Awards
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It’s been an exceptionally strong period for country music, with many albums and songs having tremendous critical and commercial success as the genre has transcended borders both stylistically and geographically. Additionally, artists from outside the world of country music jumped in with confidence, providing some of the best and most substantial music of the year.
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Grammy nominations for the 67th Annual Grammy Awards will be announced on Nov. 8, with the ceremony taking place Feb. 2, 2025 at Crypto.com Arena in Los Angeles. As Grammy eligibility draws to a close today (the eligibility period is Sept. 16, 2023-Aug. 30, 2024), here are Billboard’s best bets for the contenders in best country album and best country song.
Best Country Album
Grammy voters often pull from a wide range of albums and artists here, considering records that fall into Americana and country-adjacent music styles and, therefore, make this category harder to predict than for the country-only awards shows. Other than Chris Stapleton’s Higher, which is a guaranteed nominee, and Lainey Wilson’s Whirlwind, the other three slots could just as easily go to the albums mentioned in Within Reach — but that only speaks to the strength of this Grammy season’s contenders.
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Beyoncé, Cowboy Carter
Grammy voters tend to be less insular than CMA Awards voters, so look for Bey to land her first nomination in this category. The album is not only a cultural touchstone, and “Texas Hold ‘Em” went to No. 1 on Billboard’s Hot Country Songs chart, but voters want to support Beyoncé and show Nashville and the country community have changed after her less-than-welcoming reception at the 2016 CMA Awards.
Kacey Musgraves, Deeper Well
Musgraves’ 2021 album, star-crossed, became her first album to not be nominated for best country album when the country committee took it out of contention. Will she return to the category this year, or is Musgraves now considered a pop or Americana artist? Deeper Well is a largely mid-tempo, gentle exploration by this cosmic cowgirl of many of life’s bigger questions that Nashville should be proud to embrace.
Post Malone, F-1 Trillion
Post Malone came to Nashville and conquered the town like few outsiders before him. He put in the work, spending months writing with top songwriters and playing local spots as he crafted a duets-heavy album that reflects where country music is at the moment, but also, especially in the solo songs, pays homage to its rich, deep history. Add in the overwhelming success of “I Had Some Help,” his collaboration with Morgan Wallen, and you have a contender that is going to draw votes from both the country and pop communities.
Chris Stapleton, Higher
Higher is a sure bet in this category, as Stapleton has been nominated for every album he has released and taken home the trophy three times. Like his previous four studio albums, Higher debuted at No. 1 on Billboard’s Top Country Albums chart, and first single “White Horse” rode to No. 2 on Country Airplay. His unmistakably gruff, bluesy voice tackles affairs of the heart in an intimate way that few other contemporary artists can muster.
Lainey Wilson, Whirlwind
Wilson’s last album, Bell Bottom Country, is the reigning champ in this category, and with Whirlwind, which came out a week before eligibility period closed, Wilson has released a set that will not only be fresh on voters’ minds but is her most confident one to date. From the fun-loving rush of first single, “Hang Tight Honey” to the heart-tugging “Whiskey Colored Crowd” and sassy kiss-off of “Ring Finger,” Wilson’s broad appeal may prove irresistible to voters.
Within Reach: Zach Bryan, The Great American Bar Scene; Luke Combs, Fathers & Sons; Cody Johnson, Leather; Megan Moroney, Am I Okay; Willie Nelson, The Border
Best Country Song
Given the range of artists, from country newcomers to established pop stars, who have released country and country-adjacent music over the past year, it seems likely that the best country song nominations (which honors songwriters) will span from multi-week chart leaders to more boutique fan favorites. And given country’s surging global appeal, the writers on these songs have credits spanning the genres of country, pop, hip-hop, R&B and more.
Nominees for best country song must have been released on a recording for the first time, or achieved prominence for the first time, during the current eligibility year. There are traditionally five nominees in this category, but in three of the past six years there have been six (due to ties), so we’re showing six possibilities.
“The Architect” (Kacey Musgraves)
Songwriters: Kacey Musgraves, Shane McAnally, Josh Osborne
From Musgraves’ Deeper Well album comes this exquisitely-crafted song that questions whether there is a higher power guiding life events, or if situations are simply the results of a series of random chances. Musgraves wrote the song with Shane McAnally and Josh Osborne. Musgraves has won twice in this category, with “Merry Go ‘Round” (also written by Musgraves, McAnally and Osborne) and “Space Cowboy” (written by Musgraves McAnally and Luke Laird).
“Dirt Cheap” (Cody Johnson)
Songwriter: Josh Phillips
Johnson is no stranger to this category, and certainly knows how to pick an award-worthy song. One of Johnson’s previously-recorded songs, “’Til You Can’t,” won in this category in 2023. His song “Dirt Cheap,” which is in the top 10 on Billboard’s Country Airplay chart, is a solo write by songwriter Josh Phillips. Similar to “’Til You Can’t,” the song is built on vivid imagery and a heartfelt sentiment.
“Halfway to Hell” (Jelly Roll)
Songwriters: Jason DeFord (Jelly Roll), Jesse Frasure, Matt Jenkins, Jessie Jo Dillon
Released in January, this track continues Jelly’s penchant for rock-propelled songs detailing the duality of life, giving a voice to the masses who ride the line between wholesome living and various vices, particularly on lines such as “I’m a dive bar Sunday sermon/ Holy water with my bourbon.” “Halfway to Hell” serves as the third single from Jelly Roll’s Whitsitt Chapel and topped the Country Airplay chart this year.
“I Had Some Help” (Post Malone and Morgan Wallen)
Songwriters: Ernest Keith Smith, Louis Bell, Morgan Wallen, Ashley Gorley, Austin Post, Chandler Paul Walters, Hoskins, Ryan Vojtesak
Post Malone has notched 10 Grammy nominations but could notch his first country category nominations leading up to 2025’s ceremony, thanks to this Wallen collab. “I Had Some Help” has spent six nonconsecutive weeks atop the Billboard Hot 100, and seven weeks atop the Hot Country Songs chart. While, in recent years, the best country song category has often tilted toward songs that haven’t been multi-week chart-toppers, last year’s nominations included another Wallen-recorded song, “Last Night,” which spent 16 weeks atop the all-genre Hot 100.
“Texas Hold ‘Em” (Beyoncé)
Songwriters: Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bulow, Nate Ferraro, Raphael Saadiq
Beyoncé stands alone as the artist who has earned the most Grammys, with 32 trophies — but the upcoming Grammy Awards ceremony could very well see the musical iconoclast extend her wins into country categories, including best country song, thanks to “Texas Hold ‘Em.” Beyoncé has previously earned Grammys for songwriting in the R&B field (for “Say My Name,” “Crazy in Love,” “Drunk in Love,” “Single Ladies (Put a Ring on It),” and “Cuff It”) and in the rap field (for “Savage”). Earlier this year, Beyoncé became the first solo Black woman to top Hot Country Songs, with “Texas Hold ‘Em,” which ruled the chart for 10 weeks from February through April.
“Tucson Too Late” (Jordan Davis)
Songwriters: Jordan Davis, Jacob Davis, Josh Jenkins, Matt Jenkins
“Tucson Too Late,” the fourth single from Davis’ Bluebird Days, topped the Country Airplay chart in May, becoming Davis’ fifth leader on that chart. The song was penned by two sets of brothers — Davis and his brother Jacob, as well as brothers Josh and Matt Jenkins. This songwriter group is the same one behind Davis’ CMA song of the year winner “Buy Dirt.” Though “Tucson Too Late” ventures into a more mid-tempo groove than some of his previous balladry, the earnest storytelling here has connected with listeners.
Within Reach: Zach Bryan, “Pink Skies”; Ashley Cooke, “Your Place”; Megan Moroney, “No Caller ID”; Shaboozey, “A Bar Song (Tipsy)”; Scotty McCreery, “Cab in a Solo”; Chris Stapleton, “Think I’m in Love With You”
If you win the Grammy Award for album of the year, it stands to reason that you must have also won whatever genre album award you competed for. And most album of the year winners since 1995, when the Grammys introduced numerous genre album categories, have won also won in the appropriate genre album categories. […]
What would you say is the most iconic performance in the history of the VMAs? Was it Madonna’s “Like a Virgin” from the very first show in 1984, where she wore a combination bustier/wedding gown and rolled around on the floor?
Or Madonna’s performance of that same song and her then-current release “Hollywood” with Britney Spears, Christina Aguilera and a guest rap by Missy Elliott from the 2003 show? The performance caused a stir (nothing new for Madonna) thanks to its gender role-reversal and same-sex smooch.
Or would you go with Beyoncé’s “Love on Top” from 2011 in which she patted her baby bump to celebrate her pregnancy? Or Katy Perry’s performance of “Roar” live from Empire-Fulton Ferry Park in Brooklyn, which closed the 2013 show? The VMAs’ list of seven contenders included two performances from the 2009 show – Lady Gaga’s “Paparazzi” (in which she appeared to bleed out onstage; it was just an effect) and Taylor Swift’s “You Belong With Me.”
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The final contender – the only one by a man – is Eminem’s performance of “The Real Slim Shady” and “The Way I Am” from the 2000 show. Eminem began the performance outside Radio City Music Hall and continued as he strode into the theater followed by a hundred Eminem lookalikes.
The 2024 VMAs also announced nominees in three other social categories: Song of Summer, Best Group and Best Trending Video. All voting will be hosted on @MTV Instagram Story.
MTV also announced a “bonus week” of voting across general categories, now closing Sept. 6 at 6 p.m. ET. Fans vote for their favorites across 15 gender-neutral categories, including video of the year, by visiting MTV’s website. Voting for best new artist will remain active into show.
With nominations in these four social categories added in, Taylor Swift maintains her lead as the year’s top nominee (12), followed closely by Post Malone (11), Eminem (eight), Ariana Grande, Megan Thee Stallion, Sabrina Carpenter and SZA (seven each); Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, GloRilla, LISA, Olivia Rodrigo and Teddy Swims (four each).
The 2024 MTV VMAs are set to air live on Wednesday, Sept. 11, at 8 p.m. ET/PT from New York’s UBS Arena. Megan Thee Stallion is set to host the show. Katy Perry will receive the Video Vanguard Award and also perform.
The 2024 show will be held just three days shy of the 40th anniversary of the inaugural VMAs at Radio City Music Hall.
Chappell Roan, Sabrina Carpenter, Camila Cabello, GloRilla and Rauw Alejandro were the first artists slated to perform at the awards; they were announced on Aug. 12. Benson Boone, Halsey, Lenny Kravitz and LISA were added to the lineup on Aug. 21. Shawn Mendes, Anitta, Karol G and LL Cool J were added on Aug. 27.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers for the 2024 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Here are the nominees in the four social categories, along with information on how to vote.
VMAs Most Iconic Performance
24 hours of fan voting for the new category that celebrates some of the most memorable VMAs performances from the history of the show begins Tuesday, Sept. 10 at 11 a.m. ET on @MTV Instagram Story (one round, tap to vote); concludes Sept. 11 @ 11 a.m. ET.
Beyoncé – “Love on Top” (2011)
Britney Spears, Christina Aguilera, Madonna, Missy Elliott – “Like a Virgin” & “Hollywood” (2003)
Eminem – “The Real Slim Shady” & “The Way I Am” (2000)
Katy Perry – “Roar” (2013, live from Empire-Fulton Ferry Park)
Lady Gaga – “Paparazzi” (2009)
Madonna – “Like a Virgin” (1984)
Taylor Swift – “You Belong With Me” (2009)
Best Trending Video
Fans will vote for the newly added category that celebrates the artist’s videos and/or songs that inspired fandoms to generate content related to the video and/or song starting Sept. 2 at @ 11 a.m. ET on @MTV Instagram Story (one round, tap to vote); closes Sept. 3 @ 11 a.m. ET.
Beyoncé – “Texas Hold ‘Em” – Parkwood Entertainment / Columbia Records
Camila Cabello feat. Playboi Carti – “I Luv It” – Geffen / Interscope Records
Chappell Roan – “Hot to Go!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.
Charli XCX – “Apple” – Atlantic Records
Megan Thee Stallion feat. Yuki Chiba – “Mamushi” – Hot Girl Productions
Tinashe – “Nasty” – Nice Life Recording Company
Best Group
Fan voting for favorite group across all genres will begin Tuesday, Sept. 3 @ 11 a.m. ET on @MTV Instagram Story (two rounds bracket-style face-off, final round tap to vote); closes Sept. 6 @ 11 a.m. ET.
*NSYNC – RCA Records
Coldplay – Atlantic Records
Imagine Dragons – KIDinaKorner / Interscope Records
NCT Dream – SM Entertainment / Virgin Music Group
NewJeans – ADOR / Geffen Records
SEVENTEEN – PLEDIS Entertainment / Geffen Records
TOMORROW X TOGETHER – BIGHIT MUSIC / IMPERIAL / Republic Records
Twenty One Pilots – Fueled By Ramen
Song of Summer
Fan voting for all-round favorite summer 2024 hit will launch Friday, Sept. 6 at 11 a.m. ET on @MTV Instagram Story (three rounds bracket-style face-off, final round tap to vote); closes Sept. 10 at 11 a.m. ET.
Ariana Grande – “We Can’t Be Friends (Wait for Your Love)” – Republic Records
Benson Boone – “Beautiful Things” – Night Street Records, Inc. / Warner Records
Billie Eilish – “Birds of a Feather” – Darkroom / Interscope Records
Chappell Roan – “Good Luck, Babe!” – Amusement Records / Island Records, a division of UMG Recordings, Inc.
Charli XCX & Billie Eilish – “Guess featuring Billie Eilish” – Atlantic Records
Eminem – “Houdini” – Shady / Aftermath / Interscope Records
Future, Metro Boomin & Kendrick Lamar – “Like That” – Wilburn Holding Co. / Boominati / Epic / Republic
GloRilla, Megan Thee Stallion – “Wanna Be” – CMG / Interscope Records
Hozier – “Too Sweet” – Columbia Records
Kendrick Lamar – “Not Like Us” – pgLang, under exclusive license to Interscope Records
Post Malone feat. Morgan Wallen – “I Had Some Help” – Mercury / Republic / Big Loud
Sabrina Carpenter – “Please Please Please” – Island
Shaboozey – “A Bar Song (Tipsy)” – American Dogwood / EMPIRE
SZA – “Saturn” – Top Dawg Entertainment / RCA Records
Taylor Swift feat. Post Malone – “Fortnight” – Republic Records
Tommy Richman – “Million Dollar Baby” – ISO Supremacy / PULSE Records / Concord
Olivia Rodrigo has good reason to be “Obsessed” with the Grammy eligibility rules, specifically the one that states: “Tracks from an album released during last year’s eligibility period are eligible in the current eligibility period, provided the same tracks were not entered the previous year and the album did not win a Grammy.”
That means that Rodrigo’s “Obsessed,” a single from the deluxe Guts (Spilled) edition of her 2023 album Guts, is eligible for the 67th annual Grammy Awards. The single was released on March 22, 2024, well within the eligibility period for the 2025 Grammys (Sept. 16, 2023 to Aug. 30, 2024). It was not entered in last year’s awards process (the focus was on “Vampire,” which was nominated for record and song of the year and best pop vocal performance, and “Ballad of a Homeschooled Girl,” nominated for best rock song). And crucially, Guts didn’t win a Grammy, though it was nominated for both album of the year and best pop vocal album at the ceremony.
On the other hand, if Noah Kahan were to look over the Grammy rulebook, he might find less to cheer about. Stick Season (Forever), which was released on Feb. 9, 2024, will not be eligible to compete for album of the year. Here’s the rule from the Grammy rulebook: “Updated, revised or expanded versions of previously submitted albums will not be eligible.”
Stick Season (Forever) is an expanded version of Kahan’s Stick Season album, which was released on Oct. 14, 2022. An earlier expanded version, Stick Season (We’ll All Be Here Forever), was entered for album of the year and best Americana album at the ceremony that was held earlier this year. It wasn’t nominated in either category, but it was “submitted.” (Kahan’s only Grammy nomination to date is best new artist at the ceremony held earlier this year.)
Current voting and professional members of the Recording Academy are hunkering down today and tomorrow – or, at least, the Academy fervently hopes they are – to enter recordings for the 67th annual Grammy Awards. The submission window closes on Friday Aug. 30 at 6 p.m. PT.
The rules and guidelines handbook for the 67th annual Grammy Awards runs 75 pages – and it’s not exactly a “beach read.” Fortunately, the Academy prepared a one-page summary of “Basic Guidelines.” We combed through that document to cull these eight highlights.
Recordings must meet these three basic eligibility guidelines.
There are just two more days for current voting and professional members of the Recording Academy to enter recordings for the 67th annual Grammy Awards. The submission window closes Friday (Aug. 30) at 6 p.m. PT.
The entry process has changed in recent years. There used to be no limit to the number of entries members could make. Some members took advantage of that liberal policy and submitted a large number of entries, causing the entry list to bloat. The Academy now allows each voting or professional member just five “courtesy entries” before charges apply.
Furthermore, in an effort to get procrastinators to make their entries in timely fashion, those entry fees escalate the closer we get to the eligibility cut-off. The charge for members was $40 per entry from July 17-July 31 (what the Academy calls “early bird pricing”) and $75 per entry from Aug. 1-Aug. 22 (standard pricing). In this final week, it is $125 per entry (final deadline pricing). (In all cases, these are the charges for entries beyond the five courtesy entries.)
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In its rules, the Academy notes: “There will be no refunds for any entries once submitted to the Recording Academy, including those entries found to be ineligible.”
Media companies may also enter entries, but they don’t get five courtesy entries. And their charges were higher for the first two submission submission periods – $65 through July 31 and $95 through Aug. 22. The final deadline pricing charge for media companies is the same as for members – $125 through Aug. 30.
The Recording Academy defines a media company as “a legitimate business entity whose core business function is to create, aggregate and promote audio and/or video content for multiple artists for commercial purposes, and must have product in national U.S. commercial distribution on our approved streaming platforms within the current eligibility period. It cannot just be an imprint in name only for the artist.” Media companies pay an annual $180 registration fee.
It is the submitter’s responsibility to provide streaming links or physical product in some cases. “Without streaming links or commercially released product (if applicable), your entries cannot be screened or verified, which can result in disqualification,” the Academy notes.
Physical product must be submitted for consideration in five craft categories – best recording package, best boxed or limited edition package, best immersive audio album, best album notes and best historical album. Rules note “If you made entries in craft categories that require physical product, you will receive a separate email detailing the product required and further shipping instructions. Include a copy of the packing list with shipped product. Send in as soon as possible but no later than Sept. 6.”
No physical product is necessary in six other craft categories – best engineered album, non-classical; best engineered album, classical; best immersive audio album; best instrumental composition; best arrangement, instrumental or acapella; and best arrangement, instruments and vocals.
The Academy notes “Prior to the first round of voting [which opens on Oct. 4], we will be sending each submitter an email showing final category placement of their entries.”
The eligibility period for the 67th Grammy Awards is Sept. 16, 2023 – Aug. 30, 2024. First-round voting runs from Oct. 4 through Oct. 15. Nominees will be announced on Nov. 8. Final-round voting runs from Dec. 12 through Jan. 3, 2025. The Grammys will be presented on Feb. 2, 2025 at Crypto.com Arena in Los Angeles.
Nikki Glaser is set to host the 82nd annual Golden Globes, which is set to air on Sunday, Jan. 5, (8-11 p.m. live ET/5-8 p.m. live PT) on CBS.
Glaser is the first woman to serve as solo host of the Globes in recent years. Tina Fey and Amy Poehler were co-hosts four times (2013-15, 2021). Actress Sandra Oh co-hosted with comedian Andy Samberg in 2019.
Glaser, 40, is nominated for a Primetime Emmy for outstanding variety special (pre-recorded) as executive producer and performer on the HBO special Someday You’ll Die. The award will be presented on night one of the Creative Arts Emmys on Sept. 7.
“I am absolutely thrilled to be hosting the Golden Globes,” Glaser said in a statement. “It’s one of my favorite nights of television and now I get a front row seat (actually, I think I have to host from the stage). The Golden Globes is not only a huge night for TV and film, but also for comedy. It’s one of the few times that show business not only allows, but encourages itself to be lovingly mocked (at least I hope so). (God I hope so). It’s an exciting, yet challenging gig because it’s live, unpredictable, and in front of Hollywood’s biggest stars (who also might be getting wasted while seated next to their recent exes).”
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Glaser continued, “Some of my favorite jokes of all time have come from past Golden Globes opening monologues when Tina, Amy, or Ricky [Gervais] have said exactly what we all didn’t know we desperately needed to hear. I just hope to continue in that time honored tradition (that might also get me canceled). This is truly a dream job.”
“Nikki Glaser brings a fresh and unmatched candor to her comedy and to the Golden Globes,” Jay Penske, chairman and CEO of Dick Clark Productions and Penske Media Corporation, said in a statement. “Her unapologetic style made her an obvious and compelling choice as host for this year’s event. We’re hopeful this could be the first of many Golden Globes that Nikki will surprise and delight our CBS audience, as well as our audiences around the globe.”
“Nikki Glaser is a comedic powerhouse whose daring and unfiltered humor is the perfect match for the Golden Globes,” said Helen Hoehne, president of the Golden Globes. “She is sure to bring a unique energy and spontaneity to the show that will keep the audience entertained all night.”
The Golden Globes, the first major award show of the season, is often referred to as “Hollywood’s Party of the Year.” It’s the largest awards show to celebrate the best of both film and television. Multi-Emmy Award-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment will return as executive producing showrunners for the 82nd Golden Globes. Dick Clark Productions will plan, host and produce the annual Golden Globes.
CBS’ broadcast of the 81st annual Golden Globes on Sunday, Jan. 7, hosted by comedian Jo Koy, averaged 10 million viewers (Nielsen Live+7-Day national ratings), up nearly +50% from last year, its largest audience since 2020. The telecast was also the third-largest livestreamed CBS special event on Paramount+ ever in terms of AMA (average minute audience) and reach.
The deadline for motion picture and television submissions for the 2025 Golden Globes is Monday, Nov. 4. Nominations are set to be announced on Monday, Dec. 9.
In addition to airing live on CBS, the show will stream on Paramount+ in the U.S. (live and on-demand for Paramount+ with Showtime subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).
Penske Media Eldridge — a joint venture between Billboard’s parent company Penske Media Corporation and Eldridge — owns Dick Clark Productions, the producer of the Golden Globe Awards.
MTV and TelevisaUnivision will partner for the second consecutive year with a live, hosted simulcast of the 2024 VMAs on Wednesday, Sept. 11 at 8 p.m. ET/PT on Univision, the most-watched network among U.S. Hispanics. An encore presentation of the awards show will air on UniMás at 11:30 p.m. ET/PT.
This is a reversal of what transpired last year, when the live simulcast aired on UniMás at 8 p.m. ET and the encore presentation aired on Univision at 11:30 p.m. ET. This platform flip portends a much bigger live audience this year, given Univision’s greater reach.
Univision will bring exclusive show access to its audience, with original, in-show commentary from entertainment host and reporter Alejandra Espinoza throughout the three-hour broadcast, live from New York’s UBS Arena.
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“We’re excited to build on last year’s unique and enormously successful partnership with TelevisaUnivision,” Bruce Gillmer, president of music, music talent, programming & events, Paramount and chief content officer, Music, Paramount+, said in a statement. “Together, we were able to reach the largest live Spanish-speaking audience in VMAs history and deliver +29% [year-over-year] ratings growth. We look forward to celebrating the world’s top artists, including some of the biggest Latin superstars, with our fans around the globe.”
“TelevisaUnivision is excited to partner with Paramount for the second consecutive year to bring the VMAs to our audience,” said Ignacio Meyer, president of U.S. Networks at TelevisaUnivision. “Latin music’s rising influence on mainstream culture is undeniable. We’re proud to be the exclusive Spanish-language home in the U.S. for this year’s award show, offering viewers an in-language, front-row seat to this celebration.”
MTV calls this year’s show the “most global VMAs in show history.” The show will have three Latin performers — Anitta, Karol G and Rauw Alejandro, plus Camila Cabello, who has Latin roots. (The show has also booked K-Pop star LISA.)
Latin and Latin pop crossover music has been an important part of the performance mix on VMA broadcasts since 2018. Last year, four Latin artists performed on the show – Shakira (as part of her Video Vanguard award presentation), Karol G, Peso Pluma and Anitta (the latter both solo and in tandem with K-pop stars TOMORROW X TOGETHER).
Prior to that, in 2022, J Balvin (with Ryan Castro), Anitta and Bad Bunny performed. In 2021, Ozuna, Cabello and Tainy (in tandem with Shawn Mendes) represented Latin music. In 2020, Maluma, CNCO and Nicky Jam (in tandem with Black Eyed Peas and Tyga) did the honors. In 2019, CNCO (in the pre-show), Cabello (with Mendes), Rosalía and Ozuna (in a joint performance) and J Balvin and Bad Bunny (also in a joint performance) all performed. In 2018, Jennifer Lopez (receiving a Video Vanguard award) and Maluma performed.
Anitta is this year’s top Latin nominee, with three nods – best Latin and best editing for “Mil Veces” and another nod for best Latin for “BELLAKEO.” Bad Bunny and Alejandro each have two nods. Bad Bunny is nominated for artist of the year and best Latin for “MONACO” Alejandro is nominated for best Latin and best cinematography for “Touching the Sky.” Karol G, Shakira, Cardi B and Myke Towers each have one nod.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers of the 2024 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba are executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Shawn Mendes, Anitta, Karol G and LL Cool J are joining the roster of stars slated to perform at the 2024 MTV VMAs live on Wednesday, Sept. 11, at 8 p.m. ET/PT from New York’s UBS Arena.
Chappell Roan, Sabrina Carpenter, Camila Cabello, GloRilla and Rauw Alejandro were the first artists slated to perform at the awards; they were announced on Aug. 12. Benson Boone, Halsey, Lenny Kravitz and LISA were added to the lineup on Aug. 21. Megan Thee Stallion is set to host the show. Katy Perry will receive the Video Vanguard Award and also perform on the show.
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Latin music will be heavily represented on the show, with three performers from the genre (Anitta, Karol G and Alejandro) and a fourth (Cabello) with Latin roots.
Cabello and Mendes performed “Señorita” on the VMAs in 2019 when they were pop’s most photogenic couple, dating until 2021 and briefly reuniting in 2023. This year, they are set to perform separately.
Ahead of the release of his fifth studio album, Shawn, on Oct. 18, Mendes will make a return to the MTV stage for the first televised performance from the album. Mendes has a streak to protect: His first four studio albums all reached No. 1 on the Billboard 200.
Mendes performed on the VMAs three years running: “There’s Nothing Holdin’ Me Back” (2017), “In My Blood” (2018) and “If I Can’t Have You” and “Señorita” (2019). Most recently, he performed “Summer of Love,” his collab with Tainy, in 2021. Mendes is a two-time VMA winner.
Anitta is set to bring her signature Brazilian funk to the MTV stage for a third consecutive year with a medley of “Savage Funk” and “Alegria” plus the world premiere of “Paradise” with guest appearances by Fat Joe, DJ Khaled and Tiago PZK. Last year, she graced the stage twice: first with a medley of her Funk Generation hits “Used to Be,” “Funk Rave” and “Grip,” followed by a genre-bending K-pop/Latin crossover performance with TOMORROW X TOGETHER on “Back for More.” In 2022, she performed a medley that included “Envolver,” “Bola Rebola” and “Vai Malandra.” The first Brazilian artist to win at the VMAs in 2022 – best Latin for “Envolver” – Anitta is vying for her third consecutive best Latin win this year.
Karol G is also set to make a return to the MTV stage. Last year, the Colombian star won her first Moon Person – best collaboration alongside Shakira – and made her VMAs debut with a sultry rendition of “Oki Doki” / “Tá Ok.” This year, she’s poised to take home her second Moon Person and her first win in the best Latin category. Karol G’s Mañana Será Bonito World Tour became the highest-grossing Latin tour by a woman in Billboard Boxscore history. Her album Mañana Será Bonito made her the first woman, and only the second artist ever, to top the Billboard 200 with an all-Spanish-language album. Her many awards include a Grammy, five Latin Grammys and the title of 2024 Billboard Woman of the Year.
LL Cool J will return to the MTV stage to perform new music from his upcoming album The FORCE, due Sept. 6. Last year, LL was part of the show-closing all-star 50th-anniversary salute to hip-hop – during which he performed his hits “I’m Bad” and “Mama Said Knock You Out.” It was his first VMAs performance in more than 25 years. LL, the 1997 Video Vanguard recipient, performed “Mama Said Knock You Out” on the 1991 show. He also took home his first Moon Person – best rap – for that same hit.
This year will mark the first time the show has been held on 9/11 since the terrorist attack in 2001 made that date infamous. In observance of the 23rd anniversary of 9/11, MTV will again support the nonprofit 9/11 Day, which organizes the September 11 National Day of Service and Remembrance, and Tuesday’s Children, which serves the families of 9/11.
The 2024 show will be held just three days shy of the 40th anniversary of the inaugural VMAs at Radio City Music Hall, where Madonna stole the show.
Taylor Swift leads the nominations for the 2024 MTV Video Music Awards, with 10 nods. Her “Fortnight” collaborator Post Malone is second, with nine nods – eight in tandem with Swift plus one for his hit “I Had Some Help,” featuring Morgan Wallen. They are followed by Ariana Grande, Eminem and Carpenter (six nods each); Megan Thee Stallion and SZA (five each), and LISA, Olivia Rodrigo and Teddy Swims (four each).
Other artists with multiple nominations are Anitta, Benson Boone, Bleachers, GloRilla, Dua Lipa and Tyla, with three each; and Bad Bunny, Billie Eilish, Roan, Charli XCX, Coldplay, Drake, Jelly Roll, Jessie Murph, Jung Kook, Latto, Alejandro, Sexyy Red, Tate McRae, Usher and Victoria Monét, with two each.
Fans can vote for their favorites across 15 gender-neutral categories by visiting vote.mtv.com through Friday, Aug. 30. Voting for best new artist will remain active into the show on Wednesday, Sept. 11. Nominations in social categories will be announced at a later date.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers for the 2024 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
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Mark Beaven, co-founder/co-CEO of Advanced Alternative Media (AAM), Inc., is set to receive a Lifetime Achievement Award at the 25th global edition of MUSEXPO. The award will be presented during a luncheon on Monday, March 17, 2025, at Castaway in Burbank, Calif. Beaven and business partner Andrew Kipnes played a transformative role in the music […]
The final nominations for the 58th annual CMA Awards will be revealed on Monday, Sept. 9, at 7 a.m. CT, with the complete list also being posted on the CMA Awards’ website. Explore See latest videos, charts and news See latest videos, charts and news This year’s CMA Awards will be held Wednesday, Nov. 20, […]