Awards
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Morgan Wallen is the leading nominee for the 2024 CMA Awards, as determined by eligible voting members of the Country Music Association. He received seven nods. Cody Johnson and Chris Stapleton follow with five nods each, while Post Malone and Lainey Wilson each nabbed four. Louis Bell, Luke Combs, Charlie Handsome, Hoskins, Jelly Roll, Megan Moroney and Kacey Musgraves each secured three nominations.
Wallen hasn’t won at the CMAs since he was crowned new artist of the year four years ago. Less than three months after that breakthrough moment, he was caught on video using a racial slur, an incident which almost certainly cost him some major awards.
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Stapleton received his eighth nod for entertainer of the year, an award he has yet to win. (He has amassed more nods without a win in that category than any other artist in CMA history.) Also nominated are Combs (his fifth nod in the category), Wallen (his third), Wilson (her second) and Jelly Roll (his first).
The eligibility period for the 2024 CMA Awards is July 1, 2023 to June 30, 2024. That means such high-profile albums as Zach Bryan’s The Great American Bar Scene, Wilson’s Whirlwind and Post Malone’s F-1 Trillion won’t be eligible until next year.
All five albums for album of the year reached the top five on Billboard’s Top Country Albums chart. The biggest surprise among them is Jelly Roll’s Whitsitt Chapel, which was released on June 2, 2023, nearly a month before the close of last year’s eligibility period. CMA explains “It is eligible because the majority of its consumption occurred in the [current] eligibility period,” a rule that was introduced last year and is now in its second year.
Starting Over is Stapleton’s fifth consecutive studio album to be nominated for album of the year – his entire solo discography to date. Fathers & Sons is Combs’ fourth consecutive album to receive a nomination in that category.
Beyoncé is conspicuous by her absence on the ballot. CMA voters seemed to agree with the superstar’s statement on Instagram back in March in which she confirmed the imminent release of Cowboy Carter: “This ain’t a Country album. This is a ‘Beyoncé’ album.” In that same Instagram post, Beyonce said: “This album has been over five years in the making. It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t.” That comment was widely seen as a reference to Beyoncé’s appearance with The Chicks (then Dixie Chicks) at the CMA Awards in November 2016, where they performed “Daddy Lessons,” a song from Bey’s Lemonade album.
Both of the top two Songs of the Summer on Billboard’s recently published all-genre seasonal recap – “I Had Some Help” by Post Malone featuring Wallen and Shaboozey’s “A Bar Song (Tipsy)” – are nominated for single of the year. (The No. 2 Song of the Summer for 2023, Luke Combs’ “Fast Car,” won the CMA award for single of the year last year.)
“I Had Some Help” and Johnson’s “Dirt Cheap” are each nominated for single, song and music video of the year. Stapleton’s “White Horse” is nominated for the first two of those awards, but it wasn’t nominated for music video of the year.
The nominees for new artist of the year are Moroney, Shaboozey, Nate Smith, Mitchell Tenpenny, Zach Top and Bailey Zimmerman. Moroney was also nominated in the category last year. Zimmerman was nominated two years ago. (CMA rules allow artists to be nominated in this category twice).
Shaboozey is the fifth Black artist to be nominated in this category (or the horizon award, as the award was known from its inception in 1981 through 2007). Music legend Ray Charles was nominated in 1985 when he made a country market breakthrough, followed by Darius Rucker (2009) and Jimmie Allen and Mickey Guyton (both 2021). Rucker and Allen both won.
Miranda Lambert failed to receive a nod for female vocalist of the year, breaking a 17-year streak of nominations in that category. Carly Pearce broke a three-year string of nods in that category. Midland wasn’t nominated for vocal group of the year, breaking a six-year streak. (The Red Clay Strays took that spot.) Carrie Underwood wasn’t nominated for entertainer of the year, breaking a five-year streak of nods in that category. (Jelly Roll took that spot.)
Musgraves got her CMA mojo back. She’s up for female vocalist of the year for the first time in five years. She’s also up for album of the year after failing to get a nod in that category for her previous album, Star-Crossed.
The nominations in two key categories – male vocalist of the year and vocal duo of the year – were exactly the same as last year.
Winners of the 58th Annual CMA Awards will be determined in a final round of voting by eligible voting CMA members. The third and final ballot will be emailed to CMA professional members on Tuesday, Oct. 1. Voting for the CMA Awards final ballot ends Tuesday, Oct. 29 (6:00 p.m. CT).
CMA Broadcast Awards winners will be determined by a final round of judging this month. Entries are judged by a panel of broadcast professionals, representing all market sizes and regions. The winners will be revealed in October and recipients will be honored at the CMA Awards.
The 58th Annual CMA Awards is set to broadcast live from Nashville’s Bridgestone Arena on Wednesday, Nov. 20 (8:00–11:00 p.m. ET) on ABC and next day on Hulu. The CMA has yet to announce the show’s host. Luke Bryan has hosted the last three years, the last two in tandem with Peyton Manning
The 58th Annual CMA Awards is a production of the Country Music Association. Robert Deaton is the executive producer, Alan Carter is the director and Jon Macks is the head writer.
Tickets go on sale on Friday Sept. 13th starting at 10:00 a.m. CT through Ticketmaster.
Here’s a full list of nominations for the 58th annual CMA Awards.
Entertainer of the year
Luke Combs
Jelly Roll
Chris Stapleton
Morgan Wallen
Lainey Wilson
Single of the year
Award goes to artist(s), producer(s) and mix engineer(s)
“A Bar Song (Tipsy)” – Shaboozey; Producers: Sean Cook, Nevin Sastry; Mix Engineer: Raul Lopez
“Dirt Cheap” – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Producers: Louis Bell, Charlie Handsome, Hoskins; Mix Engineer: Ryan Gore
“Watermelon Moonshine” – Lainey Wilson; Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce
“White Horse” – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Album of the year
Award goes to artist, producer(s) and mix engineer(s)
Deeper Well – Kacey Musgraves; Producers: Ian Fitchuk, Kacey Musgraves, Daniel Tashian; Mix Engineers: Shawn Everett, Konrad Snyder
Fathers & Sons – Luke Combs; Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineer: Chip Matthews
Higher – Chris Stapleton; Producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mix Engineer: Vance Powell
Leather – Cody Johnson; Producer: Trent Willmon; Mix Engineer: Jack Clarke
Whitsitt Chapel – Jelly Roll; Producers: Andrew Baylis, Brock Berryhill, Zach Crowell, Jesse Frasure, David Garcia, Kevin “Thrasher” Gruft, Austin Nivarel, David Ray Stevens; Mix Engineers: Jeff Braun, Jim Cooley
Song of the year
Award goes to songwriter(s)
“Burn It Down”; Songwriters: Hillary Lindsey, Parker McCollum, Lori McKenna, Liz Rose
“Dirt Cheap”; Songwriter: Josh Phillips
“I Had Some Help”; Songwriters: Louis Bell, Ashley Gorley, Charlie Handsome, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters
“The Painter”; Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
“White Horse”; Songwriters: Chris Stapleton, Dan Wilson
Female vocalist of the year
Kelsea Ballerini
Ashley McBryde
Megan Moroney
Kacey Musgraves
Lainey Wilson
Male vocalist of the year
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Vocal group of the year
Lady A
Little Big Town
Old Dominion
The Red Clay Strays
Zac Brown Band
Vocal duo of the year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Maddie & Tae
The War and Treaty
Musical event of the year
Award goes to artists and producer(s)
“Cowboys Cry Too” – Kelsea Ballerini (with Noah Kahan); Producers: Kelsea Ballerini, Alysa Vanderheym
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Producers: Louis Bell, Charlie Handsome, Hoskins
“I Remember Everything” – Zach Bryan (ft. Kacey Musgraves); Producer: Zach Bryan
“Man Made a Bar” – Morgan Wallen (feat. Eric Church); Producer: Joey Moi
“you look like you love me” – Ella Langley (feat. Riley Green); Producer: Will Bundy
Musician of the year
Tom Bukovac – Guitar
Jenee Fleenor – Fiddle
Paul Franklin – Steel Guitar
Rob McNelley – Guitar
Charlie Worsham – Guitar
Music video of the year
Award goes to artist(s) and director(s)
“Dirt Cheap” – Cody Johnson; Director: Dustin Haney
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Director: Chris Villa
“I’m Not Pretty” – Megan Moroney; Directors: Jeff Johnson, Megan Moroney
“The Painter” – Cody Johnson; Director: Dustin Haney
“Wildflowers and Wild Horses” – Lainey Wilson; Director: Patrick Tracy
New artist of the year
Megan Moroney
Shaboozey
Nate Smith
Mitchell Tenpenny
Zach Top
Bailey Zimmerman
Weekly national
“American Country Countdown” (Kix Brooks) – Cumulus/Westwood One
“Country Gold with Terri Clark” (Terri Clark) – Westwood One
“Crook & Chase Countdown” (Lorianne Crook and Charlie Chase) – Jim Owens Entertainment
“Highway Hot 30 with Buzz Brainard” (Buzz Brainard) – SiriusXM
“Honky Tonkin’ with Tracy Lawrence” (Tracy Lawrence and Patrick Thomas) – Silverfish Media
Daily national
“The Bobby Bones Show” (Bobby Bones, Amy Brown, “Lunchbox” Dan Chappell, Eddie Garcia, Morgan Huelsman, “SZN Raymundo” Ray Slater, “Mike D” Rodriguez, Abby Anderson, “Kick Off Kevin” O’Connell, and Stephen “Scuba Steve” Spradlin) – iHeartMedia
“Michael J On Air” (Michael J. Stuehler) – iHeartMedia
“Nights with Elaina” (Elaina Smith) – Westwood One / Cumulus Media
“PickleJar Up All Night with Patrick Thomas” (Patrick Thomas) – PickleJar / Cumulus Media
“Steve Harmon Show” (Steve Harmon) – Westwood One / Cumulus Media
Major market
“The Andie Summers Show” (Andie Summers, Jeff Kurkjian, Donnie Black, and Shannon Boyle) – WXTU, Philadelphia, Pa.
“Chris Carr & Company” (Chris Carr, Kia Becht, and Sam Sansevere) – KEEY, Minneapolis-St. Paul, Minn.
“Frito & Katy” (Tucker “Frito” Young and Katy Dempsey) – KCYY, San Antonio, Texas
“The Morning Wolfpack with Matt McAllister” (Matt McAllister, Gabe Mercer, and “Captain Ron” Koons) – KKWF, Seattle, Wash.
“The Most Fun Afternoons With Scotty Kay” (Scotty Kay) – WUSN, Chicago, Ill.
Large market
“Dale Carter Morning Show” (Dale Carter) – KFKF, Kansas City, Mo.
“Heather Froglear” (Heather Froglear) – KFRG, Riverside-San Bernardino, Calif.
“Jesse & Anna” (Jesse Tack and Anna Marie) – WUBE, Cincinnati, Ohio
“Mike & Amanda” (Mike Wheless and Amanda Daughtry) – WQDR, Raleigh-Durham, N.C.
“On-Air with Anthony” (Anthony Donatelli) – KFRG, Riverside-San Bernardino, Calif.
Medium market
“Brent Michaels” (Brent Michaels) – KUZZ, Bakersfield, Calif.
“Joey & Nancy” (Joey Tack, Nancy Barger, and Karly Duggan) – WIVK, Knoxville, Tenn.
“New Country Mornings with Nancy and Woody” (Nancy Wilson and Aaron “Woody” Woods) – WHKO, Dayton, Ohio
“Scott and Sarah in the Morning” (Scott Wynn and Sarah Kay) – WQMX, Akron, Ohio
“Steve & Gina In The Morning” (Steve Lundy and Gina Melton) – KXKT, Omaha-Council Bluffs, Neb.-Iowa
Small market
“Dan Austin Show” (Dan Austin) – WQHK, Fort Wayne, Ind.
“Dave and Jenn” (Dave Roberts and Jenn Seay) – WTCR, Huntington-Ashland, W. Va.
“The Eddie Foxx Show” (Eddie Foxx and Amanda Foxx) – WKSF, Asheville, N.C.
“Hilley & Hart” (Kevin Hilley and Erin Hart) – KATI, Columbia, Mo.
“Officer Don & DeAnn” (“Officer Don” Evans and DeAnn Stephens) – WBUL, Lexington-Fayette, Ky.
Major market
KCYY – San Antonio, Texas
KKBQ – Houston, Texas
KYGO – Denver, Colo.
WXTU – Philadelphia, Pa.
WYCD – Detroit, Mich.
Large market
WIRK – West Palm Beach-Boca Raton, Fla.
WMIL – Milwaukee-Racine, Wis.
WQDR – Raleigh-Durham, N.C.
WSIX – Nashville, Tenn.
WWKA – Orlando, Fla.
Medium market
KXKT – Omaha-Council Bluffs, Neb.-Iowa
WBEE – Rochester, N.Y.
WIVK – Knoxville, Tenn.
WLFP – Memphis, Tenn.
WUSY – Chattanooga, Tenn.
Small market
WCOW – La Crosse, Wis.
WKML – Fayetteville, N.C.
WKXC – Augusta, Ga.
WXFL – Florence-Muscle Shoals, Ala.
WYCT – Pensacola, Fla.
Benj Pasek and Justin Paul won a Primetime Emmy for outstanding music and lyrics for a song they co-wrote for Only Murders in the Building on Sunday (Sept. 8), the second night of the Creative Arts Emmys. They are the 20th and 21st individuals to EGOT – to win at least one Emmy, Grammy, Oscar and Tony in competition.
Pasek and Paul have set a new record for the fastest climb to an EGOT – a little less than seven years and seven months from the date of their first EGOT win. The old record was held by Robert Lopez, who took nine years and eight months from the time he collected his first EGOT award in June 2004 to the time he completed the journey in March 2014.
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Pasek and Paul are the second pair to achieve the EGOT as a team. Andrew Lloyd Webber and Tim Rice won each of the four awards as a team – a Tony for best original score for Evita, a Grammy for best cast show album for Evita, an Oscar for best original song for “You Must Love Me” from Evita and an Emmy for outstanding variety special (live) for Jesus Christ Superstar Live in Concert.
In addition, Pasek, who is 39 years and three months old, is the second-youngest EGOT winner ever, trailing only Lopez, who was 39 and one week old when he achieved the feat in March 2014.
Pasek is the fourth individual who is publicly LGBTQ to achieve the EGOT, following actor Sir John Gielgud (1991), producer Scott Rudin (2012) and Sir Elton John (2024).
Pasek and Paul won their Primetime Emmy for co-writing the song “Which of the Pickwick Triplets Did It?” for Only Murders in the Building with another songwriting team, Marc Shaiman and Scott Wittman. While this was the first Emmy win for Pasek and Paul, and also for Wittman, Shaiman had won before. He won outstanding individual achievement in writing in a variety or music program for cowriting the 1992 Oscars, hosted by his longtime friend Billy Crystal.
Series star Steve Martin, who is nominated for a Primetime Emmy for outstanding lead actor in a comedy series, performed the tongue-twisting song.
Pasek and Paul won their first EGOT-qualifying award, an Oscar for best original song, in February 2017 for co-writing “City of Stars” from La La Land with composer Justin Hurwitz. They won a Tony for best original score that June for Dear Evan Hansen and won a second Tony in June 2022 for being among the platoon of producers of A Strange Loop, which was voted best musical. They won their first Grammy, best musical theater album, in January 2018 for Dear Evan Hansen and their second, best compilation soundtrack for visual media, in February 2019 for The Greatest Showman.
Sir Elton John was the most recent person to complete the EGOT before Pasek & Paul. He did so when he won a Primetime Emmy for Elton John Live: Farewell From Dodger Stadium at the ceremony in January (which was delayed for four months by union strikes). This is the fourth time that two or more people have become EGOTs in the same calendar year. Helen Hayes and Rita Moreno both became EGOTs in 1977. Mel Brooks and Mike Nichols both scored in 2001. Webber, Rice and Legend all completed their EGOT journeys in 2018.
In other music news from night 2 of the Creative Arts Emmys, Carlos Rafael Rivera won outstanding music composition for a limited or anthology series, movie or special (original dramatic score) for Lessons in Chemistry (Apple TV+). It’s his third Emmy. He won in the same category three years ago for The Queen’s Gambit and for outstanding main title theme music in 2018 for Godless.
Siddhartha Khosla won outstanding music composition for a series (original dramatic score) for Only Murders in the Building. It’s his first Emmy on his seventh nod.
Jeff Toyne won outstanding original main title theme music for Palm Royale (Apple TV+). It’s his first Emmy. He had a second nod this year, outstanding music composition for a series (original dramatic score).
Trygge Toven won outstanding music supervision for Fallout. It’s his first Emmy nod and win.
Jamie Lee Curtis won outstanding guest actress in a comedy for The Bear. It’s her first Primetime Emmy win. Her father, Tony Curtis, was nominated in 1980 for outstanding lead actor in a limited series or a special for his role in NBC’s Moviola.
Shōgun was the top winner across the two nights of the Creative Arts Emmys, with 14 awards. The Bear placed second, with seven awards, followed by Saturday Night Live (six), Jim Henson Idea Man (five), Blue Eye Samurai and The Oscars (four each).
Billy Joel: The 100th – Live At Madison Square Garden, Only Murders In The Building, Ripley and Welcome To Wrexham each won three awards. Baby Reindeer, The Crown, Girls State, How I Met Your Father, Love on the Spectrum, The Morning Show and Mr. & Mrs. Smith each won two.
Here’s a report on Night 1 of the Creative Arts Emmys.
Victoria Monét accepts the Hitmaker Award at Billboard’s R&B No. 1s 2024 party. Damien Scott: Thank you for coming out. We really appreciate it. It’s been a historical, amazing hip-hop week here at Billboard. I’m glad that we can have this R&B celebration. I’m Damien Scott. I’m the deputy editorial director at Billboard. I’ve been […]
The Oscars have been televised every year since 1953, but only four times has the show received a Primetime Emmy as the year’s best variety program. It first happened in 1979, and again in 1988, 1991 and 2024. The name of category has changed over the years, but the intent has not — to honor […]
R&B set the tone for 2024 as Usher took center stage at the Super Bowl — kicking the genre’s renaissance into full swing. So this year we decided R&B needed its own special celebration. On Sunday night (Sept. 8) in New York, we’re honoring five artists topping the R&B charts, pushing the genre forward and moving the culture.
Entertainer of the Year: Usher
“Good Good” became his sweet 16th No. 1 on the R&B/Hip-Hop Airplay chart, extending his record for the most among all singers.
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Three decades into his career, Usher is still achieving new levels of success — and breaking records. His single “Good Good,” with Summer Walker and 21 Savage, topped the R&B/Hip-Hop Airplay chart last November, giving the superstar his 16th No. 1. In addition to expanding his span of radio No. 1s to 26 years, dating to “You Make Me Wanna” in 1997, it further cemented his reign as the singer with the most leaders in the chart’s 32-year history.
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As Usher reinforced his radio might, he also enjoyed a boost from his My Way residency in Las Vegas. Named after his 1997 breakthrough album, the show became one of the most buzzed-about residencies in town, sparking viral social media moments and celebrity attendees, all to the tune of $95.9 million (through its wrap in December 2023), according to figures reported to Billboard Boxscore.
The crown jewel of Usher’s past year, of course, was headlining the Super Bowl LVIII halftime show in February to a record-shattering 129.3 million viewers, according to Nielsen. The career-spanning energetic set closed with signature hit “Yeah!” Thanks to the record viewership and enduring love for the classic 2004 smash, “Yeah!” rocketed in streams and returned to the Billboard Hot 100 at No. 20 the following week.
Hitmaker: Victoria Monét
Her cross-format smash “On My Mama” was one of only two songs to top the Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay charts in the last year.
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While Victoria Monét had been no stranger to hits — putting her pen to work in co-writing chart-toppers such as Ariana Grande’s “Thank U Next” and “7 Rings” — her own performing career skyrocketed in the last year, led by the mighty success of her single “On My Mama.”
The track, which samples Chalie Boy’s 2009 Southern rap staple “I Look Good,” started as a fan-favorite on social media platforms, but found its best results on airwaves. “On My Mama” hit No. 1 on three radio charts — Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay — and became only one of two songs in the past year to lead all three lists. Capturing the lattermost crown was perhaps the most impressive feat, as it interrupted a months-long domination for SZA’s “Snooze.” The “On My Mama” appeal expanded to other formats, with strong results on Rhythmic Airplay (No. 2) and Pop Airplay (No. 16).
Industry peers noticed the breakthrough and showered Monét with seven Grammy Award nominations, with a record of the year nod for “On My Mama” in the mix. At the ceremony in February, she converted three nods into wins, including a triumph for best new artist.
Global Force: Tyla
Her global smash “Water” sank the competition on the Billboard U.S. Afrobeats Songs chart, with 44 weeks at No. 1.
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While Tyla first appeared on the Billboard charts in February 2023 with “Been Thinking,” it was her next single, the bouncy, suggestive “Water,” that carried her to chart-topping success and helped expand the richness of African musical tastes to stateside audiences.
Bubbling onto its first Billboard lists in September 2023, “Water” got hotter week after week, shooting to a No. 7 peak on the Hot 100 in early January. Reflecting its blend of genres, the song appealed to various audiences — topping the Mainstream R&B/Hip-Hop Airplay and Rhythmic Airplay charts and reaching No. 6 on Pop Airplay. The track also pushed to No. 17 on the Streaming Songs chart and saved its greatest feat for the Billboard U.S. Afrobeats Songs chart, where it dominated for an astounding 44 weeks. The success story wasn’t lost on Tyla’s music industry peers, who awarded her the inaugural Grammy for best African music performance in February.
The next month, the 22-year-old released her self-titled debut album, which opened at No. 2 on the Top R&B Albums chart. The album’s “Truth or Dare,” “Art” and the Tems-assisted “No. 1” generated attention, while “Jump,” with Gunna and Skillibeng, is now in the top 15 on Mainstream R&B/Hip-Hop Airplay.
Torchbearer: Lucky Daye
The Grammy winner earned his first No. 1 in a lead role on any Billboard chart when “That’s You” topped Adult R&B Airplay.
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July 13 was Lucky Daye’s… well, lucky day, when he checked off a career milestone — his first No. 1 as a lead artist on any Billboard chart as “That’s You” crowned Adult R&B Airplay. The single, which Bruno Mars co-wrote and co-produced, continued Grammy Award winner Daye’s string of radio successes, including the dual-format hit “Over” and collaborations with Alicia Keys and Khalid (“Come for Me [Unlocked]”) and Earth, Wind & Fire (“You Want My Love”).
“That’s You” set the stage for the singer-songwriter’s new album, Algorithm. In addition to its hit lead single, the set’s “HERicane” also leapt onto the Hot R&B Songs chart in June. The next month, Lucky Daye embarked on the Algorithm tour, which wrapped Aug. 28. With fellow R&B rising star Fana Hues as the opening act, the 33-date nationwide trek visited landmark venues, including Nashville’s Ryman Auditorium and New York’s Radio City Music Hall.
Icon: Luther Vandross
The late legend’s first six albums all reached No. 1 on Top R&B/Hip-Hop Albums, out of eight total career leaders.
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A master of his craft, Vandross captivated audiences with a velvet, honeyed tone and technical precision that made him one of the most formidable performers to ever step up to a microphone. The connection was instant — debut single “Never Too Much” became an R&B No. 1 in 1981, as did its parent album of the same name. The top spot became a familiar destination, with Vandross’ next five albums also hitting No. 1. In all, the legend counted eight No. 1s on Top R&B/Hip-Hop Albums, through 2003’s Grammy-winning Dance With My Father, and seven on Hot R&B/Hip-Hop Songs, including classics such as “Here and Now” and “Power of Love/Love Power.”
Let’s not forget his other contributions to the canon. The jubilant closing number to The Wiz, “Everybody Rejoice/A Brand New Day”? Vandross wrote it. Aretha Franklin’s Jump to It, a seven-week No. 1 R&B album for the Queen of Soul in 1982? He co-produced it. The full scope of his iconic career will reach audiences with the documentary Luther: Never Too Much, set to air on CNN, OWN and Max in 2025.
A version of this story appears in the Aug. 31, 2024, issue of Billboard.
The 2024 edition of the Oscars won outstanding variety special (live) on night one of the Creative Arts Emmys. It’s the first time the Oscars have won the top program Emmy in variety since 1991, when it won in a predecessor category, outstanding variety, music or comedy program. Before that, the Oscars won the top program award in 1979 and 1988.
In winning outstanding variety special (live), The Oscars prevailed over The Apple Music Super Bowl LVIII Halftime Show Starring Usher, The Greatest Roast of All Time: Tom Brady and the latest editions of the Grammys and the Tonys.
Raj Kapoor, Molly McNearney and Katy Mullan served as executive producers of the Oscars. Jimmy Kimmel hosted for the fourth time.
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The Creative Arts Emmys are being presented over two consecutive nights at the Peacock Theater at LA Live in in downtown Los Angeles. The first ceremony on Saturday (Sept. 7) focused on unscripted and documentary programs. Sunday’s ceremony will focus on scripted programs.
Rickey Minor won outstanding music direction for his work on the Oscars. It’s his third win in the category, following wins for Taking the Stage: African American Music and Stories That Changed America (2017) and the Kennedy Center Honors (2020).This year’s win was a particular achievement because Minor was competing with himself. He was also nominated for his work on The 46th Kennedy Center Honors.
The Oscars won two other Creative Arts Emmys – outstanding direction for Hamish Hamilton and outstanding production design for a variety special. These four awards bring the total number of Emmy Awards won by the Oscars to 63. (The show was known as the Academy Awards through 2012, when the show formally changed the name to the more fan-friendly Oscars.)
Saturday Night Live was the big winner on night one of the Creative Arts Emmys with six wins. This brings the show’s tally of Primetime Emmy wins to 97, the record for a series. The show is set to launch its 50th season this fall.
The show’s wins were all in technical craft categories – directing; lighting design/lighting direction; technical direction and camerawork; production design; hairstyling; and makeup.
Blue Eye Samurai, Jim Henson Idea Man and The Oscars each won four awards on Saturday. Billy Joel – The 100th Live at Madison Square Garden and Welcome to Wrexham each won three. Girls State and Love on the Spectrum each won two.
The Billy Joel special won three technical awards – sound mixing; lighting design/lighting direction; and technical direction and camerawork. But it lost the top award in its field, outstanding variety special (pre-recorded) to Dick Van Dyke: 98 Years of Magic. This is the second year in a row that award went to a show celebrating a TV legend in his or her 90s. Carol Burnett: 90 Years of Laughter + Love won last year.
As the executive producer/performer of the MSG special, Joel would have won his first Primetime Emmy if the program had won. He has won five Grammys and a Tony.
Jim Henson: Idea Man, a Disney + program about the genius creator of the Muppets, won outstanding documentary or non-fiction special, where it beat The Greatest Night in Pop, about the recording session that produced “We Are the World,” as well as separate docs about comedians Steve Martin and Albert Brooks and the Girl’s State event.
David Fleming won outstanding music composition for a documentary series or special (original dramatic score) for his work on Jim Henson Idea Man. It’s his first Primetime Emmy. The show’s other awards were outstanding sound editing for a non-fiction or reality program and outstanding picture editing for a nonfiction program.
Henson, who died in 1990 at age 53, won five Grammys and three Primetime Emmys. In addition, he was inducted into the TV Academy Hall of Fame in 1987.
The Beach Boys on Disney + won for outstanding sound mixing for a nonfiction program.
The Voice won outstanding picture editing for a structured reality or competition program.
Maya Rudolph won outstanding character voice-over performance for her role as Connie the Hormone Monstress on Netflix’s Big Mouth. This is her sixth Primetime Emmy; her fourth in this category. Rudolph’s mother, the late Minnie Riperton, topped the Billboard Hot 100 in 1975 with “Lovin’ You” and received two Grammy nominations.
Alan Cumming, host of The Traitors, won outstanding host for a reality/competition program, beating Ru Paul Charles, host of RuPaul’s Drag Race, who had won the last eight years running. Cumming won a Tony for best actor in a musical in 1998 for his role as the Emcee in a reboot of Cabaret. He picked up a second Tony in 2022 as one of platoon of producers of A Strange Loop.
Jeopardy! won outstanding game show for the second year in a row, but Ken Jennings, the show’s host (and contestant with the longest winning streak), lost outstanding game show host to Pat Sajak, who recently concluded a 40-year run as the host of that show.
Shark Tank won outstanding structured reality show for the fifth total time. It beat Queer Eye, which had won the last six years in a row. These two shows are the top winners in the history of the category.
An edited presentation of the awards from both nights of the Creative Arts Emmys will air Saturday, Sept. 14, at 8:00 p.m. PT on FXX. Subsequently, the program will be available for streaming on Hulu from Sunday, Sept. 15 through Wednesday, Oct. 9.
The 76th Emmy Awards will be broadcast live from the Peacock Theatre on Sunday, Sept. 15, from 8 p.m. to 11 p.m. ET/5 p.m. to 8 p.m. PT on ABC. The broadcast will be available for streaming the next day on Hulu.
Many Grammy winners for best new artist have gone on to long and distinguished careers. The Beatles, the GOAT of all groups, won the award in 1965. Mariah Carey, the queen of Christmas and one of the top artists in pop and R&B history, won in 1991. Adele, who has the longest-running No. 1 album by a solo woman in Billboard 200 history, won in 2012. Billie Eilish, who won nine Grammys and two Oscars before her 23rd birthday, won in 2020.
Two eventual EGOT recipients, Marvin Hamlisch and John Legend, are past best new artist winners.
Other past winners of note include Bobby Darin (the first winner, in 1959), Jose Feliciano, Crosby, Stills & Nash, Carpenters, Carly Simon, Natalie Cole, Culture Club, Cyndi Lauper, Sade, Bruce Hornsby & the Range, Tracy Chapman, Toni Braxton, Sheryl Crow, LeAnn Rimes, Lauryn Hill, Christina Aguilera, Alicia Keys, Carrie Underwood and Sam Smith.
All of the aforementioned acts have received at least one additional Grammy nomination since their best new artist wins. But 13 past winners for best new artist haven’t been nominated for a Grammy since their night of glory. We’re not including this year’s winner, Victoria Monét, because she obviously hasn’t had an opportunity yet to add to her nomination tally.
We’re also not including four groups that haven’t been nominated since winning best new artist because one or more members were nominated on their own. America wasn’t nominated after winning in 1973, but Dan Peek, a member of that trio, was, for best gospel performance, contemporary or inspirational, for his album All Things Are Possible. Culture Club wasn’t nominated after winning in 1984, but Boy George was, twice – best pop vocal performance, male for “The Crying Game” and best dance recording for “When Will You Learn.”
Hootie & the Blowfish weren’t nominated after winning in 1996, but Darius Rucker won best country solo performance for “Wagon Wheel.” And fun. wasn’t nominated after winning in 2013 (no surprise since they haven’t released another album since their win), but Jack Antonoff and Nate Ruess have both been nominated since that night. Ruess received two nods for “Just Give Me a Reason,” his hit collab with P!nk. Antonoff has won nine Grammys since that night.
Here’s a list of past winners for best new artist who haven’t been nominated for a Grammy since.
Robert Goulet
Billboard‘s R&B/Hip-Hop Power Players event returned to NYC on Thursday night (Sept. 5). Hundreds of high-profile artists, executives and more from the music world came together for a party to honor the hard-working individuals leaving their marks on the industry. The Times Square EDITION hotel played host for the night, which was highlighted by Power […]
SZA had a big night at the BMI R&B/Hip-Hop Awards, which were held at Fairmont Century Plaza in Los Angeles on Thursday (Sept. 5). In addition to receiving the previously announced BMI Champion Award, she was named BMI’s R&B/Hip-Hop Songwriter of the Year and received Song of the Year for “Kill Bill” alongside her co-writers Rob Bisel and Carter Lang. The smash hit reached No. 1 on the Billboard Hot 100 and has over one billion streams on Spotify.
Upon receiving the BMI Champion Award, SZA said, “I have to say songwriting awards mean the most to me because when I started and I needed people to come and write for me; I didn’t have anybody. … I’m grateful to be honored today because there’s so many songwriters in here that literally made me.”
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This marked the first time the BMI Champion Award has been presented in the R&B/Hip-Hop ceremony’s 24-year history. Mike Steinberg, BMI’s EVP, chief revenue & creative officer, praised SZA “for using her voice as a champion … and raising the bar in songwriting creativity and breaking boundaries at every turn.” He added, “Her once-in-a-lifetime sound has mesmerized audiences around the globe.”
In a tribute to SZA, Bren Joy performed “Broken Clocks,” and MaKenzie performed “Nobody Gets Me.”
The private event was hosted by BMI president & CEO Mike O’Neill and BMI vice president, creative, Atlanta, Catherine Brewton.
As previously announced, Babyface was named a BMI Icon at the ceremony. In accepting the award, Babyface said, “I only know that I got here because I love music, and it was the one pure thing that I knew that I could do, and I did it with all my heart. If you do it from the heart, that’s the main thing that keeps you going.”
He then surprised the audience with a performance of his 1990 smash “Whip Appeal.” Babyface and Perri McKissack co-wrote the song, which reached the top 10 on both the Hot 100 and Hot R&B/Hip-Hop Songs.
Babyface has collected 64 BMI Awards. He received BMI’s Song of the Year three times, BMI Pop Songwriter of the Year seven times and, together with his LaFace Records co-founder L.A. Reid, was named a BMI Icon in 2006.
Several artists paid tribute to Babyface by performing his songs. Mac Royals opened with “My My My,” followed by Tamar Braxton with “Superwoman” and Mario with “I’ll Make Love to You” and “Can We Talk.” Lil Wayne paid tribute to his mentor and friend before O’Neill and Brewton presented the Icon Award. O’Neill praised Babyface’s talent and impact on generations of music makers, and for being with the BMI family for nearly five decades.
Hitmaker Tay Keith received Producer of the Year for his work on hits such as “First Person Shooter” performed by Drake featuring J. Cole, “Meltdown” by Travis Scott featuring Drake, “SkeeYee” by Sexyy Red and “Circo Loco” by Drake and 21 Savage. This marks the third time Keith has been named Producer of the Year. (He was also named BMI’s R&B/Hip-Hop Songwriter of the Year in 2018.)
Coleman, Dougie F, Metro Boomin, RIOTUSA and Jahaan Sweet were also named top producers during the ceremony.
Universal Music Publishing was named BMI’s R&B/Hip-Hop Publisher of the Year for representing 21 of the previous year’s most-performed songs, including “Kill Bill,” “Barbie World,” “Paint the Town Red,” “Players,” “Superhero (Heroes & Villains)” and “Snooze.”
Over the course of the ceremony, BMI recognized the top producers and songwriters of the previous year’s 35 Most-Performed R&B/Hip-Hop Songs in the U.S., naming 56 first-time winners.
To see a complete list of winners, visit BMI’s site.
Cyndi Lauper, who won best female video at the very first MTV Video Music Awards on Sept. 14, 1984, is among the presenters at this year’s show, which is set for Sept. 11.
Lauper took best female video at that first show for her zesty “Girls Just Wanna Have Fun” and brought comic relief by explaining the VMA eligibility and voting rules in gibberish, which has been described as similar to “ancient Babylonian.”
Lauper was also the leading nominee at that first show with nine nods, but Herbie Hancock was the night’s big winner, with five wins.
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Carson Daly, who also has deep MTV roots, is also set to present. Daly hosted MTV’s popular TRL from 1998 to 2003. TRL was based on two previous shows, Total Request and MTV Live, both of which had also been hosted by Daly.
Other presenters set for this year’s show are Addison Rae, Alessandra Ambrosio, Amelia Dimoldenberg, Big Sean, Busta Rhymes, Damiano David (Måneskin), DANNA, DJ Khaled, Fat Joe, Flavor Flav, French Montana, Halle Bailey, Jordan Chiles, Lil Nas X, Miranda Lambert, Naomi Scott, Paris Hilton, Suki Waterhouse, Thalía and Tinashe.
Teddy Swims and Jessie Murph are set to make their VMA debuts by performing on the Extended Play Stage. Both are MTV Push artists and multiple nominees. Swims has four nods, including best new artist and best alternative. Murph has two, including best collaboration feat. Jelly Roll. Swims will perform “Lose Control,” a No. 1 hit on the Billboard Hot 100, and “The Door.”
Le Sserafim will make their U.S. award show debut by performing on the VMAs pre-show. The K-pop girl group recently landed their first Hot 100 hit (“Easy”) and performed at Coachella. Le Sserafim have had two top 10 albums or EPs on the Billboard 200 (Unforgiven and Easy).
Hosted by Nessa, Dometi Pongo and Kevan Kenney, the 90-minute live VMAs pre-show special airs from 6:30 p.m. to 8:00 p.m. ET/PT on MTV, MTV2, CMT and Logo.
Megan Thee Stallion is set to host and perform on the main show. Katy Perry will receive the Video Vanguard Award and perform a hit medley. Other performers include Anitta (feat. Fat Joe, DJ Khaled + Tiago PZK), Benson Boone, Camila Cabello, Chappell Roan, GloRilla, Halsey, KAROL G, Lenny Kravitz, LISA, LL COOL J, Rauw Alejandro, Sabrina Carpenter and Shawn Mendes.
With the addition of social categories, Taylor Swift still leads in terms of most nominations (12), followed by Post Malone (11), Eminem (eight), Ariana Grande, Megan Thee Stallion, Sabrina Carpenter + SZA (seven each); Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, GloRilla, LISA, Olivia Rodrigo + Teddy Swims (four each).
General fan voting closes Friday (Sept. 9) on MTV’s website. Voting for best new artist remains active through the show.
The 2024 VMAs will air live on Wednesday, Sept. 11 at 8 p.m. ET/PT across MTV’s global footprint, including BET, BET Her, CMT, Comedy Central, Logo, MTV, MTV2, Nick at Nite, Paramount Network, Pop, TV Land, VH1 and Univision.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba are executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.