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Awards

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Upon being presented with this year’s Icon award at Billboard Women in Music 2025 by next-gen R&B star Summer Walker, Erykah Badu didn’t waste any time drilling down to the heart of the occasion.

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“Sisters, how y’all feel?” drawled the Dallas native as she scanned the YouTube Theater audience. Then to resounding applause, she declared, “This night is for us! It’s a night to celebrate the womb of the world, the womb of life, the womb reverse of all things. The smartest creature on planet Earth. The wisest, the most invincible, sexiest, purest, finest. The woman. I want to thank God for giving me the opportunity to be born a woman!”

The five-time Grammy Award winner had just delivered an exuberant performance of her funky 2007 non-album track “Annie Don’t Wear No Panties” to the delighted audience of fellow music stars, industry executives and music fans. And she did so in keeping with the inimitable and eclectic style that’s made her such an influential singer-songwriter, performer and musical visionary for multiple generations since breaking through in 1997 with her debut album, Baduizm.

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Badu wore a black-hooded capelet atop a tan-colored oversize pants outfit (think Teletubbies) featuring exaggerated breasts, feet and booty — the latter of which she shook to full effect at one point during the song, eliciting rowdy audience laughter. That was just one of several memorable moments during Badu’s award presentation segment.

Saluting Badu’s “fearless artistry,” Walker shared that her idol and mentor has been her “fave artist” since she was 12. And that it was also the multifaceted Badu, in her role as a doula, who delivered Walker’s twin sons.

During the remainder of her acceptance speech, Badu went on to thank all mothers. “I want to thank my mother and all the mothers,” she continued. “Miss Tina [Knowles], you said it well. I see Doechii’s mama out there, all the mothers. Thank you so much for giving us so much inspiration and examples of what it means to be resilient, what it means to take charge, what it means to be courageous, what it means to be authentically ourselves. And that’s all we gonna be. That’s all I want to be.”

Then she concluded with an anecdote involving her youngest daughter. “I don’t really have a lot of things to say,” said Badu, “but I want to end with this story. My daughter is out here. Her name is Puma … My sister Joy is out there. This is for both of y’all … I was bathing my youngest daughter Mars, and Mars was about four. I was washing her up. You know, you teach them while you’re washing them up. And I said, ‘This is the vagina.’ And she said, ‘Oh, vagina.’ I said, ‘Yes, it’s the vagina. It’s the most important thing on the planet.’ And Mars said, ‘Really?’ Then she looked at me with those big brown eyes and she said, ‘Where is the planet’s vagina?’”

After noting that she may have paused too long between the setup and the punchline, Badu repeated the final part of her anecdote. And on the second go-round, the Billboard Women in Music icon had the whole theater laughing.

Muni Long had an incredible 2024. The Florida singer’s fourth solo album, Revenge, not only ranked high on the Billboard staff’s Best R&B Albums of 2024 list, it was also nominated for four Grammys, with her single “Made for Me” winning for best R&B performance. And for her breakthrough efforts, Billboard presented her with the Rising Star award at Saturday night’s Billboard Women in Music event.
During her speech, she touched on her journey and the importance of Black women in popular culture. “I stand before you tonight in awe of the incredible journey that has brought me to this moment,” she began. “It is a testament to the power of perseverance, dedication and the unwavering belief in the artistry that courses through my veins. But as I stand here, I know this moment is not just about me. It’s about the shoulders. I stand on the culture that shaped me and the people who continue to push the boundaries of what is possible.”

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She added: “I want to acknowledge Black women … the bedrock of not only the music industry, but the very heart of the culture itself. Black women have always been the architects of innovation, resilience and power. From the soulful tones of Patti LaBelle and Aretha Franklin to the boldness of Beyoncé and Miss Lauryn Hill, we have seen our brilliance shape the world in ways that transcend music and art. To the artists before me, those who dared to dream, to break barriers, to challenge the status quo, the Tina Turners, the Sister Rosetta Tharpes, and Janet Jacksons, Mariah Careys and Whitney Houstons, their influence echoes through every note I sing.”

Muni then acknowledged the community of Gifford, Florida, where she grew up and fell in love with singing, as she thanked “the aunties with four rings on every finger and a mouth full of slugs. The unpaved, unincorporated Florida streets, the communities that birthed the soul of modern music, the hood which is the genesis of pop culture. A place where the creativity of the people screams back into the mainstream.”

She also blessed the Women in Music attendees with a soulful performance of her song “Superpowers.”

Video of Muni Long’s performance and speech will be live here at 7 p.m. ET on Monday night (March 31).

It’s no surprise that Tyla was honored with the Impact Award presented by Bose at the 2025 Billboard Women in Music ceremony on Saturday (March 29), as the 23-year-old South African star has quickly become a powerful music mainstay on a global level.

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The “Water” singer took the stage at the Los Angeles event to accept her award, following in the footsteps of previous Impact Award recipients Solange Knowles, Alicia Keys, Jessie Reyez, H.E.R., Becky G and Young Miko.

“When my career took off, I realized that God has his own plans,” the superstar told the crowd, and was met with cheers of agreement. “I just feel very lucky for my fans who have given me such an exciting life, allowing me to grow in front of the world into all the different versions of myself as an artist and as a woman.”

She continued, “I appreciate the way music has been able to impact us through time and how I’m just a manifestation of that. In life, we all have a chance to pour into one another, whether it be something you say, a performance, a dance move — literally anything. We all have that chance, and you never know what might ignite into somebody and what that person will pass onto another.”

Tyla added that she’s “really grateful,” noting that she will “forever appreciate the people that have poured into me.”

During the ceremony, she also performed her most recent hit, “Push 2 Start,” which was featured on the deluxe edition of her self-titled studio album. The track has topped Billboard’s US Afrobeats songs chart for a whopping 14 weeks, and hit No. 2 on World Digital Song Sales.

You can watch the 2025 Billboard Women in Music ceremony here starting at 7 p.m. ET on Monday (March 31) and on VIZIO TVs and the VIZIO app. Watch Tyla’s acceptance speech above.

INGLEWOOD, Calif. — Thanks to a decade-plus career racking up four Billboard Hot 100 top 10s — including the eight-week No. 1 “All About That Bass” — Meghan Trainor was honored at Saturday night’s 2025 Billboard Women in Music event with our Hitmaker award. But as she told the crowd during her hilarious and touching acceptance speech, she needs the uplifting messages of those upbeat hits just as much as her fans do.
“Everyone asks me: How are you so positive and how you do so much and smile all the time?” Trainor said after accepting the award from friend and fellow pop star Madison Beer. “But the truth is that I write these songs for myself, because I am so insecure and I have therapy a lot. I have a lot of therapy. I’m on medicine. Thank you!” she said as the crowd cheered on her efforts for better mental health. “I I love my medicine! I love my therapist so much! She’s probably watching!”

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Trainor added: “I write these songs because I need these positive affirmations for myself. And if it helps anyone else, that’d be amazing too.”

After thanking her husband, actor Daryl Sabara, and her parents — who were all on hand at a table on the floor of the YouTube Theater in Inglewood, California — Trainor also called on the support system of all the women entertainers and music executives in the room to help each other feel less alone.

“I feel very alone — I really do — being a woman, putting on these heels, I shaved my face and my nose for this,” she said to big laughs. “I’m a mom and I’m a pop star, and I have no one who truly understands me — except for all the superwomen in this room tonight. So thank you. If anyone wants to do a sleepover at my house, because I don’t leave my house, we can talk about this. Just DM me, and I love you so much. Thank you, Billboard. We should help each other and we should talk about it.”

Other honorees on Saturday night included Woman of the Year recipient Doechii, as well as aespa (Group of the Year), Ángela Aguilar (Breakthrough), ANNA (Billboard Italy Woman of the Year), Charlotte Cardin (Billboard Canada Woman of the Year), Erykah Badu (Icon), GloRilla (Powerhouse), Gracie Abrams (Songwriter of the Year), JENNIE (Global Force), Megan Moroney (Rulebreaker), Muni Long (Rising Star), Tina Knowles (Mother of the Year) and Tyla (Impact).

Video of Trainor’s full speech will be available at 7 p.m. ET Monday night (March 31).

As her eldest daughter prepares for what’s sure to be one of the defining tours of the year, Tina Knowles graced the 2025 Billboard Women in Music stage to accept the inaugural Mother of the Year honor at the YouTube Theater in Inglewood, California, on Saturday (March 29).
After beginning her acceptance speech praising all the other awardees — like Woman of the Year honoree Doechii, who gushed over Cowboy Carter on the red carpet before the show — Knowles took some time to reflect on her evolution as a mother, stressing that “there is no formal training class to prepare you for the most important job you’ll ever have in your life.” For Knowles, motherhood is all about committing to being the best you can be for your children each day.

“I want to thank my daughters, Solange, Beyoncé, Kelly [Rowland], [niece] Angie [Beyincé], and also Michelle [Williams], LaTavia [Roberson] and LeToya [Luckett],” she said to close her speech, name-dropping her “bonus” children in addition to her two daughters. “I got to mother you all in some way, and you believed in me early on to dress you and give love [and] creative input. Thank you, Mathew Knowles, who always fought for me, and I thank God Almighty for the privilege to be a mother. I’ll always say it’s the best job I’ve ever had. I dedicate this award to my amazing mother, Agnes, and all the mothers out there who have supported their kids in their dreams. Thank you.”

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Presented by Billboard editor-in-chief Hannah Karp during the final weekend of Women’s History Month, this year’s Mother of the Year award honors the ultimate 21st-century music matriarch. Tina Knowles, the mother of Grammy-winning, Billboard 200-topping music and cultural forces Beyoncé and Solange has been a key player behind the scenes of both of her daughters’ careers. In the early days of Destiny’s Child — and throughout their tenure as a group — Tina Knowles designed and crafted costumes for the R&B divas, cementing their singular Houston-indebted style. Her costume design also appeared in a slew of Beyoncé-led films, including Dreamgirls, Obsessed, Cadillac Records and Austin Powers in Goldmember.

In 2004, she and Beyoncé teamed up to launch House of Deréon, a clothing line named after Knowles’ own mother, Agnes Deréon. Twenty years later, the iconic mother-daughter duo would once again join forces for Cécred, an award-winning haircare line that brings Tina Knowles back to where it all started: the hair salon. Of course, she is also the grandmother of Grammy winner Blue Ivy, who recently starred in Disney’s box-office-topping Mufasa movie; rising fashion model Julez Smith; and twin siblings Rumi and Sir Carter.

Tina Knowles’ full Mother of the Year acceptance speech will be available here at 7 p.m. ET on Monday night (March 31).

Winning Global Force at the 2025 Women in Music event? That’s just like JENNIE. Surrounded by some of the industry’s most acclaimed female artists and executives, the BLACKPINK star accepted this year’s international honor on stage at Los Angeles’ YouTube Theater Saturday (March 29), giving special shoutouts to her bandmates, Woman of the Year Doechii and more.
Confessing that she was feeling “really nervous right now,” the Idol star — looking glamorous in a sparkling deep red gown — breathlessly gave her acceptance speech as passionate fans in the crowd screamed with excitement for her. “This is so special,” she said. “I’m inspired by all the women in this room and around the globe who continue to break barriers and make their mark on the world stage. This award is a tribute to every woman who dares to dream, create and shape the world with her vision,” JENNIE continued. “Women are such a powerful force, and when we come together, we uplift each other every step of the way.

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“I’m so lucky and fortunate to work with so many talented people in my career—singers, songwriters, producers,” she added. “Doechii, I love you, and Kali (Uchis), I love you. I had these amazing women be on my album, and words cannot express how thankful I am.”

JENNIE also gave shoutouts to her team, label, and of course, “my BLACKPINK girls — without them, this journey would’ve never happened.”

Several other women were also honored at Saturday’s show, including Songwriter of the Year Gracie Abrams, Group of the Year aespa and Impact Award-winner Tyla. Of her prize, JENNIE told Billboard on the red carpet before the ceremony that “to be honored as Global Force is just so special.”

She also spoke about how meaningful it’s been to step into her solo era while her BLACKPINK bandmates also pursue their own independent projects. JENNIE’s debut album, Ruby — featuring the Doechii-assisted “ExtraL” and “Damn Right” with Uchis and Donald Glover — arrived March 7 and debuted at No. 7 on the Billboard 200. ROSÉ, LISA and JISOO have also dropped solo music in the past year-plus since the girl group has been on break.

“We talk about this all the time,” said the “Mantra” singer. “It’s amazing how we’re all doing our own thing. We have each other’s backs no matter what, and that’s such a special feeling. I miss them.”

JENNIE won’t have to miss her bandmates for long, though, as the foursome is set to reunite this summer for a global tour and is currently working on new music.

You can watch the 2025 Billboard Women in Music ceremony here starting at 7 p.m. ET on Monday (March 31) and on VIZIO TVs and the VIZIO app.

GloRilla absolutely dominated 2024 as she cemented her status as one of the premier rappers in the game today. Following her massive year, Glo was honored with the Powerhouse Award at the Billboard Women in Music 2025 ceremony in Los Angeles on Saturday (March 29). Draped in a sleek black tux, the Memphis native was […]

There was an unmistakable current of Canadian nationalism running through the 2025 Juno Awards, which aired live on CBC from Vancouver’s Rogers Arena on Sunday (March 30).
The awards gala – and its night-before invite-only gala where most of the awards are given out – is always a chance for the music industry to tout its successes. This year, those affirmations had a different flavour. Canada has a wave of national pride that tends to arise when the country is threatened, and with tariffs imposed by the United States among threats of annexation by U.S. President Donald Trump, it was ever-present at this year’s Junos.

Here is how it played out.

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“Canada Is Not for Sale”

“Canada Is Not for Sale” has become a defiant slogan of pride of late, opposing Trump’s repeated threats of turning the country into the “51st state.” Junos host Michael Bublé was the latest star to use the phrase recently sported on a t-shirt by Mike Myers on Saturday Night Live. In an opening monologue that echoed the famous “I Am Canadian” Molson ad of the early 2000s, Bublé asserted a number of vaguely political affirmations of what he called “the greatest nation on earth.” “When they go low, we go high,” he said. “We love this country, and when you love something, you show up for it,” he said.

Allan Reid, president and CEO of CARAS, the organization that administers the Junos, also asserted culture as a form of Canadian identity in his speech at the industry gala on Saturday. Canada is the third largest exporter of music to the world, he said, likely referring to Luminate’s recent year-end report, and that’s an important distinction. “It is our culture that defines who we are and it is the touchstone of what it means to be Canadian,” he said. The music crosses borders, and that strengthens Canada internationally.

Winning the Walt Greilis Award, which recognizes individuals who have strengthened the growth or development of Canadian music, Live Nation Canada chairman Riley O’Connor echoed that sentiment. “It’s a time not to retreat, but to show innovation and talent,” he said. He was recognized for playing a big part in building the national touring network in Canada and showing international acts that there are fans in the country who want to hear the world’s music on live stages. He quoted Rush‘s “The Spirit of Radio,” then said, “now it’s time to turn up our Canadian volume.”

Behind-the-Scenes Success Stories

There is a tendency for the Canadian music industry, and the Junos, to speak to itself. That can be a problem when some of the biggest international stars strive for international success but don’t always show up for Canadian recognition.

While the Junos were a building block of a self-sufficient Canadian music industry, along with Canadian Content regulations and a strong system of government arts funding through organizations like FACTOR, it now has an issue of star power. Tate McRae was this year’s biggest winner with four awards, but wasn’t there to accept, and stars like The Weeknd and Shawn Mendes were also missing.

Some of the country’s biggest recent success stories, however, are behind the scenes, and this year they got an important overdue gesture of recognition. The Junos introduced the inaugural songwriter of the year (non-performer) category, and the winner was Lowell. The same winner of the Billboard Canada Non-Performing Songwriter Award, which she also accepted at the Billboard Canada Power Players in 2024, Lowell has been pushing for the category for years. “I’ve been here [at the Junos] eight or nine times before and watched hits I wrote win,” she said on Saturday night. “But never moi.” She shouted out her Canadian co-writer Nate Ferraro and all the other artists who should have won the award before her.

Lowell co-wrote some big hits recently, including Beyoncé’s “Texas Hold ‘Em,” and that shows a major impact made by Canadian musicians behind the scenes. Jack Rochon won the producer of the year award for his work with major international artists like Beyoncé, Kehlani and local R&B favourite Charlotte Day Wilson. Serban Ghenea, meanwhile, won recording engineer of the year for work with two of the biggest charting artists of the last year, Sabrina Carpenter and Teddy Swims (Ghenea has been nominated for 50 Grammys and won 21). Producer Boi-1da, meanwhile, won the international achievement award for work on some huge songs by stars like Drake, Rihanna and Eminem.

Canada is a heavy hitter for its relatively small population, and its fingerprints are on some of music’s biggest hits. It’s a good time to bring those accolades into the open.

Diversity as a Strength

There’s no one distinct Canadian sound, but the country has a cultural fluidity that is well-suited to the increasingly globalized music industry. There is music being made in multiple languages, well beyond even English and French.

Canada has become a global hub for the ascent of Punjabi music – what Billboard Canada coined the Punjabi Wave – and that’s become a big part of the Junos over the last few years. This year, the awards introduced the South Asian recording of the year award, which AP Dhillon won for “The Brownprint.” Unfortunately, the category was not televised and Dhillon wasn’t there to accept, but there was still a Punjabi performance by Gminxr, Jazzy B, Inderpal Moga and Chani Nattan.

Elisapie, meanwhile, won alternative album of the year for Inuktitut, an album of covers of songs by artists like Blondie and Pink Floyd in the title language. Accepting, she said she was proud to be an Inuk woman, singing in her language. Winning rap album of the year for their album RED FUTURE, Snotty Nose Rez Kids talked about Indigenous excellence and creating a vision for Indigenous people to see themselves in the future. In a year when Buffy Sainte-Marie had her awards revoked amidst questions of her own Indigenous identity, the Junos also recognized new and present cultural voices.

“Elon Musk Is a Piece of Garbage”

While many of the criticisms of the U.S. were more subtle or centered around Canada – the name Trump was barely spoken – there were a couple of sharper criticisms. One came from bbno$ on Sunday’s televised broadcast. After saying his thank yous for winning the fan choice award, he had one last thing to say: “Also, Elon Musk is a piece of garbage.” The crowd cheered for the jab at Trump’s head of DOGE [Department of Government Efficiency]. Introducing the next segment with Max Kerman of Arkells, Bublé said he didn’t hear what was said but could tell the crowd loved it. “I heard it,” Kerman said. “And it was right.”

At Saturday’s gala, Montreal band NOBRO brought real punk energy to their performance while lead singer Kathryn McCaughey sported a tank top that said “Pussies Against Fascism.” They won rock album of the year for their album Set Your Pussy Free and advocated for equal representation of women and for abortion as health care. “No pussy is free until they all are,” they proclaimed.

Made in Canada

In recent weeks in response to tariffs, American products have been pulled off liquor store shelves and grocery stores have hung signs letting shoppers know which products are Canadian-made. The messaging of the Junos also touted Canadian success stories, but there was a criticism below the surface of overrepresentation of major label acts in both the nominations list and televised performances. Sony, Universal and Warner all have Canadian offices and are thriving Canadian operations, but are also adjuncts of American companies.

There were some notable exceptions, however. The Beaches, who won group of the year for the second year in a row, gained bigger success after splitting with their former label, Universal Music Canada.

Sum 41 have been a major-label band throughout the majority of their career, but remarked on the strangeness of getting industry recognition. “We’re not really an award show band,” Deryck Whibley said. Being honoured with an induction into the Canadian Music Hall of Fame, they remembered sending their demo to every label and having it turned down by all of them. “One even told me it was the worst he had heard in a decade,” he said. “Maybe he’s here tonight.” They persisted, though, and became a major-label success story.

If resilience was a theme of the Junos, Nemahsis provided a different example. The Palestinian-Canadian artist told the story of being dropped from her major label shortly after Oct. 7 and releasing her breakout album Verbathim fully independently with the help of her manager Chass Bryan.

“So many labels are being thanked and mentioned,” she said on Saturday night accepting the alternative award, right in front of many major players of the Canadian music industry. “Labels have money. Money pays for albums. Artists need money to make art. I was cut off and left with nothing, and this album still came out because of Chass and my parents and the people of Palestine.”

Drake has had a challenging year, due to being widely seen as the loser of a high-profile diss battle with Kendrick Lamar, but he got a strong show of support at the Juno Awards in his native Canada on Sunday (March 30). His friend and frequent collaborator Boi-1da (pronounced Boy Wonder) sang his praises in accepting an International Achievement Award. Drake wasn’t present at the ceremony, which was held at Rogers Arena in Vancouver.
 “I’m extremely humbled by this award and just to be mentioned among the legendary names as well – man I can’t even describe it,” the producer (who was born Matthew Jehu Samuels) began. “I want to have a huge shout-out to my brother Drake, the greatest rapper of all time, the greatest artist of all time and he’s from Canada – Drizzy Drake – that’s my brother.

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“Listen…Drake, love you bro, we started this together, we did this together, I wouldn’t be where I am today if it wasn’t for Drake and all the sacrifices he made, all the doors he kicked down for a lot of people man, so shout-out to Drake. Thank you for life, man, I love that guy.”

Born in Kingston, Jamaica, the future producer moved to Canada when he was three and grew up in Toronto. His first production work was at age 18, when he worked on two tracks on a Drake mixtape (Room for Improvement).

Boi-1da won his only Grammy to date as the co-writer of Drake’s “God’s Plan,” which was voted best rap song. The producer has been nominated for 19 Grammys, including six times for album of the year, for his work on Eminem’s Recovery, Lamar’s To Pimp a Butterfly and Mr. Morale & the Big Steppers, Drake’s Views, Kanye West’s (now Ye’s) Donda and Beyonce’s Renaissance.

Boi-1da has received two Grammy nods for record of the year, for “God’s Plan” and Rihanna’s “Work” (featuring Drake), and one song of the year nod, also for “God’s Plan.” He has been nominated twice for producer of the year, non-classical.

This International Achievement Award was his first Juno Award or nomination.

The biggest winner at the 2025 Juno Awards wasn’t there to accept her awards.
Tate McRae won four awards – for artist, single, album and pop album of the year – but was not able to make it to the Vancouver, British Columbia awards ceremony on Sunday (March 30) or the untelevised gala the night before to accept. That’s an ongoing issue at the Junos, where the responsibilities of the biggest international superstars often keep them from their home country’s award show.

Stars like Drake, The Weeknd and Shawn Mendes were not at Rogers Arena for the show, but there was an ongoing theme of Canadian excellence. At a time when U.S. President Donald Trump imposes tariffs on Canada and threatens to annex it as the 51st state, many used the Junos as a chance to wave the cultural flag.

McRae won four out of five of her nominations, taking artist of the year for the second year in a row, single of the the year for the second year in a row (with “Exes” taking the award won last year by “Greedy”) and album of the year and pop album of the year for the first time (with Think Later). She missed out only on the fan choice award. That was won by the perpetually viral rapper bbno$, a hit on TikTok, which sponsored the award. He used the acceptance speech to create another viral moment, using his time to call billionaire and top Trump advisor Elon Musk a “piece of garbage.”

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That was a more direct criticism of the American administration than what ran through most of the show, where a more nationalistic “Canada is not for sale” message rang through. Accepting the award for country album of the year, breakout Ontario singer Josh Ross thanked his label Universal Music both in Canada and south of the border, reminding them that “friends are better than enemies.”

Host Michael Bublé began the show with a medley of his hits in four different languages, duetting with Canadian artists including Elisapie, Jonita Gandhi, Roxane Bruneau and Maestro Fresh Wes. That recognized the diversity of sounds and genres, while his opening monologue recalled the famous “I Am Canadian” ad with Canadian pride and an affirmation that Canada is “the greatest nation on earth.”

Other than special awards, only four awards were presented on CBC’s Sunday broadcast, with the vast majority given out at the industry gala the night before. One of those was for group of the year. While Sum 41 seemed like a safe prediction given that they also were inducted into the Canadian Music Hall of Fame on the show and closed it with a medley of their pop-punk classics, it was instead awarded for the second year in a row to The Beaches. That continued a hot few years for the Toronto band, who broke out with their hit “Blame Brett” in 2023 and haven’t looked back since.

The other big award of the night was for breakthrough artist of the year. That accolade went to Nemahsis, the Palestinian-Canadian artist who was reportedly dropped from her major label for her refusal to silence her pro-Palestinian advocacy after Oct. 7. The singer, who also won alternative album of the year and performed on the broadcast, dedicated the award to her fellow hijabis and said all she ever wanted was to turn on Canadian TV and see someone who looked like her. “I didn’t think it would take this long or that I would be the one to do it,” she said. She thanked OVO Sound producer Noah “40” Shebib and artist Jad El Khoury for helping her finish her album Verbathim when she was suddenly fully independent and didn’t have the money to do so on her own.

Anne Murray was given the lifetime achievement award, marking only the second time in Junos history the award has been given (the other was to the architect of Canadian Content regulations and the namesake of the Junos, Pierre Juneau). Wearing a bedazzled Canada hockey jersey, the singer – who holds the record for most-ever Junos ahead of The Weeknd – talked about the importance of Canada to her multi-decade career and called the country her “safety blanket.” Producer Boi-1da won the international achievement award, recognizing his huge hits on the global stage – including four No. 1s on the Billboard Hot 100 – for artists like Rihanna, Drake and Eminem.

Other performances on the show included Haida Nation rap album of the year winners Snotty Nose Rez Kids with Tia Wood, Sunday night winners bbno$ and Josh Ross and an all-star Punjabi performance that featured Gminxr, Jazzy B, Inderpal Moga and Chani Nattan. Karan Aujla winning the fan choice award in 2024 showed the institution’s recognition of the Punjabi Wave, and the Junos implemented the new South Asian recording of the year award this year. AP Dhillon won for The Brownprint; however, the award was unfortunately not televised.

Find a full list of 2025 Juno Award winners below:

TikTok Juno Fan Choice

WINNER: bbno$ (Independent*Stem)

Dean Brody (Starseed)

Jade Eagleson (Starseed)

Josh Ross (Universal)

Karan Aujl (Independent)

Les Cowboys Fringants (Les Disques de La Tribu*Propagande)

Preston Pablo (Universal)

Shawn Mendes (Universal)

Tate McRae (RCA*Sony)

The Weeknd (XO*Universal)

Artist of the Year

Josh Ross (Universal)

Kaytranada (RCA*Sony)

Shawn Mendes (Island*Universal)

WINNER: Tate McRae (RCA*Sony)

The Weeknd (XO*Universal)

Single of the Year

“Single Again,” Josh Ross (Universal)

“Winning Speech,” Karan Aujla (Independent)

“Why Why Why,” Shawn Mendes (Island*Universal)

WINNER: “exes,” Tate McRae (RCA*Sony)

“Timeless,” The Weeknd & Playboi Carti (XO*Universal)

Album of the Year

Inuktitut, Elisapie (Bonsound*Sony)

Complicated, Josh Ross (Universal)

Submergé, Roxane Bruneau (Disques Artic*Sony)

UNDISPUTED, Sukha (GK*Universal)

WINNER: THINK LATER, Tate McRae (RCA*Sony)

Group of the Year

Crash Adams (Warner)

Mother Mother (Warner)

Spiritbox (BMG*Universal)

Sum 41 (Rise/BMG*Universal)

WINNER: The Beaches (Independent*AWAL)

Breakthrough Artist or Group of the Year

Alexander Stewart (FAE*The Orchard)

AP Dhillon (Republic*Universal)

AR Paisley (Warner)

Chris Grey (Rebellion Records)

EKKSTACY (Dine Alone*The Orchard)

WINNER: Nemahsis (Independent)

Owen Riegling (Universal)

Sukha (GK*Universal)

Tony Ann (Decca*Universal)

Zeina (Artist Partner Group)

Jack Richardson Producer of the Year

Aaron Paris — “intro (end of the world)” (Ariana Grande), “Bought the Earth” (Yeat), “Let it Breathe” (Ski Mask the Slump God), “Tiger Eye” (Loony), “Dishonored” (Sean Leon and Jessie Reyez, “R e a l W o m a n” (PartyNextDoor)

Akeel Henry — “Spin” (Megan Thee Stallion), “Smoke” (Ari Lennox), “Shake” (Chlöe), “Oh, Wait…” (Shae Universe), “I Choose You” (Melanie Fiona), “Love Ain’t Guaranteed” (Mist)

Evan Blair — “Pretty Slowly” (Benson Boone), “Beautiful Things” (Benson Boone), “club heaven” (Nessa Barrett), “No High” (David Kushner), “this is how a woman leaves” (Maren Morris), “i hope i never fall in love” (Maren Morris)

WINNER: Jack Rochon — “II Hands II Heaven” (Beyoncé), “Protector” (Beyoncé), “Jolene” (Beyoncé), “My Way” (Charlotte Day Wilson), “Crash” (Kehlani), “Tears” (Kehlani)

Shawn Everett — “II Most Wanted” (Beyoncé), “Found Heaven” (Conan Gray), “Bright Lights” (The Killers), “I Don’t” (Brittany Howard), “Eye of the Night” (Conan Gray), “Prove It to You” (Brittany Howard)

Recording Engineer of the Year

George Seara — “Soft Spot” (Keshi), “Dream” (Keshi)

Hill Kourkoutis — “Ghost” (Sebastian Gaskin), “Should We” (Emi Jeen)

Mitch McCarthy — “Good Luck, Babe!” (Chappell Roan), “Make You Mine” (Madison Beer)

WINNER: Serban Ghenea — “Please Please Please” (Sabrina Carpenter), “Lose Control” (Teddy Swims)

Shawn Everett — “Don’t Forget Me” (Maggie Rogers), “Deeper Well” (Kacey Musgraves)

Songwriter of the Year

Abel Tesfaye (The Weeknd) — “Dancing in the Flames,” “Timeless,” “São Paulo”

AP Dhillon — “Old Money,” “Losing Myself,” “Bora Bora”

Jessie Reyez — “Child of Fire,” “Ridin,” “Shut Up”

WINNER: Mustafa Mustafa — “Name of God,” “Leaving Toronto,” “I’ll Go Anywhere”

Nemah Hasan (Nemahsis) — “stick of gum,” “you wore it better,” “coloured concrete”

Songwriter of the Year (Non-Performer)

Evan Blair – “Beautiful Things” (Benson Boone), “Pretty Slowly” (Benson Boone), “i hope i never fall in love” (Maren Morris)

WINNER: Lowell – “Texas Hold ‘Em” (Beyoncé), “Bodyguard” (Beyoncé), “Takes One to Know One” (The Beaches)

Nathan Ferraro— “Texas Hold ‘Em” (Beyoncé), “Smoke” (Ari Lennox), “Who Do I Call Now? (Hellbent)” (Sofia Camara)

Shaun Frank – “Love Somebody” (Morgan Wallen), “Training Season” (Dua Lipa), “Sideways” (Gordo)

Tobias Jesso Jr.”Houdini” (Dua Lipa), “push me over” (Maren Morris), “Come Show Me” (Camilla Cabello)

Music Video of the Year

“Human,” Adrian Villagomez, Apashe & Wasiu (Kannibalen*Create)

“Nasty,” Jonah Haber, Tinashe (Independent)

“GRAVITY,” Jorden Lee, Sean Leon (Independent)

WINNER: “Name of God,” Mustafa, Mustafa (Arts & Crafts*Universal)

“Jump Cut,” Winston Hacking, Corridor (Bonsound*Sony/The Orchard)

Album Artwork of the Year

Erik M. Grice (Art Director), Vanessa Elizabeth Heins (Photographer); Chandler – Wyatt C. Louis (Independent*Universal)

Gabriel Noel Altrows (Art Director, Illustrator); Good Kid 4 – Good Kid (Independent/The Orchard)

Kee Avil, Jacqueline Beaumont (Art Director), Fatine-Violette Sabiri (Photographer); Spine – Kee Avil (Constellation*Secretly Canadian)

WINNER: Keenan Gregory (Art Director); Altruistic – Royal Tusk (MNRK)

Kevin Hearn, Lauchlan Reid (Art Director), Antoine Jean Moonen (Designer), Lauchlan Reid (Illustrator); Basement Days – The Glacials (Celery*IDLA)

Country Album of the Year

The Compass Project – West Album, Brett Kissel (Independent*Universal)

Dallas Smith, Dallas Smith (Big Loud*Universal)

WINNER: Complicated, Josh Ross (Universal)

Nobody’s Born With a Broken Heart, MacKenzie Porter (Big Loud*Universal)

Going Home, Tyler Joe Miller (Independent*The Orchard)

South Asian Music Recording of the Year

WINNER: “The Brownprint,” AP Dhillon (Republic *Universal)

“COOLIN,” Chani Nattan, Inderpal Moga & Jazzy B (Warner)

“Love Like That,” Jonita Gandhi (Warner)

“Tauba Tauba” (From Bad Newz), Karan Aujla (T-Series)

“Arul,” Yanchan, Produced & Sandeep Narayan (Independent)

Classical Album of the Year (Solo Artist)

Signature Philip Glass, Angèle Dubeau & La Pietà (Analekta*Naxos/The Orchard)

Messiaen, Barbara Hannigan (Alpha Classics*Naxos)

WINNER: freezing, Emily D’Angelo (Deutsche Grammophon*Universal)

Butterfly Lightning Shakes the Earth, India Gailey (Red Shift*Believe)

Williams Violin Concerto No. 1; Bernstein Serenade, James Ehnes (Pentatone*Naxos/The Orchard)

Classical Album of the Year (Small Ensemble)

Known To Dreamers: Black Voices in Canadian Art Song, Canadian Art Song Project (Centrediscs*Canadian Music Centre/Naxos)

Rituæls, collectif9 (Analekta*Naxos/The Orchard)

East is East, Infusion Baroque (Leaf*Naxos)

Marie Hubert: Fille du Roy, Karina Gauvin (ATMA*Universal)

Kevin Lau: Under a Veil of Stars, St. John–Mercer–Park Trio (Leaf*Naxos)

Classical Album of the Year (Large Ensemble)

Ispiciwin, Luminous Voices (Leaf*Naxos)

Alikeness, Newfoundland Symphony Orchestra Sinfonia, conducted by/dirigé par Mark Fewer featuring Aiyun Huang, Deantha Edmunds and Mark Fewer (Leaf*Naxos)

Sibelius 2 & 5, Orchestre Métropolitain, conducted by/dirigé par Yannick Nézet-Séguin (ATMA*Universal)

Schoenberg: Pelleas und Melisande & Verklärte Nacht, Orchestre symphonique de Montréal, conducted by/dirigé par Rafael Payare (Pentatone*Naxos/PIAS)

WINNER: Messiaen: Turangalîla-Symphonie, Toronto Symphony Orchestra, conducted by/dirigé par Gustavo Gimeno featuring Marc-André Hamelin and Nathalie Forget (Harmonia Mundi)

Jazz Album of the Year (Solo)

WINNER:Montreal Jazz Series 1 (Échanges Synaptiques), André Leroux (Disques BG*Believe)

The Head of a Mouse, Audrey Ochoa (Chronograph*Fontana North)

Portrait of Right Now, Jocelyn Gould (Independent)

Slice of Life, Larnell Lewis (Independent)

The Antrim Coast, Mark Kelso (Modica)

Jazz Album of the Year (Group)

Time Will Tell, Andy Milne and Unison (Sunnyside*AMPED)

Reverence, Carn Davidson 9 (Independent)

Harbour, Christine Jensen Jazz Orchestra (Justin Time*F.A.B./Nettwerk)

WINNER: Gravity, Jeremy Ledbetter Trio (Independent)

Jaya, Raagaverse (Independent)

Vocal Jazz Album of the Year

Oh Mother, Andrea Superstein (Cellar*La Reserve)

WINNER: Hello! How Are You?, Caity Gyorgy (La Reserve*The Orchard)

Winter Song, Kellylee Evans (Independent)

Wintersongs, Laila Biali (Independent/Believe)

Magpie, Sarah Jerrom (TPR*Outside In)

Instrumental Album of the Year

Disaster Pony, Disaster Pony (Independent*The Orchard)

Distant Places, Eric Bearclaw (Independent)

Ginger Beef, Ginger Beef (Independent)

WINNER: memory palace, Intervals (Independent*Believe)

Confluencias, Melón Jimenez & Lara Wong (Independent)

Blues Album of the Year

WINNER: This Old Life, Big Dave McLean (Cordova Bay*Fontana North)

New Orleans Sessions, Blue Moon Marquee (Independent)

YEAH!, David Gogo (Cordova Bay*Fontana North)

Samantha King and the Midnight Outfit, Samantha King & The Midnight Outfit (Independent)

One Guitar Woman, Sue Foley (Stony Plain*Fontana North)

Traditional Roots Album of the Year

Hemispheres, Inn Echo (Independent)

WINNER: Retro Man … More and More (Expanded Edition), Jake Vaadeland, Jayward*The Orchard Domino!, La Bottine Souriante (LABE*Sony/The Orchard)

The Road Back Home (Live), Loreena McKennitt (Independent*Universal)

At The End of the Day, Sylvia Tyson (Stony Plain*Fontana North)

Contemporary Roots Album of the Year

Anniversary, Abigail Lapell (Outside)

For Eden, Boy Golden (Six Shooter*The Orchard)

Things Were Never Good If They’re Not Good Now, Donovan Woods *End Times*The Orchard)

Pathways, Julian Taylor (Howling Turtle*ADA)

WINNER: Strange Medicine, Kaia Kater (acronym*The Orchard)

Adult Alternative Album of the Year

WINNER: Inuktitut, Elisapie (Bonsound*Sony/The Orchard)

Revelation, Leif Vollebekk (Secret City*F.A.B.)

Healing Power, Terra Lightfoot (Sonic Unyon*Universal)

We were born here, what’s your excuse?, The Secret Beach (Victory Pool*The Orchard)

Never Better, Wild Rivers (Nettwerk*F.A.B./Nettwerk)

Alternative Album of the Year

When a Thought Grows Wings, Luna Li (In Real Life*AWAL)

WINNER: Verbathim, Nemahsis (Independent)

Magpie, Peach Pit (Columbia*Sony)

What’s The Point, Ruby Waters (Independent*Dine Alone)

Water The Flowers, Pray for a Garden, Valley (Universal)

Rock Album of the Year

Pages, Big Wreck (Sonic Unyon*Universal)

Vices, JJ Wilde (Black Box)

Grief Chapter, Mother Mothe (Warner)

WINNER: Set Your Pussy Free, NOBRO (Dine Alone*The Orchard)

Heaven :x: Hell, Sum 41 (Rise/BMG*Universal)

Metal/Hard Music Album of the Year

WINNER: Beyond the Reach of the Sun, Anciients (Season of Mist*The Orchard)

PowerNerd, Devin Townsend (InsideOutMusic*Sony)

Fire, Kittie (Sumerian*Virgin)

The Fear of Fear, Spiritbox (BMG*Universal)

ULTRAPOWER, Striker (Independent)

Adult Contemporary Album of the Year

Roses, Aphrose (Independent)

Boundless Possibilities (Celeigh Cardinal, Independent)

Transitions, Kellie Loder (Independent*Warner)

Songs of Love & Death, Maddee Ritter (Independent*Universal)

WINNER: Lovers’ Gothic, Maïa Davies (acronym)

Pop Album of the Year

bleeding heart, Alexander Stewart (FAE*The Orchard)

if this is it…, Jamie Fine, Universal)

Anywhere But Here, Preston Pablo (31 East*Universal)

Shawn, Shawn Mendes (Island*Universal)

WINNER: THINK LATER, Tate McRae (RCA*Sony)

Dance Recording of the Year

“UH HUH,” DijahSB (Never Worry*The Orchard)

WINNER: “No Time,” Interplanetary Criminal & SadBoi (Room Two*Columbia)

Give in to you, REZZ, Virtual Riot & One True God (Monstercat)

“Call Me When,” So Sus (Independent)

“FOUL TASTE,” WAWA (Independent)

Underground Dance Single of the Year

WINNER: “Bamboo,” Ciel (Independent)

“Keepsake,” Destrata (Independent)

“Distant Memories,” Hernan Cattaneo, Hicky & Kalo (Independent)

“La Vérité,” Jesse Mac Cormack, Charlie Houston & Brö (Secret City*F.A.B)

“WTP,” Suray Sertin (Altered States*Universal)

Electronic Album of the Year

Honey, Caribou (Merge*F.A.B)

Union, ÈBONY (Independent*ADA)

Love, Care, Kindness & Hope, Fred Everything (Lazy Days*Prime Direct)

Timeless, Kaytranada (RCA*Sony)

WINNER: This But More, Priori (NAFF*One Eye Witness)

Rap Single of the Year

“People,” Classified (Independent)

“Double The Fun,” Haviah Mighty (Independent)

WINNER: “SHUT UP,” Jessie Reyez (FMLY/Island*Universal)

“BBE,” Snotty Nose Rez Kids (Sony)

Hier encore, Souldia & Lost (Disques 7ième Ciel)

Rap Album/EP of the Year

96 Miles From Bethlehem, Belly (SALXCO*Universal)

Luke’s View, Classified (Independent)

The Flower That Knew, DijahSB (Lowly)

See You When I See You…, Dom Vallie (Awesome*The Orchard)

WINNER: RED FUTURE, Snotty Nose Rez Kids (Sony)

Traditional R&B/Soul Recording of the Year

Limbo, Aqyila (Sony)

The Worst, Benita (Independent*Believe)

Cyan Blue, Charlotte Day Wilson (Independent*The Orchard)

Halfway Broken, Luna Elle (Hot Freestyle*Independent)

WINNER: VELVET SOUL, THEHONESTGUY (Independent*Believe)

Contemporary R&B Recording of the Year

WINNER: Bloom, Aqyila (Sony)

Noire, Avenoir (Independent*LISTEN TO THE KIDS)

FOR THE BOY IN ME, Dylan Sinclair (Five Stone*The Orchard)

LOONY, LOONY (Independent*AWAL)

Eastend Confessions, Zeina (Artist Partner Group)

Reggae Recording of the Year

WINNER: Born to Be Free, Exco Levi (Independent)

FALLBACK, King Cruff & Runkus (Tuff Gong*Universal)

Destiny, Lee “Scratch” Perry & Bob Riddim (Independent)

Sky’s The Limit, Skystar (Independent)

Rise, Tonya P (Independent)

Children’s Album of the Year

Shun Beh Nats’ujeh: We Are Healing Through Songs, Kym Gouchie (Independent)

WINNER: Penny Penguin, Raffi & Good Lovelies (Independent*Universal)

Riley Rocket: Songs From Season One, Riley Rocket and Megablast (Independent)

Buon Appetito, Walk off the Earth & Romeo Eats (Golden Carrot*The Orchard)

Maestro Fresh Wes Presents: Young Maestro “Rhyme Travellers”, Young Maestro (Independent)

Comedy Album of the Year

Wonder Woman, Courtney Gilmour (Comedy Records*Downtown)

WINNER: Honourable Intentions, Debra DiGiovanni (Independent)

Popcorn, Ivan Decker (Independent)

Sad Witch, Jess Salomon (Independent)

Down With Tech, Nathan Macintosh (Comedy Records*Downtown)

Traditional Indigenous Artist or Group of the Year

WINNER: New Comings, Black Bear Singers (Independent)

Winston & I, Brianna Lizotte (Independent)

Travelling Home, Cree Confederation (Independent)

REZilience, Northern Cree (Independent)

Ostesihtowin-“Brotherhood”, Young Spirit (Independent)

Contemporary Indigenous Artist or Group of the Year

Precious Diamonds, Adrian Sutherland (Independent)

Boundless Possibilities, Celeigh Cardinal (Independent)

WINNER: Brown Man, Sebastian Gaskin (Ishkōdé*Universal)

RED FUTURE, Snotty Nose Rez Kids (Sony)

Pretty Red Bird, Tia Wood (Sony)

Francophone Album of the Year

Aliocha Schneider, Aliocha Schneider (Les Disques Audiogramme*Sony/The Orchard)

Demain il fera beau, Fredz (La Taniere*Believe)

Toutes les rues sont silencieuses, Jay Scøtt (Disques 7ième Ciel*Believe)

Abracadabra, Klô Pelgag (Secret City*F.A.B.)

Pub Royal, Les Cowboys Fringants (Les Disques de La Tribu*Propagande/Believe)

Contemporary Christian/Gospel Album of the Year

elenee., Elenee (Independent)

My Foundation, Jordan St. Cyr (Independent*The Orchard)

WINNER: Restore, Ryan Ofei (Independent*Platoon/Believe)

Miracle in the Making, Tehillah Worship (Independent)

Hymns Alive (Live), Toronto Mass Choir (Independent*Believe)

Global Music Album of the Year

Aarambh, Abby V (Sufiscore)

Kanzafula, Ahmed Moneka (Lulaworld*Independent)

Malak, Didon (Electrofone*Independent)

WINNER: Dankoroba, Djely Tapa (Independent*Believe)

Niebla, Ramon Chicharron (Independent*Believe)

Classical Composition of the Year

WINNER: Angmalukisaa, Deantha Edmunds (Independent*Leaf/Naxos)

the fog in our poise, Gabriel Dharmoo (Centrediscs*Canadian Music Centre/Naxos)

L’écoute du perdu : III. « Voix jetées », Keiko Devaux (ATMA*Universal)

Dark Flowe, Linda Catlin Smith (Redshift*Independent)

String Quartet No. 4 “Insects and Machines”, Vivian Fung, (Independent)