Awards
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As K-pop continues its meteoric rise on the global stage, the industry’s biggest award show sets a new milestone with its first-ever U.S. date for its 25th anniversary.
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This week, on Nov. 21, 2024, the MAMA Awards will be held at Hollywood’s iconic Dolby Theater, marking the first time the event has crossed over to the States since its introduction in 1999. Widely regarded as one of the premiere K-pop events of the year, the MAMAs have spent the last 25 years growing from a music video awards ceremony in a Seoul theater to a multi-day, international affair across Asia. This year, the 2024 MAMA Awards will kick off with one night in Los Angeles before jumping to two days at the massive Kyocera Dome stadium in Osaka, Japan.
“Taking a first step is challenging, but at the same time, it’s meaningful,” MAMA’s chief producer Yoon Shin Hye shares with Billboard. “We strive to present various stages with an unmatched scale and provide unique experiences to global fans.”
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This year’s theme, “Big Blur: What is Real?,” encapsulates MAMA’s commitment to pushing boundaries and exploring ways to reshape and rethink the music industry. Meanwhile, legendary K-pop producer and music executive J.Y. Park will link with Anderson. Paak for a meeting of the musical minds, as HYBE and Universal Music’s LA-based girl group KATSEYE will team up with another local troupe in the Los Angeles Rams Cheerleaders.
In this exclusive preview of this year’s show MAMA’s chief producer Yoon Shin Hye, delves into the vision and execution behind this year’s event. From overcoming the logistical challenges of hosting in two countries to crafting unique collabs that embody the MAMA spirit, the CJ ENM executive offers an inside look at the dedication and innovation driving the award show to evolve at its 25th anniversary.
Congratulations on what’s sure to be the biggest MAMA Awards. While I know having a ceremony in the U.S. was spoken about in the past, what happened to make it officially occur this year?
Yoon Shin Hye: Looking back on our 25-year MAMA heritage, MAMA has been held across Asia including Macao, Singapore, Hong Kong, Vietnam and Japan and evolved to become the world’s No. 1 K-Pop awards, which started as the “Mnet Asian Music Awards.” Over the course of our 25-year journey, MAMA Awards has realized the value of “MUSIC MAKES ONE” with the growth of K-pop, and has established our own unmatched system and know-hows through facing and overcoming countless challenges. This has paved the way to host MAMA Awards in the U.S.
How long did it take to confirm MAMA in LA?
Every year as we hold KCON LA, I could feel the strong passion of fans in the U.S. and thought 2024 would be the right time to take a first step in the U.S. with the growth of K-pop. In the planning phase, we came up with the concept of “BIG BLUR,” as it’s about blurred boundaries between time and space, online and offline, imaginary and reality, language and culture, I thought it would be fun to run the MAMA Awards in relays from U.S. to Japan, and this perfectly fits to this year’s story.
How did the Los Angeles lineup come together?
As MAMA Awards is taking a significant first step in the U.S., we thought it would be meaningful to have rookies. So, we made a lineup for the first MAMA Awards in the U.S. with rookie artists. Plus, we have J.Y. Park, who marks the 30th anniversary of his debut, and RIIZE, who have special memories in the U.S. The group debuted in LA, and this year marks the first year of their debut and they are set to show something about their debut stories at MAMA Awards.
What went into the collaborations between J.Y. Park and Anderson .Paak, and KATSEYES with the LA Rams Cheerleaders? Take us through the process.
We wanted to show and present collaborations that have never been seen anywhere else only at MAMA Awards, and what only MAMA can make it happen. This year marks the 30th anniversary of J.Y. Park’s debut — he’s a renowned K-pop producer and K-pop artist — and Anderson .Paak is a Grammy Award winner. Anderson .Paak also has a strong interest in K-pop and recently directed a film about K-pop titled K-Pops! and, as it happens, the two artists are of the same Miryang Park clan [a Korean clan originating from the southeastern city of Miryang in South Korea].
On top of that, we have another special collaboration between the global girl group KATSEYE and the Los Angeles Rams Cheerleaders. We brought ideas about what we can only do in LA, what can be seen only at MAMA and to present performances with a diverse group of artists and become one through music at MAMA.
Actor Park Bo Gum will be the host for the U.S. date. How are you and he preparing?
Park Bo Gum has been with MAMA as a host since 2017 and he hosts the show with sincerity and delivers what MAMA wants to tell about its value and story. We’re confident that we can deliver our message and story well with our host, Park Bo Gum, at the MAMA Awards US. Park is also looking forward to hosting.
What challenges have you faced or do you anticipate facing to successfully hold the MAMA Awards in LA for the first time?
MAMA tries a new thing every year. We strive to present various stages with an unmatched scale and provide unique experiences to global fans. This year, the MAMA Awards will take place in the U.S. and Japan in relays and be broadcast live around the world. This reflects our commitment to bringing people together around the world. This year’s concept especially means opening and creating a new world of MAMA that transcends dimensions of time and space. We decided to host MAMA Awards in two different regions, starting in LA on the 21st and then moving over to Osaka for two days. Taking a first step is challenging, but at the same time, it’s meaningful. Given the time difference and distance, it wasn’t easy to arrange a meeting to prepare and discuss, but the whole process was meaningful and fun to work toward the same goal with artists and staff to create a great show.
The Dolby Theater in Hollywood is a very different venue than the Kyocera Dome. How do you create a seamless experience between a theater and a stadium?
LA Dolby Theatre is a symbolic place to many and home of the Oscars, where the Academy Awards is held every year; it’s like the heart of Hollywood. For the past few years, MAMA Awards has been held at a dome-style venue, and Dolby Theatre has its own mood as a venue and different characteristics. We are going to show something different from our previous MAMA stages and artists will take the stage in a different way at the distinctive venue.
With Los Angeles opening the MAMA Awards this year, can you share the ways you’ll establish the “Big Blur: What is Real?” theme? It’s very interesting but somewhat abstract.
MAMA has always wondered what kind of a new thing will be created when new technology meets art, and has visualized and created stages with that idea. MAMA’s concepts have been comprehensive ones, reflecting trends and environmental changes like the world shifting from analog to digital age, and globally being connected online in this digital era. At this year’s MAMA, we wanted to talk about chaos caused by rapid technological change in our time, which is happening faster than ever and how technological advancement and convergence across industries are affecting the music industry. We also reflected our willingness to create MAMA’s own “NEW THING” that crosses boundaries between imaginary and reality, time and space and online and offline. And we wanted to ask a question of “What is Real?” and make people think about what kind of music they really like.
Historically, MAMA has been a place for new TV projects or teasers to be announced, like Produce 48 or Boys Planet. Are there any surprises for audiences this time?
As we have been taking an uncharted path, MAMA will be full of ever-evolving performances. We are working hard to meet high expectations. MAMA is one “big live show,” and will have many surprising moments. Although watching performances in clips is becoming more common these days, I’m sure it will be much more fun to watch it live.
The 58th annual CMA Awards are set for Wednesday, Nov. 20 at Nashville’s Bridgestone Arena. Two-time CMA Award entertainer of the year winner Luke Bryan returns to co-host with NFL hall of famer Peyton Manning and reigning CMA entertainer of the year Lainey Wilson. Morgan Wallen leads this year’s nominees with seven nominations, including for entertainer of the year, followed by Cody Johnson and Chris Stapleton with five nominations, and Post Malone and Lainey Wilson with four nominations.
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The eligibility period for the 2024 show, which will air live on ABC at 8 p.m. ET, is July 1, 2023 to June 30, 2024. The 58th Annual CMA Awards is set to broadcast live on Wednesday (8:00–11:00 p.m. ET) on ABC and next day on Hulu.
According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period” to qualify. More than 7,000 members of the country music industry vote for the nominees and winners through three rounds of voting.
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Here are Billboard’s predictions on who will emerge victorious in select categories, from Melinda Newman (executive editor, West Coast and Nashville) and Jessica Nicholson (staff writer, Nashville).
Entertainer of the year
Luke Combs
Jelly Roll
Chris Stapleton
Morgan Wallen
Lainey Wilson
Newman: Jelly Roll replaces Carrie Underwood in what otherwise is a replay of last year. Wilson, who won in 2023, continues to have a strong streak, but she faces steep competition from label mate Jelly Roll, who has smashed it on his first headlining arena tour. Stapleton is looking for his first win here in eight nominations, but it’s also hard to deny two-time winner Combs and Wallen, both of whom had sold-out stadium tours this year. An extremely tough and competitive category. It also shows what a good job country music has done in building the next generation of superstars: Stapleton is the most seasoned veteran in this category, and his first solo album only came out nine years ago.
Will win: Morgan Wallen
Nicholson: Each artist nominated here has had a stellar year, with album releases and/or massive tours. Wilson won this category last year, and could very well take it home a second time. Meanwhile, her labelmate Jelly Roll has been seemingly ubiquitous this year, thanks to his Billboard 200-topping album Beautifully Broken and its corresponding headlining arena tour. Combs has previously won twice in the category, while Morgan Wallen looks to take home his first EOY win. Both have both led massive stadium tours and logged chart-topping hits. Stapleton earns his eighth nomination in the category, on the strength of recent hits such as “White Horse” and this year continued his All-American Road Show Tour. Given Wallen’s stadium-headlining status and massive all-genre chart hits this year, it seems likely that he will earn the EOY win.
Will win: Morgan Wallen
Male vocalist of the year
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Newman: The line-up repeats from last year, when Stapleton took home his seventh trophy, extending his record for most wins in the category. With his bluesy, rangy growl, Stapleton has a once-in-a-generation voice and Combs has been the only male vocalist who has been able to break his strangle-hold on the category, winning in 2019 and 2020. Stapleton faces stiff competition again, but just throw on “White Horse” or any other song from Higher and it feels like Stapleton will win again.
Will win: Chris Stapleton
Nicholson: Stapleton has taken home this category for the past three consecutive years, and given his pair of chart hits this year (the top 5 Country Airplay hit “White Horse” and top 20 hit “Think I’m in Love With You”), he’s in a good position to take home the honor again this year. However, he has quite the battle ahead of him — particularly from stadium headliner Wallen, whose collab with Post Malone was a six-week Billboard Hot 100-topper. Meanwhile, Combs has continued his own headlining stadium tour and took successful creative risks on his concept album Fathers & Sons. Johnson has shown himself a torchbearer for traditional country, with two songs he recorded earning song of the year nominations. Jelly Roll was named new artist of the year last year and his career has only skyrocketed since, with a headlining arena tour, a No. 1 Billboard 200 debut album and his joyous, megawatt personality garnering loads of media attention.
Will win: Jelly Roll
Female vocalist of the year
Kelsea Ballerini
Ashley McBryde
Megan Moroney
Kacey Musgraves
Lainey Wilson
Newman: McBryde, who has been nominated five times, and Ballerini, who has been nominated seven, are both going for their first wins here, as is Moroney, who received her first nom this year. Wilson won the past two years, while Musgraves — who took home the trophy in 2019, received her first nomination since 2020. All are deserving, but it feels like Wilson is building a dynasty that could rival that of Miranda Lambert — who won six years in a row, and then, after losing to Carrie Underwood, came back and won again. (Underwood is no slouch here, having been nominated 13 times and winning five times).
Winner: Lainey Wilson
Nicholson: Each artist has had a strong year, with headlining tours and/or album releases. McBryde, who picks up a fifth nomination in this category, released The Devil I Know. Musgraves, who previously won this category in 2019, released Deeper Well. Moroney, who headlined her own tour and opened for Kenny Chesney this year, earns her first female vocalist of the year nomination this year on the strength of releases including “No Caller ID.” Wilson, the reigning CMA entertainer of the year, also won in this category the past two years, and has been headlining her Country’s Cool Again Tour and earned a top 20 Hot Country Songs hit with “Hang Tight Honey,” ahead of her August-released album Whirlwind. Ballerini picks up her seventh nomination in the category. This past year, she earned a top 20 Country Songs hit with her Noah Kahan collaboration “Cowboys Cry Too,” an early look at her October-released new album Patterns. Still, this looks like Wilson’s to lose.
Will win: Lainey Wilson
Vocal group of the year
Lady A
Little Big Town
Old Dominion
The Red Clay Strays
Zac Brown Band
Newman: This category has remained largely static—this year, The Red Clay Strays replace Midland, but the other four nominees remain the same as they have largely for the past five years. Old Dominion has won for the past six years… and Little Big Town for the six consecutive years before that and Lady A for three years in a row before that. You get the idea. Zac Brown Band has been nominated 13 times and not taken home the crown. Hot (relative) newcomers Red Clay Strays could pull off some kind of miraculous upset, but they haven’t broken through significantly yet. It’s another year for Old Dominion, who will try to look surprised when they win.
Will win: Old Dominion
Nicholson: The past year was fairly quiet for some of the nominees. Three of the nominated groups — Little Big Town, Zac Brown Band and Lady A — did not release an album during the eligibility period, though Old Dominion released the album Memory Lane, spearheaded by the title track and the Megan Moroney collab “Can’t Break Up Now.” However, ZBB joined Kenny Chesney on his 2024 tour, while Little Big Town revealed a co-headlining tour with Sugarland. New to the category this year is The Red Clay Strays, who earned a breakthrough hit with Hot 100 hit “Wondering Why” and followed with a sterling album Made By These Moments. Still, look for six-time vocal group of the year winners Old Dominion to extend their winning streak here.
Will win: Old Dominion
Vocal duo of the year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Maddie & Tae
The War and Treaty
Newman: It’s the exact same duos competing this year as last year. In the last eight years, the award has gone to reigning champs Brothers Osborne six times and Dan + Shay two times. Brooks & Dunn hold the record for 14 non-consecutive wins spanning 1992-2006. The War & Treaty could score their first win here given the love Nashville feels for them and their immense talent, but we thought that last year. Dan + Shay have had a stellar year with a sold-out arena tour and hits from their album, Bigger Houses, and a holiday album. Feels like time for the pair to follow up its ACM Awards top duo win earlier this year with another CMA.
Will win: Dan + Shay
Nicholson: This year’s category features several previous nominees and winners. Brooks & Dunn, who have won in the category 14 previous times, are again nominated, thanks to their headlining Reboot 2024 tour (the duo also recently released the Reboot II album). Meanwhile, Dan + Shay released Bigger Houses, spearheaded by the single “Save Me The Trouble.” Brothers Osborne released “Break Mine” and issued a self-titled album, while The War and Treaty issued “Called Me By Your Name” and made several high-profile appearances this year. Maddie & Tae released “Heart They Didn’t Break” ahead of their 2024 EP What a Woman Can Do. Look for Dan + Shay to return to the winner’s circle here.
Will win: Dan + Shay
New artist of the year
Megan Moroney
Shaboozey
Nate Smith
Mitchell Tenpenny
Zach Top
Bailey Zimmerman
Newman: No offense to Mitchell Tenpenny, but given that he’s been having hits since 2018, it seems odd that he was nominated this year. Zimmerman should have been nominated last year but wasn’t. Zach Top is breaking through now and his star is shining brightly, but he hasn’t had the kind of year that Moroney, Shaboozey or Smith have, in part because he started later. Artists can be nominated twice for this award, and Moroney repeats her nomination from last year. It’s a solid crop of artists — and the category is loaded with acts that seem like they have long futures ahead of them. It’s a bit of a coin toss between Moroney, Smith and Shaboozey and it’s hard to bet against someone who dominated this summer’s country and pop charts like Shaboozey, but it feels like Moroney has the wind at her back.
Will win: Megan Moroney
Nicholson: Several of the artists nominated for new artist of the year reached new heights this year. Shaboozey scored a massive hit on several charts including 18 weeks (and counting) atop the Hot 100 with “A Bar Song (Tipsy).” Megan Moroney notched multiple Hot 100 hits, including “No Caller ID” and “Am I Okay?,” while Zach Top has garnered considerable buzz since releasing his debut country album Cold Beer & Country Music earlier this year, and has two songs on the Country Airplay chart at present. Nate Smith earned a multi-week No. 1 with “World on Fire,” and followed with another hit “Bulletproof.” Meanwhile, Tenpenny released his new album, The 3rd, in September. Zimmerman earned a No. 1 Country Airplay hit with “Where It Ends,” and had opening slots on tours for Wallen, Luke Bryan and Kane Brown. Still, Shaboozey’s cross-genre hit is tough to deny here.
Will win: Shaboozey
Album of the year
Award goes to artist, producer(s) and mix engineer(s)
Deeper Well – Kacey Musgraves; Producers: Ian Fitchuk, Kacey Musgraves, Daniel Tashian; Mix Engineers: Shawn Everett, Konrad Snyder
Fathers & Sons – Luke Combs; Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineer: Chip Matthews
Higher – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Leather – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
Whitsitt Chapel – Jelly Roll; Producers: Andrew Baylis, Brock Berryhill, Zach Crowell, Jesse Frasure, David Garcia, Kevin “Thrasher” Gruft, Austin Nivarel, David Ray Stevens; Mix Engineers: Jeff Braun, Jim Cooley
Newman: Last year, Wilson’s Bell Bottom Country won, but her follow-up, Whirlwind, won’t be eligible until next year because of the qualifying dates (July 1, 2023-June 30, 2024). Those dates are somewhat flexible and adjusted for when an album had its greatest impact — which is how Whitsitt Chapel, which came out June 2, 2023, finds itself here. Musgraves, Combs and Stapleton have all won before, and every solo album released by Stapleton has received a nomination, so it’s impossible to bet against him. But I’m going to anyway: An album like Whitsitt Chapel doesn’t come along very often, and it is only going to grow in importance as time passes. An album about salvation and redemption with bonafide radio hits like “Need a Favor” and “Save Me,” Whitsitt Chapel changed the tenor of country radio.
Will win: Whitsitt Chapel
Nicholson: Musgraves’ Deeper Well and Stapleton’s Higher are both up for Grammy best country album nominations as well the CMA album of the year honor, further heightening their credentials here. Combs crafted his familial-focused project Fathers & Sons to great acclaim, while Johnson’s Leather included hits including “Dirt Cheap” and “The Painter,” both of which are up for song of the year. Jelly Roll’s breakthrough album Whitsitt Chapel launched multiple hits for the Tennessee native, including “Halfway to Hell” and “Need a Favor.” Musgraves, Stapleton and Combs have all won in the category, but look for awards-show favorite Stapleton to take home the win.
Will win: Higher
Single of the year
Award goes to artist(s), producer(s) and mix engineer(s)
“A Bar Song (Tipsy)” – Shaboozey; Producers: Sean Cook, Nevin Sastry; Mix Engineer: Raul Lopez
“Dirt Cheap” – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Producers: Louis Bell, Charlie Handsome, Hoskins; Mix Engineer: Ryan Gore
“Watermelon Moonshine” – Lainey Wilson; Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce
“White Horse” – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Newman: After Wallen’s “Last Night” wasn’t nominated last year despite spending 16 weeks at No. 1, it feels like his and Post Malone’s insanely catchy “I Had Some Help,” which was Billboard’s Song of the Summer, will take the prize here. But “A Bar Song (Tipsy)” has insinuated its way into listeners’ hearts and set the record for the most weeks at No. 1 on the Billboard Hot 100 for an artist with no accompanying acts at 17 weeks. Some voters may want to go more traditional Nashville, and could go for Stapleton or Johnson, both of whom have won before — but we think we’re going to be raising a glass to Post Malone and Wallen.
Will win: “I Had Some Help”
Nicholson: The single of the year nominees for 2024 are an array of sounds, from pop-entrenched smashes, blistering country-rock tracks and staunchly country entries. All five nominated singles connected with fans this year, but the double star power of Post Malone and Morgan Wallen could be enough to earn the win.
Will win: “I Had Some Help”
Song of the year
Award goes to songwriter(s)
“Burn It Down”; Songwriters: Hillary Lindsey, Parker McCollum, Lori McKenna, Liz Rose
“Dirt Cheap”; Songwriter: Josh Phillips
“I Had Some Help”; Songwriters: Louis Bell, Ashley Gorley, Charlie Handsome, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters
“The Painter”; Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
“White Horse”; Songwriters: Chris Stapleton, Dan Wilson
Newman: These are all strong selections, and all reached the top 10 on Billboard’s Country Airplay chart. Though this is a songwriter’s award, credit to Cody Johnson for having an unerring song sense with both “Dirt Cheap” and “The Painter.” “I Had Some Help” is a bit of an outlier here, given its bouncy, lightweight nature, which contrasts with the more serious nature of the other songs. That — and the fact that it was an enduring crossover smash — may play in its favor, but we like it more for single of the year than song. The intensity of “Burn It Down” and “White Horse” still hit every time we hear either, and a great song should continue to wear well. A very slight nod here to “White Horse” and its driving, western swagger.
Will win: “White Horse”
Nicholson: Cody Johnson seems to be a songwriter’s not-so-secret weapon in this category, as two Johnson-recorded songs made the final nominees: “Dirt Cheap,” a solo write from Josh Phillips, and “The Painter,” written by Benjy Davis, Ryan Larkins and Kat Higgins. The song of the year category generally goes to songs with detailed storylines and/or heartfelt sentiments, and while this year’s nominated songs ranged from rock-fueled heartbreakers (“White Horse,” “Burn It Down”) to smash radio hits (“I Had Some Help”), the sentimental fan-favorite “Dirt Cheap” could take home the win.
Will win: “Dirt Cheap”
Megan Moroney, Jaron Boyer and Warren Zeiders‘ “Pretty Little Poison” were among the evening’s big winners at SESAC Performing Rights’s annual Nashville Music Awards on Sunday night (Nov. 17), as the country music industry’s annual CMA Week got underway with the first of a trio of parties held by performing rights organizations to honor the songwriters and music publishers many of the year’s most performed country songs.
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More than 400 members Nashville’s elite songwriters, publishers and other industry members gathered at the Country Music Hall of Fame Sunday night to honor the SESAC writers behind not only top country songs, but top Americana tunes such as Sierra Ferrell’s “American Dreaming” and The Avett Brothers’ “Orion’s Belt” during the glitzy shindig.
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SESAC Sr. VP/Head of Nashville Creative Shannan Hatch hosted the evening alongside senior directors, creative services ET Brown and Lydia Cahill. The event was sponsored in part by Hatef Aesthetics, Bombas, Brumate, CRVFT, Cymbiotika, Dr. Bronner’s, Eboost, Herban Essentials, Little Secrets, Monopoly, Olaplex, Osea, Pause, and Solawave.
Early in the evening, Megan Moroney performed the title track to her sophomore album, Am I Okay?, before later being honored with the SESAC spotlight award, honoring not only her work on resonant songs such as “I’m Not Pretty” and “Indifferent,” but her myriad accomplishments over the past year, including the release of her album and her three CMA Awards nominations heading into Wednesday evening’s CMA Awards (among them a nomination for female vocalist of the year).
“There’s nothing more fulfilling than writing songs. Thank you SESAC for taking care of the songwriters,” Moroney said in accepting the honor.
Boyer was named SESAC’s songwriter of the year, for his work writing hits including Jason Aldean’s “Let Your Boys Be Country,” and George Birge’s “Mind on You.” He was feted with a Gibson custom guitar as well as a custom ring from Jostens.
“Thank you, Jesus .. .without him none of us would be here,” Boyer said. “I almost retired from songwriting a couple of years ago. I had some good friends that … reeled me in to keep writing songs and here we go. I don’t know what else to say … thank you.”
SESAC’s song of the year went to Warren Zeiders’s “Pretty Little Poison,” co-written by Jared Keim. Zeiders joined with co-writers Keim and Ryan Beaver to offer a compelling performance of the song.
SESAC’s country publisher of the year honor went to Warner Chappell Music, after the publisher picked up several accolades throughout the evening.
See a full list of the evening’s honored songs below:
“Pretty Little Poison”Written by Jared KeimPublished by Warner Chappell Music, Twelve6 SequoiaRecorded by Warren Zeiders
“We Don’t Fight Anymore”Written by Pete GoodPublished by Warner Chappell Music, King Pen Songs, SMACKWORKS MusicRecorded by Carly Pearce and Chris Stapleton
“Mind on You” Written by Jaron Boyer, Michael TylerPublished by Marlowe Sinclaire Songs, MTNoize, peertunes LTD, Melodies of CTM Outlander Recorded by George Birge
“Tucson Too Late”Written by Josh JenkinsPublished by Follow Me Where I Go, SMACKWORKS MusicRecorded by Jordan Davis
“Let Your Boys Be Country”Written by Allison Veltz Cruz, Jaron BoyerPublished by Allison Veltz Sensations, Marlowe Sinclaire Songs, Hipgnosis Tunes, peertunes LTD, Songs of Porterfied Music Recorded by Jason Aldean
“Love You Again”Written by Casey Brown Published by Track & Feels, Warner Chappell Music, Tape Room Tunes Recorded by Chase Matthew
“Creek Will Rise” Written by Chris LaCorte Published by Card Tables Music, Concord Tunes, Hang Your Hat Hits Recorded by Conner Smith
“I’m Not Pretty”Written by Megan Moroney Published by Georgiamo, Sony Music PublishingRecorded by Megan Moroney
“Indifferent”Written by Megan Moroney Published by Georgiamo, Sony Music PublishingRecorded by Megan Moroney
“Can’t Have Mine”Written by Matt AldermanPublished by Aldysongs, Curb Congregation Songs Recorded by Dylan Scott
“Glory Days”Written by Seth MosleyPublished by M & M College Fund, Sony Music Publishing Recorded by Gabby Barrett
“Wine Into Whiskey”Written by Justin EbachPublished El Chapo MusicRecorded by Tucker Wetmore
“Heartless Year”Written by Ed Jurdi, Gordy QuistPublished by Three Pisces Music, Vitrolacaster MusicRecorded by The Band of Heathens
“Fox Hunt”Written by Sierra FerrellPublished by Abel Elba, Pulse WorldwideRecorded by Sierra Ferrell
“Good Together”Written by Rachael PricePublished Warner Chappell Music, 17 Lake Street Music Recorded by Lake Street Dive
“Love of a Girl”Written by Seth Avett, Scott Avett, Bob CrawfordPublished by First Big Snow Publishing, NemoIVMusic, Truth Comes True Publishing, Ramseur Family Fold MusicRecorded by The Avett Brothers
“American Dreaming”Written by Sierra FerrellPublished by Abel Elba, Pulse WorldwideRecorded by Sierra Ferrell
“Orion’s Belt”Written by Seth Avett, Scott Avett, Bob CrawfordPublished by First Big Snow Publishing, NemoIVMusic, Truth Comes True Publishing, Ramseur Family Fold MusicRecorded by The Avett Brothers
When the Country Music Association presents the 58th annual CMA Awards on Nov. 20, it will mark the latest date on the calendar that the organization’s trophy event has ever been convened.
The late date set up a precedent when the Recording Academy unveiled the nominees for the 67thannual Grammy Awards on Nov. 8, the earliest announcement date in the history of that show’s cycle. It marks the first time that both the Grammy and CMA contests have simultaneously aligned: Each has announced its final ballot, but neither has revealed any of its winners.
As a result, the differences in the two institutions’ approaches to country are even more glaring than in previous years. Houston native Beyoncè is the clearest example of the dichotomy. Her country-hybrid album, Cowboy Carter, and seven of its tracks amassed 11 Grammy nominations, making her the leading finalist in the entire contest. Her portfolio includes entries in each of the four country-specific categories: best country song (“Texas Hold ’Em”), best country album (Cowboy Carter), best country solo performance (“16 Carriages”) and best country duo/group performance (“II Most Wanted,” featuring Miley Cyrus).
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But Beyoncè’s crossover material was entirely absent from the CMA ballot.
Cody Johnson I Credit: Chris Douglas
Conversely, fellow Texan Cody Johnson tied for second in the CMA hardware royale with five nominations, including slots among the finalists for male vocalist and album of the year (Leather). But his big-voiced traditionalism was left off the Grammy list.
The disparities between the two awards shows were built into their missions. The CMA is a Nashville-based trade organization devoted to promoting the country format, and it counts plenty of marketers, media and executives among its membership. Its origins date back to the late 1950s when Music City’s leaders united out of fear that the emergence of youthful rock’n’roll could destroy country’s very existence.
The Recording Academy is a multigenre institution centered in Santa Monica, Calif., that is primarily focused on the creatives in the business.
The academy and the CMA hold many common values and purposes, which means that they share plenty of nominees. This year, 10 artists appear on the CMA list and in the Grammy country field, including Lainey Wilson, Morgan Wallen, Shaboozey, Jelly Roll and Chris Stapleton.
But the organizations’ history and structures create some specific differences, too, and the ways in which they diverge have the greatest influence on the contrasts in their ballots. CMA voters, who represent a single format with a large bloc of members in the genre’s home city, operate with an air of protectionism.They tend to reward artists and projects that maintain country’s identity, even as they help the genre progress. They’re also prone to honor people they see on a regular basis, meaning the nominees mostly live in Music City or visit and mingle often. As a result, Megan Moroney, Parker McCollum, Lady A, Maddie & Tae, Brooks & Dunn and Old Dominion are all CMA contenders, though they didn’t quite make the Grammy ballot.
Grammy voters, following the dictates of creativity, are more likely to celebrate songs and artists that color outside the lines. The academy tends to champion specific artists for long periods of time, but even those Grammy favorites who have strong traditional roots — such as Willie Nelson and Kacey Musgraves, both of whom appear on the current ballot — arrived as rebel spirits. Likewise, the CMA has often celebrated country acts whose style straddles mainstream commercialism and left-of-center sounds, such as eclectic red-dirt artist Lyle Lovett, folky Mary Chapin Carpenter and honky-tonk firebrand Dwight Yoakam.
Traditional country icons George Strait and Alan Jackson further underscore the differences between the Grammys and the CMAs. They rank third and fourth on the all-time list of CMA winners, with 17 and 16 victories, respectively. But they have won only three Grammys between them.
Much was made about Beyoncè’s absence from this year’s CMAs, with a number of critics implying the snub was cold-stone racism in action. No doubt that played a role in some votes, but if that was the sole factor, it’s likely that neither Shaboozey -— who’s up for new artist and single of the year, with “A Bar Song (Tipsy)” — nor vocal duo nominees The War and Treaty would be on the ballot in the Nov. 20 ceremony.
To be certain, country has made a greater effort to support Black artists and executives in recent years. And many in the space were excited about the prospects of Beyoncè entering the country realm and perhaps expanding the genre’s audience.
But she announced quite pointedly that Cowboy Carter was a “Beyoncè album,” not solely a country release, and to many insiders, it sounds more like an artist playing with the sound than immersing herself in it. Given the choice, CMA voters — with their interest in maintaining country’s identity — were always likely to choose talents who seem like they’re committed to country over an artist dipping their toe in the water for one album. And in the fields where she seemed most likely to have a shot — album, single, song, musical event or female vocalist — it’s not like there’s a dud who doesn’t belong on the ballot.
By contrast, Post Malone spent plenty of face time with country creatives while making F-1 Trillion, investing himself in the culture and snagging four CMA nods in the process.
Ultimately, with CMA and Grammy nominees both waiting for the final results, the awards events’ differing views seem to embody the tug between tradition and progressiveness. The desire to protect the sound of the format is valid, as is the artful interest in pushing its limits and mixing it with other sounds and traditions.
The two awards shows, taken in combination, validate both viewpoints on the genre. Both shows, and both approaches to the music, are necessary. And welcome.
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Four of the five nominees for entertainer of the year – Luke Combs, Jelly Roll, Chris Stapleton and Lainey Wilson – are set to perform on the 2024 CMA Awards, which will air live from Bridgestone Arena in Nashville on Wednesday (Nov. 20). Of the nominees for entertainer of the year, only Morgan Wallen has not been announced as a performer on the broadcast.
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The show will be hosted by Luke Bryan, Peyton Manning and Wilson.
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Combs will perform “Ain’t No Love in Oklahoma,” the opening track on Twisters: The Album. The song topped Billboard’s Country Airplay chart for two weeks in September and October. Jelly Roll will join Brooks & Dunn on a performance of their 2006 classic, “Believe.” The hit won both single and song of the year at the 2006 CMAs.
Stapleton will perform twice on the show. He will sing “What Am I Gonna Do,” the opening track from his album Higher. He will also team with Post Malone to perform their “California Sober” collaboration from Posty’s album F-1 Trillion LP. (For his part, Post will also perform “Yours,” the closing track from F-1 Trillion.)
Wilson will perform her single “4x4xU,” which is currently up to No. 21 on Billboard’s Country Airplay chart. Her co-host, Bryan, will take the stage for “Love You, Miss You, Mean It,” which reached No. 2 on Country Airplay last month, becoming his 36th top 10 hit on that chart.
Shaboozey, a first-time nominee this year with two nods, will perform a medley of his breakthrough smash “A Bar Song (Tipsy)” — which has logged 17 weeks at No. 1 on the Billboard Hot 100 — and his new single, “Highway.”
Performing together for the first time, Thomas Rhett and Teddy Swims will offer a mash-up of Rhett’s “Somethin’ ’Bout a Woman,” from his new album About a Woman, and Swims’ “Lose Control,” a recent No. 1 hit on the Hot 100.
Dierks Bentley will be joined by Molly Tuttle, Sierra Hull and Bronwyn Keith-Hynes for a performance of Tom Petty’s 1976 classic, “American Girl.” Bentley performed the rock classic on this year’s Petty Country: A Country Music Celebration ofTom Petty.
There will also be a star-studded tribute in honor of George Strait, this year’s recipient of the CMA Willie Nelson Lifetime Achievement Award.
This year’s CMAs will include performances of two of this year’s nominees for musical event of the year. Langley and Green will perform “you look like you love me,” which is currently No. 7 on the Country Airplay chart. Ballerini and Kahan will perform “Cowboys Cry Too,” which reached No. 27 on that chart in July.
Other performances set for the show include Moroney’s “Am I Okay?” Musgraves’ “The Architect” and Zimmerman’s “New to Country.”
Presenters on the show include a wide range of artists, actors and athletes. The Oak Ridge Boys will appear, just four months after the death of longtime member Joe Bonsall at age 76. Two nominees for new artist of the year, Nate Smith and Mitchell Tenpenny, are also set to present. Other country artists lined up to present include Clint Black, Jordan Davis, Little Big Town, Dustin Lynch and Carly Pearce. Pop singer and entertainer Katharine McPhee will also be on hand to present during the show.
Actors set to take the stage include Jeff Bridges, Mark Collie, Don Johnson, Taylor Frankie Paul, Daniel Sunjata and Billy Bob Thornton. Olympic Gymnast Simone Biles and first baseman for the world champion Los Angeles Dodgers Freddie Freeman will also present.
Country Music’s Biggest Night is set to air live from Bridgestone Arena in Nashville on Wednesday from 8:00-11:00 p.m./ET. It will air on ABC be available for streaming the next day on Hulu.
The 58th Annual CMA Awards is a production of the Country Music Association. Robert Deaton is the executive producer. Alan Carter is the director and Jon Macks is the head writer.
Check out a complete list of performers and presenters below. If any additional names are announced, they will be added to this report.
Performers
Kelsea Ballerini
Dierks Bentley
Brooks & Dunn
Luke Bryan
Eric Church
Luke Combs
Riley Green
Sierra Hull
Jelly Roll
Cody Johnson
Noah Kahan
Bronwyn Keith-Hynes
Ella Langley
Ashley McBryde
Megan Moroney
Kacey Musgraves
Post Malone
Thomas Rhett
Shaboozey
Chris Stapleton
Teddy Swims
Molly Tuttle
Lainey Wilson
Bailey Zimmerman
Presenters
Simone Biles
Clint Black
Jeff Bridges
Mark Collie
Jordan Davis
Freddie Freeman
Don Johnson
Jackson Laux
Little Big Town
Dustin Lynch
Katharine McPhee
The Oak Ridge Boys
Taylor Frankie Paul
Carly Pearce
Caleb Pressley
Nate Smith
Daniel Sunjata
Mitchell Tenpenny
Billy Bob Thornton
The annual Governor’s Awards, where honorary awards are presented by The Academy of Motion Picture Arts & Sciences, are usually a celebration. This year’s 15th edition was a happy occasion too, but it was muted by the fact that one of the honorees, Quincy Jones, died on Nov. 3, just two weeks before the awards […]
11/15/2024
All 16 performances shined, but there were standouts. Here, we rank them from 16 to 1.
11/15/2024
Each year, the Recording Academy tweaks its Grammy nominations list with changes and corrections. That’s to be expected in a list of 94 categories, which contains hundreds of entries and thousands of names. When the nominations for best compilation soundtrack for visual media were announced a week ago, the information provided was incomplete; the Academy has now filled in those credits.
Film stars Ryan Reynolds and Bradley Cooper are among the nominees that category. (Cooper was listed as a nominee last week, but more information has been provided.) This is Reynolds’ second Grammy nomination. He was previously nominated in this category for Deadpool 2 six years ago. This is Cooper’s fourth nod. He is a two-time Grammy winner. He won in this category five years ago for A Star Is Born and also won for best pop duo/group performance for “Shallow,” his Hot 100-topping collab with Lady Gaga.
Interesting note: The directors of four of the films that are represented in this category received Grammy nods as soundtrack compilation producers. They are Blitz Bazawule (The Color Purple), Shawn Levy (Deadpool & Wolverine), Cooper (Maestro) and Emerald Fennell (Saltburn). (Lee Isaac Chung, the director of Twisters, which spawned the fifth nominee in the category, is not nominated for the soundtrack.)
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Stephen Bray is among the nominated compilation producers of The Color Purple. This is his seventh Grammy nomination; his third for this lucrative property. He was nominated for best musical theater album for the Broadway show in 2007 and won for best musical show album for a revival of the show in 2017. Fun Fact: Bray received his first Grammy nod in 1988 as a member of The Breakfast Club, nominees for best new artist.
Per long-established academy practice, names listed in parentheses are not nominees. They are shown just for identification purposes.
Here are the nominees for best compilation soundtrack for visual media.
The Color Purple
(Various Artists)
Nick Baxter, Blitz Bazawule, and Stephen Bray, compilation producers
Jordan Carroll and Morgan Rhodes, music supervisors
Deadpool & Wolverine
(Various Artists)
Dave Jordan, Shawn Levy & Ryan Reynolds, compilation producers
Dave Jordan, music supervisor
Maestro: Music By Leonard Bernstein
Bradley Cooper, Yannick Nezet-Seguin (London Symphony Orchestra), artists
Bradley Cooper, Yannick Nézet-Séguin & Jason Ruder, compilation producers
Steven Gizicki, music supervisor
Saltburn
(Various Artists)
Emerald Fennell, compilation producer
Kirsten Lane, music supervisor
Twisters: The Album
(Various Artists)
Ian Cripps, Brandon Davis, Joe Khoury & Kevin Weaver, compilation producers
Mike Knobloch & Rachel Levy, music supervisors
Luke Bryan, a co-host of this year’s CMA Awards and a two-time CMA entertainer of the year winner, is set to guide viewers through country music’s current moment, offering fans a journey into the artists, songs and stories that have led the genre over the past year, when he hosts the ABC News special Vegas Lights & Country Nights: Countdown to the CMA Awards — A Special Edition of 20/20.
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The one-hour special will air Tuesday, Nov. 19, at 10:01 p.m. ET on ABC, and will stream the following day on Hulu and Disney+.
Filmed in Las Vegas, the special will take fans behind-the-scenes as country music gears up for the 58th Annual CMA Awards. The awards ceremony is hosted by Bryan, Peyton Manning and Lainey Wilson, and will air live from Nashville’s Bridgestone Arena on Wednesday, Nov. 20, on ABC, and the following day on Hulu.
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Vegas Lights & Country Nights will feature Jason Aldean, who will sit down for a candid discussion of his career history in Vegas, at his new Jason Aldean Kitchen+Bar Vegas location; he will also surprise first responders from 2017’s Route 91 Harvest Festival with an intimate musical performance. Bryan’s fellow American Idol judge and eight-time Grammy winner Carrie Underwood will take fans behind the curtains of her Reflection: The Las Vegas Residency, while Blake Shelton will show fans around his Ole Red Las Vegas bar while talking about his life and upcoming residency.
From there, Keith Urban will also reflect on his new album, High, and his Las Vegas residency, while Shaboozey will discuss his breakthrough year and his 17-week Billboard Hot 100 No. 1 hit “A Bar Song (Tipsy).” Shaboozey has two nominations leading into this year’s CMA Awards, including new artist of the year and single of the year for “A Bar Song (Tipsy).”
The special will also feature conversations with Thomas Rhett, who will launch a limited Las Vegas residency in December, as well as Carly Pearce, who offers an all-access pass to her “Hummingbird” tour stop in Las Vegas. Dustin Lynch, Brandi Cyrus and the YEEDM DJ duo VAVO will also provide an exclusive behind-the-scenes look at their performances at the Professional Bull Riders after-party.
Vegas Lights & Country Nights: Countdown to the CMA Awards – A Special Edition of 20/20 is produced by ABC News Studios and 20/20. Emily Whipp serves as executive producer, and Janice Johnston is senior executive producer. Monica Escobedo serves as senior entertainment producer.
Get an early look at the ABC News special below:
When the Academy of Motion Picture Arts and Sciences releases its Academy Award shortlists in 10 categories on Dec. 17, the most immediately obvious change from past years will be that the number of shortlisted scores will jump from 15 to 20. The best song shortlist will remain at 15.
Nominations-round voting runs Jan. 8-12, and nominations will be announced Jan. 17. Final-round voting runs Feb. 11-18, and the 2025 Oscars will be held March 2. Billboard highlights some of the potential nominees in the best original song and best original score categories below.
“Forbidden Road”Sacha Skarbek, Freddy Wexler, Robbie WilliamsBetter Man, Paramount
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Better Man is a biographical film about British pop star Williams, who is portrayed as a chimpanzee through use of motion capture. All three co-writers are past Grammy Award nominees. Skarbek was nominated for song of the year for co-writing James Blunt’s “You’re Beautiful”; Wexler for album of the year for his songwriting contributions to the deluxe edition of Justin Bieber’s Justice; and Williams for a pair of music videos.
“Winter Coat”Nicholas Britell, Steve McQueen, Taura StinsonBlitz, Apple Original Films
Stinson was previously nominated in this category for co-writing “Mighty River” from Mudbound. If she’s nominated again, she’ll tie Siedah Garrett as the Black woman with the most nods in this category. Britell is a three-time nominee for best original score. Blitz director McQueen won a best picture Oscar as a producer on his film 12 Years a Slave in 2013.
“Never Too Late”Elton John, Brandi Carlile, Andrew Watt, Bernie TaupinElton John: Never Too Late, Walt Disney Pictures
John is a two-time winner of best original song for “Can You Feel the Love Tonight” from The Lion King and “(I’m Gonna) Love Me Again” from Rocketman. Taupin was a co-winner on the latter. Carlile has received four Grammy nods for song of the year, John has received two and Watt one. John’s victory lap also includes an EGOT-clinching Emmy win for Elton John Live: Farewell From Dodger Stadium.
“El Mal”Clément Ducol, Camille Dalmais, Jacques AudiardEmilia Pérez, Netflix
Ducol and his personal and professional partner, Dalmais, composed the score and collaborated on the songs for this film. Audiard, the film’s writer, director and co-producer, joined them in writing this song. The film premiered in May at the Cannes Film Festival, where the couple won the soundtrack award. In addition to her film work, Dalmais has recorded five albums in her native France.
“Mi Camino”Clément Ducol, Camille DalmaisEmilia Pérez, Netflix
Emilia Pérez is one of three films with a reasonably good chance of placing two songs on the best original song shortlist. Piece by Piece and Twisters could also do it. Last year, three films had multiple songs on the shortlist: Barbie led with three (two of which went on to be nominated), and The Color Purple and Flora and Son each had two.
“Beautiful That Way”Miley Cyrus, Lykke Li, Andrew WyattThe Last Showgirl, Roadside Attractions
Wyatt won in this category in 2019 for co-writing “Shallow” from A Star Is Born. He was nominated at this year’s Oscars for co-writing “I’m Just Ken” from Barbie. Wyatt has received three Grammy nods for song of the year for co-writing “Shallow,” Bruno Mars’ “Grenade” and Dua Lipa’s “Dance the Night.” Cyrus was nominated in that category at the 2024 ceremony for “Flowers.” This would be her first Oscar nod.
“Beyond”Abigail Barlow, Emily BearMoana 2, Walt Disney Pictures
Songwriter-composer duo Barlow & Bear won a Grammy in 2021 for best musical theater album for The Unofficial Bridgerton Musical. This would be the first song by an all-woman team to be nominated in this category since the Diane Warren-Laura Pausini collaboration “Io sì (Seen)” from The Life Ahead four years ago. Lin-Manuel Miranda was nominated in this category for writing “How Far I’ll Go” from the first Moana, released in 2016.
“I Always Wanted a Brother”Lin-Manuel MirandaMufasa: The Lion King, Walt Disney Pictures
Miranda has been just an Oscar away from an EGOT since 2014, when he won his first Primetime Emmy. He has been Oscar-nominated twice for writing “How Far I’ll Go” from Moana and “Dos Oruguitas” from Encanto. None of the songs from the 2019 reboot of The Lion King were nominated, but three were from the 1994 original, all written by Elton John and Tim Rice.
“For Real”Pharrell WilliamsPiece by Piece, Focus Features
Piece by Piece is an animated film co-produced and directed by Morgan Neville, who won an Oscar for best documentary (feature) in 2014 for directing 20 Feet From Stardom. It follows the life and career of Williams, who stars in the film, through the lens of Lego animation. The movie also features the voices of Gwen Stefani, Kendrick Lamar, Timbaland, Justin Timberlake, Busta Rhymes, Jay-Z and Snoop Dogg.
“Piece by Piece”Pharrell WilliamsPiece by Piece, Focus Features
Williams was nominated for best original song for “Happy” from 2013’s Despicable Me 2. The song topped the Billboard Hot 100 for 10 weeks after he performed it at the 2014 Oscars. He received a second Oscar nod three years later as a producer of best picture nominee Hidden Figures. Williams has amassed 39 Grammy nods, including one for song of the year for co-writing Kendrick Lamar’s “Alright.”
“The Journey”Diane WarrenThe Six Triple Eight, Netflix
If Warren is nominated, she’ll tie midcentury lyricist Sammy Cahn for the longest streak of consecutive nominations (eight) in the history of the category. (Cahn was a contender every year from 1954 to 1961.) This would be Warren’s 16th overall nod in this category, more than any other woman. Among women, she’s currently tied with the late Marilyn Bergman.
“Ain’t No Love in Oklahoma”Jessi Alexander, Luke Combs, Jonathan SingletonTwisters, Universal
All three co-writers have received Grammy nods for best country song — Alexander for co-writing Blake Shelton’s “Mine Would Be You” and Lee Brice’s “I Drive Your Truck,” Combs for co-writing his own hit “Doin’ This” and Singleton for co-writing Tim McGraw’s “Diamond Rings and Old Barstools.” Twisters: The Album reached No. 3 on Billboard’s Top Country Albums chart and No. 7 on the Billboard 200.
“Out of Oklahoma”Lainey Wilson, Luke Dick, Shane McAnallyTwisters, Universal
McAnally is a two-time Grammy winner for best country song for co-writing the Kacey Musgraves hits “Merry Go ’Round” and “Space Cowboy.” Last year, he received a Grammy nod for songwriter of the year, non-classical. Dick was nominated for best country song for co-writing Miranda Lambert’s “Bluebird.” Wilson’s Bell Bottom Country won a Grammy for best country album in February.
“Kiss the Sky”Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali TamposiThe Wild Robot, DreamWorks Animation
Pollack received a Grammy nod for song of the year for co-writing Miley Cyrus’ “Flowers.” The Johnson brothers were nominated in that category for co-writing the Zedd, Maren Morris and Grey smash “The Middle”; Tamposi for co-writing Kelly Clarkson’s “Stronger (What Doesn’t Kill You).” Morris has received five Grammy nods for best country song. Singer-songwriter Delacey has written such hits as Halsey’s “Without Me,” which topped the Hot 100 in 2019.
“Harper and Will Go West”Sean Douglas, Kristen Wiig, Josh GreenbaumWill & Harper, Netflix
Wiig was an Oscar nominee for best original screenplay for co-writing the 2011 smash Bridesmaids. She co-wrote four songs for the 2021 film Barb and Star Go to Vista Del Mar. Douglas received a Grammy nod for best country song for co-writing the Thomas Rhett hit “Die a Happy Man.” Greenbaum directed and co-produced this film, which stars Will Ferrell and Harper Steele.
Alien: Romulus (20th Century Studios)Benjamin Wallfisch
This would be Wallfisch’s first Oscar nod. He received Grammy and Golden Globe nods for Hidden Figures and BAFTA and Grammy nods for Blade Runner 2049. Alien: Romulus is part of the Alien franchise, set between the events of Alien (1979) and Aliens (1986). Fun fact: Wallfisch was born less than three months after the release of the first Alien.
Blitz (Apple Original Films)Hans Zimmer
Zimmer has received 12 nominations in this category across five decades. He won for The Lion King (1994) and Dune (2021). Steve McQueen wrote, produced and directed Blitz, a historical war drama. The film stars four-time Oscar nominee Saoirse Ronan, Harris Dickinson and Elliot Heffernan in his film debut. Following a theatrical run, Blitz is set for a streaming release on Apple TV+ on Nov. 22.
The Brutalist (A24)Daniel Blumberg
This would be the first nomination for Blumberg, an English artist, musician, songwriter and composer. The Brutalist stars Adrien Brody as Hungarian Jewish architect László Tóth, who survives the Holocaust and constructs a new life in America. The film, which also stars Felicity Jones and Guy Pearce, is scheduled to be released in the United States on Dec. 20.
Challengers (Amazon MGM)Trent Reznor, Atticus Ross
Reznor and Ross have received three nominations in this category, winning for The Social Network (2010) and Soul (2020), the latter a collaboration with Jon Batiste. In addition, they have jointly won an Emmy, two Grammys and two Golden Globes for their scoring work. Luca Guadagnino directed Challengers, about the love triangle between a tennis coach (Zendaya), her tennis player ex-boyfriend (Josh O’Connor) and her tennis champion husband (Mike Faist).
Conclave (Focus Features)Volker Bertelmann
Bertelmann won in this category for 2022’s All Quiet on the Western Front. He was previously nominated for Lion, on which he collaborated with Dustin O’Halloran. Conclave is a mystery-thriller directed by Edward Berger, who also directed All Quiet on the Western Front. In this film, a cardinal played by Ralph Fiennes organizes a papal conclave to elect the next pope. The film also stars Stanley Tucci, John Lithgow and Isabella Rossellini.
Emilia Pérez (Netflix)Clément Ducol, Camille Dalmais
Emilia Pérez premiered in May at the Cannes Film Festival, where it won the Jury Prize and its stars (Karla Sofía Gascón, Selena Gomez, Adriana Paz and Zoe Saldaña) jointly won the best actress award. Pathé released the film theatrically in August. It was selected as the French entry for best international feature film at the upcoming Oscars.
The Fire Inside (Amazon MGM)Tamar-kali
This would be the first nod for Tamar-kali, whose previous scores include Mudbound and the documentaries John Lewis: Good Trouble and Little Richard: I Am Everything. The Fire Inside, which tells the story of professional boxer Claressa “T-Rex” Shields (played by Ryan Destiny) as she trains for the 2012 Summer Olympics, is set for release on Christmas Day. The film marks Rachel Morrison’s feature directorial debut.
Gladiator II (Paramount Pictures)Harry Gregson-Williams
This would be Gregson-Williams’ first nod. Hans Zimmer was nominated for scoring the original 2000 film, which won five Oscars including best picture. Ridley Scott directed both the original movie and this long-awaited sequel, which stars Paul Mescal, Pedro Pascal and Denzel Washington — but not Russell Crowe, who won the best actor Oscar for the first film. Gladiator II is scheduled to be released in the United States on Nov. 22.
The Goat Life (Netflix)A.R. Rahman
Rahman won for scoring Slumdog Millionaire (2008) and was nominated again two years later for 127 Hours. The Goat Life was written, directed and co-produced by Blessy. The film is an international co-production involving companies in India and the United States. It’s an adaptation of the 2008 Malayalam novel Aadujeevitham, which is based on the real-life story of Najeeb, a Malayali immigrant laborer in the Gulf.
Here (Sony Pictures)Alan Silvestri
Silvestri was nominated for scoring 1994’s Forrest Gump, that year’s best picture winner. This film reunites the director (Robert Zemeckis), screenwriter (Eric Roth) and stars (Tom Hanks and Robin Wright) of that film. Silvestri was also nominated for best original song for co-writing “Believe” from yet another Hanks film, The Polar Express. Here depicts a single home and its inhabitants over time.
From left: Ryan Reynolds in IF, Inside Out 2, Zendaya in Challengers, Lady Gaga in Joker: Folie à Deux and The Wild Robot.
illustrations by Klawe Rzeczy
IF (Paramount Pictures)Michael Giacchino
Giacchino was nominated for scoring Ratatouille (2007) and won two years later for Up. John Krasinski wrote, directed, co-produced and co-starred in IF, which combines live-action and animation. The cast also features Cailey Fleming, Ryan Reynolds and Fiona Shaw. The film’s soundtrack includes a pair of pop classics, Tina Turner’s “Better Be Good to Me” and Nat “King” Cole’s “L-O-V-E.”
Inside Out 2 (Pixar)Andrea Datzman
With this release, Datzman became the first woman to score a Pixar feature film. This would be her first Oscar nomination. Datzman previously composed the music for the Pixar short Carl’s Date (2023) and co-scored the studio’s animated-shorts series Dug Days (2021) with Curtis Green. The first Inside Out (scored by Michael Giacchino) received two Oscar nods but was passed over in this category.
Joker: Folie à Deux (Warner Bros.)Hildur Guðnadóttir
Hildur won for scoring the first Joker. This sequel bombed at the box office and critics generally panned it, but the film’s music earned praise. If Hildur’s score is nominated, she would become the third woman to receive two or more nods in scoring categories, following Rachel Portman (who leads with three) and Angela Morley (who had two nods in the defunct original song score or adaptation score category).
Nickel Boys (Amazon MGM/Orion)Alex Somers, Scott Alario
This would be the first nomination for Somers and Alario, who were members of the Icelandic experimental duo Parachutes that recorded two albums and an EP in the 2000s. Nickel Boys is based on the 2019 novel of the same name by Colson Whitehead. RaMell Ross directed and co-wrote the film, which follows two African American boys, Elwood and Turner, who are sent to an abusive reform school in 1960s Florida.
Nosferatu (Focus Features)Robin Carolan
This would be Carolan’s first nod. Nosferatu is a gothic horror film written and directed by Robert Eggers. It’s a remake of a 1922 German film, which was in turn based on Bram Stoker’s 1897 novel Dracula. The film stars Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin and Willem Dafoe. Nosferatu is scheduled for theatrical release in the United States on Christmas Day.
The Piano Lesson (Netflix)Alexandre Desplat
Desplat has amassed 11 nominations in this category, winning for The Grand Budapest Hotel (2014) and The Shape of Water (2017). The Piano Lesson is an adaptation of the Pulitzer Prize-winning 1987 play by August Wilson. It stars Samuel L. Jackson, John David Washington and Erykah Badu. Washington is the brother of the film’s director, Malcolm Washington (who is making his feature directorial debut). Their father is two-time Oscar-winning actor Denzel Washington.
Queer A24Trent Reznor, Atticus Ross
If Reznor and Ross are nominated for both Challengers and Queer, it would be the second time they were double-nominated in this category. They were in contention for both Soul and Mank four years ago. Luca Guadagnino directed Queer, which is based on a 1985 novel of the same name by William S. Burroughs. Set in 1950s Mexico City, the film stars Daniel Craig and Drew Starkey.
The Room Next Door (Sony Pictures Classics)Alberto Iglesias
Iglesias has garnered four nominations in this category for The Constant Gardener (2005), The Kite Runner (2007), Tinker Tailor Soldier Spy (2011) and Parallel Mothers (2021). The Room Next Door marks his 14th collaboration with director Pedro Almodóvar. This film is Almodóvar’s first full-length feature in the English language and scheduled for a limited release in the United States on Dec. 20.
Saturday Night (Sony Pictures)Jon Batiste
Batiste won in this category for 2020’s Soul, a collaboration with Trent Reznor and Atticus Ross. He was nominated for best original song last year for co-writing “It Never Went Away” from American Symphony. Saturday Night, directed by Jason Reitman, recounts the night of the 1975 premiere of NBC’s Saturday Night (as Saturday Night Live was originally called). In addition to scoring the film, Batiste plays Billy Preston, who performed on that first episode.
The Wild Robot (DreamWorks Animation)Kris Bowers
Bowers has received two Oscar nominations but not in music categories. He was nominated for best documentary short film for A Concerto Is a Conversation (2020) and won in that category for The Last Repair Shop (2023). Chris Sanders, a three-time Oscar nominee for best animated feature film, wrote and directed The Wild Robot, which features the voices of Lupita Nyong’o, Pedro Pascal and Catherine O’Hara.
Additional reporting by Melinda Newman.
This story appears in the Nov. 16, 2024, issue of Billboard.