Awards
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The last time Camila performed together was 10 years ago. Ending a decade-long hiatus, the Mexican trio — comprised of Mario Domm (vocals and piano), Samo Parra (vocals) and Pablo Hurtado (guitar) –reunited to perform “Fugitivos” Thursday (July 20) at Premios Juventud.
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The set started with the new track, very much inspired by their comeback as a trio. “I’m not scared of a part two, it’s never too late to start again,” Samo and Mario sang passionately. They then transitioned to an anthem, “Mientas,” for which they were joined by the crowd who was eager to sing along with them. They ended with the chorus of another classic, “Todo Cambió.”
The reunion of these voices was a special moment during the awards ceremony. Camila was once a chart-topping trio known for striking pop ballads such as “Mientes” and “Aléjate De Mí.” The trio also won several Latin Grammys and Billboard Latin Music Awards.
Camila became a duo in 2013 after Samo departed to pursue a solo career. As a duo, Domm and Hurtado released the album Elypse in 2014, while Samo debuted as a soloist and put out two albums: Inevitable (2013) and Eterno (2017), as well as the live set Me Quito El Sombrero (2015).
Premios Juventud, which was televised live on Univision, celebrates its 20th anniversary from the Coliseo José Miguel Agrelot in San Juan, Puerto Rico, with the theme of “Exprésate a tu Manera” (Express Yourself Authentically). Co-hosted by Alejandra Espinoza and Angela Aguilar, this year’s PJs debuts 15 new categories that “reflect the latest trends” in Latin music, such as best song for my ex, best urban track and best urban mix, among others.
Additionally, this year, Shakira and Camila Cabello will receive the special “Agent of Change” award, joining past honorees that include Jesse & Joy, Maluma, Daddy Yankee, J Balvin, Kany Garcia, Jenni Rivera Foundation, Ricky Martin, Becky G, Pitbull, Juanpa Zurita, and Wisin y Yandel.
The 20th annual Premios Juventud ceremony was held Thursday (July 20) for the second consecutive year in San Juan, Puerto Rico, where Latin music artists were awarded in categories such as favorite streaming artist, best urban track and best regional Mexican fusion, to name a few.
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Bad Bunny, Becky G, Grupo Frontera, Maluma, Peso Pluma, Rauw Alejandro, Rosalía, Shakira and TINI lead the list of nominees with nine nods each. They are followed by Camilo, Karol G, Manuel Turizo Maria Becerra who are each up for eight awards. The fan-voted awards celebrate 20 years under the theme “Exprésate a tu Manera (Express Yourself Authentically).”
Co-hosted by Alejandra Espinoza and Ángela Aguilar, this year’s PJs — which aired live on Univision — debuts 15 new categories that “reflect the latest trends” in Latin music. Additionally, Shakira and Camila Cabello will receive the special “Agent of Change” award.
See the updating list of winners below:
Best Pop Album
Clichés – Jesse & Joy
De Adentro Pa Afuera – Camilo
El Amor Que Merecemos – Kany García
Familia – Camila Cabello
Haashtag – Ha*Ash — WINNER
La Cuarta Hoja – Pablo Alborán
La Neta – Pedro Capó
Play – Ricky Martin
Sincerándome – Carlos Rivera
XOXO– Cnco
Best Pop/Urban Song
“Cairo” – Karol G & Ovy On The Drums
“Chao Bebe” – Ovy On The Drums & Ozuna
“Cupido” – Tini
“De 100 A 0” – Manuel Turizo
“Despechá” – Rosalía
“Fiesta” – Farina & Ryan Castro
“Hot” – Daddy Yankee & Pitbull
“No Hay Ley” – Kali Uchis
“Shakira: Bzrp Music Sessions, Vol. 53 “- Bizarrap & Shakira — WINNER
“Tuturu” – Chesca
Girl Power
“Activa” – Chesca, Villano Antillano & Corina Smith
“Brinca” – Cazzu & Young Miko
“Despechá Rmx” – Rosalía & Cardi B
“Hung Up On Tokischa” – Madonna & Tokischa
“Intoxicao” – Emilia & Nicki Nicole
“La Loto” – Tini, Becky G & Anitta
“Lokita” – Natti Natasha & Maria Becerra
“Para No Verte Más” – Thalia & Kenia Os
“Qué Agonía” – Yuridia & Ángela Aguilar
“TQG” – Karol G & Shakira — WINNER
Premios Juventud Female Artist
Angela Aguilar
Anitta
Becky G
Camila Cabello
Chiquis
Karol G
Maria Becerra
Rosalía
Shakira — WINNER
TINI
Female Artist On The Rise
Aitana
Bad Gyal
Chesca
Danna Paola — WINNER
Emilia
Kim Loaiza
Lola Indigo
Tokischa
Villano Antillano
Premios Juventud Male Artist
Bad Bunny
Camilo
Carin Leon
Daddy Yankee
Manuel Turizo
Myke Towers
Ozuna
Peso Pluma
Rauw Alejandro
Romeo Santos
Favorite Group or Duo of The Year
CNCO
Eslabon Armado
Fuerza Regida
Gente de Zona
Grupo Frontera
Ha*Ash
Jesse & Joy
Los Ángeles Azules
Reik
Wisin y Yandel
New Generation – Female Artist
Bratty
GALE
Jenn Morel
Kenia Os
La Joaqui
Ludmilla
Pahua
PaoPao
Snow Tha Product
Young MIko
New Generation – Male Artist
Bizarrap
Brray
Chris Lebron
Lasso
Quevedo
Rels B
Rusherking
Trueno
Yng Lvcas
YOVNGCHIMI
New Generation – Regional Mexican
Conexión Divina
Eden Muñoz
Grupo Frontera
Grupo Marca Registrada
Kevin Kaarl
Mario Bautista
Poala Jara
Peso Pluma
Sebastian Esquviel
Victor Cibrian
Male Artist On The Rise
Alvaro Diaz
Blessd
Boza
Carin Leon
Eladio Carrion
Fuerza Regida
Luis R Conriquez
Ryan Castro
Santa Fe Klan
Tiago PZK
My Favorite Streaming Artist
Bad Bunny
Becky G
Bizarrap
Carin Leon
Fuerza Regida
Grupo Frontera
J Balvin
Karol G
Peso Pluma
Rauw Alejandro
The Best Beatmakers
Bizarrap
DJ Luian
Edgar Barrera
Foreign Teck
Mambo Kingz
Mr Naisgai
Ovy on the Drums
Sky Rompiendo
Subelo Neo
Tainy
Best Song By a Couple
“Abajito” – Lele Pons & Guaynaa
“Beso” – Rosalía & Rauw Alejandro
“Dicelo” – Jay Wheeler & Zhamira Zambrano
“La Boda” – Jessi Uribe & Paola Jara
“Luna” – JD Pantoja & Kim Loaiza
Best Song For My Ex
“Cupido” – Tini
“Mi exxx” – Wisin & Anuel AA
“Que Vuelvas” – Carin Leon & Grupo Frontera
“Shakira: BZRP Music Sessions, Vol. 53” – Bizarrap & Shakira — SHAKIRA
“Un X100to” – Grupo Frontera & Bad Bunny
OMG Collaboration
“A Tu Manera – Macaco, Pedro Capo, Alvaro Soler ft. Ky-Mani Marley
“Bailar Contigo” – Black Eyed Peas & Daddy Yankee
“Despechá RMX” – Rosalía & Cardi B
“El Merengue – Marshmello & Manuel Turizo
“Forever My Love” – J Balvin & Ed Sheeran
“Let’s Get Crazy! (Mambo Drop)” – Don Omar & Lil Jon
“No Más” – Murda Beatz ft. Quavo, J Balvin, Anitta & Pharrell
“Ojalá” – The Rudeboyz, Maluma & Adam Levine
“Sin Fin” – Romeo Santos & Justin Timberlake
“Si Salimos” – Eladio Carrion & 50 Cent
Best Urban Track
“Café Con Leche” – Pitbull
“Deprimida” – Ozuna
“La Bebe Remix” – Yng Lvcas & Peso Pluma
“Necesidad” – Venesti
“Noche De Teteo” – Sech
“Rumbatón” – Daddy Yankee
“Sincero” – Don Omar
“Tití Me Preguntó” – Bad Bunny
“TQG” – Karol G & Shakira — WINNER
“Yandel 150” – Yandel & Feid
Best Urban Mix
“Ande Con Quien Ande” – Myke Towers & Jhayco
“Besos Moja2” – Wisin Y Yandel & Rosalía
“Desesperados” – Rauw Alejandro & Chencho Corleone
“Hey Mor” – Ozuna & Feid
“Me Porto Bonito” – Bad Bunny & Chencho Corleone
“Nivel De Perreo” – J Balvin & Ryan Castro
“Nos Comemos” – Tiago Pzk & Ozuna
“Nos Comemos Vivos” – Maluma & Chencho Corleone
“Nunca Y Pico” – Yandel, Maluma & Eladio Carrión
“Ulala” – Myke Towers & Daddy Yankee
Best Urban Album – Male
3MEN2 KBRN – Eladio Carrión
Feliz Cumpleaños Ferxxo Te Pirateamos El Álbum – Feid
La Última Misión – Wisin Y Yandel
La Vida Es Una – Myke Towers
Llnm2 – Anuel AA
Microdosis – Mora
Ozutochi – Ozuna
Saturno – Rauw Alejandro
Sr. Santos – Arcángel
Un Verano Sin Ti – Bad Bunny
Best Urban Album – Female
Esquemas – Becky G
La Nena De Argentina – Maria Becerra
Mañana Será Bonito – Karol G
Nena Trampa – Cazzu
Trap Kitty – Young Miko
Best Dembow Song
“Cuca” – Kiko El Crazy
“Feliz” – Chimbala
“Gogo Dance” – El Alfa & Chael Produciendo
“Me La Wa Robar” – La Materialista & Angel Dior
“To’ Esto Es Tuyo” – Natti Natasha
Best Dembow Collaboration
“Delincuente” – Tokischa, Anuel Aa & Ñengo Flow
“Le Doy 20 Mil” – El Alfa & Prince Royce
“Pichirry” – Kiko El Crazy & El Alfa
“Soy Mamá Remix” – La Insuperable, Farina & Yailin La Mas Viral
“Subete A Mi Moto” – Chimbala & Angel Dior
“Wapae” – 6ix9ine, Angel Dior, Lenier Ft. Bulin 47
Best Trap Song
“Baby Father 2.0” – Yovngchimi Ft. Myke Towers, Arcángel, Ñengo Flow & Yeruza
“Coco Chanel” – Eladio Carrión & Bad Bunny
“Js4e” – Arcángel
“La 2blea” – Anuel AA
“Riri” – Young Miko
Pop Track Of The Year
“Ambulancia” – Camilo & Camila Cabello
“Bailé Con Mi Ex” – Becky G
“Junio” – Maluma
“La Equivocada” – Cnco
“La Fiesta” – Pedro Capó
“No Sé Si Salga El Sol Remix” – Manuel Medrano & Rawayana
“Respirar” – Jesse & Joy
“Supongo Que Lo Sabes” – Ha*Ash
“Te Amo Y Punto” – Chayanne
“TV” – Sebastián Yatra
Pop Mix Of The Year
“A Veces Bien Y A Veces Mal” – Ricky Martin & Reik
“Contigo” – Sebastián Yatra & Pablo Alborán
“Muero” – Kany García & Alejandro Sanz
“Si Pudiera” – Vanesa Martín & Jesse & Joy
“Una Vez Más” – Pedro Capó & Lali
Best Pop/Urban Collaboration
“Aeiou” – Justin Quiles & Robin Schulz
“Éxtasis” – Manuel Turizo & Maria Becerra
“Mayor Que Usted” – Natti Natasha, Daddy Yankee & Wisin Y Yandel
“Muñecas” – Tini, La Joaqui & Steve Aoki
“Quevedo: Bzrp Music Sessions, Vol. 52” – Bizarrap & Quevedo
“Suelta” – Dímelo Flow, Rauw Alejandro, Maria Becerra, Farruko, Mr. Vegas & Fatman
Scoop
“Te Felicito” – Shakira & Rauw Alejandro
“TQG” – Karol G & Shakira — WINNER
“Tu Recuerdo” – Wisin, Emilia & Lyanno
“Vacaciones” – Luis Fonsi & Manuel Turizo
Best Pop/Urban Album
777 – Piso 21
2000 – Manuel Turizo
Cupido – TINI
Donde Quiero Estar – Quevedo
Emociones – Jay Wheeler
Ley De Gravedad – Luis Fonsi
Motomami+ – Rosalía
The Love & Sex Tape (Deluxe Edition) – Maluma
Tú Crees En Mí? – Emilia
Versions Of Me – Anitta
Best Regional Mexican Song
“Calidad” – Grupo Firme & Luis Mexia
“Ella Baila Sola” – Eslabon Armado & Peso Pluma — WINNER
“Fuera De Servicio” – El Fantasma
“Gato De Madrugada” – Joss Favela
“La Profecía” – Los Tucanes De Tijuana
“Lo Mejor Que Hay En Mi Vida” – La Arrolladora Banda El Limón De René Camacho
“No Es Por Acá” – Carin León
“No Se Va (En Vivo)” – Grupo Frontera
“Si Me Duele Que Duela” – Intocable
“Vivo En El 6” – Christian Noda
Best Regional Mexican Collaboration
“Bebe Dame” – Fuerza Regida & Grupo Frontera
“Hay Que Hacer Dinero” – Banda Ms De Sergio Lizárraga & Eden Muñoz
“JGL” – La Adictiva & Luis R Conriquez
“La Bailadora” – Grupo Firme & Joss Favela
“No Me Hablen De Amor” – Pepe Aguilar & Intocable
“PRC” – Peso Pluma & Natanael Cano
“Qué Agonía” – Yuridia & Ángela Aguilar
“Que Vuelvas” – Carin León & Grupo Frontera
“Se Acabó (En Vivo)” – Lenin Ramírez, Fuerza Regida & Banda Renovación
“Si Ya Hiciste El Mal” – Luis R Conriquez & Jessi Uribe
Best Regional Mexican Fusion
“Alaska” – Camilo & Grupo Firme
“Chanel” – Becky G & Peso Pluma
“Como El Viento” – Luis R Conriquez & Nicky Jam
“La Siguiente” – Kany García & Christian Nodal
“Llorar Y Llorar” – Mau Y Ricky & Carin León
“Más Muerto Que Vivo” – Matisse & Intocable
“Por El Resto De Tu Vida” – Christian Nodal & Tini
“Tú Y Tú” – Los Ángeles Azules, Cazzu & Santa Fe Klan
“Un Chingo De Tequila” – Banda Ms De Sergio Lizárraga & Mario Domm
“Un X100to” – Grupo Frontera & Bad Bunny
Best Regional Mexican Album
Abeja Reina – Chiquis
Aclarando La Mente – Joss Favela
Con Los Pies En La Tierra – Lenin Ramírez
Consejos Gratis – Eden Muñoz
Contingente – Junior H
Cumbia Del Corazón – Los Ángeles Azules
Enfiestados Y Amanecidos – Grupo Firme
Forajido EP 1 – Christian Nodal
Pa’ Luego Es Tarde – Yuridia
Sembrando – Peso Pluma
Tropical Hit
“Decidí Tener Pantalones” – Víctor Manuelle
“La Bachata” – Manuel Turizo
“La Fórmula” – Maluma & Marc Anthony
“Otra Vez” – Prince Royce
“Pegao” – Camilo
“Peligro” – Luis Vazquez
“Quiero Quemar La Pista” – Limi-T 21
“Sin Ropa” – Sie7e
“Solo Conmigo” – Romeo Santos
“Todavía Te Espero” – Luis Figueroa
Tropical Mix
“Cumbia Del Corazón” – Los Ángeles Azules & Carlos Vives
“El Merengue” – Marshmello & Manuel Turizo
“El Pañuelo” – Romeo Santos & Rosalía
“La Fórmula” – Maluma & Marc Anthony
“Monotonía” – Shakira & Ozuna — WINNER
“Pan Para Yolanda” – Melendi & Aymée Nuviola
“Pasa” – Fonseca & Matisse
“Si Te Preguntan…” – Prince Royce, Nicky Jam & Jay Wheeler
“Soy Yo” – Don Omar, Wisin & Gente De Zona
“Te Olvidaste De Mi” – Frank Reyes Ft. Rafa Jiménez
Best Tropical Album
24/7 – Gusi
Canciones Del Corazón – Olga Tañón
Cumbiana II – Carlos Vives
Debut Y Segunda Tanda, Vol.1 – Gilberto Santa Rosa
Empezando Otra Vez – Daniela Darcourt
Fórmula, Vol. 3 – Romeo Santos
Limi-T Para Siempre – Limi-T 21
Luis Figueroa – Luis Figueroa
Mi Muchachita – Elvis Martinez
Pa’lla Voy – Marc Anthony
Hottest Choreo
“El Teke Teke” – Carlos Vives, Black Eyed Peas & Play-N-Skillz
“La Loto” – Tini, Becky G & Anitta
“Let’s Get Crazy! (Mambo Drop)” – Don Omar & Lil Jon
“Mayor Que Usted” – Natti Natasha, Daddy Yankee & Wisin Y Yandel
“Suelta” – Dímelo Flow, Rauw Alejandro, Maria Becerra, Farruko, Mr. Vegas & Fatman
Scoop
Video With The Most Powerful Message
“5:24” – Camilo
“Algo Bonito” – Ile & Ivy Queen
“La Reina” – Maluma
“Montaña Solitaria” – Carlos Vives & Chocquibtown
“No Es Que Te Extrañe” – Christina Aguilera
“Tierra” – Bomba Estéreo
I Want More
Ángela Aguilar
Belinda
Danna Paola
Karely Ruiz
Kenia Os
Kim Loaiza
Manelyk
Peso Pluma
Tammy Parra
TINI
Couples That Blow Up My Social
Camilo Y Evaluna Montaner
Christian Nodal Y Cazzu
Danna Paola Y Alex Hoyer
Guaynaa Y Lele Pons
Kim Loaiza Y Jd Pantoja
Rosalía Y Rauw Alejandro
Best Fandom
Beli Lovers – Belinda
Dreamers – Danna Paola
Jukilop – Kim Loaiza Y Jd Pantoja
Keninis – Kenia Os
La Tribu – Camilo
Social Dance Challenge
“Lokita” – Natti Natasha & Maria Becerra
“Malas Decisiones” – Kenia Os
“Ting Ting Tang Tang Dance Challenge” – Hoàng Thùy Linh
“TQG” – Karol G & Shakira — WINNER
“Wednesday Dance Challenge” – Jenna Ortega
My Favorite Trendsetter
Bad Bunny
Becky G
Danna Paola
Emilia
LALI
Maluma
Maria Becerra
Ricky Montaner
Sebastián Yatra
Valentina Ferrer
Stadium rockers Six60, indie band the Beths, and multi-instrumentalist Fazerdaze (real name: Amelia Murray) are multiple nominees for the second annual Rolling Stone Aotearoa Awards, which celebrates New Zealand’s finest.
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Also, there are multiple chances for Princess Chelsea, COTERIE, TE KAAHU, and the L.A.B., the reggae band which is up for best single (“Take It Away”) and the Rolling Stone Global Award.
Four categories will be presented on the night, for best record, best single, best new artist, and the RS Global Award, which is judged by the music title’s global team to acknowledge the Kiwi artist “they just can’t get enough of,” reads a statement.
“Royals” star Lorde was crowned with the inaugural Global Award in 2022. This year’s shortlist includes the Beths, Unknown Mortal Orchestra (UMO), Six60, Bic Runga, BENEE, Mitch James, MELODOWNZ. Kiwi stars Marlon Williams and Stan Walker are also in the running for RS honors.
“After the hugely successful launch of the Panhead Rolling Stone Aotearoa Awards last year, we can’t wait to do it all again this year and join with the music industry to celebrate the diverse and unique music scene in New Zealand,” comments Rolling Stone New Zealand editor-in-chief, Poppy Reid. “Once again we’ve been treated to a year of New Zealand talent competing on the global stage.”
Brewery Panhead returns as headline sponsor for the awards, set for Sept. 20 at St Matthew-In-The-City in Auckland.
Rolling Stone AU/NZ is published by Sydney-based The Brag Media, whose portfolio of titles includes Tone Deaf, The Music Network, and Variety.
2023 Panhead Rolling Stone Aotearoa Awards nominees:
BEST RECORDPrincess Chelsea – Everything Is Going To Be AlrightCOTERIE – CoterieSix60 – Castle StThe Beths – Expert In A Dying FieldTE KAAHU – Te Kaahu O RangiMarlon Williams – My BoyFazerdaze – Break!Stan Walker – All In
BEST SINGLEDaily J ft. Boo Seeka – ‘Lost In Time’lilbubblegum – ‘af1’Princess Chelsea – ‘Forever Is A Charm’SXMPRA feat. Ski Mask the Slump God – ‘COWBELL WARRIORS!’Tami Neilson – ‘Beyond The Stars’ ft Willie NelsonL.A.B. – ‘Take It Away’Kaylee Bell – ‘Boots N All’Fazerdaze – ‘Break!’
BEST NEW ARTISTGeorgia LinesHanbeeCOTERIETE KAAHULuca GeorgeTeo Glacier33 BelowNO CIGAR
ROLLING STONE GLOBAL AWARDThe BethsUMOSix60Bic RungaBENEEMitch JamesMELODOWNZL.A.B.
Toby Keith will receive the country icon award at the inaugural People’s Choice Country Awards on Sept. 28.
Keith, famous for such songs as “Should’ve Been a Cowboy,” “How Do You Like Me Now,” “As Good As I Once Was,” and “Beer for My Horse,” will be honored for his 30-year career as a musician, humanitarian and entrepreneur. Fellow Oklahoman Blake Shelton will present the award.
The honor is the latest in a long list of accomplishments for Keith, including being named a BMI icon last year, receiving the National Medal of Arts in 2021, and being inducted into the Nashville Songwriters Hall of Fame in 2021 and the Songwriters Hall of Fame in 2015.
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“We’re overjoyed to honor legendary artist Toby Keith with the first-ever country icon award,” said Cassandra Tryon, senior vp, of entertainment live events for NBCUniversal television and streaming in a statement. “As a talented songwriter and powerhouse performer, Keith has touched the hearts of fans across the globe. His illustrious career and passion for philanthropy has cemented his place as an icon in country music history.”
The recognition comes as Keith is returning to the public arena after successfully battling stomach cancer for the 18 months. He recently announced that he hopes to return to the road this fall.
The awards show, an expansion of the People’s Choice Awards, will be hosted by Little Big Town and will air and stream at 8 p.m. ET/PT across NBC and Peacock, live from the Grand Ole Opry in Nashville. The telecast will be produced by Den of Thieves with Jesse Ignjatovic, Evan Prager and Barb Bialkowski serving as executive producers.
The show is being touted as an example of collaboration resulting from the new partnership between NBCUniversal and the Opry Entertainment Group, following NBCUniversal’s equity investment OEG parent company Ryman Hospitality Properties last year. RHP sold a minority stake, valued at nearly $300 million, to NBCUniversal and Atairos.
It also gives NBC its own country focused awards show. ABC airs the CMA Awards, while CBS now broadcasts the CMT Awards after the ACM Awards moved to Amazon in 2022.
The Latin Recording Academy announced on Tuesday (July 18) that artists Ana Torroja, Mijares, Carmen Linares, Arturo Sandoval, Simone and Soda Stereo will receive this year’s Lifetime Achievement Award, as part of its annual Special Awards Presentation. Additionally, Alex Acuña, Gustavo Santaolalla and Wisón Torres will receive the Trustees Award. Explore See latest videos, charts and news See latest videos, charts […]
Toni Watson, the chart-busting Australian singer and songwriter who, as her alias Tones And I, set records around the globe with “Dance Monkey,” is one of the finalists for the 2023 Australian Women In Music Awards (AWMAs).
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Watson is up against Tanya Batt and The Superjesus leader Sarah McLeod for the songwriter award, which recognizes an outstanding female songwriter or composer.
Other high-profile artists nominated for this year’s event include Kate Ceberano, the one-time ARIA Award winner for best female artist, who is a finalist for the AWMAs lifetime achievement award, a category that also includes Jeannie Lewis and Clare Moore.
Meanwhile, chart-topping pop artist Jessica Mauboy will face-off with Beccy Cole, and Vika & Linda for the artistic excellence award, which celebrates “exceptional creative achievement from a female artist/musician across any genre.”
Established in 2018, the AWMAs acknowledges the contributions and shines a light on the accomplishments of women across all areas of industry from on stage, including those behind the scenes, technicians, leaders, elders, performers, songwriters, producers, engineers, filmmakers and photographers, music journalists and more.
One of those awards is the inaugural ARIA executive leader game changer, which rewards the “exceptional leadership” of an executive leader who “creates significant and positive change to bring about equality for women in the Australian music industry,” and is open to a CEO, CFO, COO, CMO, MD or GM.
“I have seen the industry of music in this country change so much and the education and delivery of music through the eyes and hearts of Australian women, my peers Renée, Chrissie, Olivia, Colleen, Kylie and more,” says Ceberano in a statement.
“It has been an education and at times a baptism by fire. But we are hardy and the Australian singers that are striking notes globally, not only with their music but with their minds, is outstanding.” She continues, “I’m glad to be a part of this modern community of likeminded artists who wish to share their wisdom and prevail despite all provocation to do otherwise.”
Twenty AWMAs will be handed out at a ceremony Sept. 27 in Meanjin/Brisbane, the designated 2032 Olympic city, and broadcast later on the Australian Broadcasting Corporation.
Each category is assessed by a 37-seat jury, with representation across a diverse range of music disciplines and cultures.
The 2023 AWMAs and conference program is supported by the Queensland government together with corporate, industry and community partners.
The event “not only celebrates the most innovative, committed, and visionary singers and songwriters in Australian music, it provides an opportunity to further promote gender equality and diversity including the voices of First Nations women,” comments Queensland Premier Annastacia Palaszczuk. “The future looks bright for the music industry as our government invests in a 10-year roadmap to promote arts, culture, and creativity.’’
AWMA is an initiative of the not-for-profit Charity Cicada International Ltd, and is spearheaded by AWMA founding executive producer and program director Vicki Gordon.
“AWMA has raised the collective voice – demanding equitable access, safety and recognition for women in the Australian music industry. We support and promote women as vital, essential contributors to the future business growth of the sector and are calling on the industry to adopt gender equality as a core music industry value,” explains Gordon. “Gender equity is still a long way in the future and we all need to remain vigilant.”
For the full list of nominations visit womeninmusicawards.com.au.
So strong and deep is the tradition of the cantautor, or singer-songwriter, in Latin music that the Latin Recording Academy is carving out more space for such multifaceted artists. This year, it debuts its best songwriter of the year category as part of the also newly created songwriting field. As with the mainstream Grammy Awards, the category recognizes songwriters credited as writers or co-writers on at least six tracks where they are not the performer, producer or engineer.
In addition, another new category, best singer-songwriter song, will fall under the singer-songwriter field (which has existed since the inception of the Latin Grammy Awards almost 25 years ago and has included the best singer-songwriter album award). To be eligible for this new award, at least 51% of the lyrics on singles or tracks must be in Spanish, Portuguese or any native regional dialect and must be from a singer-songwriter album competing in the best singer-songwriter album category that year. Below are six songwriters who stand a good chance of landing in one — or both — of the newly unveiled categories.
Elena Rose
As fans wait for Elena Rose to drop her long-awaited debut album, the Venezuelan singer-songwriter has kept busy with a string of singles recorded under her own name, plus a plethora of hits in the pop and urban realms. As one of the first women to actively collaborate with reggaetón stars, Elena Rose has opened the door for a new generation of women songwriters — making her a prime pick for the first class of best songwriter of the year nominees. The prolific collaborator has co-written massive hits like Karol G and Becky G’s “MAMIII,” Bad Bunny’s “Party” and, this year, TINI and Maria Becerra’s “Miénteme.”
Edgar Barrera
Perhaps the most versatile songwriter in Latin music today, Barrera has spent over 100 weeks on Billboard’s Latin Songwriters chart, second only to Bad Bunny, thanks to credits on cross-genre hits. In the past 12 months alone, the 32-year-old has worked with regional Mexican act Grupo Frontera on all of its hits, including blockbusters like “un x100to” with Bad Bunny and “Frágil” with Yahritza y Su Esencia. He also boasts credits on Manuel Turizo’s global smashes “La Bachata” and “El Merengue,” as well as multiple singles performed by longtime collaborators Maluma and Christian Nodal, among others, making him a shoo-in for the best songwriter of the year category.
Edén Muñoz
The former frontman of norteño group Calibre 50 has emerged as a successful solo artist and a sought-after songwriter for artists like Pepe Aguilar and Christian Nodal, among others. In June, the SESAC Latina Awards honored Muñoz as regional Mexican songwriter of the year for the fourth consecutive year thanks to a long string of hits. At this year’s Latin Grammys, Muñoz may be a contender in the best singer-songwriter album and song categories with his first solo studio album, Consejos Gratis (for which he wrote 13 out of its 14 tracks), boasting clever lyrics full of wordplay with uptempo fare and romantic ballads.
Gale
The Puerto Rican singer-songwriter got her start writing for other artists while she honed her solo chops. Now, in the wake of the release of her debut album, Lo Que No Te Dije, Gale could be nominated in all three songwriting fields. Her personal strain of alt-rock and pop was highlighted throughout her album and best heard on the uptempo, rock-leaning “Problemas” (making her a likely nominee in the best singer-songwriter album and song categories). She could also be a contender in the best songwriter category thanks to co-writes for the likes of Manuel Turizo and Marshmello (“El Merengue”), Juanes (“Ojalá”) and Aitana, Emilia and Ptazeta (“Quieres”).
Juanes
The Colombian veteran arguably reshaped the singer-songwriting mold when he burst on the scene with his 2000 debut album, Fíjate Bien. In 2023, he’s still innovating, albeit in a more collaborative fashion. On his new album, Vida Cotidiana, Juanes brings in many co-writers, including Tomás Torres and Alexis Díaz-Pimienta. But the album’s standout song, “Gris,” a revealing look into his longtime marriage, is his alone. A Latin Grammy favorite, Juanes is a contender for the best singer-songwriter album and song categories.
Keityn
The Colombian songwriter-producer was ASCAP’s 2023 songwriter of the year — a perfect setup for his inclusion in the inaugural group of best songwriter nominees. A favorite co-writer for two of the biggest Colombian stars of the moment — Shakira and Karol G — he worked alongside Bizarrap and Shakira on the surprise smash “Shakira: Bzrp Music Sessions, Vol. 53,” which spent five weeks at No. 1 on Billboard’s Hot Latin Songs chart earlier this year. Keityn also has songwriting credits on Shakira and Karol G’s “TQG,” which peaked at No. 7 on the Hot 100. It’s no small feat for a 26-year-old — nor is regularly writing hits for Manuel Turizo, J Balvin and Maluma (including the global smash “Hawái”).
This story will appear in the July 15, 2023, issue of Billboard.
Regional Mexican music — an umbrella term given to the broad range of subgenres with folk roots that include banda, mariachi, norteño and corridos — has long been absent from the main categories of the Latin Grammy Awards. Though regional Mexican has its own field with five categories, a living regional Mexican artist hasn’t taken home the trophy for album, record or song of the year in the 23-year history of the Latin Grammys. (Juan Gabriel won posthumously in 2016 for Los Dúo, Vol. 2.)
The absence reflects an unspoken stigma: Regional Mexican is considered unsophisticated music for the masses and, therefore, unworthy of a win in the Big Four categories. Only one act associated with the genre — Monterrey, Mexico, DJ collective 3BallMTY — has won a Big Four award (best new artist), and that was over a decade ago in 2012.
But now, with a 42.1% increase in consumption of regional Mexican music year over year, according to Luminate, the genre’s crossover may be impossible to ignore. The growth started in May 2021, when Gera MX and Christian Nodal’s collaboration “Botella Tras Botella” became the first regional Mexican song to enter the Billboard Hot 100 in its 63-year history. Two years later, regional Mexican is the dominant Latin genre on the Hot 100: For the week ending June 25, 13 of the 17 Spanish-language tracks on the chart fell under the regional Mexican umbrella as acts like Grupo Firme and Fuerza Regida sell out arena tours alongside veterans like Pepe Aguilar. Also in June, Génesis, the new album from ascendant superstar Peso Pluma, debuted at No. 3 on the Billboard 200.
“Regional Mexican is no longer seen as the ugly duckling,” says Maria Inés Sánchez, head of marketing at AfinArte Records and a vocal advocate of the genre, on its potential presence at the Latin Grammys. “This will definitely be the year — and it’s just the beginning.”
Following are 10 regional Mexican acts that have a chance at a main-category nomination.
Yahritza y Su Esencia
The Washington state family band is fronted by Yahritza, whose glorious voice floats over the guitars of her brothers Mando and Jairo. Nominated last year for best new artist, the trio stands a chance in the song and record of the year categories this year, with a new Columbia Records deal and a poignant single, “Frágil,” featuring Grupo Frontera.
Carín León
León’s velvety voice, melodic approach and outside-the-box collaborations with C. Tangana and Matisse make him better known in pop and alternative than other regional Mexican acts. His new album, Colmillo de Leche, arrived in May just ahead of the eligibility cutoff, making him a top candidate for an album of the year nod.
Eslabon Armado
Last year, the Mexican American group known for its romantic sierreños was shut out of the Latin Grammys, even though the band’s 2022 album, Nostalgia, became the first top 10 regional Mexican title ever on the Billboard 200. This year, the act returned with a vengeance: Its runaway smash, “Ella Baila Sola” with Peso Pluma (a No. 4 hit on the Hot 100), should be a contender for both song and record of the year.
Edén Muñoz
The former Calibre 50 frontman has emerged as a formidable solo artist who collected his fourth consecutive SESAC Latina songwriter of the year award in June and is also making waves as a producer. (Credits include Ángela Aguilar’s “Qué Agonía.”) His first solo album, Consejos Gratis, arrived in October and could be a contender.
Grupo Frontera
The sextet from the border town of McAllen, Texas, got its start late last year covering pop songs to its Mexican cumbia beat, but with the help of a mentor in songwriter-producer Edgar Barrera, the band has quickly evolved. Hit singles with Bad Bunny (“un x100to”) and Carín León (“Que Vuelvas”) should give the act a shot at both song and record of the year, as well as best new artist.
Ángela Aguilar
The 19-year-old daughter of ranchera icon Pepe Aguilar lost best new artist to Karol G in 2018, but that hasn’t stopped her from bringing traditional Mexican music to the masses. In the five years since, she has become a fixture of the Latin Grammys telecast, while also touring alongside her famous father and releasing major collaborations with artists like Steve Aoki and Fito Páez. “Qué Agonía,” her successful duet with Yuridia, could get a nod for song or record of the year.
Fuerza Regida
The quintet from San Bernardino, Calif., is known for bold music that straddles Mexican and U.S. sensibilities, mixing tuba and guitars with delicious crunch. Although the act’s in-your-face sound and cheeky lyrics may not suit all voters, Fuerza Regida has a finger on the pulse of the streets — don’t discount the group for album of the year with its back-to-back releases Pa Que Hablen and Sigan Hablando.
Peso Pluma
The 24-year-old from Guadalajara, Mexico, is the genre’s current golden boy, debuting just one year ago and already charting 11 tracks on the Hot 100 and 20 on Hot Latin Songs. A disruptor who collaborates both within and outside the genre, Peso Pluma could take home best new artist.
Natanael Cano
Since bursting onto the scene three years ago, the 22-year-old has been considered by many to be the originator of the current corridos tumbao movement — and yet he has not received a single Latin Grammy nod. While his new album, Nata Montana, released in June, didn’t make the deadline, a trio of singles on the Hot 100 do: “PRC” (with Peso Pluma) and “Pacas de Billetes” and “AMG” (with Peso Pluma and Gabito Ballesteros).
Christian Nodal
Widely seen as a successor to the grand ranchera tradition of Alejandro and Vicente Fernández, Nodal may be the most versatile regional Mexican singer today. Although he has already won Latin Grammys in the regional Mexican field, newfound awareness (including a single with Romeo Santos, “Me Extraño”) may boost his chances at main category nods.
This story will appear in the July 15, 2023, issue of Billboard.
The Recording Academy has added three new categories for the 66th Annual Grammy Awards, which are set for Sunday Feb. 4, 2024 — best African music performance, best alternative jazz album and best pop dance recording. This brings the total number of categories to 94, the highest total since the number reached an all-time peak of 109 in 2010.
“By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide.”
Here’s a closer look at the three new Grammy categories. —Paul Grein
Best Alternative Jazz Album
From swing to bebop to fusion, evolution has defined jazz throughout its history. The Grammys’ new best alternative jazz album category acknowledges that constant change, as a new generation brings the storied genre into the 21st century.
In recent years, the Grammys’ existing best jazz instrumental album category has recognized esteemed musicians of yesteryear, awarding the likes of Ron Carter, Wayne Shorter and Chick Corea — who all played with Miles Davis in the late 1960s and early ’70s. By contrast, less conventional jazz artists such as Kamasi Washington and Makaya McCraven, and bands such as Sons of Kemet and The Comet Is Coming (both led by acclaimed British saxophonist Shabaka Hutchings), have remained absent from the category’s nominees. Robert Glasper, the genre-hopping musician who has played with artists from Herbie Hancock to Mac Miller, received a single jazz category nomination in 2016, but snuck into the best R&B album category last year; his surprise win with Black Radio III caused fellow nominee Chris Brown to infamously remark: “Who the f–k is Robert Glasper?”
In its announcement of this new category, the Recording Academy noted that alternative jazz “may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz … with other genres,” including R&B, hip-hop, classical, rap and dance music. As genre distinctions become less rigid, the category’s value rests in how it will allow musicians like Washington — who earned recognition outside the jazz community for his contributions to Kendrick Lamar’s 2015 album, To Pimp a Butterfly — to be honored without conforming to more traditional conceptions of jazz.
Contenders may include Dinner Party, the collaborative project of Washington, Glasper and fellow jazz-meets-hip-hop traveler Terrace Martin; Angel Bat Dawid, the clarinetist-composer signed to influential contemporary jazz label International Anthem; saxophonist Sam Gendel, a prolific puveyor of ambient jazz; and the trio comprising Vijay Iyer, Shahzad Ismaily and Arooj Aftab for Love in Exile. (Aftab was nominated for best new artist and won for best global music performance in 2022.). —Eric Renner Brown
Best African Music Performance
From Afrobeats crossover hits like Burna Boy’s “Ye” and Wizkid’s “Joro” in 2018 and 2019, respectively, to more recent smashes like Rema’s “Calm Down” and CKay’s “Love Nwatiti,” the myriad sounds of Africa have become increasingly dominant in the U.S. and U.K. mainstream markets. After the broad best global music performance category flattened the diversity of non-Western musical stylings, the Recording Academy’s new best African music performance category aims to respond to the explosive growth of the continent’s music.
In 2021, the Grammys awarded the inaugural best global music performance trophy to Arooj Aftab’s “Mohabbat” — a shock to those betting on Wizkid & Tems’ “Essence,” by far the most commercially successful song in the category. The following year, “Bayethe,” a collaboration among South African artists Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode, beat out Burna Boy’s cultural and commercial juggernaut, “Last Last,” yet another marker that an adjustment was needed to properly recognize Afrobeats and its impact.
From its inception, the global music category was an attempt to recognize hundreds of genres across a plethora of languages, cultures and countries. But the rise of Afrobeats, Afro-pop and, more recently, amapiano, has become undeniable. Thanks to a Selena Gomez remix, Rema’s “Calm Down” holds the longest reign on the Billboard U.S. Afrobeats Songs chart (45 weeks and counting, as of the July 15 chart).
On the Hot 100, it peaked at No. 3. In July, Burna Boy became the first Nigerian artist to headline a U.S. stadium with his stint at New York’s Citi Field as a part of his Love, Damini tour.
The new best African music performance category seeks to honor “recordings that utilize unique local expressions from across the African continent, highlighting regional melodic, harmonic and rhythmic musical traditions.” The award will highlight subgenres including, but not limited to, Afrobeats, Afro-fusion, Afro-pop, alté, amapiano, genge, fuji, Ghanaian drill, Afro house, South African hip-hop and Ethio-jazz.
As the eligibility period draws to a close, keep an eye on these potential best African music performance nominees: “2:30” by Asake; “Sittin’ on Top of the World,” Burna Boy; “Charm,” Rema; “People,” Libianca; “Unavailable,” Davido & Musa Keys; “Soweto,” Victony; “Party No Dey Stop,” Adekunle Gold & Zinoleesky; “Reason,” Omah Lay; “Mnike,” Tyler ICU, Tumelo.za, DJ Maphorisa, Nandipha808, Ceeka RSA & Tyron Dee; and “Amapiano,” Asake & Olamide. —Kyle Denis
Best Pop Dance Recording
The Recording Academy has long attempted to cram dance and electronic music’s disparate styles into an all-encompassing pair of categories: best dance/electronic recording and best dance/electronic album. The collision of house, EDM, intelligent dance music and other subgenres has made for strange nominee bedfellows over the years — like in 2022, when Tiësto’s pop-centric crossover smash, “The Business,” competed against the delicately experimental “Loom” from Icelandic composer Ólafur Arnalds featuring Bonobo.
But nowhere has the Grammys’ dance/electronic culture war been so acute as with pop dance (or “dance pop,” as it’s more commonly called), the style that rides the line between the two genres with big melodies, center-of-attention vocals and traditional pop structures. In 2005, Britney Spears’ “Toxic” triumphed over songs like The Chemical Brothers’ “Get Yourself High” for best dance recording. While the categories started shying away from pop stars amid the EDM boom of the 2010s, the pop structures inherent to EDM presented their own challenges.
The dance screening committee, which employs a panel of experts to review submissions to the two dance categories that may be better suited elsewhere, historically struggled with where to place dance pop songs. A source on this committee says it was always hard to classify songs with, for example, a house beat but otherwise fully pop production. Which is why the Grammys have taken an overdue step in their acknowledgment of the music’s wide appeal with its addition of best pop dance recording. The change also earns the genre at large a greater Grammys presence with the addition of five more nominees.
The pop dance category would neatly fit a few early front-runners, including Illenium and the output from his self-titled rock/EDM hybrid album and Jessie Ware’s disco-infused set, That! Feels Good! The category will also likely be the new home for major pop stars making dance-centric songs, with Kylie Minogue’s thumping “Padam Padam” a contender for 2024. While the dance genre is dizzyingly eclectic, the addition of pop dance is one thing everyone can agree on. —Katie Bain
This story will appear in the July 15, 2023, issue of Billboard.
When the nominations for the 66th annual Grammy Awards are announced Nov. 10, Taylor Swift and SZA are each likely to receive nods for album, record and song of the year. It will be a bit harder to crack the Big Four categories than it was the last two years: The Recording Academy is cutting the number of nominees in each of those categories from a bloated 10 to eight, which was the magic number from 2018 to 2020. (Before that, it was generally five.)
And this year’s eligibility period closes two weeks earlier than usual, running from Oct. 1, 2022, through Sept. 15, 2023. Following are Billboard’s best bets for who will be in contention.
In a welcome change, the academy reinstituted a baseline of involvement needed to receive a nomination in this category. Credited and featured artists, songwriters, producers, engineers, mixers and mastering engineers must have worked on at least 20% of an album’s playing time to receive a nod. This is up from no baseline the last two years, when the academy handed out nominations in this category like they were Halloween candy.
Boygenius, The Record
The trio, consisting of Phoebe Bridgers, Julien Baker and Lucy Dacus, co-produced its long-awaited debut album with Catherine Marks. Previous “supergroup” collaborations to be nominated in this category include Crosby, Stills & Nash; the all-star Trio consisting of Dolly Parton, Linda Ronstadt and Emmylou Harris; Traveling Wilburys; and The Three Tenors. Billboard 200 peak: No. 4.
Drake & 21 Savage, Her Loss
This year’s 50th anniversary of hip-hop has received yearlong coverage, which boosts the already good chance that at least one rap album will make the finals. Her Loss was up for album of the year at the BET Awards in June. This would be the third album of the year nomination as a lead or co-lead artist for Drake (following Views and Scorpion) and the first for 21 Savage. Billboard 200 peak: No. 1 (one week).
Lana Del Rey, Did You Know That There’s a Tunnel Under Ocean Blvd
Del Rey’s ninth studio album could yield her second nod in this category, following Norman F–king Rockwell! four years ago. Del Rey co-produced the album with Jack Antonoff, Benji, Zach Dawes, Drew Erickson and Mike Hermosa. Billboard 200 peak: No. 3.
Foo Fighters, But Here We Are
One of the Grammys’ favorite bands collaborated with one of the Grammys’ favorite producers, Greg Kurstin, a two-time winner for producer of the year, non-classical. The Foo Fighters’ 11th studio album — their first since the death of drummer Taylor Hawkins in March 2022 — could yield their third nod in this category. Billboard 200 peak: No. 8.
Olivia Rodrigo, Guts
Rodrigo’s upcoming second album could very well follow her debut, Sour, to an album of the year nod. It was produced by Dan Nigro, who also did the honors on Sour. This would be the second time Rodrigo has been nominated alongside one of her idols, Taylor Swift, in this category. Sour competed with Swift’s evermore two years ago.
SZA, SOS
This tied for album of the year at the BET Awards with Beyoncé’s Renaissance (a Grammy nominee in this category last year). SZA’s second studio album had multiple producers, including Babyface, Jeff Bhasker, Benny Blanco and Shellback. Billboard 200 peak: No. 1 (10 weeks).
Taylor Swift, Midnights
This would be Swift’s sixth nomination in this category, which would put her in a tie with Barbra Streisand for the most nods by a woman in Grammy history. Swift co-produced Midnights with Jack Antonoff, Sounwave, Jahaan Sweet and Keanu. She could make history when the Grammys are presented Feb. 4, 2024, becoming the first person to win album of the year four times. She’s currently tied with Frank Sinatra, Stevie Wonder and Paul Simon with three wins each. Billboard 200 peak: No. 1 (six weeks).
Morgan Wallen, One Thing at a Time
This would be the first country album to be nominated in this category since Kacey Musgraves’ Golden Hour five years ago (which won) and the first by a male country artist since Chris Stapleton’s Traveller eight years ago. Joey Moi, Cameron Montgomery, Charlie Handsome and Jacob Durrett co-produced the collection, which is Wallen’s third studio album. Billboard 200 peak: No. 1 (15 weeks — longer than any other album since Adele’s 2011 release, 21).
Within Reach: Luke Combs, Gettin’ Old; Miley Cyrus, Endless Summer Vacation; Jelly Roll, Whitsitt Chapel; Noah Kahan, Stick Season; Karol G, Mañana Será Bonito; Lil Baby, It’s Only Me; Metro Boomin, Heroes & Villains; Janelle Monáe, The Age of Pleasure; Paramore, This Is Why; Ed Sheeran, – (Subtract); Sam Smith, Gloria; Tanya Tucker, Sweet Western Sound; Lainey Wilson, Bell Bottom Country
Clockwise: Luke Combs, Miley Cyrus, Taylor Swift and Rihanna.
Illustration by Andrei Cojocaru. Jeremy Cowart; Brianna Capozzi; Christopher Polk for PMC; Ezra Shaw/Getty Images.
Swift is still looking for her first win in this category, as are past contenders such as SZA and Rihanna. “Calm Down” by Rema & Selena Gomez, which would have been a strong contender, was released before the start of the eligibility year. Rema’s solo recording of the song was entered, but not nominated, for best global music performance last year.
Miley Cyrus, “Flowers”
Cyrus’ father, Billy Ray Cyrus, has received two record of the year nods — for “Achy Breaky Heart” and “Old Town Road,” his collaboration with Lil Nas X. The Cyruses would become just the third parent and child to each receive record of the year nods, following the Sinatras (Frank and Nancy) and the Coles (Nat “King” and Natalie). Billboard Hot 100 peak: No. 1 (eight weeks).
Luke Combs, “Fast Car”
Tracy Chapman’s original version of this song was a 1988 record of the year nominee. This would become only the second song in Grammy history to be the basis of two singles that received record of the year nods. The first was “Mack the Knife.” (Bobby Darin’s recording was the 1959 winner, while Ella Fitzgerald’s was a 1960 nominee.) Hot 100 peak: No. 2 (so far).
Lil Durk & J. Cole, “All My Life”
The melodic chorus on this hip-hop smash gives it broad-based appeal. This would be the first collaboration by two rappers to receive a nod in this category since DaBaby’s “Rockstar” (featuring Roddy Ricch) three years ago. J. Cole finally won his first Grammy (after amassing 12 nominations) four years ago for “A Lot.” Lil Durk is still looking for his first win. Hot 100 peak: No. 2.
PinkPantheress & Ice Spice, “Boy’s a Liar, Pt. 2”
This is vying to become the third collaboration by two women in the past four years to land a nod in this category. Megan Thee Stallion’s “Savage” (featuring Beyoncé) was nominated three years ago, and Doja Cat’s “Kiss Me More” (featuring SZA) was a contender two years ago. Hot 100 peak: No. 3.
Rihanna, “Lift Me Up”
This soulful ballad from Black Panther: Wakanda Forever arrived at the start of the eligibility year. This would be Rihanna’s fourth record of the year nominee, and her first on her own. She was previously nominated for collaborations with Jay-Z (“Umbrella”), Eminem (“Love the Way You Lie”) and Drake (“Work”). Hot 100 peak: No. 2.
SZA, “Kill Bill”
This would be SZA’s third record of the year nominee, and her first on her own. She was previously nominated for collaborations with Kendrick Lamar (“All the Stars”) and Doja Cat (“Kiss Me More”). Hot 100 peak: No. 1 (one week).
Taylor Swift, “Anti-Hero”
This would be Swift’s fifth nod in this category. She was previously nominated for “You Belong With Me,” “We Are Never Ever Getting Back Together,” “Shake It Off” and “Blank Space.” Swift would be the first artist whose first five nominations in this category were for solo recordings (and not collaborations or group/duo recordings) since Frank Sinatra in the ’50s and ’60s. Hot 100 peak: No. 1 (eight weeks).
Morgan Wallen, “Last Night”
This single and/or Combs’ “Fast Car” would be the first country single (going by Grammy performance category placements) to receive a record of the year nod since Lady A’s “Need You Now” 13 years ago (which won). Taylor Swift’s subsequent “We Are Never Ever Getting Back Together” topped Billboard’s Hot Country Songs chart, but vied for a performance nod in the pop field at the Grammys. Hot 100 peak: No. 1 (13 weeks).
Within Reach: Zach Bryan featuring Maggie Rogers, “Dawns”; Lana Del Rey, “A&W”; Jelly Roll, “Need a Favor”; Labrinth, “Never Felt So Alone”; Coi Leray, “Players”; Lil Uzi Vert, “Just Wanna Rock”; Dua Lipa, “Dance the Night”; Janelle Monáe, “Lipstick Lover”; Paramore, “This Is Why”; P!nk, “Trustfall”; Olivia Rodrigo, “Vampire”; Ed Sheeran, “Eyes Closed”; Toosii, “Favorite Song”; Tanya Tucker & Brandi Carlile, “Ready As I’ll Never Be”
From left: Tanya Tucker & Brandi Carlile, Jelly Roll & Lil Durk.
Illustration by Andrei Cojocaru. Gary Miller/WireImage; Chum Daddy; Katie Jones for WWD.
Last year, six of the 10 record of the year nominees were also nominated for this songwriter’s award. This year, five out of eight could double up. Luke Combs’ “Fast Car” won’t be eligible because it was already well-known. Tracy Chapman was nominated in this category in 1988 for writing it.
“A&W”Songwriters: Lana Del Rey, Jack Antonoff, Sam Dew
Del Rey and Antonoff were nominated in this category four years ago for co-writing “Norman F–king Rockwell.” He won this honor 11 years ago for co-writing fun.’s “We Are Young” (featuring Janelle Monáe). This would be Dew’s first nomination in the category.
“All My Life”Songwriters: Lil Durk, J. Cole, Dr. Luke, Rocco Did It Again!, Ryan OG, LunchMoney Lewis, Theron “Uptown AP” Thomas
This would be Dr. Luke’s third nomination in this category following nods for Katy Perry’s “Roar” and the Doja Cat-SZA collaboration “Kiss Me More.”
“Anti-Hero”Songwriters: Taylor Swift, Jack Antonoff
“Anti-Hero” could give Swift a record seventh nomination for song of the year, which would surpass Paul McCartney and Lionel Richie for the most nods in the history of the category. Surprisingly, this would be the first Swift-Antonoff collaboration to be nominated for this award.
“Flowers”Songwriters: Miley Cyrus, Gregory “Aldae” Hein, Michael Pollack
This would be the first nod in this category for all three co-writers. The song is a modern twist on such hits as “You Don’t Bring Me Flowers,” a nominee in this category 45 years ago, and Bruno Mars’ “When I Was Your Man,” a nominee for best pop solo performance 10 years ago.
“Kill Bill”Songwriters: SZA, Carter Lang, Rob Bisel
This would be SZA’s third nod in this category; she was among the co-writers of “All the Stars” and “Kiss Me More.” Lang was also nominated in this category for co-writing the latter. Bisel was nominated for record of the year as an engineer-mixer on the irresistible pop smash.
“Lift Me Up”Songwriters: Ludwig Göransson, Rihanna, Tems, Ryan Coogler
This would be the first nomination in this category for Rihanna, Tems and director Coogler. Göransson won this award five years ago for co-writing Childish Gambino’s “This Is America.” “Lift Me Up” would be the first Academy Award nominee for best original song to also be nominated for the top songwriting Grammy since “Fight for You” from Judas and the Black Messiah two years ago.
“Need a Favor”Songwriters: Jelly Roll, Rob Ragosta, Joe Ragosta, Austin Nivarel
This song, released as the lead single from Jelly Roll’s breakthrough album, Whitsitt Chapel, has a refreshingly honest and affecting chorus, which begins: “I only talk to God when I need a favor/And I only pray when I ain’t got a prayer.”
“Ready As I’ll Never Be”Songwriters: Brandi Carlile, Tanya Tucker
This would be Carlile’s fifth nomination in this category and Tucker’s second. They previously collaborated on “Bring My Flowers Now,” a nominee here two years ago. “Ready As I’ll Never Be,” which was featured in the 2022 documentary The Return of Tanya Tucker, could also receive a nod for best song written for visual media.
Within Reach: “Boy’s a Liar, Pt. 2,” PinkPantheress & Ice Spice; “Dance the Night,” Dua Lipa; “Dawns,” Zach Bryan featuring Maggie Rogers; “Eyes Closed,” Ed Sheeran; “Growin’ Up and Gettin’ Old,” Luke Combs; “Last Night,” Morgan Wallen; “Lipstick Lover,” Janelle Monáe; “Never Felt So Alone,” Labrinth; “Players,” Coi Leray; “Thank God,” Kane Brown & Kaitlyn Brown; “This Is Why,” Paramore; “Trustfall,” P!nk; “Vampire,” Olivia Rodrigo
Clockwise: Gracie Abrams, Ice Spice, Peso Pluma and PinkPantheress.
Illustration by Andrei Cojocaru. Mark Horton/Getty Images; Mike Coppola/Getty Images; Jerry Budar; Mia Teresa.
Though The Record is boygenius’ first album, the trio won’t be eligible here because one of its members, Phoebe Bridgers, is a previous Grammy nominee. She received four nods, including best new artist, three years ago.
Zach Bryan and GloRilla probably won’t be eligible because they were nominated in performance categories last year. The Grammy rulebook makes an exception for such artists, provided they hadn’t at the time of those nominations released enough material to be “eligible in this category for the first time.” Bryan and GloRilla were both eligible and entered for best new artist last year.
The Grammy screening committee will have the final say on whether Coi Leray and Jelly Roll are eligible. Neither has been nominated before, but both have been around awhile. Leray was nominated for best new artist at the BET Awards two years ago, and Jelly Roll has been releasing records since 2011.
Gracie Abrams
Aaron Dessner and Matias Tellez co-produced the singer-songwriter’s first studio album, Good Riddance. Abrams has served as an opening act on Olivia Rodrigo’s Sour tour and Taylor Swift’s The Eras Tour. Fun fact: Abrams’ father, J.J. Abrams, won two Primetime Emmy Awards as executive producer/director of Lost.
Ice Spice
The rapper, born Isis Naija Gaston, has landed four top 10 hits on the Billboard Hot 100 in 2023 thanks to collaborations with PinkPantheress (“Boy’s a Liar, Pt. 2”) and past best new artist nominees Taylor Swift (“Karma”) and Nicki Minaj (“Princess Diana,” “Barbie World”). Ice Spice was nominated for best new artist at the 2023 BET Awards.
Jelly Roll
The rapper turned country artist had a star-making night in April at the CMT Music Awards, where he performed “Need a Favor” and won three trophies. Jelly Roll, born Jason Bradley DeFord, will turn 39 in December, which would make him the oldest individual nominee in this category since Andrea Bocelli, who was 40 when he was nominated 25 years ago.
Coco Jones
Jones won best new artist at the BET Awards, beating GloRilla and Ice Spice. The former child star was featured on Radio Disney’s The Next Big Thing in 2010-11 and starred in the Disney Channel film Let It Shine in 2012. Her breakthrough track, “ICU,” reached No. 63 on the Hot 100 in May. Jones was also featured on a track on Babyface’s 2022 album, Girls Night Out.
Noah Kahan
The singer-songwriter’s third album, Stick Season, vaulted to No. 3 on the Billboard 200 following the release of an expanded edition in June. It will probably be nominated for best Americana album or best folk album.
PinkPantheress
The British singer-songwriter was nominated for the rising star award at the Ivor Novello Awards in 2022. She won the BBC’s Sound of 2022 poll and has been nominated for three NME Awards. “Boy’s a Liar, Pt. 2” reached No. 3 on the Hot 100.
Peso Pluma
The Mexican singer-songwriter-rapper born Hassan Emilio Kabande Laija is vying to become the third Latin artist to be nominated in this category in the past five years, following Rosalía and Anitta. Génesis, his third studio album, entered the Billboard 200 at No. 3, becoming the highest-charting regional Mexican album to date.
Bailey Zimmerman
The singer-songwriter’s first studio album, Religiously. The Album, reached No. 7 on the Billboard 200. Zimmerman was nominated for new male artist of the year at the Academy of Country Music Awards in May.
Within Reach: Lola Brooke, Doechii, Fifty Fifty, FLO, HARDY, JVKE, Kelela, RAYE, Rema, Toosii, The War and Treaty, Hailey Whitters
This story will appear in the July 15, 2023, issue of Billboard.