Awards
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Composer Ramin Djawadi is set to receive the BMI Icon Award at the 40th annual BMI Film, TV and Visual Media Awards on June 5 in Beverly Hills, Calif. The Emmy-winning composer will receive the accolade for his body of work across film, television and video games. The ceremony will also salute the composers of the previous year’s top-grossing films, top-rated primetime network television series, and highest-ranking cable and streamed media programs.
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The event will be hosted by BMI president and CEO Mike O’Neill and BMI vice president of creative, film, TV & visual media, Tracy McKnight.
Previous BMI Icon Award recipients include Terence Blanchard, Mychael Danna, Alexandre Desplat, Harry Gregson-Williams, James Newton Howard, Christopher Lennertz, Thomas Newman, Rachel Portman (PRS), Mike Post, Alan Silvestri, Brian Tyler and John Williams.
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Djawadi has received 15 BMI Awards for outstanding scores for films, cable TV programs and streamed media. He won back-to-back Primetime Emmy Awards in 2018-19 for outstanding music composition for a series (original dramatic score) for Game of Thrones. He has received five other Primetime Emmy nods for Game of Thrones, Prison Break, FlashForward and Westworld. In addition, Djawadi has received three Grammy nods.
“We’re excited to honor Ramin Djawadi and celebrate his outstanding musical achievements,” McKnight in a statement. “Ramin’s innovative compositions for films, TV shows, and video games have captivated audiences worldwide, exemplifying his remarkable range and talent.”
Djawadi collaborated with Jonathan Nolan and Lisa Joy on Amazon Prime’s Fallout and partnered with David Benioff and D.B. Weiss on the Netflix series 3 Body Problem.
Djawadi, 49, got his start by collaborating with Hans Zimmer on such films as Pirates of the Caribbean: The Curse of the Black Pearl and Batman Begins. (Both composers were born in what was then known as West Germany.) Djawadi went on to score such films as Iron Man, Eternals, A Wrinkle in Time, Clash of the Titans, Pacific Rim and Blade:Trinity.
In addition, Djawadi, has composed music for several video games including “Medal of Honor,” “Gears of War 4” and “Gears 5.”
Crook & Chase, Diane Rehm, Larry Elder and Richard Blade are among the well-known radio professionals who are nominated for the Radio Hall of Fame. Howard Stern, who has long had a love/hate relationship with the institution, is not among the 24 nominees announced today by The Museum of Broadcast Communications. The nominees were chosen […]
Gold House revealed its annual A100 list on Wednesday (May 1), honoring the 100 Asian Pacific leaders who have most significantly impacted American culture and society in the last year, and some of today’s biggest music stars have made the list.
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Stray Kids, Charli XCX, Steve Aoki, Jung Kook, Keanu Reeves, Hayao Mayazaki, Dev Patel, Bella Poarch and many more are all honored this year under the list’s Entertainment and Media category. Olivia Rodrigo and Jason Momoa are among the entertainers in this year’s A100 Hall of Fame inductees, while HYBE Chairman Bang Si-Hyuk will be honored as a Gold Legend. Up-and-coming New Gold honorees include ATEEZ, Laufey and more.
The third annual Gold Gala event will take place at the Music Center in downtown Los Angeles on May 11 and, as previously announced, the night will feature a performance from 2023 A100 honoree Saweetie, who will receive the first-ever Billboard Gold Music Honor at the event, recognizing her boundary-pushing musical accomplishments. In addition, the cast and creators of Emmy-winning Beef will receive the Gold Icon Honor for their groundbreaking representation of the Asian American experience, while Wicked star Cynthia Erivo will be given the Gold Ally Honor for her work to advance inclusive representation in front of and behind the camera. HYBE founder Bang Si-Hyuk will be bestowed with the lifetime achievement Gold Legend Honor and Hello Kitty’s 50th anniversary will be celebrated with the Gold Generation Award.
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“This year was special: Asian Pacific leaders had a record number of records broken while building a more inclusive tomorrow for all, particularly in new avenues like AI. Gold House is honored to celebrate so many new and established leaders who are committed to both equity and excellence,” said Bing Chen and Jeremy Tran, CEO and COO of Gold House.
The Gold Gala will be followed by the inaugural Billboard x Gold House Founders Party, which will feature a headlining set from producer/DJ Steve Aoki, as well as a performance from RuPaul’s Drag Race season 16 winner Nymphia Wind, a karaoke room presented by Rakuten Viki and an additional set from DJ Hu Dat.
The full A100 list and the Selection Committee can be found here.
This year’s Tony nominees include everyone from Hillary Rodham Clinton, nominated as one of the producers of Suffs, to Angelina Jolie, nominated as one of the producers of The Outsiders. Both shows are contenders for best musical. In case you missed the announcement on Tuesday (April 30), Hell’s Kitchen, a musical loosely based on the […]
A musical, Hell’s Kitchen, and a play, Stereophonic, lead the 2024 Tony nominations, which were announced on Tuesday (April 30) live from Sofitel New York by Tony winners Jesse Tyler Ferguson and Renée Elise Goldsberry. Both productions received 13 nods.
Those two shows were followed in the nominations count by The Outsiders (12), Cabaret at the Kit Kat Club (nine), Appropriate (eight), Merrily We Roll Along and Water for Elephants (seven each), and Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch and Suffs (six each).
The five nominees for best musical are Hell’s Kitchen, Illinoise, The Outsiders, Suffs and Water for Elephants.
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The 10 eligible musicals that were passed over for nods as best musical are: Back to the Future: The Musical, Days of Wine and Roses, The Great Gatsby, Harmony, The Heart of Rock and Roll, Here Lies Love, How to Dance in Ohio, Lempicka, The Notebook and Once Upon a One More Time.
The four nominees for best revival of a musical are Cabaret at the Kit Kat Club, which won best musical in 1967; The Who’s Tommy, which was nominated for best musical in 1993; Merrily We Roll Along, which received just one nod in 1982 – original musical score; and Gutenberg! The Musical!, which opened off Broadway in 2006 and on Broadway in 2023.
This is the third time Cabaret has been nominated for best revival of a musical, which puts it in a tie with six other shows for the most nods in this category. It joins Company, Fiddler on the Roof, Guys and Dolls, Gypsy, Peter Pan and Sweeney Todd: The Demon Barber of Fleet Street.
The New Broadway Cast recording of Merrily We Roll Along — starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez — entered Billboard’s Cast Albums chart at No. 1 in November 2023 and returned to the top spot in January 2024. All three actors are nominated for Tonys for their performances.
The two eligible revivals that were passed over for nods for revival of a musical are The Wiz and Spamalot. The original productions of those musicals won best musical in 1975 and 2005, respectively.
Will Butler, formerly of Arcade Fire, was nominated in two categories – best original score and best orchestrations – for his work on Stereophonic. Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine were nominated in those same two categories for their work on The Outsiders. Shaina Taub was also nominated in two categories – best original score and best book of a musical – for her work on Suffs.
The other nominees for best original score are David Byrne and Fatboy Slim (Here Lies Love) and Adam Guettel (Days of Wine and Roses). Byrne won an Oscar and a Grammy for his work on the score for the 1987 film The Last Emperor.
Former first lady Hillary Rodham Clinton is nominated for best musical as a producer of Suffs. She won a Grammy in 1997 for her audiobook It Takes a Village. Jon B. Platt is nominated in that same category as a producer of Illinoise. LaChanze is nominated for best musical as a producer of The Outsiders and for best play as a producer of Jaja’s African Hair Brading. Taraj P. Henson is also nominated for best play for the latter work.
Eddie Redmayne is nominated for best actor in a musical for his role as the emcee in the revival of Cabaret. He won in the same category at the Olivier Awards in 2022, when the production had its West End revival. Actors from the Cabaret revival were Tony-nominated in all four acting categories. Gayle Rankin is up for best actress. Steven Skybell and Bebe Neuwirth are nominated for their featured roles.
Leslie Odom Jr., who won a Tony in 2016 for best actor in a musical for Hamilton, is nominated for best actor in a play for Purlie Victorious. Kelli O’Hara, who won a Tony for best actress in a musical in 2015 for The King and I, is nominated in that category again for Days of Wine and Roses.
The 2024 American Theatre Wing’s Tony Awards are presented by The Broadway League and the American Theatre Wing. The 2023-24 eligibility season began on April 28, 2023, and ended on Thursday, April 25, 2024. Tony Awards in 26 competitive categories will be voted on by 836 designated Tony voters within the theatre community.
The 77th Annual Tony Awards, which will be hosted by Ariana DeBose for the third consecutive year, will air live on both coasts from the David H. Koch Theater at Lincoln Center for the Performing Arts in New York City on Sunday, June 16 (8-11 p.m. ET/5-8 p.m. PT) on CBS and will stream on Paramount+ in the U.S.
The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the Broadway League and the American Theatre Wing, and White Cherry Entertainment. Ricky Kirshner and Glenn Weiss are showrunners and executive producers for White Cherry Entertainment, and Weiss will serve as director. Jack Sussman is also an executive producer.
CBS and Pluto TV will present a pre-show, The Tony Awards: Act One, leading into the Tonys. Viewers can access the show on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “ET” channel.
Here’s a full list of nominations for the 2024 Tony Awards.
Musicals
Best musical
Hell’s Kitchen;Producers: AK Worldwide Media, Inc., Roc Nation, DML Productions, Mandy Hackett, The Sunshine Group, Julie Yorn, The Jacobs Family, No Guarantees Productions, Front Row Productions, Sharpton Swindal Productions, Grove Entertainment, The Jaime Family, John Gore Organization, Terria Joseph, Andy Nahas, James L. Nederlander, Candy Spelling, Clara Wu Tsai, Universal Music Publishing, Independent Presenters Network, Della Pietra Spark Theatricals, Today Tix ARGU, Score 3 Partners, Aaron Lustbader, The Public Theater, Oskar Eustis, Patrick Willingham
Illinoise;Producers: Orin Wolf, Seaview, John Styles, David Binder, Emily Blavatnik, Susan Rose, ArKtype/Thomas O. Kriegsmann, David F. Schwartz, Patrick Catullo, Jon B. Platt, Diamond & Melvin, Nelson & Tao, Ruth Hendel, Elysabeth Kleinhans, Ted & Mary Jo Shen, Putnam & Thau, Chase & F.K.R., GJJJM Productions, Steve & Leticia Trauber, Tim Forbes, John Gore Organization, James L. Nederlander, Park Avenue Armory, Chicago Shakespeare Theater, Nate Koch, TT Partners, Fisher Center at Bard
The Outsiders;Producers: The Araca Group, American Zoetrope, Olympus Theatricals, Sue Gilad & Larry Rogowsky, Angelina Jolie, Betsy Dollinger, Jonathan & Michelle Clay, Cristina Marie Vivenzio, The Shubert Organization, LaChanze & Marylee Fairbanks, Debra Martin Chase, Sony Music Masterworks, Jamestown Revival Theater, Jennifer & Jonathan Allan Soros, Tanninger Entertainment, Tamlyn Brooke Shusterman, Geffen Playhouse/Howard Tenenbaum/Linda B. Rubin, Kevin Ryan, Mistry Theatrical Ventures, Galt & Irvin Productions, Tulsa Clarks, Paul & Margaret Liljenquist, Bob & Claire Patterson, Voltron Global Media, James L. Nederlander, Warner Bros. Theatre Ventures, The John Gore Organization, Independent Presenters Network, Stephen Lindsay & Brett Sirota, Jeffrey Finn, Playhouse Square, Sue Marks, Indelible InK, Lionheart Productions, The Broadway Investor’s Club, Starhawk Productions, Distant Rumble, Green Leaf Partnership, Michael & Elizabeth Venuti, Leslie Kavanaugh, Deborah & Dave Smith, Belle Productions, Chas & Jen Grossman, Miranda & Sahra Esmonde-White, Rungnapa & Jim Teague, Michael & Molly Schroeder, Casey & Chelsea Baugh, James L. Flautt, Jon L. Morris, Becky Winkler, William Moran Hickey, Jr. & William Horan Hickey, III, Oddly Specific Productions, Melissa Chamberlain & Michael McCartney, Rachel Weinstein, Wavelength Productions, Rob O’Neill & Shane Snow, Eric Stine, Cornice Productions, La Jolla Playhouse
Suffs;Producers: Jill Furman, Rachel Sussman, Hillary Rodham Clinton, Malala Yousafzai, Roy Furman, Allison Rubler, Cue to Cue Productions, Sandy Robertson, Kevin Ryan & Diane Scott Carter, Renee Ring & Paul Zofnass, Walport Productions, Judith Teel Davis & Joe Carroll, Tom D’Angora & Michael D’Angora, Louise Gund, Erica Lynn Schwartz, Stone Arch Theatricals/Mayer Productions, Xan Weiser/Matters of the Art, Nothing Ventured Productions, Christin Brecher, Chutzpah Productions, Morgan Steward, 16 Sunset Productions, The Broadway Investor’s Club, Ari Conte, Rose Maxi, Jennifer Friedland, David Carroll, Julie E. Cohen, The Garelicks, Ruth Ann Harnisch, Meena Harris, John Gore Organization, Laura Lonergan, Sally Martin, Peter May, The Mehiels, Nederlander Presentations, Brian Spector, Candy Spelling, Ed Walson, Zuckerberg/Segal, Needle Productions/Oddly Specific Productions, Alissandra Aronow/Wandi Productions, Craig Balsam/Jennifer Kroman, Burkhardt Jones Productions/Adam Cohen, Vibecke Dahle Dellapolla/Samantha Squeri, Funroe Productions/Kim Khoury, Sheri Clark Henriksen/Robert Tichio, Michelle Noh/Todd B. Rubin, Nick Padgett/Vasi Laurence
Water for Elephants; Producers: Peter Schneider, Jennifer Costello, Grove Entertainment, Frank Marshall, Isaac Robert Hurwitz, Seth A. Goldstein, Jane Bergère, Elizabeth Armstrong, Jason M. Brady, Carl & Jennifer Pasbjerg, Erica Rotstein & Crista Marie Jackson, Jana Bezdek & Jen Hoguet, John H. Tyson, Rich Entertainment Group, Jeremiah J. Harris, John Gore Organization, Jeff & Shannon Fallick, Patti & Mike Sullivan, Rodney Rigby, Larry Lelli, Bonnie Feld, Yonge Street Theatricals, Larry J. Kroll, The Shubert Organization, Nederlander Presentations, Nancy Gibbs, Jack Lane, Amy & PJ Lampi, Gwen Arment & Vasi Laurence, Mark Parkman Fairview Productions, Nothing Ventured Productions, Pam Hurst-Della Pietra & Stephen Pietra, Steven Spielberg & Kate Capshaw, The Glasshouse USA, Willette & Manny Klausner, John Paterakis, Hope Tschopik Schneider, Patty Baker, The Burcaws & Q’d Up Productions, Crescent Road, Cynthia Stroum, Sally Jacobs & Warren Baker, Tawnia Knox & Stuart Snyder, Madison Wells Live & Takonkiet Viravan, Terry H. Morgenthaler, Pamela Moschetti, Gabrielle Palitz & Fahs Productions, The Roehl Family & Chema Verduzco, Shapiro Jensen Schroeder, Tre Amici Productions, We Eat Dreams Productions, Rachel Weinstein, Maik Klokow, Margot Astrachan, Mehr-BB Entertainment
Best revival of a musical
Cabaret at the Kit Kat Club; Producers: ATG Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals, Wessex Grove, Julie Boardman, Tom Smedes, Peter Stern, Heather Shields, Caiola Productions, Kate Cannova, Adam Blanshay Productions & Nicolas Talar, Aleri Entertainment, Alex Levy Productions, Bunny Rabbit Productions, D’Angora Padgett Productions, Cyrene Esposito, David Treatman, Eddie Redmayne, The Array IV, Bad Robot Live, BlueJay Productions, Grace Street Creative Group, Iocane Productions, Jim Kierstead, Marco Santarelli, Tokyo Broadcasting System Television, George Waud, Yonge Street Theatricals, Federman Koenigsberg Productions/Sara Beth Zivitz, Tina Marie Casamento/Jennifer Johns, M. Kilburg Reedy/Tilman Kemmler, Greenspan Proffer/Kat Kit 4, Patty Baker/Matthew Christopher Pietras, Broadway Strategic Return Fund/Red Mountain Theatre Company, Evan Coles/The Cohn Sisters, Nolan Doran/Fakston Productions, Epic Theatricals/Jeffrey Grove, Jessica Goldman Foung/Andrew Paradis, William Frisbie Tilted Marguerite Steed Hoffman/Willette & Manny Klausner, Vasi Laurence/Stephen C Byrd, Brian & Dayna Lee/City Cowboy Productions, Maybe This Time/3D Productions, Nothing Ventured Productions/Theatre Producers of Color, Perfectly Marvelous/Catherine Schreiber & Co, Second Act/Freedom Theatricals, SSP Holdings/Todd & Bronwyn Bradley, Two Ladies/Nicole Eisenberg, Ilana Waldenberg/W Stage Productions, The Wolf Pack/Burnt Umber Productions, The Shubert Organization
Gutenberg! The Musical!; Producers: Ambassador Theatre Group, Patrick Catullo, Bad Robot Live, Seth A. Goldstein, Isaac Robert Hurwitz, Runyonland Productions, Elizabeth Armstrong, Timothy Bloom, Larry Lelli, Alchemation, The Council, Crescent Road, Wendy Federman, Marcia Goldberg, Hariton deRoy, LD Entertainment, James L. Nederlander, Al Nocciolino, Spencer Ross, Independent Presenters Network, Medley Houlihan/Score 3 Partners, Tryptyk Studios/Iris Smith, Jonathan Demar/Griffin Dohr, Andrew Diamond/Alexander Donnelly, Futurehome Productions/Koenigsberg Subhedar, Roy Gabay/Nicole Eisenberg, Jessica R. Jenen/Linda B. Rubin, Daniel Powell/Amplify Pictures, Jeremy Wein/Walport Productions, Kristin Caskey, Mike Isaacson, Bee Carrozzini
Merrily We Roll Along; Producers: Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland, Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, No Guarantees, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key to the City Productions, Richard Batchelder/Trunfio Ryan, FineWomen Productions/Henry R. Muñoz, III, Thomas Swayne/Lamar Richardson, Abrams Corr/Mary Maggio, Osh Ashruf/Brenner-Ivey, Craig Balsam/PBL Productions, deRoy DiMauro Productions/Medley Houlihan, Andrew Diamond/Katler-Solomon Productions, Dodge Hall Productions/Carl Moellenberg, Friedman Simpson/Vernon Stuckelman, William Frisbie/J.J. Powell, Robert Greenblatt/Jonathan Littman, Cleveland O’Neal, III/Tom Tuft, Roth-Manella Productions/Seaview, New York Theatre Workshop
The Who’s Tommy; Producers: Stephen Gabriel, Ira Pittelman, Sue Gilad & Larry Rogowsky, Mary Maggio & Scott Abrams, Tom Tuft and Glenn Fuhrman, Batman Harris/Elliott Cornelious, Laura Matalon/Spencer Waller, Richard Winkler, Sheldon Stone, Firemused Productions/Stone Arch Theatricals, LeonoffFedermanWolosky Productions/Koenigsberg Batchelder, Roy Putrino/Narang Moran, Rich Martino, Aged in Wood/Lee Sachs, Paul and Margaret Liljenquist, R & R Productions, Marla McNally Phillips, Merrie Robin, O’Neill Snow, Work Light Productions, Nederlander Presentations, Independent Presenters Network, John Gore Organization, Palomino Performing Arts, Wavelength Productions, Robert Nederlander, Jr., Botwin Ignal Dawson, Jamie deRoy, Betsy Dollinger, Stacey Woolf Feinberg, Gold Weinstein, Tyce Green, Jenen Rubin, Jim Kierstead, Marco Santarelli, Nancy Timmers, Thomas B. McGrath, Olympus Theatricals, Goodman Theatre
Best performance by an actor in a leading role in a musical
Brody Grant, The OutsidersJonathan Groff, Merrily We Roll AlongDorian Harewood, The NotebookBrian d’Arcy James, Days of Wine and RosesEddie Redmayne, Cabaret at the Kit Kat Club
Best performance by an actress in a leading role in a musical
Eden Espinosa, LempickaMaleah Joi Moon, Hell’s KitchenKelli O’Hara, Days of Wine and RosesMaryann Plunkett, The NotebookGayle Rankin, Cabaret at the Kit Kat Club
Best performance by an actor in a featured role in a musical
Roger Bart, Back to the Future: The MusicalJoshua Boone, The OutsidersBrandon Victor Dixon, Hell’s KitchenSky Lakota-Lynch, The OutsidersDaniel Radcliffe, Merrily We Roll AlongSteven Skybell, Cabaret at the Kit Kat Club
Best performance by an actress in a featured role in a musical
Shoshana Bean, Hell’s KitchenAmber Iman, LempickaNikki M. James, SuffsLeslie Rodriguez Kritzer, Monty Python’s SpamalotKecia Lewis, Hell’s KitchenLindsay Mendez, Merrily We Roll AlongBebe Neuwirth, Cabaret at the Kit Kat Club
Best direction of a musical
Maria Friedman, Merrily We Roll AlongMichael Greif, Hell’s KitchenLeigh Silverman, SuffsJessica Stone, Water for ElephantsDanya Taymor, The Outsiders
Best original score (music and/or lyrics) written for the theatre
Days of Wine and Roses; Music & Lyrics: Adam GuettelHere Lies Love; Music: David Byrne and Fatboy Slim; Lyrics: David ByrneThe Outsiders; Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin LevineStereophonic; Music & Lyrics: Will ButlerSuffs; Music & Lyrics: Shaina Taub
Best orchestrations
Timo Andres, IllinoiseWill Butler and Justin Craig, StereophonicJustin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The OutsidersTom Kitt and Adam Blackstone, Hell’s KitchenJonathan Tunick, Merrily We Roll Along
Best choreography
Annie-B Parson, Here Lies LoveCamille A. Brown, Hell’s KitchenRick Kuperman and Jeff Kuperman, The OutsidersJustin Peck, IllinoiseJesse Robb and Shana Carroll, Water for Elephants
Best book of a musical
Hell’s Kitchen; Kristoffer DiazThe Notebook; Bekah BrunstetterThe Outsiders; Adam Rapp and Justin LevineSuffs; Shaina TaubWater for Elephants; Rick Elice
Best scenic design of a musical
AMP featuring Tatiana Kahvegian, The OutsidersRobert Brill and Peter Nigrini, Hell’s KitchenTakeshi Kata, Water for ElephantsDavid Korins, Here Lies LoveRiccardo Hernández and Peter Nigrini, LempickaTim Hatley and Finn Ross, Back To The Future: The MusicalTom Scutt, Cabaret at the Kit Kat Club
Best costume design of a musical
Dede Ayite, Hell’s KitchenLinda Cho, The Great GatsbyDavid Israel Reynoso, Water for ElephantsTom Scutt, Cabaret at the Kit Kat ClubPaul Tazewell, Suffs
Best lighting design of a musical
Brandon Stirling Baker, IllinoiseIsabella Byrd, Cabaret at the Kit Kat ClubNatasha Katz, Hell’s KitchenBradley King and David Bengali, Water for ElephantsBrian MacDevitt and Hana S. Kim, The Outsiders
Best sound design of a musical
M.L. Dogg and Cody Spencer, Here Lies LoveKai Harada, Merrily We Roll AlongNick Lidster for Autograph, Cabaret at the Kit Kat ClubGareth Owen, Hell’s KitchenCody Spencer, The Outsiders
Plays
Best play
Jaja’s African Hair Braiding; Author: Jocelyn Bioh; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings, Madison Wells Live, LaChanze, Taraji P. Henson
Mary Jane; Author: Amy Herzog; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings
Mother Play; Author: Paula Vogel; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Salman and Vienn Al-Rashid, Courtney Lederer and Mark Thierfelder, Jerry and Roz Meyer, Alix L.L. Ritchie, Jayne Baron Sherman
Prayer for the French Republic; Author: Joshua Harmon; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings
Stereophonic; Author: David Adjmi; Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions, Ashley Melone, Nick Mills, Jillian Robbins, Stella La Rue, Alex Levy & David Aron, Dori Berinstein, James Bolosh, Burnt Umber Productions, The Cohn Sisters, Cathy Dantchik, Alexander R. Donnelly, Emerald Drive, Federman Koenigsberg, Dann Fink, Ruth Hendel, Larry Hirschhorn, Jenen Rubin, John Gore Organization, Willette & Manny Klausner, LAMF Protozoa, Katrina McCann, Stephanie P. McClelland, No Guarantees, Marissa Palley & Daniel Aron, Anna Schafer, Soto Namoff Productions, Sean Walsh, Bruce & Peggy Wanta, Hillary Wyatt, deRoy Howard, Winkler & Smalberg, 42nd.club, Craig Balsam, Concord Theatricals, Creative Partners Productions, Jonathan Demar, Douglas Denoff, DJD Productions, Echo Lake Entertainment, Faliro House, FilmNation Entertainment, Roy Gabay, GFour Productions, Candy Kosow Gold, Wes Grantom, Rachel Bendit & Mark Bernstein, Playwrights Horizons, Adam Greenfield, Leslie Marcus, Carol Fishman
Best revival of a play
Appropriate; Author: Branden Jacobs-Jenkins; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Ambassador Theatre Group, Amanda Dubois, Annapurna Theatre, Bad Robot Live
An Enemy of the People; Author: Amy Herzog; Producers: Seaview, Patrick Catullo, Plan B, Roth-Manella Productions, Eric & Marsi Gardiner, John Gore Organization, James L. Nederlander, Jon B. Platt, Atekwana Hutton, Bob Boyett, Chris & Ashlee Clarke, Cohen-Demar Productions, Andrew Diamond, GI6 Productions, Sony Music Masterworks, Triptyk Studios, Trunfio Ryan, Kate Cannova, DJL Productions
Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch; Producers: Jeffrey Richards, Hunter Arnold, Leslie Odom, Jr., Louise Gund, Bob Boyett, Curt Cronin, John Joseph, Willette and Manny Klausner, Brenda Boone, Salman Moudhy Al-Rashid, Creative Partners Productions, Irene Gandy, Kayla Greenspan, Mark and David Golub Productions, Kenny Leon, John Gore Organization, W3 Productions, Morwin Schmookler, Van Kaplan, Ken Greiner, Patrick W. Jones, Nicolette Robinson, National Black Theatre, Alan Alda, LaTanya Richardson Jackson, Samuel L. Jackson, Phylicia Rashad, Nnamdi Asomugha, Kerry Washington, The Shubert Organization
Best performance by an actor in a leading role in a play
William Jackson Harper, Uncle VanyaLeslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton PatchLiev Schreiber, Doubt: A ParableJeremy Strong, An Enemy of the PeopleMichael Stuhlbarg, Patriots
Best performance by an actress in a leading role in a play
Betsy Aidem, Prayer for the French RepublicJessica Lange, Mother PlayRachel McAdams, Mary JaneSarah Paulson, AppropriateAmy Ryan, Doubt: A Parable
Best performance by an actor in a featured role in a play
Will Brill, StereophonicEli Gelb, StereophonicJim Parsons, Mother PlayTom Pecinka, StereophonicCorey Stoll, Appropriate
Best performance by an actress in a featured role in a play
Quincy Tyler Bernstine, Doubt: A ParableJuliana Canfield, StereophonicCelia Keenan-Bolger, Mother PlaySarah Pidgeon, StereophonicKara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Best direction of a play
Daniel Aukin, StereophonicAnne Kauffman, Mary JaneKenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton PatchLila Neugebauer, AppropriateWhitney White, Jaja’s African Hair Braiding
Best scenic design of a play
dots, Appropriatedots, An Enemy of the PeopleDerek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton PatchDavid Zinn, Jaja’s African Hair BraidingDavid Zinn, Stereophonic
Best costume design of a play
Dede Ayite, AppropriateDede Ayite, Jaja’s African Hair BraidingEnver Chakartash, StereophonicEmilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton PatchDavid Zinn, An Enemy of the People
Best lighting design of a play
Isabella Byrd, An Enemy of the PeopleAmith Chandrashaker, Prayer for the French RepublicJiyoun Chang, StereophonicJane Cox, AppropriateNatasha Katz, Grey House
Best sound design of a play
Justin Ellington and Stefania Bulbarella, Jaja’s African Hair BraidingLeah Gelpe, Mary JaneTom Gibbons, Grey HouseBray Poor and Will Pickens, AppropriateRyan Rumery, Stereophonic
The late, Grammy-winning conductor Seiji Ozawa; Matt Cameron, drummer for Pearl Jam; and Grammy-nominated concert violinist Anne Akiko Meyers are among the Asian Hall of Fame’s class of 2024 inductees. The class will be announced at a kick-off event, “Celebrate Asia Festival,” on May 1 at the Biltmore Hotel in Los Angeles.
The Celebrate Asia Festival is an annual benefit for the Women Founders Fund, which supports diversity among women in tech, entertainment and the arts. May is Asian American, Native Hawaiian and Pacific Islander (AAPI) Heritage Month.
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Ozawa, who died Feb. 6 at age 88, was recognized internationally through his work as music director of the Toronto Symphony Orchestra, San Francisco Symphony, Vienna State Opera and the Boston Symphony Orchestra. He won a Grammy in 2016 for best opera recording for Ravel: L’Enfant Et Les Sortilèges; Shéhérazade.
Cameron first gained fame as the drummer for Soundgarden, which he joined in 1986. He appeared on each of the band’s studio albums until its breakup in 1997. In 1998, Cameron was invited to join Pearl Jam’s Yield Tour and then became a permanent member of the band. Cameron has won two Grammys for his work with Pearl Jam: best metal performance for “Spoonman” and best hard rock performance for “Black Hole Sun.”
Meyers received her first Grammy nod late last year for Fandango, a live recording with Gustavo Dudamel and the L.A. Philharmonic, which was nominated for best classical compendium. Her 2023-24 season includes performances with the Los Angeles Philharmonic and the Royal Philharmonic.
Here’s a quick look at this year’s three other music-connected honorees:
John Paris, drummer for Earth, Wind & Fire since 2001, played on Asian Hall of Fame’s Down by the Water charity album for human trafficking rescue.
Malea Emma Tjandrawidjaja, who performed “The Star-Spangled Banner” on American Idol at age seven (and was given a golden ticket by judges Lionel Richie, Katy Perry and Luke Bryan to come back and compete in 2027) is the recipient of the Asian Innovation Award. The prize includes a grant check, invitation to record a song with pianist Ed Roth at the private studio of Robby Krieger, and opportunities to perform at the May Festival and October Ceremony.
Lydia Lee, choir director at John Muir Middle School in Burbank, Calif., is recipient of the Asian Women in the Arts Prize for her work in music education. Her choir will perform Beethoven’s “Ode to Joy” in German with a professional adult choir and ensemble at the Oct. 19 induction ceremony.
Billboard and Telemundo have revealed that the exclusive airing of the Billboard Latin Women in Music special is scheduled to return for its second edition on June 9 at 9 p.m. ET via Telemundo. The two-hour music special, which celebrates “Latin female artists proactively working for positive change, inclusion, and gender parity in the music […]
Lainey Wilson, Jelly Roll and Chris Stapleton are among the first performers announced for the 2024 Academy of Country Music Awards, which will be held at Ford Center at The Star in Frisco, Texas, on May 16.
The show will also feature performances by Jason Aldean, Kane Brown, Cody Johnson, Miranda Lambert and Thomas Rhett, as well as Reba McEntire, who was announced as host last week. McEntire will perform new music. Additional performers will be announced in the coming weeks.
The show will stream live globally on Prime Video at 8 p.m. ET / 5 p.m. PT. The ACM stresses that a Prime membership will not be required to watch live. They note: “Everyone is invited to the Party of the Year.”
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Stapleton and Wilson both received five ACM nominations this year. Jelly Roll is a beat behind with four.
This is McEntire’s 17th time hosting or co-hosting the ACMs. She first co-hosted the show in 1986 with actor/singer John Schneider and the late Mac Davis. McEntire is closing in on the all-time record for most times hosting or co-hosting a major awards show. That record has long been held by Bob Hope, who hosted or co-hosted the Academy Awards 19 times between 1940-78.
The 2023 ACM Awards, hosted by Dolly Parton and Garth Brooks, garnered more than 7.7 million viewers on Prime Video plus additional viewership across Amazon Music, the Amazon Music channel on Twitch, and Amazon Live, making it one of the year’s most-watched awards shows.
This marks the ACM Awards’ third year streaming on Prime Video; its second in a row coming from Ford Center at The Star. The venue opened in 2016 and serves as the practice facility for the Dallas Cowboys, as well as the home for many major sporting events throughout the year. Last year’s ACM Awards were the first awards show to take place there.
The 59th ACM Awards is produced by Dick Clark Productions (DCP). Raj Kapoor is executive producer and showrunner, with Patrick Menton as co-executive producer. Damon Whiteside serves as executive producer for the ACM , and Barry Adelman serves as executive producer for DCP. John Saade serves as consulting producer for Amazon MGM Studios.
Kapoor was one of three executive producers of the Grammy Awards on Feb. 4, along with Ben Winston and Jesse Collins. He also served as executive producer and showrunner of the Oscars on March 10. Menton was a co-executive producer of the Grammys.
A limited number of tickets to the 59th ACM Awards are available for purchase on SeatGeek.
Fans can also tune into the official ACM Red Carpet on Prime Video, the Amazon Music Channel on Twitch, and Amazon Live, starting at 7 p.m. ET / 4 p.m. PT. The full rebroadcast will be available directly following the stream on Prime Video and available the next day for free on Amazon Freevee and the Amazon Music app.
Fans can also stream the Official ACM Awards playlist available now on Amazon Music.
DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.
Now that Taylor Swift’s The Tortured Poets Department has entered the Billboard 200 at No. 1 and smashed sales records, thoughts turn to its next big test – how it will fare with Grammy voters.
If it is nominated for album of the year, Swift will become the first woman to receive seven album of the year nods, breaking out of a tie with Barbra Streisand, who received six nods from 1964-87. (All years in this story refer to the year of the Grammy ceremony.)
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Swift would be the sixth artist to land seven or more album of the year nominations – and just the second artist to reach that mark strictly with solo albums.
Paul McCartney is the leader with nine album of the year nods – five with The Beatles, one (Band on the Run) with Paul McCartney & Wings and three as a solo artist.
Frank Sinatra and George Harrison are next in line with eight album of the year nods. Sinatra scored with seven solo albums and one collab, Francis Albert Sinatra & Antonio Carlos Jobim. Harrison scored with five Beatles albums; a solo album (All Things Must Pass); an all-star live album, The Concert for Bangla Desh, which was credited to George Harrison & Friends; and a Traveling Wilburys album (Volume One) on which he teamed with Bob Dylan, Roy Orbison, Tom Petty and Jeff Lynne.
Paul Simon follows with seven album of the year nods –- two with Simon & Garfunkel (Bookends and Bridge Over Troubled Water) and five on his own. Swift, if nominated, would pull into a tie with Simon for third place.
Swift’s last three studio albums, not counting her Taylor’s Versions re-recordings, were nominated for album of the year, though one of them just barely made it. The Recording Academy confirmed the accuracy of a New York Times report that Evermore placed ninth or 10th in the voting and was nominated only because, at the eleventh hour, the Academy expanded the field of nominees in each of the Big Four categories from eight to 10 that year (2022). After keeping the number of nominees at 10 the following year, the Academy returned to eight nominees in each of those categories for the telecast in February and will presumably hold it at that number for next year’s telecast, so Tortured Poets will have to do better than Evermore to be nominated. (Fittingly, that was a rather “tortured” explanation.)
If Tortured Poets is nominated, Swift will become the first artist to receive album of the year nominations with four consecutive official solo studio LPs since Kendrick Lamar (Swift’s colleague on “Bad Blood,” a No. 1 hit on the Billboard Hot 100) scored with good kid, m.A.A.d city, To Pimp a Butterfly, DAMN. and Mr. Morale and the Big Steppers. The last artist before Lamar to achieve this feat was Billy Joel, who scored with 52nd Street, Glass Houses, The Nylon Curtain and An Innocent Man.
It’s of course way too early to know with any certainty if Swift will be nominated. Compared to Swift’s recent releases, the new album has drawn somewhat mixed reviews. The album has a 76 rating on Metacritic.com, the review aggregation site. That’s a bit below the marks registered by her four previous studio albums (excluding Taylor’s Version albums). Lover had a 79, folklore an 88, and evermore and Midnights, both an 85. (An expanded version of the new album, dubbed The Anthology, has a lower rating, 69.)
Billboard’s Jason Lipshutz took stock of Swift’s album in a thoughtful review headlined, “Taylor Swift’s ‘The Tortured Poets Department’ Is Messy, Unguarded and Undeniably Triumphant: Critic’s Take.” Here are the first four paragraphs from Lipshutz’s review, which posted on April 19, the day the album was released.
“One of the constants of Taylor Swift’s storied career has been the chances she’s taken at the precise moment when taking a chance wasn’t necessary. She was a country superstar who didn’t need to go pop; she was less than a year removed from a major pop album and didn’t need to take an indie-folk detour; she was in the middle of a blockbuster run of new albums and didn’t need to re-record her old ones.
“Time and again, Swift has identified artistic opportunities that other stars would have blanched at (or at the very least, set aside for a different time, so as to not muck up any professional momentum), and she has leapt into them fearlessly, always coming out on top.
“So right now — in the middle of a mega-selling stadium tour, after a record-breaking fourth album of the year Grammy win, in a high-profile new romance and at the commercial zenith of an already all-time career — is, naturally, the time Swift has chosen to release a knowingly messy, wildly unguarded breakup album.
“She didn’t have to do this! But then again, making an album like The Tortured Poets Department is exactly what separates Swift from her more careful peers. Challenging herself to shape-shift, to accomplish something new at the moment anyone else would rest on their laurels, is what makes her so fascinating.”
Other albums that are seen as front-runners for album of the year nominations include Beyoncé‘s Cowboy Carter, Ariana Grande’s Eternal Sunshine and Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Manana. Upcoming albums that are seen as likely prospects include Dua Lipa’s Radical Optimism (due May 3) and Billie Eilish’s Hurt Me Hard & Soft (due May 17). The eligibility period ends Sept. 15.
If both Beyoncé and Swift are nominated, this will be the second time the two superstars have faced off in this category. In 2010, Swift’s Fearless beat Bey’s I Am…Sasha Fierce.
Could Swift possibly win her record-extending fifth award in the category? I have learned to never say never, especially when it concerns Swift at the Grammys. But more than a few Grammy watchers would howl if Swift won a fifth album of the year award before Beyoncé won her first in the category.
It would probably be better for Swift if she lost the big one and was seen leading the cheers for Beyoncé. If that does happen – and at this moment, it seems the likeliest scenario – this would be the third time in Grammy history that there has been a reversal of fortune in the top category, where there was a different outcome in a rematch.
At the first Grammy Awards in May 1959, Henry Mancini won album of the year for The Music From Peter Gunn, his jazzy score to the TV detective series of the same name. It beat a pair of Frank Sinatra albums, Frank Sinatra Sings for Only the Lonely and Come Fly With Me. (Did the double nominations cause Sinatra to “split his votes”? We’ll never know for sure, but the rules have since been changed so that an artist can be nominated with only one album as the lead artist in any one year.)
Mancini and Sinatra competed again at the second Grammy Awards in November 1959 (yes, there were two ceremonies that year) with the opposite result. Sinatra’s Come Dance With Me! beat More Music From Peter Gunn, a sequel to Mancini’s album.
Sinatra and The Beatles competed for album of the year three years in a row, 1966-68. Sinatra’s highly regarded thematic album September of My Years (which contained the classic “It Was a Very Good Year”) won the award in 1966, beating The Beatles’ Help! soundtrack. Sinatra’s A Man and His Music, a two-disc career retrospective, won the award in 1967, beating The Beatles’ Revolver. (That victory by Ol’ Blue Eyes is harder to defend, since his album was a career recap, and Revolver was another step forward by a group that was growing by leaps and bounds.) In 1968, The Beatles’ landmark album Sgt. Pepper’s Lonely Hearts Club Band beat Francis Albert Sinatra & Antonio Carlos Jobim, the singer’s widely admired collab with the architect of the bossa nova sound.
Swift co-produced her new album with Jack Antonoff, Aaron Dessner and Patrik Berger. Antonoff has been nominated for producer of the year, non-classical the last five years running – and has won the last three years in a row.
If Antonoff is nominated again this year, he’ll be the first producer or production team to be nominated six years in a row since Jimmy Jam & Terry Lewis, who were nominated each year from 2001-2006. Moreover, if he is nominated again, Antonoff will become one of just five producers or production teams to land six or more producer of the year nods (whether consecutive or nod). He will join Jam & Lewis (11 total nods), Quincy Jones (eight), David Foster (eight) and Babyface (six).
If Antonoff wins in that category again early next year, he’ll become the first producer to ever win four years in a row. Babyface is the only producer to win four times – in 1993 (with L.A. Reid) and then on his own from 1996-98.
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The American Music Awards, a fixture on ABC from 1974 to 2022, is moving to CBS. The first show on its new network is set for Sunday, Oct. 6, live on both coasts at 8:00 p.m. ET and 5:00 p.m. PT and streaming on Paramount+.
The official announcement was made on Friday (April 26) by CBS and Dick Clark Productions (DCP), which is producing the 2024 AMAs. Nominees are based on key fan interactions as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.
The AMAs are the third major awards show that CBS has picked up in the past few years, following the CMT Music Awards (in 2022) and the Golden Globes (earlier this year, having previously broadcast the show in 1981-82). CBS has also been the long-time home of the Grammy Awards (since 1973), the Tony Awards (since 1978) and the Kennedy Center Honors (also since 1978).
With the AMAs leaving ABC, the Oscars are ABC’s longest-running awards show. The Oscars moved from NBC to ABC in 1976.
The AMAs were created as a fan-based alternative to the Grammys. The first two Grammy live telecasts in March 1971 and March 1972 aired on ABC. When the Grammys shifted to CBS for the March 1973 telecast, ABC looked for a show to fill that void and went with Dick Clark’s fan-based show.
In December 1973, Clark was working on the first AMAs, which would launch on Feb. 19, 1974. The veteran producer knew a little publicity couldn’t hurt, so he found time for an interview with Billboard’s Bob Kirsch which ran on page one of the Dec. 15, 1973 issue under the headline “ABC-TV Slates Favorite Acts’ Awards Feb. 19.”
At the end of the piece, Clark attempted to take the long view of his fledgling show and said “If this is done properly, we may have a show that will last 20 years and will finally get the general public involved in popular music awards.”
Clark underestimated the longevity of his own creation. This year’s AMAs will be the 51st (there were two shows in 2003).
That first show ran just 90 minutes. It has been allotted three hours for many years, though this year’s show length has not been announced. The show in the first five years had a tight focus on three broad genres – pop/rock, soul/R&B and country. It now recognizes far more genres, including hip-hop, Latin, inspirational, gospel, Afrobeats and K-pop.
But, for the most part, the vision that Clark outlined to Kirsch 50 years ago still guides the show.
“This is probably the first time a major effort has been made to sample the U.S. public music taste through popular vote. … To date, we have received extremely favorable response from those in the music industry we have talked to about the show. They seem delighted at the opportunity to be honored by the music-buying public.”
Helen Reddy, Smokey Robinson and Roger Miller co-hosted that first show – each representing one of the three main genres. Reddy, who was red-hot at the time, was also the inaugural winner of favorite pop/rock female artist. Clark was executive producer of that first show. Bill Lee was producer. John Moffitt directed.
Clark, a master showman, was a legend in both music and television. He received a trustees award from the Recording Academy in 1990 and was inducted into the Television Academy Hall of Fame in 1992. He died in 2012 at age 82.
DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.