Awards
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Challengers received no Oscar nominations this year, but one snub in particular has baffled fans: the best original score category, which showed no love to the project starring Zendaya, Mike Faist and Josh O’Connor.
After the Academy unveiled its list of nominees Thursday (Jan. 23) — revealing that the Luca Guadagnino-directed film had been completely shut out from all the categories, including music honors — fans flooded social media to protest. Omitting Trent Reznor and Atticus Ross’ critically acclaimed Challengers album – which the Academy shortlisted in December — the best original score category sees only Daniel Blumberg’s The Brutalist, Volker Bertelmann’s Conclave, Clément Ducol and Camille’s Emilia Pérez, John Powell and Stephen Schwartz’s Wicked and Kris Bowers’ The Wild Robot soundtracks in the running.
The Nine Inch Nails founder and his co-composer also missed out on a best original song recognition for “Compress/Repress,” with only tracks from Emilia Pérez, The Six Triple Eight, Sing Sing and Elton John: Never Too Late making the list.
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Though diehard fans of the film weren’t exactly pleased with any of the snubs, the best original score exclusion hit them the hardest — so much so, the phrase “best original score” as well as the movie’s title were trending on X immediately after nominations went live thanks to an influx of Challengers posts. “No best original score Oscar nomination for CHALLENGERS’ Trent Reznor and Atticus Ross is ridiculous,” one person wrote, while another fan posted, “challengers has the best original score of all time idgaf what the academy says.”
One person thought that “recency bias” must be the reason for the original score exclusion — Challengers premiered in April last year, several months before any of the category’s nominees were released — while another person proclaimed, “challengers original score snub cancel the oscars.”
Reznor and Ross’ snub comes despite the duo winning best original score at the 2025 Golden Globes earlier this month, beating out Conclave, The Brutalist, The Wild Robot, Emilia Pérez and Dune: Part Two. The duo previously won Oscars in 2010 for their soundtrack work on The Social Network and in 2020 for Soul, the latter which was shared with Jon Batiste.
See how fans are reacting to Challengers‘ best original score snub below.
challengers has the best original score of all time idgaf what the academy says— syd ✿ (@sowhatfaist) January 23, 2025
challengers original score snub cancel the oscars— zoë rose bryant (@zoerosebryant) January 23, 2025
Sorry there’s been a mistake, challengers you guys won best score. This is not a joke they read the wrong thing. Challengers. Best score.— kam (@kamrynsfilm) January 23, 2025
No CHALLENGERS in original score… I feared days like this would come— Kyle Buchanan (@kylebuchanan) January 23, 2025
No CHALLENGERS for original score, for shame.— Sean Fennessey (@SeanFennessey) January 23, 2025
how on earth did challengers not get nominated for best original score— beatriz¹⁶ ☆ (@margotsprestige) January 23, 2025
Diane Warren received her 16th Oscar nomination for best original song on Thursday (Jan. 23) — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight.
Moreover, this is the eighth year in a row Warren has been nominated, which enables her to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954 to 1961.
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Clément Ducol and Camille have two of the five songs that are nominated for best original song — “El Mal” and “Mi Camino,” both from Emilia Pérez. (They cowrote “El Mal” with the film’s director, Jacques Audiard.) This marks the first time that a songwriter or team of songwriters has had two nominated songs in the same year since 2017, when Justin Hurwitz and the team of Pasek & Paul had two nominated songs from La La Land, “City of Stars” (which won the award) and “Audition (The Fools Who Dream).”
Audiard, nominated for directing and original song for Emilia Pérez, becomes only the third person to be nominated in both the directing and original song categories, and the first to do so for the same film. Leo McCarey and Spike Jonze received their nominations in separate years.
This is the fifth year in a row that one or more non-English language songs has been nominated in the original song category. The streak started with “Io Sì (Seen)” from The Life Ahead (La Vita Davanti a Se) and continued with “Dos Oruguitas” from Encanto, “Naatu Naatu” from RRR and “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon.
Elton John received his fifth Oscar nomination for co-writing “Never Too Late” Elton John: Never Too Late. It’s the second nod for his collaborator Bernie Taupin; and the first for fellow collaborators Brandi Carlile and Andrew Watt. “Never Too Late” is the first song written by four songwriters to be nominated for best original song since “Lift Me Up” from Black Panther: Wakanda Forever two years ago, which was cowritten by Tems, Rihanna, Ryan Coogler and Ludwig Goransson.
Best Original Song Nominees
“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren
“Like a Bird: from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol
“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
The Motion Picture Academy released a shortlist of 15 contenders for best original song on Dec. 17. One song, “Forbidden Road” from Better Man (Paramount Pictures) was removed from the shortlist two days later because of similarities to a 1973 film song, “I Got a Name” from The Great American Hero.
Among the notable songwriters who were shortlisted but not nominated: Lin-Manuel Miranda, Pharrell Williams, and Trent Reznor and Atticus Ross.
Miranda was shortlisted for writing “Tell Me It’s You” from Mufasa: The Lion King. Miranda has been just an Oscar away from an EGOT since 2014, when he won his first Primetime Emmy. He has been Oscar-nominated twice for writing “How Far I’ll Go” from Moana and “Dos Oruguitas” from Encanto.
Shortlisted But Not Nominated for Best Original Song
“Beyond” from Moana 2 (Walt Disney Pictures) — Abigail Barlow, Emily Bear
“Compress/Repress” from Challengers (Amazon MGM) — Trent Reznor, Atticus Ross, Luca Guadagnino
“Harper and Will Go West” from Will & Harper (Netflix) — Sean Douglas, Kristen Wiig, Josh Greenbaum
“Kiss the Sky” from The Wild Robot (DreamWorks Animation) — Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Out of Oklahoma” from Twisters (Universal Pictures) — Lainey Wilson, Luke Dick, Shane McAnally
“Piece by Piece” from Piece by Piece (Focus Features) — Pharrell Williams
“Sick in the Head” from Kneecap (Sony Pictures Classics) — Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T
“Tell Me It’s You” from Mufasa: The Lion King (Walt Disney Pictures) – Lin-Manuel Miranda
“Winter Coat” from Blitz (Apple Original Films) — Nicholas Britell, Steve McQueen, Taura Stinson
Best Original Score
Volker Bertelmann, who won two years ago for All Quiet on the Western Front, is nominated for Conclave.
Kris Bowers received his first scoring nomination for The Wild Robot. He has been nominated twice in documentary categories, for A Concerto Is a Conversation and The Last Repair Shop (both collabs with Ben Proudfoot).
Clément Ducol and Camille were nominated for Emilia Pérez. They are the third married couple to be nominated in a scoring category. Composer Fred Karlin and lyricist Tylwyth Kymry were nominated in 1971 for best original song score for The Baby Maker. Lyricists Alan and Marilyn Bergman were nominated for best original song score and its adaptation or adaptation score in 1984 for Yentl, on which they teamed with Michel Legrand.
John Powell and Stephen Schwartz were nominated for Wicked. The film has become the top-grossing film ever adapted from a Broadway musical.
Best Original Score Nominees
The Brutalist (A24), Daniel Blumberg
Conclave (Focus Features), Volker Bertelmann
Emilia Pérez (Netflix), Clément Ducol and Camille
Wicked (Universal Pictures) John Powell and Stephen Schwartz
The Wild Robot (DreamWorks Animation), Kris Bowers
Trent Reznor and Atticus Ross, two-time winners in the category (for The Social Network and Soul, a collab with Jon Batiste), were passed over for Challengers.
This was not Hans Zimmer’s year at the Oscars. First, his score for Dune: Part Two was ruled ineligible due to exceeding the Academy’s limit on pre-existing music. Academy rules state: “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.” Zimmer’s score for Dune: Part Two incorporates substantial elements from his Oscar-winning score for 2021’s Dune. Zimmer was in on the score shortlist for his work on Steve McQueen’s Blitz, but that score failed to land a nomination.
Andrea Datzman was also passed over for Inside Out 2. With this release, Datzman became the first woman to score a Pixar feature film.
Shortlisted But Not Nominated for Best Original Score
Alien: Romulus (20th Century Studios) – Benjamin Wallfisch
Babygirl (A24) – Critobal Tapia de Veer
Beetlejuice Beetlejuice (Warner Bros. Pictures) – Danny Elfman
Blink Twice (Amazon MGM Studios) – Chanda Dancy
Blitz (Apple Original Films) — Hans Zimmer
Challengers (Amazon MGM) — Trent Reznor and Atticus Ross
The Fire Inside (Amazon MGM) — Tamar-kali
Gladiator II (Paramount Pictures) — Harry Gregson-Williams
Horizon: An American Saga Chapter 1 (New Line Cinema) – John Debney
Inside Out 2 (Pixar) — Andrea Datzman
Nosferatu (Focus Features) – Robin Carolan
The Room Next Door (Sony Pictures Classics) — Alberto Iglesias
Sing Sing (A24) — Bryce Dessner
The Six Triple Eight (Netflix) – Aaron Zigman
Young Woman and the Sea (Walt Disney Pictures) — Amelia Warner
Emilia Pérez received 13 nominations for the 97th annual Academy Awards, more than any other film this year and more than any other non-English language film in Oscar history. The latter record was previously held by Crouching Tiger, Hidden Dragon (2000) and Roma (2018) with 10 nods each.
Runners-up to Emilia Pérez for most nominations this year were The Brutalist and Wicked, with 10 nods each; A Complete Unknown and Conclave with eight nods each; Anora with six; and Dune: Part Two and The Substance with five nods each.
Two musicals (Wicked andEmilia Pérez) were among the 10 films nominated for best picture. This marks the first time two musicals have been nominated for best picture in the same year since 1968, when Oliver! and Funny Girl were two of the five nominated films that year. The Bob Dylan biopic A Complete Unknown was also nominated for best picture. The nominations were announced on Thursday (Jan. 23).
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Three actors from A Complete Unknown – Timothée Chalamet (who plays Dylan), Edward Norton (Pete Seeger) and Monica Barbaro (Joan Baez) – are nominated for acting honors, the first time in Oscar history that three actors from a music biopic have been nominated.
Four actors received Oscar nominations for performances in musicals – Karla Sofía Gascón and Zoe Saldaña for Emilia Pérez, and Cynthia Erivo and Ariana Grande for Wicked.
Three acting nominations are for non-English language performances: Gascón and Saldaña in Emilia Pérez, and Fernanda Torres in I’m Still Here. In eight of the last 10 years, at least one non-English language performance has been nominated.
For the sixth consecutive year, at least one film nominated for best picture has been directed by a woman. Coralie Fargeat’s nomination for The Substance is the 10th directing nomination for a woman.
Diane Warren was nominated for best original song for the 16th time — a tally equaled by only three other songwriters in the 91-year history of the category. Sammy Cahn leads with 26 nods, followed by Johnny Mercer with 18 and Paul Francis Webster, also with 16. Warren was nominated this year this year for “The Journey,” sung by H.E.R. in The Six Triple Eight. Moreover, this is the eighth year in a row she has been nominated, which enables Warren to tie Cahn for the longest continuous streak of nominations in this category. Cahn was nominated eight years running from 1954-61.
Here’s a complete list of nominees for the 2025 Academy Awards.
Best Picture
Anora, Alex Coco, Samantha Quan and Sean Baker, Producers
The Brutalist, Nominees to be determined
A Complete Unknown, Fred Berger, James Mangold and Alex Heineman, Producers
Conclave, Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
Dune: Part Two, Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
Emilia Pérez, Nominees to be determined
I’m Still Here, Nominees to be determined
Nickel Boys, Nominees to be determined
The Substance, Nominees to be determined
Wicked, Marc Platt, Producer
Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice
Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here
Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice
Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez
Directing
Anora, Sean Baker
The Brutalist, Brady Corbet
A Complete Unknown, James Mangold
Emilia Pérez, Jacques Audiard
The Substance, Coralie Fargeat
Writing (Adapted Screenplay)
A Complete Unknown, Screenplay by James Mangold and Jay Cocks
Conclave, Screenplay by Peter Straughan
Emilia Pérez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes
Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield
Writing (Original Screenplay)
Anora, Written by Sean Baker
The Brutalist, Written by Brady Corbet, Mona Fastvold
A Real Pain, Written by Jesse Eisenberg
September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
The Substance, Written by Coralie Fargeat
Music (Original Score)
The Brutalist, Daniel Blumberg
Conclave, Volker Bertelmann
Emilia Pérez, Clément Ducol and Camille
Wicked, John Powell and Stephen Schwartz
The Wild Robot, Kris Bowers
Music (Original Song)
“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren
“Like a Bird” from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada:
“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol
“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin
Animated Feature Film
Flow, Nominees to be determined
Inside Out 2, Kelsey Mann and Mark Nielsen
Memoir of a Snail, Adam Elliot and Liz Kearney
Wallace & Gromit: Vengeance Most Fowl, Nominees to be determined
The Wild Robot, Chris Sanders and Jeff Hermann
Animated Short Film
Beautiful Men, Nicolas Keppens and Brecht Van Elslande
In the Shadow of the Cypress, Shirin Sohani and Hossein Molayemi
Magic Candies, Daisuke Nishio and Takashi Washio
Wander to Wonder, Nina Gantz and Stienette Bosklopper
Yuck!, Loïc Espuche and Juliette Marquet
Cinematography
The Brutalist, Lol Crawley
Dune: Part Two, Greig Fraser
Emilia Pérez, Paul Guilhaume
Maria, Ed Lachman
Nosferatu, Jarin Blaschke
Costume Design
A Complete Unknown, Arianne Phillips
Conclave, Lisy Christl
Gladiator II, Janty Yates and Dave Crossman
Nosferatu, Linda Muir
Wicked, Paul Tazewell
Documentary Feature Film
Black Box Diaries, Shiori Ito, Eric Nyari and Hanna Aqvilin
No Other Land, Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
Porcelain War, Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
Soundtrack to a Coup d’Etat, Johan Grimonprez, Daan Milius and Rémi Grellety
Sugarcane, Nominees to be determined
Documentary Short Film
Death by Numbers, Kim A. Snyder and Janique L. Robillard
I Am Ready, Warden, Smriti Mundhra and Maya Gnyp
Incident, Bill Morrison and Jamie Kalven
Instruments of a Beating Heart, Ema Ryan Yamazaki and Eric Nyari
The Only Girl in the Orchestra, Molly O’Brien and Lisa Remington
Film Editing
Anora, Sean Baker
The Brutalist, David Jancso
Conclave, Nick Emerson
Emilia Pérez, Juliette Welfling
Wicked, Myron Kerstein
International Feature Film
Brazil, I’m Still Here
Denmark, The Girl with the Needle
France, Emilia Pérez
Germany, The Seed of the Sacred Fig
Latvia, Flow
Makeup and Hairstyling
A Different Man, Mike Marino, David Presto and Crystal Jurado
Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton
The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
Wicked, Frances Hannon, Laura Blount and Sarah Nuth
Production Design
The Brutalist, Production Design: Judy Becker; Set Decoration: Patricia Cuccia
Conclave, Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter
Dune: Part Two, Production Design: Patrice Vermette; Set Decoration: Shane Vieau
Nosferatu, Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová
Wicked, Production Design: Nathan Crowley; Set Decoration: Lee Sandales
Live Action Short Film
A Lien, Sam Cutler-Kreutz and David Cutler-Kreutz
Anuja, Adam J. Graves and Suchitra Mattai
I’m Not a Robot, Victoria Warmerdam and Trent
The Last Ranger, Cindy Lee and Darwin Shaw
The Man Who Could Not Remain Silent, Nebojša Slijepčević and Danijel Pek
Sound
A Complete Unknown, Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill
Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
The Wild Robot, Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts
Visual Effects
Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs
Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould
If you were expecting to see live performances of the five best original song nominees on the 97th annual Academy Awards on March 2, be prepared for something different this year.
Bill Kramer, CEO of the Academy of Motion Picture Arts & Sciences, and Janet Yang, Academy president, sent a letter to Academy members on Wednesday (Jan. 22) in which they said, “This year the Best Original Song category presentation will move away from live performances and will be focused on the songwriters. We will celebrate their artistry through personal reflections from the teams who bring these songs to life. All of this, and more, will uncover the stories and inspiration behind this year’s nominees.”
This is reminiscent of something the Grammy Awards did in 1981, when they had the songwriters of the song of the year nominees perform and discuss the nominated songs. As David Wild wrote in the 2007 book And the Grammy Goes To… The Official Story of Music’s Most Coveted Award, “One innovative moment came at the end of the show. Many years before shows like MTV’s Unplugged or VH1’s Storytellers, this Grammy show presented a group of songwriters nominated for song of the year – including Amanda McBroom (‘The Rose’), Christopher Cross (‘Sailing’), Fred Ebb and John Kander (‘New York, New York’), Dean Pitchford and Michael Gore (‘Fame’) and Lionel Richie (‘Lady’) – to both explain and perform stripped-down versions of the songs. It was a vivid reminder of the power of the songwriter.”
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In their letter to academy members, Kramer and Yang also wrote “We are thrilled to bring back our ‘Fab 5’ moments, where individual film artists recognize nominees.” This refers to a technique first used on the 2009 Oscar telecast and revived last year, in which five previous winners in each of the four acting categories take turns lauding this year’s nominees.
(In a press conference days before the 2024 Oscars telecast, Raj Kapoor, executive producer and showrunner of the 2024 and 2025 Oscars, said he loved those introductions on the 2009 show and revived the idea. “It was this lovely storytelling,” he said. “And, again, it came down to connection. It was past winners speaking to present nominees, and just that lovely connection and that human interaction.”)
Kramer and Yang also said that the show will pay tribute to Los Angeles, which has experienced devastating wildfires in recent weeks. “We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry.”
Here’s the letter from Kramer and Yang in full:
Dear Academy members,
Our deepest thanks to all of you for your compassion and support over the last few weeks. Our thoughts remain with those who were impacted by the recent Los Angeles-area wildfires. If you would like to join the Academy in supporting the ongoing relief efforts, please click here for a list of aid resources.
After continued consultation with ABC, our board, and other key stakeholders in the Los Angeles and film communities, planning continues for the 97th Oscars ceremony on Sunday, March 2. This year’s Oscars will celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires.
As a reminder, our 97th Oscars Nominations will be announced tomorrow, January 23, at 5:30am PT via global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms (TikTok, Instagram, YouTube, Facebook), ABC’s Good Morning America, and ABC News Live, Disney+ and Hulu. American Sign Language (ASL) services will be available on YouTube.
As a precursor to tomorrow’s announcement, we wanted to share a little bit about this year’s show. Hosted by the incredible Conan O’Brien, our 97th Oscars will be a celebration of connection and collaboration – honoring the unifying spirit and creative synergy of moviemaking. We will highlight the transformative power of the teamwork that brings cinematic visions to life.
As part of this, we are thrilled to bring back our “Fab 5” moments, where individual film artists recognize nominees. Also, this year the Best Original Song category presentation will move away from live performances and will be focused on the songwriters. We will celebrate their artistry through personal reflections from the teams who bring these songs to life. All of this, and more, will uncover the stories and inspiration behind this year’s nominees.
And we will honor Los Angeles as the city of dreams, showcasing its beauty and resilience, as well as its role as a beacon for filmmakers and creative visionaries for over a century. We will reflect on the recent events while highlighting the strength, creativity, and optimism that defines Los Angeles and our industry.
There is so much more in store, including powerful musical moments that connect film’s rich history to its bold and inspiring future. We hope you will tune in tomorrow morning to watch the Nominations Announcement, and we greatly appreciate your ongoing commitment to the Academy and our film community. We are stronger together.
Bill Kramer and Janet Yang
If Kendrick Lamar’s “Not Like Us” wins record and/or song of the year at the 2025 Grammy Awards on Feb. 2, it wouldn’t be the first hit conceived as a Drake diss track to do so. Childish Gambino’s 2018 smash “This Is America” started off as a funny Drake diss record, the rapper revealed in […]
Lady Gaga, Jennifer Lopez, Ariana DeBose, FKA Twigs and Jack Black are among the music stars who are nominated for Golden Raspberry Awards. The Razzies, as they are commonly known, have been criticized as catty, cruel and sophomoric, but they endure because they offer an antidote to Hollywood’s ever-expanding season of self-congratulation.
It’s a simple fact that in the life of a performer, some projects are successful and some aren’t. Gaga’s Joker: Folie à Deux did not find its audience, but, happily, even as her Razzie nomination is announced, her “Die With a Smile” collab with Bruno Mars is in its third week at No. 1 on the Billboard Hot 100. And she is heading into the Grammy Awards on Feb. 2 as a double nominee for that sumptuous smash.
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Six of this year’s Razzie nominees are past Oscar winners, which again shows that sometimes you win, sometimes you lose, to quote an old Carole King song. In addition to Gaga, Oscar winners on this year’s Razzie list are Joaquin Phoenix (her co-star in Joker: Folie a Deux), DeBose, Cate Blanchett, Jon Voight and Francis Ford Coppola.
Joker: Folie à Deux, the musical sequel to Todd Phillips’ 2019 film Joker (which received 11 Oscar nominations and won two) leads the field with seven Razzie nominations. Madame Web, Megalopolis, Borderlands and Reagan are close behind with six nods apiece.
Joker: Folie à Deux is competing for worst picture with Borderlands, Madame Web, Megalopolis and Reagan. It is vying for prequel, remake, rip-off or sequel with The Crow, Kraven the Hunter, Mufasa: The Lion King and Rebel Moon – Part Two: The Scargiver.
Leslie Anne Down is nominated for a Razzie for playing Margaret Thatcher in Reagan. Meryl Streep won an Oscar for playing the late British Prime Minister in The Iron Lady.
The Razzie winners, if that is the right word, will be announced on March 1, the day before the Academy Awards.
See the full list of this year’s Razzie nominations below.
Worst Picture
Borderlands
Joker: Folie a Deux
Madame Web
Megalopolis
Reagan
Worst Actor
Jack Black, Dear Santa
Zachary Levi, Harold and the Purple Crayon
Joaquin Phoenix, Joker: Folie a Deux
Dennis Quaid, Reagan
Jerry Seinfeld, Unfrosted
Worst Actress
Cate Blanchett, Borderlands
Lady Gaga, Joker: Folie a Deux
Bryce Dallas Howard, Argylle
Dakota Johnson, Madame Web
Jennifer Lopez, Atlas
Supporting Actor
Jack Black (voice only), Borderlands
Kevin Hart, Borderlands
Shia LaBeouf, Megalopolis
Tahar Rahim, Madame Web
Jon Voight, Megalopolis, Reagan, Shadow Land and Strangers
Supporting Actress
Ariana DeBose, Argylle and Kraven the Hunter
Leslie Anne Down (as Margaret Thatcher), Reagan
Emma Roberts, Madame Web
Amy Schumer, Unfrosted
FKA Twigs, The Crow
Director
S.J. Clarkson, Madame Web
Francis Ford Coppola, Megalopolis
Todd Phillips, Joker: Folie a Deux
Eli Roth, Borderlands
Jerry Seinfeld, Unfrosted
Screen Combo
Any Two Obnoxious Characters (But Especially Jack Black), Borderlands
Any Two Unfunny “Comedic Actors,” Unfrosted
The Entire Cast of Megalopolis
Joaquin Phoenix and Lady Gaga, Joker: Folie a Deux
Dennis Quaid and Penelope Ann Miller (as “Ronnie and Nancy”), Reagan
Prequel, Remake, Rip-Off or Sequel
The Crow
Joker: Folie a Deux
Kraven the Hunter
Mufasa: The Lion King
Rebel Moon – Part Two: The Scargiver
Screenplay
Joker: Folie a Deux
Kraven the Hunter
Madame Web
Megalopolis
Reagan
Nominees: “Asteroids” (Marlanna Evans); “Carnival” (Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Tyrone Griffin Jr., Kanye West, and Mark Carl Stolinski Williams); “Like That” (Kendrick Lamar Duckworth, Kobe Hood, Leland Wayne, and Nayvadius Wilburn); “Not Like Us” (Duckworth); “Yeah Glo!” (Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III, and Gloria Woods)
Analysis: Let’s be real, it would probably be the most shocking moment of the night if Lamar’s “Not Like Us” doesn’t take home best rap song and performance. A two-week Hot 100 chart-topper that transcended its beef origins and became a cultural anthem, “Not Like Us” is far and away the frontrunner here — even if it’s the subject of Drake’s explosive, ongoing lawsuit against UMG.
Lamar is also nominated here alongside Future, Metro Boomin, and Kobe “BbyKobe” Hood for writing “Like That,” the Hot 100 chart-topped that kicked his feud with Drake into high gear. Future has earned three previous nods in this category, but he’s lost each time. A victory for “Like That” would give Future and Metro their first wins here, and help Kendrick break a tie with Jay-Z to become the rapper with the second-most triumphs in this category (five).
But what if “Like That” and “Not Like Us” split votes? Perhaps, the Academy goes for somebody familiar like Ye (formerly Kanye West), who boasts the most nominations (17) and wins (seven) in this category’s history. Ye’s nomination comes from “Carnival,” his first Hot 100 chart-topper as a part of ¥$ (his duo with Ty Dolla $ign). With Playboi Carti and Rich the Kid in featured roles, a win for “Carnival” would reward hip-hop icons and new class alike.
Rapsody and GloRilla are looking to join Megan Thee Stallion as the only female rappers to win this category. This is Glo’s first nod in a songwriting category, and while “Yeah Glo!” was undoubtedly one of her defining hits from last year, she probably won’t be able to beat out the stiff competition here. Rapsody earned her first nomination here in 2018 with “Sassy.” This year, she’s represented by “Asteroids,” the only song in this category outside of “Not Like Us” to feature just one credited writer. While she was able to score an accompanying nod in best melodic rap performance, missing out on a best rap album nod for Please Don’t Cry signals some weakness in her rap field support.
Prediction: Kendrick Lamar, “Not Like Us”
Look Out For: Future, Metro Boomin & Kendrick Lamar, “Like That”
Barbra Streisand’s My Name Is Barbra is in the running for audiobook of the year at the 2025 Audie Awards. Winners across 28 competitive categories will be revealed on March 4 in New York. The Audie Awards will be hosted by actress, comedian and author Amy Sedaris, who was a 2008 Audies finalist.
Streisand’s audiobook is also nominated in the autobiography/memoir category, where it is squaring off against a work by another certified music legend, Elton John. Unlike Streisand, John didn’t narrate his own memoir (Farewell Yellow Brick Road). It was instead narrated by Richard Armitage, Vikas Adam, Daniel Henning, Ray Porter, Jesse Einstein, Fred Berman, Edoardo Ballerini, Mark Boyett, Kevin T. Collins, Peter Ganim, Mike Cooper, John Lee and Oliver Wyman.
John became an EGOT last year. Streisand is not an official EGOT because she has yet to win a Tony in competition (though she did receive a special Tony Award as star of the decade in 1970). Despite that one lapse, Streisand has one of the most impressive awards resumes of any performer.
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Streisand’s audiobook, published by Penguin Random House Audio, is also a current Grammy nominee for best audio book, narration and storytelling recording. The award is expected to go to Jimmy Carter’s Last Sundays in Plains: A Centennial Celebration. The former president died at age 100 on Dec. 29, near the end of the Grammy voting period. The Grammys will be presented on Feb. 2.
Common is nominated at the Audie Awards in the business/personal development category for And Then We Rise, which he both wrote and narrated.
Willow Smith is nominated in the fantasy category for Black Shield Maiden, which she co-wrote (with Jess Hendel) and narrated.
Riley Keough is nominated for multi-voiced performance for From Here to the Great Unknown, which she cowrote with her late mother Lisa Marie Presley and co-narrated with Oscar winner Julia Roberts.
The Audie Awards, now in their 30th year, are presented by Audio Publishers Association. “As we celebrate the 30th anniversary of the Audie Awards, we’re reflecting on three decades of honoring the incredible talent and innovation within the audiobook industry,” Sean McManus, the association’s president, said in a statement. “This year’s finalists represent the very best in storytelling, and we couldn’t be more excited to celebrate their achievements.”
Here are the nominees in selected categories for the 2025 Audie Awards.
Audiobook of the Year
George Orwell’s 1984; By George Orwell, adapted by Joe White; Performed by Andrew Garfield, Cynthia Erivo, Andrew Scott, Tom Hardy, Chukwudi Iwuji, Romesh Ranganathan, Natasia Demetriou, Francesca Mills, Alex Lawther, and Katie Leung; Published by Audible Originals
My Name Is Barbra; Written and narrated by Barbra Streisand; Published by Penguin Random House Audio
Playground: A Novel; By Richard Powers; Narrated by Edoardo Ballerini, Robin Siegerman, Eunice Wong, Pun Bandhu, Krys Janae, and Kevin R Free; Published by Spotify Audiobooks
Poor Deer; By Claire Oshetsky; Narrated by Sophie Amoss; Published by HarperAudio
The Sing Sing Files; Written and narrated by Dan Slepian; Published by Macmillan Audio
Autobiography/Memoir
Farewell Yellow Brick Road; By Elton John, foreword by David Furnish; Narrated by Richard Armitage, Vikas Adam, Daniel Henning, Ray Porter, Jesse Einstein, Fred Berman, Edoardo Ballerini, Mark Boyett, Kevin T. Collins, Peter Ganim, Mike Cooper, John Lee, and Oliver Wyman; Published by Audible Studios
In My Time of Dying: How I Came Face to Face with the Idea of an Afterlife; Written and narrated by Sebastian Junger; Published by Simon & Schuster Audio
Knife; Written and narrated by Salman Rushdie; Published by Penguin Random House Audio
My Name Is Barbra; Written and narrated by Barbra Streisand; Published by Penguin Random House Audio
The Third Gilmore Girl: A Memoir; Written and narrated by Kelly Bishop; Published by Simon & Schuster Audio
Audio Drama
Brokedown Prophets; By S.A. Cosby, Kevin Hart, Charlamagne Tha God, and SBH Productions;Performed by Jonathan Majors, Brian Tyree Henry, Dasha Polanco, Jeremy Jordan and a full castPublished by Audible Originals and SBH Productions
The Coldest Case: The Past Has a Long Memory; By James Patterson, Aaron Tracy, and Ryan Silbert; Performed by Aaron Paul, Krysten Ritter, Beau Bridges, Greta Lee, Kevin Pollak, Jordan Bridges, Terrence Terrell, Patton Oswalt, and a full cast; Published by Audible Originals
George Orwell’s 1984; By George Orwell, adapted by Joe White; Performed by Andrew Garfield, Cynthia Erivo, Andrew Scott, Tom Hardy, Chukwudi Iwuji, Romesh Ranganathan, Natasia Demetriou, Francesca Mills, Alex Lawther, and Katie Leung; Published by Audible Originals
Journey’s End; By R.C. Sherriff; Performed by James Callis, Josh Cole, Jack Cutmore-Scott, Tobias Echeverria, Adam Godley, Ian Ogilvy, Darren Richardson, Simon Templeman, and Matthew Wolf; Published by L.A. Theatre Works
Wild with Happy; By Colman Domingo; Performed by Colman Domingo, Alex Newell, Sharon Washington, Tyler James Williams, and Oprah Winfrey; Published by Audible Originals
Business/Personal Development
And Then We Rise; Written and narrated by Common; Published by HarperAudio
Come Together; Written and narrated by Emily Nagoski, PhD; Published by Penguin Random House Audio
Fluke: Chance, Chaos, and Why Everything We Do Matters; Written and narrated by Brian Klaas; Published by Simon & Schuster Audio
Humans Who Teach: A Guide for Centering Love, Justice, and Liberation in Schools; Written and narrated by Shamari Reid; Published by Heinemann
Women Money Power: The Rise and Fall of Economic Equality; Written and narrated by Josie Cox; Published by Recorded Books, Inc., a division of RBmedia
Fantasy
Black Shield Maiden; By Willow Smith and Jess Hendel; Narrated by Willow Smith; Published by Penguin Random House Audio
Bookshops & Bonedust; Written and narrated by Travis Baldree; Published by Macmillan Audio
The Bright Sword; By Lev Grossman; Narrated by Nicholas Guy Smith and Lev Grossman; Published by Penguin Random House Audio
Goddess of the River; By Vaishnavi Patel; Narrated by Sneha Mathan; Published by Hachette Audio
Someone You Can Build a Nest In; By John Wiswell; Narrated by Carmen Rose; Published by Tantor Audio, a division of RBMedia
Humor
Erasure: A Novel; By Percival Everett; Narrated by Sean Crisden; Published by Tantor Audio, a division of RBMedia
Glory Days; By Simon Rich; Narrated by John Mulaney; Published by Hachette Audio
Joyful Recollections of Trauma; Written and narrated by Paul Scheer; Published by HarperAudio
The Millicent Quibb School of Etiquette for Young Ladies of Mad Science; By Kate McKinnonl; Narrated by Kate McKinnon and Emily Lynne; Published by Hachette Audio
Wilder Widows Walk on the Wilder Side; By Katherine Hastings; Narrated Pamela Dillman; Published by Flyte Publishing
Multi-Voiced Performance
Anita de Monte Laughs Last; By Xochitl Gonzalez; Narrated by Stacy Gonzalez, Jonathan Gregg, and Jessica Pimentel; Published by Macmillan Audio
Butcher; By Joyce Carol Oates; Narrated by Amy Shiels, Edoardo Ballerini, Cassandra Campbell, Robert Fass, Tavia Gilbert, Jeremy Carlisle Parker, Danny Campbell, and Max Meyers; Published by Penguin Random House Audio
Five Broken Blades; By Mai Corland; Narrated by Greg Chun, Zion Jang, Roger Yeh, Donald Chang, Jaine Ye, and Sophie Oda; Published by Recorded Books, Inc., a division of RBmedia
From Here to the Great Unknown; By Lisa Marie Presley and Riley Keough; Narrated by Julia Roberts and Riley Keough; Published by Penguin Random House Audio
Snake Oil; By Kelsey Rae Dimberg; Narrated by Kristen Sieh, Andi Arndt, and Renata Friedman; Published by HarperAudio
When the Sea Came Alive: An Oral History of D-Day; By Garrett M. Graff; Narrated by Edoardo Ballerini and Garrett M. Graff, with a full cast; Published by Simon & Schuster Audio
Narration by the Author(s)
The 23rd Hero; Written and narrated by Rebecca Anne Nguyen; Published by Castle Bridge Media
Bits and Pieces; Written and narrated by Whoopi Goldberg; Published by Blackstone Publishing
Bookshops & Bonedust; Written and narrated by Travis Baldree; Published by Macmillan Audio
Knife; Written and narrated by Salman Rushdie; Published by Penguin Random House Audio
Sorry for the Inconvenience; Written and narrated by Farah Naz Rishi; Published by Brilliance Publishing
Original Work
The Boar’s Nest; By Rachel Bonds, Holly Gleason and Dub Cornett; Narrated by Mandy Moore, Ebon Moss-Bachrach, W. Earl Brown, Stephen Louis Grush, John Hoogenakker, TJ Osborne, and a full cast; Published by Audible Originals
Casanova LLC; By Julia Whelan; Performed by Sebastian York, Julia Whelan, Edoardo Ballerini, and Johnathan McClain; Published by Audiobrary
Earthlight; By J. Michael Straczynski; Narrated by Erik Braa, Pete Bradbury, Jonathan Davis, William DeMeritt, Robert Fass, Jeff Gurner, Ryan Haugen, David Lee Huynh, Mars Lipowski, Saskia Maarleveld, Kathleen McInerney, Brandon McInnis, Sean Kenin Elias Reyes, Stefan Rudnicki, Salli Saffioti, Kristen Sieh, Christopher Smith, Marc Thompson, and Will Watt; Published by Penguin Random House Audio
Hellboy and the BPRD: The Goddess of Manhattan [Dramatized Adaptation]; By Christopher Golden and Thomas E. Sniegoski; Performed by Tim Carlin, Rob McFadyen, Nora Achrati, Scott McCormick, Eric Messner, Lydia Kraniotis, Ken Yatta Rogers, Michael John Casey, Amanda Forstrom, Marni Penning, Steven Carpenter, and a full cast; Published by GraphicAudio, a division of RBmedia
Two Can Play; By Ali Hazelwood; Narrated by Kelsey Navarro Foster; Published by Spotify Audiobooks
Short Stories/Collections
Glory Days; By Simon Rich; Narrated by John Mulaney; Published by Hachette Audio
The History of Sound; By Ben Shattuck; Narrated by Ben Shattuck, Zachary Chastain, Paul Mescal, Dion Graham, Ellen Adair, Steven Jay Cohen, Jim Seybert, Dawn Harvey, Chris Cooper, Rebecca Lowman, Jenny Slate, Ed Helms, and Nick Offerman; Published by Penguin Random House Audio
Letters from Klara; By Tove Jansson and Thomas Teal – Übersetzer; Narrated by Indira Varma; Published by Saga Egmont
What If We Get It Right?; Written and narrated by Ayana Elizabeth Johnson; Published by Penguin Random House Audio
You Like It Darker: Stories; By Stephen King; Narrated by Will Patton with Stephen King; Published by Simon & Schuster Audio
With awards season off to a big start in 2025, LGBTQ+ non-profit GLAAD is unveiling its honorees for the 36th annual GLAAD Media Awards. On Wednesday (Jan. 22), GLAAD revealed the full list of honorees for the annual award show, including a swath of musical artists earning nominations for their work in 2025. In the […]
Taylor Swift and Morgan Wallen are the leading contenders for the 2025 iHeartRadio Music Awards, with 10 nods each. They are followed by Kendrick Lamar, Post Malone and Sabrina Carpenter, with nine nods each. All five artists are nominated for artist of the year, as are Billie Eilish, Doja Cat, Jelly Roll, SZA and Teddy Swims.
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The awards are set for Monday, March 17 at the Dolby Theatre in Los Angeles, airing on FOX.
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Lady Gaga will receive the 2025 iHeartRadio Innovator Award, Mariah Carey will receive the 2025 iHeartRadio Icon Award and Swift’s record-breaking Eras Tour will be named Tour of the Century (despite the fact that we’re only one-quarter of the way through the century).
The iHeartRadio Innovator Award is presented to an artist who has impacted both music and global culture throughout their career. Past recipients are Pharrell Williams, Justin Timberlake, U2, Bruno Mars, Chance the Rapper, Alicia Keys, Swift and Beyoncé.
Past recipients of the iHeartRadio Icon Award are Bon Jovi, Elton John, Jennifer Lopez, Pink and Cher.
The 12th annual iHeartRadio Music Awards will celebrate the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2024, while also offering a preview of the upcoming hits of 2025.
This year’s show will also pay tribute to the resiliency of Los Angeles following the wildfires that have devastated the region in the past two weeks and will drive donations to Fireaidla.org. Contributions made to FireAid will be distributed under the advice of the Annenberg Foundation, which will help coordinate a team to direct funds for the greatest impact.
“Our iHeartRadio Music Awards show is not a competition, it’s a night where we honor the incredible artists and songs that fans loved all year long – and this year’s show will shine a light on the devastating tragedy that impacted Los Angeles and enable us to deliver on our commitment to the communities we serve,” John Sykes, president of Entertainment Enterprises and Tom Poleman, chief programming officer of iHeartMedia, said in a joint statement.
Fan voting will determine this year’s Favorite Soundtrack, Favorite Broadway Debut, Favorite K-pop Dance Challenge, Favorite Surprise Guest and Favorite Tour Tradition (all of which are new categories this year), plus these five returning categories: Best Lyrics, Best Music Video, Favorite Tour Style, Favorite Tour Photographer and Favorite On Screen. Social voting begins today, Jan. 22, and will close on March 10 at 11:59 p.m. PT. Fans can vote by visiting iHeartRadio.com/awards.
The nominees for favorite Broadway debut include Adam Lambert in Cabaret at the Kit Kat Club, Nicole Scherzinger in Sunset Blvd and Sebastián Yatra in Chicago.
Jack Antonoff, who was inexplicably passed over for a Grammy nod for producer of the year, non-classical, was nominated here for producer of the year, where he faces Julian Bunetta, Evan Blair, Mustard and Dan Nigro.
Additional categories include Label of the Year and individual winners for Album of the Year in music’s biggest genres, including Pop, Country, Alternative, Rock, Dance, Hip-Hop, R&B, Latin and Regional Mexican formats. For a full list of categories, visit iHeartRadio.com/awards.
The annual event is set to air live from Dolby Theatre in Los Angeles on Monday, March 17 (8:00-10:00 p.m. ET live / PT tape-delayed) on FOX. The event also will be heard on iHeartRadio stations nationwide and on the iHeartRadio app.
Executive producers for the iHeartRadio Music Awards are Joel Gallen, for Tenth Planet; and Sykes, Poleman and Bart Peters, for iHeartMedia.
GENERAL CATEGORIES
Artist of the Year
Billie Eilish
Doja Cat
Jelly Roll
Kendrick Lamar
Morgan Wallen
Post Malone
Sabrina Carpenter
SZA
Taylor Swift
Teddy Swims
Song of the Year
“A Bar Song (Tipsy)”- Shaboozey
“Agora Hills”- Doja Cat
“Beautiful Things”- Benson Boone
“Espresso” – Sabrina Carpenter
“Greedy”- Tate McRae
“I Had Some Help” – Post Malone featuring Morgan Wallen
“Lose Control” – Teddy Swims
“Lovin on Me” – Jack Harlow
“Not Like Us”- Kendrick Lamar
“Too Sweet” – Hozier
Best Collaboration
“Die With a Smile”- Lady Gaga and Bruno Mars
“Fortnight”- Taylor Swift featuring Post Malone
“I Had Some Help”- Post Malone featuring Morgan Wallen
“Like That” – Future, Metro Boomin and Kendrick Lamar
“Miles on It”- Kane Brown and Marshmello
Producer of the Year
Julian Bunetta
Jack Antonoff
Evan Blair
Mustard
Dan Nigro
Songwriter of the Year
Josh Coleman
ERNEST
Ashley Gorley
Amy Allen
Justin Tranter
GENRE-SPECIFIC CATEGORIES
Pop Song of the Year
“Agora Hills”- Doja Cat
“Beautiful Things”- Benson Boone
“Espresso”- Sabrina Carpenter
“Greedy”- Tate McRae
“Too Sweet”- Hozier
Pop Artist of the Year
Billie Eilish
Chappell Roan
Sabrina Carpenter
Tate McRae
Taylor Swift
Best New Artist (Pop)
Benson Boone
Chappell Roan
Gracie Abrams
Shaboozey
Teddy Swims
Country Song of the Year
“A Bar Song (Tipsy)”- Shaboozey
“Cowgirls” – Morgan Wallen featuring ERNEST
“I Am Not Okay”- Jelly Roll
“I Had Some Help”- Post Malone featuring Morgan Wallen
“World on Fire”- Nate Smith
Country Artist of the Year
Jelly Roll
Kane Brown
Lainey Wilson
Luke Combs
Morgan Wallen
Best New Artist (Country)
Ashley Cooke
Dasha
George Birge
Shaboozey
Tucker Wetmore
Hip-Hop Song of the Year
“Like That”- Future, Metro Boomin and Kendrick Lamar
“Lovin on Me”- Jack Harlow
“Not Like Us”- Kendrick Lamar
“Rich Baby Daddy”- Drake featuring Sexyy Red and SZA
“TGIF” – GloRilla
Hip-Hop Artist of the Year
Drake
Future
GloRilla
Kendrick Lamar
Travis Scott
Best New Artist (Hip-Hop)
310babii
BigXthaPlug
BossMan Dlow
Cash Cobain
Jordan Adetunji
R&B Song of the Year
“ICU” – Coco Jones
“Made for Me”- Muni Long
“Sensational” – Chris Brown featuring Davido and Lojay
“Water” – Tyla
“WY@”- Brent Faiyaz
R&B Artist of the Year
Chris Brown
Muni Long
SZA
Usher
Victoria Monét
Best New Artist (R&B)
4Batz
Ambré
Inayah
Josh X
Maeta
Alternative Song of the Year
“Dilemma” – Green Day
“Landmines” – Sum 41
“Neon Pill”- Cage The Elephant
“The Emptiness Machine” – Linkin Park
“Too Sweet”- Hozier
Alternative Artist of the Year
Cage The Elephant
Green Day
Linkin Park
Sum 41
twenty one pilots
Best New Artist (Alt and Rock)
Djo
Fontaines D.C.
Good Neighbours
Myles Smith
The Last Dinner Party
Rock Song of the Year
“A Symptom of Being Human” – Shinedown
“All My Life” – Falling In Reverse and Jelly Roll
“Dark Matter” – Pearl Jam
“Screaming Suicide” – Metallica
“The Emptiness Machine” – Linkin Park
Rock Artist of the Year
Green Day
Linkin Park
Metallica
Pearl Jam
Shinedown
Dance Song of the Year
“360” – Charli xcx
“Chase It (Mmm Da Da Da)” – Bebe Rexha
“I Don’t Wanna Wait”- David Guetta and OneRepublic
“Make You Mine”- Madison Beer
“Water” – Tyla X Marshmello
Dance Artist of the Year
Calvin Harris
David Guetta
Dua Lipa
Kylie Minogue
Tiësto
Latin Pop / Urban Song of the Year
“Brickell” – FEID X Yandel
“LA FALDA” – Myke Towers
“Perro Negro”- Bad Bunny featuring FEID
“Qlona” – Karol G featuring Peso Pluma
“Si Antes Te Hubiera Conocido”- Karol G
Latin Pop / Urban Artist of the Year
Bad Bunny
FEID
Karol G
Myke Towers
Shakira
Best New Artist (Latin Pop / Urban)
Christian Alicea
Cris MJ
Ela Taubert
FloyyMenor
Kapo
Regional Mexican Song of the Year
“Alch Si” – Grupo Frontera and Carin León
“El Beneficio De La Duda” – Grupo Firme
“FIRST LOVE” – Oscar Ortiz and Edgardo Nuñez
“La Diabla”- Xavi
“Tu Perfume” – Banda MS de Sergio Lizárraga
Regional Mexican Artist of the Year
Grupo Frontera
Intocable
Los Ángeles Azules
Peso Pluma
Xavi
Best New Artist (Regional Mexican)
Chino Pacas
Iván Cornejo
Luis R. Conriquez
Tito Double P
Xavi
K-pop Artist of the Year
aespa
ATEEZ
ENHYPEN
Jimin
Lisa
K-pop Song of the Year
“Chk Chk Boom” – Stray Kids
“Magnetic”- ILLIT
“Supernova” – aespa
“Who”- Jimin
“XO (Only If You Say Yes)”- ENHYPEN
Best New Artist (K-pop)
BABYMONSTER
BADVILLAIN
ILLIT
NCT WISH
TWS
World Artist of the Year
Burna Boy
Central Cee
Tems
Tyla
YG Marley
SOCIALLY VOTED CATEGORIES
Favorite Soundtrack
Back to Black
Bad Boys: Ride or Die
Bob Marley: One Love
Challengers
Deadpool & Wolverine
Descendants: The Rise of Red
Emilia Pérez
The Book of Clarence
Twisters
Wicked
Favorite Broadway Debut
Adam Lambert – Cabaret at the Kit Kat Club
Ariana Madix – Chicago
Barbie Ferreira – Cult of Love
Charli D’Amelio – & Juliet
Grant Gustin – Water for Elephants
Kit Connor – Romeo + Juliet
Lola Tung – Hadestown
Nicole Scherzinger – Sunset Blvd
Rachel Zegler – Romeo + Juliet
Robert Downey Jr. – McNeal
Sebastián Yatra – Chicago
Shailene Woodley – Cult of Love
Favorite K-pop Dance Challenge
“GGUM”- Yeonjun (TXT)
“MAESTRO” – Seventeen
“Magnetic”- ILLIT
“Smart”- LE SSERAFIM
“Sticky”- Kiss of Life
“Supernova” – aespa
“Touch” – KATSEYE
“UP”- Karina (aespa)
“WORK”- ATEEZ
“XO (Only If You Say Yes)”- ENHYPEN
Favorite Surprise Guest
Charli xcx bringing out Lorde
Coldplay bringing out Selena Gomez
Future & Metro Boomin bringing out Travis Scott
GloRilla & Megan Thee Stallion bringing out Cardi B
Jennifer Hudson bringing out Cher
Kendrick Lamar bringing out Ken & Friends
Luke Combs bringing out the “Twisters” Cast
Morgan Wallen bringing out Travis Kelce & Patrick Mahomes
Niall Horan bringing out Shawn Mendes
Olivia Rodrigo bringing out Chappell Roan
Peso Pluma bringing out Becky G
Taylor Swift bringing out Travis Kelce
Favorite Tour Tradition
Benson Boone- Backflips
Chappell Roan – Teaching “HOT TO GO” dance
Charli xcx + Troye Sivan – “Apple” Girl (dance)
Morgan Wallen – Walk out song
Niall Horan – Heaven pose
Nicki Minaj – Fans sing
Olivia Rodrigo- Encore tank
Sabrina Carpenter- “Juno” position
Tate McRae – Soundcheck covers
Taylor Swift- “22” Hat
Taylor Swift – Surprise songs
Usher – Feeding cherries
Best Lyrics
“Beautiful Things” – Benson Boone
“BIRDS OF A FEATHER” – Billie Eilish
“Espresso”- Sabrina Carpenter
“Exes” – Tate McRae
“Fortnight” – Taylor Swift featuring Post Malone
“Good Luck, Babe!”- Chappell Roan
“I Had Some Help”- Post Malone featuring Morgan Wallen
“I Love You, I’m Sorry” – Gracie Abrams
“Not Like Us” – Kendrick Lamar
“Saturn” – SZA
“we can’t be friends (wait for your love)” – Ariana Grande
“Who”- Jimin
Best Music Video
“APT.” – ROSÉ and Bruno Mars
“Beautiful Things” – Benson Boone
“Die With A Smile” – Lady Gaga and Bruno Mars
“Espresso”- Sabrina Carpenter
“Fortnight”- Taylor Swift featuring Post Malone
“Houdini” – Dua Lipa
“Houdini” -Eminem
“I Had Some Help” – Post Malone featuring Morgan Wallen
“LUNA” – ATL Jacob X FEID
“Not Like Us” – Kendrick Lamar
“Please Please Please” – Sabrina Carpenter
“Rockstar”- Lisa
Favorite Tour Style
Billie Eilish – Hit Me Hard and Soft
Chappell Roan – The Midwest Princess
Charli xcx and Troye Sivan – Sweat
GloRilla and Megan Thee Stallion – Hot Girl Summer Tour
Nicki Minaj – Pink Friday 2 Tour
Olivia Rodrigo – GUTS
Sabrina Carpenter – Short n’ Sweet
Tate McRae – Think Later
Taylor Swift – The Eras Tour
Usher – Usher: Past Present Future
Favorite Tour Photographer
Adam Degross – Post Malone
Alfredo Flores – Sabrina Carpenter
Baeth – Tate McRae
Christian Tierney – Niall Horan
David Bergman – Luke Combs
Henry Hwu – Billie Eilish
Lucienne Nghiem – Chappell Roan
Miles Leavitt – Olivia Rodrigo
Pooneh Ghana – Noah Kahan
RAYSCORRUPTEDMIND – Travis Scott
Sanjay Parikh – Shinedown
Yasi – Kacey Musgraves
Favorite On Screen
Are You Sure?! (Jimin and Jungkook)
Child Star (Demi Lovato)
Elton John: Never Too Late (Elton John)
Gaga Chromatica Ball (Lady Gaga)
I Am: Céline Dion (Céline Dion)
Lainey Wilson: Bell Bottom Country (Lainey Wilson)
Megan Thee Stallion: In Her Words (Megan Thee Stallion)
Olivia Rodrigo: GUTS World Tour (Olivia Rodrigo)
Pop Star Academy: KATSEYE (KATSEYE)
Road Diary: Bruce Springsteen and the E Street Band (Bruce Springsteen)
Taylor Swift | The Eras Tour (Taylor’s Version) (Taylor Swift)
Thank You, Goodnight: The Bon Jovi Story (Bon Jovi)