Awards
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At the Oscars in February 1954 (see photo accompanying this list), Disney won four Oscars – best documentary feature (The Living Desert), best documentary short subject (The Alaskan Eskimo), best cartoon short subject (Toot, Whistle, Plunk and Boom) and best two-reel short subject (Bear Country). No one else had ever won more than two awards in one night.
On accepting his fourth award of the night, for Bear Country, Disney joked, “I’ve just gotta say one more word. It’s wonderful — but I think this is my year to retire.”
Happily, he did not retire. In the remaining 12+ years of his life, he opened Disneyland, launched an Emmy-winning TV series (initially called Walt Disney’s Disneyland) and co-produced the beloved film musical Mary Poppins.
Runners-up, with three Oscars in one night, are (listed chronologically): Billy Wilder (The Apartment, 1961), Marvin Hamlisch (The Way We Were, The Sting, 1974), Francis Ford Coppola (The Godfather, Part II, 1975), James L. Brooks (Terms of Endearment, 1984), James Cameron (Titanic, 1998), Peter Jackson and Fran Walsh (The Lord of the Rings: The Return of the King, 2004), Ethan Cohen and Joel Coen (No Country for Old Men, 2008), Alejandro González Iñárritu (Birdman or (The Unexpected Virtue of Ignorance) 2015), Bong Joon-Ho (Parasite, 2020) and Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once (2023).
Only nine women have received Grammy nominations for producer of the year, non-classical in the 49 years the Recording Academy has presented that award. Despite that tepid track record, you might want to bet on Brandi Carlile to be in the running when the nominations in that category are announced later this year. It will be the category’s 50th year.
Carlile produced Brandy Clark’s eponymous album, which was released May 19, and reteamed with Shooter Jennings to co-produce Tanya Tucker’s Sweet Western Sound, which is due June 2. That album is Tucker’s long-awaited follow-up to While I’m Livin’. Carlile and Jennings won Grammys as producers of While I’m Livin’, which was voted best country album.
No woman has been nominated for producer of the year, non-classical since Linda Perry five years ago. And no woman has ever won in the category, either on her own or as part of a collaboration.
The women who have been nominated for producer of the year, non-classical are Wendy Melvoin and Lisa Coleman (of Prince & the Revolution, 1984); Janet Jackson (alongside Jimmy Jam and Terry Lewis, 1989); Mariah Carey (alongside Walter Afanasieff, 1991); Paula Cole (1997); Sheryl Crow (1998); Lauryn Hill (1998); Lauren Christy (of The Matrix, 2003); and Perry (2018).
It’s a very different story in the producer of the year, classical category. Three women have won in that category, which was introduced five years after producer of the year, non-classical. And one of those women, Judith Sherman, has won seven times, which puts her in a tie with David Frost, Steven Epstein and Robert Woods for the most wins by anyone in the category’s history. Joanna Nickrenz has won twice (once alongside Marc Aubort). Elaine Martone has won once.
Carlile has become a Grammy darling in recent years. She has won nine Grammys, including three at the 65th Annual Grammy Awards in March. She produced her eponymous 2005 debut album, and co-produced her fourth album in 2012, but the rest of her studio albums have been produced by others.
Carlile moved into production for other artists with The Secret Sisters’ You Don’t Own Me Anymore (2017) and Saturn Return (2020). She co-produced both albums with Tim and Phil Hanseroth, with whom she also co-produced the 2017 Various Artists album Cover Stories. Carlile teamed with Dave Cobb to produce Lucius’ 2022 album Second Nature.
In an interview with Billboard’s Jessica Nicholson, Clark praised Carlile’s skills as a producer. “She pushed me a lot,” Clark said. “I’ve never been as challenged by a producer as I was by her.”
Clark noted Carlisle’s approach to narrowing down the songs that ultimately make up the album: “I gave her like 18-24 songs and asked her to pick about a dozen. I liked them all, but I was surprised by some of her choices. She told me, ‘I chose the songs that I thought sounded like you wrote them in your bedroom, and not in the writing room.’”
That’s the kind of sound advice that shows what a good producer can do.
The 2023 MTV Video Music Awards will be held at Prudential Center in Newark, N.J., on Tuesday, Sept. 12. It will mark the second year in a row – and the third time in the past five years – that the show has been held at that venue.
This will be the 40th year for the VMAs, which originated as an irreverent, younger-skewing alternative to the Grammy Awards. The VMAs are now as old as the Grammys were in 1998, the year that a performance artist who went by the name Soy Bomb crashed Bob Dylan’s show-capping performance of “Love Sick.”
This will be the first time the show has been held at any one venue two years in a row since 2010-11, when it came from the Nokia Theatre (now Microsoft Theater) in Los Angeles.
This will be the sixth consecutive year that the VMAs has been based on the East Coast. That’s the longest that the traditionally bicoastal show has come from either coast since it was based in Los Angeles seven years in a row from 1987 to 1993. (The 1986 show aired from both coasts – The Palladium in New York and the Universal Amphitheatre in L.A.)
“We’re thrilled to be returning to the Prudential Center in Newark for this year’s VMAs!” Bruce Gillmer, president of music, music talent, programming & events, Paramount and chief content officer, music, Paramount+, said in a statement. “Celebrating one of our biggest nights in music with the Garden State’s incredible fans has been our goal since last year’s highly successful event.”
“The return of the VMAs to the Prudential Center testifies to New Jersey’s enduring standing as a premier venue for large-scale entertainment events,” added the state’s governor, Phil Murphy. “As the home of some of the most internationally renowned names in the music industry, New Jersey is proud to once again partner with Paramount to showcase an array of exciting performances to a global audience.”
Taylor Swift made history at last year’s VMAs, becoming the first artist to win video of the year three times. She won for “All Too Well: The Short Film,” having previously won for “Bad Blood” (with Kendrick Lamar) and “You Need to Calm Down.”
Last year’s show was co-hosted by Jack Harlow, LL Cool J and Nicki Minaj. Comedian Sebastian Maniscalco hosted the show in 2019, its first year at Prudential Center. The show hasn’t had a repeat host since Russell Brand fronted the show in 2008-09.
The VMAs will air across MTV’s global footprint of linear and digital platforms in more than 150 countries and territories, with a potential reach of more than 319 million households, according to MTV’s numbers-crunchers.
Nick Jonas looked back on his off-key performance at the 2016 Academy of Country Music Awards on Monday’s episode (May 22) of Armchair Expert With Dax Shepard. Appearing on the podcast with Kevin and Joe Jonas, the youngest member of the Jonas Brothers reflected on the viral moment his guitar solo went terribly awry during […]
05/22/2023
Miley Cyrus’ “Flowers” and SZA’s “Kill Bill” will probably go head-to-head again on Music’s Biggest Night.
05/22/2023
Jaxsta is awarded Master of Metadata honors at the Music Business Association’s Bizzy Awards 2023, Billboard can exclusively reveal.
Based in Sydney, the official music credits database snags a category that recognizes companies that have made a significant impact in the area of data processing, credit clarification, streamlining or otherwise promoting clean data and best practices.
“We are exceptionally proud to be recognized by the Music Business Association for our excellence in metadata,” comments Jaxsta CEO Beth Appleton in a statement. “It is critical that the industry has one verified source of truth and that we continually value and insist on official credits,” she continues. “Only by doing this, can we ensure that creators are paid quickly, accurately and cost-effectively.”
Currently, Jaxsta’s data set includes over 55 million recordings and almost 15 million works which are matched, deep-linked and searchable by multiple industry identifiers, including ISRC, ISWC, Spotify IDs, UPCs and more.
This Music Biz honor, adds Michael Stone, Jaxsta CTO, “is a testament to the trust placed in Jaxsta by our label partners.”
Jaxsta’s victory closely follows the launch of Vinyl.com. A vinyl-hunter’s dream, the new online store is powered by Jaxsta’s official music credits and gives record buyers verified creative contributions metadata on every album, for a deep dive into artists, songwriters, producers, composers, engineers, musicians and any other contributors.
The vision for Vinyl, its creators say, is to offer quickly expand its offer beyond selling vinyl to include merchandise, tickets, digital collectibles and other “experiences that connect fans with creators.”
First announced and held in 2022, the Bizzy Awards also presents the Leading Light Award, the Agent of Change Award, the #NEXTGEN_NOW One To Watch Award and others.
Read more here.
Aaliyah, New Edition and Daryl Hall & John Oates will be enshrined in the National Rhythm & Blues Hall of Fame in September, along with 20 other R&B stars
Aaliyah, who died in a plane crash in 2001 at age 22, was the top vote-getter in the singers category. New Edition and Hall & Oates were the top vote-getters in the singing group category.
Aaliyah had five No. 1 hits on what is now called Hot R&B/Hip-Hop Songs. She first led the chart with “Back & Forth” in May 1994, when she was just 15. She returned to the top spot with “If Your Girl Only Knew,” “One in a Million,” “Are You That Somebody?” and “Miss You.” The latter song topped the chart in January/February 1993, more than a year after Aaliyah’s death.
New Edition also amassed five No. 1 hits on that chart. The group first headed the chart with “Candy Girl” in May 1983, followed by “Cool It Now,” “Mr. Telephone Man,” “Can You Stand the Rain” and “Hit Me Off.”
Daryl Hall & John Oates topped the chart, then called Hot Soul Singles, in January 1982 with “I Can’t Go for That (No Can Do).”
Hall & Oates aren’t the only “blue-eyed-soul” act to be inducted this year. The late Dusty Springfield, whose classic hits included “You Don’t Have to Say You Love Me” and “Son of a Preacher Man,” will also be honored.
Hall & Oates were inducted into the Rock and Roll Hall of Fame in 2014. Two of this year’s other inductees into the National Rhythm & Blues Hall of Fame — Clyde McPhatter and Sam Moore (as half of Sam & Dave) — are also in the Rock Hall.
Other inductees in the 2023 class are Jermaine Dupri, Peabo Bryson, Thelma Houston, Gerald Alston, Dee Dee Sharp, Dee Dee Warwick, Brook Benton, The Stubbs Girls, Sweet Boogie Productions, King Arthur, Ronnie Nelson, Gwen Foxx, Linda Jones, Ruby Andrews, The Debonaires, G.C. Cameron and Priscilla Price.The induction ceremony will take place on Sunday, Sept. 24, at the Bridge Center in Detroit. Doors open at 3 p.m. Tickets are available at the National Rhythm & Blues Hall of Fame’s website.
Dr. Luke was named pop music songwriter of the year at the 2023 ASCAP Pop Music Awards, which were held at Yamashiro Hollywood in Los Angeles on May 18. This is the third win in that category for Dr. Luke (Lukasz Gottwald). He won in 2010, and shared the award with Max Martin in 2011.
In the 40-year history of the ASCAP Pop Music Awards, only three other songwriters have won pop music songwriter of the year three or more times. Martin leads with 11 wins, followed by Diane Warren with five. Lionel Richie is tied with Dr. Luke with three wins.
Dr. Luke won this year based on the radio airplay and number of streams for such hits as Latto’s “Big Energy,” Nicki Minaj’s “Super Freaky Girl” and a string of hits for Doja Cat, including “Need to Know,” “Woman” and “You Right.”
The pop music songwriter of the year is determined by the total number of a writer’s shares in ASCAP Pop Music Award-winning songs multiplied by the winning songs’ impressions, which are calculated based on Luminate data for terrestrial and satellite radio and streaming services.
“Stay,” performed by The Kid LAROI and ASCAP member Justin Bieber, who co-wrote the song, won ASCAP pop music song of the year. The synth-pop smash notched seven weeks at No. 1 on the Billboard Hot 100. It remained on the chart for 63 weeks, which set a new record for a Bieber single.
“Stay,” which is published by Universal Music Publishing Group and Bieber Time Publishing, took the No. 1 slot on Billboard’s year-end Radio Songs chart for 2022. On Billboard’s year-end Hot 100 Songs chart for 2022, it finished No. 3 – even though its points were split between two years. The song had finished No. 12 on the year-end Hot 100 Songs chart for 2021.
Sony Music Publishing took ASCAP pop music publisher of the year for the second year in a row and the eighth time overall. Sony/ATV tied with EMI in 2009. Sony/ATV won outright or tied as publisher of the year in 2009, 2013-15, 2017 and 2019.
Sony Music Publishing won this year based on the strength of such hits as “Break My Soul” (Beyoncé), “Hrs and Hrs” (Muni Long), “One Right Now” (Post Malone and The Weeknd), “Numb Little Bug” (Em Beihold) and “23” (Sam Hunt).
Other songwriters honored for their ASCAP Pop Music Award-winning songs included Billy Walsh (“Die for You,” “I Like You,” “One Right Now”), Cardi B (“Wild Side”), Dua Lipa (“Sweetest Pie”), Fousheé (“Bad Habit”), Greg Kurstin (“Easy on Me”), Henry “Cirkut” Walter (“Die for You,” “Unholy”), Kim Petras (“Unholy”), Louis Bell (“I Like You,” “One Right Now”), Phil Plested (“I’m Good (Blue)”), Sarah Hudson (“Sweetest Pie”), Sia (“Unstoppable”), Starrah (“Wild Side”), Theron Thomas (“About Damn Time,” “Big Energy”) and Vaughn Oliver (“Big Energy,” “Super Freaky Girl”).
A complete list of 2023 ASCAP Pop Music Awards honorees can be found on the ASCAP website.
05/18/2023
This will be the seventh consecutive year that women have been invited to rock and roll’s annual party. (And not just as the +1s of male inductees.)
05/18/2023
Argentine producer Federico Vindver and Yahritza Martinez, singer of Yahritza y Su Esencia, are set to receive special honors at the upcoming SESAC Latina Awards 2023.
SESAC will award Vindver with producer of the year and 16-year-old Martinez with the breakthrough songwriter award. During the ceremony, which will take place June 27 in Los Angeles, the song of the year, publisher of the year and songwriter of the year — for both regional Mexican and pop/Latin rhythm — winners will also be announced.
“We love every opportunity to recognize our talented affiliates within the Latin songwriting community and l look forward to bringing everyone together for a night of celebration,” said Sam Kling, chief creative officer, SESAC Performing Rights. “The songs and spirit at the SESAC Latina Music Awards always make it a wonderfully special and unique evening.
Vindver has worked with artists such as Jennifer Lopez, Ricky Martin, Marc Anthony and, most recently, Christina Aguilera for her Spanish-language album Aguilera, which was nominated for album of the year at the Latin Grammys 2022.
“Vindver is a one-of-a-kind versatile producer, songwriter, and multi-instrumentalist that has worked with some of the biggest names in music,” said Celeste Zendejas, VP of SESAC Latina. “Additionally, we are recognizing all that Yahritza has done in her career at such a young age — she has broken several records not only as an artist but as a songwriter as well.”
With “Soy El Único,” Yahritza y Su Esencia’s debut single, Martinez made chart history as the youngest Latin performer to enter the Billboard Hot 100 when the track debuted at No. 20 last year. Subsequently, their seven-track debut EP, Obsessed, peaked at No. 1 on the Regional Mexican Albums chart (dated May 7, 2022). Martinez is just one of the two women (the other being Karol G) who have reached No. 1 on the Latin Songwriters chart.
Yahritza Martinez
Rita Feregrino