Awards

Foreigner’s Mick Jones Reacts to Band’s Long-Overdue Rock Hall Nomination

Foreigner’s Rock and Roll Hall of Fame nomination feels like the first time indeed for the veteran rock band.

The group’s appearance on this year’s ballot is its first ever, despite being eligible since 2002. With worldwide record sales of more than 80 million and nine top 10 hits on the Billboard Hot 100 (including “Feels Like the First Time,” Cold As Ice,” “Hot Blooded,” “Urgent” and “I Want to Know What Love Is”), Foreigner has long been considered one of the Rock Hall’s biggest snubs by critics and commentators as well as fans.

“I deeply appreciate the recognition from the Rock and Roll Hall of Fame (nominating) committee,” Mick Jones, who founded Foreigner during 1976 in New York, tells Billboard via email. “It is wonderful that Foreigner has maintained its presence all these years and brought the music to our fans. Getting this news is an incredible endorsement of what we have achieved over time.” Jones and original Foreigner vocalist Lou Gramm were inducted into the Songwriters Hall of Fame in 2013.

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Phil Carson, an executive at Atlantic Records when it signed Foreigner and the band’s manager since 2004, calls the nomination “fabulous” — and overdue. “Oh, of course it’s been frustrating, and I do know that many of the nominating committee members have put Foreigner on the list, but we just never got in,” Carson says, noting that the late Rock Hall co-founder Seymour Stein was an ardent supporter. This year, Carson says, “the usual suspects who have always been in our court voted, and I guess there was just that little bit of extra credibility of people that surround Foreigner, surround Mick, helped.”

Since the release of the Foreigner debut in 1977, the group has logged six multi-platinum albums and 22 songs on the Billboard Hot 100, including one chart-topper in 1985 (“I Want to Know What Love Is”). The band, which has gone through lineup changes throughout its career, went on hiatus during the early 2000s but re-formed during 2004 with Kelly Hansen as frontman and former Dokken bassist Jeff Pilson. Several of the original and principal members have participated in sporadic reunions and guest appearances, while founding bassist Ed Gagliardi passed away in 2014 and multi-instrumentalist Ian McDonald died in 2022.

Jones has stopped touring with the group due to health reasons but continues to oversee and participate in its operations.

Foreigner fans have waged campaigns to get the band onto the Rock Hall ballot for many years, though Jones has stayed out of the fray while quietly lamenting the snub. He previously told Billboard that, “I’m not thinking about it much. I know we’re getting a lot of support from a lot of places; obviously the fans who are kind of, ‘Let’s induct Foreigner to the Hall of Fame’ and all those kinds of things. And lots of other people seem to think we should be in there. I think it’s down to the panel and whatever mood they happen to be in and whatever style of music they award…. But I’m quite happy with what I’ve achieved and the songs speak for themselves. Whether it happens or not, I’m still a happy man.”

Carson says Foreigner will promote the nomination via its website and social media to encourage fans to participate in the public vote. The current incarnation of Foreigner, meanwhile, launched a farewell tour last year that will resume with a second leg this year. It’s scheduled to finish in North America during the summer of 2025, but Carson says demand from other territories may push the end date into 2026.

These 2024 Rock & Roll Hall of Fame Nominees Have Already Been on the Rock Hall Stage – As Presenters

The Bible tells us it’s more blessed to give than to receive, but when it comes to awards and honors, most artists would rather be the inductee than the inductor.

Five of this year’s nominees for the Rock & Roll Hall of Fame have helped to induct other honorees at past ceremonies. Three did the honors twice.

Dave Matthews of the nominated Dave Matthews Band inducted Traffic in 2004 and Willie Nelson in 2023. While Matthews may not be the most obvious choice to induct Nelson, he did have a top 10 hit on Hot Country Songs in 2008 as a featured artist on Kenny Chesney’s “I’m Alive.”

Mary J. Blige inducted Solomon Burke in 2001 and Nina Simone in 2018. Neither of those artists enjoyed the crossover pop stardom Blige has attained, but they helped paved the way for her.

Mick Jones of the nominated Foreigner inducted a pair of 1950s rock pioneers – Eddie Cochran in 1987 and Duane Eddy in 1994.

Mariah Carey inducted Gladys Knight & the Pips in 1996. Both artists have won Grammys in both pop and R&B. Knight & the Pips won in both genres the same year (1974).

Lenny Kravitz inducted Lionel Richie in 2022. Both artists are four-time Grammy winners, though Kravitz’s honors all came in rock, while Richie’s only genre-specific Grammy was in pop.

There is recent precedent for artists who had previously inducted other artists into the Rock Hall coming back later as inductees in their own right. Sheryl Crow inducted Pat Benatar in 2022 before being inducted the following year. Simon LeBon and John Taylor of Duran Duran inducted Roxy Music in 2020, before their own band was honored in 2022. Trent Reznor of Nine Inch Nails inducted The Cure in 2019 before NIN got the nod in 2020. Artist and activist Harry Belafonte inducted Public Enemy in 2013 before he was inducted as an early influence in 2022. Dave Grohl and Taylor Hawkins of Foo Fighters inducted Rush in 2013 before their own band was honored in 2021.

Rock & Roll Hall of Fame Unveils 2024 Nominees

Here we go again. On Saturday (Feb. 10) morning, the Rock & Roll Hall of Fame announced this year’s nominees, unveiling 15 artists who are in contention to join the Rock Hall’s Class of 2024.

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The 2024 Rock Hall nominees are: Queen of Hip-Hop Soul Mary J. Blige; powerhouse singer-songwriter Mariah Carey; half-century-plus pop icon Cher; roots rock jam band Dave Matthews Band; hip-hop pioneers Eric B. & Rakim; stadium rock hitmakers Foreigner; arena-filling guitar (and talk box) pro Peter Frampton; alt hard rockers Jane’s Addiction; funky R&B legends Kool & the Gang; rock standard bearer Lenny Kravitz; Britpop poster boys Oasis; alt pop iconoclast Sinéad O’Connor; metal god Ozzy Osbourne; sophisticated R&B purveyors Sade; and alt hip-hop progenitors A Tribe Called Quest.

Two thirds of the names on the 2024 Rock Hall ballot are first-timers, despite years of eligibility (particularly in the cases of Cher, Frampton and Foreigner). This marks the second nomination for Mary J. Blige, Eric B. & Rakim, Jane’s Addiction and Dave Matthews Band, and the third for A Tribe Called Quest.

Surprisingly, The White Stripes – who appeared on the 2023 ballot and raised eyebrows when they failed to clinch induction – aren’t even on this year’s ballot. Cyndi Lauper is another name from the 2023 ballot not up for induction this year.

The 2024 nominees will be decided by a voting body of 1,000+ “artists, historians and members of the music industry,” per a press release. The Rock Hall’s Class of 2024 will be announced in late April.

This year’s induction ceremony returns to Cleveland, home of the Rock & Roll Hall of Fame headquarters, this fall. For the second consecutive year, the 2024 Rock & Roll Hall of Fame induction ceremony will live stream on Disney+. It will air on ABC at a later, to-be-announced date, and be available on Hulu the following day.

2024 Rock & Roll Hall of Fame Nominees: Induction Odds From Least to Most Likely

Here’s how we handicap this year’s Rock & Roll Hall of Fame class and their chances of induction.

It’s February 2024, and the time has come once again to debate which part of the Rock and Roll Hall of Fame’s name is more important to artists’ qualifications — the Rock and Roll part, or the Hall of Fame part?

This year’s crop of nominees for the Rock Hall are once again largely divided along those lines. There are the obvious all-time music industry legends (Cher, Mariah Carey, Mary J. Blige) whose resumés are only questionable in their lack of major overlap with the more traditionally guitar-based rock artists whose presence still — for the most part — forms the institution’s core. And then there are the unquestionable rockers (Jane’s Addiction, Oasis, Dave Matthews Band) whose perhaps slightly less-expansive pop cultural impact — in this country anyway — leave them at a slight disadvantage in any kind of popularity contest with such mononymically recognizable pop icons.

And of course, it’s not entirely that simple a binary: In this year’s nomination class, we also have legendary bands whose success was more in the pop sphere than the rock one (Kool & The Gang), esteemed rap duos and groups without massive crossover hits but with a ton of rock-world respect (Eric B. & Rakim and A Tribe Called Quest) and singularly genre-blurring, industry-defying greats whose Rock Hall cases are somewhat puzzling just based on the lack of obvious precedents for them (Sade, Sinéad O’Connor.) Lastly, we have the classic-rock holdovers, Foreigner and Peter Frampton, who would’ve likely been laughed off the ballot 20 years ago for being rock-crit anathema, but whose songs have endured, and who are now close to the only credible boomer-rock representatives left to be inducted.

Confusing stuff, to be sure, but we’re here to help you try to make sense of it. Here’s how we break down the nominees’ chances to be inducted, from least to most likely, with approximate odds of their chances to actually get in.

Rickey Minor Returns as Music Director of 2024 Oscars

Rickey Minor will return as music director of the 2024 Oscars, set to air live on ABC on Sunday, March 10, at the Dolby Theatre at Ovation Hollywood. Minor also served as music director last year.

Minor has received 15 Primetime Emmy nominations for outstanding music direction, winning twice. He has been nominated three times for his work on the Oscars, three times for The Kennedy Center Honors, twice for the Grammy Awards and twice for “Grammy Salutes” specials to the Bee Gees and Aretha Franklin. He has also been nominated for the following specials: Genius: A Night for Ray Charles, An Evening of Stars: Tribute to Chaka Khan, Smithsonian Salutes Ray Charles: In Performance at the White House, Taking the Stage: African American Music and Stories That Changed America and Celebrating America – An Inauguration Night Special.

The Oscars’ executive producer and showrunner is Raj Kapoor, who has been associated with the Oscars telecast for seven years. Kapoor has been one of three executive producers (along with Ben Winston and Jesse Collins) of the Grammy Awards the last three years. Kapoor won his first Primetime Emmy two years ago as an executive producer of Adele: One Night Only, which won as outstanding variety special (pre-recorded).

The Oscars’ director is Hamish Hamilton, who has directed the Grammys in three of the last four years. Hamilton won his first Primetime Emmy last month when he won outstanding directing for a variety special (along with Jay-Z) for The Apple Music Super Bowl LVII Halftime Show Starring Rihanna.

Kapoor and fellow executive producers Molly McNearney and Katy Mullan also announced other key members of their production team for the 96th Oscars, which Jimmy Kimmel is hosting for the fourth time.

Rob Paine returns as co-executive producer, and Taryn Hurd returns as talent producer. Producers Sarah Levine Hall, Erin Irwin and Jennifer Sharron and lighting designers Bob Dickinson and Noah Mitz also rejoin the team. The team also includes production designers Misty Buckley and Alana Billingsley.

The Academy announced that there will be 24 (count ’em) writers on this year’s Oscar telecast (so the show had better be funny). The platoon of writers includes Kimmel, so it probably will be.

Tres Generaciones Tequila and Billboard Celebrate Music’s Biggest Week

Tres Generaciones Tequila and Billboard joined forces for a two-night extravaganza. The first night, on Tuesday (Jan. 30), the brands joined together to celebrate emerging artists, producers, and creatives making waves and earning their stripes in the music space. The following evening, the established industry leaders gathered for Billboard’s Power 100 event.

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The intimate Tuesday event at the Sun Rose in West Hollywood featured notable guests including Conan Gray, Moses Sumney, Halle Bailey, Rocsi Diaz, Paris Jackson, and Elton Qualls-Harris. Against the backdrop of the evening, attendees mingled while enjoying three specialty curated signature cocktails: the Hibiscus Margarita, Piña Paloma, and Tres ’73.

January 30, 2024; Billboard and Tres Generaciones host the ‘New Nominees Dinner’ at the Pendry Hotel in West Hollywood, California

January 30, 2024; Billboard and Tres Generaciones host the ‘New Nominees Dinner’ at the Pendry Hotel in West Hollywood, California

Brandon Todd/Billboard

To conclude the night, Billboard’s Editorial Director, Hannah Karp, and veteran host Rocsi Diaz delivered remarks, lauding accomplishments and unveiling the partnership between Tres Generaciones Tequila and Billboard. This collaboration aims to infuse culture, music, and premium tequila into conversations throughout the country over the year. Rocsi Diaz and Tres Generaciones Tequila will host and moderate curated panels in Houston, Atlanta, Chicago, New York, Miami, and Los Angeles, bringing together local heroes and experts to spotlight the top “Get Up” anthems for each city.

The following day, the celebration continued to the Billboard Power 100 event. Attendees were greeted by a captivating wall activation featuring light-up Tres Generaciones letters, creating a perfect backdrop for memorable photos. The event’s ambiance was enhanced with a Tres Generaciones Tequila DJ booth, where DJ Amorphous skillfully curated a mix of R&B, Afropop, Hip-Hop, Reggaeton, and electronic sounds.

Atmosphere at the Billboard Power 100 Event held at NeueHouse Hollywood on January 31, 2024 in Los Angeles, California.

Atmosphere at the Billboard Power 100 Event held at NeueHouse Hollywood on January 31, 2024 in Los Angeles, California.

Brandon Todd for Billboard

The soirée featured a personalized touch with a signature Tres ’73 cocktail, adding flair to the evening’s libations. As the event unfolded, the atmosphere buzzed with networking opportunities, connecting new faces and rekindling past industry relationships including SZA, Boygenius, Clive Davis and many more. The celebration continued with award presentations for Executive of the Year, Label of the Year, and the prestigious Clive Davis Visionary Award.

Atmosphere at the Billboard Power 100 Event held at NeueHouse Hollywood on January 31, 2024 in Los Angeles, California.

Atmosphere at the Billboard Power 100 Event held at NeueHouse Hollywood on January 31, 2024 in Los Angeles, California.

Brandon Todd for Billboard

DJ Amorphous at the Billboard Power 100 Event held at NeueHouse Hollywood on January 31, 2024 in Los Angeles, California.

Trevor Noah & Ben Winston on 2024 Grammys: Jay-Z’s Surprise Remarks, Mariah Carey’s Frantic Golf-Cart Ride, and Why Noah Delivers His Monologue in the Audience

Trevor Noah had a special guest on his Spotify podcast What Now? With Trevor Noah on Thursday (Feb. 8) – Ben Winston, who was one of the executive producers of the Grammy telecast on Sunday, Feb. 4 (along with Raj Kapoor and Jesse Collins).

Noah, who has hosted the show the last four years and this year was also credited as a producer, opened by saying “Can I tell you there are few gigs I’ve done in my life that are more stressful than the Grammys? It’s exciting, it’s fun, but … it’s too much stress.”

Winston agreed. “I worked on that show for like four months and then the last three or four weeks it becomes intense and then the last few days it’s even more intense and then the last hour before the show is like the worst of all of it because that’s when everything you’ve been planning for a year falls apart because artists aren’t showing up … I’ve run the Grammys for four years now. For the last two years that half-hour before we’ve gone live I would say without question are the two most stressful half-hours of my entire life. Just the stuff that comes in and how just feel like you’re sinking on a ship that you’ve been building for months.”

One of the major stressors was a number of top stars arriving late for the 5:00 p.m. PT starting time, the result of a combination of factors – always heavy L.A. traffic aggravated by a rainstorm on show day, tight security and demonstrations near Crypto.com Arena where the show was taped, which impeded traffic.

Trevor asked Winston if a story he had heard was true – that Mariah Carey, who was set to present the first award, was picked up in a golf cart to get to the show on time.

“That’s 100% real,” Winston said. He recalled that at 4:48, none of the first three presenters (Carey, Christina Aguilera and Kacey Musgraves) was in the building. “It was an absolute nightmare. So, Patrick Menton, head of talent and co-executive producer of the show, got a guy in a golf cart – this is the God’s honest truth – to drive the wrong way down the [freeway] on the hard-shoulder, drove over a mile, got Mariah out of her SUV, stuck umbrellas to each side of it so she wouldn’t get soaked [and got her there].”

Winston communicated with Noah through an earpiece the host was wearing during the telecast. “I’m trying not to stress you out because I’m in your ears the whole time. I have to give him his props here. Trevor is unbelievable at taking information live in your ear. I was slowing you down because Mariah wasn’t ready yet. [As soon as] they went ‘Mariah is ready,’ you went ‘Time for our first award.’”

Noah and Winston also discussed Jay-Z’s calling out Grammy voters for repeatedly denying his wife Beyoncé the album of the year prize. Jay’s remarks were unexpected, but both men defended his right to say what he said.

The podcast played an excerpt of Jay’s remarks: “Think about that: the most Grammys, never won album of the year. That doesn’t work. Some of you are going to go home tonight and feel like you’ve been robbed. Some of you may get robbed. Some of you don’t belong in the category. When I get nervous, I tell the truth.”

“I’ll tell you this much. I didn’t expect it,” Noah said, likening it to the moment in 2005 when Kanye West went off-script at the Hurricane Katrina telethon and said “George Bush doesn’t care about Black people.” Noah said when Jay made his surprise remarks, “I felt a little bit like Mike Myers” [who was West’s shocked co-presenter on that telethon].

Noah set the scene: “I have just presented Jay with the Dr. Dre [Global Impact] Award. I’m on stage. I’m standing to the side. I’m expecting Jay-Z to come up and make a speech and I expect it to be a speech the way everybody makes a speech, “Reach for the stars, dream big, this is inspiration, hope for the best, thank you so much, I love you all, good night.”

And then Jay gets up and starts his speech. There are moments where I’m like, ‘Am I hearing this correctly?’ because I’m behind and you can’t really hear exactly what he did. … People are laughing. It was almost like a roast meets an acceptance speech. I liked it, though, I will say that. I like it when people are honest, I won’t lie.”

Winston agreed. “I don’t think it was as disrespectful to the Grammys as has been taken. He and his wife between them have won 60 [56, actually] Grammys as a couple. So he stood there as a real honored guy. Listen, I have nothing to do with the awards. I’m not even in the Academy. I can’t vote. I make the TV show with you Trevor. I’ve done it for the last four years.

“Of the last four years, they’ve turned up three out of the four. The only one that they didn’t come to was the one in Vegas [in 2022]. So, I think it matters to them. I think the Grammys and the Recording Academy matters to them as an institution. And any institution that matters to you, you want it to be done right, and you care about that. I respect that. And I also say ‘fair play’ to the Grammys for saying ‘speak whatever you feel.’ He also gave it credit saying the Black Music Collective has done a lot of good work. So yeah, he feels like Beyoncé should have won an album of the year…”

Noah interjected, “which I second, by the way.” Noah parodied West’s infamous interruption of Taylor Swift at the 2009 MTV Video Music Awards and said, “Ben, I’mma let you finish, but I do think Beyoncé should have won for one of the greatest albums of all time” [an apparent reference to Lemonade, which lost to Adele’s 25].

Later in the conversation, Noah returned to the subject of Jay-Z’s blast. “I appreciate the moments where Jay-Z comes on stage and just throws a little spice into the pot. Man, thank you Jay-Z. If Jay-Z can’t do it, who can? Maybe he’ll inspire more people to do it. This is life. It gets people interested. It gets us talking. It’s entertainment.”

Both defended Swift, who has been criticized for not acknowledging Celine Dion, who presented her with album of the year.

“To be fair, she was excited she had just won album of the year,” Winston said. “I don’t think she meant disrespect by it in any way. I think she was just excited.”

Noah concurred. “In those moments, speaking from experience, humbly, you do black out a little bit when it’s like a major moment.”

Noah may have been referring to the moment on Jan. 15 when he won a Primetime Emmy as executive producer and host of The Daily Show With Trevor Noah, which was voted outstanding talk series. For his part, Winston has won at least one Primetime Emmy in each of the last eight years. He won last month as an executive producer of Elton John Farewell From Dodger Stadium, which was voted outstanding variety special (live).  

Winston asked Noah if he was worried when he started his monologue that so few of the people who were mentioned in the monologue were in the room yet.

“Live TV is live,” Noah said. “… In this moment in particular, you’re about to do something in a room where people aren’t even sort of in yet, yet you’re talking about them and to them and they’re not there. I’m literally scanning the room praying that I will see anybody, anybody, anybody in their seats. So, you look around and say, ‘Oh thank God, there’s Ed Sheeran, there’s 21 Savage.’

“Like when Meryl Streep came in … First of all, she’s Meryl Streep. She didn’t need to run in because she was late. She ran in. She apologized for being late in a really nice, respectful, human way .. In that moment I was like, ‘OK, everything is going to be OK and thank you Jesus. I think we’re doing to get through this thing.’”

Winston gave Noah credit for his willingness to do his opening monologue in the audience, among the celebrity guests. “Most of the time with comedians at the beginning of the show, they’re on a stage, they’re safe, they’ve got their prompter. We literally stick you in amongst them, for two reasons. Firstly, I think it’s much more of an interesting watch. You walking around the room shows off who’s in the room. The second reason is … [we’ve] got to clear that stage for the next artist. We don’t have space for you on that stage.”

“I both love and hate it,” Noah said of performing his opening jokes while standing in the audience. “I love it from a producer’s perspective. I see why you wanted to do it and I enjoy that element of it. As a performer, it’s chaos….I won’t lie to you guys. It’s terrifying, but I do enjoy it.”

Winston concluded the podcast by explaining his role as one of the executive producers of the Grammys.

“My job I think is to program that show to do the best I can to make sure I have something for everybody, whether you’re Auntie Margaret in Alabama or you’re Cool Kid in New York, there’s something for you. You only get a viewing figure [good rating] for a Burna Boy if you follow it up with a Billy Joel. So, you’ve got to find that balance so you can actually get audience for those new artists, get people excited by Victoria Monét, Burna Boy, because they’re watching these other ones that they came for.”

Halle Bailey, Danielle Brooks & More to Be Honored at 2024 Essence Black Women in Hollywood Awards

Halle Bailey and Danielle Brooks, who star in the 2023 musical version of The Color Purple, will be honored at the 17th annual ESSENCE Black Women in Hollywood Awards, set to take place on Thursday, March 7, at the Academy Museum of Motion Pictures in Los Angeles.

Grammy-winning rapper Cliff “Method Man” Smith will host the event, which will form the basis of a one-hour primetime special that will later air on OWN: The Oprah Winfrey Network and stream on Max/discovery+. Winfrey is one of the producers of the new edition of The Color Purple.

Brooks was nominated for an Oscar for best supporting actress for playing Sofia in the new edition of the film. Winfrey was nominated in that same category for playing the same role in original 1985 drama. Brooks won a Grammy seven years ago for best musical theater album as one of the principal soloists on the cast album of the Broadway show.

Bailey is a six-time Grammy nominee, though she has yet to win.

The theme of this year’s event is “Radiant Power.” The event will also honor Nkechi Okoro Carroll, screenwriter and showrunner of All American, All American: Homecoming and Found, and Kathryn Busby, president of original programming for STARZ.

The ceremony will be produced by Essence Studios and Red Summer TV. The upcoming one-hour primetime special will feature red carpet arrivals, highlights from the awards ceremony and celebrity interviews.

ESSENCE will continue its celebration of Black film and television luminaries at the fifth annual ESSENCE Hollywood House, which will be held on Friday, March 8, in Los Angeles. The event focuses on equipping members of the community with the tools needed to achieve their full potential within the entertainment industry. Los Angeles-based attendees can register at ESSENCE.com/HollywoodHouse2024. Virtual attendees can stream the festivities live on ESSENCE.com, X, Facebook and YouTube.

The Grammys’ Latin Music Problem: What Will It Take for More Representation?

If we’re going to talk snubs and surprises at the Grammys, let’s address the big Latin elephant in the room.

There was very little Latin presence at this year’s Grammy awards. Only three Latin names – Edgar Barrera, Gustavo Dudamel and 123 Andrés – were nominated in non-Latin categories (for songwriter of the year (non-classical), best orchestral performance and best children’s musical album, respectively). The first nomination is a major look, perhaps explained by the fact that this is a relatively new category with a fresh perspective.

And the latter two won – not entirely unsurprising, given Dudamel’s stature and new appointment as the director of the New York Philharmonic. The best children’s album win for 123 Andrés was the most poignant, a sign that the more innocent children’s music perhaps has less barriers.

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As for the show itself, only 10 to 12 awards of the 91 total are typically given out during the telecast. In his post Grammy column, Bob Lefsetz wrote, “Now if I want to be honest, a lot of other genres were recognized in the pre-show, but unless you won an award, or are related to or work with the winner, no one knows and no one cares. They won’t put this music on the telecast, it’s not broad enough.”

I beg to differ. First, many categories are given out in the pre-telecast simply because only a handful of awards are given out on air. There are many others that many people care about.

When it comes to the Latin music categories historically, however, they have hardly ever made the telecast – despite the fact that Latins now represent nearly 20% of the U.S. population, and that Spanish is the second most-consumed language in music in the country. But, the Grammys aren’t about representation, right? If that were the case, we would be advocating for Latin nominees in every category of the awards, because, well, we’re 20%. But that’s not it.

The Grammys are about quality, and cultural and artistic impact. That’s why the absence of Peso Pluma – a catalyst for the revival of an entire musical genre that has impacted the charts and American consciousness, and whose music is downright dazzling — in the general categories was so jarring.  

The Mexican music superstar’s absence was especially conspicuous in the best new artist category. He was eligible among 405 new artists who competed for those eight slots, but he was not nominated. In fact, only two other artists who perform in Spanish have ever been nominated for best new artist – Rosalía in 2019 and Anitta in 2022, and neither artist won.

Why was Karol G considered good ratings fodder – the stadium headliner was seated at the front of the room and received her award for best música urbana album on air, after all — but was still shut out of any non-Latin category? This, despite the fact that she ended the year at No. 23 on Billboard’s year-end top artists chart, her Mañana Será Bonito was a top 20 album on Billboard’s year-end chart, and she played to sprawling sold-out crowds all year.

Clearly, despite all the positive moves towards diversifying the Recording Academy’s voting body, members are still resisting the concept of including music in Spanish as part of the mainstream. In the entire history of the Grammys, only one album in Spanish has ever received an album of the year nomination: Bad Bunny’s Un Verano Sin Tí in 2023. The last Spanish-language song nominated for song of the year or record of the year was “Despacito” in 2018. It didn’t win in either category, but it got the chance to compete. The importance of those opportunities to participate in the competition cannot be overlooked.

Ironically, the first-ever record and song of the year winner, back when the awards launched in 1959, was an Italian-language song, Domenico Modugno’s “Nel Blu Dipinto Di Blu (Volare).” Then in 1964, the Stan Getz/Astrud Gilberto version of “The Girl From Ipanema” won record of the year. Los Lobos’ hit cover version of Ritchie Valens’ “La Bamba” was nominated for both record of the year and song of the year in 1988, and Ricky Martin’s “Livin’ La Vida Loca” was nominated in those same two categories in 1999 (although Martin’s smash was mostly in English). That’s an awfully short list across 60-plus years, and yet we remain unable to even consider Spanish-language music as a real option in the Big Four.

Yesterday, a major Latin recording artist told me, “How come we never get nominated in the main categories? It makes me really angry.”

It doesn’t make me angry. Just sad.

Leila Cobo is Billboard’s Chief Content Officer for Latin and Español.

Stars at Clive Davis’ 2024 Pre-Grammy Gala

Front row, from left: Public Enemy’s Chuck D, Victoria Monét, The Isley Brothers’ Ernie and Ronald Isley, Keyshia Cole, Clive Davis, Dionne Warwick and Rickey Minor. Back row, from left: Lainey Wilson, Andrew Wyatt, Harvey Mason Jr., Mark Ronson, Maluma, Tom Hanks, Rita Wilson, Public Enemy’s Flavor Flav, Noah Kahan, Jelly Roll, Josh Groban, The War and Treaty’s Michael Trotter Jr., Green Day’s Tré Cool, The War and Treaty’s Tanya Trotter, Green Day’s Billie Joe Armstrong, Andra Day and Green Day’s Mike Dirnt photographed on February 3, 2024 at The Beverly Hilton in Beverly Hills, Calif.

Sami Drasin