish post-punk band Fontaines D.C., Chatten has enjoyed top 10s with each of their three albums: 2019’s Dogrel (No. 9), 2020’s A Hero’s Death (No. 2) and a chart title for 2022’s Skinty Fia.
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Closing out the top three on the midweek tally Elton John’s Diamonds (Mercury/UMC). The Rocket Man’s career retrospective is at No. 3, and still flying after his spectacular finale at Glastonbury Festival 2023.
Close behind at No. 4 on the chart blast is Lil Uzi Vert’s Pink Tape. If it holds its position, it’ll give the U.S. rapper his second U.K. top 5, following 2020’s Eternal Atake, which peaked at No. 3.
Also poised for a top 10 debut is British alt-pop newcomer Olivia Dean with Messy. It’s new at No. 8 on the midweek tally, and could earn the artist her first U.K. top 10.
Following news of her health problems, Madonna’s latest hits collection, Finally Enough Love (Rhino), is set to reenter the top 10, roaring 96-9 on the chart update. The Queen of Pop reportedly spent several days in the ICU after she developed a serious bacterial infection on June 24. Though she’s said to be on the mend, Madonna’s massive, career-spanning Celebration tour has been put on pause for the time being. Finally Enough Love originally peaked at No. 3 in the U.K. following its release in 2022.
All will be revealed when the Official U.K. Albums Chart is published Friday.
Olivia Rodrigo’s “Vampire” is striking fear in its U.K. chart rivals.
The U.S. pop phenomenon’s latest release starts at No. 2 on the midweek singlessurvey, and is challenging Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood) for the crown.
“Vampire” is the first official release from Rodrigo’s sophomore album Guts, the followup to her record-breaking 2021 debut Sour.
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With Sour and its single “Good 4 U,” Rodrigo became, at 18 years and three months, the youngest solo artist in history to snag the Official U.K. Chart double.
The Grammy Award winner’s debut also broke the U.K. record for most first-week streams ever for a debut album, and she’s the first female solo artist to bag three simultaneous U.K. top 5 singles with “Good 4 U,” “Deja Vu” and “Traitor” (Rodrigo’s “Drivers License” also went to No. 1).
“Vampire” should give Rodrigo her fifth U.K. top 10.
“Sprinter” is racing to a fifth consecutive week at No. 1, while the midweek podium is completed by J Hus and Drake’s “Who Told You” (Black Butter/OVO/Republic). The rap collab appears to have missed its chance to hit the summit, dipping 2-3 in its fourth week on the Official Chart Update.
Meanwhile, Kylie Minogue’s “Padam Padam” (BMG) is on the rise, and appears set for a No. 8 spot, a new peak.
Also on the climb is Taylor Swift’s “Cruel Summer” (EMI), which is on the verge of its first stint in the top 10. The Lover track lifts 13-9 on the Official Chart Update, and could net Swift her 22nd top 10.
The next highest new entry on the chart should be a homegrown hip-hop number, “Pakistan,” by rap collective D-Block Europe and Londoner Clavish. It’s new at No. 11 on the midweek tally.
All will be revealed when the Official U.K. Singles Chart is published Friday, July 7.
The mud has dried on Glastonbury Festival 2023, but the good times continue to roll for a string of this year’s performers.
Elton John’s Diamonds (via Mercury/UMC) collection goes off like a rocket following the pop legend’s headline slot at the main Pyramid Stage, on the final night.
The career retrospective climbs 11-2 on the Official U.K. Albums Chart, published June 30, with an 188% uptick in week-on-week chart sales (sales and streams), according to the Official Charts Company.
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The Rocket Man also makes his mark on the Official U.K. Singles Chart as his “Cold Heart” (EMI/Warner Records) collaboration with Dua Lipa, remixed by Pnau, vaults 66-30 and his 1983 classic “I’m Still Standing” (Mercury) stands at No. 34. That’s the first top 40 appearance for the single since its year of release.
Elton’s Glastonbury slot was billed as potentially his last show on home soil.
There’s an impressive chart ride for Stephen Sanchez who, after joining Elton on stage, sees his ballad “Until I Found You” (Republic Records) reennter the singles chart at No. 14, for a new high. “Until I Found You” posts a 105% week-on-week gain in combined sales.
Lewis Capaldi’s emotionally-charged performance at Glasto has seen the Scottish artist’s sophomore set Broken By Desire To Be Heavenly Sent (EMI) fly 16-3 — thanks to a 68% week-on-week gain in combined sales, the OCC reports. Also, Lewis’s debut LP Divinely Uninspired To A Hellish Extent rises 34-9 on the chart, with a 114% gain in combined sales, while his trans-Atlantic hit “Someone You Loved” climbs 98-49 on the singles survey.
Around 210,000 people partied at Glastonbury from Friday, June 23, until Sunday, June 25, with the BBC airing all the hottest performances and highlights.
The Arctic Monkeys swung into Glastonbury with a Friday night headline slot, and this week lands three albums in the U.K. top 40 –– the most for any performer at the popular summertime festival.
The Sheffield rock band’s 2013 set AM lifts 12-7, 2005 debut Whatever People Say I Am, That’s What I’m Not gains 29-20 and 2006’s Favourite Worst Nightmare reenters the top 40 at No. 38 — all through Domino Recordings.
Also benefiting from the exposure of playing Britain’s best-know festival is Foo Fighters. The band’s surprise set at the Eavis’ Worthy Farm helps lift former leader But Here We Are (Columbia), up 31-14, while their career retrospective The Essential Foo Fighters (Sony Music CG) enjoys a 63-22 spike, with a 67% week-on-week gain in combined sales, according to the OCC.
Lana Del Rey’s abridged Glasto set has added steam to her sophomore album Born To Die (Polydor), up 43-29, while Did You Know That There’s A Tunnel Under Ocean Blvd. renters at No. 75, and Norman F**king Rockwell returns to the tally at No. 90.
Finally, Saturday Glastonbury headliners Guns N’ Roses can boast the highest-climber on the Official U.K. Albums Chart with Greatest Hits. Thanks to a 95% gain in combined sales, the collection soars 96-31.
One of those mega-hits, “Sweet Child O’ Mine” (Geffen), which peaked at No. 6 back in 1989, appears at No. 40 on the singles tally. That’s “Sweet Child’s” first stint in the top 40 in 34 years.
Dave and Central Cee complete a full month at No. 1 in the U.K. with “Sprinter” (Live Yours/Neighbourhood), as the hip-hop hit retains its chart crown.
The leader at the halfway stage, “Sprinter” soaks up 8.6 million streams during the latest cycle, the Official Charts Company reports, for its fourth consecutive week at the summit.
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The rap track outruns J Hus and Drake’s “Who Told You” (holding at No. 2 via Black Butter/OVO/Republic) and Calvin Harris and Ellie Goulding’s “Miracle” (unmoved at No. 3 via Columbia), respectively.
Also making moves inside the top 10, published June 30, are Rudimental, Charlotte Plank and Vibe Chemistry’s “Dancing Is Healing” (Room Two) up 6-5; while Hannah Laing and RoRo’s ”Good Love” (Polydor) is up 9-7; and South Korean DJ and producer Peggy Gou enters the top tier for the first time with ”(It Goes Like) Nanana” (XL Recordings), up 14-9.
The highest new entry belongs to Stormzy and Fredo with “Toxic Trait” (Def Jam), the British hip-hop artists’ first collaborative venture. It’s new at No. 11 on the Official U.K .Singles Chart, published Friday, June 30, for Stormzy’s 29th top 40 appearance, and Fredo’s 19th.
As Swifties enjoy the British summer, listening to their favorite artist, Taylor Swift’s “Cruel Summit” (EMI) continues its march up the chart. The Lover release from 2019 rises 28-12 on the U.K. tally, for a new chart peak. Further down the list is Swift’s Midnights number “Karma,” up 32-31, and “Anti-Hero,” up 45-42. Swift recently announced the U.K. leg of her The Eras Tour, which is set to visit these parts in June 2024.
Also new to the Official U.K. Singles Chart is Ice Spice and Nicki Minaj’s contribution of the Barbie soundtrack, the Aqua-sampling “Barbie World” (Atlantic). It’s new at No. 25 for Ice Spice’s second U.K. top 40 appearance and Minaj’s 43rd.
Finally, Afrobeats star Burna Boy bags his 10th U.K. top 40 single with “Sittin’ On Top Of The World” (Atlantic), which lifts 46-38.
Maisie Peters casts a spell on her countrymen and women as The Good Witch (via Atlantic/Gingerbread Man) debuts at No. 1 on the U.K. chart.
At just 23, Peters becomes the youngest British female solo artist to lead survey in almost a decade, the Official Charts Company reports.
You’d have to go back to Ella Henderson and her debut LP, Chapter One, which hit the top back in 2014 when Henderson was just 18 years of age, to find a younger female Brit to hit the summit.
The leader at the midweek stage, The Good Witch goes one better than its predecessor, Peters’ debut album You Signed Up for This, which peaked at No. 2 in 2021.
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“It’s just the craziest and coolest thing! I’m so happy for myself, my fans and everyone I work with; my band, crew, manager and label,” Peters tells the OCC.
“All of the fans, we’ve been on this journey together for the longest time and this album really felt like an album for all of us. This No. 1 is for all of us, too, so thank you so much.”
Further down the Official U.K. Albums Chart, published June 30, Young Thug bags his third U.K. top 40 with Business is Business (300 Entertainment), new at No. 15. The Atlanta rapper, singer and songwriter previously cracked the list with 2019’s So Much Fun (peaking at No. 9) and 2021’s Punk (No. 22).
Also fresh on the chart is Kelly Clarkson’s Chemistry (Atlantic), new at No. 22. It’s the U.S. pop and country star’s eighth U.K. top 40 LP, and first in six years, the most recent with 2017’s Meaning of Life (peaking at No. 11).
Finally, Glastonbury Festival is in the books, and a string of performers at this year’s edition are flying up the chart. They include Elton John, Lewis Capaldi, Arctic Monkeys and Lana Del Rey, all of whom enjoy top 10 spikes.