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Taylor Swift makes it a full month at No. 1 in Australia with 1989 (Taylor’s Version) (via Universal), now the longest reigning of her four re-recorded albums.
Swift’s latest hit LP holds off Stray Kids’ Rock-Star (Ing/Universal), unchanged at No. 2, while homegrown rapper Chillinit bags the highest score of the week with his mixtape 420DNA (Virgin Music Australia/ Universal), new at No. 3. The Sydney artist (real name: Blake Turnell) adds to his collection of top 10 appearances on the ARIA Albums Chart, which includes The Octagon (No. 2 peak in 2020), Full Circle (No. 3 also in 2020) and Family Ties (No. 5 in 2021).
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Drake’s For All The Dogs (Republic/Universal) vaults 21-4 on the latest ARIA Chart, published Friday, Nov. 24, following the release of the Scary Hours edition, which gathers six additional tracks. The original release of For All The Dogs collected a single week at No. 1 in Australia last month, for his fifth leader.
Following two sold-out shows at Perth’s Optus Stadium, Coldplay enjoys a chart spike for Live In Buenos Aires (Parlophone/Warner), soaring 43-7, for a new peak. Released in 2018, the live album had a previous best of No. 18. Coldplay will return to Australia in 2024 for five shows across Australia and New Zealand, with dates confirmed at Melbourne’s Marvel Stadium (Oct. 30 and 31), Sydney’s Accord Stadium (Nov. 6 and 7) and Auckland’s Eden Park (Nov.13), for their first tour here since 2016. Live Nation Australia is producing the swing Down Under, with PinkPantheress and Emmanuel Kelly in support.
Dolly Parton played a part in the 2023 ARIA Awards celebrations on Nov. 15, where the country icon virtually presented the best country album award to Fanny Lumsden. Parton has her own party on the ARIA Chart this week, as Rockstar (Big Machine/Universal) debuts at No. 16. The collaboration-stacked set becomes her 15th top 50 album in Australia, ARIA reports, a feat that stretches back to 1979 when Great Balls Of Fire peaked at No. 48. Parton has two top 10s, with a best of No. 7 for 2014’s Blue Smoke.
Over on the ARIA Singles Chart, Jack Harlow retains top spot for a second week with “Lovin On Me” (Atlantic/Warner), equaling the two-week stint at No. 1 for “First Class,” from 2022. “Lovin On Me” leads an unchanged top 3, ahead of Tate McRae’s “Greedy” (RCA/Sony) and Doja Cat’s “Paint the Town Red” (RCA/Sony), respectively.
Tate McRae, the Canadian singer and songwriter, enjoys a third ARIA Chart hit with “Exes.” It’s new at No. 15, for the highest debut on the latest frame.
Further down the tally, Olivia Rodrigo lands another top 40 with “Can’t Catch Me Now” (Geffen/Universal), new at No. 29. “Can’t Catch Me Now” appears in the latest film in The Hunger Games franchise.
And finally, Ocean Alley’s 2018 single “Confidence” (The Orchard) returns to the top 40 after one-time Triple J Hottest 100 winner went viral on TikTok. “Confidence,” which won the national triple j countdown in January 2019, reenters at No. 40. The chilled-out tune has been used more than 51,000 times on TikTok, and got a bump when Ocean Alley jumped in on the trend themselves, posting a video that’s chalked up more than 7.6 million views. It’s one of six Australian-made cuts in the ARIA top 50.
Madness is hoping 13 proves to be their lucky number as Theatre of the Absurd presents C’est La Vie (via BMG) moves into title contention in the U.K.
Theatre of the Absurd is the British ska and pop band’s 13th studio album, and, if it holds its course, would mark their 11th top 10 and first-ever U.K. No. 1 studio album, following chart-topping career retrospectives Complete Madness (from 1982) and Divine Madness (1992).
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Led by Graham “Suggs” McPherson, the north London band has got close to the U.K. chart’s holy grail on more than one occasion. Their 1979 debut album One Step Beyond peaked at No. 2 on the Official U.K. Albums Chart, as did their sophomore set from 1980, Absolutely.
Taylor Swift’s current chart champion 1989 (Taylor’s Version) (via EMI) is a clear-and-present contender, close behind at No. 2.
Meanwhile, Dolly Parton could snag her fourth U.K. top 10 with Rockstar (Big Machine), her features-stacked collection of covers. It’s new at No. 3 on the Official Chart Update, and is forecast to be be the country legend’s best performing studio effort since 2016’s Pure & Simple peaked at No. 2.
Also flying on the chart blast is the deluxe Scary Hours edition of Drake’s former leader For All the Dogs (OVO/Republic Records). It’s set to bounce 32-4.
U.S. alternative rock favorites the National could score their second top 5 album of 2023, with Laugh Track (4AD), set for a No. 5 start. It’s the followup to First Two Pages of Frankenstein, which entered the national chart at No. 4 in May of this year.
Finally, Dutch violinist and conductor André Rieu could bag his 14th top U.K. 10 LP with Jewels of Romance (Decca), recorded with the Johann Strauss Orchestra. It’s new at No. 8 on the Official Chart Update.
All will be revealed when the Official U.K. Albums Chart is published late Friday, Nov. 24.
Jack Harlow is lovin life at the top of Australia’s singles chart.
With “Lovin on Me” (Atlantic/Warner), the Louisville rapper debuts at No. 1 on the ARIA Singles Chart, published Friday, Nov. 17, for his fifth top 10 on the national chart, and second leader after “First Class” logged two weeks at the top last year.
Harlow holds off Tate McRae’s “Greedy” (up 3-2 via RCA/Sony) and Doja Cat’s “Paint The Town Red” (down 2-3 via RCA/Sony), while a pair of Taylor Swift songs complete the top 5, “Is It Over Now? (Taylor’s Version) [From The Vault]” and “Cruel Summer” (both via Universal), respectively.
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Also new to the top frame this week is Dua Lipa’s “Houdini” (Atlantic/Warner), which performs its magic trick by appearing at No. 7.
“Houdini” becomes the U.K. pop star’s 11th top 10 single in Australia, a growing collection that includes her contribution to Elton John’s “Cold Heart,” remixed by PNAU, which reigned for 10 weeks in 2021 and 2022. Tame Impala honcho Kevin Parker is credited as a producer on “Houdini,” which will appear on Lipa’s forthcoming third studio album.
Over on the ARIA Albums Chart, Taylor Swift locks on for a third week at No. 1 with 1989 (Taylor’s Version), which places ahead of two debutants.
Stray Kids roll in at No. 2 with Rock-Star (ING/Universal), the K-pop outfit’s fifth charting LP or EP in Australia. Rock-Star matches the No. 2 peak for Stray Kids’ 5-Star from earlier in 2023.
Close behind is The Kid Laroi, whose first solo LP The First Time (Columbia/Sony) arrives at No. 3 on the Australian tally. Born and raised in inner-city Sydney, Laroi (real name Charlton Howard) ruled the ARIA Chart in 2021 for a single week with his mixtape F*ck Love (Savage). The Kid is coming home next year for his first stadium tour on home soil, presented by TEG Live and announced earlier this week.
The Beatles’ revolution is in full swing, as 1967-1970 (The Blue Album) (Capitol/Universal) returns to the top 10, at No. 8, matching its original peak position from 1973. 1967-1970 (The Blue Album) includes the Fab Four’s “last” song, “Now And Then,” which bowed at No. 6 on the Australian chart last week. Further down the fresh list, the Beatles’ 1962-1966 (The Red Album) returns at No. 15.
It’s official: Beatlemania is back in the U.K.
After the Beatles landed their first No. 1 in 60 years with “Now And Then” (via Apple Corps), the Fab Four is on the brink of converting a rare chart double.
Based on sales and streaming data published by the Official Charts Company, reissues of the Beatles’ greatest hits compilations, 1967-1970 (also known as The Blue Album) and 1962-1966 (or The Red Album), are respectively leading the midweek albums chart.
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The Blue Album, which is on track to eclipse its No. 2 peak, following its initial release back in May 1973, gathers remastered tracks and rarities, and includes the iconic band’s final single, “Now And Then,” which leads the current U.K. singles chart and is heading for a second week at No. 1.
According to the OCC, just 1,000 chart units separate the two Beatles albums (The Red Album peaked at No. 3 back in 1973). If either of those titles are crowned when the Official U.K. Albums Chart is published this Friday, Nov. 17, it would give the Beatles a 16th leader, extending their leadership in the all-time list of acts with No. 1 LPs (Robbie Williams is in second place with 14).
Despite calling it a day in 1970, the Beatles could dominate the top 10 with a third title. To coincide with the release of “Now And Then,” a composite boxed set of the two LPs is predicted to crack the top 10 for the first time, at No. 9.
In non-Beatles activity, drum ‘n’ bass act Chase & Status could snag a fifth UK top 10 with 2 RUFF, Vol. 1 (EMI), new at No. 3 on the Official Albums Chart Update, while a 10th anniversary edition of Passenger’s All the Little Lights (Cooking Vinyl) is set to arrive at No. 5. The British singer and songwriter’s fourth studio album originally peaked at No. 3 back in 2013 and is one of his six U.K. top 10s, including a No. 1 for 2016’s Young As The Morning Old As The Sea.
New Order’s Substance (Rhino) compilation from 1987 is targeting a No. 6 reentry, following a multi-format reissue, while South Africa-born, London-based alt-pop artist Baby Queen (Quarter Life Crisis at No. 7 via Polydor), and U.S. country star Chris Stapleton (Higher at No. 10 via EMI) are eyeing their first top 10 slots.
The Beatles are set to prove once again why they’re the champions of the U.K., as “Now And Then” (via Apple Corps) takes pole position in the current chart race.
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Based on sales and streaming data published by the Official Charts Company, “Now And Then” is the leader at the halfway point, and is forecast to snag a second week at No. 1.
The Fab Four has some work to do. “Now And Then” has the edge over new releases from Jack Harlow (“Lovin’ On Me” at No. 2 via Atlantic) and Dua Lipa (“Kinetic Houdini” at No. 3 via Warner Records) on the Official Chart Update, with roughly 2,000 chart units splitting the top three.
The Fab Four’s “last” song,” “Now And Then” took the elevator to No. 1 on the Official U.K. Singles Chart, published Friday, Nov. 10, having opened the previous week at No. 42 based on just 10 hours of sales and streams.
On its way to the top, the Beatles busted a string of records. Among them, the track leads the chart some 60 years and six months after the Beatles’ first No. 1, “From Me To You,” marking the longest span between an act’s first and last chart-topping hit, the OCC reports.
Also, “Now and Then” is the Beatles’ 18th U.K. No. 1, extending their record as the British act with the most leaders, and it’s the longest-ever gap between No. 1 singles for any act (54 years).
From tape to the top of the charts, “Now And Then” is the stuff of legend. Originally a demo recorded by the late John Lennon in the 1970s, the project was brought to the studio by the surviving Beatles, then shelved in the mid-1990s due to technical limitations. Led by Paul McCartney and Ringo Starr, the surviving members of the Beatles, the project was recently revived and completed with the help of computer learning software created by Peter Jackson’s team at WingNut Films.
Beatlemania doesn’t end at the singles survey. The legendary band is on track for a U.K. chart double, as the Red and Blue collections dominate the top two spots on the midweek albums tally.
All will be revealed when the Official Charts are published late Friday, Nov. 17.
Though he missed out on top spot, thanks to the juggernauts that are Taylor Swift and Oasis, Jung Kook stakes a claim to U.K. chart history with Golden (via BigHit Entertainment).
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The BTS star’s solo debut album bowed at No. 3 on the Official U.K. Albums Chart last Friday, Nov. 10, behind Taylor Swift’s 1989 (Taylor’s Version) (via EMI) and Oasis’ The Masterplan (Big Brother), respectively.
With that solid start, Golden becomes the highest-charting album by a Korean solo artist, including the cuts by his BTS bandmates, the Official Charts Company confirms.
Golden shines with four U.K. top 10 singles – “Seven” featuring Latto (No. 3 peak), “3D” with Jack Harlow (No. 5), “Too Much” with The Kid Laroi and Central Cee (No. 10) and the latest release, “Standing Next to You,” which opens its account at No. 6 on the national singles chart, also published Friday.
That’s four U.K. top tier tracks in just four months, extending Jung Kook’s record as the Korean solo artist with the most U.K. top 10 singles.
As a member of the all-conquering BTS, Jung Kook has five U.K. top 10 albums, including two leaders (2019’s Map of the Soul: Persona and 2020’s Map of the Soul: 7), and four top 10 singles (2020’s “Dynamite” and “Life Goes On”; and 2021’s “Butter” and Coldplay collaboration “My Universe”).
Jung Kook goes one better on Australia’s albums chart, where Golden (via ING/Universal) drops in at No. 2, behind Swift’s latest release. That result matches the record for the highest solo debut LP from a Korean artist in the land Down Under, matching the effort from his BTS bandmate Suga (aka Agust D), who entered at No. 2 on the ARIA Chart with his 2000 D-2 mixtape.
As previously reported, “Standing Next to You” flies in at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. songs charts.
Despite a challenge from Oasis and BTS’ Jung Kook, Taylor Swift holds onto her U.K. chart crown for a second week with 1989 (Taylor’s Version) (via EMI).
The fourth in Swift’s re-recording projects, 1989 (Taylor’s Version) squeezes past Oasis’ The Masterplan (Big Brother), which enjoys a new chart life thanks to a 25th anniversary.
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Originally released in 1998, The Masterplan gathers b-sides from the Britpop era giants’ first three albums, 1994’s Definitely Maybe, 1995’s (What’s The Story) Morning Glory? and 1997’s Be Here Now, and is led-off by “Acquiesce,” a quintessential fan favorite.
The leader at the midweek point, The Masterplan re-enters the chart at No. 2, its original peak position following its release in 1998. It’s the U.K.’s best-seller on wax during the latest chart cycle.
The top new release on the fresh chart, published Friday, Nov. 10 is Jung Kook’s Golden (BigHit Entertainment), which completes the podium at No. 3. Golden becomes the highest-peaking album from a member of BTS, and the best chart position for a solo Korean artist, the Official Charts Company confirms. Album track “Standing Next to You” bows at No. 6 on the national singles chart, his fourth U.K. top 10 this year.
Meanwhile, legendary English pop artist Cliff Richard snags his 48th U.K. top 10 album with Cliff With Strings – My Kinda Life (EastWest/Rhino), new at No. 5, ahead of Johnny Marr’s Spirit Power: The Best Of Johnny Marr (BMG), debuting at No. 7, marking the ex-Smiths guitarist’s fifth solo U.K. top 10 appearance.
It’s Beatlemania once again on the U.K. Singles Chart as “Now And Then” (Apple Corps) powers to No. 1. As fans of the Fab Four feel the rush of nostalgia, the 2000 career retrospective 1 returns to the top 40 at No. 21. The album has logged 444 weeks on the tally, including one week at No. 1 back in 2000.
Finally, titles from Gregory Porter (Christmas Wish at No. 14 via Decca), Caroline Polachek (Desire I Want To Turn Into You at No. 23 via Perpetual Novice) and Van Morrison (Accentuate The Positive at No. 39 via Exile) enter the top 40 for the first time.
It’s Taylor Swift‘s week, again, on Australia‘s charts as Jung Kook arrives at No. 2 with Golden (via ING/Universal), the BTS star’s debut solo album.
That result matches the record for the highest solo debut LP from a Korean artist in Australia, equaling the effort from his BTS bandmate Suga (aka Agust D), who started at No. 2 on the ARIA Chart with his D-2 mixtape in 2020.
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Golden carries previously-released collaborations with 3D and Seven and the new single “Standing Next To You,” new at No. 33 on the latest ARIA Chart.
As a member of BTS, Jung Kook has led the ARIA Albums Chart on three occasions: with Map Of The Soul: Persona (from 2019), Map Of The Soul: 7 (2020) and Proof (2022).
At the top of the ARIA Albums Chart, published Friday, Nov. 10 is Taylor Swift’s 1989 (Taylor’s Version) (via Universal), now entering its second consecutive week at No. 1.
Completing the top 3 on the national albums tally is another Swift hit, Midnights, up lifts 4-3 in its 55th week. There’s no denying her domination of the charts, as Swift logs five of the top 10 albums and nine of the top 40. Over on the singles survey, Swift’s “Is It Over Now? (Taylor’s Version) (From The Vault)” is unmoved from No. 1. According to ARIA, the U.S. pop superstar has accumulated 24 total weeks at No. 1, across 10 songs, starting with 2008’s “Love Story”.
Swift will perform seven dates across two Australian cities early next year on the Australian leg of her The Eras Tour, produced by Frontier Touring.
Finally, the “last” Beatles song “Now And Then” (Capitol/Universal) debuts at No. 6 on the ARIA Singles Chart.
The track began life as a demo written and sung by John Lennon, was later developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now completed by Paul and Ringo (and some help from artificial intelligence), more than 40 years after the group began work on it.
A rough mix for “Now And Then” was recorded with producer Jeff Lynne back in 1994, but was ultimately shelved because Lennon’s vocals and piano couldn’t be uncoupled from the recording. Two unearthed demos were completed at the time and released as part of the Beatles’ Anthology project, “Free As A Bird” and “Real Love.” The second of those, “Real Love,” hit No. 6 back in 1996, and was the Beatles’ last top 50 single in Australia until now, ARIA reports.
The Beatles have 26 No. 1s in Australia, from 1962 to 1970 when the Fab Four officially split (that run includes a stretch of 14 consecutive leaders from 1966-1970). Elvis Presley is second on the all-time list of leaders with 14.
The Beatles also own the record for most weeks at No. 1 on the ARIA Singles Chart, at 130 weeks.
Victoria Monet achieves her first No. 1 on a Billboard songs chart as “On My Mama” rules the Mainstream R&B/Hip-Hop Airplay survey dated Nov. 18. The single advances from No. 3 after a 10% jump in plays made it the most-played song on U.S. monitored R&B/hip-hop radio stations in the week ending Nov. 9, according to Luminate.
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The song’s coronation adds to a special day for “On My Mama” news: On Friday (Nov. 10), “Mama” received 2024 Grammy Awards nominations for record of the year and best R&B song, two of Monet’s seven total nods.
Elsewhere, “On My Mama” nears the top 10 on Adult R&B Airplay with a 15-11 jump and 19% surge in weekly plays. Thanks to strong performance at both the mainstream and adult formats, the Grammy contender retains its No. 4 high on the R&B/Hip-Hop Airplay list, which ranks songs by combined audience totals from mainstream R&B/hip-hop and adult R&B stations. There, “On My Mama” improves 10% in weekly audience to reach 16.5 million impressions. Another top 10 status may be on the horizon, with “On My Mama” lifting 13-11 on Rhythmic Airplay through a 17% weekly play boost at the format.
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With its radio success, “On My Mama” has improved on the chart fortunes of its origin song, Chalie Boy’s “I Look Good.” The Southern rap hit, which is sampled in Monae’s tune, reached No. 20 on R&B/Hip-Hop Airplay and No. 40 on Rhythmic Airplay in 2009. Thanks to the sample, Charlie Boy earns a Grammy nomination in the best R&B song category, which is awarded to a track’s songwriters.
While “On My Mama” is Monet’s first No. 1 Billboard song as a performer, she’s become very familiar with the top spot as a songwriter, often through her work on tracks recorded by Ariana Grande. Among the highlights, Monet has co-writing credits on two Billboard Hot 100 No. 1 hits, Grande’s “Thank U, Next” and “7 Rings,” which ruled the chart for seven and eight weeks, respectively, in 2018-19.
“On My Mama” appears on Victoria Monet’s 2022 studio album, Jaguar II. The set, released in August, has peaked at No. 6 on the Top R&B Albums chart.
The Beatles’ “last” song “Now And Then” is on track for the U.K. chart title.
Based on sales and streaming data captured from the first 48 hours in the chart week, “Now And Then” is in pole position, outselling the rest of the top 5 combined, the Official Charts Company reports.
If it holds its spot, “Now And Then” will become the Fab Four’s 18th U.K. chart-leader, and their first in 54 years, since “The Ballad of John and Yoko” topped the weekly tally back in 1969.
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“Now And Then” actually debuted at No. 42 in the U.K. last week based on just 10 hours of sales, but is now expected to jump 41 places to the top of the Official Singles Chart when chart is published this Friday, Nov. 10.
The crown would cap a remarkable journey for “Now And Then.” The track began life as a demo written and sung by John Lennon, was later developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now completed by Paul and Ringo, the surviving members of The Beatles, more than 40 years after the group began work on it.
The late Lennon’s vocals and piano part were recorded to tape at New York’s Dakota Building in the 1970s, and remained there until film director Peter Jackson and his team at WingNut Films developed the MAL audio technology, powered by AI, which could separate the stems. The result is a lush production, with a string arrangement, written by Giles Martin, Paul and Ben Foster, and featuring contributions from all four Beatles.
On the day of its release last Thursday (Nov. 2), “Now And Then” was named as BBC Radio 1’s Hottest Record. The song is all-love, McCartney told Radio 1’s Clara Amfo. “Just a loving feeling,” he says of the recording, “because that’s often what we were trying to do with our records, we were trying to spread love. And in this one it is very poignant. It’s John talking about ‘I miss you’ and stuff like that so, I think emotion, that would be the key word for people to take away from it, ‘emotion’.”
Jackson helmed the official music video for “Now And Then,” which dropped last Friday.
The closest competition on the First Look chart, according to the Official Charts Company, is BTS star Jung Kook’s “Standing Next To You,” which is eyeing a No. 2 start. That would be the K-pop artist’s highest peak of his solo career in the U.K. Jung Kook has three U.K. top 10s to his name, with a best of No. 3 for 2023’s “Seven” featuring Latto.
