Awards
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Harvey Mason jr. is having a very good month. On Feb. 4, as Recording Academy CEO, Mason oversaw the 66th annual Grammy Awards, which were well-received by critics and saw an uptick in ratings.
Ten days later, wearing his other hat, as a long-time music supervisor for film and TV, Mason saw the release of the film Bob Marley: One Love, on which he is credited as executive music producer, and for which he recorded and mixed the songs. The film has been No. 1 at the box office in its first two weeks, and is already one of the top 10 highest-grossing music biopics in history.
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Bob Marley, who died in 1981, has long been one of Mason’s favorites. “I grew up listening to his music,” Mason says. “When I was in college, he was probably one of my top five most played CDs. I loved his music, so the chance to work on this project, even though it was a big one, was something I talked a lot about, thought a lot about and ultimately decided it was something I couldn’t pass up.”
The film includes a generous amount of Marley music as well as other music from the period, such as punk and disco (the Bee Gees’ “You Should Be Dancing”). “It was a fruitful time in music, for sure,” Mason says. “The filmmakers [led by director Reinaldo Marcus Green] did an excellent job of showcasing everything that was happening around different genres and the music and the culture at that period.”
When Mason signed on as Recording Academy CEO, he insisted on being able to continue his outside music projects on his own time. He believes it makes him a better CEO. “Being involved in music and getting a chance to create and have that outlet is a huge value to me as an executive,” he says. “That’s my life – making things and creating, collaborating.
“Each feeds the other,” he continues. “I really think there’s a value in doing both.”
Mason, who became interim president and CEO on Jan. 16, 2020 and assumed the role of permanent CEO on May 13, 2021, is a master at compartmentalizing. “I do Academy business 18 hours a day and then I get a meal and get back to the studio at night and create until I fall asleep. … I’m giving a ton of focus to the Academy, but fortunately I’m able to still be creative. For me, that was really part of being able to do this role at the Academy – could I stay creative? Could I remain connected to music and working with artists, songwriters and producers? I thought it was very important for me to continue doing that.”
Mason quickly adds, “It’s also something that the search committee and the executive committee felt was a good thing. It wasn’t something that I had to negotiate. They said, ‘We love that you’re a creator; that you do this work and you’re still involved in creating music. We’ve never had a CEO like that.’”
Mason doesn’t have to clear each outside music project with the trustees, but stresses, “I think there’s a mutual understanding that I wouldn’t want to do something that takes away from my job at the Academy. But also, the Academy understands the value in having a creator in this position. So, there’s not a formalized process, but I’m very respectful of my role and my obligations that I’ve made to not just the board but also the music community.”
Before he became CEO, Mason received five Grammy nominations – three of them for his work in film and TV, on the soundtracks to Dreamgirls, Pitch Perfect 2 and Jesus Christ Superstar Live in Concert.
But he has taken himself out of Grammy contention as long as he is CEO. “I’ve committed to not putting my name on the ballot because I wouldn’t want my job at the Academy to influence how somebody viewed a project or voted for a project.”
But other people who work on those projects can submit their own names. “I don’t want to punish people that do great work. So, others can submit, I won’t submit and I will not be getting a nomination or win while I’m in this role.”
Mason has a different view about Recording Academy trustees competing for Grammys. This year, three current trustees won Grammys. Michael Romanowski won best immersive audio album for a deluxe edition of Alicia Keys’ 2004 album The Diary of Alicia Keys. J. Ivy won best spoken word poetry album for The Light Inside. P.J. Morton won best traditional R&B performance for “Good Morning” (featuring Susan Carol). All three had won previously in those categories. Some have questioned whether their high-profile involvement in the Academy gives them an unfair advantage in the voting.
“I think as long as all the processes are sacrosanct and pristine, which they are, it’s great to have relevant music makers being celebrated,” Mason says. “Having members of board being people at the top of their craft says a lot about who our board is.”
Asked if he can see a sensitivity to having current board members competing for Grammys, he replies, “I can understand people wanting to make sure that it’s fair, which I do believe that it is. I don’t think people are just voting for people because they’re on the board, or because they’re friends. Our voters listen and go through the ballot and vote for people they think are doing great work. Some of these people are going to be on our board. I would love to have as many people on our board as possible that are relevant and contemporary and doing work at the top of their game. I’d hate to see us become an Academy where we didn’t want people who were thriving and winning and succeeding in the music industry on our board.”
Mason’s current, three-year contract with the Academy runs through July 31. Mason won’t say what’s going to happen after that. “I don’t think either side has made a commitment yet or firm decision as to what’s going to take place after July,” he says.
Jay-Z criticized the Academy’s voting processes in accepting the Global Impact Award from the Black Music Collective on this year’s telecast. Billboard’s headline, typical of the way the speech was characterized in the media, read: “Jay-Z Calls Out Grammys Over Beyoncé’s Album of the Year Snubs During Acceptance Speech.”
What did Mason think of the speech? “I’ll just say that when someone that we respect speaks out you always are going to listen,” he said. “Jay is one of the most prolific, most talented and most influential people in our industry. We respect his art and we respect his opinion … We listen and we try to take it in as constructive criticism and get better from it.”
Four-time Grammy nominee Kelsea Ballerini will return as the solo host of the 2024 CMT Music Awards, marking the fourth consecutive year Ballerini has led the fan-voted country music awards show. Ballerini will pull double duty during the show, serving as not only host but as a performer during the broadcast. Explore Explore See latest […]
K-pop reigns over the IFPI’s year-end albums chart, as the genre scoops five of the top 10 spots, led by SEVENTEEN with FML.
Announced today (Feb. 27), FML is the boy band’s first IFPI Global Album Award, tallied by the trade association using worldwide sales across streaming, download and physical music formats during the calendar year 2023.
Released in April 2023, FML was the most pre-ordered LP in K-pop history, landing at No. 1 in South Korea and Japan, and debuting at No. 2 on the Billboard 200. Following its hot start in the U.S. (the album also led the World Albums list), SEVENTEEN reentered the Billboard Artist 100 chart (dated May 13, 2023) at No. 1 – becoming the seventh K-pop group to rule the ranking.
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SEVENTEEN’s followup, the October release SEVENTEENTH HEAVEN, finishes at No. 8 on the IFPI Global Album Chart 2023.
Meanwhile, Stray Kids make it a K-pop one-two as 5-STAR appears at No. 2 on the IFPI list, and ROCK–STAR rocks in at No. 9. NCT DREAM land their first appearance in an IFPI Global Charts with ISTJ at No. 6, while, further down the chart, K-pop acts ZEROBASEONE (YOUTH IN THE SHADE at No. 18) and IVE (I’ve IVE at No. 20) make their presences felt.
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Also, BTS star Jung Kook earns his first solo appearance on the IFPI Global Album Chart with GOLDEN, appearing at No. 14.
The global appeal of K-pop “continues to extend and S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, DK, Migyu, The8, Seungkwan, Vernon and Dino continue to push the boundaries with their concepts, performances and talent,” comments Lewis Morrison, director of global charts & certifications at IFPI. “FML and SEVENTEENTH HEAVEN were both huge hits across continents and our congratulations go to the group, their team and of course CARATs all over the world.”The rankings provide an insight into the “dynamic nature” of recorded music today, Morrison continues, “with artists – and their record labels – finding success across genres and geographies, and by leveraging both streaming and physical formats to delight their fans.”Taylor Swift was crowned last week as IFPI Global Recording Artist of the Year, scooping the top honor for a record fourth time. Though she doesn’t own the global albums chart, the U.S. pop superstar does score two of the top 10 best-sellers, with Midnights (No. 4) logging a second consecutive year in the top five and 1989 (Taylor’s Version) appearing at No. 5 following its release in October 2023.Earlier this week, IFPI separately named Miley Cyrus’ “Flowers” as the biggest single of 2023.
The IFPI’s charts capture streaming, downloads and physical formats in every country directly from the participating record labels. That data is then converted using the association’s “unique” methodology to a single, global chart figure.
Top 20 IFPI Global Album Chart 2023:
PositionArtistAlbum1.SEVENTEENFML2.Stray Kids5-STAR3.Morgan WallenOne Thing At A Time4.Taylor SwiftMidnights5.Taylor Swift1989 (Taylor’s Version)6.NCT DreamISTJ7.SZASOS8.SEVENTEENSEVENTEENTH HEAVEN9.Stray KidsROCK-STAR10.Travis ScottUTOPIA11.Taylor SwiftLover12.Taylor SwiftSpeak Now (Taylor’s Version)13.Taylor Swiftfolklore14.Jung KookGOLDEN15.The WeekndStarboy16.Metro BoominHEROES & VILLAINS17.Bad BunnyUn Verano Sin Ti18.ZEROBASEONEYOUTH IN THE SHADE19.Miley CyrusEndless Summer Vacation20.IVEI’ve IVE
Ryan Gosling is set to perform “I’m Just Ken” live at the 2024 Oscars on Sunday, March 10. Variety was first to report the news.
It had been uncertain if Gosling would agree to perform the song, which is a comic highlight of Barbie. He and Emma Stone declined to perform “City of Stars” from La La Land on the Oscar telecast seven years ago — and “City of Stars,” a loping, easy-tempo ballad, is a much easier song to sing live than “I’m Just Ken,” a dynamic, comic showcase.
When Gosling and Stone passed on performing “City of Stars,” Oscar producers enlisted John Legend, who also appeared in La La Land, to perform the song – and also a second nominated song from the film, “Audition (The Fools Who Dream).” “City of Stars” went on to win the Oscar for best original song.
Gosling is nominated for best supporting actor for Barbie. Robert Downey Jr. is widely expected to win in that category for his performance in Oppenheimer, but Gosling has the opportunity to bring the house down.
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In a Variety cover story in early February, Gosling said that the Academy hadn’t yet asked him to perform. “It might be too much of a risk to have me do it,” he said. “I don’t know how that would work. But I’m open to it.”
Mark Ronson, who wrote the song with Andrew Wyatt, told Variety at the Grammys that he wasn’t interested in any other singer subbing for Gosling on the Oscars. When asked if he’d consider a sub, Ronson said, “No. I think if Ryan doesn’t do it then we’re not doing it.”
“I’m Just Ken” is one of two Barbie songs that received an Oscar nomination for best original song. The other is “What Was I Made For?” by Billie Eilish and Finneas. Barbie might very well have received a third nomination in that category for “Dance the Night,” which Ronson and Wyatt co-wrote with Dua Lipa and Caroline Ailin, but Oscar rules limit films to two nominations in that category.
In a conversation on Billboard’s Pop Shop podcast, Ronson agreed that the exclusion of “Dance the Night” made his nod for “I’m Just Ken” feel “bittersweet.”
“It is because Dua’s song is still the biggest song from the soundtrack and Dua was really the first artist of anywhere near her stature that committed to the film. It really set the bar for what the whole soundtrack could be,” he said. “So Dua definitely deserves all the credit for that, and it would have been lovely to have her as well.”
The 96th Oscars will air live on ABC and broadcast outlets worldwide on March 10 at the new, earlier time of 7 p.m. ET/4 p.m. PT.
Jimmy Kimmel is hosting the show for the fourth time. It will be held at its usual home, the Dolby Theatre at Ovation Hollywood.
While the Academy hasn’t officially confirmed Gosling’s booking, they have announced the first presenters for the Oscar telecast, including Zendaya and Jamie Lee Curtis.
Mahershala Ali, Nicolas Cage, Jamie Lee Curtis, Brendan Fraser, Jessica Lange, Matthew McConaughey, Lupita Nyong’o, Al Pacino, Michelle Pfeiffer, Ke Huy Quan, Sam Rockwell, Michelle Yeoh and Zendaya will present at the 2024 Oscars, which are set for Sunday, March 10. All are previous Oscar winners except for Pfeiffer, a three-time nominee, and Zendaya, who […]
It’s official: Miley Cyrus’ “Flowers” towered over all others in 2023, completing the year as the biggest-selling single on the planet, the IFPI reports.
Cyrus is presented with the IFPI Global Single Award, which each year recognizes the artist with the top-selling single across all digital formats – including paid subscription streaming, ad-supported platforms, and single-track downloads.
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The trade body today (Feb. 26) counts down the top 10 singles for 2023, with Cyrus marking her first appearance on the list.
The success of “Flowers” was a truly global one, as the single simultaneously locked up No. 1 spots in 29 markets around the world, and finished at No. 1 on the year-end charts for the U.K., France and Australia.
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In the U.S., “Flowers” showed serious staying power with an eight-week run at No. 1 on the Billboard Hot 100. Those commercial muscles were rewarded at the 2024 Grammy Awards, where Miley performed the song and “Flowers” won for best pop solo performance and record of the year – her very first Grammys.
Cyrus can make it a week to remember at the 2024 BRIT Awards, set for Sunday, March 3 at The O2 in London, where she’s shortlisted for international artist of the year and “Flowers” is up for international song.
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Presenting the latest award on behalf of the trade body, Lewis Morrison, director of global charts and certifications at IFPI, remarks, “Topping the charts in so many countries simultaneously, the song – along with its message of empowerment -resonated across the world and is the definition of a truly global hit. Congratulations to Miley and her team for this incredible achievement.”
Meanwhile, the reigning, four-time IFPI Global Recording Artist of the Year Taylor Swift is the only artist to double up in the IFPI top 10, doing so with “Cruel Summer” at No. 7 and “Anti-Hero” at No. 9.
There are first-time appearances for artists from Nigeria (Rema’s “Calm Down” with Selena Gomez at No. 2) and Mexico (Yng Lvcas and Peso Pluma’s “La Bebe” at No. 6), reflecting the border-crossing phenomenon of Afrobeats and Regional Mexican music.
All told, artists representing 10 nationalities (Canada, Colombia, France, Germany, Japan, Mexico, Nigeria, South Korea, U.K., and U.S.) impact the top 20, up from six nationalities in 2022.
“It is also fantastic to see so many nationalities and genres represented in the IFPI Global Single Chart,” remarks Morrison. “It is a wonderful reflection of the wide range of extraordinary artists that – working in partnership with their record labels – are finding international success.”
The IFPI’s charts capture streaming, downloads and physical formats in every country directly from the participating record labels, which is then converted using the trade body’s “unique” methodology to a single, global chart figure.
The previous winner of the IFPI’s Global Single Award was Harry Styles’ “As It Was.”
Top 20 IFPI Global Singles Chart 2023:
1Miley CyrusFlowers2.702Rema, Selena GomezCalm Down1.893SZAKill Bill1.844The Weeknd, Ariana GrandeDie For You1.785Harry StylesAs It Was1.466Yng Lvcas, Peso PlumaLa Bebe1.457Taylor SwiftCruel Summer1.398Morgan WallenLast Night1.379Taylor SwiftAnti-Hero1.3110Jung KookSeven (feat. Latto)1.2411David Guetta, Bebe RexhaI’m Good (Blue)1.2312Metro Boomin, The Weeknd, 21 SavageCreepin’1.2013The WeekndSave Your Tears1.1914Stephen SanchezUntil I Found You1.1815Karol G, ShakiraTQG1.1816Sam Smith, Kim PetrasUnholy1.1717SZASnooze1.0618Tom OdellAnother Love1.0119YOASOBIIdol1.0120The WeekndStarboy1.00
02/26/2024
No song in Eilish’s lifetime has achieved this double victory, and none has achieved it since Finneas was 18 months old.
02/26/2024
Melissa McCarthy was fangirling over Billie Eilish at the 2024 Screen Actors Guild Awards.
While presenting the award for outstanding performance by a female actor in a comedy series to Ayo Edebiri (The Bear), the Little Mermaid actress, 53, hilariously asked the pop star, 22, to sign her face with a permanent marker.
Prior to the autographing, McCarthy reminded Eilish that the pair had already met several times prior to the SAG Awards, which streamed live on Netflix from the Shrine Auditorium in Los Angeles on Saturday (Feb. 24).
“I actually met you in utero because your mom was my first improv teacher,” McCarthy said excitedly, referring to Maggie Baird. “Guess who she was pregnant with? It was you!”
“Wow, OK,” Eilish responded. “That’s a lot.”
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McCarthy then asked the “Bad Guy” singer if she would sign her shiny colored gown. “I’m just trying to be more present in making memories and I’m trying for more YOLO-ing and less FOMO-ing,” McCarthy said.
When Eilish politely declined, the actress made an even more bizarre request: to sign her face instead. The singer agreed and proceeded to scribble her signature on McCarthy’s forehead with a black Sharpie.
As the actress attempted to ask more questions about her brother Finneas’ songwriting process, Eilish covered her mouth and attempted to contain her laughter.
“So, when you and Finneas are putting down sick tracks or hot, hot beats…,” McCarthy’s began to ask. “I think that’s better,” the singer replied while holding her hand over McCarthy’s mouth.
The big winners at the SAG Awards included Cillian Murphy (Oppenheimer) and Lily Gladstone (Killers of the Flower Moon), who took home outstanding performance by a male and female actor in a leading role, respectively. Both won in what were seen as close races with Paul Giamatti (The Holdovers) and Emma Stone (Poor Things), respectively.
Watch Eilish and McCarthy at the 2024 SAG Awards below.
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Barbra Streisand accepted the Life Achievement Award at the 2024 Screen Actors Guild Awards on Saturday (Feb. 24) with a warm and personal speech in which she talked about her 70-year love affair with movies – a passion which began as a way to escape a drab upbringing in Brooklyn.
The award was a highlight of the 30th annual SAG Awards, which were presented at the Shrine Auditorium in Los Angeles – where, presenter Jennifer Aniston told us, Streisand performed her first major concert in 1963. Unmentioned was the fact that Streisand won three Grammy Awards at the Shrine in the 1970s and 1980s. Bradley Cooper also helped present the award.
“I remember dreaming of being an actress as a teenager sitting in my bed in Brooklyn with a pint of coffee ice cream and a movie magazine,” Streisand said. “Sometimes after school, I’d go to the Astor Theater next door to Erasmus High School where they showed foreign films in black-and-white.
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“And then one Saturday, I vividly remember going to the Loew’s theater and buying a 25-cent ticket and walking into the middle of Guys and Dolls and oh my God – everything was so beautiful up on that screen – the colors, the sets, unlike our apartment where my mother covered everything with plastic. And then I saw the most beautiful actor, Marlon Brando. It was my first crush. He was so real, so believable and I wanted to be the one he fell in love with, not Jean Simmons. That make-believe world was much more pleasant than anything I was experiencing.”
Streisand was 13 when Guys and Dolls premiered in November 1955 and had such a powerful effect on her dreams and imagination. There was just one problem, as Streisand explained in her speech.
“I wanted to be in the movies even though I knew I didn’t look like the other women on screen. My mother said you better learn to type, but I didn’t listen, and somehow, some way – thank God, it all came true.”
Indeed, many have credited Streisand with expanding the idea of what a movie star could look like.
Streisand gave much credit to William Wyler, who directed her first film, Funny Girl, and Harry Stradling, who was Wyler’s cinematographer. Wyler was 65 when Funny Girl was filmed in 1967. Stradling was 66. They were at an age, and in an era, where many men in their positions would have resented a 25-year-old newcomer to film who was brimming with ideas. But, according to Streisand, they were open to her input in a way that she appreciates now more than ever.
“These two men were extraordinary,” she said. “They had no problem with a young woman who had opinions. I could suggest ideas for a scene to Willi and try various lighting effects with Harry and they never ever put me down. Looking back, they were really ahead of their time and that was fantastic and it set the tone for my whole career.”
Streisand also spoke about how acting, and researching roles and preparing for films, has been her education.
“I never went to college,” she said. “I always thought acting was my education. In trying to understand the character, to have to do research, immerse yourself in the period. The whole process was fascinating to me. How do you tell the story? How does the camera serve the actors in telling that story?”
Streisand understands the appeal of movies: “For a couple of hours, people can sit in a theater and escape their own troubles.”
She also is a student of film history. “I can’t help but think back to the people who built this industry. Ironically, they were also escaping their own troubles.”
She mentioned Samuel Goldwyn, Louis B. Mayer and the Warner Brothers, all of whom had changed their names to be less ethnic-sounding. “They were all fleeing the prejudice they faced in Eastern Europe simply because of their religion. And they were dreamers too, like all of us here tonight. And now I dream of a world where such prejudice is thing of the past.” The last line, amid a troubling rise in antisemitic rhetoric, drew sustained applause.
Near the end of her speech, Streisand spoke of a 2022 French film she had recently seen, Une Belle Course (Driving Madeleine), which moved her deeply. The film stars an actress in her 90s, Line Renaud (“so there’s still hope for us girls,” she said). “It was so moving and insightful,” she said. “…It reminded me over again of how much I love film.”
Streisand has said that she became a singer because she couldn’t get a job as an actress. For all the success she has had as a singer, acting seems to be her first love. “It’s really a privilege to be part of this profession,” she said at one point.
She concluded her remarks by noting: “I’d like to thank SAG-AFTRA for this fabulous honor and say to my fellow actors and directors, I’ve loved working with you and inhabiting that magical world of the movies with you. And most of all, I want to thank you for giving me so much joy – just watching all of you on the screen. Thank you for that.”
A film package preceded Streisand’s arrival on stage that showed many of her top film moments – as well as a memorable surprise cameo in a “Coffee Talk” sketch on Saturday Night Live in 1992. The highlight reel included many great musical moments, such as “Don’t Rain on My Parade” from Funny Girl, “The Way We Were” from that film and “Evergreen” from the 1976 version of A Star Is Born.
Cooper, who directed the 2018 remake of A Star Is Born, was generous to help introduce Streisand. In 2021, Streisand threw some shade at his remake, saying it was too close to the rock’n’roll update in which she starred to be considered a fresh and original take on the perennial property.
A fair number of Streisand’s co-stars and colleagues had previously received the SAG Life Achievement Award, which underscores how far and wide her reach extends. Walter Pidgeon, who played Flo Ziegfeld in Funny Girl, was honored in 1975. Gene Kelly, the legendary song-and-dance man who directed her second film, Hello, Dolly!, was feted in 1989. Robert Redford, her co-star in the classic romantic drama The Way We Were, was honored in 1996. Robert DeNiro, her co-star in the best-forgotten Meet the Fockers and Little Fockers, received the salute in 2020.
This year’s SAG Awards streamed live on Netflix starting at 8 p.m. ET/5:00 p.m. PT. Here’s a complete list of winners.
Oppenheimer and Barbie are duking it out once more at the 2024 Screen Actors Guild Awards, where both megahits have four nominations, more than any other film. The 30th annual SAG Awards is streaming live on Netflix on Saturday (Feb. 24) at 8 p.m. ET/5 p.m. PT from the Shrine Auditorium & Expo Hall in Los Angeles.
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Idris Elba is set to open the show. Jennifer Aniston is set to present the Life Achievement Award to Barbra Streisand.
Billie Eilish, a cast member of Swarm, is set to present, as are such notables as America Ferrera (Barbie) and Danielle Brooks (The Color Purple). Meryl Streep, Anne Hathaway and Emily Blunt will reunite to present an award 18 years after the release of their comedy classic, The Devil Wears Prada.
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Succession is this year’s top TV nominee. The HBO series is nominated for five awards – best drama ensemble plus individual acting nods to its stars Brian Cox, Kieran Culkin, Matthew Macfadyen and Sarah Snook.
The nominees for best film ensemble – the closest thing at the SAG Awards to the Oscar for best picture – are American Fiction, Barbie, The Color Purple, Killers of the Flower Moon and Oppenheimer.
The awards are voted on by SAG-AFTRA’s membership of 119,515 eligible voters, the largest voting body on the awards circuit. Final voting opened on Wednesday, Jan. 17, and closed at noon PT on Friday, Feb. 23. So, votes were still coming in less than 30 hours before the first awards were presented. There is a much longer lag time between the close of voting and the announcement of the winners at other award shows.
The 30th Annual Screen Actors Guild Awards is executive produced by Jon Brockett and Silent House Productions. This marks the show’s live debut on Netflix. Last year’s ceremony was broadcast on Netflix’s YouTube page.
Here’s the complete list of nominees for the 2024 Screen Actors Guild Awards, with winners marked as they are announced.
Motion Pictures
Outstanding performance by a male actor in a leading role
Bradley Cooper – Maestro
Colman Domingo – Rustin
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction
Outstanding performance by a female actor in a leading role
Annette Bening – Nyad
Lily Gladstone – Killers of the Flower Moon
Carey Mulligan – Maestro
Margot Robbie – Barbie
Emma Stone – Poor Things
Outstanding performance by a male actor in a supporting role
Sterling K. Brown – American Fiction
Willem Dafoe – Poor Things
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Outstanding performance by a female actor in a supporting role
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
Penélope Cruz – Ferrari
Jodie Foster – Nyad
Da’vine Joy Randolph – The Holdovers
Outstanding performance by a cast in a motion picture
American Fiction — Erika Alexander, Adam Brody, Sterling K. Brown, Keith David, John Ortiz, Issa Rae, Tracee Ellis Ross, Leslie Uggams, Jeffrey Wright
Barbie — Michael Cera, Will Ferrell, America Ferrera, Ryan Gosling, Ariana Greenblatt, Kate Mckinnon, Helen Mirren, Rhea Perlman, Issa Rae, Margot Robbie
The Color Purple — Halle Bailey, Fantasia Barrino, Jon Batiste, Danielle Brooks, Ciara, Colman Domingo, Aunjanue Ellis-Taylor, Louis Gossett, Jr., Corey Hawkins, Taraji P. Henson, Phylicia Pearl Mpasi, H.E.R.
Killers of the Flower Moon — Tantoo Cardinal, Robert De Niro, Leonardo DiCaprio, Brendan Fraser, Lily Gladstone, John Lithgow, Jesse Plemons
Oppenheimer — Casey Affleck, Emily Blunt, Kenneth Branagh, Matt Damon, Robert Downey Jr., Josh Hartnett, Rami Malek, Cillian Murphy, Florence Pugh
Television
Outstanding performance by a male actor in a television movie or limited series
Matt Bomer – Fellow Travelers
Jon Hamm – Fargo
David Oyelowo – Lawmen: Bass Reeves
Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie
Steven Yeun – Beef
Outstanding performance by a female actor in a television movie or limited series
Uzo Aduba – Painkiller
Kathryn Hahn – Tiny Beautiful Things
Brie Larson – Lessons in Chemistry
Bel Powley – A Small Light
Ali Wong – Beef
Outstanding performance by a male actor in a drama series
Brian Cox – Succession
Billy Crudup – The Morning Show
Kieran Culkin – Succession
Matthew Macfadyen – Succession
Pedro Pascal – The Last of Us
Outstanding performance by a female actor in a drama series
Jennifer Aniston – The Morning Show
Elizabeth Debicki – The Crown
Bella Ramsey – The Last of Us
Keri Russell – The Diplomat
Sarah Snook – Succession
Outstanding performance by a male actor in a comedy series
Brett Goldstein – Ted Lasso
Bill Hader – Barry
Ebon Moss-Bachrach – The Bear
Jason Sudeikis – Ted Lasso
Jeremy Allen White – The Bear
Outstanding performance by a female actor in a comedy series
Alex Borstein – The Marvelous Mrs. Maisel
Rachel Brosnahan – The Marvelous Mrs. Maisel
Quinta Brunson – Abbott Elementary
Ayo Edebiri – The Bear
Hannah Waddingham – Ted Lasso
Outstanding performance by an ensemble in a drama series
The Crown — Khalid Abdalla, Sebastian Blunt, Bertie Carvel, Salim Daw, Elizabeth Debicki, Luther Ford, Claudia Harrison, Lesley Manville, Ed McVey, James Murray, Jonathan Pryce, Imelda Staunton, Marcia Warren, Dominic West, Olivia Williams
The Gilded Age — Ben Ahlers, Ashlie Atkinson, Christine Baranski, Denée Benton, Nicole Brydon Bloom, Michael Cerveris, Carrie Coon, Kelley Curran, Taissa Farmiga, David Furr, Jack Gilpin, Ward Horton, Louisa Jacobson, Simon Jones, Sullivan Jones, Celia Keenan-Bolger, Nathan Lane, Matilda Lawler, Robert Sean Leonard, Audra McDonald, Debra Monk, Donna Murphy, Kristine Nielsen, Cynthia Nixon, Kelli O’Hara, Patrick Page, Harry Richardson, Taylor Richardson, Blake Ritson, Jeremy Shamos, Douglas Sills, Morgan Spector, John Douglas Thompson, Erin Wilhelmi
The Last of Us — Pedro Pascal, Bella Ramsey
The Morning Show — Jennifer Aniston, Nicole Beharie, Shari Belafonte, Nestor Carbonell, Billy Crudup, Mark Duplass, Jon Hamm, Theo Iyer, Hannah Leder, Greta Lee, Julianna Margulies, Tig Notaro, Karen Pittman, Reese Witherspoon
Succession — Nicholas Braun, Juliana Canfield, Brian Cox, Kieran Culkin, Dagmara Dominczyk, Peter Friedman, Justine Lupe, Matthew MacFadyen, Arian Moayed, Scott Nicholson, David Rasche, Alan Ruck, Alexander Skarsgård, J. Smith-Cameron, Sarah Snook, Fisher Stevens, Jeremy Strong, Zoë Winters
Outstanding performance by an ensemble in a comedy series
Abbott Elementary — Quinta Brunson, William Stanford Davis, Janelle James, Chris Perfetti, Sheryl Lee Ralph, Lisa Ann Walter, Tyler James Williams
Barry — Anthony Carrigan, Sarah Goldberg, Zachary Golinger, Bill Hader, Andre Hyland, Fred Melamed, Charles Parnell, Stephen Root, Tobie Windham, Henry Winkler, Robert Wisdom
The Bear — Lionel Boyce, Jose Cervantes Jr., Liza Colón-Zayas, Ayo Edebiri , Abby Elliott, Richard Esteras, Edwin Lee Gibson, Molly Gordon, Corey Hendrix, Matty Matheson, Ebon Moss-Bachrach, Oliver Platt, Jeremy Allen White
Only Murders in the Building — Gerald Caesar, Michael Cyril Creighton, Linda Emond, Selena Gomez, Allison Guinn, Steve Martin, Ashley Park, Don Darryl Rivera, Paul Rudd, Jeremy Shamos, Martin Short, Meryl Streep, Wesley Taylor, Jason Veasey, Jesse Williams
Ted Lasso — Annette Badland, Kola Bokinni, Edyta Budnik, Adam Colborne, Phil Dunster, Cristo Fernández, Kevin “Kg” Garry, Brett Goldstein, Billy Harris, Anthony Head, Brendan Hunt, Toheeb Jimoh, James Lance, Nick Mohammed, Jason Sudeikis, Jeremy Swift, Juno Temple, Hannah Waddingham, Bronson Webb, Katy Wix
Stunt Ensembles
Outstanding action performance by a stunt ensemble in a motion picture
Barbie
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
John Wick: Chapter 4
WINNER: Mission: Impossible – Dead Reckoning Part One
Outstanding action performance by a stunt ensemble in a television series
Ahsoka
Barry
Beef
WINNER: The Last of Us
The Mandalorian