Awards
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More than 30 artists are set to perform at the 2023 Latin American Music Awards, which will take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas.
Airing for the first time on Univision, the lineup includes sets by Mexican pop star Danna Paola, Becky G — who last weekend made her debut billing at Coachella — and newcomers Grupo Frontera, who on Monday dropped “un x100to,” their collaboration with Bad Bunny.
Anuel AA will perform “Más Rica Que Ayer”; newlyweds Guaynaa and Lele Pons will perform a medley that includes their latest collab, “Abajito”; Myke Towers is set to sing his newest track, “Mi Droga”; and Prince Royce will surprise viewers with an unreleased song. Additionally, Spanish newcomer Bad Gyal and Regional Mexican crooner Eden Muñoz will make their Latin AMAs debut. The former will deliver her single “Chulo,” and the latter will offer his viral solo hit “Chale!”
Nominations for the 2023 awards — based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) — are led by Bad Bunny with 11 nominations. He’s followed by Becky G and Daddy Yankee, each with nine nominations. Carlos Vives and Pepe Aguilar will be recognized as 2023 Latin AMAs Legacy honorees.
Below, vote for the performance you’re most excited to see on Thursday at the Latin AMAs:
Get tickets to the first-ever #BBMujeresLatinas on May 6 in Miami: billboardmujeresenlamusica.com
The 2023 Latin American Music Awards are just hours away, airing for the first time on the Univision Network for the first time since its debut on Oct. 8, 2015, on Telemundo.
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Set to take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas, the Latin AMAs has confirmed more than 30 performers who will take center stage, including newcomers Grupo Frontera, Peso Pluma, Young Miko and Ryan Castro.
Nominations for the 2023 awards — based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) — are led by Bad Bunny with 11 nominations. He’s followed by Becky G and Daddy Yankee, each with nine nominations.
How to Watch
Both the pre-show — “Noche de Estrellas” (starting at 7 p.m. ET)– and the Latin AMAs (8 p.m. ET) will simulcast on Univision, UNIMÁS and Galavisión. Also, only the pre-show will be available to stream on ViX.
Here are all the performers set to take center stage:
Ángela Aguilar
Anuel AA
Becky G
Bad Gyal
Banda El Recodo
Blessd
Carin Leon
Carlos Vives
Chesca
Dalex
Danna Paola
David Bisbal
DJ Luian
Grupo Frontera
Guaynaa
Jesse y Joy
Justin Quiles
Lele Pons
Lenny Tavarez
Lil Jon
Lyanno
Mambo Kingz
Manuel Turizo
Myke Towers
Natti Natasha
Olga Tañón
Omar Courtz
Pepe Aguilar
Peso Pluma
Pitbull
Prince Royce
Rubén Blades
Ryan Castro
Vikina
Wisin
Young Miko
Zacarías Ferreíra
Harry Styles and Kid Harpoon are each nominated for three 2023 Ivors, as are Cleopatra Nikolic and Dean “Inflo” Josiah Cover, making them this year’s most honored songwriters.
The Ivors Academy announced the nominations for The Ivors 2023 with Amazon Music on Tuesday (April 18). The awards recognize outstanding British and Irish songwriters and composers across nine categories.
Styles and Harpoon are nominated for songwriter of the year with Amazon Music. They are also nominated in two categories for co-writing Styles’ global smash “As It Was” with Tyler Johnson – best song musically and lyrically and PRS for music most performed work.
Styles indirectly factors into a fourth nomination this year. He starred in the film Don’t Worry Darling, which netted a nomination for best original film score for composer John Powell.
“Inflo” and Nikolic are competing with “As It Was” for best song musically and lyrically as the co-writers of SAULT’s hit “Stronger.” They are also nominated twice for best album, for their work on Little Simz’s No Thank You alongside Little Simz and SAULT’s 11 alongside Jamar McNaughton and Jack Peñate.
In the PRS for music most performed work category, Ed Sheeran makes history as “Bad Habits” is nominated again after winning the award last year. He is the first artist to achieve this feat in this category. Sheeran’s follow-up hit “Shivers” is also nominated in the category this year.
Kate Bush’s “Running Up That Hill” is nominated in that same category 37 years after the track was nominated for best contemporary song. The song experienced a global resurgence after being featured in the hit TV series Stranger Things.
A total of 72 individual songwriters and composers received Ivor Novello nominations this year, with 54% of those being nominated for the first time.
The songwriter of the year with Amazon Music category recognizes British or Irish songwriters or songwriting teams for outstanding bodies of commercially successful songs released in 2022. This year’s nominees are Florence Welch (Florence + the Machine), the only individual songwriter nominated in the category this year; Styles & Harpoon; Rhian Teasdale & Hester Chambers (Wet Leg); George Daniel & Matty Healy (The 1975); and Central Cee & Young Chencs.
Knucks receives two nominations for best contemporary song, for his track “Leon the Professional” with co-writers Venna and Toshifumi Hinata and for his feature on Kojey Radical’s “Payback,” which also credits Swindle.
British duo The Flight (consisting of Joe Henson and Alexis Smith) received two nominations for best original video game score. They are nominated for composing the Batman-inspired Gotham Knights and for co-composing the critically acclaimed Horizon Forbidden West, alongside Joris de Man and Oleksa Lozowchuk.
Since its inception in 2020, the rising star award with Amazon Music has championed Britain and Ireland’s most promising songwriting talents. This year’s nominees are Cat Burns, Ines Dunn, tendai, venbee and Victoria Canal. Previous winners are Mysie, Willow Kayne and Naomi Kimpenu.
Tom Gray, chair of The Ivors Academy, said in a statement, “The music nominated for an Ivor Novello this year is testament to the power and range of British and Irish songwriting and screen composing. It’s a superlative list and on behalf of The Ivors Academy, I’m delighted to congratulate every writer nominated for their craft and achievements.”
Winners will be revealed at The Ivors with Amazon Music at Grosvenor House in London on Thursday May 18.
As previously announced, Sting will become a Fellow of the Ivors Academy, the highest honor the Academy bestows. Ivor Novello Awards will also be presented for the outstanding song collection, special international award, visionary award with Amazon Music and PRS for music icon award.
Here’s a complete list of The Ivors 2023 nominations:
Songwriter of the year with Amazon Music
Central Cee and Young Chencs
Florence Welch
Harry Styles and Kid Harpoon
Rhian Teasdale and Hester Chambers
George Daniel and Matty Healy
Best contemporary song
“Cold Summer”; written by Wesley Joseph and Leon Vynehall; performed by Wesley Joseph
“Escapism”; written by 070 Shake, RAYE and Mike Sabath; performed by RAYE & 070 Shake
“Hide & Seek”; written by Owen Cutts, P2J, PRGRSHN and Stormzy; performed by Stormzy
“Leon the Professional”; written by Knucks, Venna and Toshifumi Hinata; performed by Knucks
“Payback”; written by Knucks, Kojey Radical and Swindle; performed by Kojey Radical feat. Knucks
Best song musically and lyrically
“As It Was”; written by Kid Harpoon, Tyler Johnson and Harry Styles; performed by Harry Styles
“Best Day of My Life”; written by Laurie Blundell and Tom Odell; performed by Tom Odell
“Complex”; written by Katie Gregson-Macleod; performed by Katie Gregson-Macleod
“King”; written by Jack Antonoff and Florence Welch; performed by Florence + The Machine
“Stronger”; written by Dean “Inflo” Josiah Cover and Cleopatra Nikolic; performed by SAULT
PRS for music most performed work
“As It Was”; written by Kid Harpoon, Tyler Johnson and Harry Styles; performed by Harry Styles
“Bad Habits”; written by FRED, Johnny McDaid and Ed Sheeran; performed by Ed Sheeran
“Heat Waves”; written by Dave Bayley; performed by Glass Animals
“Running Up That Hill”; written by Kate Bush; performed by Kate Bush
“Shivers”; written by Johnny McDaid, Kal Lavelle, Steve Mac and Ed Sheeran; performed by Ed Sheeran
Best album
11; written by Dean “Inflo” Josiah Cover, Jamar McNaughton, Cleopatra Nikolic and Jack Peñate; performed by SAULT
No Thank You; written by Dean “Inflo” Josiah Cover, Little Simz and Cleopatra Nikolic; performed by Little Simz
Skinty Fia; written by Grian Chatten, Thomas Coll, Conor Curley, Conor Deegan and Carlos O’Connell; performed by Fontaines D.C.
Some Nights I Dream of Doors; written by Barney Lister and Obongjayar; performed by Obongjayar
The Car; written by Alex Turner; performed by Arctic Monkeys
Best original film score
Avatar: The Way of Water; composed by Simon Franglen
Death on the Nile; composed by Patrick Doyle
Don’t Worry Darling; composed by John Powell
Mrs. Harris Goes to Paris; composed by Rael Jones
The Electrical Life of Louis Wain; composed by Arthur Sharpe
Best television soundtrack
Bad Sisters; composed by PJ Harvey and Tim Phillips
Elizabeth: The Unseen Queen; composed by David Schweitzer
The Midwich Cuckoos; composed by Hannah Peel
The Responder; composed by Matthew Herbert
The Thief, His Wife and the Canoe; composed by Harry Escott and Ben Pearson
Best original video game score
Gotham Knights; composed by The Flight
Horizon Forbidden West; composed by Joris de Man, Oleksa Lozowchuk and The Flight
Mario + Rabbids Sparks of Hope; composed by Gareth Coker, Grant Kirkhope and Yoko Shimomura
Rising star award with Amazon Music
Cat Burns
Ines Dunn
tendai
venbee
Victoria Canal
Dolly Parton and Garth Brooks, hosts of the upcoming Academy of Country Music Awards, star in a fun and playful promotional video for the 2023 ACMs that was released on Tuesday (April 18). The 45-second spot, titled “First Time,” plays off the fact that Parton is an experienced host and this is Brooks’ first time as a host.
The scene takes place in Parton’s dressing room. Parton asks, “Are you ready for our big night?”
“Yeah, I’m a little nervous to be honest,” Brooks responds. “First time and all.”
Parton seeks to reassure her skittish partner by saying “Oh, don’t be nervous, I’m going to be right here with you.”
Brooks asks, “You’ve done this before, right?”
Parton responds, “Oh, I’ve done this before. Plenty of times – plenty of people.”
This, of course, makes Brooks even more nervous. “Really?”
“And I personally am going to make this the best night of your life,” Parton promises.
After a beat, Brooks asks, “We’re talking about hosting the ACM award show, right?”
Parton and Brooks handle the script’s comic double-entendres like the pros they are. The spot concludes with Parton saying, “If you have any problem, you just look at me.”
“Yes ma’am,” Brooks responds.
“Up here,” Parton reminds him.
The 58th Academy of Country Music Awards, dubbed “country music’s party of the year,” will stream live exclusively for a global audience on Prime Video on Thursday, May 11 at 8 p.m. ET/5 p.m. PT from the Ford Center at The Star in Frisco, Texas.
Established in 1966, the ACM Awards is the longest-running country music awards show. The show made history in 2022 as the first major awards ceremony to exclusively livestream, in partnership with Prime Video.
Watch the promotional video below.
Judy Collins, Shelly Peiken, Noelle Scaggs and more were honored at the 2023 She Rocks Awards, which were held at The Ranch in Anaheim, Calif. on Thursday (April 13).
The 11th annual event, sponsored by The Women’s International Music Network (the WiMN), honored the accomplishments of a diverse group of women representing all facets of the music industry.
The event kicked off with a set from Toronto-based band The Beaches. The all-woman quartet won their second Juno Award, rock album of the year, last year for Sisters Not Twins (The Professional Lovers Album).
Laura Whitmore, founder of the Women’s International Music Network and She Rocks co-producer, welcomed those in attendance.
The night proceeded with Legend Award honoree Collins, who quoted Mae West in her acceptance speech and lead the audience in an a cappella rendition of her 1971 hit “Amazing Grace.” Collins has a 59-year span of Grammy nominations. She was nominated for best folk recording in 1964 for her third studio album, Judy Collins #3, and was nominated again last year for best folk album for Spellbound, her 55th album. She won a 1968 Grammy for her hit rendition of Joni Mitchell’s “Both Sides Now.”
Dreaming Out Loud honoree Peiken encouraged the crowd “to not be afraid to grow up.” Peiken is a two-time Grammy nominee, for co-writing Meredith Brooks’ 1997 smash “Bitch” and for best spoken word album for Confessions of a Serial Songwriter.
“I’m just finding my time at this point in my career,” Peiken said. “And there are many more adventures ahead. It’s truly an honor to be in the company of giants past, present and future.”
Powerhouse honoree Scaggs of Fitz & the Tantrums spoke of her inspiration for starting the organization Diversify the Stage (DTS). “I wanted young people to feel like they had a place in the industry,” said Scaggs. “It’s incredible to see our community standing up in ways I never got to see growing up; women are in greater positions of power to build new ways of thinking and actions that are truly moving the needle and bringing confidence to young people who may have felt they didn’t have a place here, or that the glass ceiling could never be broken. It’s important that young people see their reflections in this industry, to have people who share their identities, who have a familiar journey, this is what the DTS mission is, ensuring no human will ever feel dis-included in this space, because they see their reflections, in front and behind the scenes.”
Champion Award honoree, Stacey Ryan, COO of the School of Rock, spoke about the work needed to elevate more women into executive positions, and the importance of organizations like the Women’s International Music Network for mentoring young, up-and-coming women in the music industry. Her award acceptance was followed by an all-female School of Rock Band performing En Vogue’s 1992 smash “Free Your Mind.”
The night culminated with a performance from guitarist Gretchen Menn, She Rocks Inspire Award recipient, who led her band in an original song followed by a rendition of Led Zeppelin’s 1972 classic “Rock and Roll” with fellow Zepparella member Holly West on bass and lead vocals helmed by guest Laura Clapp.
Founded in 2012, the Women’s International Music Network unites women who work within all facets of the music and audio industries. The organization produces the She Rocks podcast, the LIVE: Front & Center web series, WiMN She Rocks Spotlight Showcase Series and the She Rocks Awards, and is founded by music industry veteran Laura B. Whitmore. For more information, go here.
Here’s a complete list of 2023 She Rocks Awards honorees:
Legend Award: Judy Collins, singer/songwriter icon; Grammy-winner and two-time Grammy Hall of Fame inductee
Powerhouse Award: Noelle Scaggs, co-frontperson for Fitz and the Tantrums and founder of Diversify the Stage
Dreaming Out Loud Award: Shelly Peiken, Grammy-nominated songwriter
Tone Setter Award: Mary Spender – guitarist, singer, songwriter and YouTube star
Mad Skills Award: Michelle Bell – vp of creative for Roc Nation
Vision Award: Lisa S. Johnson, photographer and author of 108 Rock Star Guitars and Immortal Axes
Groundbreaker Award: Katherine Wing, vp of marketing for Roland, drummer
Champion Award: Stacey Ryan, chief operating officer for School of Rock
Excellence Award: Helen Culleton, chief operating officer for Audiotonix
Inspire Award: Gretchen Menn, guitarist and founding member of Zepparella
Heart and Soul: Brad Tolinski, former Guitar World editor and author
When the 58th ACM Award nominations were announced yesterday (April 13), HARDY led all artists with seven nods. While the tally may represent work released during the eligibility period, he says they are actually the culmination of years of effort.
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“My first [publishing] deal was in ’14. [I went] four years without a cut. I probably wrote seven or 800 songs that didn’t get touched until I started having success,” he says. “All that is chipping away at your craft and listening to songs you wrote and comparing them to songs that beat those songs out and then being like, ‘OK, back to the drawing board. Let’s do something different.’ I definitely put in the time and the grind and the hours and I guess it’s finally paying off.”
Five of HARDY’s seven nods are for “Wait in the Truck,” his duet with Lainey Wilson: he receives two nods for both artist and producer in the music event of the year category, one for visual media of the year and two for song of the year as the tune’s artist and co-writer. His two other nominations come in the song of the year category as co-writer of Morgan Wallen’s “Sand in My Boots” and in the artist-songwriter of the year field.
He stresses he is thrilled for any nomination but adds the two song of the year nominations mean the most. “I’ve been nominated a few times [in that category], but I haven’t gotten one yet, so I’m honored to two in that category. That’s so cool.” Though HARDY may not have won in that category, he is reigning songwriter of the year winner. This year, the category was split into songwriter of the year and artist-songwriter of the year.
HARDY found out about his nominations yesterday morning (April 13) when he woke up in Minneapolis on his bus on tour with Wallen. “I couldn’t believe it,” he says. “I don’t keep up with it, not because I don’t care. It’s just an out of sight, out of mind kind of thing. I was just in shock.”
His “Wait in the Truck” collaborator, Wilson, is the second most nominated artist with six nominations. HARDY says he thinks he understands why the murder ballad about a stranger who kills the abuser of a woman he has just met has resonated with people. The song rises to No. 4 this week on Billboard’s Country Airplay chart.
“It is the first time in a long time that [the subject] was treated with I guess what you would call seriousness. I’m not knocking any of these songs because they were amazing, but [The Chicks’] ‘Goodbye Earl’ was funny. I guess [Carrie Underwood’s] ‘Two Black Cadillacs’ was the last one that was serious,” he says.
“I don’t think there has really been one in a while in the format, so I think people were maybe pleasantly surprised that here’s something a little bit different and something they’re familiar with, but they hadn’t heard in a long time,” he continues. “It means the world to me to know that a song like that can still survive and exist in country music and can be an actual hit on the radio.”
He also woke up yesterday to a text from Wilson. “She said, ‘Congrats. Let’s take some sh-t home.’ And I was like, ‘Oh my God, this is awesome. We had a little chat about it. It was great,’” he says.
Between HARDY and his tourmates, Wallen, ERNEST and Bailey Zimmerman, they racked up 15 nominations and he expects some celebrating to go on tonight and tomorrow as they play a two-night stand in Milwaukee. “My booking agent and his whole crew are here and basically my entire record label is up here right now, so we’re probably definitely going to have a big cheer to [the nominations] tonight. We’re looking forward to all having a moment together to celebrate.”
HARDY hasn’t really thought about how he’ll celebrate any wins, though getting a new tattoo is always a possibility. Instead, he’s focused on thank you gifts for his “Wait in the Truck’ collaborators for the song’s success even if it doesn’t win. “Lainey is going to get a really nice gift and I think the [co-writers] are going to get something really cool as well,” says HARDY who wrote the song with Hunter Phelps, Jordan Schmidt and Renee Blair.
“I love giving people gifts,” he continues. “I always think about those days where I didn’t have any money or anything to offer other than just ‘thank yous,’ but it’s really special to know I’m now in a place in my career and, to be candid financially, that I can give gifts. It’s like the best thing in the world.”
Composer Christopher Lennertz will be named a BMI Icon at the 39th Annual BMI Film, TV and Visual Media Awards on May 10 in Beverly Hills, Calif. The two-time Emmy-nominated composer will receive BMI’s highest honor for his body of work across film, television and gaming.
In addition, the ceremony will celebrate the composers of the previous year’s top-grossing films, top-rated primetime network television series and highest-ranking cable and streamed media programs. The event will be hosted by BMI president and CEO Mike O’Neill and BMI vice president, creative, film, TV & visual media, Tracy McKnight.
“We’re thrilled to celebrate Christopher Lennertz and his tremendous musical accomplishments by presenting him the BMI Icon Award,” McKnight said in a statement. “His compelling body of work, from blockbuster films to hit TV shows and gaming, highlights Christopher’s passion for all styles of music and has made him one of the industry’s most sought-after composers.”
Previous BMI Icon Award recipients include Terence Blanchard, Alexandre Desplat, James Newton Howard, Rachel Portman (PRS), Alan Silvestri, Brian Tyler and John Williams.
Lennertz’s eclectic body of work includes scoring such blockbusters as Horrible Bosses and Ride Along, as well as such TV shows as Amazon’s The Boys, cult-favorite Supernatural (which originated on The WB before being picked up by The CW) Netflix’s Lost in Space and Marvel’s Agent Carter. Lennertz is also one of the most in-demand composers in video games, having worked on hits like Medal of Honor and the Mass Effect series.
Lennertz’s recent works include arranging and conducting a large orchestra for a new version of Guns N’ Roses “November Rain,” composing the score for Netflix’s coming-of-age drama 13: The Musical and producing, arranging and conducting Wondrous Journeys, Disney’s new salute to 100 years of animation. He has also written songs with Glenn Slater for Kelly Clarkson, Janelle Monáe and Lizzo. Coming up, Lennertz’s work on Marvel’s Rogers the Musical will come to life during the Disney100 celebration at the Disney California Adventure Park.
Lennert has received Emmy nominations for outstanding musical composition for a series for Supernatural (2006) and outstanding original music and lyrics for The Boys (2021). He collaborated with lyricist Michael Saltzman on the latter project. He has also received 20 BMI awards.
Furthermore, he has demonstrated his passion for education and philanthropy by serving on the board of Education Through Music-Los Angeles and Mr. Holland’s Opus Foundation, as well as Hands Together Haiti. Lennertz also launched the Symphony of Hope project, a collaboration of more than 25 leading film and TV composers and dozens of musicians and vocalists joining together to rally the film music community in support of Haiti following the 2010 earthquake.
Mariah Carey‘s “All I Want for Christmas Is You” was inducted into the Library of Congress’ National Recording Registry on Wednesday (April 12), and the icon celebrated the honor on social media.
“I’m honored beyond belief!” she wrote on both Twitter and Instagram about the special news. “I definitely did not even imagine this would happen when writing and recording this song! Thank you so much Ms. Hayden and the @librarycongress.”
Carey also shared a snippet of an interview she did with the Library of Congress, telling chief communications officer Roswell Encina, “This is major and this is so gratifying to me as an artist, as a songwriter, of course. You know, you can’t, like, come up with this. I wasn’t sitting there writing lyrics like, ‘I’m going to be in all these places and my song’s gonna mean something to people every Christmas.’ I had no idea, I just wrote from my heart what I wanted. So thank you for including me in this incredible company and the whole situation, thank you.”
The perennial holiday classic indeed finds itself in good company, with the National Recording Registry also inducting the likes of Madonna’s Like a Virgin, Eurythmics’ “Sweet Dreams (Are Made of This),” Daddy Yankee’s “Gasolina,” the Super Mario Bros. theme, John Lennon’s “Imagine,” Queen Latifah’s All Hail the Queen and more.
According to the Library of Congress, the 25 recordings were selected for induction “based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage.”
Check out Mariah’s ecstatic reaction to her latest honor below.
Songwriter Ashley Gorley has three ACM Awards nominations for song of the year. He’s only the third songwriter to achieve that feat in the show’s 58-year history. (The category was introduced in the show’s second year.)
Gorley co-wrote Chris Stapleton’s “You Should Probably Leave” with Stapleton and Chris DuBois; Cole Swindell’s “She Had Me at Heads Carolina” with Swindell, Jesse Frasure, Mark D. Sanders, Thomas Rhett and Tim Nichols; and Morgan Wallen’s “Sand in My Boots” with Josh Osborne and Michael Hardy.
The only other songwriters to notch three nominations in one year are Merle Haggard and Kris Kristofferson, each more than 50 years ago.
Hag was the sole writer of all three of his 1968 nominees – “The Legend of Bonnie and Clyde,” “Mama Tried” and “I Take a Lot of Pride in What I Am.” He was also the artist on all three songs. The first two reached No. 1 on Hot Country Singles – now called Hot Country Songs. “I Take a Lot of Pride” peaked at No. 3. Jimmy Webb won the award that year for writing the Glen Campbell classic “Wichita Lineman.”
Kristofferson was the sole writer of all three of his 1970 nominees – “Help Me Make It Through the Night,” a No. 1 hit for Sammi Smith; “Sunday Morning Coming Down,” a No. 1 hit for Johnny Cash; and “For the Good Times,” a No. 1 hit for Ray Price. (All three chart references are to Hot Country Singles.) Kristofferson won the award for the sublime “For the Good Times.”
Hag, who died in 2016 at age 79, and Kristofferson, 86, have long been country music royalty.
Haggard was voted into the Songwriters Hall of Fame in 2007 and the Country Music Hall of Fame in 1994. He received a lifetime achievement award from the Recording Academy in 2006 and the Kennedy Center Honors in 2010.
Kristofferson was voted into the Songwriters Hall of Fame in 1985 and received that organization’s highest honor, the Johnny Mercer Award, in 2006. He was voted into the Country Music Hall of Fame in 2004 and received a lifetime achievement award from the Recording Academy in 2006.
Gorley, 45, has written hits for a raft of country artists, as well as such non-country artists as Bon Jovi and Jason Derulo. He has topped Billboard’s Country Songwriters chart for 33 weeks and has headed Hot 100 Songwriters for three weeks.
The 2023 Billboard Music Awards, set for Sunday, Nov. 19, are shaking up the traditional awards-show format.
In addition to the artists who perform live that night, select BBMAs winners will celebrate their achievements through unique performance experiences with their top fans. One-hundred superfans of those award winners will receive a “golden ticket,” which will allow them to attend a performance with the winning artist at a secret location.
Curated in close collaboration with the performing artists, these experiences will connect talent with their most engaged fans, and in the process give artists the creative freedom to deliver awards show performances in a newly imagined way.
The program will weave together these artist-fan experiences with live components from the show in Los Angeles in a first-of-its-kind awards show format. The show will honor all BBMAs winners, as well as a salute to this year’s Icon Award recipient with special tribute performances. Additionally, select industry awards will be presented.
Billboard and Dick Clark Productions announced last month that the show was moving from its customary spring time slot to the fall.
From its debut in 1990 through 2006, the Billboard Music Awards took place in December. Every edition from 2011 onward was held in May, with the exception of the pandemic-delayed 2020 show, which rolled out in October.
The 2022 BBMAs were held May 15 at the MGM Grand Garden Arena in Las Vegas and were hosted by Sean “Diddy” Combs.
The BBMAs celebrates the hottest names in contemporary music, with winners determined by performance on the Billboard charts, which measure key fan interactions with music, including audio and video streaming, album and song sales, radio airplay and touring.
Awards for the 2023 BBMAs are based on music consumption reflected on Billboard’s charts dated Nov. 19, 2022 through Oct. 21, 2023. Those are the dates encompassing the 2023 year-end chart period.
For more, follow @BBMAs and #BBMAs on socials and billboardmusicawards.com.