Awards
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On Monday (March 27), CMT revealed the six finalists for video of the year at their upcoming awards show, including Morgan Wallen, Blake Shelton and more.
Wallen’s visual for “You Proof” is nominated, while Shelton is competing with 2022’s “No Body.” The four other nominees rounding out the category include Carrie Underwood‘s “Hate My Heart” from her latest album Denim & Rhinestones, Cody Johnson‘s “Human,” HARDY‘s Lainey Wilson-assisted “Wait in the Truck” and Kane Brown‘s “Thank God” with his wife Katelyn Brown.
Voting in the video of the year category, which started with a crop of 16 videos, will continue through the weekend, with the top three nominees being announced Sunday (April 2) ahead of the show and the big winner revealed during the telecast on CBS.
Underwood’s inclusion in the top six continues her hot streak at the CMT Awards; the American Idol champ holds the record as the most-awarded artist in the show’s history, and she’s been up for video of the year for five consecutive years.
Shelton coming out on top would make it The Voice coach’s second win for video of the year after being crowned in 2018 for “I’ll Name the Dogs,” though the Browns would make history with a win as the first-ever husband and wife duo to take home the prize. (The Different Man singer also happens to be co-hosting the ceremony opposite Kelsea Ballerini.)
For HARDY, Wilson, Johnson or Wallen, a victory over the country veterans would bring a first-time win in the category. The latter currently holds the No. 1 spot on the Billboard 200 for the third consecutive week with his sprawling, 36-track album One Thing at a Time (chart dated April 1).
Ready for the 2023 iHeartRadio Music Awards? The March 27 event will see a whole host of celebrities and musicians at Los Angeles’ Dolby Theatre, attending as performers and making special appearances.
The 2023 iHeartRadio Music Awards will include nine performances across a variety of genres, including a set from Lenny Kravitz — who doubles as the host for the ceremony — Kelly Clarkson, Keith Urban, Pat Benatar & Neil Giraldo, Latto, Muni Long, Cody Johnson and Coldplay, who will appear at the event live from its Music of the Spheres World Tour stop in Brazil.
P!nk will also take the stage one month following the release of her ninth studio album, Trustfall, which peaked at No. 2 on the Billboard 200. In addition to performing, the star will be honored as the ICON award recipient, which acknowledges her achievements spanning three decades. Taylor Swift, a 14-time iHeartRadio Music Award winner, will receive the Innovator award. Swift, who is not performing, is also up for seven awards, including the song of the year and artist of the year categories.
The 2023 iHeartRadio Music Awards will also feature special appearances from Cher, Buffalo Bills’ Damar Hamlin, Donald Faison, H.E.R., Joel McHale, Jordan Davis, Nicole Scherzinger, Nikki Glaser, Phoebe Bridgers, TLC, Vella Lovell, Zach Braff and more. LL Cool J was previously announced to make a special appearance during the ceremony.
The iHeartRadio Music Awards will air on Fox on Monday, March 27, starting at 8 p.m. ET. Here are all the performers and special guests for the event:
Performers:
Lenny Kravitz
P!nk
Kelly Clarkson
Coldplay
Keith Urban
Pat Benatar & Neil Giraldo
Muni Long
Cody Johnson
Latto
Special Appearances:
Cher
Phoebe Bridgers
TLC
Damar Hamlin
Nicole Scherzinger
Donald Faison
H.E.R.
Joel McHale
Jordan Davis
Nikki Glaser
Vella Lovell
Zach Braff
LL Cool J
Darius Rucker will team up with The Black Crowes for a world premiere collaboration of the band’s 1991 hit “She Talks to Angels” during the CMT Music Awards on April 2, airing live from Moody Center in Austin, Texas.
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Rucker, who is nominated in the CMT performance of the year category the upcoming awards show (for his rendition of “Let Her Cry” from CMT Storytellers), has earned nine No. 1 singles on Billboard‘s Country Airplay chart, while The Black Crowes have earned six No. 1 singles on Billboard‘s Mainstream Rock chart.
They are among the latest round of performers for the CMT Music Awards, with newly-announced performers also including Jelly Roll, Tyler Hubbard, and a collaboration from Wynonna Judd with Ashley McBryde.
Hitmaker Jelly Roll, who reigned atop Billboard‘s Emerging Artists chart for 25 weeks and is set to release his forthcoming album, Whitsitt Chapel on June 2, will perform his single “Need a Favor.” He earns his first CMT Music Awards nominations this year, with nods for male video of the year, breakthrough male video of the year, and CMT digital-first performance of the year.
A decade after Hubbard made his CMT Music Awards debut as part of Florida Georgia Line (performing “Cruise” at the 2013 ceremony, collaboration with Nelly), Hubbard will make his first solo awards performance, offering “Dancin’ in the Country.”
Wynonna will return to the CMT Music Awards stage, following her memorable final performance of “Love Can Build a Bridge” with her mother and the Judds bandmate, the late Naomi Judd. That performance is nominated for CMT performance of the year at this year’s ceremony.
These six new performers join previously announced performers Blake Shelton, Carly Pearce, Carrie Underwood, Cody Johnson, Kane Brown + Katelyn Brown, Keith Urban, Kelsea Ballerini and Lainey Wilson. Meanwhile, newcomers Avery Anna, Chapel Hart, Jackson Dean, Lily Rose, Megan Moroney and Nate Smith will perform from the Ram Trucks Side Stage.
The CMT Music Awards will air on the CBS Television Network and will stream live and on demand on Paramont+.
A2IM (The American Association of Independent Music, Inc.) announced the nominees for the 2023 Libera Awards on Wednesday (March 22), and Wet Leg leads the pack with six nominations.
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The British indie rock group, led by founders Rhian Teasdale and Hester Chambers, is fresh off their first two Grammy wins, taking home the awards for best alternative music performance and best alternative music album at the 2023 ceremony.
Sudan Archives, Allison Russell, Fontaines D.C. and Soul Glo all have three nominations each at the Libera Awards, which will take place at the historic Town Hall in New York City on June 15. The A2IM is a not-for-profit trade association that represents independent music recording owners and advocates for music owners on a policy level to ensure fair compensation for their work.
“Huge congratulations to all our talented and accomplished nominees for the 12th annual A2IM Libera Awards,” Dr. Richard James Burgess, president and CEO of A2IM, said in a press statement. “The A2IM Libera Awards is the world’s largest award show for the diverse universe of independent music and this year’s event will be the biggest and best to date.”
See the full list of nominations below, and buy tickets to the ceremony here.
Record of the Year
Alvvays – Blue Rev (Polyvinyl Record Co.)Dry Cleaning – Stumpwork (4AD)Plains – I Walked With You A Ways (ANTI-)Soul Glo – Diaspora Problems (Epitaph)The Smile – A Light for Attracting Attention (XL Recordings)Wet Leg – Wet Leg (Domino Recording Co.)
Label of the Year (5 or fewer employees)
Don Giovanni RecordsFire TalkInnovative LeisureOh Boy RecordsTopshelf Records
Label of the Year (6-14 employees)
Captured TracksCity SlangDaptone RecordsGlassnote RecordsSaddle CreekYep Roc Records
Label of the Year (15 or more employees)
ATO RecordsHopeless RecordsMerge RecordsNew West RecordsNinja TunePartisan RecordsSub Pop RecordsThird Man RecordsWarp Records
A2IM Humanitarian Award
Allison RussellBjörkHopeless RecordsKiller MikeMargo PriceTegan and Sara
Independent Champion
Aaron AxelsenBandcampFUGARedeyeSecretly DistributionTuneCore
Video of the Year presented by YouTube Music
Amanda Shires – Hawk For The Dove (ATO Records)Fontaines D.C. – Jackie Down The Line (Partisan Records)JayWood – Thank You (Captured Tracks)NoSo – Parasites (Partisan Records)Wet Leg – Ur Mum (Domino Recording Co.)Yeah Yeah Yeahs – Spitting Off the Edge of the World (Secretly Canadian)
Breakthrough Artist/Release
Allison Russell (Fantasy Records)Charlotte Sands (CS Records/Lakeside)Soul Glo (Epitaph)Sudan Archives (Stones Throw Records)The Linda Lindas (Epitaph)
Best Alternative Rock Record
Alvvays – Blue Rev (Polyvinyl Record Co.)Dry Cleaning – Stumpwork (4AD)Mitski – Laurel Hell (Dead Oceans)Nilüfer Yanya – Painless (ATO Records)Wet Leg – Wet Leg (Domino Recording Co.)
Best American Roots Record
49 Winchester – Fortune Favors the Bold (New West Records)Angel Olsen – Big Time (Jagjaguwar)Calexico – El Mirador (ANTI-)Charley Crockett – The Man From Waco (Son of Davy/Thirty Tigers)Kevin Morby – This Is A Photograph (Dead Oceans)Nikki Lane – Denim & Diamonds (New West Records)
Best Blues Record
Ben Harper – Bloodline Maintenance (Chrysalis)Delbert McClinton – Outdated Emotion (Hot Shot Records/Thirty Tigers)North Mississippi Allstars – Set Sail (New West Records)Shemekia Copeland – Done Come Too Far (Alligator Records)G. Love – Philadelphia Mississippi (Philadelphonic Records/Thirty Tigers)John Mayall – The Sun Is Shining Down (Forty Below Records)
Best Classical Record
Dawn Richard & Spencer Zahn – Pigments (Merge Records)Deru – We Will Live On (Friends of Friends)doeke – memorie (Nettwerk Music Group)James Heather – Invisible Forces (Ahead Of Our Time)Jonas Colstrup – At the Crest (!7K Records)Sean Shibe – Lost & Found (Pentatone)
Best Country Record
Colter Wall – Cypress Hills and the Big Country (La Honda Records/Thirty Tigers)Dolly Parton – Run, Rose, Run (Butterfly Records)Joshua Hedley – Neon Blue (New West Records)Lavender Country – Blackberry Rose (Don Giovanni Records)Margo Price – Change of Heart (Loma Vista Recordings)Plains – I Walked With You A Ways (ANTI-)Steve Earle and The Dukes – JERRY JEFF (New West Records)
Best Dance Record
Bicep – Water (Ninja Tune)Jungle – GOOD TIMES / PROBLEMZ (AWAL)Kelela – Happy Ending (Warp Records)Logic1000 – Can’t Stop Thinking About (Therapy/Because Music)Romy feat. Fred Again… – Strong (Young)Theo Parrish – DJ-Kicks (!K7 Records)
Best Electronic Record presented by Ingrooves
Bonobo – Fragments (Ninja Tune)Charlotte Adigéry & Bolis Pupul – Topical Dancer (DEEWEE/Because Music)Jockstrap – I Love You Jennifer B (Rough Trade Records)Kaitlyn Aurelia Smith – Let’s Turn It Into Sound (Ghostly International)ODESZA – The Last Goodbye (Ninja Tune/Foreign Family Collective)Shygirl – Nymph (Because Music)Sylvan Esso – No Rules Sandy (Loma Vista Recordings)
Best Folk Record
Aoife O’Donovan – Age of Apathy (Yep Roc Records)Big Thief – Dragon New Warm Mountain I Believe In You (4AD)Christian Lee Hutson – Quitters (ANTI-)Julia Jacklin – PRE PLEASURE (Polyvinyl Record Co.)Skullcrusher – Quiet The Room (Secretly Canadian)
Best Global Record presented by Redeye Worldwide
Dungen – En Är För Mycket och Tusen Aldrig Nog (Mexican Summer)Ibibio Sound Machine – Electricity (Merge Records)Los Bitchos – Let the Festivities Begin! (City Slang)Mdou Moctar – Afrique Refait (Matador Records)Rodrigo y Gabriela – Weird Fishes/Arpeggi (ATO Records)Tinariwen – Kel Tinariwen (Wedge)Vieux Farka Touré et Khruangbin – Ali (Dead Oceans)
Best Heavy Record
Bad Omens – The Death of Peace of Mind (Sumerian Records)Beartooth – Riptide (Red Bull Records)black midi – Hellfire (Rough Trade Records)Russian Circles – Gnosis (Sargent House)Show Me The Body – Trouble The Water (Loma Vista Recordings)Soul Glo – Diaspora Problems (Epitaph)
Best Hip-Hop/Rap Record presented by Virgin Music
Danger Mouse & Black Thought – Cheat Codes (BMG)Denzel Curry – Melt My Eyez See My Future (Loma Vista Recordings)Kenny Beats – LOUIE (XL Recordings)Run The Jewels – RTJ CU4TRO (BMG)Saba – Few Good Things (Pivot Gang LLC)Sampa The Great – As Above, So Below (Loma Vista Recordings)
Best Jazz Record
Ezra Collective – Where I’m Meant To Be (Partisan Records)Kamasi Washington – The Garden Path (Young)Leland Whitty – Anyhow (Innovative Leisure)Sun Ra Arkestra – Living Sky (Omni Sound)Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton, Matthew Stevens – new STANDARDS Vol. 1 (Candid Records)
Best Latin Record
Adrian Quesada – Boleros Psicodélicos (ATO Records)Combo Chimbita – IRE (ANTI-)Eliane Elias – Quietude (Candid Records)Flora Purim – If You Will (STRUT Records)Helado Negro – Ya No Astoy Aquí (4AD)Sessa – Estrela Acesa (Mexican Summer)Silvana Estrada – Marchita (Glassnote Records)
Best Live/Livestream Act
Bartees Strange – Live at the Getty (4AD)Black Pumas – Colors Live at Abbey Road Studios (ATO Records)IDLES – Live on ‘From The Basement’ (Partisan Records)King Gizzard & the Lizard Wizard – King Gizzard & the Lizard Wizard at Red Rocks (KGLW)Low – Live (Sub Pop Records)Phoebe Bridgers – Glastonbury 2022 (Dead Oceans)Wet Leg – US 2022 tour (Domino Recording Co.)
Best Outlier Record
Animal Collective – Time Skiffs (Domino Recording Co.)Matisyahu – Matisyahu (Fallen Sparks Records/Thirty Tigers)Moor Mother – Jazz Codes (ANTI-)Nick Hakim – COMETA (ATO Records)NNAMDÏ – Please Have A Seat (Secretly Canadian/Sooper Records)yeule – Glitch Princess (Bayonet Records)
Best Pop Record
Björk – Fossora (One Little Independent/MRI)Let’s Eat Grandma – Two Ribbons (Transgressive Records)Lucius – Second Nature (Mom + Pop Music)MUNA – MUNA (Saddest Factory Records)NoSo – Stay Proud of Me (Partisan Records)Rina Sawayama – Hold The Girl (Dirty Hit)Tegan and Sara – Crybaby (Mom + Pop Music)
Best Punk Record
Big Joanie – Back Home (Kill Rock Stars)Special Interest – Endure (Rough Trade Records)The Linda Lindas – Growing Up (Epitaph)The Wonder Years – The Hum Goes On Forever (Hopeless Records)Wu-Lu – LOGGERHEAD (Warp Records)
Best R&B Record
Bettye LaVette – Let Me Down Easy: Bettye LaVette In Memphis Sun Records 70th / Remastered 2022 (Sun Label Group, LLC)Khruangbin & Leon Bridges – Texas Moon (Dead Oceans)Sudan Archives – Natural Brown Prom Queen (Stones Throw Records)Thee Sacred Souls – Thee Sacred Souls (Daptone Records)Yaya Bey – Remember Your North Star (Big Dada/Ninja Tune)
Best Re-Issue
Bon Iver – Bon Iver, 10th Anniversary Edition (Jagjaguwar)Fela Kuti – Fela with Ginger Baker Live! (Partisan Records)Karen Dalton – In My Own Time, 50th Anniversary Edition (Light In The Attic Records)Lou Reed – Words & Music, May 1965, Deluxe Edition (Light In The Attic Records)Nancy Sinatra – Nancy & Lee (Light In The Attic Records)Neko Case – Wild Creatures (ANTI-)Ray Charles – A Message From The People (Tangerine Records)
Best Remix
ACRAZE + Tiësto – Do It To It (Tiësto Mix) (Thrive Music)Bartees Strange – Wretched (keiyaA Remix) (4AD)Charlotte Adigéry & Bolis Pupul – Cliché (Soulwax Remix) (DEEWEE/Because Music)Clipping – Nothing Is Safe (remx) (Sub Pop Records)Hiatus Kaiyote – Get Sun (Georgia Anne Muldrow Remix) (Brainfeeder/Ninja Tune)Nilüfer Yanya – Midnight Sun (Sampha remix) (ATO Records)Wet Leg – Too Late Now (Soulwax Remix) (Domino Recording Co.)
Best Rock Record
Built to Spill – When The Wind Forgets Your Name (Sub Pop Records)Fontaines D.C. – Skinty Fia (Partisan Records)Jack White – Fear of the Dawn (Third Man Records)Soccer Mommy – Sometimes, Forever (Loma Vista Recordings)Spoon – Lucifer On The Sofa (Matador Records)
Best Short-Form Video
Belle And Sebastian – Scooter (Matador Records)Black Midi – Hellfire TikTok promotion (Rough Trade Records)Boy Harsher – The Runner (City Slang)Cigarettes After Sex – Pistol (Partisan Records)Kenny Beats – LOUIE 001 Instagram vignette series (XL Recordings)Toro y Moi – MAHAL TikTok series (Dead Oceans)
Best Singer-Songwriter Record
Aldous Harding – Warm Chris (4AD)Allison Russell Feat. Brandi Carlile – You’re Not Alone (Fantasy Records)Beth Orton – Weather Alive (Partisan Records)MJ Lenderman – Boat Songs (Dear Life Records)Weyes Blood – And in the Darkness, Hearts Aglow (Sub Pop Records)
Best Soul/Funk Record
Lee Fields – Sentimental Fool (Daptone Records)Ray Charles – Live In Stockholm 1972 (Tangerine Records)SERATONES – Love & Algorhythms (New West Records)St. Paul & The Broken Bones – The Alien Coast (ATO Records)Swamp Dogg – I Need A Job…So I Can Buy More Auto-Tune (Don Giovanni)
Best Spiritual Record
Brent Cobb – And Now, Let’s Turn to Page… (Ol’ Buddy Records/Thirty Tigers)Israel & New Breed – Worship Anywhere: Live from Camp NewBreed (District 11 Entertainment)Lecrae – Church Clothes 4 (Reach Records)Montell Fish – JAMIE (Lord’s Child)The Harlem Gospel Travelers – Look Up! (Colemine Records)
Self-Released Record of the Year
Echosmith – Cool Kids (our version) (Echosmith)Jessie Baylin – Jersey Girl (Missing Piece Record/The Orchard)Rita Wilson – Rita Wilson Now & Forever: Duets (Sing it Loud)Sarah Davachi – Two Sisters (Late Music)Totally Enormous Extinct Dinosaurs – When the Lights Go (Nice Age)
Best Sync Usage
Angel Olsen – Go Home, Empire of Light Trailer (Jagjaguwar)Fela Kuti – Water No Get Enemy, Airbnb (Partisan Records)Lawrence – Don’t Lose Sight, Microsoft (Beautiful Mind / Lakeside)Sinéad O’Connor – Drink Before the War, Euphoria (Chrysalis Records)Stereolab – A Flower Called Nowhere, Atlanta (Warp Records)
Creative Packaging
Black Country, New Road – Ants From Up There, Deluxe (Ninja Tune)Jack White – 2022 Collectors’ Set (Third Man Records)Lou Reed – Words & Music, May 1965, Deluxe Edition (Light In The Attic Records)Mitski – Laurel Hell (Dead Oceans)My Morning Jacket – Circuital, Deluxe Edition (ATO Records)Sleep – Dopesmoker, Weedian High-Fi Edition (Third Man Records)
Marketing Genius
Fontaines D.C. – Skinty Fia (Partisan Records)Ghost – IMPERA (Loma Vista Recordings)Sudan Archives – Natural Brown Prom Queen (Stones Throw Records)Wet Leg – Wet Leg (Domino Recording Co.)Yeah Yeah Yeahs – Cool It Down (Secretly Canadian)
It was a night of firsts at the BMI Latin Awards, which took place March 21 at the Beverly Wilshire Hotel in Los Angeles.
Mexico’s Ana Bárbara, the dynamic singer known as the Grupera Queen, became the first regional Mexican songwriter to ever receive a BMI Icon Award.
And Edgar Barrera, the prolific songwriter who seamlessly navigates between genres, was given the first ever Impact award for his remarkable presence and influence across the charts of many genres.
The evening — hosted by BMI President/CEO Mike O’Neill and BMI Vice President, Creative, Latin Jesus Gonzalez — was also evening of encores. Tainy won the contemporary songwriter of the year award for the second year in a row, and Horacio Palencia also repeated his regional Mexican songwriter of the year award, this time tying with Edgar Barrera. Sony Music Publishing, home to Tainy and Barrera, took home the contemporary Latin publisher of the year award, marking the seventh time in 10 years that it does so.
Universal Music Publishing Group won Regional Mexican publisher of the year, and the smash “Pepas” — performed by Farruko and written by Víctor Cardenas VIIC, IAMCHINO, Axel Quezada “Ghetto” and Keriel K4G Quiróz — was named contemporary Latin song of the year. “Jugaste y Sufrí” by Daniel Balderrama Espinoza won the Regional Mexican song of the year.
But the belle of the ball was undoubtedly Bárbara. The Mexican singer, resplendent in a shimmering dress with a pink feathered skirt, delivered a set of her own compositions, backed by a her band and ending with “Lo Busqué,” during which she accompanied herself on guitar. The performance was a reminder of just how prolific Bárbara has been in her 30-year career, placing 16 hits on Billboard’s Hot Latin Songs chart and 14 on the Regional Mexican Airplay chart.
“Songwriting was something I didn’t always speak about,” Bárbara told Billboard earlier. “I was always shy about my songwriting, from the time I wrote [her first major hit] ‘Quise Olvidar,’ because composing wasn’t common among women. Now, I believe in all my songs, and I believe they’re all for me.”
Her inspirations, said Bárbara, were the greats of Mexican music, including José Alfredo Jiménez; Joan Sebastian and Marco Antonio Solís, who both mentored her; and Ana Gabriel, also a singer and composer.
Now, Gabriel is also inspiring a new generation, as evidenced by the opening number of the night, a tribute to her music performed by young Mexican singers Adriana Ríos, Alisun Solís, Angélica Gallegos and Lupita Infante.
Ready for the big show? The 2023 iHeartRadio Music Awards, hosted by Lenny Kravitz, will air live from the Dolby Theater in Los Angeles on Monday (March 27) at 8 p.m. ET/PT on Fox.
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The awards show will feature appearances from Taylor Swift, Kelly Clarkson, Keith Urban, Latto, Coldplay, Pat Benatar, Neil Giraldo and more.
Harry Styles, Lizzo and Swift lead this year’s nominations race with eight nods each. Other nominees include SZA, Drake, Bad Bunny, Bebe Rexha, Doja Cat, Jack Harlow, Red Hot Chili Peppers, Rihanna, Luke Bryan, The Weeknd, Anitta, Dua Lipa, Tiësto, Elle King, Elton John, Lil Nas X, Karol G, Kelsea Ballerini, Kenny Chesney, Kim Petras, Kodak Black, Bailey Zimmerman, Shania Twain, Swedish Mafia House, Post Malone and Morgan Wallen.
Performers include Clarkson, Kravitz, Keith Urban, Latto, Benatar and Giraldo, Muni Long, Cody Johnson, Coldplay and P!nk, who will receive the 2023 iHeartRadio Icon Award.
Swift will be on hand to receive the 2023 iHeart Innovate Award. The special honor is given out “only on occasion” and celebrates an artist that has “proven themselves to have impacted global pop culture throughout their career.”
“This is the one awards show that shares the hard-earned journeys to the top of the biggest artists and songs of the year with fans,” John Sykes, iHeartMedia’s president of entertainment enterprises, said in a statement. “It’s not a competition, rather a celebration of ‘best in class’ and viewers across America can watch it live on Fox.”
Keep reading for ways to watch and stream the 2023 iHeartRadio Music Awards.
How to Watch & Stream the 2023 iHeartRadio Music Awards
The 2023 iHeartRadio Music Awards will premiere live at 8 p.m. ET on Fox while a taped-delayed edition will air for the West Coast at 8 p.m. PT.
Viewers who have access to Fox through cable, satellite, streaming or a good-old fashioned TV antenna, shouldn’t have much trouble watching the show on TV or streaming it online at Fox.com.
Those who don’t have live television can stream the 2023 iHeart Music Awards on platforms such as Sling, DirectTV Stream, Hulu+ Live TV, Fubo, and Vidgo (use ExpressVPN to stream internationally).
Sling is cheapest among the bunch at $20 (regular $40) for the first month while Direct TV Stream, Fubo and Vidgo offer free trials and affordable streaming plans starting at around $65-$75.
Hulu+ Live TV ($74.99) lets you stream over 75 live channels including Fox, NBC, ABC, MTV, CMT, BET, OWN, TLC, Food Network, ID, Vice, TNT and TruTV in addition to everything on Hulu, Disney+ and ESPN+.
Want to watch the show on the go? All of the aforementioned streamers are accessible from your smartphone, computer and other streaming devices.
The 2023 iHeartRadio Awards will also broadcast across iHeart Media radio stations and on the iHeart Radio app.
We’re just weeks away from the 2023 CMT Music Awards, and the jam-packed lineup of Ram Trucks Side Stage performers were announced on Tuesday (March 21). Avery Anna, Chapel Hart, Jackson Dean, Lily Rose, Megan Moroney and Nate Smith are all set for the Ram Trucks Side Stage, which will air during the ceremony on April 2.
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Avery Anna, Chapel Heart, Lily Rose and Megan Moroney have all been honored as CMT Next Women of Country members, with Moroney vying for her first CMT belt buckle this year, as her hit song “Tennessee Orange” is up for breakthrough female video of the year” and CMT digital first performance of the year.
Meanwhile, Dean and Smith are no strangers to the Billboard charts. Dean’s “Don’t Come Lookin’” peaked at No. 3 on the Country Airplay chart, while Smith topped the tally with “Whiskey on You.”
The fan-voted CMT Music Awards will air live on CBS on Sunday, April 2, from Moody Center in Austin, Texas. This marks the first time that the CMT Music Awards have been held in Austin, after being held in Nashville for decades. Voting for the 2023 CMT Music Awards is open at vote.cmt.com. Check out the full list of nominees here.
Blake Shelton, Carly Pearce, Carrie Underwood, Cody Johnson, Kane Brown with Katelyn Brown, Keith Urban, Kelsea Ballerini and Lainey Wilson are all set to perform during the annual awards show, which is hosted this year by Brown and Ballerini.
John Fogerty will be presented with the National Association of Music Merchants’ (NAMM) prestigious Music for Life Award at the 2023 NAMM Show, the organization revealed on Monday (March 20).
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The Grammy-winning composer and musician will receive the entertainment technology industry’s highest honor on April 13 in Anaheim, California, in recognition to his lifelong contributions to music and his commitment to inspiring music makers worldwide. With the award, Fogerty will join a list of iconic past recipients including Quincy Jones, Garth Brooks, Melissa Etheridge, Jason Mraz, Graham Nash, Stevie Wonder, Smokey Robinson, Yoko Ono, Henry Mancini, Bob Weir and Nancy Wilson. Most recently, Kenny Loggins was presented with the award in 2022.
“John Fogerty is a living example of inspiration and character, as a singer, guitarist, songwriter, and artistic visionary,” said NAMM President and CEO Joe Lamond in a press statement. “When I was 10, my dad brought home the Creedence Clearwater Revival album Green River and said, ‘Play like this.’ That moment started my own musical journey, and I imagine many walking The NAMM Show floor can say the same thing. Honoring him with the Music for Life Award will be a personal highlight for me and a huge privilege for all NAMM members.”
The exciting news comes following an already great year for Fogerty, who gained worldwide control of his Creedence Clearwater Revival publishing rights in January after a half-century struggle. The treasure trove includes such rock classics as “Proud Mary,” “Down on the Corner,” Fortunate Son,” “Bad Moon Rising” “Up Around the Bend” and “Green River.”
Fogerty and his band will also be hitting the road this year for The Celebration Tour, where he’ll be joined by his sons Shane and Tyler, as well as their band, Hearty Har.
Registration is open for the 2023 NAMM Show. Sign up here.
The ongoing success of Morgan Wallen’s One Thing at a Time, which is in its second week at No. 1 on both The Billboard 200 and Top Country Albums, increases the possibility that the album could wind up with a Grammy nomination for album of the year.
It would be the first country album to be nominated in that category since Kacey Musgraves’ Golden Hour, which won the 2018 award.
A recent Billboard report looked at the scarcity of nominations in recent years for country in the Big Four categories (album, record and song of the year, plus best new artist).
Eddy Arnold’s My World (1965) was the first country album to be nominated for album of the year. Glen Campbell’s By the Time I Get to Phoenix (1968) was the first country album to win in that category.
The Chicks have had three album of the year nominations, more than any other country act. Taylor Swift (in her country period) had two. Linda Ronstadt also had two, counting the Trio album, on which she collaborated with Dolly Parton and Emmylou Harris. Harris and Alison Krauss also had two, counting the O Brother, Where Art Thou? soundtrack, on which they both were featured.
We define a country album as any album that made Billboard’s Top Country Albums chart. That rather low threshold for what constitutes a country album brought in Lionel Richie’s Can’t Slow Down. The album peaked at No. 55 on Top Country Albums in 1984, but a subsequent Richie album spent four weeks at No. 1 on that chart.
Here are all the country albums that have received Grammy nominations for album of the year. They are shown in reverse chronological order.
Kacey Musgraves, Golden Hour (2018)
Image Credit: Alberto E. Rodriguez/GI
Top Country Albums peak: No. 1 (two weeks)
Billboard 200 peak: No. 4
Notes: This was the sixth country album to win album of the year. It also won best country album, while “Butterflies” took country solo performance and “Space Cowboy” won best country song. The other singles from the album were “High Horse,” “Slow Burn” and “Rainbow.”
Sturgill Simpson, A Sailor’s Guide to Earth (2016)
Top Country Albums peak: No. 1 (one week)
Billboard 200 peak: No. 3
Notes: Though this didn’t win album of the year, it won best country album. The album spawned three singles: “Brace for Impact (Live a Little),” “In Bloom” and “Keep It Between the Lines.”
Chris Stapleton, Traveller (2015)
Top Country Albums peak: No. 1 (29 weeks)
Billboard 200 peak: No. 1 (two weeks)
Notes: Though this didn’t win album of the year, it won best country album. Stapleton won a second award for the title track, which was voted best country solo performance. Other singles from the album were “Nobody to Blame” and “Parachute.”
Taylor Swift, Red (2013)
Top Country Albums peak: No. 1(16 weeks)
Billboard 200 peak: No. 1(seven weeks)
Notes: This album didn’t win a single Grammy — though nine years later, a short film for an expanded version of “All Too Well,” one of the prized songs from Red, won best music video. The album’s lead single, “We Are Never Ever Getting Back Together,” was nominated for record of the year the year before the album was eligible. The album spawned six additional singles: “Begin Again,” “I Knew You Were Trouble,” “22,” the title track, “Everything Has Changed” and “The Last Time.”
Lady A, Need You Now (2010)
Image Credit: Kevin Winter/GI
Top Country Albums peak: No. 1 (31 weeks)
Billboard 200 peak: No. 1 (four weeks)
Notes: Though this didn’t win album of the year, it won best country album. And the poignant title track won four Grammys — record and song of the year, best country song and best country performance by a duo or group with vocals. The album spawned three additional singles: “American Honey,” “Our Kind of Love” and “Hello World.”
Taylor Swift, Fearless (2009)
Top Country Albums peak: No. 1 (35 weeks)
Billboard 200 peak: No. 1 (11 weeks)
Notes: This was the fifth country album to win album of the year. It also won best country album, while “White Horse” won best country song and best female country vocal performance. “You Belong With Me” received Grammy nods for record and song of the year. The album spawned three additional singles: “Love Story,” “Fifteen” and the title track.
Robert Plant & Alison Krauss, Raising Sand (2008)
Top Country Albums peak: No. 2
Billboard 200 peak: No. 2
Notes: This was the fourth country album to win album of the year. It also won best contemporary folk/Americana album, while four tracks from the album won Grammys. “Please Read the Letter” took record of the year, “Gone Gone Gone (Done Moved On)” and “Rich Woman” won back-to-back awards for best pop collaboration with vocals and “Killing the Blues” won best country collaboration with vocals.
Vince Gill, These Days (2007)
Top Country Albums peak: No. 4
Billboard 200 peak: No. 17
Notes: Though this four-disk box set didn’t win album of the year, it won best country album. Three singles were released from the collection: “The Reason Why” (featuring Alison Krauss), “What You Give Away” (featuring Sheryl Crow) and “How Lonely Looks.”
The Chicks, Taking the Long Way (2006)
Image Credit: M. Caulfield/WireImage
Top Country Albums peak: No. 1 (nine weeks)
Billboard 200 peak: No. 1 (three weeks)
Notes: This was the third country album to win album of the year. It also won best country album. The lead single, “Not Ready to Make Nice,” won record and song of the year and best country performance by a duo or group with vocal. Grammy voters rallied behind the group which had suffered a backlash amid controversy over Natalie Maines’ harsh comments about President George W. Bush. The other singles from the album were “Everybody Knows,” “Voice Inside My Head,” “Easy Silence” and “The Long Way Around.”
The Chicks, Home (2002)
Top Country Albums peak: No. 1 (19 weeks)
Billboard 200 peak: No. 1 (four weeks)
Notes: Though this didn’t win album of the year, it won best country album. In addition, the group won best country performance by a duo or group with vocal for “Long Time Gone” and best country instrumental performance for “Lil’ Jack Slade.” The other singles from the album were “Travelin’ Soldier,” “Godspeed (Sweet Dreams),” “Top of the World.” and a cover of Fleetwood Mac’s “Landslide.”
Various Artists, O Brother, Where Art Thou? soundtrack (2001)
Top Country Albums peak: No. 1 (35 weeks)
Billboard 200 peak: No. 1 (one week)
Notes: This was the second country album to win album of the year. In addition, it won best compilation soundtrack album for a motion picture, television or other visual media. Two tracks from the album won Grammys. Ralph Stanley’s “O Death” was voted best male country vocal performance. The Soggy Bottom Boys’ “I Am a Man of Constant Sorrow” won best country collaboration with vocals. The trio consisted of Dan Tyminski, Harley Allen and Pat Enright.
The Chicks, Fly (1999)
Top Country Albums peak: No. 1 (36 weeks)
Billboard 200 peak: No. 1 (four weeks)
Notes: Though this didn’t win album of the year, it won best country album. The group also won best country performance by a duo or group with vocal for “Ready to Run.” The other singles from the album were “Cowboy Take Me Away,” “Goodbye Earl,” “Cold Day in July,” “Without You,” “If I Fall You’re Going Down with Me,” “Heartbreak Town” and “Some Days You Gotta Dance.”
Shania Twain, Come on Over (1998)
Image Credit: Ron Galella, Ltd./Ron Galella Collection via GI
Top Country Albums peak: No. 1 (50 weeks)
Billboard 200 peak: No. 2
Notes: Twain won four Grammys for this album across two years. In the first year, “You’re Still the One” won best female country vocal performance and best country song; in the second, “Man! I Feel Like a Woman!” won best female country vocal performance and “Come on Over” won best country song. “You’re Still the One” also received Grammy nods for record and song of the year. “You’ve Got a Way” was nominated for song of the year the following year. The other singles from the album were “Love Gets Me Every Time,” “Don’t Be Stupid (You Know I Love You),” “From This Moment On,” “When,” “Honey, I’m Home,” “That Don’t Impress Me Much,” “Rock This Country!” and “I’m Holdin’ On to Love (To Save My Life).”
Dolly Parton/Linda Ronstadt/Emmylou Harris, Trio (1987)
Top Country Albums peak: No. 1 (five weeks)
Billboard 200 peak: No. 6
Notes: Though this didn’t win album of the year, it won best country performance by a duo or group with vocal. The album spawned four singles: “Telling Me Lies,” “Those Memories of You,” “Wildflowers” and a remake of The Teddy Bears’ “To Know Him Is to Love Him,” a No. 1 hit on the Billboard Hot 100 in 1958.
Lionel Richie, Can’t Slow Down (1984)
Top Country Albums peak: No. 55
Billboard 200 peak: No. 1 (three weeks)
Notes: You probably wouldn’t have expected to see this album on this list. But Can’t Slow Down cracked Top Country Albums — largely on the strength of the country-tinged ballad “Stuck on You,” which rose to No. 24 on Hot Country Songs. Richie’s music has always blended strains of country, R&B and pop. His 2012 album Tuskegee, on which he was joined by an array of top country stars, logged four weeks at No. 1 on Top Country Albums. Can’t Slow Down belongs on this list, in the interest of completeness and general interest, but we’re not going to call it the second country album to win album of the year (though it did indeed win that award), because it wasn’t primarily a country album. Two songs from the album, “All Night Long (All Night)” and “Hello,” were nominated for song of the year and best pop vocal performance, male in successive years. “All Night Long” was also nominated for record of the year in the first year.
Kenny Rogers, The Gambler (1979)
Top Country Albums peak: No. 1 (23 weeks)
Billboard 200 peak: No. 12
Notes: The title track received a Grammy nod for record of the year. and won for best country vocal performance, male. The album spawned a second smash, the poignant “She Believes in Me,” which received Grammy nods for song of the year and best pop vocal performance, male.
Eagles, Hotel California (1977)
Top Country Albums peak: No. 10
Billboard 200 peak: No. 1 (eight weeks)
Notes: Like Lionel Richie’s Can’t Slow Down, this isn’t primarily a country album — though as you can see, it made the top 10 on Top Country Albums. The title song became the first rock track to win a Grammy for record of the year. It was also nominated for song of the year. The album spawned two other hits: the sublime “New Kid in Town” (which won best arrangement for voices) and the rock anthem “Life in the Fast Lane.”
Linda Ronstadt, Heart Like a Wheel (1975)
Image Credit: Ron Galella, Ltd./Ron Galella Collection via GI
Top Country Albums peak: No. 1 (four weeks)
Billboard 200 peak: No. 1 (one week)
Notes: Ronstadt (shown here at the Grammy ceremony with her producer/manager, Peter Asher) won her first of 11 Grammys for “I Can’t Help It (If I’m Still in Love With You),” which was voted best country vocal performance, female. The album spawned three other singles: “You’re No Good,” “When Will I Be Loved” and “It Doesn’t Matter Anymore.”
John Denver, Back Home Again (1974)
Top Country Albums peak: No. 1 (13 weeks)
Billboard 200 peak: No. 1 (one week)
Notes: This was Denver’s first Grammy nomination. It’s unusual that the album was up for album of the year, but Denver wasn’t recognized in any other categories. The album spawned three hits: “Annie’s Song,” the title song and “Sweet Surrender.” In addition, a live version of another song from the album, “Thank God I’m a Country Boy,” topped the Hot 100 in 1975 and landed a Grammy nod for best country vocal performance, male.
Charlie Rich, Behind Closed Doors (1973)
Top Country Albums peak: No. 1 (21 weeks)
Billboard 200 peak: No. 8
Notes: Rich won his only Grammy for the classy title song, which was voted best country vocal performance, male. The track also received nominations for record and song of the year. The album spawned two other hits, “I Take It on Home” and “The Most Beautiful Girl.” The latter was a No. 1 hit on the Hot 100.
Johnny Cash, Johnny Cash at San Quentin (1969)
Top Country Albums peak: No. 1 (20 weeks)
Billboard 200 peak: No. 1 (four weeks)
Notes: This is the only live album by a country artist to receive an album of the year nomination. Cash won a Grammy for best country vocal performance, male for the novelty hit “A Boy Named Sue,” which also received a Grammy nod for record of the year.
Glen Campbell, By the Time I Get to Phoenix (1968)
Top Country Albums peak: No. 1 (four weeks)
Billboard 200 peak: No. 15
Notes: This was the first country album to win album of the year. Campbell had won two Grammys the previous year for his tender performance of the title song, which was voted best vocal performance, male and best contemporary male solo vocal performance. The exquisite ballad (written by Jimmy Webb) had received Grammy nods for record and song of the year the previous year. The album also included Campbell’s follow-up hit, “Hey Little One.”
Bobbie Gentry, Ode to Billie Joe (1967)
Image Credit: Bettmann/GI
Top Country Albums peak: No. 1 (three weeks)
Billboard 200 peak: No. 1 (two weeks)
Notes: This album bumped the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band out of the No. 1 spot on the Billboard 200. How’d it do that? The title track was one of the most talked-about singles of its time, as people tried to piece together exactly what happened up on Choctaw Ridge that drove Billy Joe MacAllister to jump off the Tallahatchie Bridge. Gentry (shown here with Glen Campbell and Lalo Schifrin) became the first person in Grammy history to receive nominations in each of the Big Four categories in the same year. Of the Big Four, she won only best new artist. She also won best vocal performance, female and best contemporary female solo vocal performance, both for “Ode to Billie Joe.” The album spawned two other singles: “I Saw an Angel Die” and “Mississippi Delta.”
Eddy Arnold, My World (1965)
Top Country Albums peak: No. 1 (17 weeks)
Billboard 200 peak: No. 7
Notes: Arnold received four nominations for this album and its smash single “Make the World Go Away,” which exemplified the “countrypolitan” sound. Three of those nominations were in categories that still used the terminology “country & western,” which would soon seem dated. The album also spawned the hits “What’s He Doing in My World” and “I’m Letting You Go.”
Taylor Swift has a reputation as one of the finest songwriters of her generation. Grammy voters seem to agree – she has received six song of the year nominations since 2009, which puts her in a tie with Lionel Richie and Paul McCartney for the most by any songwriter in Grammy history.
Richie wrote five of his six song of the year nominees by himself. He teamed with Michael Jackson to write his sixth, “We Are the World.”
By contrast, Swift and McCartney wrote just one of their song of the year nominees by themselves. Swift was the sole writer of “Lover.” McCartney was the sole writer of “Ebony and Ivory.”
Swift teamed with Liz Rose to write two of her nominated songs; with Max Martin and Shellback to write two others; and with Aaron Dessner to write one. McCartney and John Lennon were credited as co-writers of all five nominated songs that were recorded by The Beatles.
“Anti-Hero,” which Swift co-wrote with Jack Antonoff, seems very likely to be nominated for song of the year when the nods for the 66th annual Grammy Awards are announced later this year. That would give her a tiebreaking seventh nomination.
Unlike McCartney and Richie, Swift has yet to win in the category. McCartney won on his third nomination, for “Michelle,” a charming tune from The Beatles’ Rubber Soul that few would regard as one of his or their greatest songs. Richie won on his sixth nomination, for USA for Africa‘s “We Are the World.” That song raised millions to fight starvation in Africa and hunger here in the U.S., but it’s more admired for its purpose and intentions than its songcraft.
As Swift launches her 52-date The Eras Tour in Glendale, Ariz. on Friday (March 17), we have prepared this list showing you each of these songwriters’ six Grammy nominations – in a handy, side-by-side format.
First nominations
Image Credit: Rick Diamond/GI
Swift: “You Belong With Me” (2009, co-written with Liz Rose)
Richie: “Three Times a Lady” (1978)
McCartney: “A Hard Day’s Night” (1964, co-written with John Lennon)
Notes: All three of these songs were smash hits. “You Belong With Me,” the third single from Fearless, reached No. 2 on the Hot 100 – Swift’s highest ranking to that point. Commodores’ recording of “Three Times a Lady,” the lead single from Natural High, logged two weeks at No. 1. The Beatles’ “A Hard Day’s Night,” from the soundtrack to their film of the same name, topped the Hot 100 for two weeks – and was the first rock song to receive a song of the year nod.
Second nominations
Swift: “Shake It Off” (2014, co-written with Max Martin and Shellback)
Richie: “Lady” (1980)
McCartney: “Yesterday” (1965, co-written with John Lennon)
Notes: All three of these songs were No. 1 hits on the Hot 100 for four or more weeks. (Four weeks for the Swift and Beatles hits; six weeks for Kenny Rogers’ recording of “Lady.”) Rogers’ smash was the lead single from his perfectly-timed, Billboard 200-topping Kenny Rogers’ Greatest Hits. “Shake It Off” was the lead single from 1989. Though “Yesterday” didn’t win the Grammy, many regard it as one of the greatest songs ever written.
Third nominations
Swift: “Blank Space” (2015, co-written with Max Martin and Shellback)
Richie: “Endless Love” (1981)
McCartney: “Michelle” (1966, co-written with John Lennon)
Notes: “Blank Space,” the second single from 1989, topped the Hot 100 for seven weeks, making it Swift’s longest-running No. 1 to that point. “Endless Love,” which Richie wrote for the film of the same name and which he recorded with Diana Ross, logged nine weeks at No. 1, making it Richie’s longest-running No. 1 ever. The Beatles didn’t release any singles from Rubber Soul, but a cover version by David and Jonathan reached No. 18 on the Hot 100.
Fourth nominations
Image Credit: Tony Evans/Timelapse Library Ltd./GI
Swift: “Lover” (2019)
Richie: “All Night Long (All Night)” (1983)
McCartney: “Hey Jude” (1968, co-written with John Lennon)
Notes: “Lover,” the third single from Swift’s album of the same name, reached No. 10 on the Hot 100. “All Night Long (All Night),” the lead single from Can’t Slow Down, logged four weeks at No. 1. “Hey Jude” led the chart for nine weeks, making it McCartney’s longest-running No. 1 hit – with The Beatles or post-Beatles. It was one of only two singles to top the Hot 100 for nine weeks in the 1960s, the other being Percy Faith’s shimmering instrumental “Theme from a Summer Place.” (That 1960 smash was nominated for song of the year despite being an instrumental, something that couldn’t happen today.) As noted above, “Lover” is Swift’s only song of the year nominee that she wrote by herself.
Fifth nominations
Swift: “Cardigan” (2020, co-written with Aaron Dessner)
Richie: “Hello” (1984)
McCartney: “Let It Be” (1970, co-written with John Lennon)
Notes: All three songs were No. 1 hits on the Hot 100. “Cardigan,” the lead single from Folklore, spent one week on top. “Hello,” the third single from Can’t Slow Down, spent two weeks on top. “Let It Be,” from the documentary film of the same name, spent two weeks on top.
Sixth nominations
Swift: “All Too Well (10 Minute Version) (The Short Film)” (2022, co-written with Liz Rose)
Richie: “We Are the World” (1985, co-written with Michael Jackson)
McCartney: “Ebony and Ivory” (1982)
Notes: Again, all three songs were No. 1 hits on the Hot 100. The expanded version of “All Too Well,” the lead single from Red (Taylor’s Version), spent one week on top. It set a new record as the song with the longest playing time to reach No. 1. USA for Africa’s “We Are the World” topped the chart for four weeks. “Ebony and Ivory,” a glossy plea for brotherhood and understanding across racial lines, topped the Hot 100 for seven weeks. McCartney wrote the song by himself and recorded it with Stevie Wonder. While everyone admired the song’s good intensions, the song hasn’t aged especially well. A Saturday Night Live parody version by Eddie Murphy (as Wonder) and Joe Piscopo (as Frank Sinatra) skewered the song. Sample lines: Murphy as Wonder: “I am dark, and you are light.” Piscopo as Sinatra: “You are blind as a bat, and I have sight!”