Awards
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Archie Roach, the legendary Indigenous Australian artist whose song “Took the Children Away” was recognized with a Human Rights Medal, has been posthumously awarded in the Australia Day honors.
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Roach is appointed as a Companion of the Order of Australia (AC) for his service to the performing arts and to Indigenous rights and reconciliation, officials announced on Jan. 26 — Australia’s national day.
The Gunditjmara (Kirrae Whurrong/Djab Wurrung), Bundjalung senior elder, songman, prolific storyteller and First Nations champion contributed some of this country’s finest works, across a 30-year-plus career, spanning eight albums.
Few songs can touch quite like Roach’s 1991 song “Took The Children Away,” a heartbreaking tale of the enforced separation of First Nations children from their families.
The song received an international Human Rights Achievement Award, the first time that the honor had been bestowed on a songwriter.
Roach, or Uncle Arch as he was lovingly known, was celebrated on numerous occasions during his lifetime. He was made a Member of The Order of Australia (AM) (in 2015), and received the Ted Albert Award for Outstanding Services to Australian Music (in 2017).
The songsmith was inducted into the ARIA Hall of Fame in 2020, marking the 30th anniversary of the release of Charcoal Lane, his debut full length album which carried “Took The Children Away.” The song is now preserved in the National Film And Sound Archive Of Australia.
Throughout his life, he dedicated himself to supporting others. In 2014, he founded The Archie Roach Foundation which established to “nurture meaningful and potentially life changing opportunities” for young First Nation artists.
When he died July 30, 2022 after a long illness, at the age of 66, prime minister Anthony Albanese led tributes.
Though Roach has left us, his music continues to resonate. At the 2022 ARIA Awards, Roach posthumously won best independent release for “One Song,” the final song he wrote.
“One Song” is one of 20 contenders for the coveted song of the year at the 2023 APRA Music Awards, set for April 27 at Sydney’s ICC.
See the complete Australia Day Honours List here.
Lady Gaga took to her Instagram on Wednesday (Jan. 25) to thank the Motion Picture Academy for her fourth Oscar nomination, for co-writing “Hold My Hand” from Top Gun: Maverick with BloodPop. The power ballad is nominated for best original song.
“Thank you so much to the Academy for nominating my song ‘Hold My Hand’ for an Oscar this year!” Gaga wrote. “Writing this song for the film Top Gun: Maverick was a deep and powerful experience that I will never forget. So grateful for the magic of music and cinema. Love you my co-writer @bloodpop I’m on set filming now big love to little monsters!”
This is Gaga’s third nomination in the category. She and Diane Warren teamed to write “Til It Happens to You” from the 2015 doc The Hunting Ground. She teamed with Mark Ronson, Anthony Rossomando and Andrew Wyatt to write “Shallow” from the 2018 remake of A Star Is Born, which won the award. Gaga was also nominated that year for best actress for starring in the film alongside Bradley Cooper.
Gaga’s Instagram came one day after her friend and collaborator Tony Bennett issued a tweet congratulating her. “Congratulations to the amazingly talented @ladygaga on her 4th Oscar nomination! Today, Lady Gaga makes history as the first artist to receive three nominations in the Best Original Song category at the #Oscars. So proud of you!”
It’s unclear what Bennett meant by the comment about Gaga’s record-setting achievement. Other artists, such as Randy Newman and Lionel Richie, have received three or more nominations in that category.
“Hold My Hand” is one of six nominations that Top Gun: Maverick received, including best picture. The film fared better with Oscar voters than the initial Top Gun in 1986, which received four Oscar nods. It’s unusual for a sequel to outpace the original in the esteem of Oscar voters.
One year after Sebastián Yatra‘s moving performance at the Oscars, another artist with Colombian blood is hoping to perform at the Academy Awards ceremony: Sofia Carson.
The Florida-born actress and singer, whose parents hail from Barranquilla, is the voice of Diane Warren’s “Applause” from the movie Tell It Like a Woman, which received a nomination for best original song on Tuesday (Jan. 24.)
“We’re going to the Oscars @dianewarren,” Carson wrote in an Instagram post, sharing a sweet video of their reaction to the news.
Beautifully performed by the “Night Falls” singer, “Applause” is a ballad of empowerment and self-love that invites women to pause for a moment and celebrate their achievements.
“Recognize who you are/ Sometimes, I know it’s so hard/ But you shine/ You’re a supernova superstar,” the song says. “Give yourself some applause, you deserve it/ Give yourself some respect ’cause you’ve earned it/ Give yourself some love ’cause you’re worth it, you’re worth it.”
Last year at the Oscars, Yatra sang the sublime “Dos Oruguitas” from the Disney animated film Encanto in a colorful number that included a couple of dancers in Colombian costumes and elements such as yellow butterflies, alluding to the film and the South American country. Written by Lin-Manuel Miranda, it was the first song in Spanish nominated to the award since Uruguayan Jorge Drexler won the trophy in 2005 for “Al Otro Lado del Río” from The Motorcycle Diaries. (That year, the Academy invited the better-known Antonio Banderas to sing Drexler’s song in a bittersweet moment for the composer and his Latin American fans.)
Warren, who now collects her 14th nomination in the category, also competed last year with “Somehow You Do,” from the movie Four Good Days. But the Academy Award went to Billie Eilish and Finneas O’Connell for “No Time to Die,” from the James Bond film of the same name.
This time around, the veteran songwriter — who has yet to win the prize — competes again with some music superstars. The contenders are: “Hold My Hand” from Top Gun: Maverick, co-written by Lady Gaga; “Lift Me Up” from Black Panther: Wakanda Forever,” with Rihanna among its composers; “Naatu Naatu” from RRR; and “This Is A Life” from Everything Everywhere All at Once. (For a complete list of nominees, click here)
The Oscar for best original song goes to the songwriters, not to the performers. However, it is likely that Carson will take the stage of Hollywood’s Dolby Theater to sing “Applause” live, since it has become tradition that the nominated songs be presented at the ceremony — although the official program has yet to be announced and plans have changed from time to time.
The 95th annual Academy Awards will air live on ABC on March 12 at 8:00 pm ET.
In recognition of Víctor Manuelle’s impact and influence in Latin music, the 35th annual Premio Lo Nuestro will honor the salsa musician with the 2023 Lifetime Achievement Award on Feb. 23.
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“The fact that I have been able to make a living from what I am so passionate about is very meaningful to me,” the Puerto Rican superstar tells Billboard Español. “It’s very exciting to know that the award ceremony, which is a very important platform, decided to give me this recognition. It fills me with pride, and it is a sign of the effort of what I have wanted to represent in the salsa genre throughout my entire career.”
“I still can’t believe that we are already celebrating 30 years of my career! When I grew up in my hometown of Isabela I just wanted to sing,” he muses. To his loyal fan base, he is endearingly known as El Sonero de la Juventud (or the Singer of Youths).
Widely recognized as a true sonero since his 1993 debut Justo A Tiempo, the Latin music icon helped globalize salsa romántica while boldly continuing to update the tropical formula for more modern times, as exemplified on his latest album. On his 19th conceptual release, 2022’s Lado A Lado B, Manuelle embraces his two trademark shades: his traditional salsa mastery and his tropical-charged fusions, where he embraces contemporary currents.
“For me it was important to capture in this album what have been my two facets throughout my career. Taking the risk of creating new sounds without abandoning the salsa genre, is one of the main reasons why I have been able to stay current and has allowed me to reach new generations,” he explains of the set, which includes features with urbano luminaries Miky Woodz and Farina, but also salsa traditionalists such as Marvin Santiago and La India.
Four-time winner of Premio Lo Nuestro awards, this year the celebrated musician is nominated in three tropical music categories: artist of the year, album of the year (Lado A Lado B) and collaboration of the year for “Vamo’ A Ver Si El Gas Pela,” featuring Miky Woodz and Marvin Santiago.
Manuelle began to make music in the mid ‘80s, but it wasn’t until the turn of the decade when his star rose to global prominence. In the ’90s, he helped usher in the salsa romántica boom — which first exploded in New York City — along with his genre peers Marc Anthony and La India. During this era, the Puerto Rican singer released timeless hits such as “Inconfundible,” “Pero Dile,” and “Que Habría Sido De Mi.” These and dozens more that followed solidified the salsa star as a Billboard chart-topping mainstay, to date.
From the 19 albums he has released so far, the salsa hitmaker managed to top the Tropical Albums chart 12 times — his seminal album Travesía (2004) cozied up in the top slot for nine consecutive weeks, and Decición Unámine (2006) remained there for seven. He also peaked the Tropical Airplay chart 29 times at No. 1.
Aside from tropical music-charting success, he entered the all-genre Billboard 200 10 times, and landed at the top of Latin Airplay three times, and twice in Hot Latin Songs for “Tengo Ganas” and “Si Tú Me Besas.” His 2022 release also appeared in both Tropical Albums and Tropical Airplay.
“Without a doubt, the greatest lessons this profession has taught me is that perseverance, effort and discipline always work,” he says of the secret to his lasting star power. “That combined with each individual’s talent makes way for success to come sooner or later. Anyone can apply this to his or her life, not just people from the industry.”
As per tradition for the Lifetime Achievement honorees, fans can anticipate seeing some of today’s biggest stars serenade Manuelle with his own hits at Premio Lo Nuestro. “The fact that artists from other genres and generations want to form part of [my] musical career is one of the greatest blessings that this profession can offer me,” he says.
The complete list of Premio Lo Nuestro nominations was announced Monday (Jan. 23), consisting of 192 artist nominees of diverse musical backgrounds across 39 categories. The ceremony will air live on Thursday, Feb. 23, at 7 p.m. ET via Univision; it will simulcast on Galavisión in the U.S. and Canal 5 in Mexico.
For 35 years, Premio Lo Nuestro has highlighted some of the best in Latin music. Previous Lifetime Achievement honorees include Gloria Trevi, Daddy Yankee, Intocable, Ricky Martin and Maná. The first prize was bestowed to Celia Cruz in 1990.
Víctor Manuelle plans to continue spreading the salsa gospel, and is plotting to tour the U.S. and Latin America this year.
On Sunday, Feb. 5, six days before they are set to perform at the Brit Awards, Kim Petras and Sam Smith, as well as Lizzo will perform at the 2023 Grammy Awards. Other Grammy performers announced on Wednesday (Jan. 25) are Bad Bunny, Mary J. Blige, Brandi Carlile, Luke Combs and Steve Lacy. Additional performers will be announced in the coming days.
All of these are artists are nominated in Big Four categories at the Grammys except for Combs, and Smith and Petras. “Unholy” by Smith and Petras would almost certainly have been nominated for record and song of the year, but it was released just eight days before eligibility closed on Sept. 30, 2022 – a bit too late to fully register with Grammy voters. As it is, it is nominated for best pop duo/group performance.
Combs received three nominations: best country duo/group performance (“Outrunnin’ Your Memory”), best country song (“Doin’ This”) and best country album (Growin’ Up).
The 65th Annual Grammy Awards will air live from Crypto.com Arena in Los Angeles, and will be hosted for the third year in a row by Emmy-winning comedian Trevor Noah. The show will broadcast live on Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT on CBS, and will be available to stream live and on demand on Paramount+.
The 65th Annual Grammy Awards are produced by Fulwell 73 Productions for the Recording Academy. Raj Kapoor serves as showrunner and executive producer, alongside Ben Winston and Jesse Collins as executive producers. Phil Heyes joins for the first time as director, Eric Cook as co-executive producer with Tabitha Dumo, Tiana Gandelman, Patrick Menton, and David Wild as producers.
Prior to the telecast, the Grammy Awards Premiere Ceremony will be broadcast live from the Microsoft Theater at 12:30 p.m. PT and will be streamed live on live.Grammy.com.
Albums by Sampa The Great, Julia Jacklin, King Stingray and Tasman Keith are among the finalists for the 18th annual Australian Music Prize, details for which were announced this week.
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Also in the hunt are longplays by 1300, Body Type, Camp Cope, Laura Jean and Party Dozen.
The ultimate winner will be revealed March 1 in Sydney, when the champ will be presented with a A$30,000 ($21,000) bounty, courtesy of major sponsor Soundmerch.
Sales and chart positions have no bearing on the result. It’s the artistry of the entry that counts.
“Yet again we have a very strong list,” comments AMP founder and prize director Scott B. Murphy. “It’s incredibly diverse and truly captures another year of the world’s best music. I sincerely thank the Soundmerch AMP team of judges – their donation of time and passion is much greater than what most people would think.”
Sampa The Great has form with the AMP.
The Zambian-born, Botswana-raised, Melbourne-based hip-hop artist bagged the prestigious prize in 2017 for the mixtape Birds And The BEE9, and again in 2020 with The Return, to become the first and only artist to win the prestigious award twice. Sampa had another world-first in 2020, when she was named as the first-ever BET Amplified global artist.
The AMP is modeled on Britain’s Mercury Music Prize and Canada’s Polaris Prize, the goal of which is to identify and reward the outstanding creative Australian album of the past year.
The nine shortlisted recordings are drawn from a longlist of 490 eligible Australian albums released in 2022, all of which were individually reviewed by a panel of music experts.
This year, the domestic affiliates of EMI, Virgin and Island are on board to sponsor the shortlist by each contributing A$3,000 ($2,100) for a funding pool, which shortlisted artists can drawn on to ensure they can attend the winner announcement event.
Genesis Owusu’s lauded collection Smiling With No Teeth won the prize last time, beating out recordings by Nick Cave, Hiatus Kaiyote and others.
The shortlist of the 18th Soundmerch AMP:1300 – Foreign LanguageBody Type – Everything Is Dangerous But Nothing’s SurprisingCamp Cope – Running With The HurricaneJulia Jacklin – Pre PleasureKing Stingray – King StingrayLaura Jean – AmateursParty Dozen – The Real WorkSampa The Great – As Above, So BelowTasman Keith – A Colour Undone
Diane Warren achieved something remarkable on Tuesday (Jan. 24): She was nominated for an Oscar in the same awards year that she received an honorary Oscar.
The reason that’s so significant is that every member of the music branch of the Academy – whose votes determined the nominations – knew that Warren just collected an honorary Oscar at a ritzy event in Century City, Calif., on Nov. 19. There was no pressing reason to recognize her again so soon.
So the fact that she was nominated for her song “Applause” from Tell It Like a Woman says a lot about the depth of support for Warren in the Academy.
We already knew about that support. This was her 14th nomination for best original song – a total matched by only seven other songwriters in Oscar history. And this is the sixth year in a row she has been nominated, the longest continuous streak of nominations in that category since Alan Bergman and his late wife Marilyn Bergman were nominated six years running from 1968-73.
Those are impressive statistics. Here’s another one: Warren is just the fifth person in Oscar history to receive a competitive Oscar nod in the same awards year that he or she received an honorary Oscar. Warren is the only person from the world of music to do this. Two of the previous double recipients you probably know. The two others you may not, but we’ll fill you in.
First, let’s clarify something: Warren’s latest Oscar nomination was announced in 2023, and if she wins, she’ll receive the award in 2023, but the award is for the 2022 awards year. That’s how it’s listed in official Academy records. That’s also how her honorary Oscar is listed. So it all lines up.
Here’s a list of all five people who received a competitive Oscar nod in the same awards year that he or she received an honorary Oscar.
After the 2023 Academy Awards nominations were revealed on Tuesday (Jan. 24), Lady Gaga officially became a four-time Oscar nominee.
While the “Bloody Mary” singer has yet to share her feelings about being a contender at this year’s ceremony, former Love for Sale and Cheek to Cheek collaborator Tony Bennett extended his congrats to his dear friend.
“Congratulations to the amazingly talented @ladygaga on her 4th Oscar nomination!” the 96-year-old wrote via Twitter. “Today, Lady Gaga makes history as the first artist to receive three nominations in the Best Original Song category at the #Oscars. So proud of you!”
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As Bennett mentioned, Gaga is nominated in the best original song category for “Hold My Hand,” from the Tom Cruise-starring Top Gun: Maverick soundtrack. The track, which was written and produced by the pop star alongside BloodPop, peaked at No. 49 on the Billboard Hot 100.
Gaga was previously nominated in the best original song category at the Oscars in 2016 for “Til It Happens to You,” co-written with Diane Warren, from The Hunting Ground documentary. In 2019, she earned a best original song nom for “Shallow” from A Star Is Born — and won in the category — and made it into the best actress category for starring in the movie as Ally Maine.
“Hold My Hand” is currently nominated at the Grammy Awards for best song written for visual media; Gaga is also nominated for her work on the soundtrack in the best compilation soundtrack for visual media category.
In 2022, the singer was nominated alongside Bennett for their joint album, Love for Sale, which was up for album of the year and best traditional pop vocal album, the latter of which they won. The album’s track “I Get a Kick Out of You” was also nominated for best music video, best pop duo/group performance and record of the year. Their 2014 album, Cheek to Cheek, also won in the best traditional pop vocal album category.
See Bennett’s congratulatory message to Gaga below.
Congratulations to the amazingly talented @ladygaga on her 4th Oscar nomination! Today, Lady Gaga makes history as the first artist to receive three nominations in the “Best Original Song” category at the #Oscars. So proud of you! pic.twitter.com/Oh6KFwqWvF— Tony Bennett (@itstonybennett) January 24, 2023
Soon after the nominations for the 95th annual Academy Awards were announced Tuesday (Jan. 24), nominees in the two music categories started expressing their gratitude, through statements issued by their publicists and social media posts.
Here are a few of their reactions:
Justin Hurwitz
Nominated for: best original score for Babylon
Nominations history: This is his second nomination in the category. He won six years ago for La La Land. He has also received two nods for best original song.
“I’m beyond thrilled to be recognized by the Academy for the Babylon score. As soon as Damien [Chazelle] had a script for his wild and beautiful movie, I started a three-year search for very special musicians who could bring their unique talent and flair to the music. I want to thank the musicians because without them, the Babylon musical performances and score wouldn’t be what they are.”
Diane Warren
Nominated for: best original song for “Applause” from Tell It Like a Woman
Nominations history: This is her 14th nomination in the category.
“Wow! This is so amazingly cool. It’s my 14th nomination but it feels like the first. I’m truly grateful for the recognition for this song.”
John Williams
Nominated for: best original score for The Fabelmans
Nominations history: This is his record-extending 48th nomination in the category. He has also received five nominations for best original song.
“I’m very grateful to the Academy for their kind recognition, and I’m enormously grateful to Steven Spielberg for offering me the opportunity to compose the score for this very special and personal film.”
Ryan Coogler
Nominated for: best original song for “Lift Me Up” from Black Panther: Wakanda Forever
Nominations history: This is his first nomination in the category. He was nominated for best picture three years ago as a producer of Judas and the Black Messiah.
“It was an honor to work with these incredible musicians in crafting a song for our film and for our friend. It was meant to be a tribute to love and the specter of loss and I couldn’t be happier that it is being recognized. “
Ludwig Göransson
Nominated for: best original song for “Lift Me Up” from Black Panther: Wakanda Forever
Nominations history: This is his first nomination in the category. He won for best score four years ago for the first Black Panther.
“I feel deep gratitude to have collaborated with Rihanna, Tems and Ryan Coogler on a song as profoundly personal as ‘Lift Me Up.’ For it to be recognized by the Academy is a huge honor. ‘Lift Me Up’ is a song that holds great meaning to us as it was written as a tribute to the extraordinary life and legacy of our friend, the late Chadwick Boseman, and his influence on this film. It felt cathartic and healing to write this song. We could not be more proud of this musical tribute and the unique collaboration that brought it to life. My deepest thanks go to Ryan Coogler, a true visionary and great friend, who created one of the most unique films of our time.”
Son Lux
Nominated for: best original score for Everything Everywhere All at Once. The trio’s Ryan Lott was also nominated for best original song for “This Is a Life,” which he co-wrote with David Byrne and Mitski.
Nominations history: This is their first nomination.
“2!?!?!? As if the joy of helping to make this wonderful and weird movie wasn’t enough, we are ecstatic to be nominated for our score, and for the song we wrote with David Byrne & Mitski for the film. While our belief in Everything Everywhere All at Once is boundless, receiving an Oscar nomination, let alone 2, wasn’t on our radar of possibility in this universe. Thank you to The Academy for this enormous honor!!!
“Thank you (and congrats!!!) to the entire EEAAO family, to A24, and to our own families and friends who fueled us with their love and support. Thank you to our managers Michael Kaufmann & Hannah Beatrice, and to the many musicians who joined us in the studio and through the internet to bring this music alive in whatever way possible.
“And of course, a very tearful thank you to our two dads, the daniels [directors Daniel Kwan and Daniel Scheinert].
❤️❤️❤️ — Ryan, Ian, & Rafiq”
Carter Burwell
Nominated for best original score for The Banshees of Inisherin
Nominations history: This is his third nomination in the category, following nods for Carol (2015) and Three Billboards Outside Ebbing, Missouri (2017).
“It’s an honor to be nominated for Original Score for The Banshees of Inisherin with these other wonderful composers. It was a good year for film music. And such a joy that the whole cast of our film is nominated, as well as Mikkel [E.G. Nielsen] for the editing which set the pace for so much of my music. But most of all, I’m so grateful Martin McDonagh made this odd film, the opposite of a crowd-pleaser, which nonetheless is pleasing crowds.
Volker Bertelmann
Nominated for: best original score for All Quiet on the Western Front
Nominations history: This is his second nomination in the category. He was previously nominated for Lion (2016), on which he collaborated with Dustin O’Halloran. (Bertelmann was credited under the name Hauscha on that film.)
“I am excited and honored to be nominated for an Oscar. To be part of such a well-crafted and meaningful film means a lot to me. The collaboration with director Edward Berger was always based on being experimental and with a lot of freedom. I am very thankful for that. Congrats to Edward, producer Malte Grunert and the entire team on all their nominations.”
M.M. Keeravani
Nominated for: best original song for “Naatu Naatu” from RRR
Nominations history: This is his first nomination.
The 2023 Oscar nominations arrived on Tuesday (Jan. 24) with Rihanna, Lady Gaga and more scoring nods in the race for best original song.
However, for every artist who received a nomination, there’s another who was snubbed. And looking at this year’s Oscars shortlist, we want to know who you think should’ve received a nod for best original song, but ultimately didn’t.
Only five of the 15 songs on the shortlist made the final cut, leaving tracks from Amsterdam (Giveon‘s “Time”), Guillermo del Toro’s Pinocchio (“Ciao Papa”), White Noise (“New Body Rhumba”) and more out in the cold.
Do you think “Carolina” — Taylor Swift‘s mournful acoustic dirge from Where the Crawdads Sing — should’ve been nominated over, say, Diane Warren’s “Applause” or “Naatu Naatu”? Should The Weeknd have clinched his second career nod for “Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water after last being up for best original song in 2016 for “Earned It” from Fifty Shades of Grey?
Selena Gomez also made the shortlist with “My Mind & Me,” the vulnerable musical cornerstone of her recent mental health documentary, Selena Gomez: My Mind & Me, on Apple TV+, while Rita Wilson made the shortlist thanks to “Til You’re Home” from A Man Called Otto.
Did “Good Afternoon,” the big production number led by Ryan Reynolds and Will Ferrell in last year’s instant Christmas classic Spirited, tickle your funny bone? Did Jazmine Sullivan‘s “Stand Up” inspire you to do just that after seeing the Emmett Till biopic Till?
Vote for which shortlisted song you think deserved more recognition from the Academy in Billboard‘s poll below.