Awards
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The Recording Academy has added three new categories for the 66th annual Grammy Awards, which are set for Sunday Feb. 4, 2024 – best African music performance, best alternative jazz album, and best pop dance recording. This brings the total number of categories to 94, the highest total since the number reached an all-time peak of 109 in 2010.
In addition, the existing categories of producer of the year, non-classical and songwriter of the year, non-classical will be moved to the general field. The general field has long consisted of four categories – album, record and song of the year plus best new artist. These four categories are often unofficially called the Big Four.
By moving the producer and songwriter awards to the general field, all Grammy voters can in these non-genre-specific categories without using up a field. (All voters can vote in the general field and then in no more than three other fields.)
Producer of the year, non-classical was added in 1974. Songwriter of the year, non-classical was added last year. Thom Bell and Tobias Jesso Jr. were the inaugural recipients, respectively.
These category additions and amendments were passed at the Recording Academy’s most recent semiannual board of trustees meeting held last month.
“The Recording Academy is proud to announce these latest category changes to our awards process,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “These changes reflect our commitment to actively listen and respond to the feedback from our music community, accurately represent a diverse range of relevant musical genres, and stay aligned with the ever-evolving musical landscape.
“By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists – and relocating the producer of the year and songwriter of the year categories to the general field ensures that all our voters can participate in recognizing excellence in these fields. We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide.”
With these three new categories, the Academy has added 10 categories in the last three years. That’s the most categories the Academy has added in any three- year period since 1959-61, when it added 12.
Bill Freimuth, the Academy’s former senior vice president, awards, led an effort to pare down the number of categories. The number nosedived from 109 to 78 in 2011, but has since been creeping back up. There is an ongoing debate between those who think “less is more” (that having a glut of categories devalues the award) and those who think “more is more” (that it makes more creators happy, which will turn Grammy critics in the creative community into Grammy boosters).
The Recording Academy accepts proposals from members of the music community throughout the year. The awards and nominations committee, comprised of Academy voting members of diverse genres and backgrounds, meets annually to review proposals to update award categories, procedures and eligibility guidelines.
Here’s a closer look at the three new Grammy categories:
Best African Music Performance
Dick Clark Productions (DCP) and Eldridge have acquired all the Golden Globes’ assets, rights and properties from the Hollywood Foreign Press Association (HFPA). The transaction will result in the wind-down of the HFPA and its membership. The proceeds from the transaction, plus the existing resources of the HFPA, will transition into a newly-formed Golden Globe Foundation that will continue the HFPA’s legacy of entertainment-related charitable giving.
As part of the transaction, DCP and its partners will plan, host and produce the annual Golden Globe Awards show and pursue commercial opportunities for the Golden Globes across the globe. The 81st Annual Golden Globe Awards is set to take place on Sunday, Jan. 7, 2024.
“We are excited to close on this much anticipated, member-approved transaction and transition from a member-led organization to a commercial enterprise,” said former HFPA president Helen Hoehne.
“Today marks a significant milestone in the evolution of the Golden Globes,” Eldgridge chairman Todd Boehly said in a statement. “My partners at DCP and I are grateful to Helen and team for their commitment to the successful implementation of a robust approach to governance, the expansion of the diverse and international voting body, implementing a professional, safe, and accountable environment, and trusting new ownership with a new direction for the Globes.”
“As stewards of the Golden Globe Awards, our mission is to continue creating the most dynamic awards ceremony on live television viewed across the world,” Jay Penske, CEO/chairman/founder of Penske Media and CEO of DCP, said in a statement. “We have a great team in place to grow this iconic brand and captivate new and existing audiences to celebrate the very best in television and motion pictures.”
The Golden Globe Awards will be controlled by DCP, the world’s largest producer and proprietor of televised live event entertainment programming.
A premier entertainment award since 1944, the annual Golden Globes honors achievements in both television and film. Over the last three decades, licensing fees from the ceremony have enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities.
Penske Media Corporation, Billboard‘s parent company, is a part-owner of dick clark productions and has a partnership with Eldridge.
Australian comedian Barry Humphries, internationally renowned for his over-the-top stage persona Dame Edna Everage, is posthumously awarded a Companion of the Order of Australia (AC) as part of the King’s Birthday Honours celebrations.
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Humphries, who died last month, aged 89, was saluted with the highest honor for “eminent service to the arts” as a comedian, actor, author, satirist and entertainer, and for “the promotion of Australian culture, and as a patron of organisations”. Just six ACs were awarded, from a total list of 1,191 Australians recognized for their achievements.
A law school dropout, Humphries found major success as an actor, writer and entertainer in Britain in the 1970s, both with his Dame Edna creation, the grotesque cultural attache Sir Les Patterson, and others characters. He remained an active entertainer, touring Britain last year with his one-man show The Man Behind the Mask.
The late funnyman leads recipients from the fields of entertainment and music, which includes soprano Marina Prior, who was awarded a Member of the Order of Australia (OAM) for her “significant service to musical theatre as a singer and performer.”
Also, Dead Can Dance co-founder Lisa Gerrard was appointed Member of the Order of Australia (AM) for “service to the performing arts through music.”
The honors roll marks the first time birthday salutes were awarded on behalf of King Charles, following his coronation in May.
The awards were established in 1975 by Queen Elizabeth II of England and the commonwealth states, which include Australia, in recognition of special achievements by the country’s citizens. Until now, they’ve been known as Queen’s Birthday Honours.
“Recipients have made substantial contributions and had a significant impact at the local, national or international level,” reads a statement from the Governor-General. “Some are volunteers, others have had a remarkable impact in professional roles – many have done both. They are all inspiring and their service is valued by us all.”
For the most part, the 2023 Tony Awards, which aired live on CBS and Paramount+ on Sunday June 11, went as expected. Kimberly Akimbo, a new musical from composer Jeanine Tesori and lyricist/librettist David Lindsay-Abaire, was the top winner with five awards, including best musical. Leopoldstadt was the play with the most wins — four, […]
Kimberly Akimbo, a new musical from composer Jeanine Tesori and lyricist and librettist David Lindsay-Abaire, was the top winner at the 2023 Tony Awards, which aired live on CBS on Sunday (June 11) from the historic United Palace in the Washington Heights neighborhood of New York City.
Kimberly Akimbo won five awards – best musical, best actress (Victoria Clark), best featured actress (Bonnie Milligan), best original score and best musical book. Tesori and Lindsay-Abaire shared the award for best original score.
Tesori previously won in that category for Fun Home (2015), alongside Lisa Kron. Tesori is just the second woman to win multiple awards in this category. Betty Comden won three alongside her partner Adolph Green – Hallelujah, Baby! (1968), On the Twentieth Century (1978) and The Will Rogers Follies (1991). Lindsay-Abaire won a second Tony for his book to the musical for Kimberly Akimbo. These are his first Tony awards. He had previously been nominated in both categories for his work on Shrek – The Musical, a previous collab with Tesori.
Stage adaptations of two classic films, Some Like It Hot and Life of Pi, each won multiple awards. Some Like It Hot won best actor (J. Harrison Ghee), best orchestrations, best choreography and best costume design. Life of Pi won best scenic design, best lighting design, and best sound design.
Leopoldstadt also won four awards, including best play. Revivals of Parade and Sweeney Todd – The Demon Barber of Fleet Street each won two awards. Parade beat Sweeney Todd for best revival of a musical. The original production was nominated for best musical in 1999, but lost to Fosse. Interscope and Immersive Records are among the Tony-winning producers of the Parade revival.
For the first time, the winners for lead and featured actor in a musical are both gender non-conforming. Ghee, who uses he/she/they pronouns, identifies as nonbinary or pansexual. Alex Newell, the featured actor winner for Shucked, identifies as gender non-conforming.
Two musicals, New York, New York and Shucked, each won one award. Five nominated musicals and musical revivals were shut out: & Juliet, Almost Famous, Camelot, Into the Woods and KPOP.
Suzan-Lori Parks’ Topdog/Underdog won best revival of a play. The work was nominated as best play in 2002, but lost to Edward Albee’s The Goat, or Who Is Sylvia?
Ariana DeBose hosted the Tonys for the second year in a row. The show also streamed live and on demand on Paramount+. Ricky Kirshner and Glenn Weiss produced the show, with Weiss also serving as director.
The 2022/23 eligibility season began May 5, 2022 and ended April 27, 2023. Tony Awards in 26 competitive categories were voted on by 769 designated Tony voters within the theatre community.
Julianne Hough co-hosted a pre-show, “Act One,” for the second year in a row, this time with Skylar Astin.
MUSICALS
Best Musical
& Juliet; Producers: Max Martin & Tim Headington, Theresa Steele Page, Jenny Petersson, Martin Dodd, Eva Price, Lukasz Gottwald, 42nd.club, Independent Presenters Network, Jack Lane, Library Company, Shellback, Shivhans Pictures, Sing Out, Louise!, Kim Szarzynski, Taylor/Riegler, Tenenbaum/Keyes, Barry Weiss, John Gore Organization
WINNER: Kimberly Akimbo; Producers: David Stone, Atlantic Theater Company, James L. Nederlander, LaChanze, John Gore, Patrick Catullo, Aaron Glick
New York, New York; Producers: Sonia Friedman Productions, Tom Kirdahy, Wendy Federman & Heni Koenigsberg, Crossroads Live, Playing Field, Stephanie P. McClelland, Ambassador Theatre Group, Waiting in the Wings Productions, Colin Callender, Gilbert and DeeDee Garcia/Sue Vaccaro, Peter May, Rileyfan, Silverhopkins+/Hunter Johnson, Jay Alix & Una Jackman, Eric Passmore, Thomas Swayne, Elliott Cornelious/SunnySpot Productions, Santino DeAngelo/Cynthia Tong, Craig Balsam, Richard Batchelder, Concord Theatricals, Creative Partners Productions, Marguerite Hoffman, Jessica R. Jenen, John Gore Organization, MGM on Stage, James L. Nederlander, Linda B. Rubin, Seriff Productions, Shivhans Pictures, 42nd.club/Beards on Broadway, AGL Productions/Brad Blume, Hunter Arnold/Red Mountain Theatre, Cue to Cue Productions/Roy Putrino, Jamie deRoy/Janet and Marvin Rosen, Edgewood/Silva Theatrical Group, Dale Franzen/Henry R. Muñoz, III, Deborah Green/Chris Mattsson, Branden Grimmett/DMQR Productions, Christen James/Gregory Carroll, NETworks Presentations/Lamar Richardson, Ron Simons/Adam Zell, Chartoff-Winkler
Shucked; Producers: Mike Bosner, Jason Owen, AEG Presents/Jay Marciano/Gary Gersh, Jeffrey A. Sine, Richard Smith, Silvia Schmid, Bob Boyett, Jeremiah J. Harris, James L. Nederlander, EST/Emily Tisch, Sony Music Entertaiment, DudaAllen, David W. Busch, Karen Fairchild, HoriPro Inc., Gordon-Helfner, John Gore Organization, Madison Wells Live, S&Co., Terry Schnuck, Jimi Westbrook, ZKM Media
Some Like It Hot; Producers: The Shubert Organization, Neil Meron, MGM on Stage, Roy Furman, Robert Greenblatt, James L. Nederlander, Kenny Leon, Hunter Arnold, John Gore Organization, The Dalgleish Library Company Group, Sheboygan Conservatory Partners, Ambassador Theatre Group Productions, Bob Boyett, Cue to Cue Productions, Janet and Marvin Rosen, The Araca Group, Concord Theatricals, Marc Howard, Independent Presenters Network, Juanita Jordan, Jujamcyn Theaters, Henry R. Muñoz, III, Ostar, Mariah Carey, D.S. Moynihan
Best Revival of a Musical
Into the Woods; Producers: Jujamcyn Theaters, Jordan Roth, New York City Center, Daryl Roth, Hunter Arnold, Concord Theatricals, Nicole Eisenberg, Jessica R. Jenen, Michael Cassel Group, Kevin Ryan, ShowTown Productions, Armstrong, Gold & Ross, Nicole Kastrinos
Lerner & Loewe’s Camelot; Producers: Lincoln Center Theater, André Bishop, Adam Siegel, Naomi Grabel
WINNER: Parade; Producers: Seaview, Ambassador Theatre Group Productions, Alex Levy, Kevin Ryan, Eric & Marsi Gardiner, Interscope & Immersive Records, Erica Lynn Schwartz, Creative Partners Productions, Marcia Goldberg, John Gore Organization, Cynthia Stroum, Tom Tuft, Benjamin Simpson, Nathan Vernon, Brian& Nick Ginsberg, Ruth & Stephen Hendel, Roth-Manella Productions, Chutzpah Productions, 42nd.club, Ahava 72 Productions, The Andryc Brothers, The Array, At Rise Creative, Caiola Jenen Productions, Coles Achilles, deRoy Brunish Productions, Fakston Productions, Federman Batchelder, Level Forward, Pencil Factory Productions, Renard Lynch, Robin Merrie, Rubin Stuckelman, Runyonland Sussman, Kristin Caskey, Mike Isaacson, Bee Carrozzini, New York City Center
Sweeney Todd: The Demon Barber of Fleet Street; Producers: Jeffrey Seller, Bob Boyett, Diana DiMenna & Plate Spinner Productions/Aaron Glick, Eastern Standard Time, Roy Furman, Thomas Kail, Jim Kierstead/Benjamin Leon IV, TourDForce Theatrical, Maggie Brohn, Andy Jones
Best Performance by an Actor in a Leading Role in a Musical
Christian Borle, Some Like It Hot
WINNER: J. Harrison Ghee, Some Like It Hot
Josh Groban, Sweeney Todd: The Demon Barber of Fleet Street
Brian d’Arcy James, Into the Woods
Ben Platt, Parade
Colton Ryan, New York, New York
Best Performance by an Actress in a Leading Role in a Musical
Annaleigh Ashford, Sweeney Todd: The Demon Barber of Fleet Street
Sara Bareilles, Into the Woods
WINNER: Victoria Clark, Kimberly Akimbo
Lorna Courtney, & Juliet
Micaela Diamond, Parade
Best Performance by an Actor in a Featured Role in a Musical
Kevin Cahoon, Shucked
Justin Cooley, Kimberly Akimbo
Kevin Del Aguila, Some Like It Hot
Jordan Donica, Lerner & Loewe’s Camelot
WINNER: Alex Newell, Shucked
Best Performance by an Actress in a Featured Role in a Musical
Julia Lester, Into the Woods
Ruthie Ann Miles, Sweeney Todd: The Demon Barber of Fleet Street
WINNER: Bonnie Milligan, Kimberly Akimbo
NaTasha Yvette Williams, Some Like It Hot
Betsy Wolfe, & Juliet
Best Original Score (Music and/or Lyrics) Written for the Theatre
Almost Famous, Music: Tom Kitt;Lyrics: Cameron Crowe & Tom Kitt
WINNER: Kimberly Akimbo, Music: Jeanine Tesori;Lyrics: David Lindsay-Abaire
KPOP, Music & Lyrics: Helen Park & Max Vernon
Shucked, Music and Lyrics: Brandy Clark & Shane McAnally
Some Like It Hot, Music: Marc Shaiman;Lyrics: Scott Wittman & Marc Shaiman
Best Book of a Musical
& Juliet, David West Read
WINNER: Kimberly Akimbo, David Lindsay-Abaire
New York, New York, David Thompson & Sharon Washington
Shucked, Robert Horn
Some Like It Hot, Matthew López & Amber Ruffin
Best Direction of a Musical
WINNER: Michael Arden, Parade
Lear deBessonet, Into the Woods
Casey Nicholaw, Some Like It Hot
Jack O’Brien, Shucked
Jessica Stone, Kimberly Akimbo
Best Choreography
Steven Hoggett, Sweeney Todd: The Demon Barber of Fleet Street
WINNER: Casey Nicholaw, Some Like It Hot
Susan Stroman, New York, New York
Jennifer Weber, & Juliet
Jennifer Weber, KPOP
Best Orchestrations
Bill Sherman and Dominic Fallacaro, & Juliet
John Clancy, Kimberly Akimbo
Jason Howland, Shucked
WINNER: Charlie Rosen & Bryan Carter, Some Like It Hot
Daryl Waters & Sam Davis, New York, New York
Best Scenic Design of a Musical
WINNER: Beowulf Boritt, New York, New York
Mimi Lien, Sweeney Todd: The Demon Barber of Fleet Street
Michael Yeargan & 59 Productions, Lerner & Loewe’s Camelot
Scott Pask, Shucked
Scott Pask, Some Like It Hot
Best Costume Design of a Musical
WINNER: Gregg Barnes, Some Like It Hot
Susan Hilferty, Parade
Jennifer Moeller, Lerner & Loewe’s Camelot
Clint Ramos & Sophia Choi, KPOP
Paloma Young, & Juliet
Donna Zakowska, New York, New York
Best Lighting Design of a Musical
Ken Billington, New York, New York
Lap Chi Chu, Lerner & Loewe’s Camelot
Heather Gilbert, Parade
Howard Hudson, & Juliet
Natasha Katz, Some Like It Hot
WINNER: Natasha Katz, Sweeney Todd: The Demon Barber of Fleet Street
Best Sound Design of a Musical
Kai Harada, New York, New York
John Shivers, Shucked
Scott Lehrer & Alex Neumann, Into the Woods
Gareth Owen, & Juliet
WINNER: Nevin Steinberg, Sweeney Todd: The Demon Barber of Fleet Street
PLAYS
Best Play
Ain’t No Mo’; Author: Jordan E. Cooper; Producers: Lee Daniels, BET: Black Entertainment Television, Len Blavatnik, Ron Burkle, Aryeh B. Bourkoff, 59th & Prairie Entertainment, RuPaul Charles, I’ll Have Another Productions, Jeremy O. Harris, Lena Waithe, Tucker Tooley Entertainment, CJ Uzomah, Ann Cox, Gina Purlia, Bob Yari, Marvin Peart, Colleen Camp, Marvet Britto, Jeremy Green, Sue Wagner, John Johnson, Jillian Robbins, The Public Theater, Oskar Eustis, Patrick Willingham, Mandy Hackett
Between Riverside and Crazy; Author: Stephen Adly Guirgis; Producers: Second Stage Theater, Carole Rothman, Khady Kamara, Atlantic Theater Company
Cost of Living; Author: Martyna Majok; Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove, Williamstown Theatre Festival
Fat Ham; Author: James Ijames; Producers: No Guarantees, Public Theater Productions, Rashad V. Chambers, National Black Theatre, Tim Levy, Bards on Broadway, Bob Boyett, Ghostbuster Productions, James Ijames, Cynthia Stroum, Audible, Adam Cohen, Blake Devillier, Firemused Productions/JamRock Productions, The Forstalls, Iconic Vizion/Corey Brunish, John Gore Organization, Midnight Theatricals, David Miner, Robin Gorman Newman/PickleStar Theatricals, Marc Platt, Play on Shakespeare, The Wilma Theater, Colman Domingo, Cynthia Erivo, Andy Jones, Dylan Pager, Roundabout Theatre Company, Oskar Eustis, Patrick Willingham, Mandy Hackett, Sade Lythcott, Jonathan McCrory
WINNER: Leopoldstadt; Author: Tom Stoppard; Producers: Sonia Friedman Productions, Roy Furman, Lorne Michaels, Stephanie P. McClelland, Gavin Kalin, Delman Sloan, Eilene Davidson, Brad Edgerton, Patrick Gracey, Hunter Arnold, Burnt Umber Productions, Cue to Cue Productions, The Factor Gavin Partnership, Harris Rubin Productions, Robert Nederlander, Jr., No Guarantees, Sandy Robertson, Iris Smith, Jamie deRoy/Catherine Adler, Dodge Hall Productions/Waverly Productions, Richardo Hornos/Robert Tichio, Heni Koenigsberg/Wendy Federman, Thomas S. Perakos/Stephanie Kramer, Brian Spector/Judith Seinfeld, Richard Winkler/Alan Shorr
Best Revival of a Play
August Wilson’s The Piano Lesson; Producers: Brian Anthony Moreland, Sonia Friedman, Tom Kirdahy, Kandi Burruss & Todd Tucker, Hunter Arnold, Playing Field, The Factor Gavin Partnership, FBK Productions/42nd.club, Jay Alix & Una Jackman, Creative Partners Productions, Harris Rubin Productions, Marguerite Steed Hoffman, Alia Jones-Harvey, Mark Gordon Pictures, Stephanie McClelland, Moore Delman, James L. Nederlander, Seriff Productions, The Shubert Organization, Salman Al-Rashid/Jamie deRoy, Brad Blume/Cliff Hopkins, Jean Doumanian/Fakston Productions, Edgewood/DMQR Productions, Jay & Cindy Gutterman/Caiola Productions, Van Kaplan/Lu-Shawn Thompson, Erik A. King/Finewomen Productions, Marc David Levine/William Frisbie, Syrinda Paige/Kevin Ryan & Diane Scott Carter, Silva Theatrical Group/Tilted, Thomas Swayne/Cynthia J. Tong, Constanza Romero-Wilson
A Doll’s House New Version by: Amy Herzog; Producers: Ambassador Theatre Group Productions, Gavin Kalin Productions, Wessex Grove, Julie Boardman, Kate Cannova, Bob Boyett, Hunter Arnold, Creative Partners Productions, Eilene Davidson Productions, GGRS, Kater Gordon, Louise L. Gund, Los Angeles Media Fund, Stephanie P. McClelland, Tilted, Jessica Chastain, Caitlin Clements/Francesca Moody Productions, Caiola Productions/Amanda Lee, Ted & Richard Liebowitz/Joeyen-Waldorf Squeri, Richard & Cecilia Attias/Thomas S. Barnes, OHenry Theatre Nerd Productions/Runyonland MMP, The Jamie Lloyd Company
The Sign in Sidney Brustein’s Window; Producers: Seaview, Sue Wagner, John Johnson, Phil Kenny, Audible, Sony Music Masterworks, Jillian Robbins, Jeremy O. Harris, Larry Hirschhorn and Ricardo Hornos, Shields Smedes Stern Ltd., Kevin Ryan, The Shubert Organization, Willette and Manny Klausner, Marco Santarelli, Be Forward Productions, Concord Theatricals, Creative Partners Productions, Invisible Wall Productions, Salman and Moudhy Al-Rashid, TodayTix Group, Ido Gal, HarrisDonnelly, Sally Cade Holmes, Stella LaRue, LAMF Protozoa, Kati Meister and John Sorkin, Meredith Lynsey Schade, Catherine Schreiber, Dennis Trunfio, MCM Studios, 42nd.club, BAMM Productions, CarterMackTaylorWilliam, HB2M Productions, HK-Undivided Productions, MAJIKK Theatricals, Tanker Kollev Productions, Douglas Denoff, OHenry Productions, Plate Spinner Productions, Runyonland Productions, Mad Gene Media, Scrap Paper Pictures, Joi Gresham, BAM, Gina Duncan, David Binder, Elizabeth Moreau
WINNER: Suzan-Lori Parks’ Topdog/Underdog; Producers: David Stone, LaChanze, Rashad V. Chambers, Marc Platt, Debra Martin Chase, The Shubert Organization
Best Performance by an Actor in a Leading Role in a Play
Yahya Abdul-Mateen II, Suzan-Lori Parks’ Topdog/Underdog
Corey Hawkins, Suzan-Lori Parks’ Topdog/Underdog
WINNER: Sean Hayes, Good Night, Oscar
Stephen McKinley Henderson, Between Riverside and Crazy
Wendell Pierce, Arthur Miller’s Death of a Salesman
Best Performance by an Actress in a Leading Role in a Play
Jessica Chastain, A Doll’s House
WINNER: Jodie Comer, Prima Facie
Jessica Hecht, Summer, 1976
Audra McDonald, Ohio State Murders
Best Performance by an Actor in a Featured Role in a Play
Jordan E. Cooper, Ain’t No Mo’
Samuel L. Jackson, August Wilson’s The Piano Lesson
Arian Moayed, A Doll’s House
WINNER: Brandon Uranowitz, Leopoldstadt
David Zayas, Cost of Living
Best Performance by an Actress in a Featured Role in a Play
Nikki Crawford, Fat Ham
Crystal Lucas-Perry, Ain’t No Mo’
WINNER: Miriam Silverman, The Sign in Sidney Brustein’s Window
Katy Sullivan, Cost of Living
Kara Young, Cost of Living
Best Direction of a Play
Saheem Ali, Fat Ham
Jo Bonney, Cost of Living
Jamie Lloyd, A Doll’s House
WINNER: Patrick Marber, Leopoldstadt
Stevie Walker-Webb, Ain’t No Mo’
Max Webster, Life of Pi
Best Scenic Design of a Play
Miriam Buether, Prima Facie
WINNER: Tim Hatley & Andrzej Goulding, Life of Pi
Rachel Hauck, Good Night, Oscar
Richard Hudson, Leopoldstadt
Dane Laffrey & Lucy Mackinnon, A Christmas Carol
Best Costume Design of a Play
Tim Hatley, Nick Barnes & Finn Caldwell, Life of Pi
Dominique Fawn Hill, Fat Ham
WINNER: Brigitte Reiffenstuel, Leopoldstadt
Emilio Sosa, Ain’t No Mo’
Emilio Sosa, Good Night, Oscar
Best Lighting Design of a Play
Neil Austin, Leopoldstadt
Natasha Chivers, Prima Facie
Jon Clark, A Doll’s House
Bradley King, Fat Ham
WINNER: Tim Lutkin, Life of Pi
Jen Schriever, Arthur Miller’s Death of a Salesman
Ben Stanton, A Christmas Carol
Best Sound Design of a Play
Jonathan Deans & Taylor Williams, Ain’t No Mo’
WINNER: Carolyn Downing, Life of Pi
Joshua D. Reid, A Christmas Carol
Ben & Max Ringham, A Doll’s House
Ben & Max Ringham, Prima Facie
On Thursday (June 8), BET announced the nominees for the 23rd annual BET Awards, with Drake and GloRilla leading the pack.
The “Search & Rescue” rapper clocks in at seven nominations, including best male hip-hop artist, best male R&B/pop artist, best group with 21 Savage and album of the year for Her Loss with 21 Savage. Like Drake, GloRilla’s nominations are split pretty evenly between solo and collaborative efforts, including best female hip hop artist, best new artist, album of the year for Anyways, Life’s Great, video of the year for “Tomorrow 2” with Cardi B, and two nominations for best collaboration (“F.N.F. Let’s Go” and “Tomorrow 2”).
Last year, GloRilla took home best breakthrough hip hop artist of the year award at the BET Hip Hop Awards.
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Following GloRilla and Drake, 21 Savage and Lizzo boast the third-highest number of nominations, with five each, and are followed by Beyoncé, Burna Boy, Chris Brown, Ice Spice and SZA, with four nominations each.
Voting for the Viewer’s Choice categories will commence on June 8 and end the day of the show, June 25, at 6:30 PM PT.
See the full list below:
Album of the YearAnyways, Life’s Great, GloRillaBreezy, Chris BrownGod Did, DJ KhaledHer Loss, Drake & 21 Savage Mr. Morale & The Big Steppers, Kendrick LamarRenaissance, BeyoncéSOS, SZA
Best Female R&B/Pop ArtistAri LennoxBeyoncéCoco JonesH.E.R.LizzoSZATems
Best Male R&B/Pop ArtistBlxstBrent FaiyazBurna BoyChris BrownDrakeThe WeekndUsher
Best GroupCity GirlsDrake & 21 SavageDvsnFLOMaverick City Music & Kirk FranklinQuavo & TakeoffWanmor
Best Collaboration“Big Energy (Remix),” Latto & Mariah Carey Feat. Dj Khaled“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice“Call Me Every Day,” Chris Brown Feat. Wizkid“Can’t Stop Won’t Stop,” King Combs Feat. Kodak Black“Creepin’,” Metro Boomin, The Weeknd & 21 Savage“F.N.F. (Let’s Go),” Hitkidd & GloRilla“Tomorrow 2,” GloRilla & Cardi B“Wait For U,” Future Feat. Drake & Tems
Best Female Hip Hop Artist Cardi B Coi LerayGloRillaIce SpiceLattoMegan Thee StallionNicki Minaj
Best Male Hip Hop Artist21 SavageDrakeFutureJ. ColeJack HarlowKendrick LamarLil Baby
Video of the Year“We (Warm Embrace),” Chris Brown“2 Million Up,” Peezy, Jeezy & Real Boston Richey feat. Rob49“About Damn Time,” Lizzo“Bad Habit,” Steve Lacy“First Class,” Harlow“Kill Bill,” SZA“Tomorrow 2,” GloRilla & Cardi B
Video Director of the YearA$AP Rocky for AWGEBenny BoomBurna BoyCole BennettDave Free & Kendrick LamarDirector XTeyana “Spike Tey” Taylor
Best New ArtistAmbréCoco JonesDoechiiFLOGloRillaIce SpiceLola Brooke
Dr. Bobby Jones Best Gospel/Inspirational Award“Bless Me,” Maverick City Music & Kirk Franklin“Finished (Live),” Tamela Mann“I’ve Got Joy,” CeCe Winans“Kingdom,” Maverick City Music & Kirk Franklin Feat. Naomi Raine & Chandler Moore“New,” Tye Tribbett“One Moment From Glory,” Yolanda Adams“The Better Benediction (Pt.2),” PJ Morton feat. Lisa Knowles-Smith, Le’andria Johnson, Keke Wyatt, Kierra Sheard & Tasha Cobbs Leonard
Viewer’s Choice Award“About Damn Time,” Lizzo“Break My Soul,” Beyoncé“First Class,” Jack Harlow“Jimmy Cooks,” Drake Feat 21 Savage“Kill Bill,” SZA“Last Last,” Burna Boy“Super Freaky Girl,” Nicki Minaj“Wait For U,” Future Feat. Drake & Tems
Best International ActAya Nakamura (France)Ayra Starr (Nigeria)Burna Boy (Nigeria)Central Cee (UK)Ella Mai (UK)Ko (South Africa)L7nnon (Brazil)Stormzy (UK)Tiakola (France)Uncle Waffles (Swaziland)
Viewer’s Choice: Best New International ActAsake (Nigeria)Camidoh (Ghana)Flo (UK)Libianca (Cameroon)Maureen (France)MC Ryan SP (Brazil)Pabi Cooper (South Africa)Raye (UK)Werenoi (France)
BET Her“About Damn Time,” Lizzo“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice“Break My Soul,” Beyoncé“Her,” Megan Thee Stallion“Lift Me Up,” Black Panther: Wakanda Forever – Music From And Inspired By – Rihanna & Ludwig Göransson“Players,” Coi Leray“Special,” Lizzo
Best MovieBlack Panther: Wakanda ForeverCreed 3EmancipationNopeThe Woman KingTillWhitney Houston: I Wanna Dance With Somebody
Best ActorAmin JosephBrian Tyree HenryDamson IdrisDaniel KaluuyaDemetrius ‘Lil Meech’ Flenory Jr.Donald GloverMichael B. Jordan
Best ActressAngela BassettCoco JonesJanelle JamesJanelle MonáeKeke PalmerViola DavisZendaya
Youngstars AwardAkira AkbarAlaya HighDemi SingletonGenesis DeniseMarsai MartinThaddeus J. Mixson Young Dylan
Sportswoman of the Year AwardAlexis MorrisAllyson Felix Angel ReeseCandace ParkerNaomi Osaka Serena WilliamsSha’carri Richardson
Sportsman of the Year AwardAaron Judge Bubba WallaceGervonta DavisJalen HurtsLebron JamesPatrick MahomesStephen Curry
The 2023 Tony Awards will feature several musical numbers in addition to performances from all of the nominees for best musical and best revival of a musical – long a Tony tradition.
The Neil Diamond musical A Beautiful Noise didn’t receive a single nomination, but will still get a featured slot on the show. Will Swenson stars in the jukebox musical built around the hits of the durable star. The 2022 revival of Funny Girl fared just a little better with Tony voters – it received one nomination for Jared Grimes as best featured actor in a musical. Lea Michele replaced Beanie Feldstein, the original star of the revival, but, as a replacement, Michele wasn’t eligible for a Tony nomination. That show will also be featured on this year’s show (which it wasn’t last year).
In addition, the show will feature a performance by Joaquina Kalukango, last year’s Tony winner for best performance by a leading actress in a musical for Paradise Square. The performance of two songs from the score, “Paradise Square” and “Let It Burn,” was a highlight of last year’s show. Even so, an encore booking is highly unusual.
The show will also feature special performances to honor Joel Grey and John Kander, 2023 recipients of special Tony awards for lifetime achievement in the theatre.
The 76th Annual Tony Awards will of course feature performances from the casts of the five Tony nominees for best musical (& Juliet, Kimberly Akimbo, New York, New York, Shucked and Some Like It Hot) and the four nominees for best revival of a musical (Camelot, Into the Woods, Parade and Sweeney Todd: the Demon Barber of Fleet Street).
The 76th Annual Tony Awards, hosted by Oscar winner and Tony nominee Ariana DeBose, will air live from the historic United Palace in New York City’s Washington Heights, Sunday, June 11 from 8:00-11:00 p.m. ET/5:00-8:00 p.m. PT on the CBS Television Network, and streaming live and on demand on Paramount+.
Julianne Hough and Skylar Astin will co-host The Tony Awards: Act One, a live pre-show on Pluto TV from 6:30-8:00 p.m. ET/3:30-5:00 p.m. PT. Viewers can access The Tony Awards: Act One on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Pluto TV Celebrity” channel (no payment, registration or sign-in required).
The Tony Awards is produced in collaboration with Tony Award Productions, a joint venture of the Broadway League and the American Theatre Wing, and White Cherry Entertainment. Ricky Kirshner and Glenn Weiss are executive producers for White Cherry Entertainment. Weiss will serve as director.
The Tony Awards has been broadcast nationally since 1967 and has been on CBS since 1978.
King Stingray adds another major prize to their growing collection, winning the 2023 Vanda & Young Global Songwriting Competition with “Milkumana.”
Co-written by bandmates Roy Kellaway and Yirrŋa Gotjiringu Yunupingu, “Milkumana” scores the A$50,000 prize, courtesy of APRA AMCOS, Alberts and Sony Music Publishing — a sum said to be the biggest first-place bounty for any songwriting competition on the planet.
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The Stingers, as they’re affectionately known in these parts, have been riding a wave in recent months.
“Milkumana” won for best song at the 2022 National Indigenous Music Awards, was shortlisted for APRA song of the year 2022, and was nominated for most performed rock work of the year at the most recent edition of the APRA Music Awards, on a night when they closed out proceedings with a cover of Men at Work’s “Down Under,” led by Colin Hay.
Their trophy cabinet includes the 2023 Australian Music Prize, presented earlier this year for the Yolŋu surf rockers’ self-titled debut LP; the Michael Gudinski breakthrough artist award, presented at the 2022 ARIA Awards; and best new artist at the 2022 Rolling Stone Australia Awards.
The winning song “is about leadership and the people we look up to and now, all of a sudden, we’ve become leaders in our community and that concept is just so amazing. We come from a small place and we’re singing about big things,” comments Kellaway. “Thanks so much for the love, we can’t believe it.”
Second place (and the A$10,000 prize) goes to “Ready for the Sky” by Budjerah, co-written by Budjerah with Ainslie Wills, while the Stingers snagged third place (and an additional A$5,000) for “Camp Dog,” written by Kellaway.
Among the winners announced Thursday (June 8) was “Worst Taste In Girls” by Charley, co-written by Charley, Antonio Egizii and David Musumeci, which scoops the the AMPAL emerging songwriter prize (A$5,000), while the inaugural American Songwriter Spotlight Award was presented to Tia P., the Los Angeles hip-hop artist and songwriter who wins the A$1,500 cash prize and a forthcoming feature on the American Songwriter for her song “That Action.”
This year’s competition received 2,950 entries from 45 countries, organizers say. Each entry carries a A$50 fee, which this year raised a total of A$147,500, all of which supports the services of Noro Music Therapy Australia.
Named after the iconic songwriters and founding members of The Easybeats, Harry Vanda and the late George Young, the competition first took place in December 2009, and has since raised nearly A$1.75 million for the charity.
The 2023 judging panel featured artists, producers, media and music industry professionals including reps from The Brag Media, Double J, Jaxsta, Billboard, iHeartRadio, Amazon Music, Universal Music Australia, EMI Music Australia, American Songwriter and more.
Previous winners include Genesis Owusu in 2022, Thelma Plum in 2020, Amy Shark (2018), Gretta Ray (2016), Isabella Manfredi (2013), Kimbra (2011) and Megan Washington (2009).
Visit APRAAMCOS.com.au for more.
Ten years ago, Colombian music executive Diana Montes created the Premios Heat (Heat Latin Music Awards) brand with the mission to not only support and develop up-and-coming Latin artists but also offer a platform where their hard work is recognized.
The awards show officially launched in 2015 via the HTV and TBS networks and counted on the support of artists such as Juanes, Juan Luis Guerra, Nicky Jam and a then-rising J Balvin. “It was beautiful because truthfully, Premios Heat was born big already,” Montes, who has a 25-year career in music, tells Billboard.
Now, its eighth edition airing from Cap Cana in the Dominican Republic on Thursday, June 8, via HTV and TNT, the 2023 Heat Latin Music Awards is led by six-time nominees Karol G, Feid and Bad Bunny, followed by five-time nominee El Alfa and, with four nominations each, Romeo Santos and Bizarrap. Confirmed performers include El Alfa, Mau y Ricky, Greeicy, Mario Bautista, Grupo Niche and many more.
But beyond an awards show — which focuses on talent charting in Latin America as opposed to the United States — the Premios Heat brand has a festival franchise and “La Nueva Cepa,” a new partnership with Warner Music Latin and hitmaker Master Chris, to help promote newcomers making a name for themselves in their countries, as they’ve done in the past with Ryan Castro, Anitta, Yahaira Plasencia and Dekko.
“In five years, without a doubt, Premios Heat will be the strongest music brand in Latin America,” Montes assures. “We see it by our numbers, by the growth of the awards and the festival. We are more than an award; we are a television platform, and we see ourselves developing artists as a label in the future.”
In the below Q&A, Montes takes us more in-depth into the Heat Latin Music Awards:
Anitta
Premios Heat/Carlos Zambrano*
Can you briefly explain what Premios Heat is and why are they held on the beach?
It’s an experience. The musical platform where you can make a real connection—the beach gives us that feeling of closeness. What was clear to me when we did the treatment of the awards is that I did not want to do them in the United States for various reasons beginning with we did not have the resources to compete with the larger awards show. Initially, we spoke with Cartagena de Indias but for some reason, we arrived in Cap Cana, and we’ve been hosting the awards here for nine years now. That’s the difference from a traditional award, here you see everyone working and networking but in a bathing suit and with a beer in hand.
How do you determine the nominees for each awards season?
They were initially chosen by the artists that rotated on HTV. Right now it is a mix of HTV, LosHeat.TV—our new platform that in its second year debuted as the best platform in Latin America, following TikTok—and what we see in the Latin American regions. We visit many countries. We have very young people monetizing the local charts and social media in countries like Peru, Ecuador, Colombia, and the Dominican Republic.
The Heat Latin Music Awards has stood out for discovering, supporting and promoting emerging talents such as J Balvin, Karol G, Bad Bunny and many more: Which artist of the new generation do you see possibly reaching that superstar status?
We have Dekko here, who won the 2022 musical promise award. I feel that he is already doing a crossover. I see a very strong Dayanara Peralta from Ecuador, with impressive numbers. I see Mar Rendon and an ADSO doing very interesting things. I see a Young Miko, who carries a very strong movement. We have seen the musical movement in Latin America very closely and the important thing for us is not to look at what’s sounding or trending in the U.S. but rather what’s happening in Peru? What’s happening in Colombia? I feel that these artists need a platform and we have the vision to see that great talent.
Can you elaborate a bit more on the “La Nueva Cepa” initiative and its importance?
It’s an idea we’ve been around for a long time and basically celebrates Master Chris’ 25 years as a music producer. Instead of making a record with artists he has produced like Alexis y Fido, Greeicy, and J Balvin, he wanted to follow the Heat Awards philosophy and discover the talent that exists in Latin America. We are not a record label but on our platform, we have developed many talents. With this initiative, what we are going to do is record them, make videos for them, and put them on HTV.
Julianne Hough and Skylar Astin will co-host The Tony Awards: Act One, a live pre-show on Pluto TV, on Sunday June 11 from 6:30-8:00 p.m. ET/3:30-5:00 p.m. PT. Both stars have found success both on stage and television. Hough, star of last season’s Broadway play Potus, has received three Primetime Emmy nominations for outstanding choreography on […]