Awards
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Michael Goldstone, founder and co-owner of Mom + Pop Music, will receive the second annual Seymour Stein Global A&R Award from MUSEXPO and A&R Worldwide. The award will be presented during the International Music Industry Awards gala on March 19, 2025, at the conclusion of the 25th global edition of MUSEXPO, which is set to take place in Burbank, Calif.
This award holds special significance for Goldstone, who moved to Stein’s Sire Records in 2003. While at Sire, Goldstone’s signings included Regina Spektor, Tegan and Sara and The Veronicas.
Prior to Sire, Goldstone worked in various capacities (PR, marketing, artist development and ultimately A&R) at Chrysalis, MCA, PolyGram, Epic and DreamWorks.
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In May 2008, Goldstone left Sire to launch the indie label Mom + Pop Music Company together with Peter Mensch and Cliff Burnstein of Q Prime management. Goldstone and Mom + Pop Music co-owner Thaddeus Rudd were named to Billboard’s 2024 Indie Power Players list, where Goldstone said being indie means “Staying true to artistic integrity and collaboration. We deeply value the relationships that we’ve built with our artists and take pride in empowering creative freedom.”
The Seymour Stein Global A&R Award celebrates excellence in A&R worldwide, and the spirit of discovery in music. The award was created by Sat Bisla, president & founder, A&R Worldwide/MUSEXPO; Sire co-founder Richard Gottehrer; and Mandy Stein, Seymour’s daughter.
The inaugural recipient was Wendy Goldstein, president/chief creative officer of Republic Records. She received the honor on March 20, 2024, during a gala dinner on the final night of the four-day MUSEXPO conference.
Seymour Stein died in April 2023 at age 80. His signings — including Madonna, Talking Heads, The Ramones, The Pretenders, Depeche Mode and The Cure — left an indelible mark on the music landscape. His dedication to the art of A&R made him a legendary figure in the music industry. This award seeks to celebrate and perpetuate his legacy.
Stein received the Ahmet Ertegun Award at the Rock and Roll Hall of Fame in 2005. In 2012, he received Billboard’s Icon Award at MIDEM. In 2018, he received a trustees award from the Recording Academy (alongside composer John Williams and the late concert promoter Bill Graham).
Benson Boone, Halsey, Lenny Kravitz and LISA have been added to the roster of artists slated to perform at the 2024 MTV Video Music Awards live on Wednesday, Sept. 11 at 8 p.m. ET/PT from New York’s UBS Arena.
This will be newcomer Boone’s first VMAs performance; LISA’s first as a solo artist. She performed with BLACKPINK on the 2022 show singing “Pink Venom.”
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Halsey, who will be performing a new song off of her upcoming album, last performed on the VMAs in 2016. She teamed with The Chainsmokers for their collab “Closer,” a No. 1 hit on the Billboard Hot 100.
Kravitz last performed on the VMAs in 1998, when he accompanied Madonna on her smash “Ray of Light.” Kravitz last performed on the show as a lead artist in 1993 when he sang “Are You Gonna Go My Way,” joined by John Paul Jones, formerly of Led Zeppelin.
LISA is nominated for four awards this year, Boone for three, Kravitz for one.
LISA, Halsey and Kravitz are all past VMA winners. In 2022, LISA became the first Korean solo artist to win a VMA when she took best K-Pop for “Lalisa.” Halsey won best K-Pop in 2019 as a featured artist on BTS’s “Boy With Luv.” Kravitz won best male video in 1993 for “Are You Gonna Go My Way.”
Boone is competing with a previously announced performer, Chappell Roan, for best new artist. The other nominees in that category are Gracie Abrams, Shaboozey, Teddy Swims and Tyla.
Taylor Swift leads the nominations for the 2024 MTV Video Music Awards, with 10 nods. Her “Fortnight” collaborator Post Malone is second, with nine nods – eight in tandem with Swift plus one for his hit “I Had Some Help,” featuring Morgan Wallen. They are followed by Ariana Grande, Eminem and Sabrina Carpenter (six nods each); Megan Thee Stallion and SZA (five each), and LISA, Olivia Rodrigo and Teddy Swims (four each).
Other artists with multiple nominations are Anitta, Benson Boone, Bleachers, GloRilla, Dua Lipa and Tyla, with three each; and Bad Bunny, Billie Eilish, Chappell Roan, Charli XCX, Coldplay, Drake, Jelly Roll, Jessie Murph, Jung Kook, Latto, Raux Alejandro, Sexyy Red, Tate McRae, Usher and Victoria Monét, with two each.
Fans can vote for their favorites across 15 gender-neutral categories by visiting vote.mtv.com through Friday, Aug. 30. Voting for best new artist will remain active into the show on Wednesday, Sept. 11. Nominations in social categories will be announced at a later date.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers for the 2024 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Big Loud artists Morgan Wallen, HARDY and Ernest are set to celebrate Big Loud partner/CEO Seth England, as the T.J. Martell Foundation honors England with the lifetime music industry award during its 49th annual New York Honors Gala.
The event marks the T.J. Martell Foundation’s primary fundraiser of the year and supports the organization’s mission of curing cancer through funding high-risk, high-reward research with the aim of advancing early detection, screening and treatments. The lifetime music industry award honors England’s impact on the music industry, but also his steadfast support for the T.J. Martell Foundation’s mission.
The New York Honors Gala will take place at Cipriani 42nd Street in New York City on Tuesday, Sept. 17. Wallen, HARDY and Ernest will lead a writers’ round performance. The evening will also include a fundraising auction, while Archie Davis, Def Jam’s chief creative officer/executive vp (who was honored with the New York Honors Gala rising music superstar award in 2023), is set to announce an initiative that will continue to raise awareness of early screening and testing.
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“We are thrilled to be honoring our distinguished music industry colleague and dear friend Seth England with this year’s Lifetime Music Industry Award to commemorate his deep commitment to the foundation,” said Steve Gawley, REPUBLIC Corps. executive vp of business & legal affairs and business development and chairman-elect of the Board of Trustees, T.J. Martell Foundation, via a statement. “We are proud to shine a spotlight on Seth’s dedicated efforts towards our cancer research as well as his pioneering work in the music world, and look forward to celebrating Seth and his achievements with an exhilarating night of music!”
England is the 2024 Billboard Country Power Players executive of the year, and the inaugural recipient of Billboard’s Country Power Players choice award, a peer-voted honor given to the country music executive that industry power players feel have made the most impact on the genre in that year.
The Big Loud Records roster of artists includes Wallen, HARDY, Ernest, Charles Wesley Godwin, Lauren Alaina, Larry Fleet, Lily Rose, Ashley Cooke, Lauren Watkins, Kashus Culpepper and more. Meanwhile Big Loud Publishing‘s clients include Cooke, Craig Wiseman, Jacob Durrett, Rocky Block and Rhys Rutherford. Big Loud Management‘s roster includes Ernest, HARDY, Cooke, Jake Worthington and more.
“As a longstanding proud member of the music industry, I am grateful to see the unwavering dedication and generosity that our music peers put forth to help propel this vital cancer research,” said John Esposito, Chairman of Board of Trustees, T.J. Martell Foundation, in a statement. “As we look ahead towards what will be the foundation’s 50th anniversary, this year’s gala is a great reminder of how far we have come as a foundation and how much further we still need to go in the fight against cancer.”
“We are incredibly thankful to the music community for uniting to support the foundation’s critical work in funding cancer research,” said Lynn-Anne Huck, CEO, T.J. Martell Foundation, in a statement. “Witnessing our donors rally around the fight against cancer and uphold the promise made between a father and his son is both beautiful and inspiring.”
The 49th Annual New York Honors Gala co-chair committee is comprised of music industry members including Ben Adelson, Tyler Arnold, Tom Corson, Archie Davis, John Esposito, Clint Higham, Monte Lipman, Avery Lipman, Rakiyah Marshall, Debbie Martell, Joey Moi, Brian O’Connell, Andre Stapleton, Julie Swidler, Greg Thompson, and Craig Wiseman.
The Museum of Broadcast Communications has revealed eight new Legends inductees into the Radio Hall of Fame for 2024, honoring the talents and work of on-air personalities, programmers and operators who have made considerable contributions to the radio industry, and who have since passed away.
The inductees include on-air personalities Chuck Blore, Alan Colmes, Charlie Douglas, Jim Ladd, Byron MacGregor, journalist Maria Martin, executive Percy Sutton and programming executive/on-air personality Rusty Walker.
The Radio Hall of Fame will honor its 2024 class of inductees at the 2024 Radio Hall of Fame induction ceremony on Thursday, Sept. 19, at the Omni Nashville in Nashville. 2022 Radio Hall of Fame inductee Lon Helton will serve as the master of ceremonies for the event.
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Dennis Green, co-chair of the Radio Hall of Fame, said in a statement, “These legends of broadcasting may have passed on, but their legacy and what they meant to the radio industry will never die. The Radio Hall of Fame Nominating Committee is honored to award Hall of Fame inductions to each of these individuals. May their contributions be a lasting tribute and inspiration for generations of broadcasters to emulate for years to come.”
Kraig Kitchin, co-chair of the Radio Hall of Fame, said in a statement, “Our nominating committee recognizes the history of our medium and the countless individuals who contributed to the dominant influence of radio for so many decades. Each of these individuals left an indelible mark on the audiences they connected with and the businesses that they were associated with. We’re grateful for their talents, and only regret that they were not able to receive this special recognition while alive.”
Blore served as a disc jockey and program director of several radio stations, launching his career in El Paso, Texas, before moving to Los Angeles in the late 1950s and overseeing KFWB-AM. He was known for identifying stellar on-air talent, including Gary Owens and Wink Martindale. Blore left day-to-day radio duties to form an advertising agency benefiting television networks and motion picture studios, among others with the agency producing thousands of radio and television commercials.
Colmes’s radio career includes years on WABC-AM and WNBC-AM in New York City, before being syndicated nationally on over 100 radio stations via Daynet, a radio syndication company he co-founded with other radio hosts. His program was eventually distributed by Fox News Radio, with Colmes offering a liberal viewpoint on American politics on broadcast radio. Colmes also appeared on television, as co-host with Sean Hannity on the Hannity & Colmes program, and later, as a frequent guest on The Greg Gutfeld Show, both on Fox News.
Douglas created the original all-night radio show for truckers in 1970, after joining WWL-AM in New Orleans. The Road Gang, hosted by Douglas, played country music and offered conversation and companionship for radio audiences that primarily included truck drivers. Douglas launched his career in Louisiana in 1953, and became a program director for the first time three years later in 1956 at KOCY-AM in Oklahoma City. He then worked at Asheville, N.C.; San Antonio, Dallas and Houston among other markets before joining WWL-AM. In 1983, he joined WSM-AM in Nashville as a host of The Music Country Network, before retiring in 1995 to devote his attention to music promotion firm Compact Disc Express. He also served as president of Country Radio Broadcasters for two terms and was inducted into the Country Music DJ Hall of Fame in 1994.
Southern California on-air personality Ladd was dubbed “The Last D.J.” by Tom Petty in 2002. Ladd was part of KNAC-FM in Los Angeles in 1967, before joining KLOS-FM in 1969 and then joined archival station KMET-FM in 1975, until the station switched formats in 1987. He then re-joined KLOS-FM to host an evening program for 24 years. In 2011, he became an on-air personality for SiriusXM, staying on the air until his death in December 2023.
MacGregor is known for many years on-air in Detroit, Mich. MacGregor became news director at CKLW-AM by the age of 22. His career also included time at the CBS Radio-owned all-news station WWJ-AM, where he served as both morning and afternoon drive anchor during his 13 years with the station.
Martin was first heard on the first Latino-owned community radio station in the U.S., at KBBF-AM in Santa Rosa, Calif. She then joined National Public Radio (NPR) and became an editor of their program Latin File. Martin was the network’s first Latin American Affairs Editor on their national desk, and left NPR in 1993 to launch the English-language program Latino USA, to reflect the experiences of the Latino community.
Sutton founded the Inner City Broadcasting in New York City in 1970 and the company purchased its first station, WLIB-AM, in 1972, making it the first Black-owned radio station in New York. The company later acquired WBLS-FM and purchased stations in 10 more U.S. cities. As the stations programmed R&B music and later, urban contemporary music, talk radio programs also played a vial role in the community of listeners. As founder and chairman, Sutton became known as “The Godfather of Urban Radio.” In 1981, Sutton and his investment partners purchased the Apollo Theater in Harlem. The theater was renovated and reopened in 1985 and included a cable television studio that was used to produce the variety show It’s Showtime at the Apollo.
Country music radio personality and radio station programmer Walker served as a country music radio personality and station programmer before founding Rusty Walker Programming Consultants in 1983, and becoming a revered consultant to many country music formatted stations and helping over 500 radio stations with their music selections, on-air personality coaching, promotional support and more. For seven consecutive years, Walker was named Billboard‘s consultant of the year, and in 2024 the Country Radio Hall of Fame inducted Walker, recognizing his industry impact.
The Radio Hall of Fame was founded by the Emerson Radio Corporation in 1988, and the Museum of Broadcast Communications took over operations of the Hall in 1991.
This time of year, Tony Brown is frequently reminded of his work with Elvis Presley.
On Aug. 16, 1977, he was at the Nashville Airport with several other Presley band members waiting for a plane that would take them to Portland, Maine, for a show. Instead, Colonel Tom Parker sent word that the tour was off and they should go home. In his car, Brown heard on the radio that Presley had died. If the DJ had teed up Presley’s then-current “Way Down,” Brown would have heard himself playing piano even as his world tipped over.
“My first thought was, ‘Now what am I going to do, man?’ ” Brown recalls. “ ‘I already spent the money I was going to make on that tour.’ ”
Brown’s doubts about his future were understandable, though with hindsight, they were temporary. He got a job in the RCA A&R department, and in a few short years, Brown led the MCA A&R department, where he became one of country’s leading creative figures, pushing the genre’s edge through his 1980s work with Steve Earle, Lyle Lovett and Nanci Griffith. He would also play a significant role in shaping ’90s country — still very much in vogue in 2024 — through his productions of Vince Gill, Wynonna, Reba McEntire and George Strait.
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The Academy of Country Music will recognize Brown’s influence on the format’s direction on Aug. 21, as he receives the ACM Icon Award during the ACM Honors at Nashville’s Ryman Auditorium. During the event, to be hosted by Carly Pearce and Jordan Davis, trophies will also be bestowed upon the likes of Lainey Wilson, Chris Stapleton, Luke Bryan, Trisha Yearwood and Alan Jackson.
“Getting this award just sort of gives me, I don’t know, credibility in my mind that I’m not an old-timer,” Brown confesses.
He is, to be certain, in a different part of his career. Working at a label, particularly before laptop technologies and the internet became dominant, provided an opportunity to be at the hub of the creative activity, and it fed the extroverted part of his personality.
“Everybody would come to your office to play songs, and even the artists would come to your office to listen to songs together,” he says. “Now you need to call them up and say, ‘Do you want me to come to your place to listen to songs? Are you going to come to my place?’ And they go, ‘Just send them to me.’ It’s a whole different dynamic, and I’m not used to that. I’m a face-to-face kind of guy.”
The North Carolina-bred keyboard player grew up in a gospel environment — his evangelist father forbade him from listening to secular music. Studying with a piano teacher in Louisiana one summer as a teenager, he got introduced to country — particularly through Ray Charles’ Modern Sounds in Country and Western Music — and pursued that direction professionally. He played piano with Presley, The Oak Ridge Boys, Emmylou Harris and Rodney Crowell’s Cherry Bombs, and ultimately landed on Music Row, where his gospel background applied nicely. Gospel is a format defined by the words more than the sound, and Brown was keenly focused on lyrics as he signed singer-songwriters and picked material for his production clients. He frequently demanded song pluggers supply lyric sheets when they pitched material.
“I love the melodies,” he says, “but I really follow the lyric.”
Brown’s impressive rèsumè includes, just for starters, Crowell’s Diamonds & Dirt, Stapleton’s “What Are You Listening To?,” Wynonna’s “No One Else on Earth,” Yearwood’s “How Do I Live,” Gill’s “I Still Believe in You,” Strait’s “Blue Clear Sky,” David Lee Murphy’s“Dust on the Bottle,” Chely Wright’s“Single White Female,” Gary Allan’s“Smoke Rings in the Dark,” Steve Wariner’s“The Weekend,” Sara Evans’“A Little Bit Stronger” and Brooks & Dunn’s “Believe,” which infused Brown’s gospel history in both its sound and its lyric.
“I still cry, man,” Brown says of the recording. “It just makes me cry.”
But McEntire’s “Fancy,” he suggests, is probably the most famous of his productions. More than 30 years after its debut, its swampy tone — enhanced by Steve Gibson’sslide guitar — still feels current.
“Just before he walked out of the studio, he said, ‘Hey, let me put some slide Mac Gayden kind of thing on there,’ ” Brown notes. “It was kind of like an afterthought overdub. He put it on there, and it gives it that snaky kind of Deep South, snake-oil thing.”
Brown survived a horrific ordeal in April 2003, suffering a head injury when he slipped at a Santa Monica, Calif., restaurant. His mother died while he was hospitalized, and it left him with plenty to process as he began appearing in public again roughly two months later. He eventually discovered he was mired in depression.
“Depression is a strange thing — it’s hard to know you got it,” he says. “I didn’t realize it until I went to a therapist, and he figured it out. It’s nice to get out of it.”
Working in a freelance capacity, Brown admittedly doesn’t produce as many albums as he did at the height of his career, though he’s hardly finished. He oversaw a diverse-sounding 2023 album, Gaither Tribute: Award-Winning Artists Honor the Songs of Bill & Gloria Gaither, featuring Ronnie Dunn, Josh Turner, CeCe Winans and Jamey Johnson, among others. Brown also co-produced several of the tracks on Strait’s Cowboys and Dreamers, due Sept. 6, and he’s producing a portion of McEntire’s next project.
The ACM Icon Award is a welcome confirmation amid that renewed activity. The fear he had when the Presley gig came to a tragic halt isn’t much different from the uncertainties he still feels about his future as an independent contractor. When he was producing 13 albums a year, he took the work for granted. Now he has enough time between commitments to savor just how fortunate he has been — and to know he’s not ready to stop.
“I am totally pumped that this [award] popped up right now,” he says. “It’s a big deal.”
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The National Rhythm & Blues Hall of Fame has announced its 2024 class of inductees: Jeffrey Osborne, Kenny Lattimore, Candi Staton, Ginuwine, Regina Belle, Buddy Miles, William Bell, Terry Stewart, Rose Marie McCoy, Ken Hawkins, and the influential Boddie Recording Company.
Five of the 10 artists have topped Billboard’s Hot R&B/Hip-Hop Songs chart (or its predecessors). Belle topped it twice, with “Baby Come to Me” (1989) and “Make It Like It Was” (1990). Ginuwine also topped it twice, with “Pony” (1996) and “Differences” (2001). Three other artists each topped it once: Staton with “Young Hearts Run Free” (1976), Bell with “Tryin’ to Love Two” (1977) and Osborne with “She’s on the Left” (1988).
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Belle also topped the Billboard Hot 100 in 1993 with “A Whole New World (Aladdin’s Theme),” a collab with Peabo Bryson.
Additionally, special honors will be bestowed upon Leo’s Casino alumni, including Aretha Franklin, Gene Chandler, Chuck Conway, Sr., Martha Reeves, Fred Wheatt, Freddie Arrington, The Temptations, and The O’Jays.
These individuals and groups will be honored at the 13th annual National Rhythm & Blues Hall of Fame Induction Ceremony on Oct. 6. The event will take place at the Marriott Cleveland East in Warrensville Heights, Ohio.
“This year’s remarkable group of inductees exemplifies the rich diversity and influence of R&B music,” LaMont Robinson, founder of the National Rhythm & Blues Hall of Fame Foundation, said in a statement. “We are excited to return the ceremony to Metro Cleveland and celebrate the enduring legacy of Leo’s Casino, a vital part of the city’s music history from the 1960s.”
More than 300 R&B artists inducted since its National Rhythm & Blues Hall of Fame’s inception in 2013. The roster includes legends such as James Brown, Prince, B.B. King, New Edition, The O’Jays, The Temptations, Michael Jackson, Elvis Presley, Aretha Franklin, Jackie Wilson, and Whitney Houston.
Tickets for the event are $35 and $50. For ticket information and to learn more about the ceremony, visit WWW.RBHOF.COM.
In the 90 years that the Oscars have had a best original song category, just one songwriter has been nominated in that category eight years running. The late lyricist Sammy Cahn was nominated every year from 1954 through 1961, winning three times during that streak, for “Three Coins in the Fountain,” “All the Way” and “High Hopes,” all recorded by Frank Sinatra.
Diane Warren has a chance to tie Cahn’s record on Jan. 17, 2025, when the nominations for the 97th annual Academy Award are announced. Warren is pinning her hopes on the song “The Journey” from Tyler Perry’s upcoming World War II drama, The Six Triple Eight. Netflix is set to release the film later this year.
This would be Warren’s 16th career nomination in the category, a total reached by only three songwriters in history. Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster with 16. If she is nominated, Warren would pull ahead of Alan & Marilyn Bergman, who had 15 nominations in this category, making Warren the woman with the most nods in this category. (Unlike all of these other songwriters, Warren has yet to win in the category.)
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In an interesting plot twist, “The Journey” was recorded for the film’s soundtrack by H.E.R., who beat Warren for the Oscar in early 2021. “Fight for You” from Judas and the Black Messiah, which H.E.R. cowrote with Dernst Emile II (D’Mile) and Tiara Thomas, beat “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se), which Warren co-wrote with Laura Pausini. Warren’s song had earlier won the Golden Globe.
The Six Triple Eight showcases the contributions of the 6888th Central Postal Directory Battalion, an all-Black and all-woman battalion, in World War II. Perry wrote, directed and co-produced the film, which is based on historian Kevin M. Hymel’s article “WAC Corporal Lena Derriecott and the 6888th Central Postal Battalion,” which was published in the February 2019 issue of WWII History magazine.
The 6888th Central Postal Directory Battalion contributed to the war effort by sorting through a huge backlog of undelivered mail and delivering it to American soldiers. “The Journey” is described as “a tribute to those who face seemingly insurmountable barriers yet persevere and ultimately triumph” — a familiar theme in Warren’s film songs.
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H.E.R. recorded and released “The Journey” in 2023. It was featured in various in-game ESPN production elements throughout the channel’s NBA Playoffs coverage, starting April 15, 2023. Three months later, on July 12, she sang it live on the 2023 EPSY Awards.
So how can the song be eligible for best original song for a yet-to-be-released 2024 film and potentially compete for awards to be presented in 2025? Because Warren wrote the song for the film.
It was announced in December 2022 that Tyler Perry would be writing and directing the film at Netflix. In January 2023, the cast, including Kerry Washington, Sam Waterston, Susan Sarandon and Oprah Winfrey, was announced, with Washington also joining as an executive producer. Filming began on Jan. 17, 2023, in Atlanta.
Variety’s Clayton Thomas reports that there is precedent for songs with similar trajectories being nominated by the music branch, such as “In the Deep” from Crash (2005) and the Oscar-winning “Falling Slowly” from Once (2007).
In 2023, Warren became the first songwriter to receive an Honorary Oscar. The award was inscribed: “To Diane Warren, for her genius, generosity and passionate commitment to the power of song in film.”
In addition, she has won a Primetime Emmy, a Grammy and two Golden Globes – all for film songs. She was inducted into the Songwriters Hall of Fame in 2001 and received that organization’s top honor, the Johnny Mercer Award, in June.
Bess Kargman’s Diane Warren: Relentless documentary about Warren’s life premiered at SXSW in March.
Sammy Cahn’s Consecutive Oscar Nods
Here’s Cahn’s eight-year streak of best original song nominees. He wrote the lyrics to all of these songs. The composer is shown and the songs that won are flagged.
1954: “Three Coins in the Fountain” from Three Coins in the Fountain [Music by Jule Styne] [winner]
1955: (2 nods) “I’ll Never Stop Loving You” from Love Me or Leave Me [Music by Nicholas Brodszky] and “(Love Is) The Tender Trap” from The Tender Trap [Music by James Van Heusen]
1956: “Written on the Wind” from Written on the Wind [Music by Victor Young]
1957: “All the Way” from The Joker Is Wild [Music by James Van Heusen] [winner]
1958: “To Love and Be Loved” from Some Came Running [Music by James Van Heusen]
1959 (2 nods) “The Best of Everything” from The Best of Everything [Music by Alfred Newman] and “High Hopes” from A Hole in the Head [Music by James Van Heusen] [winner]
1960: “The Second Time Around” from High Time [Music by James Van Heusen]
1961: “Pocketful of Miracles” from Pocketful of Miracles [Music by James Van Heusen]
Diane Warren’s Consecutive Oscar Nods
And here’s Warren’s seven-year streak of best original song nominees. She wrote both music and lyrics by herself, except as shown.
2017: “Stand Up for Something” from Marshall [Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren]
2018: “I’ll Fight” from RBG
2019: “I’m Standing With You” from Breakthrough
2020: “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se) [Music by Diane Warren; Lyric by Diane Warren and Laura Pausini]
2021: “Somehow You Do” from Four Good Days
2022: “Applause” from Tell It like a Woman
2023: “The Fire Inside” from Flamin’ Hot
08/15/2024
Of the 10 double honorees, seven are women, two are men and just one is a group.
08/15/2024
The Nashville Songwriters Hall of Fame has revealed its slate of inductees for the Class of 2024, including Al Anderson, David Bellamy, Dan Penn, Liz Rose and Victoria Shaw.
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This year’s inductees in the contemporary songwriters category are Al Anderson and Liz Rose, while Dan Penn and Victoria Shaw are feted in the veteran songwriters category, and Bellamy is honored in the veteran songwriter-artist category.
During a press conference held the Columbia A Studio in Nashville, Nashville Songwriters Board of Directors chair Rich Hallworth opened the announcement event, while Nashville Songwriters Hall of Fame executive director Mark Ford announced this year’s inductees. Ford also revealed that singer-songwriter Brad Paisley is the winner of this year’s contemporary artist/songwriter category, but will be inducted as part of next year’s class, due to a scheduling conflict.
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“This is surreal, absolutely surreal,” Shaw said in reaction to the news. “I love this business. I love the art of songwriting. I’m still stunned and deeply grateful.”
Penn took the stage and said, “It’s a privilege to be inducted into the Nashville Songwriters Hall of Fame alongside so many of my friends.” He added, “I’ve had the blessing of writing with so many talented people here over the years…I’m grateful to be here and proud to be included in such fine company.”
Anderson could not be there in person, but accepted via video. “To be accepted into this group is such a privilege,” Anderson said.
Rose was not in attendance, but said via video, “Wow, I’m really blown away. Thank you so much to the Nashville Songwriters Hall of Fame. This is really sinking in right now and I’m so sad that I’m not there. I’m out of town writing songs. I’m really excited to be in this amazing group of the best songwriters in the world.”
Bellamy, known for his songwriting craft and for his work with his brother Howard as part of The Bellamy Brothers, took the stage, saying, “I’m still in shock. Thank you so much. I have to thank Howard because he was probably the best sounding board for a songwriter. He’ll tell you if he doesn’t like something. He’s always been critical of my work and it’s made it better.” Bellamy wrote many of the songs he recorded with his brother, including their signature 1979 track “If I Said You Had a Beautiful Body (Would You Hold It Against Me).”
Among Anderson’s writer credits are Tim McGraw’s “The Cowboy in Me,” Carlene Carter’s “Every Little Thing,” Trisha Yearwood’s “Powerful Thing” and “Trip Around the Sun,” recorded by Jimmy Buffett & Martina McBride. Shaw’s credits include “The River,” recorded by Garth Brooks, the Ricky Martin/Christina Aguilera collab “Nobody Wants to Be Lonely,” and John Michael Montgomery’s “I Love The Way You Love Me.” Rose earned her first hit in 2004 with Gary Allan’s “Songs About Rain” and then worked with then-newcomer Taylor Swift to craft songs including “Tim McGraw,” “Teardrops on My Guitar” and “White Horse,” with Rose’s credits also including Carrie Underwood’s “Cry Pretty” and Little Big Town’s “Girl Crush.” Penn’s credits include “Do Right Woman, Do Right Man” and “The Dark End of the Street,” among others.
Since its founding in 1970, the Nashville Songwriters Hall of Fame has honored many of Music City’s top-shelf songcrafters, including Willie Nelson, Dolly Parton, Garth Brooks, Loretta Lynn, Don and Phil Everly and plenty more.
The new group of inductees will be honored during the Nashville Songwriters Hall of Fame Gala, slated for Nov. 6 at Nashville’s Music City Center, with additional honorees to be announced.
Katy Perry will receive MTV’s Video Vanguard Award and perform a career-spanning medley live at the 2024 MTV Video Music Awards on Wednesday, Sept. 11, at 8 p.m. ET/PT from New York’s UBS Arena.
Perry received the VMA’s other top honor, video of the year, in 2011 for “Firework.” She will be the 10th artist to receive both video of the year and the Vanguard award, following Madonna, Peter Gabriel, R.E.M., Britney Spears, Justin Timberlake, Beyoncé, Rihanna, P!nk and Missy Elliott.
Perry, who hosted the VMAs in 2017, will be the first person to, over the course of a career, host and receive both of the show’s marquee awards — making her a VMAs MVP.
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Perry and the VMAs are almost exactly the same age: Perry was born six weeks after the inaugural VMAs, co-hosted by Bette Midler and Dan Aykroyd, aired on Sept. 14, 1984.
Perry is the seventh consecutive recipient of the Vanguard Award who is a woman, following Rihanna (2016), P!nk (2017), Jennifer Lopez (2018), Elliott (2019), Nicki Minaj (2022) and Shakira (2023). (There was no recipient in 2020 and 2021, the years most impacted by the pandemic.)
Perry made her VMAs performance debut in 2009 with a rendition of Queen’s “We Will Rock You,” on which she was joined by Aerosmith guitarist Joe Perry. She closed out the 2013 VMAs with a performance of her Billboard Hot 100-topping smash “Roar” surrounded by fans near the Brooklyn Bridge. In 2017, she pulled double-duty as both host and performer, delivering a grand-finale performance of “Swish Swish” with Minaj that included larger-than-life props and Perry flying over the crowd to land atop a giant basketball hoop.
This is Perry’s sixth VMA Moonperson award. She won three trophies in 2011: video of the year for “Firework” and best collaboration and best special effects, both for “E.T.” (featuring Ye, then known as Kanye West). (The VMAs give artists credit for technical awards their videos win even if they weren’t personally credited in those capacities.) She won another VMA in 2012, best art direction for “Wide Awake,” and another in 2014, best female video for “Dark Horse” (featuring Juicy J).
“Katy is a musical powerhouse and true pop culture icon,” Bruce Gillmer, president of music, music talent, programming & events, Paramount and chief content officer, music, Paramount+, said in a statement. “With her game-changing creative vision, she has become a global phenomenon and taken over the world’s biggest stages. Katy’s prowess will be on full display live on the VMAs with a can’t-miss, career-encompassing performance celebrating her biggest moments and chart-topping hits.”
MTV’s press release announcing Perry as the recipient referred to the award as the Video Vanguard Award twice (including once in the headline) and as the Michael Jackson Vanguard Award once. The award was named in Jackson’s honor in 1991, but the network has seemed to downplay the association somewhat since the 2019 documentary Leaving Neverland raised disturbing allegations about the star’s behavior.
Perry has amassed nine No. 1 hits on the Hot 100 and three No. 1 albums on the Billboard 200. Perry unveiled her new single, “Lifetimes,” on Aug. 8. The song is from her sixth major-label studio album, 143, which will be released on Sept. 20 via Capitol Records.
MTV made its announcement on Thursday (Aug. 14), two days after Billboard posted this piece in which we surveyed the field of likely Video Vanguard candidates. We pegged Perry as the likeliest recipient, followed (in descending order of likelihood) by Eminem, Usher, Miley Cyrus, The Weeknd, Bruno Mars, Post Malone and Drake.
Here’s what we said about Perry, again before we knew who the choice would be. “It almost makes too much sense: Katy Perry will be releasing a new album in September that appears geared up to be a return to the mega-pop that she ruled with at the turn of the 2010s — when she was one of the most unavoidable artists in the MTV galaxy, with four or five eye-popping music videos per album (including one, Teenage Dream‘s ‘Firework,’ that took home video of the year in 2011). There could be no better stage for her to remind pop fans why they’re still rooting for her comeback than the VMAs, with a performance spanning from breakthrough hit ‘I Kissed a Girl’ to this year’s ‘Woman’s World’ return.”
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