Awards
Page: 73
Katy Perry accepted the Video Vanguard award with a house-ified career-spanning performance at the 2024 MTV Video Music Awards on Wednesday (Sept. 11).
“We fell in love with her as Katy Perry,” began actor Orlando Bloom when introducing his partner. “I fell in love with her as Katheryn Hudson. You know her as a global superstar who brings love light and her unique sense of humor to every song she writes and every music video she creates. I know her as a mother, as a partner, who brings that same love and joy to our family.”
After a short video intro, Katy Perry began her career-spanning performance with a remixed version of her “Dark Horse” collab with Juicy J, as she hung suspended from the middle of a big webby circle on stage. She was then lifted around the stage for a rendition of her Kanye teamup “ET,” running across her backing dancers before finally being lowered onto the stage.
Trending on Billboard
From there, Perry debuted the new song “I’m His, He’s Mine,” featuring guest rapper Doechii and an interpolation of Crystal Waters’ early ’90s dance hit “Gypsy Woman (She’s Homeless),” as Perry and Doechii writhed together on stage. She then launched into a version of her signature Teenage Dream smash “California Girls,” with an intro that lifted from Stardust’s 1998 French touch classic “Music Sounds Better With You,” before seguing into a clubbier version of the album’s beloved title track.
After a quick guiter interlude, Perry came back out with big silver balloon wings to perform her 2008 breakout single “I Kissed a Girl.” She then transitioned into Teenage Dream third single “Firework,” singing the first verse and chorus over a minimal piano backing, with friend-turned-rival-turned-friend-again Taylor Swift gleefully applauding the performance in the audience. She then closed out the performance with a rendition of her 143 single “Lifetime,” holding up a paper butterfly as the crowd applauded.
“I did that all on the first day of my period, too. Can you believe it?” Perry began her acceptance speech. “Thank you so much to MTV for believing in my weirdness from day one, and for helping artists extend their worlds beyond a song. There are so many things that have to align to have a long and successful career as an artist. There are no decade-long accidents.”
She went on to give thanks to a few people, including her team, her label Capitol Records and her parents (“We don’t always agree, but what a lesson that those disagreements can still be full of love”). She also gave her early fans a treat by thanking “MySpace, Warped Tour and all the bygone places wehre I found a voice, identity and a community so early on,” as well as friends “who were there when my Jetta was repossessed. My KatyKats who stood by me for a lifetime,” and the LGBTQ community, “who I recognize I would not be here without, and who show me that you can be both kind and c–t.”
After giving special shoutout to beau Bloom and daughter Daisy, she closed with some thoughts on the current music industry — “I’m excited when I look around music today and I see all the aamzing young artists who are operating with confidence, agency, vulnerability and authenticity” — and about important lessons she’s learned in her career:
“I’ve heard a lot of do this, don’t do that, wear less, wear more now, don’t cut your hair… one of the biggest reasons I’m standing here right now is I learned how to block out all the noise, that every single artist in this industry has to constantly fight against, especially women. I just want to say with my whole heart, do whatever it takes to stay true to yourself and true to your art, turn off social media, safeguard your mental health, pause, touch grass, and do what you were born to do, just like I was born to do this.”
Sabrina Carpenter was a glittering star at the 2024 MTV VMAs on Wednesday (Sept. 11) as she celebrated her first No. 1 album with a performance introduced by one of the award show’s OGs. “I won my Moonman award in 1984 at the first-ever VMAs,” said “Girls Just Want to Have Fun” singer Cyndi Lauper […]
Sabrina Carpenter brought true Hollywood glamour to the 2024 MTV Video Music Awards red carpet by wearing the actual Bob Mackie gown Madonna wore to the 1991 Oscars. According to Vogue, Carpenter and her stylist were hunting for a Madonna moment for the awards show and found what they were looking for with archival fashion […]
At the 40th anniversary of the MTV VMAs, Karol G captivated the audience with a sultry yet lively performance of her recent hit single, “Si Antes Te Hubiera Conocido” (“If I Had Known You Before”), including dancing with Taylor Swift at one point. The Colombian superstar took the stage, radiating presence with her long blonde […]
Shawn Mendes debuted a new song from his upcoming album Shawn live at the 2024 MTV Video Music Awards on Wednesday (Sept. 11) at the UBS Arena in Elmont, New York. Mendes and his band delivered the new tune on a massive rug lined with candles on a smoky stage, giving the whole performance a […]
Public Enemy’s Flavor Flav is a man of his word, and the rapper proved it on Wednesday night (Sept. 11) when he presented U.S. gymnast Jordan Chiles with a very special custom neck piece. The veteran MC took the stage to hand out the first award at the 2024 MTV VMAs alongside the American athlete, […]
The 2024 MTV Video Music Awards have arrived! It’s all going down Wednesday night (Sept. 11) at New York’s UBS Arena, and Billboard will be on the red carpet and inside to follow along with all the performances, major moments and winners.
Speaking of winners, going into the night, Taylor Swift leads all nominees with 12 nods, and her “Fortnight” collaborator Post Malone is right behind with 11. Eminem is up next with eight nominations, while Ariana Grande, Megan Thee Stallion, Sabrina Carpenter and SZA have seven each and Benson Boone, Billie Eilish, Chappell Roan, Charli XCX, GloRilla, LISA, Olivia Rodrigo and Teddy Swims have four.
But who will emerge the night’s big winner? Follow along with Billboard as we update our complete winners list live throughout the show.
Trending on Billboard
Video of the year
Ariana Grande – “we can’t be friends (wait for your love)” – Republic Records
Billie Eilish – “Lunch” – Darkroom / Interscope Records
Doja Cat – “Paint the Town Red” – Kemosabe Records / RCA Records
Eminem – “Houdini” – Shady / Aftermath / Interscope Records
SZA – “Snooze” – Top Dawg Entertainment / RCA Records
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records
Artist of the year
Ariana Grande – Republic Records
Bad Bunny – Rimas Entertainment
Eminem – Shady / Aftermath / Interscope Records
Sabrina Carpenter – Island
SZA – Top Dawg Entertainment / RCA Records
Taylor Swift – Republic Records
Song of the year
Beyoncé – “Texas Hold ‘Em” – Parkwood Entertainment / Columbia Records
Jack Harlow – “Lovin on Me” – Generation Now / Atlantic Records
Kendrick Lamar – “Not Like Us” – pgLang, under exclusive license to Interscope Records
Sabrina Carpenter – “Espresso” – Island
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records
Teddy Swims – “Lose Control” – Warner Records
Best new artist
Chappell Roan – Island
Gracie Abrams – Interscope Records
Tyla – Epic Records
Best collaboration
Drake feat. Sexyy Red & SZA – “Rich Baby Daddy “ – OVO / Republic Records
GloRilla, Megan Thee Stallion – “Wanna Be” – CMG / Interscope Records
Jessie Murph feat. Jelly Roll – “Wild Ones” – Columbia Records
Jung Kook feat. Latto – “Seven” – BIGHIT MUSIC / Geffen Records
Post Malone feat. Morgan Wallen – “I Had Some Help” – Mercury / Republic / Big Loud
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records
Best pop
Camila Cabello – Geffen / Interscope Records
Dua Lipa – Warner Records
Olivia Rodrigo – Geffen Records
Sabrina Carpenter – Island
Tate McCrae – RCA Records
Taylor Swift – Republic Records
Best hip-hop
Drake feat. Sexyy Red & SZA – “Rich Baby Daddy “ – OVO / Republic Records
Eminem – “Houdini” – Shady / Aftermath / Interscope Records
GloRilla – “Yeah Glo!” – CMG / Interscope Records
Gunna – “fukumean” – Young Stoner Life Records / 300 Entertainment
Megan Thee Stallion – “BOA” – Hot Girl Productions
Travis Scott feat. Playboi Carti – “FE!N” – Cactus Jack / Epic Records
Best R&B
Alicia Keys – “Lifeline” – AK Records, under exclusive license to gamma.
Muni Long – “Made for Me” – Def Jam
SZA – “Snooze” – Top Dawg Entertainment / RCA Records
Tyla – “Water” – FAX Records / Epic Records
Usher, Summer Walker, 21 Savage – “Good Good” – mega / gamma.
Victoria Monét – “On My Mama” – Lovett Music / RCA Records
Best alternative
Benson Boone – “Beautiful Things” – Night Street Records, Inc. / Warner Records
Bleachers – “Tiny Moves” – Dirty Hit
Hozier – “Too Sweet” – Columbia Records
Imagine Dragons – “Eyes Closed” – KIDinaKorner / Interscope Records
Linkin Park – “Friendly Fire” – This Compilation / Warner Records
Teddy Swims – “Lose Control (Live)” – Warner Records
Best rock
Bon Jovi – “Legendary” – Island
Coldplay – “feelslikeimfallinginlove” – Atlantic Records
Green Day – “Dilemma” – Reprise Records / Warner Records
Kings of Leon – “Mustang” – Capitol Records
Lenny Kravitz – “Human” – ℗© 2024 Roxie Records Inc. under exclusive license to BMG Rights Management GmbH
U2 – “Atomic City” – Interscope Records
Best Latin
Anitta – “Mil Veces” – Floresta Records / Republic Records / Universal Music Latin Entertainment
Bad Bunny – “Monaco” – Rimas Entertainment
Karol G – “Mi Ex Tenía Razón” – Bichota / Interscope Records
Myke Towers – “LaLa” – Warner Music Latina
Peso Pluma & Anitta – “Bellakeo” – Double P Records
Rauw Alejandro – “Touching the Sky” – Sony Music Latin / Duars Entertainment
Shakira & Cardi B – “Puntería” – Sony Music US Latin
Best Afrobeats
Ayra Starr ft. Giveon – “Last Heartbreak Song” – Mavin / Republic
Burna Boy – “City Boys” – Spaceship / Bad Habit / Atlantic Records
Chris Brown ft. Davido & Lojay – “Sensational” – Chris Brown Entertainment / RCA Records
Tems – “Love Me JeJe” – Since ’93 / RCA Records
Tyla – “Water” – FAX Records / Epic Records
Usher, Pheelz – “Ruin” – mega / gamma.
Best K-pop
Jung Kook ft. Latto – “Seven” – BIGHIT MUSIC / Geffen Records
LISA – “Rockstar” – Lloud Co. / RCA Records
NCT Dream – “Smoothie” – SM Entertainment / Virgin Music Group
NewJeans – “Super Shy” – ADOR / Geffen Records
Stray Kids – “LALALALA” – JYP Entertainment / Imperial / Republic Records
TOMORROW X TOGETHER – “Deja vu” – BIGHIT MUSIC / IMPERIAL / Republic Records
Video for good
Alexander Stewart – “if you only knew” – FAE grp
Billie Eilish – “What Was I Made For (From Barbie)” – Darkroom / Interscope Records
Coldplay – “feelslikeimfallinginlove” – Atlantic Records
Joyner Lucas & Jelly Roll – “Best for Me” – Twenty Nine Music Group
RAYE – “Genesis.” – Human Re Sources
Tyler Childers – “In Your Love” – Hickman Holler Records / RCA Records
MTV push performance of the year
August 2023: Kaliii – “Area Codes” – Atlantic Records
September 2023: GloRilla – “Lick or Sum” – CMG / Interscope Records
October 2023: Benson Boone – “In The Stars” – Night Street Records, Inc. / Warner Records
November 2023: Coco Jones – “ICU” – Def Jam
December 2023: Victoria Monét – “On My Mama” – Lovett Music / RCA Records
January 2024: Jessie Murph – “Wild Ones” – Columbia Records
February 2024: Teddy Swims – “Lose Control” – Warner Records
March 2024: Chappell Roan – “Red Wine Supernova” – Island
April 2024: Flyana Boss – “yeaaa” – vnclm_/ Atlantic Records
May 2024: Laufey – “Goddess” – Laufey / AWAL
June 2024: LE SSERAFIM – “EASY” – SOURCE MUSIC / Geffen Records
July 2024: The Warning – “Automatic Sun” – Lava / Republic Records
VMAs Most Iconic Performance
Beyoncé – “Love on Top” (2011)
Britney Spears, Christina Aguilera, Madonna, Missy Elliott – “Like a Virgin” & “Hollywood” (2003)
Eminem – “The Real Slim Shady” & “The Way I Am” (2000)
Katy Perry – “Roar” (2013)
Lady Gaga – “Paparazzi” (2009)
Madonna – “Like a Virgin” (1984)
Taylor Swift – “You Belong With Me” (2009)
Best Trending Video
Beyoncé – “Texas Hold ‘Em” – Parkwood Entertainment / Columbia Records
Camila Cabello feat. Playboi Carti – “I Luv It” – Geffen / Interscope Records
Chappell Roan – “Hot to Go!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.
Charli XCX – “Apple” – Atlantic Records
Megan Thee Stallion feat. Yuki Chiba – “Mamushi” – Hot Girl Productions
Tinashe – “Nasty” – Nice Life Recording Company
Best Group
*NSYNC – RCA Records
Coldplay – Atlantic Records
Imagine Dragons – KIDinaKorner / Interscope Records
NCT Dream – SM Entertainment / Virgin Music Group
NewJeans – ADOR / Geffen Records
SEVENTEEN – PLEDIS Entertainment / Geffen Records
TOMORROW X TOGETHER – BIGHIT MUSIC / IMPERIAL / Republic Records
Twenty One Pilots – Fueled By Ramen
Song of Summer
Ariana Grande – “We Can’t Be Friends (Wait for Your Love)” – Republic Records
Benson Boone – “Beautiful Things” – Night Street Records, Inc. / Warner Records
Billie Eilish – “Birds of a Feather” – Darkroom / Interscope Records
Chappell Roan – “Good Luck, Babe!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.
Charli XCX & Billie Eilish – “Guess featuring Billie Eilish” – Atlantic Records
Eminem – “Houdini” – Shady / Aftermath / Interscope Records
Future, Metro Boomin & Kendrick Lamar – “Like That” – Wilburn Holding Co. / Boominati / Epic / Republic
GloRilla, Megan Thee Stallion – “Wanna Be” – CMG / Interscope Records
Hozier – “Too Sweet” – Columbia Records
Kendrick Lamar – “Not Like Us” – pgLang, under exclusive license to Interscope Records
Post Malone feat. Morgan Wallen – “I Had Some Help” – Mercury / Republic / Big Loud
Sabrina Carpenter – “Please Please Please” – Island
Shaboozey – “A Bar Song (Tipsy)” – American Dogwood / EMPIRE
SZA – “Saturn” – Top Dawg Entertainment / RCA Records
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records
Tommy Richman – “Million Dollar Baby” – ISO Supremacy / PULSE Records / Concord
Best direction
Ariana Grande – “we can’t be friends (wait for your love)” – Republic Records; directed by Christian Breslauer
Bleachers – “Tiny Moves” – Dirty Hit; directed by Alex Lockett & Margaret Qualley
Eminem – “Houdini” – Shady / Aftermath / Interscope Records; directed by Rich Lee
Megan Thee Stallion – “BOA” – Hot Girl Productions; directed by Daniel Iglesias Jr.
Sabrina Carpenter – “Please Please Please” – Island; directed by Barbia Zeinali
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records; directed by Taylor Swift
Best cinematography
Ariana Grande – “we can’t be friends (wait for your love)” – Republic Records; cinematography by Anatol Trofimov
Charli XCX – “Von dutch” – Atlantic Records; cinematography by Jeff Bierman
Dua Lipa – “Illusion” – Warner Records; cinematography by Nikita Nuzmenko
Olivia Rodrigo – “obsessed” – Geffen Records; cinematography by Marz Miller
Rauw Alejandro – “Touching the Sky” – Sony Music Latin / Duars Entertainment; cinematography by Camilo Monsalve
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records; cinematography by Rodrigo Prieto
Best editing
Anitta – “Mil Veces” – Floresta Records / Republic Records / Universal Music Latin Entertainment; editing by Nick Yumul
Ariana Grande – “we can’t be friends (wait for your love)” – Republic Records; editing by Luis Caraza Peimbert
Eminem – “Houdini” – Shady / Aftermath / Interscope Records; editing by David Checel
LISA – “Rockstar” – Lloud Co. / RCA Records; editing by Nik Kohler
Sabrina Carpenter – “Espresso” – Island; editing by Jai Shukla
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records; editing by Chancler Haynes
Best choreography
Bleachers – Tiny Moves – Dirty Hit; choreography by Margaret Qualley
Dua Lipa – “Houdini” – Warner Records; choreography by Charm La’Donna
LISA – “Rockstar” – Lloud Co. / RCA Records; choreography by Sean Bankhead
Rauw Alejandro – “Touching the Sky” – Sony Music Latin / Duars Entertainment – Choreography by Felix ‘Fefe’ Burgos
Tate McCrae – “Greedy” – RCA Records; choreography by Sean Bankhead
Troye Sivan – “Rush” – Capitol Records; choreography by Sergio Reis, Mauro Van De Kerkof
Best visual effects
Ariana Grande – “the boy is mine” – Republic Records; visual effects by Digital Axis
Eminem – “Houdini” – Shady / Aftermath / Interscope Records; visual effects by Synapse Virtual Production, Louise Lee, Rich Lee, Metaphysic, Flawless Post
Justin Timberlake – “Selfish” – RCA Records; visual effects by Candice Dragonas
Megan Thee Stallion – “BOA” – Hot Girl Productions; visual effects by Mathematic
Olivia Rodrigo – “get him back!” – Geffen Records; visual effects by Cooper Vacheron, Preston Mohr, Karen Arakelian, Justin Johnson
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records; visual effects by Parliament
Best art direction
Charli XCX – “360” – Atlantic Records; art direction by Grace Surnow
LISA – “Rockstar” – Lloyd Co. / RCA Records; art direction byPongsan Thawatwichian
Megan Thee Stallion – “BOA” – Hot Girl Productions; art direction by Brittany Porter
Olivia Rodrigo – “bad idea right?” – Geffen Records; art direction by Nichaolas des Jardins
Sabrina Carpenter – “Please Please Please” – Island; art direction by Nicholas des Jardins
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records; art direction by Ethan Tobman
From Chappell Roan to Sabrina Carpenter, Megan Thee Stallion and beyond, more than a dozen major performers are ready and hot to go for the 2024 MTV Video Music Awards. Hosted by the “Hiss” rapper, this year’s VMAs will celebrate the award show’s 40th birthday with a live ceremony at New York’s UBS Arena Wednesday […]
And then there were three. On Wednesday (Sept. 11), MTV announced the three finalists for best new artist: Chappell Roan, Gracie Abrams and Tyla.
That means the road ends here for the other three previously announced candidates for the award: Benson Boone, Shaboozey and Teddy Swims.
Abrams is the only one of these six artists who has not had a top 10 hit on the Billboard Hot 100. Abrams’ highest charting hit, “Us” (featuring Taylor Swift), reached No. 36. Abrams was the opening act for numerous dates on Swift’s Eras Tour in the U.S. and Canada. She co-wrote “Us” with Swift and Aaron Dessner, and co-produced it with those two musicians and also Jack Antonoff.
Ironically, the three artists who did not advance to the final round had the highest charting Hot 100 hits of these six performers. Shaboozey’s “A Bar Song (Tipsy)” is currently in its ninth week at No. 1. Swims’ “Lose Control” hit No. 1 in March, while Boone’s “Beautiful Things” reached No. 2 in March.
Roan’s “Good Luck, Babe!” climbed as high as No. 6 in August. Tyla’s “Water reached No. 7 in January.
Trending on Billboard
Looking for clues about the upcoming Grammy race for best new artist? Of the three VMA finalists for best new artist, Roan is the only one who will be eligible in the upcoming Grammy contest. Abrams was nominated for best new artist at the Grammys in February. Tyla won a Grammy in February in another category, best African music performance, which makes her ineligible.
The 2024 VMAs will air live on Wednesday at 8 p.m. ET/PT across MTV’s global footprint, including BET, BET Her, CMT, Comedy Central, Logo, MTV, MTV2, Nick at Nite, Paramount Network, Pop, TV Land, VH1 and Univision.
Voting for best new artist will continue at vote.mtv.com into the show and, for the first time by an awards show, via WhatsApp through QR code or direct link found on the website.
Hosted by Nessa, Dometi Pongo and Kevan Kenney, the 90-minute live VMAs pre-show special airs from 6:30 p.m. to 8:00 p.m. ET/PT on MTV, MTV2, CMT and Logo.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba are executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Here are the VMA best new artist finalists.
Chappell Roan – Island
Gracie Abrams – Interscope Records
Tyla – Epic Records
Whoopi Goldberg weighed in on the conversation surrounding Beyoncé’s Cowboy Carter album and its lack of nominations at the 2024 CMA Awards, offering a pragmatic take.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
While many have expressed disappointment over the “snub”, Goldberg believes it wasn’t a case of being overlooked. “A lot of people are surprised — I don’t know why — that it didn’t receive a single CMA Award nomination,” Goldberg stated on The View.
Trending on Billboard
“I don’t think she was snubbed, I think they just didn’t… it wasn’t for them.”
Goldberg’s perspective comes as part of a larger conversation sparked by the Cowboy Carter album, which marks Beyoncé’s foray into country music. Released in March, the album has performed remarkably well, peaking at No. 1 on the Billboard 200 – her eighth record to do so – and staying on the Top Country Albums chart for an entire month.
Despite the album’s commercial success, the country music industry has been slow to embrace it fully, a sentiment echoed by some of Goldberg’s cohosts.
Sunny Hostin expressed her surprise at the lack of recognition for two tracks in particular: Beyoncé’s reimagining of Dolly Parton’s classic “Jolene” and the original song “Texas Hold ‘Em.”
“I thought she would at least get nominated for those two,” Hostin said, referencing how even Parton herself had given Beyoncé her blessing to cover “Jolene,” even appearing on the track to introduce it.
“But, my mother always told me, ‘Find the audience that’s looking for you.’ This audience isn’t looking for her,” Hostin concluded.
Alyssa Farah Griffin chimed in, pointing out that while industry insiders might not have been supportive, fans certainly were. “The Country Billboard charts do not lie,” she added. However, Goldberg reminded her that fans and voters don’t always see eye to eye.
Sara Haines rounded out the discussion by pointing out that awards aren’t necessarily the ultimate validation, remarking, “The best revenge is success.”
The conversation on The View follows comments made by Beyoncé’s father, Mathew Knowles, who has been vocal about his disappointment with the CMA Awards.
In an interview with TMZ, Knowles said, “There’s more white people in America and unfortunately they don’t vote based on ability and achievements. It’s still sometimes a white and Black thing.”
Knowles also referenced Beyoncé’s controversial performance with the Dixie Chicks at the 2016 CMAs, noting that the show never properly acknowledged her contribution.
Though the Cowboy Carter snub left many puzzled, the album’s chart performance speaks volumes. It dominated the Billboard 200 for two weeks and made Beyoncé the first Black woman to top the Hot Country Songs chart with “Texas Hold ‘Em.”
The album boasts a diverse lineup of billed guest artists, including Tanner Adell, Beyoncé’s daughter Rumi Carter, Miley Cyrus, Willie Jones, Tiera Kennedy, Linda Martell, Willie Nelson, Dolly Parton, Post Malone, Reyna Roberts, Shaboozey and Brittney Spencer.
Among the many additional players on the album: 070 Shake, Jon Batiste, Ryan Beatty, Gary Clark Jr., The-Dream, Rhiannon Giddens, Paul McCartney, Pharrell, Robert Randolph, Nile Rodgers, Raphael Saadiq, Sara Watkins and Stevie Wonder.