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The Critics Choice Awards — initially scheduled for Sunday, Jan. 12, and then postponed to Jan. 26 due to the wildfires that have devastated the Los Angeles region for the past week — have been postponed again. The ceremony is now set to take place in February, with an exact date to be announced. It […]
As wildfires continue to threaten Los Angeles and surrounding areas, organizers behind awards shows and related events are figuring out how to pivot to best support the community. Should they move forward and become fundraisers for relief efforts? Or is it best to cancel or postpone to a later date? Explore Explore See latest videos, […]
The 2025 MusiCares Person of the Year event honoring the Grateful Dead is still set for Jan. 31 at the Los Angeles Convention Center, MusiCares announced on Tuesday (Jan. 14). The announcement, first reported in Variety, came one day after the Recording Academy announced that the 67th Grammy Awards were still on for Feb. 2.
Many had expected the Academy to reverse course and postpone the date of the Grammy telecast after all, but the announcement that the top Grammy Week event outside of the telecast is still on gives the impression that the academy is indeed planning to move forward with the show.
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“Your attendance at Persons of the Year and your ongoing generosity will support these continued vital efforts, helping those in urgent need and signaling to the world that this vibrant city is on its feet,” MusiCares said in a statement that it is emailing to Recording Academy members.
“At our upcoming Persons of the Year, we will make a special appeal for donations to support our wildfire relief efforts. We invite you to join us in spreading the word to your friends and family by sharing this link: www.musicares.org/FireRelief.”
In a joint statement on Monday (Jan. 13), Harvey Mason jr., CEO of both the Recording Academy and MusiCares, and Tammy Hurt, the chair of the academy’s board of trustees, suggested that the Feb. 2 show would combine the fund-raising goal and emotional appeals of a telethon with award presentations. “This year’s show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours,” they said.
Even before the Grammys announced plans to go on with the show, Lucas Keller, president/founder of Milk & Honey Management, announced that he was canceling Milk & Honey’s popular Grammy party. “It would be tone deaf to celebrate and I hope all other companies will follow suit,” he wrote on his Instagram Story.
Many followed Keller’s lead. Just hours after the Recording Academy announced that it planned to go ahead with the telecast, Universal Music Group (UMG) announced it was canceling all of the company’s Grammy-related events, including its artist showcase and after-Grammy party, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires.” Within 24 hours, Warner Music Group and Sony Music Entertainment had also canceled their Grammy Week events. And on Tuesday (Jan. 14), BMG announced that it too was canceling its annual pre-Grammy party.
Additionally, many executives not based in Los Angeles expressed concern about taking up hotel rooms that may be needed by evacuees and planned not to attend.
The Recording Academy has yet to announce the host of this year’s Grammys. The announcement was expected last week but has been delayed to avoid stepping on the main news about whether the show was going to proceed or not. The announcement is expected soon.
MusiCares conveyed the news in an email to members on Tuesday (Jan. 14). It appears in full below.
“We hope you and your loved ones are safe. We’re reaching out to assure you that the MusiCares Persons of the Year will take place as planned on Friday, January 31, 2025, at the Los Angeles Convention Center.
“As the devastation unfolds from the wildfires in greater Los Angeles, MusiCares is committed to supporting the impacted music community. When the crisis began, we launched our Fire Relief Effort with a $1 million contribution from the Recording Academy and MusiCares.
“Your attendance at Persons of the Year and your ongoing generosity will support these continued vital efforts, helping those in urgent need and signaling to the world that this vibrant city is on its feet.
“Now more than ever, our mission is critical. For more than three decades, MusiCares has been a steadfast partner to the music industry during times of need, offering aid in response to a variety of disasters. From the Las Vegas Route 91 shooting and the COVID-19 pandemic to Superstorm Sandy, Hurricane Katrina, Hurricane Helene, the California and Maui wildfires. MusiCares is here to help—no matter the size or scope of the crisis.
“At our upcoming Persons of the Year, we will make a special appeal for donations to support our wildfire relief efforts. We invite you to join us in spreading the word to your friends and family by sharing this link: www.musicares.org/FireRelief
“Thank you for your support during this crucial time. Please don’t hesitate to reach out with any questions. We look forward to coming together for this important cause.
Best regards,
MusiCares
Kasabian, Clean Bandit, Rag’n’Bone Man and more have been announced for Brits Week 2025, which will see a host of acts play intimate venues throughout London, Glasgow and Bexhill in February and March.
The concert series is organized in conjunction with the upcoming Brit Awards, which will will take place on March 1 at The O2 Arena in London. Nominees are expected to be announced in the coming weeks alongside news of this ceremony’s performers and host.
Brits Week will kick off on Feb. 17 with Cat Burns performing at east London’s Moth Club and continues with shows from Joy Crookes, Rachel Chinouriri, Frank Turner, Nova Twins, Blossoms, Tom Walker, Soft Play and more. See the full run of shows below.
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The Brits Week concert series was first held in 2009 with all proceeds of the shows benefitting War Child, a charity that supports young people caught up in conflicts across the globe. Since 2009, the Brits Week concert series has raised £7.4 ($9.02) million for the organization, according to a press statement.
Tickets for the events go on sale later this week, with a War Child presale taking place this Thursday (Jan. 16) before a general sale on Friday (Jan. 17) at 10 a.m. GMT.
Several huge acts have performed at Brits Week over recent years, including Ed Sheeran (2022), The 1975 (2023) and Coldplay (2016).
In December, Luton-born musician Myles Smith was announced as the recipient of The Brits’ Rising Star award for 2025, which tips rising stars for future success. Smith beat out competition from Elmiene and Good Neighbours to scoop the prize. Previous winners include Adele (2008), Sam Smith (2014) and most recently The Last Dinner Party (2024).
Brits Week 2025 lineup:
February 17 – Cat Burns – London, England @ Moth ClubFebruary 18 – Joy Crookes – London, England @ Islington Assembly HallFebruary 20 – Rachel Chinouriri – London, England @ OmearaFebruary 21 – Frank Turner – London, England @ 93 Feet EastFebruary 24 – Nova Twins – London, England @ OmearaFebruary 25 – Kasabian with Blossoms – London, England @ O2 Shepherd’s Bush EmpireFebruary 28 – Clean Bandit and Friends – London, England @ The PalladiumMarch 3 – Tom Walker – Glasgow, Scotland @ King Tut’s Wah Wah HutMarch 4 – Soft Play – London, England @ Village UndergroundMarch 5 – Rag‘n’Bone Man – Bexhill, England @ De La Warr Pavilion
Just hours after the Recording Academy announced that it plans to go ahead with the 67th annual Grammy Awards telecast on Feb. 2 as scheduled despite the wildfires that have devastated parts of Los Angeles in the past week, Universal Music Group (UMG) announced it is canceling all of the company’s Grammy-related events, including its artist showcase and after-Grammy party, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires.”
“Our deepest gratitude goes to the first responders and emergency personnel, who continue to perform heroically,” said the company in a statement. “L.A. is home to so many of us. We are committed to helping and supporting the music community, our artists, our teams and the people of Los Angeles get through this horrific episode.”
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The Recording Academy made a similar statement of concern even as it came to a different conclusion.
“Our hearts go out to everyone affected by the devastating wildfires in Los Angeles,” Recording Academy and MusiCares CEO Harvey Mason jr. and Tammy Hurt, chair of the board of trustees, said in a statement released earlier today. “This city is our home, and we mourn the loss of life and destruction that have come to it in recent days.
“In close coordination with local authorities to ensure public safety and responsible use of area resources, the 67th Grammy Awards telecast on CBS on Feb. 2 will proceed as planned,” they continued. “This year’s show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours.”
Those local authorities reportedly include the office of Mayor Karen Bass, public safety agencies and fire marshals.
The Recording Academy’s plan is to go ahead with the telecast. It has made no decision about other Grammy Week events, such as the MusiCares Person of the Year event (which this year is set to honor the Grateful Dead) and the Recording Academy’s Special Merit Awards.
A major ancillary Grammy event, the Milk & Honey party, was canceled on Sunday (Jan. 12) with a pointed message on founder Lucas Keller‘s Instagram Story. “I regret that we will be canceling our annual award season pre-Grammy event in partnership with Reservoir and others. … It would be tone deaf to celebrate and I hope all other companies will follow suit,” he wrote. “Don’t come to town for the Grammy’s and take up hotels that people need desperately. Release your hotel blocks or donate them. In the meantime, if you can, please give money to MusiCares at this link to support wildlife relief. Everything counts.”The Recording Academy and MusiCares launched the Los Angeles Fire Relief Effort last week with an initial $1 million donation to support music creatives and professionals. “Thanks to additional contributions, we have already distributed over $2 million in emergency aid to those most in need — and we remain steadfast in our commitment to providing ongoing assistance,” Mason and Hurt said in their statement.
The Academy of Motion Picture Arts & Sciences has announced updates to its 2025 Oscars key dates and schedule of events due to the impact of the Los Angeles-area fires. The Oscar telecast is still set for March 2, but the nominations announcement is being delayed for the second time to Jan. 23 — and will now be held virtually. The Oscars nominees luncheon, always an A-list event, will not be held this year.
“We are all devastated by the impact of the fires and the profound losses experienced by so many in our community,” Academy CEO Bill Kramer and Academy president Janet Yang said in a joint statement. “The Academy has always been a unifying force within the film industry, and we are committed to standing together in the face of hardship.
“Due to the still-active fires in the Los Angeles area, we feel it is necessary to extend our voting period and move the date of our nominations announcement to allow additional time for our members.
“Additionally, as we want to be sensitive to the infrastructure and lodging needs of the region in these next few weeks, it is imperative that we make some changes to our schedule of events, which we believe will have the support of our industry.
“Our members always share how important it is for us to come together as a community, and we are determined to use this opportunity to celebrate our resilient and compassionate industry. We also look forward to honoring our frontline workers who have aided with the fires, recognizing those impacted, and encouraging people to join the Academy in supporting the relief efforts.
“We will get through this together and bring a sense of healing to our global film community.”
Updates are outlined as follows:
The nominations voting period is extended through Friday, Jan. 17, at 5 p.m. PT. The voting window was originally set to close on Sunday, Jan. 12. That was pushed back to Tuesday, Jan. 14, before being pushed back again today.
The nominations announcement is rescheduled for Thursday, Jan. 23, at 5:30 a.m. PT. The live announcement will be a virtual event without in-person media coverage. The nominations were originally set to be announced on Friday, Jan. 17, which was pushed back to Sunday, Jan. 19, before being pushed back again today.
The Oscars nominees luncheon, scheduled for Monday, Feb. 10, will not be held this year.
The Scientific and Technical Awards, scheduled for Tuesday, Feb. 18, will be rescheduled to a later date yet to be determined.
The Academy stresses that all dates are subject to change.
The 97th Oscars, hosted by Conan O’Brien for the first time, will still be held on Sunday, March 2, at the Dolby Theatre at Ovation Hollywood and will be televised live at 7 p.m. ET/4 p.m. PT on ABC, streamed live on Hulu and air live in more than 200 territories worldwide.
The 2025 Grammys are still set for Feb. 2 at Crypto.com Arena, the Recording Academy announced on Monday (Jan. 13). There was some question whether the show would go on as scheduled, given the wildfires that have devastated many neighborhoods in the greater Los Angeles area in the past week.
Other Grammy Week events, such as the MusiCares Person of the Year event and the Recording Academy’s Special Merit Awards, are up in the air at this point.
In a statement, Recording Academy and MusiCares CEO Harvey Mason Jr. addressed the trauma that has befallen the region since the first fires broke out on Tuesday Jan. 7, whipped by ferocious Santa Ana winds. “Our hearts go out to everyone affected by the devastating wildfires in Los Angeles. This city is our home, and we mourn the loss of life and destruction that have come to it in recent days.
“In close coordination with local authorities to ensure public safety and responsible use of area resources, the 67th Grammy Awards telecast on CBS on Feb. 2 will proceed as planned. This year’s show, however, will carry a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours.”
Those local authorities reportedly include the office of Mayor Karen Bass, public safety agencies and fire marshals. “In challenging times, music has the power to heal, comfort, and unite like nothing else,” Mason added. “The Grammys will not only honor the artistry and achievements of our music community but also serve as a platform to amplify the spirit of resilience that defines this great city of Los Angeles.”
The show will be produced by Fulwell 73 Productions for the Recording Academy for the fifth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers. The show will be broadcast live on CBS from 8 to 11:30 p.m. ET/5 to 8:30 p.m. PT, and will be available to stream live and on-demand on Paramount+.
Winston, Kapoor and Collins will have the very difficult task of somehow combining an awards show, which is a joyous celebration of achievement, with something far more serious and sobering.
Not everyone thinks it can, or should, be done. A major ancillary Grammy event, the Milk & Honey party, was canceled on Jan. 12 with a pointed message on founder Lucas Keller’s Instagram Story. “I regret that we will be canceling our annual award season pre-Grammy event in partnership with Reservoir and others. … It would be tone deaf to celebrate and I hope all other companies will follow suit,” he wrote. “Don’t come to town for the Grammy’s and take up hotels that people need desperately. Release your hotel blocks or donate them. In the meantime, if you can, please give money to MusiCares at this link to support wildlife relief. Everything counts.”
The Recording Academy and MusiCares launched the Los Angeles Fire Relief Effort last week with an initial $1 million donation to support music creatives and professionals. “Thanks to additional contributions, we have already distributed over $2 million in emergency aid to those most in need – and we remain steadfast in our commitment to providing ongoing assistance,” Mason and Hurt said in their statement. This is the third time in the last five years that the Grammy telecast has been impacted by outside events. The 2021 and 2022 shows were both postponed due to the COVID-19 pandemic. The 2021 show was bumped from Jan. 31 to March 14. The 2022 ceremony was pushed all the way from Jan. 31 to April 3, and its location was moved to the MGM Grand Garden Arena in Las Vegas, due to scheduling conflicts with the Crypto.com Arena.
The Recording Academy has yet to announce the host of this year’s Grammys. The announcement was expected last week, but has been delayed to avoid stepping on the main news about whether the show was going to proceed or not. The announcement is expected soon.
Beyoncé is the top nominee for the 67th annual Grammy Awards with 11 nods, followed by Charli XCX and Post Malone with eight nods each, and Billie Eilish and Kendrick Lamar with seven nods each. Final-round voting closed on Jan. 3 at 6 p.m. PT.
The wildfires that have been devouring multiple neighborhoods in the greater Los Angeles area for the last five days have caused so much misery and heartbreak for so many that it may seem trifling to point out the impact they have had on awards season. But it’s not. Awards shows aren’t just about privileged celebrities, but also about the thousands of everyday people who make their livings in support roles — caterers, bartenders, limo drivers, hairstylists, make-up artists and many more.
The latest show to be affected by the fires is the Producers Guild of America Awards. The nominations were set to be announced on Sunday (Jan. 12) at noon PT, but have been pushed to next week. “Out of care and concern for those being affected by the fires, we will be holding the announcement of the PGA award nominees until next week,” the guild said in a statement on Sunday.
The big question is whether the Grammys will go forward on Feb. 2, which is just three weeks away. Billboard has reached out to the Recording Academy; an answer is expected this week.
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If the show is postponed, this will be the third time in the past five years that Music’s Biggest Night has been pushed back due to outside events. The 2021 and 2022 shows were both postponed due to the COVID-19 pandemic. The 2021 show was bumped from Jan. 31 to March 14. The 2022 ceremony was pushed all the way from Jan. 31 to April 3.
The Oscars are set for March 2, which gives the Motion Picture Academy and the show’s producers more breathing room. The fires have already impacted the Oscars voting schedule. Academy CEO Bill Kramer wrote a letter to all Academy members on Wednesday (Jan. 8), one day after the first fires exploded.
“Given the fire situation, we want to share some updates regarding an extension to the Oscars nominations voting window… Nominations voting for the 97th Oscars opened this morning at 9 a.m. PT. We will be extending the voting window by two days to give members more time to cast their ballots. Voting will now close on Tuesday, January 14 at 5 p.m. PT. As such, our Oscars Nominations Announcement will move from Friday, January 17 to Sunday, January 19.”
Other shows have also been impacted. The Critics Choice Awards, which were set to air live on E! tonight, were postponed to Jan. 26. (It is unknown if they will be able to proceed on that date.) The show was to be held at Barker Hangar in Santa Monica, Calif., which is located just a few miles from Pacific Palisades, where the fires originated.
In retrospect, the Golden Globes, held one week ago at the Beverly Hilton Hotel in Beverly Hills, California, were extremely lucky. The show concluded just 38 hours before L.A.’s wind and fire nightmare began.
Songwriters Jessi Alexander, Amy Allen, Jessie Jo Dillon and RAYE will not be attending or performing at Spotify’s Songwriter of the Year Grammy party slated for Jan. 28, with Allen and Dillon citing Spotify’s treatment of songwriters as the reason for their absence. As a result, four out of five nominees in the Songwriter of the Year category at this year’s Grammys will be opting out of the event. (A representative for the fifth, Edgar Barrera, has not responded to Billboard‘s request for comment.)
Representatives for Allen (“Espresso” by Sabrina Carpenter, “Adore You” by Harry Styles and “greedy” by Tate McRae) and Dillon (“10,000 Hours” by Dan + Shay, “Lies Lies Lies” by Morgan Wallen and “Am I Okay?” by Megan Moroney) confirmed to Billboard that they both made the decision not to attend due to Spotify cutting royalty rates on premium streams for songwriters and publishers in April of last year, which Billboard estimated will lead to a $150 million decrease in royalties over 12 months compared to how much they would have made had the royalty rate not been reconfigured.
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Spotify believes it qualifies for a lower mechanical royalty rate for songwriters and publishers because it has added audiobooks to its premium subscription tiers and reclassified those services as “bundles,” with multiple services included in one price. Now, the royalty originally intended for songwriters and publishers alone is split between paying for music and audiobooks.
“After some thought, I couldn’t in good conscience support this initiative given their approach to bundling royalties,” said Dillon in a statement to Billboard. “It is very nice to be individually honored, but it is better for me and my entire songwriter community to be paid fairly for our art. There are no songs without songwriters.”
A representative for RAYE (“Escapism.” by RAYE, “Dancing With a Stranger” by Sam Smith & Normani, “Secrets” by One Republic) says the singer/songwriter never committed to attending or performing at this event, so “there’s nothing for her to back out of at present,” but adds that RAYE has been “an outspoken advocate on behalf of songwriters’ rights igniting an industry-wide dialogue on the topic.” A representative for Alexander (“Ain’t No Love in Oklahoma” by Luke Combs, “The Climb” by Miley Cyrus, “You, Me and Whiskey” by Justin Moore & Priscilla Block) confirmed to Billboard that she will not be attending the event but did not provide a reason for dropping out.
A representative for Spotify declined Billboard’s request for comment.
Spotify started its Songwriter of the Year Grammy event to celebrate the nominees for the prestigious writing award, which the Recording Academy established in 2023. Each Songwriter of the Year nominee has been invited to take the stage at Spotify party and sing the songs they wrote for other artists in a room full of their peers.
Other songwriters have taken to social media to express their dismay about Spotify’s upcoming event after receiving Save the Dates from the streamer. Songwriter Ross Golan said, via an Instagram Story, “If you are a songwriter, you cannot go to this. Do not let Spotify f— you on bundling and then give you free booze.” A 2023 Grammy Songwriter of the Year nominee Laura Veltz said in her own Instagram Story, “Spotify is robbing you. Songwriters: do not fall for this horse s—.”
In April 2024, Spotify officially added audiobooks as an offering to its premium tiers (which include premium, family and duo plans). By adding audiobooks, the streaming service claimed it now qualifies to pay a discounted so-called “bundle” rate to songwriters for premium, duo and family tier streams.
At the time, a Spotify representative said that “changes in our product portfolio mean that we are paying out in different ways based on terms agreed to by both streaming services and publishers” and called its decision to reclassify premium tiers as bundles as “consistent” with “multiple [other] DSPs.” Other competitors like Apple Music and Amazon Music do have bundled offerings — including Amazon bundling Prime and Amazon Music and Apple bundling Apple Music and Apple News — but Spotify’s move to make its popular premium tiers into bundles has a much larger impact than its competitors, given that Spotify is the most popular streaming service in the U.S. and the premium tiers are a widely used offering.
“Spotify is on track to pay publishers and societies more in 2024 than in 2023,” the Spotify representative added at the time, citing the company’s Loud and Clear report that says the streamer has paid nearly $4 billion to publishers, PROs and collection societies in the last two years.
The National Music Publishers Association (NMPA), The Mechanical Licensing Collective (MLC), and various songwriters did not take the news lightly. The MLC filed a lawsuit against Spotify in May, claiming the streamer “improperly” classified its premium tiers as bundles. The NMPA’s CEO/president David Israelite said Spotify had “declare[d] war” on songwriters and launched a multi-faceted attack that included sending a cease-and-desist for unlicensed lyrics, video and podcast content; unveiling a legislative proposal; and filing complaints with the FTC and nine other consumer trade groups.
Israelite has also voiced his disapproval over Spotify’s Songwriter of the Year party, saying in an Instagram post: “Is this a joke? Spotify declares war on songwriters. Is attempting to gut what they pay them. Is being sued by the MLC. And they think they can throw a party honoring songwriters? I’m at a loss for words. Actually, I’m not. Hubris. Audacity. Crassness. Hypocritical. Cynical. Forward this and add your own word.”
Chappell Roan has come first in the BBC Radio 1 Sound of 2025 list, an annual poll that recognizes rising artists with “the best chance of mainstream success.”
The pop sensation, born Kayleigh Rose Amstutz, was chosen as the winner by a panel of more than 180 music industry figures and artists, including global superstars Dua Lipa and Elton John. Further details of the panel and how the list was compiled are available via BBC Radio 1’s Sound of 2025 website.
Roan (Island Records) beat out jazz group Ezra Collective (Partisan Records), who came second, and Barry Can’t Swim (Ninja Tune), Myles Smith (RCA) and Mercury Prize winners English Teacher (Island). The achievement follows a breakthrough year for the 26-year-old, whose single “Good Luck, Babe!” peaked at No. 4 on the Billboard Hot 100 in September, five months on from its initial release.
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In the past 12 months, Roan has scooped the top new artist prize at the Billboard Music Awards; netted six Grammy nominations, including nods in each of the Big Four categories; toured the world over and drawn record-breaking crowds at festivals. Her 2023 debut LP, The Rise and Fall of a Midwest Princess, meanwhile, enjoyed a second wind and climbed to No. 2 on the Billboard 200 albums chart in August.
Roan will headline Primavera Sound in Barcelona, Spain, June 5-7 alongside Charli XCX and Sabrina Carpenter. She will also top the bill at Reading & Leeds Festival, England, Aug. 21-24 as part of a co-headline booking next to Hozier. Other festivals she is set to play through the summer include Oslo’s Øya Festival (Aug. 6), Budapest’s Sziget (Aug. 11) and Rock In Seine in Paris (Aug. 20).
BBC Radio 1 DJ Jack Saunders said: “No one deserves this accolade more than Chappell Roan. She was the most exciting artist of the last 12 months and is now set to be THE artist of the next 12 months. The success is all her own doing: standing tall in the face of the doubters and keeping her community close to fuel the energy of her shows and musical movements. Congratulations Chappell, 2025 is your year!”
Last year’s BBC Radio 1 Sound of poll was won by baroque-pop band The Last Dinner Party, with runners-up including Olivia Dean, Peggy Gou and Tyla. Notable previous winners include Adele (2008), Florence + The Machine (2009), Sam Smith (2013) and Sam Fender (2019).
The 2025 longlist, which was unveiled in November, was comprised of 11 acts, including Kneecap, Mk.gee, Doechii, Confidence Man, Pozer and Good Neighbours.
