Awards
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In 2003, Eminem made Oscar history with “Lose Yourself,” the first rap song to win best original song. Now he’s in contention for another top honor. He’s one of 26 songwriters or songwriting teams vying for induction into the Songwriters Hall of Fame this year.
Just six will be elected – three from 13 nominees in the performing songwriters category and three from 13 nominees in the songwriters category, which is reserved for non-performing songwriters. The six inductees will be celebrated at the SHOF’s 2025 Induction & Awards Gala in New York City, which is expected to be in June at the event’s usual home, the Marriott Marquis.
All but five of the 26 nominees are individuals. The five collaborations on the ballot are Steve Barri and P.F. Sloan; Dennis Lambert and Brian Potter; Dan Penn and Spooner Oldham; three members of The Doobie Brothers (Tom Johnston, Michael McDonald and Patrick Simmons); and five former members of N.W.A (Dr. Dre, Eazy-E, Ice Cube, MC Ren and DJ Yella).
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Almost all the nominees are still living. The only exceptions are Sloan, who died in 2015 at age 70, and N.W.A’s Eazy-E, who died in 1995 at age 30.
The youngest nominees are Ashley Gorley and Rodney “Darkchild” Jerkins, both 47. The list includes four women – Franne Golde, Sheryl Crow, Janet Jackson and Alanis Morissette.
Several songwriters who are strongly associated with songwriters who were previously inducted into the SHOF are on the ballot this year – Walter Afanasieff (his frequent collaborator Mariah Carey was inducted in 2022), Roger Nichols (his frequent collaborator Paul Williams was inducted in 2001), Jackson (her brother Michael Jackson was inducted in 2002) and Mike Love (his Beach Boys colleague Brian Wilson was inducted in 2000).
The list includes eight members of the Rock and Roll Hall of Fame – Crow, Eminem, Jackson, George Clinton (who is in the Rock Hall as the leader of Parliament/Funkadelic), Love (who is in the Rock Hall as a member of The Beach Boys), Steve Winwood (who is in the Rock Hall as a member of Traffic), the three aforementioned members of The Doobie Brothers and the five aforementioned former members of N.W.A.
The list includes three members of the Nashville Songwriters Hall of Fame. Sonny Curtis was inducted into that body in 1991, followed by Tom Douglas in 2014 and Oldham in 2020. Curtis, 87, has had many pop and country hits, including “I Fought the Law” and “Walk Right Back,” but he may be best-known for writing “Love Is All Around,” the pitch-perfect theme song from The Mary Tyler Moore Show.
Three of the nominees are past winners of the Grammy for producer of the year (non-classical). Narada Michael Walden won that award in 1988, chiefly for his work with Whitney Houston. Afanasieff won in 2000, Dr. Dre in 2001.
A songwriter with a catalog of notable songs qualifies for induction 20 years after their first significant commercial release of a song.
Eligible voting members have until midnight ET on Dec. 22 to turn in their ballots with their choices of up to three nominees in each of the two categories.
Here’s a complete list of the Songwriters Hall of Fame’s 2025 nominees for induction. The SHOF supplied the five songs listed after each nominees’ name, which they stress “are merely a representative sample of their extensive catalogs.”
Songwriters
Walter Afanasieff – “All I Want for Christmas Is You,” “Hero,” “License to Kill,” “Love Will Survive,” “One Sweet Day”
Steve Barri and P.F. Sloan – “Secret Agent Man,” “Eve Of Destruction,” “Where Were You When I Needed You,” “You Baby,” “Can I Get to Know You”
Mike Chapman – “The Best,” “Love Is a Battlefield,” “Ballroom Blitz,” “Stumblin’ In,” “Kiss You All Over”
Sonny Curtis – “Love Is All Around (Theme from “The Mary Tyler Moore Show”),” “I Fought the Law,” “Walk Right Back,” “More Than I Can Say,” “I’m No Stranger to the Rain”
Tom Douglas – “The House That Built Me,” “Little Rock,” “I Run to You,” “Grown Men Don’t Cry,” “Love Me Anyway”
Franne Golde – “Dreaming of You,” “Nightshift,” “Don’t Look Any Further,” “Don’t You Want Me,” “Stickwitu”
Ashley Gorley – “I Had Some Help,” “Last Night,” “You Should Probably Leave,” “Play It Again,” “You’re Gonna Miss This”
Rodney “Darkchild” Jerkins – “Say My Name,” “The Boy Is Mine,” “You Rock My World,” “Déjà vu,” “Telephone”
Dennis Lambert and Brian Potter – “One Tin Soldier (Theme from “Billy Jack”),” “Don’t Pull Your Love,” “Ain’t No Woman (Like the One I’ve Got),” “It Only Takes a Minute,” “Country Boy (You Got Your Feet In L.A.)”
Tony Macaulay – “Baby Now That I’ve Found You,” “Build Me Up Buttercup,” “Don’t Give Up On Us,” “(Last Night) I Didn’t Get to Sleep at All,” “Love Grows (Where My Rosemary Goes)”
Roger Nichols – “We’ve Only Just Begun,” “Rainy Days and Mondays,” “I Won’t Last a Day Without You,” “Out in the Country,” “Times of Your Life”
Dan Penn and Spooner Oldham – “I’m Your Puppet,” “Cry Like a Baby,” “A Woman Left Lonely,” “Out of Left Field,” “It Tears Me Up”
Narada Michael Walden – “How Will I Know,” “Freeway of Love,” “You’re a Friend of Mine,” “Baby Come to Me,” “Who’s Zoomin’ Who?”
Performing Songwriters
Bryan Adams – “(Everything I Do) I Do It For You,” “Heaven,” “All for Love,” “Have You Ever Really Loved a Woman?,” “Summer of ‘69”
George Alan O’Dowd p/k/a Boy George – “Karma Chameleon,” “Do You Really Want to Hurt Me,” “Time (Clock Of The Heart), “Love Is Love,” “Miss Me Blind”
George Clinton – “Atomic Dog,” “Flash Light,” “(Not Just) Knee Deep,” “I’d Rather Be With You,” “Give Up The Funk (Tear the Roof off the Sucker)”
Sheryl Crow – “All I Wanna Do,” “Soak Up The Sun,” “If It Makes You Happy,” “A Change Would Do You Good,” “Everyday Is a Winding Road”
Tom Johnston, Michael McDonald and Patrick Simmons p/k/a Doobie Brothers – “Listen to the Music,” “Takin’ It to the Streets,” “Black Water,” “What a Fool Believes,” “Long Train Runnin’”
Marshall Mathers p/k/a Eminem – “Lose Yourself,” “Stan,” “Mockingbird,” “Houdini,” “Rap God”
David Gates – “Everything I Own,” “Make It With You,” “Baby I’m-A Want You,” “The Guitar Man,” “If”
Janet Jackson – “Black Cat,” “Together Again,” “Again,” “Got ‘til It’s Gone,” “Rhythm Nation”
Tommy James – “Mony Mony,” “Crimson and Clover,” “Crystal Blue Persuasion,” “Sweet Cherry Wine,” “Tighter, Tighter”
Mike Love – “California Girls,” “Good Vibrations,” “The Warmth of the Sun,” “I Get Around,” “Fun, Fun, Fun”
Alanis Morissette – “You Oughta Know,” “Ironic,” “Hand in My Pocket,” “Thank U,” “Uninvited”
Dr. Dre, Eazy-E, Ice Cube, MC Ren and DJ Yella p/k/a N.W.A – “Express Yourself,” “Dopeman,” “Fu*k Tha Police,” “Gangsta Gangsta,” “Straight Outta Compton”
Steve Winwood – “Higher Love,” “Gimme Some Lovin’,” “I’m a Man,” “Valerie,” “Roll With It”
When Luis Jiménez arrives at the 2024 Latin Grammy Awards ceremony on Thursday (Nov. 14), he will have to play a doubleheader: He will walk the red carpet twice, speak to the same media outlets twice, and perhaps have to split up for the celebrations. The reason? The Venezuelan singer and musician’s two bands, LAGOS and Los Mesoneros, are both nominated this year — and in the same category!
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Both are up for best pop/rock song: LAGOS for “Blanco y Negro” with Elena Rose, and Los Mesoneros for “Diciembre.”
LAGOS is also nominated for best pop song for “Dime Quién.” The pop duo, formed in 2019 by Jiménez and Agustín Zubillaga, already won best pop/rock song last year with Lasso’s “Ojos Marrones,” which they co-wrote. But this time they compete as performers for two songs from their sophomore album Alta Fidelidad, released in May under Warner Music México.
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As for Los Mesoneros, the rock band, active since 2006, had already received a handful of nominations in the past, including for best new artist (2012), best rock album (in 2012 for Indeleble, 2020 for Pangea, and 2021 for Los Mesoneros Live Desde Pangea), as well as best pop/rock song (in 2020 for “Últimas Palabras”). Now they compete with a song from their album Nuestro Año, released in April independently.
“It’s the first time that the bands’ times were synchronized,” Jiménez tells Billboard Español. “When Pangea, Mesoneros’ third album, and Clásico, LAGOS’s debut album, came out, it’s not that it wasn’t challenging — but compared to the size of the projects today, it was too easy.”
He adds: “Now, without a doubt, the challenge is to find the time and the mental state to be able to work creatively and also be able to have those editorial lines separated. It is becoming more and more complicated. But I like a challenge.”
In its 25th anniversary, the Latin Grammys will be broadcast live from the Kaseya Center in Miami on Univision, Galavisión and ViX starting at 8 p.m. (Eastern Time). A few days later, on Nov. 21, Jiménez will perform with Los Mesoneros for the first time at the iconic National Auditorium in Mexico City, where he lives.
Luis, how did you feel when you found out that you were nominated with your two bands in the same category?
A very strange, very particular sensation. Obviously, first and foremost it’s double the joy — “Oh, how crazy, they nominated us!” Then, this was a possible scenario and I didn’t really think much about what I would do if it happened; it was simply: “Well, let’s send all these songs, these albums, and whatever has to happen happens.” Receiving that news was really very nice, it is certainly special for me because for the first time they nominated Los Mesoneros and LAGOS simultaneously, and having that honor of being with all of them in that category is something wonderful.
The two albums came out only a month apart. How has this year been for you?
It’s been a titanic challenge. It really is difficult. I understand why no one does it, because it is very complicated to manage the time, and also to do things with excellence like this, in this format. But I think I’m very lucky and fortunate to have colleagues in each of the projects who support me in everything and who are incredible partners and who have also known how to handle this and help me make everything work out and turn out well, and do it with the standard that we have, and help me survive in the attempt.
Did you record with both bands in parallel? What was this process like?
Actually, thank God it wasn’t parallel, because that would have been very rough. Yes, there was a lot at times in the composition process, like sometimes I was writing with LAGOS and suddenly I went into a lock-out with Mesoneros, but it wasn’t so much that I was one day here and one day there, but rather taking a couple of weeks or a month with LAGOS, and then doing the same with Mesoneros. But the recording was appart. LAGOS recorded Alta Fidelidad about seven months before the Mesoneros album, or at least the second half. Although there were singles there that were sneaking in.
Any particular anecdotes trying to balance things with both groups?
Man, all the time, all the multitasking is crazy. I remember, for example, two or three years ago at the Latin Grammys, I also had to be there both with Mesoneros and LAGOS. LAGOS was there because we were going to play at a Warner party, and Mesoneros was nominated, and I had to go around all over Las Vegas even repeating some interviews — “Ah, is you again!?” And I was like, “Yes, but no.” And well, what’s going to happen now in Miami is going to be quite funny too, because even in the dressing room it’s a challenge. It’s a game of trying to be in two places at the same time. It’s challenging, it’s fun, and well, we’re now talking about that — doing the red carpet twice. It is quite particular.
You started doing rock with Los Mesoneros and then pop with LAGOS. Which genre do you identify with most today?
It’s very difficult to answer that — because it’s as if they’d ask you, “Who do you love more, your mom or your dad?” or “Which child do you love more?” Each one has its own thing and they fulfill me in different ways. Obviously I have always had a rock soul, but even since I was little I have also always been a pop lover. People who know me starting with Los Mesoneros never knew that I had that pop side, but it has always been there, actually. And now with LAGOS, I managed to [get to] that output and place where I can also show that side — but both satisfy me and make me happy in different ways.
As a performer, when you started with LAGOS, how difficult was it to find your own pop sound after years doing rock with Los Mesoneros?
It’s always a challenge and I think that’s the challenge, finding yourself within those scenarios. But I think that LAGOS is very interesting because when it came to light, in 2019, Agustín and I had actually been writing songs for other artists for a while, and making more pop music. And I enjoyed it a lot, it’s just that people didn’t picture it. For me, it was also an adventure to get involved in something that had nothing to do with what I had been doing, but also to discover other facets of myself.
Then, when we launched our LAGOS project, it was time to [ask ourselves], “What is our voice, what is our sound, how do we do it?” And that entailed some research, and a bit of trial and error — but luckily Agustín and I already had that very advanced work chemistry. And in some very crazy way — from Agustín with his set of influences, and me with my more alternative, more rock side — on paper it didn’t have to work, but it worked amazingly. I think that’s what gave LAGOS its identity.
What do your colleagues from both bands say? You’ve said they support you, but now with the nominations, is there any rivalry? Pride? Both?
I truly believe it’s been a miracle. I think that many project colleagues perhaps wouldn’t be able to tolerate such a dynamic — because it’s one thing to do it perhaps alternatingly, but doing it in parallel is a level further. That simultaneity has been the interesting thing, and I think I am seriously too lucky — because they have truly been a great source of support for me. I think they also see the level of dedication and effort and sacrifice that I make to give my 100% to both projects, and in reality they have been allies and are a crucial part of making it work. They are even accomplices.
Now that you have experienced this in parallel this year, is it feasible for you to maintain both bands in the future?
I think we have had to change a lot over time. Like, I have also had to learn to give up many things. I am so neurotic producing, writing, arranging, editing… I have also learned to adapt to growth, and increasingly see where I add more value [by giving] up roles. Yes, I want to continue doing this in parallel. Perhaps obviously now, after this year that has been so intense, we must adapt to delegating more… I think that now the challenge is going to be to get a schedule that’s a little less synchronized, but I do see it as a project that can continue and last longer.
If you win, who do you want to go on stage with to receive the award?
Look, I can leave happy with a scenario in which LAGOS wins in the category that is alone, and Mesoneros wins in the one that includes both. I think everyone ends up happy there. But in reality, whatever has to happen happens. I feel that with so many albums and so much music that comes out every week these days, it’s crazy to be on a list so short, that the Academy considers it one of the five best songs of the genre — and that those five include both bands — for me it’s quite an incredible achievement.
Alissia got some very good news on Friday, when she became only the ninth woman (or team of women) to receive a Grammy nomination for producer of the year, non-classical.
Alissia’s only previous Grammy nod was for production and songwriting work on the deluxe edition of Mary J. Blige’s Good Morning Gorgeous, which was nominated for album of the year two years ago. (Her full name, Alissia Benveniste, appeared on her songwriting credit for “Love Without the Heartbreak,” which she co-wrote with Blige, Anderson .Paak and Rogėt Chahayed.)
Her credits during the current eligibility year included tracks by Rae Khalil, BJ the Chicago Kid, Jamila Wood and Lion Babe.
The Recording Academy introduced the producer of the year, non-classical category at the 1975 Grammy ceremony. Thom Bell, one of the architects of the Philly Soul sound, was the inaugural winner. In all this time, no woman has ever won in the category, either on her own or as part of a collaboration.
It’s a very different story in the producer of the year, classical category. Three women have won multiple times in that category, which was introduced five years after producer of the year, non-classical. Judith Sherman has won seven times, which puts her in a tie with David Frost, Steven Epstein and Robert Woods for the most wins by anyone in the category’s history. Joanna Nickrenz has won twice (once alongside Marc Aubort). Elaine Martone has also won twice.
Alissia is competing this year with D’Mile (Dernst Emile II), who is nominated in the category for the third year in a row; Daniel Nigro, nominated in the category for the second year in a row; and fellow first-time nominees Ian Fitchuk and Mustard (Dijon Isaiah McFarlane).
Who will win when the 67th annual Grammy Awards are presented on Feb. 2 at Crypto.com Arena in Los Angeles? Hard to say, but it won’t be Jack Antonoff, who won the last three years in a row, but wasn’t nominated this year.
Here are all the women who have been nominated for producer of the year, non-classical. The years shown are the years of the Grammy ceremonies.
Wendy Melvoin and Lisa Coleman (1985)
Jimmy Carter is likely headed for the Grammy history books. The former president’s audiobook Last Sundays in Plains: A Centennial Celebration, is nominated for best audio book, narration and storytelling recording. If it wins on Feb. 2, Carter, 100, will become the oldest Grammy winner in history. That distinction is currently held by blues pianist Pinetop Perkins, who was 97 in 2011 when he won best traditional blues album for Joined at the Hip.
Perkins is followed by legendary singer Tony Bennett, who was 95 in 2022 when he won best traditional pop vocal album for Love for Sale, his second collab with Lady Gaga; George Burns, who was also 95 when he won in 1991 for spoken word or non-musical recording album for Gracie: A Love Story, a tribute to his late wife and comedy partner Gracie Allen; and Carter, who was a whippersnapper of 94 in 2019 when he won best spoken word album for Faith: A Journey for All.
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If Carter wins, this would be his fourth Grammy, which is more than any other president. He previously won in 2007 for Our Endangered Values: America’s Moral Crisis; in 2016 for A Full Life: Reflections at Ninety, and in 2019 for Faith – A Journey for All. Two other former U.S. presidents, Bill Clinton and Barack Obama, have each won two Grammys.
Four of this year’s five nominees in the audiobook category are over 75. Funk legend George Clinton, nominated for …And Your Ass Will Follow, is 83; Barbra Streisand, nominated for My Name Is Barbra, is 82; Dolly Parton, nominated for Behind the Seams: My Life in Rhinestones, is 78. The relative youngster in the nominations is Guy Oldfield, who produced All You Need Is Love: The Beatles in Their Own Words. He’s 55. (The two living former Beatles — Paul McCartney, 82, and Ringo Starr, 84 — are not nominees.)
Carter has had the longest life of any U.S. president. That title was formerly held by George H.W. Bush, who was 94 when he died in 2018. Carter has also had the longest post-presidential retirement of any U.S. president (nearly 44 years). That distinction was formerly held by Herbert Hoover, whose retirement lasted more than 31 years. Both Carter and Hoover were one-term presidents, who were unseated by Ronald Reagan and Franklin D. Roosevelt, respectively. Their long retirements provided some consolation for their landslide losses.
Lady Gaga and Bruno Mars have a lot to smile about following the unveiling of the 2025 Grammy nominations Friday (Nov. 8), which saw the duo earn two major nods for their chart-topping collaboration “Die With a Smile.”
And on Sunday (Nov. 10), both pop stars reacted to the news with a passionate thank-you note to fans who supported the track. “I’m so grateful for these 2 GRAMMY NOMINATIONS! 😭” Gaga wrote on Instagram, sharing a photo of herself and Mars enjoying glasses of champagne.
“Because of our amazing fans we are so blessed to be nominated for Song of the Year and Best Pop Duo recording for Die With A Smile!!” the Joker: Folie à Deux actress continued. “@recordingacademy We love y’all! 😭Monsters and Hooligans did that! 🥂”
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In the comments, Mars added, “(Monsters 🤝 Hooligans) Thank you! We love you!”
Nominations for next year’s Grammy awards arrived about three months ahead of the Feb. 2 ceremony. Gaga and the Silk Sonic star share the song of the year category with Shaboozey, Taylor Swift, Billie Eilish, Chappell Roan, Sabrina Carpenter, Kendrick Lamar and Beyoncé, while 2025’s best pop duo/group performance is split among “Die With a Smile” and “Us” by Gracie Abrams and Swift, “Levii’s Jeans” by Bey and Post Malone, “Guess” by Charli XCX and Eilish, and “The Boy Is Mine” by Ariana Grande, Brandy and Monica.
Gaga and Mars spent eight weeks at No. 1 on the Billboard Global 200 and reached No. 2 on the Billboard Hot 100 with “Die With a Smile” this year. Complete with a retro Nashville-themed music video, the track served as a standalone collaboration ahead of Gaga’s Joker 2 companion album, Harlequin, and upcoming seventh studio album. It also preceded Mars’ “APT.” duet with ROSÉ of BLACKPINK, which recently debuted atop the Global 200.
“This was a pure, organic thing that both these artists who respect each other so much wanted to do together,” songwriter Andrew Watt, who worked on “Die With a Smile” with the two superstars, told Billboard earlier this year. “This was about the love of making great music.”
Taylor Swift, Tyla and Sabrina Carpenter were among the big winners at the 2024 MTV EMAs, which also included a poignant tribute to Liam Payne, almost one month on from the singer’s death in Argentina.
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“I just want to take a moment to remember someone that was very, very dear to us. We lost him recently, and he was a big part of the MTV world and my world, and I think a lot of yours at home and everybody in here tonight,” said the show’s host Rita Ora, who duetted with the former One Direction vocalist on 2018’s “For You (Fifty Shades Freed).”
“He had the biggest heart and was always the first person to offer help in any way that he could,” said a tearful Ora. “He brought so much joy to every room he walked into, and he left such a mark on this world,” said the visibly moved host.
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The EMAs show, which was staged at the Co-op Live arena in Manchester, England, on Sunday (Nov. 10), also featured a brief video tribute to Payne.
Swift, who was not present in Manchester, won the most awards on the night, taking home prizes for best artist, best live, best U.S. act and best video for her Billboard Hot 100 chart-topper “Fortnight,” featuring Post Malone.
“I have to say thank you so much to Post Malone for being the most amazing co-star possible,” said Swift in a video acceptance speech.
Just behind Swift with three awards was Tyla, who took home trophies for best Afrobeats, best R&B and best African act. The South African singer, who was honored with a global impact award at Billboard’s R&B No. 1s event in New York earlier this year, also delivered one of the night’s standout performances, flanked by writhing dancers for a lively two-song medley of “Push 2 Start” and “Water.”
“I can’t believe it,” said Tyla accepting the best afrobeats prize from LL Cool J. “Literally, all the nominees, they are insane. They have taken Afrobeats so far and I’m so honored to be winning this award… Afrobeats has opened so many doors for African music, so thank you so much to Afrobeats.”
Sabrina Carpenter and Ariana Grande, who both did not attend the show, won best song for “Espresso” and the award best pop, respectively. Billie Eilish and Charli xcx, who were also absent, failed to win in any of the five categories they were each nominated.
Benson Boone opened the two-hour show, which was being held in the U.K. for the first time since 2017, with an impassioned energetic run through “Slow It Down” and “Beautiful Things” that began with the 22-year-old suspended in the air as he played a golden grand piano. Later in the evening, Boone collected his first EMA award in the form of the best new act title.
Making their U.K. live debut, K-pop band LE SSERAFIM delivered an energetic performance of “Chasing Lightning” and “CRAZY”, the title track from their latest EP, which topped Billboard’s Top Album Sales in September.
The five-piece pop group, who made their Coachella debut this year, were rewarded for their efforts with the best push award, one of three prizes they were nominated for in the lead up to Sunday’s show.
Other memorable performances included Shawn Mendes playing his new single “Heart of Gold,” Mexican trio The Warning with a raucous, pyrotechnic-accompanied rendition of “Automatic Sun” and Best U.K. and Ireland act winner Raye, joined by a 30-piece choir for a stirring medley of “Escapism, “Oscar Winning Tears” and “Body Dysmorphia.”
Meanwhile, best Latin recipient Peso Pluma was joined by Estevan Plazola for a rousing performance of their hit single collaboration “Hollywood.”
Busta Rhymes won the global icon award, EMAs top honor, previously received by Queen, Eminem, Janet Jackson, U2 and Whitney Houston, among others.
“Thirty-four years of professionally recording, this is the first time I’m getting an award from MTV. And it feels fucking incredible,” said Rhymes collecting the icon trophy from British rapper Little Simz.
The Brooklyn-born rapper went on to play glowing tribute to “one of my heroes” LL Cool J, who was at the ceremony on presenting duties, before performing a collection of his greatest hits, including “Scenario,” “Put Your Hands Where The Eyes Can See,” “Do The BusABus Pt.2,” “Break Ya Neck” and “Pass The Courvoisier”.
“LL Cool J was the template that I followed,” said Rhymes in a lengthy eight-minute-long acceptance speech that also saw him thank his mother and Public Enemy’s Chuck D for supporting him at the start of his career.
“I learned how to become the embodiment of Busta Rhymes because I love to bust rhymes for real and I love hip-hop for real,” he told the audience.
“Busta Rhymes is a true creative visionary who has made a massive impact on the musical landscape and pop culture,” Bruce Gillmer, the event’s executive producer and president of music and chief content officer for music at MTV parent company Paramount+, told Billboard in the run up to Sunday’s ceremony.
The show also contained a succession of playful references to the musical heritage of host city of Manchester with the Hacienda night club’s famous yellow and black striped branding and the distinctive opening riff of New Order’s “Blue Monday” recurring motifs throughout the evening.
Local band Blossoms, from the nearby town of Stockport, also made a cameo joking with host Ora as she served champagne in a bar style setting, while one of the show’s more surreal moments featured Ora chatting with Happy Mondays’ founder members Shaun Ryder and Bez, with the latter in characteristically uncontrollable, highly spirited form.
In addition to marking the 30th anniversary of MTV’s EMAs, which first took place in Berlin in 1994, Sunday’s show was the first EMAs since 2022 after last year’s event in Paris was cancelled due to global security reasons in connection with the Israel-Hamas war.
Pet Shop Boys were joined by members of the Manchester Camerata orchestra (wearing the band’s iconic cone hats) to close the show with a stirring cover of David Bowie’s “All The Young Dudes” followed by the band’s debut hit “West End Girls,” first released in 1984.Full list of 2024 MTV EMA nominees and winnersGlobal Icon Award Busta RhymesMTV EMA Pop Pioneers AwardPet Shop BoysBest SongAriana Grande – we can’t be friends (wait for your love)Benson Boone – Beautiful ThingsBeyoncé – TEXAS HOLD ‘EMBillie Eilish – BIRDS OF A FEATHERChappell Roan – Good Luck, Babe!WINNER: Sabrina Carpenter – EspressoBest VideoAriana Grande – we can’t be friends (wait for your love)Charli xcx – 360Eminem – HoudiniKendrick Lamar – Not Like UsLISA ft. Rosalía – NEW WOMANWINNER: Taylor Swift ft. Post Malone – FortnightBest ArtistBeyoncéBillie EilishPost MaloneRAYESabrina CarpenterWINNER: Taylor SwiftBest CollaborationCharli xcx & Billie Eilish – Guess featuring Billie EilishFuture, Metro Boomin & Kendrick Lamar – Like ThatLady Gaga, Bruno Mars – Die With A SmileWINNER: LISA ft. Rosalía – NEW WOMANPeso Pluma, Anitta – BELLAKEOTaylor Swift ft. Post Malone – FortnightBest NewAyra StarrWINNER: Benson BooneChappell RoanLE SSERAFIMTeddy SwimsThe Last Dinner PartyTylaBest PopWINNER: Ariana GrandeBillie EilishCamila CabelloCharli xcxDua LipaSabrina CarpenterTaylor SwiftBest AfrobeatsAsakeAyra StarrBurna BoyRemaTemsWINNER: TylaBest RockBon JoviColdplayGreen DayKings of LeonLenny KravitzWINNER: Liam GallagherThe KillersBest LatinAnittaBad BunnyKAROL GWINNER: Peso PlumaRauw AlejandroShakiraBest K-PopWINNER: JiminJung KookLE SSERAFIMLISANewJeansStray KidsBest AlternativeFontaines D.C.HozierWINNER: Imagine DragonsLana Del ReyTwenty One PilotsYUNGBLUDBest ElectronicWINNER: Calvin HarrisDavid GuettaDisclosureDJ SnakeFred Again..Swedish House MafiaBest Hip-HopCentral CeeWINNER: EminemKendrick LamarMegan Thee StallionNicki MinajTravis ScottBest R&BKehlaniSZATinasheWINNER: TylaUSHERVictoria MonétBest LiveAdeleColdplayDoja CatRAYEWINNER: Taylor SwiftTravis ScottBest PushAyra StarrChappell RoanCoco JonesFlyana BossJessie MurphLaufeyWINNER: LE SSERAFIMMark AmborShaboozeyTeddy SwimsThe WarningVictoria MonétBiggest FansAnittaAriana GrandeBeyoncéBillie EilishChappell RoanCharli xcxKaty PerryWINNER: LISANicki MinajSabrina CarpenterShawn MendesTaylor SwiftFull list of 2024 MTV EMA Worldwide WinnersBest African Act – TylaBest Asia Act – BINIBest Australian Act – SiaBest Austrian Act – RAF CamoraBest Brasilian Act – Pabllo VittarBest Canadian Act – Shawn MendesBest Caribbean Act – Young MikoBest Dutch Act – Roxy DekkerBest French Act – Pierre GarnierBest German Act – AylivaBest India Act – MaliBest Israeli Act – Noa KirelBest Italian Act – AnnalisaBest Lat Am Central Act – Manuel TurizoBest Lat Am North Act – YerimuaBest Lat Am South Act – DillomBest Nordic Act – Zara LarssonBest Polish Act – Daria ZawiałowBest Portuguese Act – Bárbara BandeiraBest Spanish Act – Lola IndigoBest Swiss Act – NemoBest UK & Ireland Act – RayeBest US Act – Taylor Swift
The 2024 MTV Europe Music Awards celebrated music around the globe with a star-studded event on Sunday (Nov. 10) hosted by Rita Ora.
Taylor Swift leads the list of nominations with seven nods including best pop, best artist and biggest fans.
Ariana Grande, Charli XCX, Sabrina Carpenter and Billie Eilish earned five nods. Beyoncé, LISA, Kendrick Lamar, Ayra Starr, Chappell Roan and Tyla landed four nods each.
Other nominees include Boone, LE SSERAFIM, Teddy Swims, Camila Cabello, Dua Lipa, Rema, Tems, Coldplay, Jimin, Katy Perry, Anitta, Karol G, Shakira, NewJeans, Stray Kids, Hozier, Megan Thee Stallion, Kehlani, SZA, Tinashe, RAYE and Shawn Mendes.
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See below for everything you need to know about how to watch the 2024 MTV EMAs on TV and online.
When are the 2024 MTV EMAs?
The 2024 MTV EMAs will be held at the Co-Op Live in Manchester on Sunday. The show will broadcast live on MTV in the U.K. and 150 countries, in addition to red carpet and backstage footage streaming via MTVEMA.com and the MTV EMA’s Facebook, YouTube, Twitter, TikTok and Instagram accounts. Viewers can stream internationally via ExpressVPN.
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How to Watch & Stream the 2024 EMAs online free
For those looking to watch the EMAs, the ceremony will re-broadcast on MTV and MTV2 on Monday (Nov. 11) at 7 p.m. ET/4 p.m. PT. If you already have cable or satellite, check your local listings for channel information.
Online viewers can stream MTV and MTV2 via Direct TV Stream, fuboTV, Philo and Sling TV. Signing up for free trials through platforms such as Direct TV Stream, fuboTV and Philo will give you access to MTV and MTV2 to let you watch the EMAs from your TV, laptop, tablet or phone.
Additionally, the 2024 MTV EMAs will begin streaming on Paramount+ and Pluto TV on Monday. Not subscribed to Paramount+? Subscriptions start at $7.99/month after a free, one-week trial.
From must-watch movies and acclaimed originals to live sports and exclusives from MTV, and other Viacom channels, Paramount+ is home to a mountain of entertainment. The lineup of original programs on Paramount+ includes Lioness, Tulsa King, Ink Master, The Good Fight, Evil, Seal Team, 1883 and RuPaul’s Drag Race All Stars.
Paramount+ is also available on Prime Video and you can access the platform from outside of the U.S. with ExpressVPN.
Who is performing at the 2024 MTV EMAs?
LE SSERAFIM, Peso Pluma, Tyla, Benson Boone, Mendes, The Warning, RAYE, Pet Shop Boys are among this year’s performers.
Nominees for the best children’s music album award at the 2025 Grammys were revealed with the full announcement of Grammy nominations on Friday (Nov. 8). Among the artists named are three family-centered acts with previous nominations in the category — Lucky Diaz and The Family Jam Band, Lucy Kalantari & The Jazz Cats and Divinity Roxx and Divi Roxx Kids — plus newcomers to the category, John Legend and Rock for Children (in collaboration with Alice Cooper).
The 67th annual Grammy Awards are set for Feb. 2, 2025 at Los Angeles’ Crypto.com Arena. The event will be broadcast on CBS and streamed live and on demand via Paramount+.
For parents and kids who are curious about the children’s albums up for a Grammy at the 2025 ceremony, here’s an introduction to all five nominees from Billboard Family.
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Divinity Roxx, pictured in the jubilant photo above, is Beyoncé’s former bassist and musical director, and the composer and performer of the Lyla in the Loop theme song on PBS. Divinity Roxx and Divi Roxx Kids are up for the best children’s music album Grammy for the album World Wide Playdate, an upbeat collection of songs celebrating friendship, family, self-empowerment and going after your dreams that’s inspired by ’90s hip-hop and fit for a family party. It’s Divinity’s second time receiving a nod in the category following a nomination at the 2023 Grammys for Ready Set Go!, her debut children’s album.
“I am proud to create music that inspires, empowers and encourages future generations and I am overjoyed and honored that my peers in the Recording Academy recognized the power of positivity in World Wide Playdate. Mom says always expect a Miracle and right about now we all need one,” Divinity tells Billboard Family, after receiving the news on Friday that she’s a Grammy nominee again.
Lucy Kalantari & The Jazz Cats‘ Creciendo — Kalantari’s first full-length, Spanish-language children’s album — is nominated for best children’s music album at the 2025 Grammys following Kalantari’s previous two Grammy wins: All the Sounds was named best children’s album in 2019, and All the Ladies took home the best children’s album honor in 2021. Creciendo means “growing up” in Spanish, and that’s the sweet theme of this new collection by Kalantari, who was raised by immigrant parents from the Dominican Republic and Puerto Rico. Drawing from her family’s roots, she even brings her own child on as a guest (playing cello in the album) on this album, a musical fusion of Latin and jazz.
“I’m moved to bits to have my Spanish album Creciendo nominated for a GRAMMY!” Lucy Kalantari tells Billboard Family following Friday’s Grammy nominations announcement. “It’s so wonderful to be nominated along side such incredible artists! I truly hope this nomination can help bring my big messages of joy, community and resilience to families all over the world.”
Lucky Diaz and The Family Jam Band receive their third Grammy nomination for best children’s music album this year with Brillo, Brillo!, having previously been nominated in the category for Crayon Kids at the 2023 Grammys and Los Fabulosos at the 2022 event. Also four-time Latin Grammy nominees, the husband-and-wife musical team (Lucky Diaz and Alisha Gaddis) have won twice in the best Latin children’s album category: they’re award winners for ¡Fantastico! in 2013, and for Buenos Diaz in 2019 under the name The Lucky Band. With this year’s Brillo, Brillo!, they bring bilingual, whimsical pop-rock to the family-centered music space.
The band tells Billboard Family they are “deeply honored” by their latest Grammy nod: “This nomination is historical for our band — with seven nominations and two wins across the Latin Grammy and Grammy spaces, we’re the most nominated in the children’s category. That’s huge. This means that families continue to welcome us into their homes, year after year after year, and trust us to entertain their children. This is an honor we don’t take lightly, even though children’s music is full of silly joy and delight!”
They are also offering a warm welcome to a familiar name who’s brand-new to the children’s category: “Thrilled to welcome the legend, John Legend, into the category. Obviously, he is a talented star who we love — so it’s fabulous that he will bring more eyes to our category.”
John Legend has a longtime history with the Grammys, including 12 wins, but is a first-timer to the best children’s music album category with his debut children’s set, My Favorite Dream. The singer-songwriter, whose Sufjan Stevens-produced album is a mix of sweet originals and Legend’s version of children’s classics, was influenced by life at home with his young kids (two of which make musical cameos, as does wife Chrissy Teigen). He shared a statement about the Grammy nomination on Instagram, where he wrote, “My Favorite Dream holds a very special place in my heart. It’s my first children’s album, inspired by the heart of our family. Working alongside the incredibly gifted @sufjan brought this dream to life in ways I could have never imagined.”
Legend, whose album track “Always Come Back” is also up for the best arrangement, instrumentals and vocals Grammy with string arranger Matt Jones, gave a shout-out to his peers in children’s music.
“Thank you to the @recordingacademy for recognizing our labor of love, and thank you to the Children’s Music community for welcoming this rookie into your beautiful world. These nominations aren’t just for me and my family — they’re for everyone who believes in the magic of music, family, togetherness and L-O-V-E.”
Rock for Children receive their first Grammy nomination with Solid Rock Revival‘s nod in the best children’s music album category at the 2025 awards. Those unfamiliar with the collection, which was recorded with young musicians from an after-school teen center, might be intrigued to learn Alice Cooper is heavily involved with the album, and even guests on six tracks; other classic rockers playing on the project include Rob Halford and Slash, and Darryl “DMC” McDaniels of Run-DMC also makes an appearance. Proceeds from the album benefit Alice Cooper’s Solid Rock Teen Center, a 501(c)(3) nonprofit organization with bringing free music and arts programs to local aged 12-20, and the Norelli Family Foundation.
“It’s a takeoff on our own stuff,” Cooper, who’s been nominated for a Grammy three other times throughout his career, told The Arizona Republic of the Solid Rock Revival project earlier this year. “Instead of ‘I’m Eighteen,’ it’s ‘I’m Thirteen.’ ‘School’s In.’ And ‘No More Mr. Nice Guy’ is ‘Now, I’m Mr. Nice Guy.’ It’s kind of a positive take on the stuff we used to do.”
See the roundup of 2025 Grammy nominations for best children’s music album nominees below, and find the complete list of nominees in all categories here.
2025 Grammy Nominations: Best Children’s Music Album
Brillo, Brillo!, Lucky Diaz and The Family Jam Band
Creciendo, Lucy Kalantari & The Jazz Cats
My Favorite Dream, John Legend
Solid Rock Revival, Rock for Children
World Wide Playdate, Divinity Roxx and Divi Roxx Kids
“To be a visionary, not only do you have to have a vision but you have to have an unwavering belief and faith in that vision to make it happen. Don’t accept no. Understand that you are not too difficult. The job is just too difficult for them. God will put you in a position and connect you with people who are able to do the job.”
So declared newly minted four-time Grammy nominee Doechii as she accepted the Visionary Award from her mother Celesia Moore at the Give Her FlowHERS Awards Gala Friday evening (Nov. 8). Her empowering speech — in which Doechii also shared that she’s “recently sober … with a truly renewed spirit” — was just one of many inspirational moments that drew hearty cheers and shout-outs inside the Beverly Hilton Hotel’s packed ballroom at Femme It Forward’s third annual gala and fundraiser, presented by Live Nation. Additional sponsors included Spotify.
Also among the evening’s honorees were GloRilla and Jill Scott. GloRilla, who was also announced as a two-time Grammy nominee earlier in the day, was presented with the Big Femme Energy Award by actress LisaRaye McCoy.
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GloRilla attends the Give Her FlowHERS Awards Gala, receiving the Big Femme Energy Award, on Nov. 8, 2024.
“Shout out to God. Shout out to you all. Shout out to me,” GloRilla said in part. “I always live out of the three D’s: determination, dedication and diligence. And don’t let nobody tell you all what you all can’t do because at the end of the day, their sun won’t shine.”
Grammy-winning singer-songwriter Jill Scott, recipient of the Muse Award, was paid tribute beforehand by gala host Saweetie — who was honored with the Give Her FlowHERS Award, recognizing an artist who embodies empowerment, resilience and cultural influence — and singer-songwriter Alex Isley.
Jill Scott receives The Muse Award at the Give Her FlowHERS Awards Gala on Nov. 8, 2024.
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“I have an office at my house where I write and read; I believe in inspiration,” said Scott. “So there’s literally a cacophony of extraordinary women, artists and entertainers on my wall. I look at them all the time because sometimes I get scared, sometimes I get paranoid to the point of paralysis where I don’t think I have enough. So I’m looking at these powerful entertainers and how brave, devoted and passionate [they are] about what they do. And I think, ‘I can do this just another day, maybe just another hour … It’s OK to be scared as long as you walk forward in the thing.”
Making a special surprise appearance at the top of the evening were Snoop Dogg and his wife Shante Broadus. They were presented with the Black Love Award by Femme It Forward president/CEO Heather Lowery. “There’s nothing like an award that brings your family, your backbone to the stage. This one here feels better than a Grammy,” noted Snoop, who’s had multiple Grammy nominations but no wins.
The evening’s additional honorees included Chloe + Halle (My Sister’s Keeper), Lady London (Self Love) and artist-songwriter Nija Charles (Pen It Forward). Also among the presenters was Grammy-winning singer-actress Andra Day. Integrated throughout the awards ceremony were segments honoring music and media executives who have served as mentors to young women through Femme It Forward’s sister organization Next Gem Femme.
That circle of honorees — paid tribute by their Next Gem Femme mentees — featured COLTURE co-founder Jayne Andrew, Vydia/gamma. vp Lynne M. Scott, Tri-Star CEO Lou Taylor, MVD Inc. president/CEO Miatta Johnson, Amazon Music head of hip-hop and R&B Sierra Lever and CAA music agent Cheryl Paglierani. Funds donated to Next Gem Femme by audience members during the evening will go toward improving equity in the workplace and accelerating career opportunities and trajectories for young women of color.
Explaining the mission behind Give Her FlowHERS in her opening remarks, Lowery — who also founded Next Gem Femme — told the room, “We see you and honor you. You are the reason we’re here tonight.” Quoting the message on notecards found at each place setting (“No rain, no flowers”), she added, “This is also about weathering the storm and planting your flowers. We can’t change the past, but we can rewrite the future.”
Snoop Dogg and his wife, Shante Broadus, were honored with the Black Love Award at the 2024 Give Her FlowHERS Awards Gala.
The legendary hip-hop artist and his spouse accepted the award during Femme it Forward’s third annual gala, held on Friday (Nov. 8) at the Beverly Hilton in Los Angeles.
In his acceptance speech, Snoop reflected on the significance of the award. “This is beautiful because throughout my career I’ve been nominated and won a lot of awards, but there’s nothing like an award that brings you back home to the stage to let people know that this is the reason why you are so successful,” the rapper shared, standing beside Shante, according to The Hollywood Reporter.
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He continued, “I’ve been nominated for 20 Grammys and never won one, but this right here, this feels better than one. And to the couples out there tonight, it’s always going to be rocky, it’s always going to be hard, but if it’s true love, and it’s meant to be, it’s going to always be good news. That’s real love. Black love.”
The 2024 Give Her FlowHERS Awards Gala, hosted by Saweetie, also honored other musical artists, including Jill Scott, Chloe Bailey, Halle Bailey, GloRilla, Doechii, Lady London and Nija.
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Saweetie, who was also presented with an award, expressed gratitude in her speech. “I’d like to thank God because without prayer and faith, I would have lost my mind a long time ago,” the rapper said. “We all know this because we know how crazy this industry can get, but tonight this room is safe. Thank you all for allowing us to be vulnerable.”
Femme it Forward founder Heather Lowery, in her opening remarks, seemed to acknowledge the emotional impact of the 2024 U.S. presidential election results, particularly among supporters of Vice President Kamala Harris.
“To the women and girls who are overqualified and undervalued, can you all stand if you’ve felt this way at any point in your journey?” Lowery said, according to THR. “We want to hold space for you tonight and remind you we see you, we honor you, and you are more than enough. You are the reason why we are here tonight. I know we’ve all been overwhelmed with so many emotions over the last few days. I want you to treat your grief the same way you would treat your garden. Nurture it. Give it space, give it time, let it bloom.”
Other notable honors during Friday’s gala included the My Sister’s Keeper Award presented to siblings Chloe and Halle Bailey; the Visionary Award for Doechii; the Big Femme Energy honor for GloRilla; and the Muse Award for Jill Scott.