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Awards

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Two 2023 Oscar contenders, Son Lux and Diane Warren, each won awards in competition at the fourth annual SCL Awards, presented by The Society of Composers & Lyricists. Emmy winner Darren Criss hosted the event, which was held on Wednesday (Feb. 15) at the Skirball Cultural Center in Los Angeles.
Son Lux, Oscar-nominated for best original score for Everything Everywhere All at Once, won outstanding score for an independent film. The award was accepted by the trio’s Ryan Lott. Warren, Oscar-nominated for best original song for “Applause” from Tell It Like a Woman, won outstanding song for a drama/documentary.

Michael Abels was a double winner on the night. He won outstanding original score for a feature film for Nope as well as a Jury Award for Omar, an opera he composed with Rhiannon Giddens.

The SCL presented two 2023 Jury Awards in recognition of the increasing number of ways music is used in an audiovisual context. These awards are voted on by the SCL board of directors. The other went to the audiovisual concert experience Women Warriors: The Voices of Change, for which Amy Andersson is musical director.

The Spirit of Collaboration Award was presented to composer Justin Hurwitz and director Damien Chazelle, who have collaborated on five films, including La La Land, for which they each won Oscars, and the 2022 film Babylon, for which Hurwitz is again nominated for an Oscar for best original score. The presentation was accompanied by a musical performance which included “Audition (The Fools Who Dream)” from La La Land, the First Man theme for harp and theremin, and a Babylon medley.

The Spirit of Collaboration Award, considered the SCL’s most distinctive and perhaps most meaningful, is presented to a composer and filmmaker who maintain a distinguished creative partnership. Previous recipients are Thomas Newman and Sam Mendes, Carter Burwell and the Coen Brothers, and Terence Blanchard and Spike Lee.

Additionally, filmmaker/lyricist Guillermo del Toro and lyricist Roeban Katz accepted their award for outstanding original song for a musical or comedy for “Ciao Papa” from Guillermo del Toro’s Pinocchio, which they co-wrote with Alexandre Desplat.

Nami Melumad, who became Star Trek’s first female composer with Star Trek: Prodigy, won the David Raksin Award for Emerging Talent for Star Trek: Strange New Worlds.

Stephanie Economou, who received the first ever David Raksin Award at last year’s ceremony, won best original score for interactive media for Assassin’s Creed Valhalla: Dawn of Ragnarök. Also, Emmy-winning composer Cristobal Tapia de Veer won outstanding original score for a television production for White Lotus for the second year in a row.

The Society of Composers & Lyricists is a leading organization for professional film, television, video game, and musical theater composers and lyricists. The 77-year-old organization is focused on education and addressing the creative, technological and legal issues affecting the music for visual media community.

Here are the nominees for the 2023 SCL Awards, with winners identified:

Outstanding score for a studio film

Alexandre Desplat – Guillermo Del Toro’s Pinocchio

Carter Burwell – The Banshees of Inisherin

Winner: Michael Abels – Nope

Michael Giacchino – The Batman

John Powell – Don’t Worry Darling

Outstanding score for an independent film

Leo Birenberg, Zach Robinson – Weird: The Al Yankovic Story

Sharon Farber – Brainwashed: Sex-Camera-Power

WINNER: Son Lux  – Everything Everywhere All at Once

Rob Simonsen – The Whale

Mark Smythe – The Reef: Stalked

Outstanding song for a musical/comedy

WINNER: Alexandre Desplat, Roeban Katz, Guillermo Del Toro – “Ciao Papa” From Guillermo Del Toro’s Pinocchio

Khiyon Hursey, Sukari Jones, Benj Pasek, Justin Paul, Mark Sonnenblick – “Good Afternoon” From Spirited

Danny Elfman – “Light the Match” From Central Park

Billy Eichner, Marc Shaiman – “Love Is Not Love” From Bros

Weird Al Yankovic - “Now You Know” From Weird: The Al Yankovic Story

Outstanding song for a drama/documentary

WINNER: Diane Warren – “Applause” From Tell It Like a Woman

Taylor Swift – “Carolina” From Where the Crawdads Sing

Lady Gaga, Bloodpop – “Hold My Hand” From Top Gun: Maverick

Tems, Rihanna, Ludwig Göransson, Ryan Coogler – “Lift Me Up” From Black Panther: Wakanda Forever

Trent Reznor, Atticus Ross – “(You Made It Feel Like) Home” From Bones and All

Outstanding score for television

Nicholas Britell – Andor

Siddhartha Khosla – Only Murders in the Building

Bear Mccreary – The Lord of the Rings: The Rings of Power

Theodore Shapiro – Severance

WINNER: Cristobal Tapia De Veer – The White Lotus

Outstanding score for interactive media

Nainita Desai – Immortality

WINNER: Stephanie Economou – Assassin’s Creed Valhalla: Dawn of Ragnarök

Bear Mccreary – God of War Ragnarök

Winifred Phillips – Jurassic World Primal Ops

Christopher Wiliis – Cat Burglar

David Raksin Award for Emerging Talent

Dara Taylor – The Invitation

Anna Drubich – Barbarian

DeAndre James Allen-Toole – God’s Country

Esin Aydingoz – Simchas and Sorrows

WINNER: Nami Melumad – Star Trek: Strange New Worlds

Billy Porter received the 2023 Anthem Beacon Award at the second annual Anthem Awards. The virtual awards program was launched by The Webby Awards in 2021 to recognize social impact work across the globe.
Porter received the award “to recognize his career-long commitment to breaking barriers for LGBTQ folks, destigmatizing HIV and empowering marginalized people everywhere.” 

“This is precisely the time when artists go to work,” Porter said in accepting the award. “There’s no time for despair, no place for self-pity. No need for silence, no room for fear. We speak, we write, we do language. This is how civilizations heal. Please remember this, and know, be hopeful, because the change has already happened. God bless.”

Porter has won two Tonys (for his starring role in Kinky Boots and as one of many producers of A Strange Loop), an Emmy (for his starring role in Pose) and a Grammy (for the Kinky Boots cast album).

Poet Amanda Gorman, who received her first Grammy nomination in November for best spoken word poetry album for Call Us What We Carry: Poems, received the Anthem New Icon award.

Gorman was honored “for the joy, elegance, intelligence and hope she brings to all her poems, from the Presidential Inauguration to the Super Bowl.”

“My call to action would be to vote,” Gorman said in accepting the award. “The future isn’t just something we hope for, it’s a future we must vote for.”

Other special honors went to: Gloria Steinem, Anthem Lifetime Achievement; Ben Cohen & Jerry Greenfield, founders of Ben & Jerry’s, Anthem Vision Award; Gabrielle Giffords, Anthem Advocate of the Year; Oleksandra Matviichuk on behalf of the Center for Civil Liberties and the People of Ukraine, Anthem Movement of the Year; Quannah Chasinghorse, Anthem Special Achievement; Abigail E. Disney, Anthem Special Achievement; and Hamdi Ulukaya, Anthem Special Achievement.

Winners in other categories included Lil Nas X, Ciara, Killer Mike, Tracee Ellis Ross, Stephen Colbert, Last Week Tonight, Dr. Henry Louis Gates, Jr., Selma Blair and the cast of This Is Us.

Anthem winners were selected from nearly 2,000 submissions from 43 countries around the world by the International Academy of Digital Arts & Sciences.

“Since launching The Anthem Awards in June of 2021, we have seen that social change continues to emerge as a dominant force in mainstream culture,” Jessica Lauretti, Anthem Awards managing director, said in a statement.

The Anthem Awards were founded by The Webby Awards in partnership with the Ad Council, Born This Way Foundation, Feeding America, GLAAD, Mozilla, NAACP, NRDC, WWF and XQ.

Fans can experience Anthem Call-To-Action Speeches from every winner including special achievement honorees at anthemawards.com.

Sting will become an Academy Fellow, the highest honor The Ivors Academy bestows, at the 2023 Ivors, which will be presented at Grosvenor House in London on May 18.
Sting is the 23rd Fellow that the Academy has inducted in its 79-year history. He follows such songwriting greats as Sir Paul McCartney, Kate Bush, Joan Armatrading and Peter Gabriel. The latter received the award last year.

“Of all the awards in the world of music, The Ivors are for me, the most prestigious,” Sting said in a statement. “Songwriting is a skilled craft and The Ivors Academy are its guild. So, I am delighted and honoured to be offered this Fellowship of the Academy, joining and acknowledging this extraordinary group of fellow songwriters, and all of those who went before us.”

Sting has won seven Ivor Novellos, including their Lifetime Achievement Award in 2002. He was inducted into the New York-based Songwriters Hall of Fame that same year.

Sting has won 17 Grammys, including two in songwriting categories – the 1983 award for song of the year for “Every Breath You Take” and the 1991 award for best rock song for “The Soul Cages.” He won a 2002 Primetime Emmy for outstanding individual performance in a variety or music program for A&E in Concert: Sting in Tuscany…All This Time. In addition, he has been nominated for the two other EGOT awards. He has amassed four Oscar nods for best original song and a 2015 Tony nod for original musical score for The Last Ship.

Speaking on behalf of The Ivors Academy, Armatrading, Sting’s labelmate at A&M Records from the late ’70s into the early ’90s, said: “Across all of Sting’s work as a solo artist and with the iconic band The Police, he is without doubt one of the UK’s foremost successful songwriters and performers and is certainly deserving of one of the most prestigious awards in the music business. My huge congratulations on being made a Fellow of The Ivors Academy, Sting.”

Sting is managed by Martin Kierszenbaum of Cherrytree Music Company.

The Ivor Novellos, which were first presented in 1956, are judged by songwriters and composers from The Ivors Academy, the U.K.’s professional association for songwriters and composers. Past winners include Adele, Stormzy, Little Simz, Cathy Dennis, Annie Lennox, Amy Winehouse, Dave and John Lennon.

This year’s nominations will be announced on Tuesday April 18. The winners will be revealed at The Ivors on Thursday May 18.

The Ivors Academy also announced that Amazon Music is the new title sponsor of The Ivors as part of a multi-year, global deal. Amazon Music will bring music creators to the forefront through exclusive content offerings, as well as live performances, an immersive red carpet and backstage interviews that will be livestreamed on the Amazon Music UK Twitch channel in 2023.

Tom Gray, chair of The Ivors Academy, said, “Globally, songwriters are justly demanding the recognition that they deserve. As we push back against the historic undervaluing of the song and songwriter, we are delighted to collaborate with Amazon Music to celebrate songwriters, explore their craft and firmly place their value and originality at the centre of music. Together, we will make sure that The Ivors is recognised around the world as the most important celebration of songwriting.”   

Amazon Music will integrate this year’s Rising Star nominees into their global developing artist program, Breakthrough, which provides long-term, customized global plans for emerging artists. This support includes video and audio content, global marketing, increased visibility across Amazon Music playlists and programming and high-profile Amazon Original tracks available only on Amazon Music.

Tom Winkler, head of songwriter, publisher and society relations for Amazon Music explains, “By globally amplifying the exceptional work of The Ivors Academy, Amazon Music will continue to celebrate songwriters and empower fans to discover the craft behind the music.”

To commemorate Sting’s honor, an unheard, Amazon Original demo of “If It’s Love,” taken from the musician’s most recent studio album, 2021’s The Bridge, is being released exclusively via Amazon Music. This is the seventh installment of the newly-launched demos program, which provides Amazon Music customers with the opportunity to hear demos of artists’ songs. Previous demo releases include songs by Walker Hayes and Maren Morris.

As we reported earlier on Wednesday (Feb. 15), Tim Rice is this year’s recipient of the Johnny Mercer Award, the top honor given by the Songwriters Hall of Fame. Rice joins a long list of Mercer Award recipients which includes Burt Bacharach & Hal David, Paul Simon, Stephen Sondheim, Billy Joel, Stevie Wonder, Smokey Robinson, Dolly Parton and Neil Diamond.

Mercer died in 1976, so you can be excused if you don’t know all that much about him. Mercer was a top lyricist of the Great American Songbook era, but his creative peak extended beyond that era. He won back-to-back Oscars in 1962-63 for co-writing “Moon River” and “Days of Wine and Roses.” Henry Mancini, who composed both of those hits, saluted Mercer with a memorable line from “Moon River” when they won for “Days of Wine and Roses,” saying “and my huckleberry friend, Johnny Mercer.”

Mercer’s other most famous songs include “Hooray for Hollywood” (a perennial on the Oscars), “One for My Baby (And One More for the Road)” (a classic saloon song that is one of Frank Sinatra’s signature hits), “Summer Wind” (another Sinatra classic from 1966), “Fools Rush In” (which Rick Nelson revived in 1963), “Dream” (one of the most melancholy ballads of the World War II years), “Ac-Cent-Tchu-Ate-the-Positive” (it appeared recently in M3GAN), “I’m an Old Cowhand (From the Rio Grande)” (Lucy and Ethel sang it on a 1954 episode of I Love Lucy), “That Old Black Magic” (Louis Prima & Keely Smith’s classic version was a winner at the first Grammy Awards) and “I Wanna Be Around” (Tony Bennett’s highest-charting Hot 100 hit).

Here are more Mercer songs you probably know: “Autumn Leaves,” “Blues in the Night,” “Jeepers, Creepers!,” “Come Rain or Come Shine,” “I Remember You,” “Charade,” “Skylark” and “Too Marvelous for Words.”

Scan these 13 Fun Facts and learn more about the man for whom the Songwriters Hall of Fame named their top award.

Tim Rice will be the 2023 recipient of the Johnny Mercer Award at the 52nd annual Songwriters Hall of Fame Induction and Awards Dinner, which is slated for Thursday, June 15, at the Marriott Marquis Hotel in New York City.
Rice, who teamed with Andrew Lloyd Webber to write such classics as Jesus Christ Superstar and Evita, is the first songwriter primarily known for his work in theater to receive this award since Stephen Sondheim in 1999.

Rice is the second EGOT recipient to receive the Johnny Mercer Award – following Alan Menken. The two songwriters shared an Oscar and three Grammys for their work on Aladdin.

He’s the fifth songwriter or songwriting team from the U.K. to receive the honor, following Jule Styne (1993), Phil Collins (2010), Elton John & Bernie Taupin (2013) and Van Morrison (2015).

The Mercer Award, the SHOF’s highest honor, is reserved for a songwriter or songwriting team who has already been inducted in a prior year and whose body of work upholds the standards set by Johnny Mercer, a four-time Oscar-winner.

“I am truly honoured to be chosen to receive the Johnny Mercer Award,” Rice said in a statement. “My induction into the SHOF in 1999 was itself a highlight of my writing career and I never expected to receive any further recognition from the most distinguished gathering of songwriters in the world. So, I am bowled over (a cricketing metaphor) with gratitude. I have attended quite a few SHOF events in the past 25 years and they have always been among the most enjoyable of entertainment world extravaganzas – unpretentious, unpredictable, and spectacular. So, June 15, 2023, is a golden booking in my electronic diary.”

Inductees at this year’s Songwriters Hall of Fame Induction and Awards Dinner are Sade Adu, Glen Ballard, Snoop Dogg, Gloria Estefan, Jeff Lynne, Teddy Riley and Liz Rose. The recipient of a second honorary award, the Hal David Starlight Award, will be announced at a later date.

SHOF Chairman Nile Rodgers said, “Tim Rice is an artisan. He has crafted some of the greatest lyrics and stories in musical history with Jesus Christ Superstar, and his incredible work with Andrew Lloyd Webber being amongst my favorites.”

Rice has won an Emmy, five Grammys, three Oscars and three Tonys. He won an Oscar and three Grammys for his work on Aladdin; two Tonys, a Grammy and an Oscar for Evita and its film adaptation; a Tony and a Grammy for Aida; an Oscar for The Lion King and an Emmy for Jesus Christ Superstar: Live in Concert.

Rice has worked in music, theatre, and films since 1965. In addition to his work with Webber,  Rice has worked with such other top composers as Elton John (The Lion King, Aida), Menken (Aladdin, King David, Beauty and the Beast) and Bjorn Ulvaeus and Benny Andersson (Chess). He has also written with Freddie Mercury, Burt Bacharach and Rick Wakeman, among others.

Rice’s recent musical From Here to Eternity returned to London in November 2022. A new Broadway presentation of Chess is set to open in the fall of 2023. In early 2024, a new production of Aida will make its U.K/West End début. Rice is currently writing and presenting a podcast, Get Onto My Cloud, in which he reminisces about his years in music, theater and film.

With the 2023 Oscars just weeks away, Son Lux is in rarified company. They are the first band to receive a scoring nomination, credited as a band, since The Beatles won best original song score in 1971 for Let It Be.

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Son Lux, which consists of Ryan Lott, Rafiq Bhatia and Ian Chang, is nominated for best original score for Everything Everywhere All at Once. This is their first film score as a band.

Son Lux originated as a solo project of Lott’s, but became a three-piece band with the addition of Bhatia and Chang. It was as a band that they released the studio albums Bones (2015) and Brighter Wounds (2018) and the Everything Everywhere All at Once soundtrack.

The Beatles, who had broken up a year earlier, weren’t present at the Dorothy Chandler Pavilion in Los Angeles on April 15, 1971 when they won the Oscar. The award was accepted on their behalf by Quincy Jones, who was the music director for that year’s Oscar telecast.

In addition, Trent Reznor and Atticus Ross, the two current members of Nine Inch Nails, have been nominated three times for best original score, but under their own names, not as NIN. They won in 2011 for The Social Network and again in 2021 for Soul (shared with Jon Batiste). They were also nominated for Mank in 2021.

Several other band members have been nominated for – and in some cases have won – scoring Oscars, but not in collaboration with other members of their bands. These include Pete Townshend of The Who (Tommy, 1976), Prince of Prince and the Revolution (Purple Rain, 1985), David Byrne of Talking Heads (The Last Emperor, 1988), Will Butler of Arcade Fire (Her, 2014) and Jonny Greenwood of Radiohead (Phantom Thread, 2018 and The Power of the Dog, 2022).

Lott shares a second Oscar nomination for best original song with David Byrne and Mitski for “This Is a Life.” It is performed in the film by Son Lux, Byrne and Mitski.

Spike Lee didn’t mince words when it came to sharing his opinion about Beyoncé‘s loss at the 2023 Grammy Awards.

Speaking to The Guardian, the director explained that while he’s by no means “the male president of the Beyhive,” he does have “love and support” for the superstar. “Her album is amazing,” he continued. “I know she’s won multiple Grammys, but four times nominated for album of the year and she’s lost every time? No disrespect to those artists like Adele or Harry Styles who won – it’s not their fault – but that’s some straight-up bullsh–.”

She is the most-awarded artist in Grammy history, but Beyoncé has gone zero-for-four when it comes to album of the year nominations as a lead artist. The singer has also only ever one once in any of the Big Four categories — taking home song of the year in 2009 for “Single Ladies (Put a Ring on It).”

In his interview, Lee eventually widened the scope of his remarks to reflect on Black artistry as a whole. “We all know their work is great, because art speaks for itself,” the BlacKkKlansman filmmaker said. “But then it always comes down to this tricky territory of validation. Do black artists say ‘F–k it,’ or seek white validation and chase awards?”

While Beyoncé is still without a Grammy for album of the year, her latest single “Cuff It” reached a new high mark on the Hot 100 this week by leaping to No. 6 (chart dated Feb. 18).

Two jazz musicians, Chief Xian aTunde Adjuah and Somi Kakoma, were among six creators who were named Doris Duke Artists on Monday at New York’s Jazz at Lincoln Center. Oscar- and Grammy-winning rapper Common hosted the event.
The Doris Duke Foundation also announced the doubling of the prize money associated with the award. Each recipient is receiving an award of $550,000, up from $275,000, in recognition of their contributions to the fields of contemporary dance, jazz and theater.

This year’s other Doris Duke Artists are director Charlotte Brathwaite and playwright and performer Kristina Wong in the theater category, and choreographers and performers Ayodele Casel and Rosy Simas in the dance category.

“When artists thrive, we all thrive,” Sam Gill, president and CEO of the Doris Duke Foundation, said at the event. “Tonight we evolve the Doris Duke Artist Award from an award to a platform—a platform to advocate and fight for the future of artists.”

“What a decade of this award has revealed to us is that if you trust extraordinary artists like the ones here tonight and give them the conditions to thrive, they will go beyond the boundaries and expectations that you or anyone else could set for them,” added Maurine Knighton, chief program officer at the Doris Duke Foundation.

Chief Xian aTunde Adjuah, 39, is a jazz trumpeter, composer and producer. Has received six Grammy nominations since 2008 – three for best contemporary instrumental album, two for best improvised jazz solo and one for best contemporary jazz album.

“Receiving the Doris Duke Artist Award offers me the ability to dedicate more time and care to what I truly love, which in itself is the most valuable gift a person can receive,” Chief Adjuah said in a statement. “Not only is this tremendously meaningful for myself, it also puts me in the position to create new opportunities throughout my community. Growing up, I often heard elders use the phrase ‘Take my song and pass it along,’ and I look forward to embodying this spirit in passing along this gift to others.”

Somi Kakoma, 41, is singer, songwriter, playwright and actor. In July 2020, Somi released Holy Room – Live at Alte Oper on her own Salon Africana label. The live album, which featured the Frankfurt Radio Big Band, was nominated for a 2021 Grammy for best jazz vocal album. It also won the 2021 NAACP Image Award for outstanding jazz album, vocal.

“As a proud daughter of immigrants, I have never fit neatly into a ‘here’ or ‘there’—nor has my music,” she said in a statement. “Receiving this award is affirmation that this journey has not been in vain. Knowing that it was determined by a panel of my peers is especially meaningful—I feel seen, understood, supported, and so very grateful. This award will allow me to pursue or formalize more of my artistic projects on the African continent in spaces where the local cultural economy doesn’t always have the resources in place to support them.”

The event included performances by six members from the inaugural class of Doris Duke Artists: Vijay Iyer, Marc Bamuthi Joseph, Bebe Miller, Nicole Mitchell, Eiko Otake and Basil Twist.

The Doris Duke Artist Awards program supports approximately six performing artists annually with unrestricted individual grants. Recipients may use funds on anything: work space, travel, study, a new home, health care, exploring new collaborations or retirement savings.

The increase to the grant amount from $275,000 to $550,000 per artist reaffirms the Doris Duke Foundation’s commitment to investing in individual artists as the lifeblood of the performing arts. Gill announced the increase to an audience of around 400. He additionally revealed that the foundation has locked in a $30 million commitment to carry the program forward.

Established in 2012, the Doris Duke Artist Award is the largest national prize dedicated exclusively to individual performing artists. Since its inception, 129 Doris Duke Artists have received a total of $35.5 million in Doris Duke Artist Awards. This includes a total of $12.6 million in funding to 44 jazz artists.

The program was originally launched as a five-year program in 2012 as part of a $50 million special initiative but was made a core part of the foundation’s arts funding strategy in 2018. It was, and continues to be, the largest national prize dedicated to individual performing artists. It was also one of the first grant programs to offer a unique matching feature for up to $25,000 of the award to encourage artists to invest in late-career savings given the limited benefits programs available to them.

The Doris Duke Foundation operates five national grantmaking programs—in the performing arts, the environment, medical research, child and family well-being, and mutual understanding between communities—as well as Duke Farms and Shangri La, two centers that serve the public directly.

The Doris Duke Foundation is one of only two foundations to have received the National Medal of the Arts from the National Endowment for the Arts. To learn more, visit www.dorisduke.org.

To learn more about the Doris Duke Artist Awards and the six new Doris Duke Artists, visit: DorisDukeArtistAwards.org.

LONDON — The 2023 Brit Awards drew its biggest television audience in three years with 3.9 million viewers watching the show on Saturday Feb. 11, a rise of more than 1 million on the previous year, according to U.K. broadcaster ITV.

The 43rd edition of the Brits, the U.K.’s biggest music awards show, featured live performances from Harry Styles, Stormzy and Sam Smith & Kim Petras, among others, and was staged on a Saturday night for the first time in the Brits’ history. 

The move from the Brits’ traditional mid-week slot to the weekend had the positive impact organizers were hoping for with the show — hosted by Mo Gilligan and broadcast live from London’s The O2 arena — drawing an average audience of 3.3 million viewers over its two-hour running time, peaking at 3.9 million. ITV says another 780,000 people watched the show via its on-demand streaming app ITVx.

In comparison, last year’s ceremony was watched by 2.7 million television viewers in the U.K., down from 2.9 million in 2021 — the Brits’ lowest-ever TV audience, according to industry publication Broadcast.  

Despite this year’s ratings upturn, Saturday’s show is still the Brits’ third-smallest TV audience, failing to surpass the 4.4 million viewers that watched in 2020, and some distance behind the ceremony’s peak popularity at the turn of the millennium when around 9 million people would regularly tune in.  

There are, nevertheless, positives that labels trade body BPI, which organizes the Brits, can take away from this year’s event. Saturday’s broadcast – where Styles enjoyed a clean sweep, winning all four awards for which he was nominated – attracted a 53% audience share of 16-34 year-olds, up from last year’s 33% share, according to ITV.

Music performances and show highlights streamed on the Brit Awards 2023 official YouTube channel have additionally generated around 3 million views in total in the 24 hours after the event, according to Billboard’s calculations.

The Brit Awards’ other digital partners include Facebook, Twitter, TikTok, YouTube Kids, Vevo and fan engagement platform Filmily, while Saturday’s show was live-streamed internationally on YouTube. BPI is due to release its digital audience figures later this week.

Brit Award winner Harry Styles brought “As It Was” to the O2 Arena on Saturday night (Feb. 11).

Styles, who won all four awards for which he was nominated, followed up last weekend’s Grammys performance of the Harry’s House hit — which Styles’ dancers said had a technical malfunction, with its rotating stage unexpectedly turning in the wrong direction — with a fresh take at the 2023 Brit Awards ceremony. “As It Was” opened the show.

The star, wearing an open red sequin jacket and showing his chest tattoos, fronted a live band and focused on audience engagement at the Brit Awards. He let the crowd take over on the first chorus, mouthing the lyrics “you know it’s not the same as it was” along with them, and reached down to touch their hands.

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His clean sweep at the Brit Awards included the honors for artist of the year, Mastercard album of the year, song of the year and the fan-voted pop/R&B act. A full list of winners can be seen here.

Check out a clip of Styles’ “As It Was” performance below.