Awards
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The nominees for the 2024 International Bluegrass Music Association (IBMA) Awards were revealed on Wednesday (July 17) from the SiriusXM Studios in Nashville.
Hosted by IBMA Executive director Ken White and Bluegrass Junction’s Joey Black, the final nominees unveiling ceremony also featured performances from Missy Raines and Allegheny, as well as Authentic Unlimited, who proved to be one of this year’s frontrunners, earning nominations spanning several categories.
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Additionally, White revealed three inductees into the Bluegrass Music Hall of Fame: Alan Munde, Jerry Douglas and Katy Daley. Munde has been a leader in bluegrass music for more than five decades, through work as a banjo player, bandleader and educator. Munde has been part of projects including Poor Richard’s Almanac with Byron Berline, Sam Bush and Wayne Stewart, and has played with Jimmy Martin, the Flying Burrito Brothers and Country Gazette. He was a 2008 recipient of an IBMA distinguished achievement award.
Dobro player Douglas started with the Country Gentlemen in the 1970s and has played as part of J.D. Crowe’s New South and The Whites, before joining Alison Krauss’s Union Station in 1998. In 2014, he launched the Flatt & Scruggs tribute band the Earls of Leister. He’s earned 10 IBMA Awards for dobro player of the year and is a former vice president of the IBMA’s board of directors.
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Daley, a bluegrass music broadcaster, has worked at WAMU and in 1978, collaborated in the 13-part series Bluegrass Anthology. She’s also worked at WMZQ, before joining bluegrasscountry.org, serving as a morning personality. Daley has received two IBMA Awards for bluegrass broadcaster of the year and one for distinguished achievement.
The IBMA distinguished achievement award was given to bluegrass radio presenter Cindy Baucom, fiddler/vocalist/songwriter Laurie Lewis, Bluegrass Omagh music festival leader Richard Hurst, bluegrass music instructional video hub ArtistWorks, and the Dallas/Forth Worth-based Bloomin’ Bluegrass Festival.
The 35th annual IBMA Music Awards will be held Sept. 26 during the 2024 IBMA World of Bluegrass in Raleigh, North Carolina. World of Bluegrass runs from Sept. 24-28 at the Martin Marietta Center for the Performing Arts.
See the full list of nominees below:
Entertainer of the year
Billy Strings
Molly Tuttle and Golden Highway
Del McCoury Band
Sister Sadie
The Po Ramblin’ Boys
Male vocalist of the year
Dan Tyminski
Greg Blake
Del McCoury
Danny Paisley
Russell Moore
Female vocalist of the year
Molly Tuttle
Jaelee Roberts
Dale Ann Bradley
AJ Lee
Rhonda Vincent
New artist of the year
East Nash Newgrass
Brownwyn Keith-Hynes
AJ Lee and Blue Summit
Wyatt Ellis
The Kody Norris Show
Vocal group of the year
Authentic Unlimited
Sister Sadie
Blue Highway
Del McCoury Band
Molly Tuttle and Golden Highway
Instrumental group of the year
Billy Strings
Michael Cleveland and Flamekeeper
Travelin McCourys
East Nash Grass
Molly Tuttle and Golden Highway
Album of the year
City of Gold, Molly Tuttle & Golden Highway
Last Chance to Win, East Nash Grass
Jubilation, Appalachian Road Show
No Fear, Sister Sadie
So Much For Forever, Authentic Unlimited
Song of the year
“Fall in Tennessee,” Authentic Unlimited
“Willow,” Sister Sadie
“Too Lonely, Way Too Long,” Rick Faris with Del McCoury
“Forever Young,” Daniel Grindstaff with Paul Brewster and Dolly Parton
“Kentucky Gold,” Dale Ann Bradley with Sam Bush
Music video of the year
“Alberta Bound,” Special Consensus with Ray Legere, John Reischman, Patrick Sauber, Trisha Gagnon, Pharis & Jason Romero and Claire Lynch
“Willow,” Sister Sadie
“Fall in Tennessee,” Authentic Unlimited
“The City of New Orleans,” Rhonda Vincent and the Rage
“I Call Her Sunshine,” The Kody Norris Show
Guitar player of the year
Billy Strings
Molly Tuttle
Trey Hensley
Bryan Sutton
Cody Kilby
Mandolin player of the year
Sierra Hull
Sam Bush
Ronnie McCoury
Jesse Brock
Alan Bibey
Banjo player of the year
Kristin Scott Benson
Gena Britt
Alison Brown
Bela Fleck
Rob McCoury
Resophonic guitar player of the year
Justin Moses
Rob Ickes
Jerry Douglas
Andy Hall
Gaven Largent
Fiddle player of the year
Jason Carter
Bronwyn Keith-Hynes
Michael Cleveland
Stuart Duncan
Deanie Richardson
Bass player of the year
Missy Raines
Mike Bub
Vickie Vaughn
Todd Phillips
Mark Schatz
Gospel recording of the year
“When I Get There,” Russell Moore and IIIrd Tyme Out
“Thank You Lord For Grace,” Authentic Unlimited
“Just Beyond,” Barry Abernathy with John Meador, Tim Raybon, and Bradley Walker
“God Already Has,” Dale Ann Bradley
“Memories of Home,” Authentic Unlimited
Instrumental recording of the year
“Rhapsody in Blue(grass),” Bela Fleck
“Knee Deep in Bluegrass,” Ashby Frank
“Panhandle Country,” Missy Raines and Allegheny
“Lloyd’s of Lubbock,” Alan Munde
“Behind the 8 Ball,” Andy Leftwich
Collaborative recording of the year
“Brown’s Ferry Blues,” Tony Trischka feat. Billy Strings
“Fall in Tennessee,” Authentic Unlimited with Jerry Douglas
“Forever Young,” Daniel Grindstaff with Paul Brewster and Dolly Parton
“Bluegrass Radio,” Alison Brown with Steve Martin
“Too Old to Die Young,” Bobby Osborne with CJ Lewandowski
In the nominations for the 76th annual Emmy Awards, which were announced on Wednesday (July 17), Rickey Minor has two of the five nods for outstanding music direction. Minor is nominated for his work on The Oscars and The 46th Kennedy Center Honors. He has won twice in the category, for his work on Taking the Stage: African American Music and Stories That Changed America (2017) and The Kennedy Center Honors (2020).
The other nominees in the category this year include the 2023 Rock and Roll Hall of Fame Induction Ceremony, which had three music directors – Adam Blackstone, Don Was and Omar Edwards. Like Minor, Blackstone and Was are past winners in this category.
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Two-time Oscar winner Hans Zimmer has three nominations across the seven music categories in the Primetime Emmy nods. He’s up for two awards (alongside Kara Talve) for his work on The Tattoist of Auschwitz and for a third for his work on Planet Earth III.
Others with two nods in music categories, besides Minor and Talve, include Marc Shaiman, Saturday Night Live’s Eli Brueggemann and the team of Atticus Ross, Leopold Ross and Nick Chuba.
Maya Rudolph, who is nominated for outstanding music and lyrics for co-writing “Maya Rudolph Mother’s Day Monologue” for her hosting turn on Saturday Night Live, has three other nominations this year in non-music categories. She is nominated in performance categories for SNL and Loot and character voiceover for Big Mouth.
Final-round online voting begins Aug. 15. The 76th Emmy Awards will broadcast live on ABC on Sunday, Sept. 15, from 8 to 11 p.m. ET/5 to 8 p.m. PT, from the Peacock Theater at L.A. Live, and stream the next day on Hulu. The 76th Creative Arts Emmy Awards take place at the Peacock Theater over two nights on Saturday, Sept. 7, and Sunday, Sept. 8, with an edited presentation to air on Saturday, Sept. 14, at 8 p.m. ET/PT on FXX.
Emmy Award winners Jesse Collins and Dionne Harmon along with Emmy-nominated Jeannae Rouzan-Clay of Jesse Collins Entertainment are set to return as executive producers of the 76th Emmy Awards.
Outstanding music direction
The 46th Kennedy Center Honors • CBS • Done + Dusted in association with ROK Productions; Rickey Minor, Music Director
Late Night With Seth Meyers • Episode 1488 • NBC • Universal Television and Broadway Video; Fred Armisen, Eli Janney, Music Directors
The Oscars • ABC • Academy of Motion Picture Arts and Sciences; Rickey Minor, Music Director
2023 Rock and Roll Hall of Fame Induction Ceremony • ABC • Tenth Planet Productions; Adam Blackstone, Don Was, Omar Edwards, Music Directors
Saturday Night Live • Host: Ryan Gosling • NBC • SNL Studios in association with Universal Television and Broadway Video; Lenny Pickett, Leon Pendarvis, Eli Brueggemann, Music Directors
Outstanding original music and lyrics
Girls5eva • “New York” / Song Title: “The Medium Time” • Netflix • Universal Television for Netflix; Sara Bareilles, Music & Lyrics
Only Murders In The Building • “Sitzprobe” / Song Title: “Which of the Pickwick Triplets Did It?” • Hulu • 20th Television; Benj Pasek, Justin Paul, Marc Shaiman, Scott Wittman, Music & Lyrics
Saturday Night Live • “Host: Maya Rudolph” / Song Title: “Maya Rudolph Mother’s Day Monologue” • NBC • SNL Studios in association with Universal Television and Broadway Video; Eli Brueggemann, Music; Maya Rudolph, Auguste White, Mike DiCenzo, Jake Nordwind, Lyrics
The Tattooist of Auschwitz • “Episode 6” / Song Title: “Love Will Survive” • Peacock • Synchronicity Films, Peacock, SKY Studios; Kara Talve, Hans Zimmer, Walter Afanasieff, Music; Charlie Midnight, Lyrics
True Detective: Night Country • “Part 5” / Song Title: “No Use” • HBO | Max • HBO in association with Peligrosa, Neon Black, Anonymous Content, Parliament of Owls and Passenger; John Hawkes, Music & Lyrics
Outstanding music composition for a series (original dramatic score)
The Crown • “Sleep, Dearie Sleep” • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix; Martin Phipps, Composer
Mr. & Mrs. Smith • “First Date” • Prime Video • Amazon MGM Studios, Big Indie Pictures; David Fleming, Composer
Only Murders in the Building • “Sitzprobe” • Hulu • 20th Television; Siddhartha Khosla, Composer
Palm Royale • “Maxine Saves a Cat” • Apple TV+ • Apple Studios; Jeff Toyne, Composer
Shōgun • “Servants of Two Masters” • FX • FX Productions; Atticus Ross, Leopold Ross, Nick Chuba, Composers
Silo • “Freedom Day” • Apple TV+ • AMC Studios in association with Apple; Atli Örvarsson, Composer
Slow Horses • “Strange Games” • Apple TV+ • See-Saw Films in association with Apple; Daniel Pemberton, Toydrum, Composers
Outstanding music composition for a limited or anthology series, movie or special (original dramatic score)
All The Light We Cannot See • “Episode 4” • Netflix • 21 Laps Entertainment for Netflix; James Newton Howard, Composer
Fargo • “Blanket” • FX • FX Presents an MGM/FXP Production; Jeff Russo, Composer
Lawmen: Bass Reeves • “Part I” • Paramount+ • MTV Entertainment Studios, 101 Studios, Bosque Ranch Productions and Yoruba Saxon; Chanda Dancy, Composer
Lessons in Chemistry • “Book of Calvin” • Apple TV+ • Apple Studios; Carlos Rafael Rivera, Composer
The Tattooist of Auschwitz • “Episode 1” • Peacock • Synchronicity Films, Peacock, SKY Studios; Kara Talve, Hans Zimmer, Composers
Outstanding music composition for a documentary series or special (original dramatic score)
Albert Brooks: Defending My Life • HBO | Max • HBO Documentary Films and Castle Rock Entertainment; Marc Shaiman, Composer
Beckham • “Seeing Red” • Netflix • A Netflix Documentary Series / A Studio 99 Production in association with Ventureland; Anže Rozman, Camilo Forero, Composers
Jim Henson Idea Man • Disney+ • Imagine Documentaries Productions, Disney Branded Television; David Fleming, Composer
Planet Earth III • “Extremes” • BBC America • A BBC Studios Natural History Unit Production co-produced with BBC America, ZDF and France Télévisions for BBC; Jacob Shea, Sara Barone, Hans Zimmer, Composers
Rock Hudson: All That Heaven Allowed • HBO | Max • HBO Documentary Films presents an Altitude Film Entertainment; Production in association with Berlanti/Schechter Films and Dog Star Films; Laura Karpman, Composer
Outstanding original main title theme music
Feud: Capote vs. the Swans • FX • FX Productions, 20th Television; Thomas Newman, Composer
Lessons in Chemistry • Apple TV+ • Apple Studios; Carlos Rafael Rivera, Composer
Masters of the Air • Apple TV+ • Apple Studios with Amblin Television / Playtone; Blake Neely, Composer
Palm Royale • Apple TV+ • Apple Studios; Jeff Toyne, Composer
Shōgun • FX • FX Productions; Atticus Ross, Leopold Ross, Nick Chuba, Composers
Outstanding music supervision
Baby Reindeer • “Episode 4” • Netflix • A Netflix Series / A Clerkenwell Films Production; Catherine Grieves, Music Supervisor
Fallout • “The End” • Prime Video • Amazon MGM Studios and Kilter Films in association with Bethesda Game Studios and Bethesda Softworks; Trygge Toven, Music Supervisor
Fargo • “The Tragedy of the Commons” • FX • FX Presents an MGM/FXP Production; Maggie Phillips, Music Supervisor
Mr. & Mrs. Smith • “A Breakup” • Prime Video • Amazon MGM Studios, Big Indie Pictures; Jen Malone, Music Supervisor
Only Murders in the Building • “Grab Your Hankies” • Hulu • 20th Television; Bruce Gilbert, Lauren Marie Mikus, Music Supervisors
True Detective: Night Country • “Part 4” • HBO | Max • HBO in association with Peligrosa, Neon Black, Anonymous Content, Parliament of Owls and Passenger; Susan Jacobs, Music Supervisor
Selena Gomez and Donald Glover both received Primetime Emmy nominations in acting categories on Wednesday (July 17). It’s Gomez’s first acting nomination, Glover’s fifth.
Gomez was nominated for outstanding performance by a lead actress in a comedy series for Only Murders in the Building. She had been passed over for a nod in the category the last two years. Her co-stars, Martin Short and Steve Martin, were nominated in the equivalent category for lead actors for their work on the show – Short for the third year in a row and Martin for the second time in three years.
Glover was nominated for outstanding lead actor in a drama series for Mr. and Mrs. Smith. He received three nods for outstanding lead actor in a comedy series for his previous series, Atlanta. He won in that category in 2017. Glover was nominated for outstanding guest actor in a comedy series in 2018 for hosting Saturday Night Live. The multi-talented artist was also nominated for writing, directing and executive producing Atlanta. He won outstanding directing for a comedy series for that series in 2017, the same year as his acting win. He received a second nod this year for outstanding writing for a drama series for Mr. and Mrs. Smith.
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Gomez also stands to receive a nomination for outstanding comedy series for serving as an executive producer of Only Murders in the Building. (The names of the nominees in series categories haven’t been announced yet.) She was nominated in that category in both of the last two seasons.
Gomez and Glover have both topped the Billboard Hot 100. As Childish Gambino, Glover led the chart for two weeks in May 2018 with “This Is America.” Gomez hit No. 1 in November 2019 with “Lose You to Love Me.”
As Childish Gambino, Glover has amassed five Grammys. Gomez has yet to win a Grammy, but she has received two nominations.
Final-round online voting begins Aug. 15, 2024. The 76th Emmy Awards will broadcast live on ABC on Sunday, Sept. 15, 8-11 p.m. ET/5-8 p.m. PT) from the Peacock Theater at L.A. Live, and stream the next day on Hulu. The 76th Creative Arts Emmy Awards take place at the Peacock Theater over two nights on Saturday, Sept. 7, and Sunday, Sept. 8, with an edited presentation to air on Saturday, Sept. 14, at 8 p.m. ET/PT on FXX.
Emmy Award winners Jesse Collins and Dionne Harmon along with Emmy-nominated Jeannae Rouzan-Clay of Jesse Collins Entertainment are set to return as executive producers of the 76th Emmy Awards.
The Recording Academy has renamed its two-year-old Best Song for Social Change Special Merit Award in honor of the late Harry Belafonte, who was a powerful voice for social justice throughout his career. The award will henceforth be known as the Harry Belafonte Best Song for Social Change Award. It will continue to honor songwriters of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact.
“The greatness of Harry Belafonte’s artistic legacy is matched by his profound impact of furthering social justice for all,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “We are honored to recognize his lasting influence with the Harry Belafonte Best Song for Social Change Award and to continue celebrating works that have inspired global communities towards social impact.”
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“The Belafonte estate is deeply honored and thrilled that the Recording Academy’s Best Song for Social Change Award will now be named the Harry Belafonte Best Song for Social Change Award,” said Belafonte’s daughters Adrienne, Shari and Gina and his third wife, Pamela, in a joint statement. “This recognition not only celebrates Harry Belafonte’s enduring legacy in music and activism, but also inspires future generations to continue using their voices and art for justice and positive change.”
The Recording Academy generally doesn’t name awards after individuals, though it in recent years introduced the Dr. Dre Global Impact Award (which was presented to Dre on the Grammy telecast in 2023 and to Jay-Z on this year’s telecast).
Many have forgotten that the academy’s lifetime achievement award was originally called the Bing Crosby Award. The legendary crooner was the first recipient in 1963. There were seven other recipients through 1972. The award wasn’t presented for the next 12 years, but when it returned in 1984, seven years after Crosby’s 1977 death, the academy had quietly dropped Crosby’s name from the award so that it wouldn’t be tied to any one artist or genre.
Formerly a Special Merit Award, the Harry Belafonte Best Song for Social Change Award will now be categorized as a CEO’s Merit Award, with the finalists and the recipients selected annually by a committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to affect social change.
The first two winners of the award, under its former name, were “Baraye” by Shervin Hajipour (2023) and “Refugee” by K’naan, Gerald Eaton and Steve McEwan (2024).
The submission period for the current cycle of the Harry Belafonte Best Song for Social Change Award is July 17 – Aug. 30, 2024. For guidelines and to make a submission, visit www.Grammy.com.
From his debut in the 1950s until his death in 2023 at age 96, Belafonte’s artistic career progressed on a parallel track with his work as a trailblazing activist. A friend of Rev. Dr. Martin Luther King Jr. and an advisor, organizer and contributor to the civil rights movement, Belafonte helped to organize the 1961 March on Washington for Jobs and Freedom, and contributed to the 1961 Freedom Rides and the Mississippi Freedom Summer of 1964. Belafonte performed at President John F. Kennedy’s inaugural ball in 1961 and was later named by Kennedy as a cultural advisor to the Peace Corps.
An advocate for global humanitarian causes including the anti-apartheid movement, Belafonte, in 1985, was a key organizer for USA for Africa’s benefit single “We Are the World,” which raised money for famine relief in Africa. The song topped the Billboard Hot 100 for four weeks and won four Grammy Awards, including record and song of the year. Belafonte became a UNICEF Goodwill Ambassador in 1987 and traveled internationally to raise awareness for the needs of children across sub-Saharan Africa.
Belafonte won two Grammy Awards – both in folk categories, for “Swing Dat Hammer” and An Evening With Belafonte/Makeba, a collab with South African singer Miriam Makeba.
Belafonte was not the first Black artist to receive a Grammy nod for album of the year – Ella Fitzgerald was, at the very first Grammy ceremony, for Ella Fitzgerald Sings the Irving Berlin Songbook. But Belafonte was the first Black artist to receive two Grammy nods for album of the year. He was nominated at the second and third ceremonies for Belafonte at Carnegie Hall and Belafonte Returns to Carnegie Hall.
In addition, he had the first No. 1 album on the Billboard 200. His sophomore album, Belafonte, was No. 1 in March 1956 when the chart became a consistent weekly feature in Billboard. (Prior to that, it had appeared sporadically.) Belafonte’s third album, Calypso, remained atop that chart for 31 weeks in 1956-57.
Belafonte received the Recording Academy’s lifetime achievement award in 2000. Three of his recordings are in the Grammy Hall of Fame – “Banana Boat (Day-O)” (1956) and the albums Calypso (1956) Harry Belafonte at Carnegie Hall (1959).
His many other awards include the Kennedy Center Honors (1989) and induction into the Rock and Roll Hall of Fame as an early influence in 2022.
Austin City Limits will kick off its 50th anniversary year by honoring Garth Brooks for its 10th anniversary Hall of Fame celebration.
Brooks and his band will perform Sept. 5 at ACL Live at the Moody Theater in Austin, Texas. Brooks’ induction from the Hall of Fame ceremony will air as an hourlong broadcast of Austin City Limits premiering Sept. 28 on PBS. Tickets for the event go on sale Aug. 2. The golden anniversary celebration will last through 2025.
The country superstar is no stranger to Austin City Limits. He appeared twice during the 25th anniversary year to open and close the season and first appeared on the program in 1990, at the beginning of his career.
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“To be part of anything Austin City Limits is and always has been an honor,” Brooks said in a statement. “I am humbled and grateful to not only be a part of the 50th Anniversary, but to be inducted into the ACL Hall of Fame is over the top.”
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Austin City Limits’ 10th annual Hall of Fame Honors is produced by Austin PBS and proceeds benefit the public television station.
Austin City Limits, which taped its pilot episode on Oct. 17, 1974, premiered on PBS in 1975. Since its inception in 2014, the ACL Hall of Fame has honored artists who have played a pivotal role in the music series’ half-century. The inaugural awards in 2014 honored Willie Nelson and Stevie Ray Vaughan. Brooks’ wife, Trisha Yearwood was honored at the 9th annual Hall of Fame Honors last September.
Brooks is in the second year of his residency at The Colosseum at Caesars Palace in Las Vegas. The run currently concludes Dec. 8. He also recently released the 777 Jackpot boxed set, a 7-CD collection of new and previously released material that commemorates his Caesars Palace stint. The $40 set, available through Ticketmaster, includes 77 songs and a custom 88-pagebook full of photos. Earlier this year, Brooks opened his new bar on Lower Broadway in Nashville, Friends in Low Places Bar & Honky-Tonk.
In other Brooks’ news, he plans to wrap up his weekly Monday series, “Inside Studio G,” by the end of the year. The chat with fans, which originally aired on Facebook and SiriusXM, and now airs on his website and The Garth Channel on TuneIn, launched eight years ago this month. “I think we’re going to put an end to Inside Studio G this year, probably sometime around Christmas,” he announced Monday (July 15), giving no reason for the end.
The Academy of Country Music will celebrate a major milestone next year, when the 60th Academy of Country Music Awards are held May 8, 2025 at the Ford Center at The Star in Frisco, Texas. The ACM Awards will again be streamed live on Amazon Prime Video, according to an announcement on Tuesday (July 16) from the ACM, Prime Video and Dick Clark Productions.
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This marks the third consecutive year that the ACM Awards are broadcasting live from Texas (the ACM also celebrated its 50th-anniversary awards show in 2015 at the AT&T Stadium in Arlington, Texas). The Ford Center at the Star in Frisco opened in 2016, and serves as the practice facility for the Dallas Cowboys, as well as hosting major sporting events throughout the year. The 2023 ACM Awards were the first awards show to be held at the venue.
As previously announced, 16-time ACM Award winner Reba McEntire will return to host the event, marking her 18th time hosting the ACM Awards.
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“We’re excited to honor and celebrate the legacy of the ACM Awards all year long surrounding the 60th anniversary show returning to Amazon Prime Video next May,” Academy of Country Music CEO Damon Whiteside said in a statement. “Reba McEntire has hosted more ACM Awards shows than any other artist in history, and after her triumphant return this year for the 59th show, there is clearly no one better suited to helm this milestone show! Our landmark 50th anniversary show in 2015 marked our debut in Texas, and we’re thrilled to return again to celebrate another major moment in ACM history. We look forward to seeing our industry, artists, and fans celebrate in Frisco, Texas next May for an unforgettable week!”
“I’m thrilled to be coming back to host the 60th ACM Awards on Prime Video,” McEntire added. “It’s going to be an absolute can’t miss show and I can’t wait to see everybody back in Texas!”
The Academy of Country Music was founded in Southern California in 1964, operating as a regional trade organization, but in the six decades since its founding, the organization has enjoyed global reach in supporting and promoting country music. Now based in Nashville, the ACM boasts a record-high membership of over 5,000 members globally.
The 59th annual ACM Awards streamed live for an international audience across more than 240 countries and territories, via Prime Video and the Amazon Music channel on Twitch. The show featured performances from Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Lainey Wilson and more.
Wilson earned the ACM’s highest honor, entertainer of the year, which gained the Louisiana native the coveted ACM Triple Crown in only three years. Chris Stapleton led the evening with four overall wins, followed by Wilson with three trophies, and Luke Combs and Jordan Davis with two wins each.
More details regarding award submissions, voting timelines, nominees, performers, ticket sales and more will be revealed in the coming months.
Kendrick Lamar was just three years old in late 1990, and perhaps not yet an avid Grammy watcher, when MC Hammer’s “U Can’t Touch This” became the first rap hit to receive a Grammy nomination for record of the year. At the Grammy ceremony in February 1991, Hammer’s mass-appeal smash lost to Phil Collins’ socially-conscious ballad “Another Day in Paradise,” which featured a backing vocal by David Crosby.
As we approach this year’s Grammy nominations, which will be announced on Nov. 8, Lamar’s “Not Like Us” stands an excellent chance of becoming the 26th rap hit to receive a record of the year nod. We define a rap hit as a track that appeared on Billboard’s Hot Rap Songs chart, which originated as Hot Rap Singles in the March 11, 1989 issue.
Just one rap hit has won record of the year – Childish Gambino’s “This Is America” in 2019. That sentence may need updating after the 67th annual Grammy Awards, set for Feb. 2, 2025. It’s easy to see “Not Like Us,” which returns to No. 1 on this week’s Billboard Hot 100 in the wake of the release of the song’s video, winning that award. The Mustard-produced smash may have originated in a dis battle with Drake, but it already seems like the kind of classic single that will live on after this dis battle becomes a dim and distant memory.
As you’ll see as you scroll through this list, at the Grammy ceremony in 2003, two rap hits were nominated for record of the year for the first time. At the ceremony in 2011, three rap hits were nominated for the first time. Bear in mind, this was back when there were just five nominees in the category, making this very hard to do. In 2019, a record four rap hits were nominated, but that year there were eight nominees, making it at least somewhat easier.
You may be wondering why Lauryn Hill’s “Doo Wop (That Thing),” which topped Hot Rap Songs for four weeks in 1998, doesn’t appear on this list. In 1999 her accompanying album, The Miseducation of Lauryn Hill, famously became the first hip-hop project to win album of the year. “Doo Wop (That Thing)” was entered for both record and song of the year at that year’s Grammys, but it wasn’t nominated in either category. Go figure.
Here’s a chronological list of every rap hit to receive a Grammy nomination for record of the year. We show how high each hit climbed on Billboard’s Hot Rap Songs chart and what won that year for record of the year. The year shown is the year of the Grammy ceremony. If “Not Like Us,” and/or some other rap hit, receives a record of the year nod in November, you can bet we’ll update this list.
MC Hammer, “U Can’t Touch This” (1991)
Image Credit: Robin Platzer/IMAGES/Getty Images
Marshall Allen, Marilyn Crispell, Chucho Valdés, and Gary Giddins are set to receive the NEA Jazz Masters Fellowship. They will be honored on Saturday, April 26, 2025, at a free concert at the John F. Kennedy Center for the Performing Arts. in Washington, D.C.
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Maria Rosario Jackson, PhD, chair of the National Endowment for the Arts (NEA) said in a statement: “We are delighted to welcome these four luminaries to the ranks of NEA Jazz Masters. They have each in their own way played a crucial role in the nurturing and development of this art form and demonstrate the immense diversity and creativity found in jazz today. We look forward to working together with the Kennedy Center on events next April that will celebrate their achievements and inspire new audiences and musicians to embrace jazz.”
“This class of NEA Jazz Masters represents the finest in free-thinking musicians,” said Jason Moran, Kennedy Center artistic director for jazz. “Each has been an active and integral part of communities that have pushed the music forward to new heights.”
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Here are thumbnail sketches of the four honorees:
• Marshall Allen’s inventive and distinctive saxophone playing, as well as his band arrangements, have made him a major force in jazz going into his hundredth year. He is best-known for his work with Sun Ra, recording and performing with him from the 1950s until Sun Ra’s death in 1993, and taking over the leadership of the Sun Ra Arkestra for the past 30 years. He received a Grammy nomination two years ago for best large jazz ensemble album for Swirling.
• Since emerging on the scene in the late 1970s, Marilyn Crispell has become one of the most original and sought-after avant-garde jazz pianists and composers. Her adventurous and distinctive style was influenced by her first loves in jazz, John Coltrane and Cecil Taylor.
• Originally from Cuba, pianist, bandleader, composer, and arranger Chucho Valdés is one of the most influential figures in the world of Latin and Afro-Cuban jazz. In a career spanning more than 60 years, Valdés has fused elements of the Afro-Cuban music tradition, jazz, classical music, rock, and more into his distinctive style. Valdés has won seven Grammys over a 42-year span (1980-2022).
• Gary Giddins has been one of the leading critics in the field of jazz for more than 50 years, having written books as well as essays for The New York Times, New Yorker, Esquire, and many other publications, and the “Weather Bird” column for The Village Voice. As a teacher, he has spurred new generations of jazz fans at several universities. Giddins won a Grammy for best album notes in 1987 for the Frank Sinatra collection, The Voice: The Columbia Years 1943-52. He was also nominated in that category for his notes for collections by Duke Ellington and Art Pepper.
Giddins is this year’s recipient of The A.B. Spellman NEA Jazz Masters Fellowship for Jazz Advocacy. The award is given to those who have made major contributions to the appreciation, knowledge, and advancement of this distinctively American art form.
Since 1982, the NEA has awarded 177 fellowships to great figures in jazz, including Kenny Barron, Terence Blanchard, Carla Bley, Dave Brubeck, Terri Lyne Carrington, Betty Carter, Stanley Crouch, Roy Eldridge, Paquito D’Rivera, Quincy Jones, Sun Ra, Dianna Reeves, and Henry Threadgill.
The NEA Jazz Masters Fellowships are awarded to living individuals on the basis of nominations from the public. NEA Jazz Masters Fellowships are $25,000 and can be received once in a lifetime. Visit the NEA’s website for detailed information and to submit nominations.
The deadline for nominations for the next class of honorees is Oct. 31, 2024.
Diane Warren and Jimmy Jam will be honored at the 38th Carousel of Hope Ball on Oct. 5 at The Beverly Hilton in Beverly Hills, California.
Warren will become the second recipient of the Inspirational Lifetime Achievement Award, an award won in 2016 by Sidney Poitier. Jimmy Jam will be honored with the Brass Ring Award, an award that has previously gone to a wide range of notables, including such music stars as Whitney Houston, Frank Sinatra and Stevie Wonder.
The biennial event will once again bring together VIPs from the film, television, music, and business industries to support increasing awareness of type 1 diabetes, and raise funds for clinical care, prevention, and diabetes research at the Barbara Davis Center for Diabetes.
“I have attended the Carousel of Hope Ball many times and am honored and flattered to have been selected to receive the Inspirational Lifetime Achievement Award and to be part of an event that helps shed light on all the wonderful work being done at the Barbara Davis Center for Diabetes,” Warren said in a statement.
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Jimmy Jam noted that the award has special meaning to him and his family. “My son Max was diagnosed with Type 1 diabetes at the age of two, so receiving this Brass Ring Award is particularly personal for me,” he said. “Max had previously vowed, ‘I promise to stay in this fight and find a cure for Type 1 diabetes.’ I thank Barbara Davis for keeping that dream alive for Max and our family.”
Warren and Jimmy Jam are among the most successful hitmakers in music history. Both have been inducted into the Songwriters Hall of Fame (Warren in 2001, Jimmy Jam in 2017). Both are Grammy winners (five for Jimmy Jam, one for Warren). Both are Oscar nominees for best original song (15 for Warren, one for Jimmy Jam). Both are Primetime Emmy nominees, with Warren winning for a song she wrote for CNN’s The Hunting Ground and Jam nominated as one of the music directors of Let’s Go Crazy: The Grammy Salute to Prince.
Jay Leno and David Foster will again serve as host and music director, respectively. (Foster produced Celine Dion’s 1996 recording of “Because You Loved Me,” the song that brought Warren her only Grammy award to date.) Clive Davis and Quincy Jones will reprise their roles as music chairmen, while George Schlatter returns to produce the show.
The Carousel Balls have raised more than $115 million to date, with proceeds benefiting the Children’s Diabetes Foundation and the Barbara Davis Center for Diabetes. Funds are raised through sponsorships, dinner tickets, a live and silent auction, and contributions.
The 2024 Carousel of Hope Ball is presented by Dexcom, a global leader in real-time continuous glucose monitoring for people with diabetes. Underwriting support is provided by Sanofi. Additional sponsorship is provided by American Airlines and The Beverly Hilton.
RAYE, Willie “Prophet” Stiggers, Thomas Scherer, Ross Golan and the late songwriter Andrea Martin will be honored at the fourth annual SONA Warrior Awards gala on Oct. 6, at 7 p.m. at Herscher Hall at the Skirball Center in Los Angeles. The awards are presented by Songwriters of North America (SONA).
British singer-songwriter RAYE made history at the BRIT Awards in March with six wins and seven nominations, the most anyone has ever received in one year. Her global smash “Escapism” was the largest selling single by a female British artist in 2023, becoming her first No. 1 on the Official U.K. Singles chart and landing at No. 22 on the Billboard Hot 100.
Stiggers is the co-founder, CEO and president of the Black Music Action Coalition (BMAC), which advocates for racial equity and justice within the music industry on behalf of Black artists, songwriters, producers, managers, agents, executives, lawyers and more.
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Scherer has been with BMG and its parent company Bertelsmann for almost three decades as an artist, songwriter, music publisher, music producer, label owner, and executive. Under his leadership, BMG has signed and re-signed writers in the U.S., among them Diane Warren, Bebe Rexha, and Lewis Capaldi, and has secured more than 50 acquisitions, among them Mötley Crüe, Paul Simon, Five Finger Death Punch, and Gucci Mane. In January, Scherer was appointed president of global catalog recordings, while retaining his responsibilities as president of music publishing in North America.
Songwriter and advocate Golan is the host of the podcast And the Writer Is, where he interviews top songwriters. His advocacy assisted in passing The Music Modernization Act. In addition, he served as the first songwriter on the board of the National Music Publishers Association.
Martin is best known for composing En Vogue’s “Don’t Let Go (Love)” as well as Angie Stone’s “Wish I Didn’t Miss You” and Leona Lewis’ “Better in Time.” She also wrote “I Love Me Some Him” for Toni Braxton and “Before You Walk Out of My Life” for Monica, and “It Kills Me” by Melanie Fiona. Martin was also a recording artist, whose singles in the late 1990s included “Let Me Return the Favor” and “Share the Love.”
Tickets for the event cost $241.94 or $535.38, with the latter option including a four-course dinner. Tickets are on sale now.