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Myke Towers’ “Lala” holds steady at No. 1 on the Billboard Argentina Hot 100 chart (dated Aug, 12) for a second week. The song joins Towers’ two other career rulers, the seven-week champ “Bandido,” with Juhn (2021); and “La Jeepeta,” with Nio GarcĂ­a, Anuel AA, Brray and Juanka, which reigned for three weeks in 2020. […]

Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) outraces the field in the U.K. for the 10th week, setting a new record in the process.
“Sprinter” becomes the first U.K. rap track to enter double figures at the summit of the Official U.K. Singles Chart, further proof of the global phenomenon that is hip-hop, a genre that’s currently celebrating its 50th anniversary as a genre.

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Meanwhile, Becky Hill and Chase & Status lift into the top 10 for the first time with “Disconnect” (Polydor), up 15-9. With that gain, Hill boasts her sixth U.K. top 10 hit, while Chase & Status land a fifth — and first in ten years. Chase & Status appear again further down the Official U.K. Singles Chart, published Aug. 11, with Flowdan and Bou on “Baddadan” (EMI), up 31-21 for a new peak position.

It’s strength in numbers for Nathan Dawe, Joel Corry and Ella Henderson as “0800 Heaven” (Atlantic) improves 9-10, while Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), gains 18-12, for a new chart best.

There’s a new peak position for Ryan Gosling’s Barbie number “I’m Just Ken” (Atlantic), up 14-13; D.O.D’s “So Much In Love” (Armada), up 23-16; and Anne-Marie and Shania Twain‘s duet, “Unhealthy” (Atlantic/Asylum/EMI) up 22-18, also a new high

Doja Cat has the highest new entry on the Official U.K. Chart with “Paint the Town Red” (Ministry of Sound). It’s new at No. 20 for the U.S. artist’s 15th top 40 single and first top 20 appearance in two years, since 2021’s “Woman” reached No. 13.

Finally, Travis Scott scores his 17th U.K. top 40 with “Telekinesis” (Epic) featuring SZA and Future. The track, lifted from the U.S. rapper’s No. 1 album Utopia, starts at No. 31 on the Official Chart.

Skindred has every reason to smile. After performing at Glastonbury Festival 2023, the Newport, Wales heavy metal act leads the U.K.’s chart blast with Smile (via Earache), the rockers’ eighth studio album.

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If Smile holds its spot, not only would it become their first leader, but it would be the band’s first title to impact the top 10.

Nothing is certain at this stage.

Yorkshire, England indie-rock act the Sherlocks (with People Like Me & You via Teddyboy) and Cian Ducrot (Victory via Polydor) complete the respective podium places on the Official Chart Update.

Currently, less than 500 chart units separate the top three, the Official Charts Company reports.

Completing an all-new top 5 at the midweek stage is Miles Kane’s fifth solo effort, One Man Band (Modern Sky), set to start at No. 4 for what would be his peak chart position, while London hip-hop outfit N-Dubz could snag No. 5 with Timeless (EMI), their first studio album in 13 years.

Anniversary reissues from Snow Patrol and ABC could make a splash when the national albums chart is published this Friday, Aug. 11.

Snow Patrol’s third album Final Straw is poised for a top 10 return, at No. 7. Released in 2003, through Polydor, the British-Irish alternative rock band’s major label debut, Final Straw peaked at No. 3. Its followup, Eyes Open from 2006, gave the group their first and only U.K. chart leader.

Also, ‘80s pop favorites ABC could stage their own return to the top 10 with The Lexicon of Love (Mercury), which this year celebrates its 40th anniversary. The LP, which initially led the chart following its release in 1982 and includes the hits “Poison Arrow,” “The Look of Love” and more, appears at No. 10 on the chart blast.

Finally, Mammoth WVH could bag its first U.K. charting album with Mammoth II (BMG). It’s new at No. 24 on the Official Chart Update. Mammoth WVH is fronted by Wolf Van Halen, son of the legendary late guitarist Eddie Van Halen, and bass player with the iconic U.S. rock act Van Halen.

Dave and Central Cee’s “Sprinter” has another race on its hands.
The hit U.K. hip-hop single has the edge at the halfway stage in the chart week, though two singles from the Barbie soundtrack are trailing close behind.

If “Sprinter” (via Live Yours/Neighbourhood) does keep its momentum, it’ll secure a 10th consecutive week at No. 1, extending its lead as the longest-reigning homegrown hip-hop single ever in the U.K. and drawing level with Miley Cyrus’ run with “Flowers” for the market’s longest-ruling single this year.

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Dua Lipa or Billie Eilish could have a say in that.

Lipa’s Barbie cut “Dance The Night” (Warner Records) trailed “Sprinter” by about 1,000 combined units after the first 48 hour of the chart cycle, the Official Charts Company reports, and holds at No. 3 on the midweek chart.

Eilish’s “What Was Made I For?” (Interscope), also from Barbie The Album, and the best-seller on Australia’s latest ARIA Chart, is at No. 2 on the chart blast.

Meanwhile, Nathan Dawe, Joel Corry and Ella Henderson could return to the top 10 with “0800 Heaven” (Atlantic), up 11-8 on the Official Singles Chart Update, while Becky Hill and Chase & Status’s “Disconnect” (up 15-9 via Polydor) and Gunna’s “Fukumean” (up 13-10 via 300 Entertainment) are gaining on the chart blast.

Just outside the top 10 is Calvin Harris and Sam Smith’s latest collaboration “Desire” (Columbia), up 17-11 for what would be a new chart peak. If it heads further north, it would be Harris’ 30th top 10 single and Smith’s 13th.

Also looking up is Anne-Marie and Shania Twain’s “Unhealthy” (Atlantic/Asylum/EMI), which could bounce 22-17 for a new peak. “Unhealthy” is the title track to Anne-Marie’s third studio LP, which bowed at No. 2 on the national albums chart.

Finally, Doja Cat is looking to pounce on the chart with “Paint The Town Red” (Kemosabe/RCA). Doja’s latest tune, which is expected to appear on her as-yet untitled fourth studio album, is set to start at No. 20 in the U.K. for the week’s top debut.

All will be revealed when the Official Charts are published late Friday, Aug. 11.

 J Hus bags the U.K. chart crown with Beautiful and Brutal Yard, new at No. 1.
The leader at the halfway mark, Beautiful and Brutal Yard (via Black Butter) becomes the Stratford, England-born rapper and singer’s second leader, following 2020’s Big Conspiracy, and his third career top 10 placing (his 2017 debut Common Sense peaked at No. 6).

Three tracks from Beautiful and Brutal Yard appear in the current U.K. singles chart top 40: “Who Told You” with Drake (down 4-5), “Militerian” featuring Naira Marley (new at No. 23), and “Masculine” with Burna Boy (new at No. 24).

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Taylor Swift continues to swamp the U.K. albums chart, led by Speak Now (Taylor’s Version), down 1-2. It’s one of six Swift titles on the climb in the top 20 (all via EMI), no doubt fueled by the excitement surrounding the ticket onsale for the 2024 U.K. leg of The Eras Tour. Further down the Official U.K. Albums Chart, 2022’s Midnights is up 9-5, 2014’s 1989 gains 10-8, 2019’s Lover improves 12-9, 2017’s Reputation lifts 21-15 and 2019’s folklore spikes 25-16.

Rita Ora’s return with You & I (BMG) nets her a second top 10 entry. The British artist’s new album bows at No. 6, for her highest-charting LP in over a decade. Her 2012 debut ORA peaked at No. 1, and its 2018 followup Phoenix hit No. 11.

Further down the list, British-born Canadian singer and songwriter Lauren Spencer Smith just misses out on a top 10 debut with Mirror (Island), new at No. 11; while Glasgow, Scotland singer and songwriter Gerry Cinnamon nabs his third top 40, with Live at Hampden Park (Little Runaway) appearing at No. 12. The live collection is the week’s best-seller on wax.

Also impacting the albums survey for the first time are titles from DJ and producer Joel Corry (Another Friday Night at No. 24 via Atlantic); U.S. pop band Pvris (EVERGREEN at No. 25 via Hopeless); New York rapper and singer Lil Tjay (222 at No. 26 via Columbia) and British singer-songwriter Mahalia (IRL at No. 31 via Atlantic).

BTS star Jung Kook just misses out on his first solo chart crown in Australia, as “Seven” starts at No. 2.
Featuring rapper Latto, “Seven” (via ING/Universal) arrives on the ARIA Chart, published July 21, behind Dave and Central Cee’s “Sprinter” (Virgin Music Australia/Universal), which races away for its sixth non-consecutive week at No. 1.

That’s easily the best solo effort for the K-pop superstar, who featured on Charlie Puth’s 2022 release “Left And Right,” peaking at No. 19 on the national tally. Latto’s previous best was a No. 6 peak for 2021’s “Big Energy” featuring DJ Khaled.

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Also new to the ARIA Singles Chart is Billie Eilish, with “What Was I Made For?” (Interscope/Universal) from the soundtrack to the Barbie movie, which has opened in theaters countrywide. “What Was I Made For?” debuts at No. 8, for the U.S. pop star’s 14th top 10 single in these parts, a collection that includes her chart-leader from 2019, “Bad Guy.”

Two other Barbie numbers are on the climb this week: “Barbie World” by Nicki Minaj, Ice Spice and AQUA (up 42-23) and Dua Lipa’s “Dance The Night” (up 40-27), both via Atlantic/Warner.

Australian pop artist Troye Sivan bags his 12th top 50 single with “Rush” (EMI), lifted from his forthcoming album, Something To Give Each Other, slated to drop in October. “Rush” is new at No. 12, and not far from his career best chart position, a No. 10 peak for 2014’s “Happy Little Pill.”

It’s all Taylor Swift on the ARIA Albums Chart as Speak Now (Taylor’s Version) (via Universal) retains top spot for a second week. A week ago, Swift’s third and latest “Version” LP replaced her own Midnights album at the summit, a handover never seen before on the Australian chart.

The two-week stint for Swift’s recorded Speak Now album eclipses the one-week reign for its original, from 2010, ARIA reports.

The highest debut on the albums tally belongs to legendary Australian artist Tina Arena, whose new set Love Saves (Positive Dream/ADA) starts at No. 2. Arena now boasts nine top 10 albums, including No. 1s for 1994’s Don’t Ask and 1997’s In Deep. Earlier this year, Arena was the inaugural recipient of Rolling Stone Australia’s Icon Award, which she received during a ceremony in Sydney.

Swift secures three of the top 5, with Midnights holding at No. 3 and Lover unchanged at No. 4.

It’s tight at the top of the midweek U.K. albums chart, as J Hus’s Beautiful and Brutal Yard (Black Butter) takes the lead.
Beautiful and Brutal Yard leads Official Chart Update and, if it holds its spot, would give the Stratford, England rapper his second leader following 2020’s Big Conspiracy. J Hus enjoyed a critical and commercial breakthrough with his 2017 debut Common Sense, which peaked at No. 6 on the national survey and was shortlisted for the Mercury Prize.

Close behind is Taylor Swift’s Speak Now (Taylor’s Version) (via EMI), last week’s leader which dips to No. 2 on the chart blast.

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Coming in at No. 3 on the midweek survey is Rita Ora’s long-awaited third studio album You & I (BMG), which could give the British pop star a second top 10, after her debut Ora from 2012 which went all the way to No. 1. You & I is the followup to 2018’s Phoenix, which peaked at No. 11 on the weekly list.

According to the Official Charts Company, fewer than 2,000 chart units currently separate the top three albums.

Meanwhile, Glasgow, Scotland singer-songwriter Gerry Cinnamon is set to arrive at No. 4 with Live At Hampden Park (Little Runaway); American alt-pop artist Pvris who could bag a second top 10 with Evergreen (Hopeless), poised to debut at No. 5; Lauren Spencer Smith’s debut full-length album Mirror (Island) could bow at No. 6; and Mahalia’s second record IRL (Atlantic) is on course for No. 9, for what would be the British R&B artist’s first top 10 entry.

Finally, U.S. rapper Lil Tjay could snag a third top 40 with 222 (Columbia), new at No. 24 on the chart blast, while Joel Corry’s singles collection Another Friday Night (Atlantic) is at No. 28, and could give the British DJ and producer his first appearance on the Official Albums Chart.

All will be revealed when the national survey is published this Friday, July 22.

Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), was a hot seller in its first week of a release in the U.S., according to the data tracking firm Luminate. In the week ending July 13, the set sold 507,000 copies across all of its physical and digital retail formats (CD, vinyl, cassette and digital download album). That sum represents nearly a quarter of all album sales in the U.S. that week (2.131 million).

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Speak Now (Taylor’s Version)’s share of the album sales market is similar to when she dominated the landscape during the debut week of Midnights in 2022. That album sold 1.14 million copies in the week ending Oct. 27, 2022 – accounting for 41% of all albums sold in the U.S. that week (2.79 million).

Swift can capture a large chunk of the album sales market in a given week because she remains a solid seller at a time when yearly album sales have declined in 10 of the last 11 years, as more music fan adopt streaming services as their primary means of consuming music. Thus, Swift’s outsized album sales dwarf the rest of the industry.

In 2022, Swift was the top-selling act for the year in terms of total album sales, with 2.93 million copies sold across her entire catalog – about 3% of total album sales across all albums from all artists (100.09 million). She also had the year’s top-selling album, with Midnights selling 1.818 million copies (more than twice the sum of the year’s second biggest seller, Harry Styles’ Harry’s House, with 757,000).

In 2023 so far, through July 13, Swift’s total album sales across all of her releases stands at 2.096 million – 3.8% of all album sales this year, by all artists (54.519 million).

Swift’s selling power is further evidenced on Billboard’s latest 100-position Top Album Sales chart (dated July 22, reflecting the sales week ending July 13), where Speak Now (Taylor’s Version) debuts at No. 1 with 507,000 copies sold, the Nos. 2-100 titles – combined – sold just 381,000.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 22, 2023-dated chart will be posted in full on Billboard‘s website on July 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 studio album Speak Now, which topped both the Billboard 200 and Top Album Sales chart. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021.

Of Speak Now (Taylor’s Version)’s 507,000 copies sold, physical sales comprise 410,000 (268,000 on vinyl; 134,000 on CD and 8,000 on cassette) while digital album download purchases comprise 97,000. The album’s vinyl sales mark the second-largest week for a vinyl album since Luminate began tracking data in 1991 – only the debut week of Midnights posted a bigger vinyl week (575,000).

Swift announced the release of Speak Now (Taylor’s Version) on May 5, the same day she began taking pre-orders for the album via her official webstore. The set sold as a digital download album, double-CD, double-cassette and in three color vinyl LP variants (orchid marbled, violet marbled and a Target-exclusive lilac marbled color). The iTunes Store also carried an exclusive edition of the album with a short video clip as a bonus feature. On the final day (July 13) of the album’s debut tracking week, Swift released a deluxe digital album download of the set exclusively sold through her official webstore, which added two bonus live tracks recorded during her ongoing The Eras Tour (“Dear John” and “Last Kiss,” both of which were originally released in their studio form on the Speak Now album in 2010).

All told, Speak Now (Taylor’s Version) is the 12th No. 1 on Top Album Sales for Swift.

Elsewhere on the latest Top Album Sales chart, Swift has five more titles in the top 10, as her former No. 1s Midnights (a non-mover at No. 3 with 18,000; up 49%), Folklore (8-6 with 13,000; up 45%), Lover (10-7 with 12,000; up 50%), Fearless (Taylor’s Version) (14-9 with 11,000; up 81%) and Red (Taylor’s Version) (19-10 with 10,000; up 89%). It’s the second time Swift has placed at least six titles in the top 10 concurrently. She did it previously on the July 22-dated list. No other act has charted six or more albums in the top 10 at the same time.  

As for the non-Swift titles in the top 10: Stray Kids’ former No. 1 5-STAR is a non-mover at No. 2 (27,000; up 70% after the release of a new CD edition), aespa’s MY WORLD falls 1-4 in its second week (14,000; down 65%), Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. jumps 33-5 (13,000; up 265% after a new vinyl edition of the album was released) and King Gizzard and the Lizard Wizard’s PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation debuts at No. 8 (11,000).

In the week ending July 13, there were 2.131 million albums sold in the U.S. (up 22% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.729 million (up 21.8%) and digital albums comprised 402,000 (up 23.2%).

There were 705,000 CD albums sold in the week ending July 13 (up 8% week-over-week) and 1.008 million vinyl albums sold (up 33.4%). Year-to-date CD album sales stand at 18.893 million (up 4.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 25.371 million (up 21.7%).

Overall year-to-date album sales total 54.519 million (up 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 44.556 million (up 13.4%) and digital album sales total 9.962 million (down 10.5%).

Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) is showing no signs of slowing down.The homegrown hip-hop number enters a sixth week at No. 1 on the Official U.K. Singles Chart, published July 14, beating Olivia Rodrigo’s “Vampire” (Geffen), unmoved at No. 2.

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The midweek leader, “Sprinter” races away with 8.2 million U.K. streams, according to the Official Charts Company.

The podium is completed by Taylor Swift’s “Cruel Summer” (EMI), which improves 6-3. That’s a new chart peak for the track, originally released in 2019 with the Lover album.

As Speak Now (Taylor’s Version) blasts to No. 1 on the national albums survey, two of its tracks enter the singles chart. The highest is “I Can See You (Taylor’s Version),” new at No. 6, for Swift’s 23rd U.K. top 10 entry and the week’s top debut, while “Enchanted (Taylor’s Version)” bows at No. 15, for her 48th U.K. top 40 spot.

Also moving on up is Peggy Gou’s clubbing nugget “(It Goes Like) Nanana” (XL Recordings), which lifts 7-5 for the South Korean DJ and producer’s first appearance in the U.K. top 5.

D-Block Europe and Clavish’s “Pakistan” (D-Block Europe) improves 10-8; Nathan Dawe, Joel Corry & Ella Henderson’s “0800 HEAVEN” (Atlantic) rises 15-9, for Dawe’s third, Corry’s sixth and Henderson’s ninth top 10 appearances, the OCC reports; while Kylie Minogue’s “Padam Padam” (BMG) returns to the top 10, up 12-10.

Meanwhile, there are new peaks for the Weeknd, Madonna and Playboy Carti’s “Popular” (Interscope/Republic Records/XO) up 17-11; Gunna’s “Fukumean” (300 Entertainment) is up 18-12; Jorja Smith’s “Little Things” (FAMM) gains 14-13; Tom Grennan’s “How Does It Feel” (Insanity) surges 23-17; and Anne-Marie’s collaboration with Shania Twain, “Unhealthy” (Atlantic/Asylum/EMI), climbs 21-19.

The big gainer in the latest cycle belongs to British DJ D.O.D., whose “So Much In Love” (Armada) soars 38-24.

After completed the Swift Sweep last week on the ARIA Chart, Taylor Swift has retaken the chart throne with Speak Now (Taylor’s Version) (via Universal), setting another record in the process.

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Swift’s third and latest “Version” release debuts at No. 1, for her 11th leader in Australia, a feat that includes three rerecorded titles.

By replacing herself at No. 1 on the latest tally, published July 14, Swift becomes the first artist to do so since the ARIA Charts began in 1983, according to ARIA.

For the previous week, Taylor locked up the entire top five on the ARIA Albums Chart, a level of dominance never seen before on the national survey. Swift continues to swamp the top tier, with four of the top five titles, and six of the top 10. It’s a similar story on the national singles tally, where Taylor takes nine of the top 20 spots.

It takes a little heavy metal magic to disrupt Swift’s dominance on the ARIA Albums Chart.

King Gizzard & The Lizard Wizard prevents another sweep, as the Aussie act bows at No. 2 with possibly the longest album title of the year: PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation (via KGLW)

PetroDragonic Apocalypse equals King Gizz’s career peak of No. 2, achieved with four previous albums: Flying Microtonal Banana (2017), Infest The Rats’ Nest (2019), Chunky Shrapnel (2020) and Butterfly 3000 (2021)

The prolific band has released 24th studio album (including five in one year), 15 live albums, three compilations, a remix album, three EPs and snared two ARIA Awards.

Over on the ARIA Singles Chart, “Sprinter” (Virgin Music/Universal) by U.K. rappers Dave and Central Cee races to a fifth week at No. 1.

Finally, South Korean K-pop girl group NewJeans enjoys a top 40 berth with “Super Shy” (ING/Universal), which drops at No. 27. NewJeans has an Aussie connection; Danielle Marsh was born-and-raised in Newcastle, and her bandmate Hanni Pham calls Melbourne home.