Awards
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Several big names from the recorded music world received 2023 Tony nominations. Josh Groban received his second best actor (musical) nod for Sweeney Todd: The Demon Barber of Fleet Street. Sara Bareilles received her first best actress (musical) nod for Into the Woods. Brandy Clark and Shane McAnally received their first Tony nods – best original score (music and/or lyrics) written for the theatre for Shucked.
Several more record veterans were nominated as producers of best musical contenders. Max Martin, Dr. Luke, Shellback and veteran music executive Barry Weiss are among the nominated producers of & Juliet. Mariah Carey is among the nominated producers of Some Like It Hot. Jason Owen, Gary Gersh and Sony Music Entertainment are among the nominated producers of Shucked.
In addition, Interscope and Immersive Records are among the nominated producers of Parade, which is nominated for best revival of a musical.
John Gore is assured of winning a Tony this year for best musical. He’s nominated as a producer of all five nominated shows – on his own in the case of Kimberly Akimbo and as part of the John Gore Organization on the other four nominees – & Juliet, New York, New York, Shucked and Some Like It Hot.
Three people received two nominations each in musical craft categories. Jennifer Weber is nominated for best choreography for both & Juliet and KPOP. Scott Pask is nominated for best scenic design of a musical for both Shucked and Some Like It Hot. Natasha Katz is nominated for best lighting design of a musical for both Some Like It Hot and Sweeney Todd: The Demon Barber of Fleet Street.
For the most part, the 2023 Tony nominations went about as expected. All five of the nominees for best musical and all four of the nominees for best revival of a musical were picked by pundits as the likely nominees. But there were also some surprises.
Here are some of the most notable snubs and surprises in the musical categories 2023 Tony nominations.
Snub: John Kander and Lin-Manuel Miranda
Image Credit: Bruce Glikas/Getty Images
These two pros have won a combined seven Tony Awards. With his late partner Fred Ebb, Kander won best original score three times for Cabaret, Woman of the Year and Kiss of the Spider Woman—The Musical. Hamilton has won twice in that category for In the Heights and Hamilton. But nobody hits a home-run every time out. They were left off the nominations list in that category for New York, New York. And it’s not as if the show was dismissed by Tony voters. It received nine nods, including best musical.
Surprise: Cameron Crowe
Image Credit: Nina Westervelt for Variety
Almost Famous, the Broadway adaptation of Cameron Crowe’s beloved 2000 film, was “almost” shut out in the nominations. It picked up just one nod, best original score for Crowe and Tom Litt. Crowe won both an Oscar and a Grammy for the film and its soundtrack. Now he’s a Tony nominee for the Broadway adaptation of that same work. Now if they can just figure out a way to turn it into a TV show, Crowe could get an Emmy nod for his masterwork too.
Snub: ‘A Beautiful Noise’
The Neil Diamond jukebox musical failed to land a single nomination. Last year, MJ, the Michael Jackson jukebox musical, was nominated for 10 Tonys, including best musical, and won four, including best actor in a musical for its star, Myles Frost. Will Swenson, the star of A Beautiful Noise, was a 2009 Tony nominee for his featured role in Hair. Diamond and Jackson are both pop music icons, but the shows were greeted very differently by Tony voters.
Surprise: ‘KPOP’
KPOP was passed over for a nomination in the marquee category of best musical, but it received three nods, including best original score for Helen Park and Max Vernon. This mirrors K-pop’s mixed Grammy track record. K-pop acts have yet to crack the closely-watched “Big Four” categories, but BTS has received five Grammy nominations in other categories. This is a classic case of “is the glass half empty or half full?”
Surprise: ‘Some Like It Hot’
The Broadway adaptation of director Billy Wilder’s 1959 film received 13 nominations, more than any other show this year. The film, by comparison, received just six Oscar nominations, including two for Wilder (directing and adapted screenplay) and one for lead actor Jack Lemmon.
Snub: ‘1776’
The revival of this show was shut out in the nominations. The original 1969 production won best musical, beating two powerhouse shows – Hair and Promises, Promises, as well as Zorba, a musical adaptation of Zorba the Greek. Two other high-profile shows – Bad Cinderella and a revival of Bob Fosse’s Dancin’ – were shut out in this year’s nominations.
Mariah Carey took to social media on Tuesday morning (May 2) to celebrate Some Like It Hot scoring more than a dozen Tony Award nominations.
“Congratulations to the amazing cast and crew!!! Couldn’t have asked for better news to wake up to!!!” the Songbird Supreme turned Broadway producer shared on her Instagram Stories.
The musical leads this year’s pack of Tony nominees with 13 nominations, including best musical, best performance by a leading actor in a musical (both Christian Borle and J. Harrison Ghee), best performance by a featured actor in a musical (Kevin Del Aguila), best performance by a featured actress in a musical (NaTasha Yvette Williams), best direction, best book, best original score and more.
Carey, meanwhile, serves more than one function in the musical. Not only is she a member of the production team, but she also lent her voice to the pre-show announcement before the curtain rises. (“Welcome to the Shubert Theater!” she tells the audience each night. “At this time, please take a moment to turn off your cell phones. And remember: The use of photographic equipment and recording devices is strictly prohibited. And now, Some Like It Hot.”)
Should Some Like It Hot take home the Tony for best musical, Mariah would technically be halfway to EGOT status, thanks to the five Grammys she’s collected over the years out of 34 total nominations — including wins for best new artist in 1991 and best R&B song for 2005’s “We Belong Together.”
Check out Mimi’s reaction to her first Tony nomination before it expires here.
The ballot schedule has been revealed for the 57th annual CMA Awards, which is set to be held in in Nashville this November.
The eligibility period for this year’s awards ceremony is from July 1, 2022, through June 30, 2023. The nomination ballot and instructions for online voting will be emailed Wednesday, July 5 to Country Music Association members in good standing who are eligible to vote.
The voting schedule is as follows:
July 14: Voting for the nomination ballot closes at 6 p.m. CT.
Aug. 2: The second ballot is emailed to CMA members.
Aug. 16: Voting for the second ballot closes at 6 p.m. CT. The final nominees in each of the 12 categories are set to be announced later in the summer.
Oct. 2: The third and final ballot is emailed to CMA members.
Oct. 27: Voting for the CMA Awards final ballot closes at 6 p.m. CT.
All balloting is tabulated by the professional services organization Deloitte. To vote in all three rounds of balloting for the 57th annual awards, prospective CMA members must apply for membership by Thursday, June 1.
In regards to the 2023 CMA Broadcast Awards — which awards broadcast personality, station and national broadcast personality of the year — applicants are no longer required to be CMA members in order to submit.
The CMA Broadcast Awards are presented for broadcast personality and station of the year in four categories determined by market size (major, large, medium and small market) as well as two categories for CMA national broadcast personality of the year (daily and weekly). Digital service providers with livestream broadcasts are eligible to apply for national broadcast personality of the year.
To submit an entry, radio stations and broadcast personalities in the United States and Canada can log on to broadcast.CMAawards.com, where guidelines and instructions for entries are posted. The site will continue to accept submissions until Friday, June 30 at 5 p.m. CT.
All CMA Broadcast Awards entries must reflect performances and events between June 1, 2022, and May 31, 2023. CMA’s panel of judges, which includes radio and industry professionals, will view and evaluate each entry online. CMA Broadcast Awards winners will be notified in early October and recognized at the November ceremony.
Additionally, the nomination period for CMA’s “industry honors” — which includes categories such as the CMA founding president’s award, the CMA Foundation humanitarian award and the Irving Waugh award of excellence — will remain open through Sunday, July 9.
Nominees and winners for the 2023 CMA Broadcast Awards and the CMA Awards are determined by professional members of the CMA.
The Academy of Motion Picture Arts & Sciences announced Monday (May 1) that Wednesday, Nov. 1, will be the final submission deadline in the two music categories for the upcoming 96th annual Academy Awards – original score and original song.
The Board of Governors also established two submission deadlines for general entry categories. Submission deadlines are Sept. 15 (for films released from Jan. 1 to June 30) and Nov. 15 (for films released from July 1 to Dec. 31). Several other film categories will also have two submission deadlines.
In the best picture category, inclusion standards requirements, which were approved by the Academy’s board of governors in 2020, will take effect for the 96th Oscars. Eligibility will be contingent upon submission of the Representation and Inclusion Entry Form (RAISE) and the film meeting the requirements of at least two of the four inclusion standards. For more information on the inclusion standards, visit raise.oscars.org/home.
Other awards rules changes include:
The international feature film category rules now stipulate that selection committees must be comprised of at least 50% filmmakers (artists and/or craftspeople).
In the live action short film category, voting privileges will be extended to all Academy members who opt in to participate.
The Academy’s board of governors also approved campaign promotional regulations. The new rules specify how film companies and individuals directly associated with Oscars-eligible motion pictures may promote such films, achievements and performances to Academy members and how Academy members may promote Oscars-eligible motion films, achievements and performances. The Academy is calling it the most significant overhaul of campaign promotional regulations since the inception of these rules in 1994.
Substantive updates and changes of note include: Clarification of rules regarding private events and gatherings; clarification of rules regarding general and direct communications to Academy members; clarification of rules regarding public communications, including on social media.; clarification of rules for For Your Consideration screenings, Q&A sessions and panel discussions; and expanded language on regulation violations and penalties, including the process for reporting and reviewing a violation.
Submission deadlines and additional key dates are as follows:
Tuesday, Aug. 15: First submission deadline for the animated short film, documentary feature film, documentary short film and live action short film categories
Friday, Sept. 15: First submission deadline for the animated feature film and general entry categories
Monday, Oct. 2: Final submission deadline for the documentary feature film and international feature film categories
Monday, Oct. 16: Final submission deadline for the animated short film, documentary short film and live action short film categories
Wednesday, Nov. 1: Final submission deadline for the music (original score) and music (original song) categories
Wednesday, Nov. 15: Final submission deadline for the animated feature film and general entry categories
Saturday, Jan. 13, 2024: Visual effects nominating screening (bake-off)
Sunday, Jan. 14, 2024: Makeup and hairstyling nominating screening and sound nominating screening (bake-offs)
For the complete 96th Academy Awards rules and campaign promotional regulations, visit oscars.org/rules.
Walk of Fame stars aren’t cheap.
From the website: “Due to rising costs, sponsorship fee will increase to $75,000 for all accepted nominations starting with the class of 2024.”
This represents a jump from $55,000 last year. The sponsorship fee has increased astronomically in the past 36 years.
“When I started in 1987, I think it was about $3,500,” Martinez says. “Then it went up to $5,000. It would go up every few years. The last time we had a big increase, was probably almost 10 years ago – it went from $40,000 to $50,000. Then it was $55,000. Everything is astronomical right now. Everything has gone up since we’ve been back from COVID.”
Some of the costs the sponsorship fee covers include the creation and installation of the star (they are made of terrazzo and brass); the costs associated with the star unveiling ceremony, which is free and open to the public; maintenance of the star in instances of cracking or vandalism (Donald Trump’s star was whacked more than once); and the presentation of a large floral arrangement on the day the honoree dies.
The Hollywood Historic Trust, not the city of Los Angeles, takes care of Walk of Fame repairs and the floral arrangements. “They get a portion of the sponsorship fee,” Martinez says. “The trust was formed to maintain the look of the Walk of Fame and they do other things as well. During COVID, I believe they did a $3 million repair because nobody was on [Hollywood] Blvd. so it was a perfect time to do it.”
When it is suggested that the requirement to commit to sponsor the star would put this out of reach for even most superfans, Martinez replies, “You would be surprised. When Liza Minnelli was selected, she was nominated by fans. They had movie nights at somebody’s house and they would sell baked goods. That’s how they raised the money. For Dean Stockwell, he was very much into the environment. His fans collected newspaper [for recycling; what used to be called paper drives] and got money for that. So, they have their ways. And nowadays, they have GoFundMe and things like that.”
From the website: “The Hollywood Walk of Fame does not encourage or endorse online campaigns for fundraising for a star prior to selection. Such initiatives do not impact the selection process for a star on the Walk of Fame.”
From the website: “The nominator must promise to sponsor the star presentation if it approved. Please submit completed nomination application and a commitment to sponsor the star.”
Martinez amplifies on that point. “We are a non-profit. We cannot pay for it.”
That said, the Walk of Fame brings in quite a bit of money. At the new rate of $75,000 per star presentation, and assuming 27 presentations per year (the midpoint in the 24-30 range Martinez cites), the presentations bring in $2,025,000 per year. At $250 per application, and assuming 200 applications a year, applications bring in an additional $50,000. (Note that applications buy two years of consideration, so that second figure may be more like $25,000 per year.)
If you still want to go through with this, visit the Walk Of Fame Nomination Dashboard.
Andrew Stone, CEO of Chugg Music, was named manager of the year at the 2023 AAM Awards, held Thursday (April 27) at Sydney’s Crowbar.
Alongside legendary concerts promoter Michael Chugg, Stone guides the Sydney-based independent music company, and manages the careers of Lime Cordiale, Sheppard, Teenage Dads, Mia Rodriguez, Mason Watts, and Casey Barnes.
Managers are the “steady hand” for artists,” Australia’s freshly-anointed top manager explained. “We’re specialized generalists, we’re visionaries in terms of seeing the potential in artists and being able to pull together teams that can turn something that’s almost there to something world-beating, a global phenomenon. That’s an incredibly powerful skill and that’s what people look to us for.” Ask questions of your peers and “stick at it,” he concluded from the podium.
Now in its second year, the AAM Awards are organized by the Association of Artist Managers, to celebrate the domestic and international achievements of the Australian artist management community.
Also during the lunchtime presentation, Young Strangers director Jane Slingo won the community engagement award. Slingo, who manages Sampology and Middle Name Dance Band, led 12 months of consultation across the NSW music sector, and collaboratively developed the “Vote Music” policy paper and election campaign. As a result of her work, the NSW Labor government entered — and won — the recent state election with a pledge to pump $103 million into the music industry.
Slingo also designed and executed the “Cultural Union,” which funded five Australian acts to visit to the U.K. to perform, write and collaborate.
After collecting her trophy, Slingo was promptly invited back to the stage to receive the “Patron’s Greatest Hits” plaque.
The lunchtime ceremony was presented ahead of the 2023 APRA Music Awards, with former triple j presenter Gen Fricker on emcee duties, and special guest performance from singer-songwriters Julia Jacklin and Dean Brady.
Breakthrough manager of the year went to Powerhouse’s Charlotte Ried, who has enjoyed success with Gretta Ray, who she co manages with Jamie-Rose Fowler; and with Blusher, which recently signed to Atlantic/Warner; and with Polish Club, who secured a sync with the NRL/NRLW 2023 season.
Meanwhile, the APRA AMCOS Lighthouse Award went to Sundowner Artists’ Simone Ubaldi, who manages the careers of Amyl & The Sniffers, Grace Cummings, Nice Biscuit, Baby Cool and Girl & Girl. Ubaldi was recipient of the manager of the year at the inaugural 2022 event.
Other winners included Ricky Simandjuntak, who bagged the Patron’s Gift, a cash prize intended to give the recipient a much-deserved leg-up. Simandjuntak was recognized for his work discovering Sampa the Great, developing The Kid Laroi, and guiding the homegrown hip-hop act ONEFOUR.
The big prize, however, went to Melody Management chief Michael McMartin, co-founder of the founder of AAM, Trafalgar Records, and decades-long manager for Hoodoo Gurus, the ARIA Hall of Fame inducted rock.
Fellow artist manager John Watson inducted McMartin, whom he declared the “greatest Canadian export since Neil Young.”
With his acceptance speech, McMartin recounted some his memorable victories in the music industry, and how they were invariably facilitated through collaboration, and a united front.
Check out the 2023 AAM winners below.
Manager of the Year
Presented by Oztix – Andrew Stone, Chugg Music
Breakthrough Manager of the Year
Presented by Select Music – Charlotte Ried, Powerhouse Management
Community Engagement Award
Presented by Live Event Logistics – Jane Slingo, Young Strangers
Legacy Award
Presented by Frontier Touring – Michael McMartin (OAM), Melody Management
Patron’s Gift
Presented by AAM Patrons and 2023 Legacy Award Winner – Ricky Simandjuntak, When Worlds Collide
Dance music reigned at the 2023 APRA Music Awards at Sydney ICC, where Flume and Rüfüs Du Sol scooped several of the industry’s top honors.
With a swag of Grammys, ARIAs and APRAs to his credit, Flume (real name: Harley Streten) is no stranger to awards nights. The producer and DJ was at it again Thursday (April 27), as “Say Nothing” featuring MAY-A won the peer-voted APRA song of the year, the evening’s coveted category.
Flume (in 2017) and co-writer Sarah Aarons (2019) have previously taken out songwriter of the year at the APRA Awards.
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Accepting his latest trophy via a pre-recorded Zoom, Flume pointed out the clubby hit was created through the wonders of technology, as the world’s borders shut fast.
“This song came about during COVID,” he explained. “We were in different places – Sarah was in London, I was in Byron (Bay) and we were just kind of sending stuff back and forth.”
The song, which came in at No. 1 in triple j’s Hottest 100 countdown in January, and is lifted from Flume’s full-length album Palaces, was “done from all corners of the globe,” he continued, “in all different cities and ram shackled together to be something that has obviously connected with people – we’re really grateful to make something that does that.”
Making songs “during COVID was definitely hard,” added Aarons, “and we definitely had a bit of a COVID connection as some would say.”
This time, the songwriter of the year category went to Jonathon George, James Hunt and Tyrone Lindqvist, who together perform as Rüfüs Du Sol. The EDM trio also snagged most performed dance / electronic work for “On My Knees.” Though Rüfüs Du Sol has led the ARIA Albums Chart with three of their four studio album, and won a Grammy Award in 2022, this brace represents their first-ever APRA Music Award wins.
Songwriter of the year “is a pretty ridiculous accolade to get,” enthused Lindqvist in a pre-taped thank-you from South America, where the act is on tour. “We feel really blessed and grateful we can get the nod from the room and everyone in Australia. There’s so much talent coming out of Australia and there has been for as long as music’s been around.”Sydney-raised, Los Angeles-based singer and rapper The Kid LAROI extended his winning streak at the APRAs, as his global hit “Stay,” co-written and performed with Just Bieber, won for most performed Australian work for 2023, and most performed pop work.Unlike his contemporaries, the Kid (real name: Charlton Howard) didn’t prepare an acceptance video, with organizers pointing out he’d lost his voice after performing over two weekends for Coachella Festival.Also on the night, Zambia-born rapper and two-time Australian Music Prize winner Sampa the Great was named breakthrough songwriter of the year by the APRA board of writer and publisher directors.In a taped piece to camera, Sama noted that September 2022 release As Above, So Below is her first album “done fully in my home country Zambia. It also happens to be the first album I have my first producer credits, so this is very special to me. I choose to share my culture. I choose to share stories from my country, and I choose to share them in my language with this album and I’m thankful for APRA for recognising and appreciating that.”
Other APRAs winners included Miiesha, The Chats, Tones And I, Casey Barnes, Xavier Rudd and others. The highlight of the ceremony, however, belonged to Men at Work frontman Colin Hay and the late concerts pioneer Colleen Ironside, both of whom were inducted with the Ted Albert Award for outstanding service to the Australian music industry – arguably the most prestigious award on the industry calendar. It was the first time in the APRAs’ 41-year history that the Ted Albert Award had been bestowed to two individuals.
Legendary concert promoter Michael Chugg was on hand to induct his good friend Ironside with a tribute that was both hilarious and touching, while Hay was introduced by his long-time friend Kim Gyngell, the Australian comedy actor, and via video messages from collaborator Ringo Starr and actor Zach Braff. Hay put the icing on the cake with a speech that poked fun at the Australian vernacular, included a poem on the experience of climbing the summit of pop music, insights on turning failure into victory, songwriting, and a remembrance to his late bandmate Greg Ham. The APRAs found the perfect note to finish on, with indigenous indie-rock outfit King Stingray performing “Down Under,” which they had previously recorded for a national tourism campaign. Hay joined the band on stage, with an acoustic guitar, for the most-Australian musical moment you’re likely to see in this or any other year.See the full list of winners below:
Peer-Voted APRA Song of the YearTitle: Say Nothing (feat. MAY-A)Artist: FlumeWriters: Flume* / Sarah AaronsPublishers: Kobalt Music Publishing obo Future Classic* / Sony Music Publishing
Ted Albert Award for Outstanding Services to Australian MusicColin HayColleen Ironside
Songwriter of the YearRÜFÜS DU SOLJonathon George / James Hunt / Tyrone LindqvistPublisher: Kobalt Music Publishing
Breakthrough Songwriter of the YearSampa the GreatPublisher: Kobalt Music Publishing
Most Performed Australian WorkTitle: STAYArtist: The Kid LAROI & Justin BieberWriters: The Kid LAROI / Justin Bieber* / Isaac De Boni# / Omer Fedi* / Magnus Hoiberg^ /Michael Mule# / Charlie Puth+ / Subhaan Rahman^ / Blake Slatkin*Publishers: Sony Music Publishing / Universal/MCA Music Publishing* /Warner Chappell Music^ / Kobalt Music Publishing+ / Concord Music Publishing#
Most Performed Alternative WorkTitle: HurtlessArtist: Dean LewisWriters: Dean Lewis / Jon Hume*Publishers: Kobalt Music Publishing / Concord Music Publishing*
Most Performed Blues & Roots WorkTitle: We Deserve To DreamArtist: Xavier RuddWriter: Xavier RuddPublisher: Sony Music Publishing
Most Performed Country WorkTitle: God Took His Time On YouArtist: Casey BarnesWriters: Casey Barnes / Kaci Brown* / Samuel Gray*Publishers: Mushroom Music / Kobalt Music Publishing*
Most Performed Dance/Electronic WorkTitle: On My KneesArtist: RÜFÜS DU SOLWriters: Jonathon George / James Hunt / Tyrone Lindqvist / Jason Evigan*Publishers: Kobalt Music Publishing / Sony Music Publishing*
Most Performed Hip Hop / Rap WorkTitle: LET’S TROT!Artist: Brothers & Joel FletcherWriters: Brothers / Joel Fletcher*Publisher: 120 Publishing*
Most Performed Pop WorkTitle: STAYArtist: The Kid LAROI & Justin BieberWriters: The Kid LAROI / Justin Bieber* / Isaac De Boni# / Omer Fedi* / Magnus Hoiberg^ /Michael Mule# / Charlie Puth+ / Subhaan Rahman^ / Blake Slatkin*Publishers: Sony Music Publishing / Universal/MCA Music Publishing* /Warner Chappell Music^ / Kobalt Music Publishing+ / Concord Music Publishing#
Most Performed R&B / Soul WorkTitle: Still DreamArtist: MiieshaWriters: Miiesha* / Lucy Blomkamp* / Stephen CollinsPublisher: Sony Music Publishing*
Most Performed Rock WorkTitle: Struck By LightningArtist: The ChatsWriters: Matthew Boggis / Joshua Hardy / Eamon SandwithPublisher: Universal Music Publishing
Most Performed Australian Work OverseasTitle: Dance MonkeyArtist: Tones And IWriter: Tones And IPublishers: Kobalt Music Publishing / Warner Chappell Music
Most Performed International WorkTitle: As It WasArtist: Harry StylesWriters: Harry Styles / Thomas Hull / Tyler Johnson*Publishers: Universal Music Publishing / Concord Music Publishing*
Licensee of the YearTriple M
The Streamy Awards will return this year on Aug. 27 in Los Angeles, Dick Clark Productions and Tubefilter confirmed on Thursday (April 27). The date change marks a move to the summer months, as the awards program has generally taken place in December since 2019.
The 13th annual Streamys, which seeks to honor people within the creator community, will recognize stars within the gaming, beauty, food and music genres. For the first time, the Streamy Awards will launch a sound of the year award in partnership with Rolling Stone, which will honor popular songs across the past year that have dominated the greater pop culture landscape and social media.
“Rolling Stone is thrilled to expand our support of creators to the Streamy Awards, a true celebration of the talent and innovation of this community,” said Rolling Stone CEO Gus Wenner in a statement. “Our shared goals to elevate the voices of creators coupled with music’s undeniable importance across the social media landscape makes for a perfect partnership.”
“Summer Streamys will be a vibe,” added Drew Baldwin, Streamy Awards founder and Tubefilter CEO. “We’re psyched to be partnering with Rolling Stone to launch a new music award that is truly native to social and captures how we discover and share music. I can’t wait to celebrate with our creator community for our thirteenth year together.”
The nominees for each of the Streamy’s over 45 total categories will be revealed in July.
DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.
The Academy of Country Music announced the first round of performers on Thursday (April 27), as well as that the 2023 ACM Awards will be free to stream live globally on Prime Video and the Amazon Music channel on Twitch on Thursday, May 11. The full rebroadcast will stream the next day for free on Amazon Freevee.
This is the show’s second year on Prime Video. The show, now in its 58th year, aired on CBS from 1998 to 2021 and before that aired on ABC and NBC.
In addition to co-hosting this year’s show with Garth Brooks, Dolly Parton is set to close the show by performing the lead single from her forthcoming rock album. The Country Music Hall of Famer was inducted into the Rock and Roll Hall of Fame last year.
The show will also will feature performances by Jason Aldean, Kane Brown, Luke Combs, Cody Johnson, Miranda Lambert, Jo Dee Messina, Ashley McBryde, Jelly Roll, Cole Swindell, Keith Urban, Morgan Wallen, The War And Treaty, Lainey Wilson and Bailey Zimmerman.
In an unusual move, the ACM announced that these will be the “only televised country music awards performances of the season” by Aldean, Combs, Lambert, Wallen, The War and Treaty, and Zimmerman. The ACM also says additional performers (including, presumably, Brooks), presenters and ancillary events will be announced.
The show is set to stream at 7 p.m. ET/4 p.m. PT from the Ford Center at The Star in Frisco, Texas. A limited number of tickets have been added and are available for purchase on SeatGeek, with prices starting at $446 (and going up to $2,820).
Previous Amazon Music Breakthrough Artists Gabby Barrett and BRELAND will introduce Zimmerman as the next Breakthrough Artist from Amazon Music. Breakthrough is the emerging artist program from Amazon Music, aimed at amplifying the best new talent and championing them at key moments early in their careers.
Fans can listen to special guest features from Zimmerman, Parton and Brooks on “Country Heat Radio” in DJ Mode, along with new Country Heat Weekly podcast episodes hosted by Amber Anderson and Kelly Sutton on Amazon Music, where fans can tune in to in-depth conversations with guests, including Zimmerman and Brooks.
Fans can also stream the ACM Awards playlist available now on Amazon Music in celebration of this year’s nominees. Fans can listen to country music’s top stars on the Amazon Music app.
The 58th Academy of Country Music Awards is produced by Dick Clark Productions, with Raj Kapoor, Barry Adelman and Fonda Anita serving as executive producers, and Damon Whiteside serving as executive producer for the Academy of Country Music. Patrick Menton is co-executive producer. (DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.)
Kate Bush’s “Running Up That Hill” from Stranger Things, the Oscar-winning “Naatu Naatu” from RRR and “Trouble” from Baz Luhrmann’s Elvis are among the 16 nominees competing for best musical moment at the 2023 MTV Movie & TV Awards. There are also nominees from such buzzy shows as M3GAN, Wednesday and Daisy Jones & the Six.
Voting in the social category opens via MTV’s Instagram Stories on Monday (May 1) and closes on May 5. The winner will be revealed live in the Drew Barrymore-hosted show on May 7.
The nominees for best musical moment are:
Daisy Jones & The Six: “Look at Us Now (Honeycomb)”
Don’t Worry Darling: Jack’s Tap Dance
Elvis: “Trouble”
Ginny & Georgia: “I Will Survive” (Bachelorette Party)
M3GAN: “Titanium”
Matilda the Musical: “Revolting Children”
Purple Hearts: “Come Back Home”
RRR: “Naatu Naatu”
She-Hulk: Attorney at Law: “Body”
SNL: “Big Boys”
Stranger Things: “Running Up That Hill”
The Last of Us: “Long Long Time” (Bill & Frank Play Piano)
The School for Good and Evil: “You Should See Me in a Crown”
The Summer I Turned Pretty: “This Love (Taylor’s Version)”
Wednesday: “Goo Goo Muck”
Young Royals: “Simon’s Song”
MTV also announced the first round of presenters, which includes Busta Rhymes, Halle Bailey (The Little Mermaid), Gal Gadot (Heart of Stone), Sarah Michelle Gellar (Wolf Pack), recent Oscar winner Jamie Lee Curtis and Tiffany Hadish (both from Haunted Mansion) and no fewer than four stars from the buzzy Amazon Prime musical drama Daisy Jones & The Six.
The show will air live from Barker Hangar in Santa Monica, Calif. on May 7 at 8 p.m. ET/PT on MTV, simulcasting across BET, BETHer, Comedy Central, CMT, Logo, MTV2, Nickelodeon, Paramount Network, Pop, TV Land and VH1.
As previously announced, Jennifer Coolidge will receive the Comedic Genius Award.
Executive producers for the 2023 MTV Movie & TV Awards are MTV’s Bruce Gillmer, Wendy Plaut and Vanessa Whitewolf, along with Den of Thieves’ Jesse Ignjatovic and Barb Bialkowski. Jackie Barba and Alicia Portugal are executives in charge of production. Lisa Lauricella and Mike Ostolaza serve as the music talent executives.
Check out the announcement video below.