Awards
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We all know Adele has a way with words â both in song and in interviews â but in her cheeky speech Thursday morning (Dec. 7) at The Hollywood Reporterâs Women in Entertainment breakfast, she warned the crowd that sheâs ânot really a motivational words kinda gal.â âIâm just gonna be upfront about it straightaway,â […]
Tate McRae brought her first-ever award show performance of âGreedyâ to the 2023 Billboard Music Awards Presented by Marriott Bonvoy, and the pop star explained just why choreography had such an important role in the number. Elsewhere in our sitdown interview, McRae teased a track called âMy Hometownâ off her new album, Think Later, dropping Dec. 8.
Tate McRae:It is so exciting to perform âGreedyâ today â itâs my first ever award show performance of it. For years Iâve been trying to figure out how to dance and sing at the same time. Itâs been like an ongoing battle of, like, my songwriter side and my dancer side. And for the first time, I wrote a song that I can, like, fully dance to dance, influence on music so much just because Iâve been surrounded by it my whole life. My mom was my dance teacher at the age of two. She was just, like, putting so much music in front of me as a dancer â you just hear music different, you feel it. And I think thatâs what makes me a pretty, like, soulful writer.
Tate McRae:Got to go to some very cool places. Honestly, one of the best places to go is Australia. For me, I think one of my craziest crowds are in Australia. Iâve no idea why. But I remember going last year for the first time â it was pretty nuts, just know, like, that far away across the world, people were listening to all my lyrics is surreal.
Tate McRae:I used to be scared of singing in front of people. And then I got to be able to tour for the first time. Iâm just, like, I have the coolest fans who just want to have a good time and screaming lyrics as loud as possible. And thatâs why I feel like itâs so special when I bring it â to see them even in a setting like this just to be able to interact with them any way just always makes me very happy.
I have a song on my upcoming album. Itâs actually called âMy Hometown.â It was actually, like, I remember going home for, like, a break for, like, two weeks and ended up writing the song, like, as I was there after I, like, just gotten home from a night out. And I, like, started the song and then finished it back in L.A., but itâs very personal to me. Fans can expect a totally different side of my personality. I usually always write to talk about, like, my deepest darkest fears and, like, the worst parts of my life, and this time I wanted to explore just having fun in the studio. Itâs the coolest thing ever, charting on Billboard. I think you just go your whole life, like, looking at your favorite artists and your idols charting. And so it feels very surreal when youâre seeing the name up there. Yeah, every time it shocks me.
Go behind the scenes of Tate McRaeâs âGreedyâ performance at the 2023 Billboard Music Awards Presented by Marriott Bonvoy. The number was filmed at the Moxy Downtown Los Angeles. Moxy Hotels is one of over 30 hotel brands in the Marriott Bonvoy portfolio. Narrator:Weâre here at the Moxie Hotel in downtown Los Angeles for the […]
Taylor Swift doesnât exactly need another award, but sheâs a finalist for one that would probably mean a lot to her. She is a finalist for a 2024 Anthem Award, in tandem with Vote.org, for their work on National Voter Registration Day. Launched in 2021 by The Webby Awards, The Anthem Awards honor the purpose […]
The Academy of Country Music announced rule changes in several categories on Monday (Dec. 4) that it hopes will allow it to bring back its award for new duo or group of the year â which it hasnât presented since 2018.
âACM new duo or group of the year is an illustrious category that has seen the likes of Brooks & Dunn and The Chicks win early in their careers, as well as both reigning ACM duo of the year Brothers Osborne and reigning ACM group of the year Old Dominion,â said Tommy Moore, ACM vice president of artist and industry relations, governance and board administration. âThe category hasnât been awarded in recent years, and weâre hopeful these changes in category rules and minimum qualifying entrant levels will allow us to bring back this award, a fan favorite, as well as celebrate additional deserving emerging artists in the critical early years of their career.â
The category was presented every year from 1989 to 2002, but has been presented sporadically since then. In 2009, separate awards were presented for groups (Gloriana) and duos (Joey + Rory), but the award hasnât been presented at all nine times since 2003.
âThe 59th ACM Awards cycle brings changes to awards categories that will allow more artists, groups, and duos the chance to qualify and be recognized with an ACM Award, which will benefit emerging artists and help put a spotlight on the future of the genre,â said Daniel Miller, chair of the ACM awards, voting, and membership committee. âIâd like to thank the awards committee members, board members, and board officers for their thoughtful contributions in expanding eligibility to reflect our evolving industry and the realities for new artists on their path to success.â
The ACM also announced the submissions and ballot timeline for professional membership voting for the 59th Academy of Country Music Awards, coming in May 2024.
The 59th Academy of Country Music Awards, produced by dick clark productions, will stream exclusively on Prime Video for a global audience for a third straight year, live from Ford Center at The Star in Frisco, Texas, as part of the ACM Awardsâ recently-announced renewed partnership with Amazon.
The 58th ACM Awards garnered more than 7.7 million viewers on Prime Video, plus additional viewership across Amazon Music, the Amazon Music channel on Twitch, and Amazon Live, making the show hosted by Dolly Parton and Garth Brooks one of the most-watched awards shows of the year.
The ACM board of directors approved changes to the Academyâs new female artist of the year, new male artist of the year, and new duo or group of the year, extending charting for those categories to open eligibility to more artists. The ACM board of directors also adopted criteria to require a minimum of three eligible submissions to award a category.
New Eligible Submission Minimum
A minimum of three eligible submissions are required to award the category. In the instance there are not three eligible submissions within a category, a professional panel may vote to allow additional considerations to meet the required minimum.
Extended Charting for New Artist Categories
This applies tonew female artist, new male artist, new group/duo categories. Presented to an individual artist, group or duo who gains initial fame or significantly greater recognition during the promotion of a debut or sophomore album within the eligibility period.
The artist must have released a single that reached the top 50 on Billboardâs Hot Country Songs or the Mediabase Country charts. Any albums self-released through an independent label the artist owns and operates may not be counted as a debut or sophomore album, unless it produces a top 50 single reported by Billboardâs Hot Country Songs or Mediabase Country charts. The nominees shall be determined by a nomination ballot(s) and are subject to the approval of the Board. The winner shall be determined by a vote of the ACM professional membership.
Any artist who served or is currently serving as a lead member of a duo or group is not eligible for individual category recognition. Additionally, any artist who has gained initial fame as a solo artist or as part of a duo or group in another genre is not eligible in these categories.
An artist may be a nominee two times in a three-year period. Once an artist releases the lead single from a third studio album, they will no longer be eligible in this category. If an artist is a winner in the new female artist /new male artist/new duo or group (or any respective previously named) category their first year on a ballot, they will not be eligible in any new artist categories again. Any artist who has previously won the award for entertainer, female artist, male artist, duo or group of the year (or any respective previously named category) is ineligible for a new artist nomination.
Submission Window
Submissions for the 59th Academy of Country Music Awards will open at 11 a.m. CT / 9 a.m. PT on Monday, Jan. 8, 2024. The Academy will accept entries through Friday, Jan. 26, 2024 at 7 p.m. CT / 5 p.m. PT. A full voting timeline is below.
The eligibility period for submissions for the 59th Academy of Country Music Awards is Jan. 1, 2023 through Dec. 31, 2023.
Key Dates
Key dates for Academy professional members for the 2023 ACM Awards cycle are as follows:
Submissions Period Opens: Jan. 8, 2024
Submissions Period Closes: Jan. 26, 2024
First Round Voting, Main Awards: Feb. 26, 2024 â March 4, 2024
Second Round Voting, Main Awards: March 18, 2024 â March 25, 2024
Final Round Voting, Main Awards: April 15, 2024 â April 22, 2024
Key dates for Academy professional members for the 2023 ACM Radio Awards cycle are as follows:
Submissions Period Opens: Jan. 8, 2024
Submissions Period Closes: Jan. 26, 2024
First Round Voting, Radio Awards: Feb. 26, 2024 â March 11, 2024
Final Round Voting, Radio Awards: March 18, 2024 â Apr. 1, 2024
It was a night of high notes at the Kennedy Center Honors, and not only because Sir Barry Gibb âand his signature falsetto â was inducted into the 2023 class along with Dionne Warwick, Queen Latifah, acclaimed soprano RenĂŠe Fleming and Billy Crystal.
Now in its 46th iteration, the Honors has steadily been morphing from a staid affair to a full-scale entertainment spectacle befitting the nationâs highest honor bestowed for artistic achievement. This yearâs gala, held Sunday (Dec. 3) with President Biden, First Lady Jill Biden and a host of DC power players in the house, packed dazzle and dignity â and plenty of star power.
Host and 2017 honoree Gloria Estefan, as well as Michael BublĂŠ, Dove Cameron, Ariana DeBose, Robert De Niro, Sheila E, Missy Elliott, Cynthia Erivo, Whoopi Goldberg, Gladys Knight, Jay Leno, Lin-Manuel Miranda, Rita Moreno, Ego Nwodim, Rob Reiner, Meg Ryan and Kerry Washington were among those who took the stage to fete the nightâs guests of honor.
Gibb, 77, is one of the most prolific songwriters in history. He has written or co-written hundreds of songs, many alongside brothers Robin and Maurice as hitmaking machine the Bee Gees, whose songbook defined both disco and reinvention. Gibb penned the title track of the film Grease, performed by Frankie Valli; and together with the Bee Gees wrote the 1983 crossover smash âIslands in the Stream,â which Dolly Parton and Kenny Rogers took to No. 1 on the Billboard Hot 100.
The eldest and last living member of the family brotherhood, Gibb said before the show that he felt the presence of his siblings as he prepared to take his seat in the balcony of the opera house. âItâs very emotional; thereâs something going on in the air and you just feel it,â he said of feeling the presence of late brothers Robin, Maurice and Andy Gibb.
Also emotional pre-show was BublĂŠ, who described how Gibb jump-started his career 20 years ago by dueting with him on BublĂŠâs first album on one of his own songs. âI was working with producer David Foster and David said, âWe have no heat, we need a duet.â And no matter who we sent âHow Can You Mend a Broken Heartâ to, we couldnât get someone to duet.â Foster got Bubleâs version of the song to Gibb, âand two days later my first duet was with Barry Gibb and the Bee Gees, and it changed my life,â BublĂŠ said.
BublĂŠ performed the track during Gibbâs tribute, which also included a compelling version of âLonely Daysâ by Little Big Town, who collaborated with Gibb on his 2021 album Greenfields: The Gibb Brothers Songbook, Vol. 1,; a fittingly theatrical version of âNights on Broadwayâ by Ben Platt; and a disco-infused medley featuring DeBose accompanied on piano by Chloe Flower that was the perfect crescendo to close out the night in a swirl of confetti.
Gibbâs son Stephen Gibb gave a heartfelt homage, noting, âMy father somehow was gifted with a heart-focused, supernatural ability to express himself in song, which has allowed him to connect with people on such a mass level.â
Clive Davis was on hand to praise Warwick, 82, who counts the Bee Gees-penned âHeartbreakerâ among her 56 charted hits on the Billboard Hot 100 and a reported 100 million records sold. He recounted the phenomenon of Warwickâs early partnership with Burt Bacharach and Hal David and the legacy that led her to win Grammys for their songs âDo You Know the Way to San Joseâ and âIâll Never Fall in Love Again.â She has since won three more Grammys plus a lifetime achievement award from the Recording Academy.
âThere simply is no song that Dionne Warwick cannot sing,â Davis said. âThe lexicon of her hits is as great and as deep as any artist who has ever recorded.â
After 2020 Kennedy Center honoree Debbie Allen and 2013 honoree Herbie Hancock bestowed accolades for Warwickâs humanitarian activism, including her collaboration with Elton John, Knight and Stevie Wonder on âThatâs What Friends Are Forâ â the 1985 hit and first recording dedicated to raising AIDS awareness â the musical tributes started to flow.
Mickey Guyton and The Spinners delivered a smooth and spirited rendition of âThen Came Youâ; Erivo manifested a soaring âAlfie,â which brought Warwick to tears; and Knight offered up a perfectly punctuated version of âI Say a Little Prayer.â
Before her time on stage, Saturday Night Live cast member Nwodim gushed about her experience portraying Warwick, alongside the real Warwick, in a now-storied sketch. âHer embrace of the impression and then publicly celebrating it was really special to me,â she said. âI am eternally grateful to her for that.â
Latifah, 53, is the first female rapper to receive Honors, and Moreno and Washington dove deep into the reasons why during their tributes, before an assembly of rap and hip-hop heavyweights âincluding Monie Love, MC Lyte, D-Nice, Yo-Yo and Rapsody â cranked up the volume with a medley including Latifahâs âU.N.I.T.Y.â and âLadies First.â
As one of the artists to pay tribute to LL Cool J when he became the first hip-hop artist to receive Honors, Latifah told Billboard pre-show she was embracing her moment. âItâs trippy to be here for myself tonight,â she said. âI feel very honored. Iâm very, very humbled. Being honored the same year as hip-hopâs 50th anniversary? âIcing on the cake.â
Latifah recently inducted Missy Elliott into the Rock and Roll Hall of Fame, and Elliott returned the favor with an intimate tribute that brought both laughs and knowing nods. By crowning herself Queen, Elliott said, Latifah is saying, âPeople will respect me, I will be a leader, I will be a provider, I will be an inspiration to many. I will be the blueprint to success. I donât set the bar, I am the bar.â
Crystal, 75, joins an elite group of comedy performers â including David Letterman, Steve Martin and Carol Burnett â to be bestowed with both the Kennedy Center Honor and the Centerâs Mark Twain Prize, which he received in 2007.
He was feeling patriotic when Billboard caught up with him before the show. Describing his experience at the dinner hosted by Secretary of State Antony Blinken the night before, he said, âSecretary Blinken had just flown in from Tel Aviv, he landed at 5 a.m. and in the middle of this horrendous situation, he hosts us, makes a brilliant speech about the arts⌠and then they put [the lanyard] on us. Itâs spectacular. This is our country. This is who we are, and more people should feel that and be positive about America. This isnât an awards show. This is about appreciation for the soul of our artistic community, and thatâs a beautiful thing.â
Rob Reiner, in town to celebrate his friend whom he directed in The Princess Bride and When Harry Met Sally⌠(and This Is Spinal Tap, if you count that one line), noted on the red carpet, âThe guy is a great comedian and heâs also not afraid to show his feelings, and thatâs a rare combination.â
Lin-Manuel Miranda realized a different kind of dream. âIâve been dreaming of doing an Oscar-style tribute to Billy Crystal since I was 10,â he said of the nine-time Academy Awards host before launching into the perfect Crystal-esque number, complete with song and dance.
Ryan reminisced about that fateful scene from When Harry Met Sally… ââIâve never been around anyone who makes faking an orgasm easierââ Goldberg recalled the early days of Comic Relief working with Crystal and the late, great Robin Williams (whose absence was deeply felt). âWe were constantly being reminded to behave ourselves, which we did not,â she said, while Bob Costas honored their shared love of baseball and the Yankees. Between dropping âfâ bombs, De Niro dropped some priceless jokes.
âI had no idea youâd won so much,â he said to Crystal. âAnd youâve done it all in such a relatively short amount of time. Youâre only 71. That means youâre just about six years away from bring the perfect age to be elected President,â he snarked, right in front of 81-year-old President Biden.
Fleming, 64, is one of the most prominent sopranos of our time, and her tribute showcased the breadth of her influence. She was the first opera singer to perform the National Anthem at a Super Bowl, in 2014. She also launched the first ongoing collaboration between the Kennedy Center and the National Institutes of Health.
Presenters included Christine Baranski, a fellow Juilliard alum, who reminded the audience that Fleming once sang the top 10 on list on David Lettermanâs late-night show, and Titus Burgess, who demonstrated some serious pipes.
Dove Cameron, who appeared alongside Fleming in the musical The Light in the Piazza, shared, âI was never not astounded by the quality of human Renee is,â Cameron said before showcasing her own musical chops performing the title track from that show.
This yearâs Kennedy Center Honors special was again produced by Done+Dusted, in association with ROK Productions. The special will air Wednesday, Dec. 27 on CBS and stream live and on demand on the CBS app and Paramount+.
Grammy-winner Olivia Rodrigo was praised as one of the most important songwriters of her generation by St. Vincent at Friday nightâs Variety Hitmakers ceremony, where she was presented with the Storyteller of the Year award.
âIn order to be a good storyteller, one mustâto quote Olivia herself â pay attention to things most people ignore. Olivia sees the cracks and contradictions in herself and others and makes the ineffable understandable and transformational for her listeners,â St. Vincent said. âHer honest songs about the impossible task of growing up have liberated so many young people fighting and fumbling their ways through the same experiences. But itâs not merely paying attention that matters to the craft of songwriting. Itâs also how you observe and how you listen.â
Vincent said one of the things that makes Rodrigoâs songs so alluring to fans is that they consider them to be their personal rallying cries thanks to the âVampireâ singerâs openness and compassion. âHer authenticity â not an affect, not a brand â allows her listeners to step inside her songs as their complete selves: struggling, searching, celebrating, just living. Just being,â Vincent continued. âOliviaâs songs pull off the magic trick of sounding like all of us at once, but also uniquely just like her. I call that a sly generosity, which is a beautiful thing to witness and to hear, and itâs one of the reasons Iâve so enjoyed getting to know Olivia over the past few years.â
Searching for words to describe Rodrigo, 20, St. Vincent landed on calling her a âprecious baby angel muffin⌠but if a precious baby angel muffin was tough as nails and cool as hell and fâinâ loved the Breeders. She is shockingly talented, whip smart, and to me, the most important combination, curious and kind. These attributes make her great and will make her a great storyteller for years to come. Oliviaâs listening, sheâs asking, sheâs interrogating the cracks in herself and in humanity. But because of her empathy, what she brings to the surface in her songs are the small frailties and the slivers of joy â those threads that make up our every single day. She pays attention to the things most people ignore, and makes them not just seen, but makes them shine. So Iâm happy to call her a friend.â
Clearly moved, Rodrigo thanked Vincent and said her tribute made her want to cry. âI think sheâs the most talented, kindest, most wonderful person Iâve ever met and Iâm so inspired by her constantly and Iâm very lucky to call her a friend,â Rodrigo said of her inductor. The singer also talked about writing âCanât Catch Me Now,â from The Hunger Games: The Ballad of Songbirds and Snakes, saying that âtelling stores through songwriting has been my favorite thing to do for as long as I can remember. I write to figure out how I feel, to move through my emotions, and to commemorate and honor seasons of my life.â
She added that even though songwriting is one of her favorite things to do in the world, âI wouldnât say itâs always been effortless for me by any means. Especially making my most recent album, I had so many voices in my head and I felt so much pressure to please everyone with the music I was making.â
Tyla, the 21-year old South African singer/songwriter, has exquisite timing.
She has broken big just as the Recording Academy added a new category this year, best African music performance. Her global hit âWaterâ reached No. 1 on Billboardâs U.S. Afrobeats Songs chart on Oct. 21, one day after first-round voting for the 66th Grammy Awards ended. On Nov. 10, âWaterâ was announced as one of the nominees in that category. This week, just two weeks before final-round voting begins, that hit breaks into the top 10 on the Billboard Hot 100. (Final-round voting extends from Dec. 14 to Jan. 4, 2024.)
Tyla couldnât have timed her breakthrough, and her songâs emergence as a top 10 hit, better if she had done it all specifically with Grammy deadlines in mind.
Does having a hit right as Grammy voters are making their final selections make a difference? Letâs just say it never hurt.
And Tyla isnât alone. Here are other songs in this weekâs top 40 on the Hot 100 that are nominated for Grammys this year (or are from albums that are Grammy-nominated). We also included two artists with hits in the current top 40 who are nominated for best new artist (Jelly Roll and Noah Kahan).
The numbers shown are the songâs ranking on the Hot 100 dated Dec. 2.
3. Doja Cat, âPaint the Town Red.â Best pop solo performance
5. SZA, âSnooze.â Best R&B song, album of the year and best progressive R&B album (SOS).
6. Zach Bryan featuring Kacey Musgraves, âI Remember Everything.â Â Best country duo/group performance, best country song, best country album (Zach Bryan)
10. Tyla, âWater.â Best African music performance
14. Morgan Wallen, âLast Night.â Best country song (Note: Wallen isnât nominated because he didnât co-write the song.)
18. Luke Combs, âFast Car.â Best country solo performance
21. Jelly Roll, âNeed a Favor.â Best new artist
22. Jelly Roll with Lainey Wilson, âSave Me.â Best new artist, best country duo/group performance
23. Olivia Rodrigo, âVampire.â Record of the year, song of the year, best pop solo performance, album of the year and best pop vocal album (Guts)
27. Chris Stapleton, âWhite Horse.â Best country solo performance, best country song
30. Miley Cyrus, âUsed to Be Young.â Album of the year and best pop vocal album (Endless Summer Vacation)
31. Dua Lipa, âDance the Night.â Song of the year, best song written for visual media, best score soundtrack for visual media (Barbie: The Album)
36. Billie Eilish, âWhat Was I Made For.â Record of the year, song of the year, best pop solo performance, best music video, best song written for visual media, best score soundtrack for visual media (Barbie: The Album)
37. Noah Kahan, âStick Season.â Best new artist
Last week, the Recording Academy added Mick Jagger and Keith Richards as arrangers of the classical-shaded treatment of The Rolling Stonesâ rock classic âPaint It Black,â which was recorded for a memorable cello scene in the first episode of Netflixâs Wednesday. Jagger and Richards are now listed alongside Esin Aydingoz, Chris Bacon and Alana Da Fonseca, who had been listed as the arrangers of the track when the nominations for best arrangement, instrumental or a cappella were announced on Nov. 10.
Wednesday, which debuted on Netflix in November 2022, has also aired cello renditions of Metallicaâs âNothing Else Mattersâ and Dua Lipaâs âPhysical.â
This is the first Grammy nomination as arrangers for Jagger and Richards. The rock legends have shared 15 nods over the years; Jagger has achieved two more on his own. Jagger and Richards are also nominated this year for best rock song for co-writing âAngry,â which was the lead single from Hackney Diamonds, the bandâs first studio album of new material in 18 years.
The Stonesâ original version of âPaint It Blackâ was a No. 1 hit on the Billboard Hot 100 in June 1966. (The title was originally shown as âPaint It, Black,â apparently due to a typo.)
This is the second time Jagger and Richards have been nominated for a Grammy on account of a new recording that borrowed from a Stones classic. At the 41st Grammy Awards in February 1999, they were nominated for best rock song for The Verveâs âBitter Sweet Symphony,â which was based on a sample from a version of The Stonesâ âThe Last Timeâ by The Andrew Oldham Orchestra. âBitter Sweet Symphonyâ reached No. 12 on the Hot 100 in April 1998.
The Verve had obtained rights to use the sample of âThe Last Timeâ from the copyright holder, Decca Records, but were denied permission from The Stonesâ former manager, Allen Klein. Following a lawsuit, The Verve relinquished all royalties, and Jagger and Richards were added to the songwriting credits, alongside The Verveâs Richard Ashcroft. In 2019, a decade after Kleinâs death in 2009, Jagger, Richards and Kleinâs son ceded the rights to Ashcroft. The Grammy nods for Jagger and Richards (alongside Ashcroft) remain, however.
The Stonesâ original versions of âThe Last Timeâ and âPaint It Blackâ werenât nominated for Grammys. In fact, The Stones werenât nominated for a Grammy in any category until 1978, when their Billboard 200-topping album Some Girls was nominated for album of the year. How to explain the Grammys snubbing such all-time classics as â(I Canât Get No) Satisfaction,â âHonky Tonk Womenâ and âBrown Sugarâ? The Grammys were resistant to rock in the 1960s, and didnât have genre categories exclusively dedicated to rock until 1979. The Academy attempted to make amends with the band in 1986 when it presented them with a lifetime achievement award.
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