Awards

2025 American Music Awards: Best Photos From the Show & Backstage

The 2025 American Music Awards lit up Las Vegas on Monday (May 26), featuring performances from some of the world’s biggest stars as well as prizes celebrating the most major moments in music this past year. 

Kicking off the show was host Jennifer Lopez, who opened with an eye-catching dance performance set to a hodgepodge of hits from the last 12 months, featuring tracks by Kendrick Lamar, Doechii, Shaboozey, Chappell Roan and more. Other performers throughout the night included Alex Warren, Reneé Rapp, Blake Shelton, Lainey Wilson, Gloria Estefan and Benson Boone, as well Janet Jackson – who took home the Icon award just after finishing out a medley of her smashes – and Rod Stewart, this year’s Lifetime Achievement honoree. 

In between the live showcases were the presentations of awards, including artist of the year and new artist of the year – which went to Billie Eilish and Gracie Abrams, respectively, with both singers accepting via pre-taped videos as they continue touring abroad. Kendrick Lamar had the most nominations of the night with 10 total, followed by Post Malone with eight, and Eilish, Roan and ‘Boozey with seven. Ultimately, Lady Gaga and Bruno Mars won collaboration of the year for Billboard Hot 100-topping hit “Die With a Smile,” while Eminem took home favorite male hip-hop artist and SZA accepted favorite female R&B artist as well as favorite R&B song for “Saturn.” 

All in all, the 2025 ceremony was a memorable one. Whether you missed out on the AMAs this year or just want to relive the program, keep reading to see the best photos of the night below. 

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Billie Eilish Thanks Her Fans For Support While Accepting AMA for Artist of the Year

Billie Eilish walked away with the artist of the year award at the 2025 American Music Awards, and in a remote acceptance speech, graciously thanked her fans for allowing her to make music.

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Jon Batiste awarded Eilish the artist of the year plaque at the AMAs on Monday (May 26) night, and in a heartfelt video message, she shouted out her supporters for showing love to her.

“Oh my God, artist of the year, this is so crazy,” Billie said. “I feel speechless, thank you all so much I love you so much. I wish I could be there tonight, I’m on tour, getting to see you all over the world. Thank you to the AMAs, thank you to the fans, I know you voted for this. This means the world to me. I am so lucky to get to do what I do, and to do it with you! I love you all so much, thank you guys.”

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Eilish had to accept the award virtually because she’s on tour in Europe, where she made waves online thanks to a stunning performance of Radiohead’s “Creep” in Amsterdam. Earlier in May, Eilish delivered a rendition of the rock band’s signature hit, accompanied by two backup vocalists and an electric guitar player. However, the musician spotted something in the distance that caused her to laugh, and she was unable to stop. Still, the haunting performance was well received by everyone in the audience.

Check out the full speech below.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Reneé Rapp Serves Up Sass With ‘Leave Me Alone’ at 2025 American Music Awards

Reneé Rapp lit up the 2025 American Music Awards on Monday night (May 26) with the live debut of her brand new single, “Leave Me Alone.”

Introduced by pal Jake Shane, the Mean Girls star kicked off the performance in front of a crowded, makeshift bathroom mirror with three of her dancers before kicking down the set to reveal the stage at the Fontainebleau Las Vegas.

“Got my hair tied up, phone on don’t disturb/ Leave me alone, babe, I wanna have fun/ I wear my jeans so low, show my my little back dimple/ Leave me alone, babe, I wanna have fun/ Even line my lips just to match my nipples/ Leave me alone, babe, I wanna have fun,” Rapp swaggered on an edited version of the track’s opening verse.

Later, she climbed the steps of the set to join her backing band — all of whom wore white T-shirts emblazoned with the bold statement “I WOULD DIE FOR RENEÉ RAPP” in all caps.

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“Leave Me Alone” serves as the lead single for Rapp’s upcoming sophomore studio set, Bite Me, which is slated for release on Aug. 1 viva Interscope Records. (The song’s lyrics also happen to cheekily reference the wait between 2023’s Snow Angel and the star’s forthcoming follow-up, with her rapping, “Manager called me, said, ‘Where’s that single?’/ Leave me alone, babe, I wanna have fun/ ‘Oh you’re breaking up, babe, I don’t got no signal!’”)

Ahead of the album’s summertime release, Rapp will join the likes of Mariah Carey, Lola Young, KSI, Busted vs. McFly, Zara Larsson, Dasha, Jessie J and fellow AMAs performer Benson Boone on the lineup of Capital’s Summertime Ball with Barclaycard 2025 at London’s Wembley Stadium on June 15.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Alex Warren Makes No ‘Ordinary’ Award Show Debut at the 2025 AMAs

Marking the latest stop on his extraordinary rise to pop stardom following the success of “Ordinary,” Alex Warren has made his award show debut by performing the breakthrough track at the American Music Awards on Monday (May 26).

Taking the stage in Las Vegas late in the show, the TikToker expertly built up the momentum while singing live for the first time ever on an award show, starting out soft as he tenderly crooned the romantic ballad while joined by a gorgeous harp accompaniment. As the song crescendoed, a large choir appeared behind him on stage, adding body to the song before a wall of fiery sparks lit up the background in sync with the track’s most climactic moment.

“You’re taking me out of the ordinary/ I want you laying me down ’til we’re dead and buried,” Warren sang, passion showing in his facial expressions. “On the edge of your knife, staying drunk on your vine/ The angels up in the clouds are jealous knowing we found/ Something so out of the ordinary.”

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The performance comes as “Ordinary” is spending its third week at No. 1 on the Billboard Global 200, a feat that reflects just how much the track has taken the world by storm in recent months. It also reached a new peak at No. 2 on the Billboard Hot 100 chart dated May 10.

While riding the success of “Ordinary,” Warren has been preparing his next album, which will feature new song “Bloodline” featuring Jelly Roll, which dropped May 22. The duo first premiered the track at the country star’s Stagecoach set in April.

This year, the AMAs were hosted by Jennifer Lopez, featuring awards such as artist, song and album of the year. Kendrick Lamar had the most nominations with 10 total, followed by Post Malone with eight, and Billie Eilish, Chappell Roan and Shaboozey with seven.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Eminem Wins Favorite Male Hip-Hop Artist at 2025 American Music Awards: ‘Thank You to the Fans’

Eminem has won favorite male hip-hop artist at the 2025 American Music Awards. Twenty-two years after taking home his first AMA in the same category, Slim Shady returned to win against some loaded competition on Monday night (May 26).

The Detroit rapper took home the win over the likes of Drake, Future, Tyler, the Creator and Kendrick Lamar. It’s the ninth American Music Award victory for Em to add another accolade to his decorated trophy case.

Project Runway‘s Heidi Klum presented the award, and the supermodel joked about once recording a track with Snoop Dogg, which makes her “the most unexpected hip-hop artist to come out of Germany.”

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Unfortunately, Em wasn’t in attendance as he remained home in Detroit, but delivered an acceptance speech via video for his millions of fans across the globe.

“AMAs, what’s up? Favorite male hip-hop artist, thank you, I appreciate that. I think it’s been 23 years since I won my first AMA and I’m 24 years old. That’s crazy. Seriously, man, thank you to the fans. Thank you to everyone who voted for me. I appreciate y’all. Thank you so much.”

It’s been more than 10 years since Em won an American Music Award, with his last victory coming in 2014 for favorite rap/hip-hop album thanks to The Marshall Mathers LP 2.

2024 was a busy year for Eminem, who returned with his The Death of Slim Shady (Coup de Grâce) in July. The project debuted atop the Billboard 200 — Em’s 11th album to go No. 1 — with 281,000 equivalent album units earned in the U.S. in the week ending July 18, according to Luminate. At the time of its arrival, TDOSS was the largest week of any rap album in 2024.

Watch Em’s acceptance speech below:

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Janet Jackson Says Her Family’s ‘Dream Wasn’t Ever to Be Famous’ While Accepting AMAs ICON Award

Janet Jackson is an indisputable cultural icon, so it was only natural that the 10-time Billboard Hot 100-topping artist was honored with the ICON Award at the 2025 American Music Awards on Monday (May 26).

But it seems that the Grammy-winning Rock & Roll Hall of Famer isn’t entirely sold on this whole “icon” business.

“No disrespect in any way, I don’t consider myself an icon,” Jackson said while holding an award that stated otherwise on the Fontainebleau Las Vegas stage. “My family, myself, our dream wasn’t ever to be famous. We weren’t raised like that. We always had a special love for music and dancing and singing, and fame came with the result of hard work and dedication.

“My story, my family’s story, it’s truly an American story,” she added earnestly. “This would have only happened in America. The one thing I hope for is that I’ve been an inspiration to others, to artists, to follow their dreams and succeed.”

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If anyone needed some inspiration, they needn’t look further than her pre-speech performance at the 2025 AMAs. As the spoken word intro to “Control” played over the speakers, Janet and her dancers hit the stage and kicked off her performance with “Someone to Call My Lover,” her sweetly come-hither 2001 single from All For You; after that, she segued into the sexy, slammin’ title track (and Hot 100 No. 1) from that album, executing some confident choreography while her dancers, wearing tank tops or little other than their tats, supported her ably.

With glitzy fountains erupting behind her, the Vegas vibes were in full effect – no surprise, considering that Jackson is in the midst of a residency at the Resorts World Theatre in Las Vegas.

After thanking her staff, her management, her dancers, producers, musicians, fans and many more folks who have helped her decades-long career, Jackson left the audience with these words: “Keep God in every part of your life, because that’s where He wants to be.”

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Gwen Stefani Hollas Back to a Pair of Solo Classics During 2025 American Music Awards Medley

Gwen Stefani hollered back to some of her career favorite hits at Monday night’s (May 26) 2025 American Music Awards. After an introduction from husband Blake Shelton — who called her his “one and only” — Stefani celebrated the 25th anniversary of her favorite pop/rock female artist AMA win with a three-song medley beginning with her recent country-tinged single “Swallow My Tears.”

Bathed in soft-focus light, the No Doubt singer and solo star crooned the tune’s opening lines from a field of tall golden grass while wearing a billowing, bedazzled white dress. She hit the stage at the Fontainebleau Las Vegas with four backup dancers in short white minidresses, who swooned around her as the tempo shifted and Stefani spun her way into her 2006 hit “The Sweet Escape.”

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With the long portion of her skirt whisked away by a dancer, the singer moved back onto the main stage for a candy-colored swing through the Billboard Hot 100 No. 2 hit. With her backups twirling oversized lollipops and sweets, Stefani was joined by six male dancers dressed in jackets, ruffled shirts and kilts on the dreamy doo-wop pop tune.

The medley ended with a run through her iconic 2005 Hot 100 No. 1 single “Hollaback Girl,” with backing from a horn section in red suits with fringed collars and, of course, giant gold belt buckles reading “BANANAS” in a nod to the song’s signature chant. With her crew now dressed in marching band regalia — complete with towering furry hats — Stefani got the crowd fired up to join in on the shout-along chorus “This s–t is bananas/ B-A-N-A-N-A-S.”

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
 

Benson Boone Backflips Over ‘Mystical Magical’ at the 2025 American Music Awards

Benson Boone took over the stage at the 2025 American Music Awards on Monday night (May 26) to perform his new single “Mystical Magical.”

Wearing a patchwork purple suit glittering with rhinestones, the mustachioed musician kicked off his number by crooning, “There’s nothing colder than your shoulder/ When you’re dragging me along like you do, like you do/ And then you switch up with no warnin’/ And you kiss me like you want it/ How rude, how rude.”

As the song ramped up, Boone performed one of his signature backflips on stage, upping the ante this time by impressively clearing an entire staircase of eight steps on the stage of the Fountainebleu Las Vegas. The gravity-defying move also happened to land him right in the front row, where he flirted with Nikki Glaser and Heidi Klum as he sang, “I know you’ll come around to me eventually/ If you sit back, relax and join my company/ Oh, baby, trust me.”

The coy moment amusingly continued the singer’s recent history of awards show bits with the pair, who helped with the mid-performance reveal of his viral blue jumpsuit at the 2025 Grammys back in February.

“Mystical Magical” serves as the second single off Boone’s upcoming sophomore album, American Heart, which will drop June 20 via Night Street and Warner Records. The LP also contains lead single “Sorry I’m Here for Someone Else” and the newly released “Momma Song.”

During the telecast, Boone was up for his very first American Music Award for new artist of the year — a trophy that ultimately went to fellow pop sensation Gracie Abrams in a crowded field that also included Chappell Roan, Shaboozey, Teddy Swims and Tommy Richman.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Gracie Abrams Dedicates New Artist of the Year Win to Fans at the 2025 AMAs: ‘This Belongs to You’

After a banner breakthrough 12 months, Gracie Abrams has won new artist of the year at the 2025 American Music Awards — and she’s giving the glory right back to the people who got her there in the first place.

After Nikki Glaser read off the “That’s So True” singer as this year’s winner at the ceremony in Las Vegas (May 26), it was revealed that Abrams could not attend in person due to her ongoing global tour. The musician did, however, share a pre-taped thank-you message, which she started by saying that she was “so sad not to be in the same room as all of you tonight” before shouting out her fellow nominees — Benson Boone, Chappell Roan, Shaboozey, Teddy Swims and Tommy Richman — “whose music and whose careers I admire so much.”

“The reason this means so much to me tonight is that I know this is a fan-voted award,” Abrams continued, looking casual as she addressed the camera in a blue sweatshirt. “This belongs to the community of people I’ve been lucky enough to learn from over the past few years of putting music out.”

“This belongs to you,” the Los Angeles native added. “Thank you so much for caring about the music.”

Abrams’ win comes nearly a year after she dropped her breakout album, The Secret of Us, which reached No. 2 on the Billboard 200. The Grammy nominee has since graduated from playing theater-sized venues to arenas, the likes of which she’s been performing in all over Europe, Asia and Australia this spring on her The Secret of Us Tour.

Her AMAs acceptance speech is far from the first time Abrams has made her fanbase the focal point of her successes. She’s long been cultivating a community with her listeners — dating back to when she simply posted snippets of her songs on Instagram before she ever even released anything — and in her April Billboard cover story, Abrams said that despite her career explosion this past year, everything “feels as connected as it did six years ago” when it comes to her relationship with her fans.

“I think the best use of me as a human being on this planet, at least right now, is trying to use my writing or storytelling to make as many people as possible feel connected to themselves and to this community,” she added at the time. “That is what I think I’m here for right now.”

Hosted this year by Jennifer Lopez, the AMAs are airing live on CBS as well as streaming on Paramount+. The night will also see stars taking home awards such as artist of the year, album of the year, song of the year and more, with Kendrick Lamar leading with 10 nominations.

Watch her speech below:

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Jennifer Lopez Opens 2025 American Music Awards With Medley of Last Year’s Biggest Hits, Kisses Dancers

Days after receiving stitches for a nose injury during rehearsals, Jennifer Lopez opened the 2025 American Music Awards “dancing [her] heart out” to a medley of hits — 23 to be exact — as part of an energetic six-minute blitz to kick off the show on Monday night (May 26).

J. Lo hit the stage in Las Vegas in a sparkling leotard that looked like a combination of her 2019 It’s My Party Tour wardrobe mixed with a couture spacesuit. Lopez, alongside her sharp dance team, ripped through routines surrounding an array of anthems that dominated streaming service playlists and radio stations throughout the last year.

She strutted across the Fontainebleau Las Vegas stage filled with laser beams and pyrotechnics to her own hit “Dance Again” as well as plenty of Kendrick Lamar bangers such as GNX‘s “Squabble Up” and “TV Off” along with his lethal “Not Like Us” Drake diss.

The 55-year-old kept the party going with choreography to Doechii’s “Denial Is a River,” Sabrina Carpenter’s “Espresso,” Shaboozey’s “A Bar Song (Tipsy),” Post Malone’s “I Had Some Help,” Chappell Roan’s “Pink Pony Club,” Billie Eilish’s “Birds of a Feather,” Lady Gaga and Bruno Mars’ “Die With a Smile,” Tinashe’s “Nasty Girl,” Charli xcx’s “Guess,” Tyler, the Creator’s “Sticky,” Bruno Mars and ROSÉs “APT.,” Beyoncé’s “Texas Hold ‘Em,” Bad Bunny’s “NuevaYol,” Teddy Swims’ “Lose Control” and more.

In the midst of her performance to “Lose Control,” Jenny From the Block got the Sin City crowd riled up when she briefly made out with some of her backup dancers.

J. Lo showed off her stamina, going directly from performing to hosting for the night. She’s no stranger to the AMAs stage, previously hosting the award show in 2015.

“I had to kick things off by turning it up to the biggest songs of the year and dancing my heart out for all of you, but tonight, the spotlight belongs to you, because this is the world’s largest fan-voted award show where you decide the winners,” she said after her medley.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.