Awards
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Some of the best harmonies in pop and country music joined forces on Thursday night (May 8) when Backstreet Boys hit the ACM Awards stage to close the 2025 show alongside Rascal Flatts. The eight men teamed up for four songs, starting with 2006’s “What Hurts the Most” — which the two groups just re-recorded […]
With 16 Hot Country Songs No. 1s and 21 Country Airplay No. 1s, Keith Urban has been a force in country music in the 21st century. On Thursday (May 8) night’s ACM Awards broadcast, the Aussie legend was saluted with the Triple Crown Award. That award goes to an artist who has been named new artist of the year, artist of the year and entertainer of the year, which Urban has – making him just the 12th person to do so.
Before Urban took the stage to accept the award, Megan Moroney, Chris Stapleton and Brothers Osborne hit the stage of the Ford Center at The Star in Frisco, Texas, to perform three of Urban’s many hits. Moroney sang an affecting, lovely version of “Stupid Boy,” with her voice in fine form as she delivered the bittersweet song. Chris Stapleton crooned “Blue Ain’t Your Color” as Urban and his wife, Nicole Kidman, held each other and swayed; Stapleton’s signature rasp suited the song beautifully, and Urban himself couldn’t help but sing along whenever the camera was on him. “We love you, Keith,” Stapleton said after he wrapped. Concluding the Triple Crown musical salute, Brothers Osborne rocked through “Where the Blacktop Ends,” ripping up the 2001 hit and ending the tribute on an energetic note.
Accepting the award, Urban thanked the Academy of Country Music and, of course, his wife. “I love you, babygirl,” he told the Oscar winner (and Babygirl star) as she looked on and smiled. “Our girls watching at home, Sunday and Faith, I love you both. I have a massive team I couldn’t possibly thank by name,” Urban said. Still, he made a point to shout out his behind-the-scenes players, noting that “there’s no such thing as a self-made man.” Additionally, ever the gentleman, he thanked Moroney, Stapleton and Brothers Osborne, as well as the other musicians on stage. “We’re gonna be out on tour by the end of the month!” he said before leaving.
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As Billboard’s Paul Grein noted in his exclusive on this year’s Triple Crown Award, Urban qualified by winning top new male vocalist in 2001, male vocalist of the year in 2005 and 2006. and entertainer of the year in 2019. Additionally, he’s the first singer to get the Triple Crown Award on the ACM Awards telecast since 2010.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Some of the world’s biggest country music stars descended on the Ford Center at The Star in Frisco, Texas, on Thursday (May 8) for the 2025 ACM Awards. This year’s ACM Awards is a big one, too, as the show is celebrating 60 years of country music excellence. As everyone from Reba McEntire, who hosted for the 18th time in her career, to ACM Triple Crown Award honoree Keith Urban rolled up, Billboard was there — and we’re giving viewers an exclusive look at all of the best snapshots from the official Boot Barn portrait studio.
Opening with 12 straight minutes of music honoring past song of the year winners, the 2025 ACM Awards featured performances from Clint Black, Dan + Shay, LeAnn Rimes, Little Big Town and Wynonna Judd, as well as collaborative showcases from Jelly Roll and Shaboozey, the Backstreet Boys and Rascal Flatts and Brooks & Dunn with Cody Johnson.
The ceremony was filled with awards, too, naturally. Ella Langley has the most nominations of anyone this year with eight, while Johnson, Morgan Wallen, Lainey Wilson, Chris Stapleton have six; Riley Green, Post Malone and Kelsea Ballerini each have multiple nods as well. Among the biggest-ticket prizes being given away are entertainer of the year, male and female artist of the year, best duo and song and album of the year. Alan Jackson was honored with a lifetime achievement award — one the Academy of Country Music introduced this year called the Alan Jackson Lifetime Achievement Award, no less, and Keith Urban was saluted with the Triple Crown Award.
Below, see the best photos — the fabulous looks and dazzling smiles attendees wore at the 2025 ACM Awards.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Jelly Roll was living the dream on Thursday (May 8) when he performed “Heart of Stone,” the third single from his sophomore album, Beautifully Broken, at the 2025 Academy of Country Music Awards held at at Ford Center at the Star in Frisco, Texas.
“I’m wide awake and I’m dreamin’/ Wonderin’ where and when I fell apart/ Oh, I fell apart/ I had enough of my demons/ Angels only meet you where you are,” he sang emotionally, his voice powerful, during the chorus from the track about some very dark days in his life. As he belted out the chorus, Bunnie XO, who is married to the country star, sang along in the audience. “And I’m in the dark/ Least for now, Lord, I ain’t losin’ hope/ That somehow you can make a heart of gold/ From this heart of stone.”
As the tune ended, Jelly pointed to the heavens and mouthed, “Thank you.” The cameras then shifted to Shaboozey, who stood alone as he began his new single, the two men’s collaboration “Amen,” off the “A Bar Song (Tipsy)” singer’s Where I’ve Been, Isn’t Where I’m Going. After the chorus, Jelly joined in as he walked through the crowd, giving Wynonna Judd a hug before he made his way onto the stage next to ‘Boozey to finish the upbeat tune as Keith Urban and Nicole kidman sang along from the audience.
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At the end of the Jelly and Shaboozey’s duet, the “Need a Favor” singer turned to his song partner, who turns 30 on Friday (May 9), and said, “Happy birthday, ‘Boozey!” before giving him a big hug.
Jelly Roll — who is nominated for entertainer of the year, male artist of the year and album of the year for his Billboard 200 chart-topper Beautifully Broken — spoke about “Heart of Stone” while appearing on The Jennifer Hudson Show in April. “I love the lyrics of this song,” he explained to the host, specifically pointing out the lyrics to the second verse. “When I hear ‘Lord, can you hear me? I’m shackled in these chains/ I’m haunted by the lies of every time I said I’d change.’ Wow, that just reminds me of all the times that I went and looked in the mirror and said, ‘I’m gonna be different today’ and I wasn’t different that day. … It still gives me goosebumps and it makes me want to stand up and do something about it. It makes me want to quit being a man that puts it off and start being a man that does it right now.”
Country icon and 16-time ACM Awards winner Reba McEntire is the host of the show; it is her 18th time helming the ceremony. The show streamed live on Amazon’s Prime Video.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
That’s some piglet! Jessie Murph had just the pal to help her get all the attention at the Academy of Country Music Awards on Thursday (May 8) — her perfectly pink porcine pet, Wilbur! The little pig stole the show and posed for photos with numerous country stars while the “Blue Strips” singer made her […]
Heading into Thursday night’s (May 8) 2025 ACM Awards, country rookie Ella Langley leads the nominations pack with a whopping eight nods — and she picked up three prizes before the show even started. But we’ll have to wait and see who will emerge from the Ford Center at The Star in Frisco, Texas, the night’s biggest winner after tonight’s Prime Video livestream, starting at 8 p.m. ET/5 p.m. PT.
Langley is followed by Cody Johnson, Morgan Wallen and Lainey Wilson with seven nominations; Chris Stapleton with six; Langley’s “you look like you love me” duet partner Riley Green and Post Malone with five; and Kelsea Ballerini with four, including her first nod for entertainer of the year.
You can follow along with Billboard all night as we update our ACM Awards winners list live below:
Entertainer of the Year
Kelsea Ballerini
Luke Combs
Cody Johnson
Jelly Roll
Chris Stapleton
Morgan Wallen
Lainey Wilson
Female Artist of the Year
Kelsea Ballerini
Ella Langley
Megan Moroney
Kacey Musgraves
Lainey Wilson
Male Artist of the Year
Luke Combs
Cody Johnson
Jelly Roll
Chris Stapleton
Morgan Wallen
Duo of the Year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Muscadine Bloodline
The War and Treaty
Group of the Year
Flatland Cavalry
Little Big Town
Old Dominion
Rascal Flatts
The Red Clay Strays
New Female Artist of the Year
Kassi Ashton
Ashley Cooke
Dasha
WINNER: Ella Langley
Jessie Murph
New Male Artist of the Year
Gavin Adcock
Shaboozey
WINNER: Zach Top
Tucker Wetmore
Bailey Zimmerman
New Duo or Group of the Year
Restless Road
WINNER: The Red Clay Strays
Treaty Oak Revival
Album of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
Am I Okay? (I’ll Be Fine) – Megan Moroney; producer: Kristian Bush; Columbia Records / Sony Music Nashville
Beautifully Broken – Jelly Roll; producers: BazeXX, Brock Berryhill, Zach Crowell, Devin Dawson, Charlie Handsome, Ben Johnson, mgk, The Monsters & Strangerz, Austin Nivarel, SlimXX, Ryan Tedder, Isaiah Tejada, Alysa Vanderheym; BBR Music Group / BMG Nashville / Republic Records
Cold Beer & Country Music – Zach Top; producer: Carson Chamberlain; Leo33
F-1 Trillion – Post Malone; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
Whirlwind – Lainey Wilson; producer: Jay Joyce; BBR Music Group / BMG Nashville
Single of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
“A Bar Song (Tipsy)” – Shaboozey; producers: Sean Cook, Nevin Sastry; American Dogwood / EMPIRE
“Dirt Cheap” – Cody Johnson; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
“I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
“White Horse” – Chris Stapleton; producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mercury Nashville
“you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records
Song of the Year
Awarded to songwriter(s)/publisher(s)/artist(s)
“4x4xU” – Lainey Wilson; songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson; publishers: Louisiana Lady; One Tooth Productions; Reservoir 416; Songs of One Riot Music; Sony/ATV Accent
“The Architect” – Kacey Musgraves; songwriters: Shane McAnally, Kacey Musgraves, Josh Osborne; publishers: Songs for Indy and Owl; Sony/ATV Cross Keys Publishing
“Dirt Cheap” – Cody Johnson; songwriter: Josh Phillips; publishers: Warner-Tamerlane Publishing; Write or Die Music; Write the Lightning Publishing
“I Had Some Help” – Post Malone, Morgan Wallen; songwriters: Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters, Ryan Vojtesak; publishers: Bell Ear Publishing; Master of my Domain Music; Poppy’s Picks; Sony/ATV Cross Keys Publishing; Universal Music Corporation
“you look like you love me” – Ella Langley, Riley Green; songwriters: Riley Green, Ella Langley, Aaron Raitiere; publishers: Back 40 Publishing International; Langley Publishing; One Tooth Productions; Sony/ATV Tree; Warner-Tamerlane Publishing Corp
Music Event of the Year
Awarded to artist(s)/producer(s)/record company–label(s)
“Cowboys Cry Too” – Kelsea Ballerini, Noah Kahan; producers: Kelsea Ballerini, Noah Kahan, Alysa Vanderheym; Black River Entertainment
“I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records
“I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville
“we don’t fight anymore” – Carly Pearce, Chris Stapleton; producers: Shane McAnally, Josh Osborne, Carly Pearce; Big Machine Records
“you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records
Visual Media of the Year
Awarded to producer(s)/director(s)/artist(s)
“4x4xU” – Lainey Wilson; producer: Jennifer Ansell; director: Dano Cerny
“Dirt Cheap” – Cody Johnson; producer: Dustin Haney; director: Dustin Haney
“I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producers: Christen Pinkston, Wesley Stebbins-Perry; director: Dustin Haney
“Think I’m In Love With You” – Chris Stapleton; producers: Wes Edwards, Angie Lorenz, Jamie Stratakis; director: Running Bear (Stephen Kinigopoulos, Alexa Stone)
WINNER: “you look like you love me” – Ella Langley, Riley Green; producer: Alex Pescosta; directors: Ella Langley, John Park, Wales Toney
Artist-Songwriter of the Year
Luke Combs
ERNEST
HARDY
Morgan Wallen
WINNER: Lainey Wilson
Songwriter of the Year
Jessi Alexander
WINNER: Jessie Jo Dillon
Ashley Gorley
Chase McGill
Josh Osborne
Producer of the Year
Dave Cobb
Ian Fitchuk
Charlie Handsome
Jon Randall
Alysa Vanderheym
Audio Engineer of the Year
Brandon Bell
Drew Bollman
Josh Ditty
Buckley Miller
F. Reid Shippen
Bass Player of the Year
J.T. Cure
Mark Hill
Rachel Loy
Tony Lucido
Craig Young
Drummer of the Year
Fred Eltringham
Tommy Harden
Evan Hutchings
Aaron Sterling
Nir Z
Acoustic Guitar Player of the Year
Tim Galloway
Todd Lombardo
Mac McAnally
Bryan Sutton
Ilya Toshinskiy
Piano/Keyboards Player of the Year
Dave Cohen
Ian Fitchuk
Billy Justineau
Gordon Mote
Alex Wright
Specialty Instrument Player of the Year
Dan Dugmore
Jenee Fleenor
Josh Matheny
Justin Schipper
Kristin Wilkinson
Electric Guitar Player of the Year
Kris Donegan
Jedd Hughes
Brent Mason
Sol Philcox-Littlefield
Derek Wells
Casino of the Year – Theater
Deadwood Mountain Grand – Deadwood, S.D.
Foxwoods Resort Casino – Mashantucket, Conn.
Harrah’s Cherokee Casino Resort – Cherokee, N.C.
The Theater at Virgin Hotels – Las Vegas, Nev.
Yaamava’ Theater – Highland, Calif.
Casino of the Year – Arena
Golden Nugget Lake Charles – Lake Charles, La.
Hard Rock Live at Etess Arena – Atlantic City, N.J.
Harveys Lake Tahoe – Stateline, Nev.
Mystic Lake Casino Showroom – Prior Lake, Minn.
Turning Stone Resort Casino – Verona, N.Y.
Festival of the Year
C2C Country to Country – London
CMC Rocks – Ipswich, Queensland
Stagecoach Festival – Indio, Calif.
Two Step Inn – Georgetown, Tex.
Windy City Smokeout – Chicago
Fair/Rodeo of the Year
Calgary Stampede – Calgary, Alberta
California Mid-State Fair – Paso Robles, Calif.
Cheyenne Frontier Days – Cheyenne, Wy.
Minnesota State Fair – Falcon Heights, Minn.
Houston Livestock Show and Rodeo – Houston
Club of the Year
Billy Bob’s Texas – Fort Worth, Tex.
Brooklyn Bowl – Nashville
Cain’s Ballroom – Tulsa, Okla.
Georgia Theatre – Athens, Ga.
Joe’s on Weed St. – Chicago
Theater of the Year
The Caverns – Pelham, Tenn.
MGM Music Hall at Fenway – Boston
The Met Philadelphia – Philadelphia
The Rave/Eagles Club – Milwaukee, Wisc.
Tennessee Theatre – Knoxville, Tenn.
Outdoor Venue of the Year
BankNH Pavilion – Gilford, N.H.
CMAC – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, N.Y.
Saint Augustine Amphitheatre – St. Augustine, Fla.
The Wharf Amphitheater – Orange Beach, Ala.
Whitewater Amphitheater – New Braunfels, Tex.
Arena of the Year
Dickies Arena – Fort Worth, Tex.
Moody Center – Austin, Tex.
TD Garden – Boston
Thompson-Boling Arena at Food City Center – Knoxville, Tenn.
Van Andel Arena – Grand Rapids, Mich.
Don Romeo Talent Buyer of the Year
Deana Baker
Bobby Clay
Gil Cunningham
Weston Hebert
Stacy Vee
Taylor Williamson
Promoter of the Year
Brent Fedrizzi
Alex Maxwell
Patrick McDill
Anna-Sophie Mertens
Rich Schaefer
Aaron Spalding
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
Lainey Wilson and Jessie Jo Dillon were named the winners of 2025 ACM Awards in the two songwriting categories on Thursday (May 8), ahead of tonight’s telecast. Reba McEntire and Miranda Lambert presented Wilson with the artist-songwriter of the year award in a backstage surprise. Kelsea Ballerini presented Dillon with the songwriter of the year […]
Just as Kendrick Lamar leads the 2025 BET Award nominations, which were announced on Thursday (May 8), he is likely to also lead the Grammy nominations when they’re announced later this year.
Lamar has been the leading Grammy nominee twice before. He had 11 nominations leading up to the 2016 ceremony, and eight nods leading up to the 2019 ceremony. He has finished second (or in a tie for second) four other times — twice behind Jay-Z and twice behind Beyoncé. If Lamar amasses 11 nominations, he’ll match his personal best. If he garners 12, he’ll tie Michael Jackson (1984) and Babyface (1997) for the most nominations by anyone in any one year.
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The Grammys and BET Awards operate on different timetables. The eligibility year for this year’s BET Awards was March 16, 2024, through March 15, 2025. The eligibility year for the upcoming Grammys is Aug. 31, 2024, through Aug. 30, 2025. And, of course, the Grammys cover all genres, while the BET Awards focus on various forms of Black music. But the BET Awards offer some clues about which way Grammy voters may be leaning.
Three of the BET nominees for album of the year won album awards at the Grammys on Feb. 2. Beyoncé’s Cowboy Carter won both best country album and album of the year, Doechii’s Alligator Bites Never Heal won best rap album and Chris Brown’s 11:11 Deluxe won best R&B album. A fourth BET album of the year nominee, Future and Metro Boomin’s We Don’t Trust You, was nominated for a Grammy for best rap album.
The other four BET nominees will be eligible for the 2026 Grammys — Lamar’s GNX, The Weeknd’s Hurry Up Tomorrow, GloRilla’s Glorious and the Drake-Partynextdoor collab Some $exy $ongs 4U.
GNX seems virtually certain to be Grammy nominated for album of the year. It would be Lamar’s fifth album of the year nomination as a lead artist, which would allow him to break out of a tie with Ye (formerly Kanye West) for the most album of the year nods by a rapper.
Two of the BET nominees for best new artist — Shaboozey and Teddy Swims — were Grammy nominated in that category at this year’s show. Two other BET nominees in that category are presumed to be ineligible for Grammy nominations in that category. Leon Thomas won a Grammy two years ago for co-writing SZA’s “Snooze,” which was voted best R&B song. Ayra Starr was nominated as a performer two years ago for best African music performance for “Rush.”
The five other BET nominees — 41, BigXthaPlug, BossMan Dlow, Dee Billz and October London — are likely to be eligible to compete for the Grammy in that highly competitive category later this year.
Lamar’s “Not Like Us,” which won a Grammy for best music video on Feb. 2, is nominated for BET’s video of the year. Future, Metro Boomin, Travis Scott and Playboi Carti’s “Type Shit” was also entered in that Grammy category, though it wasn’t nominated.
Luther Vandross is the subject of three BET Awards nominations. Lamar and SZA’s “Luther,” now in its 11th week at No. 1 on the Billboard Hot 100, is up for both best collaboration and the viewers choice award. And the documentary Luther: Never Too Much is nominated for best movie.
Vandross didn’t receive a lifetime achievement award from the BET Awards. He died in 2005, just four years after the show originated. Vandross, who is widely considered the leading R&B male balladeer of his generation, has yet to receive a lifetime achievement award from the Recording Academy, either.
In other BET nominations news, Blue Ivy Carter, the 13-year-old daughter of Beyoncé and Jay-Z, is nominated for the Young Stars Award, an award she won last year. The BET allows multiple nominations and wins in that category. Blackish co-star Marsai Martin won it five times. Yara Shaidi and Keke Palmer each won it twice.
Wicked was passed over for a nod for best movie, but Cynthia Erivo is nominated for best actress for her performance in the film. And “Defying Gravity,” by Erivo featuring Ariana Grande, is up for the BET Her award. At the Grammys, Wicked can compete for best compilation soundtrack for visual media, while “Defying Gravity” can compete for best pop duo/group performance.
The 25th BET Awards will be held on Monday (June 9) at the Peacock Theater at L.A. Live in Los Angeles. Comedian Kevin Hart is set to host for the second time.
Kendrick Lamar leads all nominees for the 2025 BET Awards. The “Squabble Up” MC notched 10 nods, including album of the year for GNX, as well as video of the year for his Drake diss “Not Like Us” and three viewer’s choice award notices for “Not Like Us,” “Luther” (feat. SZA) and “Like That” (with Future & Metro Boomin).
Right behind Lamar with six nominations each are Doechii, Drake, Future and GloRilla, with Metro Boomin snagging five and SZA and the Weeknd rolling up four each.
Among Doechii’s noms are album of the year for Alligator Bites Never Heal, as well as video of the year and viewer’s choice award for “Denial Is a River,” BET her for “Bloom,” best collaboration for “Alter Ego” (feat. JT) and best female hip-hop artist.
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Drake’s nominations include album of the year for $ome $exy $ongs 4 U, video of the year for “Family Matters,” viewer’s choice award for “Nokia,” best group with Drake & PartyNextDoor, as well as best male R&B/pop artist and best male hip-hop artist. Future is also in the album of the year mix for We Don’t Trust You (feat. Metro Boomin), with other nods for video of the year for “Type Shit” (with Metro Boomin, Travis Scott and Playboi Carti), best collaboration and viewer’s choice award for “Like That” (with Metro Boomin and Kendrick Lamar), best group for his collabs with Boomin and best male hip-hop artist.
GloRilla is in the album of the year mix as well for Glorious, along with a viewer’s choice award notice for “TGIF,” best collaboration for “Sticky” (with Tyler, the Creator, Sexyy Red and Lil Wayne), the Dr. Bobby Jones best gospel/inspirational award for “Rain Down on Me,” best female hip-hop artist and BET Her for “In My Bag” (feat. FLO).
The 25th anniversary BET Awards, hosted by comedian Kevin Hart, will air live on BET from the Peacock Theater in L.A. on June 9 at 8 p.m. ET. Voting for the Viewer’s Choice award will open soon.
Check out the full nominations for the 2025 BET Awards below:
Album of the Year$ome $exy $ongs 4 U — Drake & Partynextdoor11:11 Deluxe — Chris BrownAlligator Bites Never Heal — DoechiiCowboy Carter — BeyoncéGlorious — GloRillaGNX — Kendrick LamarHurry Up Tomorrow — The WeekndWe Don’t Trust You — Future & Metro Boomin
Best Female R&B/Pop ArtistAri LennoxAyra StarrCoco JonesKehlaniMuni LongSummer WalkerSZAVictoria Monét
Best Male R&B/Pop ArtistBruno MarsChris BrownDrakeFridayyLeon ThomasTeddy SwimsThe WeekndUsher
Best Group41Common & Pete RockDrake & PartynextdoorFloFuture & Metro BoominJacquees & Dej LoafLarry June, 2 Chainz, The AlchemistMaverick City Music
Best Collaboration“30 For 30” — SZA feat. Kendrick Lamar“Alter Ego” — Doechii feat. JT“Are You Even Real” — Teddy Swims feat. Givēon“Beckham” — Dee Billz feat. Kyle Richh, Kai Swervo, KJ SwervoBless — Lil Wayne, Wheezy & Young Thug“Like That” — Future & Metro Boomin & Kendrick Lamar“Luther” — Kendrick Lamar & SZA“Sticky” — Tyler, The Creator feat. GloRilla, Sexyy Red & Lil Wayne“Timeless” — The Weeknd feat. Playboi Carti
Best Female Hip Hop ArtistCardi BDoechiiDoja CatGloRillaLattoMegan Thee StallionNicki MinajRapsodySexyy Red
Best Male Hip Hop ArtistBigXthaPlugBossman DLowBurna BoyDrakeFutureKendrick LamarKey GlockLil WayneTyler, The Creator
Video of the Year“3AM in Tokeyo” — Key Glock“A Bar Song (Tipsy)” — Shaboozey“After Hours” — Kehlani“Denial Is a River” — Doechii“Family Matters” — Drake“Not Like Us” — Kendrick Lamar“Timeless” — The Weeknd feat. Playboi Carti“Type Shit” — Future, Metro Boomin, Travis Scott & Playboi Carti
Video Director of the YearAnderson .PaakB Pace Productions & JacqueesBenny BoomCactus JackCole BennettDave Free & Kendrick LamarDave MeyersFoggierawTyler, The Creator
Best New Artist41Ayra StarrBigXthePlugBossman DLowDee BillzLeon ThomasOctober LondonShaboozeyTeddy Swims
Dr. Bobby Jones Best Gospel/Inspirational Award“A God (There Is)” — Common & Pete Rock feat. Jennifer Hudson“Amen” — Pastor Mike Jr.“Better Days” — Fridayy“Church Doors” — Yolanda Adams feat. Sir The Baptist & Donald Lawrence (Terry Hunter Remix)“Constant” — Maverick City Music, Jordin Sparks, Chandler Moore & Anthony Gargiula“Deserve to Win” — Tamela Mann“Faith” — Rapsody“Rain Down on Me” — GloRilla feat. Kirk Franklin, Maverick City Music
Viewer’s Choice Award“Residuals” — Chris Brown“Denial Is a River” — Doechii“Nokia” — Drake“Like That” — Future & Metro Boomin feat. Kendrick Lamar“TGIF” — GloRilla“Not Like Us” — Kendrick Lamar“Luther” — Kendrick Lamar & SZA“Brokey” — Latto
Best International ActAny Gabrielly (Brazil)Ayra Starr (Nigeria)Basky (UK)Black Sherif (Ghana)Ezra Collective (UK)Joé Dwèt Filé (France)MC Luanna (Brazil)Rema (Nigeria)SDM (France)Tyla (South Africa)Uncle Waffles (Swaziland)Best New International ActAbigail Chams (Tanzania)Ajulicosta (Brazil)Amabbi (Brazil)Dlala Thukzin (South Africa)Dr Yaro (France)KWN (UK)Maglera Doe Boy (South Africa)Merveille (France)Odeal (UK)Shallipopi (Nigeria)TxC (South Africa)
BET Her“Beautiful People” — Mary J. Blige“Blackbiird” — Beyonce feat. Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts“Bloom” — Doechii“Burning” — Tems“Defying Gravity” — Cynthia Erivo feat. Ariana Grande“Heart of a Woman” — Summer Walker“Hold On” — Tems“In My Bag” — Flo & GloRilla
Best MovieBad Boys: Ride or DieBeverly Hills Cop: Axel FLuther: Never Too MuchMufasa: The Lion KingOne of Them DaysRebel RidgeThe Piano LessonThe Six Triple Eight
Best ActorAaron PierceAldis HodgeAnthony MackieColman DomingoDenzel WashingtonJamie FoxxJoey Bada$$Kevin HartSterling K. BrownWill Smith
Best ActressAndra DayAngela BassettCoco JonesCynthia ErivoKeke PalmerKerry WashingtonQuinta BrunsonViola DavisZendayaYoung Stars AwardAkira AkbarBlue Ivy CarterGraceyn “Gracie” HollingsworthHeiress HarrisMelody HurdThaddeus J. MixsonTyrik JohnsonVanVan
Sportswoman of the Year AwardA’ja WilsonAngel ReeseClaressa ShieldsCoco GauffDawn StaleyFlau’jae JohnsonJuju WatkinsSha’Carri RichardsonSimone Biles
Sportsman of the YearAaron JudgeAnthony EdwardsDeion SandersJalen HurtsJayson TatumLeBron JamesSaquon BarkleyStephen Curry
Brooks & Dunn remember the first two ACM Awards they won in 1992, when they snagged both top new duo of the year and duo of the year.
“It felt like we were in the game,” said Kix Brooks. “Those were our first major awards.”
“I remember we were walking the off the stage, I was looking this way, and [Kix] was looking that way, and we were both fighting back tears,” Ronnie Dunn added.
Twenty-five ACM awards later, including winning the coveted entertainer of the year three times, the acclaimed duo received another award Wednesday night (May 7): the ACM Diamond Chairman’s Award. The honor, presented at the ACM Lifting Lives Gala at the Omni PGA Hotel in Frisco, Texas, goes to an artist who has left a mark on the academy and on the country music industry as a whole through their artistry and humanitarian efforts.
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The evening, held the night before the 60th ACM Awards, raised more than $1.3 million for ACM Lifting Lives, the philanthropic arm of the academy, which provides aid to people in need through health-related initiatives, including national music therapy programs, mental and physical health organizations, children’s hospitals and more.
The pair, talking to Billboard at the start of the evening, were more than happy to lend their name to raise money for a good cause. “If we can find something that somebody can attach anything that’s worthwhile and good for something, then we’re good to go,” Dunn says.
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They were feted by a number of artists who had grown up on their music and many of whom had developed deep personal ties with the most successful duo in the history of country music.
Keith Urban remember shortly after moving to America from Australia hearing the duo’s music, when songs like “Brand New Man” and “Hard Workin’ Man” “were just leaping out of the radio with so much energy,” Urban told Billboard. “They weren’t just great songs, they were great records.”
Urban, who performing a smoking version of “Brand New Man,” first met Brooks when Urban and his then band, The Ranch, were playing in a dive bar called Jack’s Guitar Bar that held around 80 people, “with wretched shag carpet everywhere that was beer soaked and just dreadful.” Brooks had heard of the band and after a formal event one evening came into the bar with his wife. “Kix is dressed to the nines and so is Barbara in this absolute sh-thole pub,” he says with a laugh. After finding the last seat for his wife, Brooks sat on the carpet in his tuxedo “and watched our whole set.” Even though The Ranch didn’t have a record deal, Brooks extended an offer to have the band open for Brooks & Dunn, which they did in 1997.
Similarly, Brooks & Dunn took Megan Moroney, who performed a sultry version of “Ain’t Nothin ‘Bout You,” out on her first arena tour in 2023. “They kind of took me under their wing. I would come out and sing ‘Cowgirls Don’t Cry’ with them every night, and I remember being really nervous to do that. Their confidence kind of [rubbed] off on me a little bit, and made me feel more comfortable,” she says. “I thought that that was really sweet of them to take a chance on me and let me open up for them. It was like a dream come true for me and my parents, so anytime I’m asked to do anything for Brooks and Dunn, I’m there.”
After growing up on Brooks & Dunn’s music, Cody Johnson first met them when he performed “Red Dirt Road” with the duo on 2019’s Reboot collection, which reimagined some of the pair’s greatest hits with other artists. The first line of the song, “I was raised off of Rural Route 3,” always resonated with Johnson because he actually was raised off a Rural Route 3 in Texas, just as Dunn was in Arkansas. “We just hit it off. I think that they figured out that they were my heroes, but also, I didn’t treat them any different,” he said. “And even though I was a young aspiring artist, they didn’t treat me any different either.” Johnson performed “Red Dirt Road” to open the gala’s entertainment portion and will perform the song with the duo on the ACM Awards on Thursday.
Lainey Wilson electrified the crowd with a soaring version of “My Maria,” and called the duo on stage with her to sing the last half of the song. “I was not expecting you to get up here with me,” Wilson said with a laugh after they finished the song to great applause.
“They truly are the soundtrack of my childhood,” she said backstage. “We used to steal my daddy’s hunting spotlight, and we’d turn all the lights out in the house, and my sister would follow me around the living room with [my singing into] a hairbrush. ‘My Maria’ was one of the ones that I would belt out. It is pretty wild to think that I actually really know them now.” As Dunn once again proved as he hit “My Maria’s” sky-high notes, “he is one of the best singers on the face of the earth,” Wilson said. “It’s like how is this even coming out of [his mouth?]”
Also performing in honor of the duo were Zach Top, who played “My Next Broken Heart” and Eric Church, who sang “You’re Gonna Miss Me When I’m Gone.”
The evening closed with a singalong on “Play Something Country” with Brooks & Dunn, Church, Wilson, Urban, Top and Moroney.
Brooks & Dunn, who released Reboot 2 in 2024, are inching toward recording an album of new material, which would be their first since 2007’s Cowboy Town. “We’re kicking along,” Brooks says. “We’re working on it, we’re pushing that row,” Dunn says, adding that their new label chiefs at Sony Nashville—chairman/CEO Hilary Lindsey and president/COO Ken Robold—are also encouraging them to progress. “We’ve got a label that we had a really great meeting with. They can’t make us make a record, but they would love to see us do it,” Brooks says. “They don’t want to put out a record that’s not a great record.”
The pair also acknowledge they are among the top tier league of acts who have been so successful that they are competing with their own legacy.
“He’s not a country artist, but I love quoting Billy Joel,” Brooks says, “He said ‘I haven’t made a new record in [32] years and it’s working quite well.’”
But they admit there’s the nagging feeling that they have more left to say. “I still think we have the juice to be able to sell a new one,” Dunn says. “I just want to put one more through the goal posts.”