Awards
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The Latin Recording Academy announced on Tuesday (July 18) that artists Ana Torroja, Mijares, Carmen Linares, Arturo Sandoval, Simone and Soda Stereo will receive this year’s Lifetime Achievement Award, as part of its annual Special Awards Presentation. Additionally, Alex Acuña, Gustavo Santaolalla and Wisón Torres will receive the Trustees Award. Explore See latest videos, charts and news See latest videos, charts […]
Toni Watson, the chart-busting Australian singer and songwriter who, as her alias Tones And I, set records around the globe with “Dance Monkey,” is one of the finalists for the 2023 Australian Women In Music Awards (AWMAs).
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Watson is up against Tanya Batt and The Superjesus leader Sarah McLeod for the songwriter award, which recognizes an outstanding female songwriter or composer.
Other high-profile artists nominated for this year’s event include Kate Ceberano, the one-time ARIA Award winner for best female artist, who is a finalist for the AWMAs lifetime achievement award, a category that also includes Jeannie Lewis and Clare Moore.
Meanwhile, chart-topping pop artist Jessica Mauboy will face-off with Beccy Cole, and Vika & Linda for the artistic excellence award, which celebrates “exceptional creative achievement from a female artist/musician across any genre.”
Established in 2018, the AWMAs acknowledges the contributions and shines a light on the accomplishments of women across all areas of industry from on stage, including those behind the scenes, technicians, leaders, elders, performers, songwriters, producers, engineers, filmmakers and photographers, music journalists and more.
One of those awards is the inaugural ARIA executive leader game changer, which rewards the “exceptional leadership” of an executive leader who “creates significant and positive change to bring about equality for women in the Australian music industry,” and is open to a CEO, CFO, COO, CMO, MD or GM.
“I have seen the industry of music in this country change so much and the education and delivery of music through the eyes and hearts of Australian women, my peers Renée, Chrissie, Olivia, Colleen, Kylie and more,” says Ceberano in a statement.
“It has been an education and at times a baptism by fire. But we are hardy and the Australian singers that are striking notes globally, not only with their music but with their minds, is outstanding.” She continues, “I’m glad to be a part of this modern community of likeminded artists who wish to share their wisdom and prevail despite all provocation to do otherwise.”
Twenty AWMAs will be handed out at a ceremony Sept. 27 in Meanjin/Brisbane, the designated 2032 Olympic city, and broadcast later on the Australian Broadcasting Corporation.
Each category is assessed by a 37-seat jury, with representation across a diverse range of music disciplines and cultures.
The 2023 AWMAs and conference program is supported by the Queensland government together with corporate, industry and community partners.
The event “not only celebrates the most innovative, committed, and visionary singers and songwriters in Australian music, it provides an opportunity to further promote gender equality and diversity including the voices of First Nations women,” comments Queensland Premier Annastacia Palaszczuk. “The future looks bright for the music industry as our government invests in a 10-year roadmap to promote arts, culture, and creativity.’’
AWMA is an initiative of the not-for-profit Charity Cicada International Ltd, and is spearheaded by AWMA founding executive producer and program director Vicki Gordon.
“AWMA has raised the collective voice – demanding equitable access, safety and recognition for women in the Australian music industry. We support and promote women as vital, essential contributors to the future business growth of the sector and are calling on the industry to adopt gender equality as a core music industry value,” explains Gordon. “Gender equity is still a long way in the future and we all need to remain vigilant.”
For the full list of nominations visit womeninmusicawards.com.au.
So strong and deep is the tradition of the cantautor, or singer-songwriter, in Latin music that the Latin Recording Academy is carving out more space for such multifaceted artists. This year, it debuts its best songwriter of the year category as part of the also newly created songwriting field. As with the mainstream Grammy Awards, the category recognizes songwriters credited as writers or co-writers on at least six tracks where they are not the performer, producer or engineer.
In addition, another new category, best singer-songwriter song, will fall under the singer-songwriter field (which has existed since the inception of the Latin Grammy Awards almost 25 years ago and has included the best singer-songwriter album award). To be eligible for this new award, at least 51% of the lyrics on singles or tracks must be in Spanish, Portuguese or any native regional dialect and must be from a singer-songwriter album competing in the best singer-songwriter album category that year. Below are six songwriters who stand a good chance of landing in one — or both — of the newly unveiled categories.
Elena Rose
As fans wait for Elena Rose to drop her long-awaited debut album, the Venezuelan singer-songwriter has kept busy with a string of singles recorded under her own name, plus a plethora of hits in the pop and urban realms. As one of the first women to actively collaborate with reggaetón stars, Elena Rose has opened the door for a new generation of women songwriters — making her a prime pick for the first class of best songwriter of the year nominees. The prolific collaborator has co-written massive hits like Karol G and Becky G’s “MAMIII,” Bad Bunny’s “Party” and, this year, TINI and Maria Becerra’s “Miénteme.”
Edgar Barrera
Perhaps the most versatile songwriter in Latin music today, Barrera has spent over 100 weeks on Billboard’s Latin Songwriters chart, second only to Bad Bunny, thanks to credits on cross-genre hits. In the past 12 months alone, the 32-year-old has worked with regional Mexican act Grupo Frontera on all of its hits, including blockbusters like “un x100to” with Bad Bunny and “Frágil” with Yahritza y Su Esencia. He also boasts credits on Manuel Turizo’s global smashes “La Bachata” and “El Merengue,” as well as multiple singles performed by longtime collaborators Maluma and Christian Nodal, among others, making him a shoo-in for the best songwriter of the year category.
Edén Muñoz
The former frontman of norteño group Calibre 50 has emerged as a successful solo artist and a sought-after songwriter for artists like Pepe Aguilar and Christian Nodal, among others. In June, the SESAC Latina Awards honored Muñoz as regional Mexican songwriter of the year for the fourth consecutive year thanks to a long string of hits. At this year’s Latin Grammys, Muñoz may be a contender in the best singer-songwriter album and song categories with his first solo studio album, Consejos Gratis (for which he wrote 13 out of its 14 tracks), boasting clever lyrics full of wordplay with uptempo fare and romantic ballads.
Gale
The Puerto Rican singer-songwriter got her start writing for other artists while she honed her solo chops. Now, in the wake of the release of her debut album, Lo Que No Te Dije, Gale could be nominated in all three songwriting fields. Her personal strain of alt-rock and pop was highlighted throughout her album and best heard on the uptempo, rock-leaning “Problemas” (making her a likely nominee in the best singer-songwriter album and song categories). She could also be a contender in the best songwriter category thanks to co-writes for the likes of Manuel Turizo and Marshmello (“El Merengue”), Juanes (“Ojalá”) and Aitana, Emilia and Ptazeta (“Quieres”).
Juanes
The Colombian veteran arguably reshaped the singer-songwriting mold when he burst on the scene with his 2000 debut album, Fíjate Bien. In 2023, he’s still innovating, albeit in a more collaborative fashion. On his new album, Vida Cotidiana, Juanes brings in many co-writers, including Tomás Torres and Alexis Díaz-Pimienta. But the album’s standout song, “Gris,” a revealing look into his longtime marriage, is his alone. A Latin Grammy favorite, Juanes is a contender for the best singer-songwriter album and song categories.
Keityn
The Colombian songwriter-producer was ASCAP’s 2023 songwriter of the year — a perfect setup for his inclusion in the inaugural group of best songwriter nominees. A favorite co-writer for two of the biggest Colombian stars of the moment — Shakira and Karol G — he worked alongside Bizarrap and Shakira on the surprise smash “Shakira: Bzrp Music Sessions, Vol. 53,” which spent five weeks at No. 1 on Billboard’s Hot Latin Songs chart earlier this year. Keityn also has songwriting credits on Shakira and Karol G’s “TQG,” which peaked at No. 7 on the Hot 100. It’s no small feat for a 26-year-old — nor is regularly writing hits for Manuel Turizo, J Balvin and Maluma (including the global smash “Hawái”).
This story will appear in the July 15, 2023, issue of Billboard.
Regional Mexican music — an umbrella term given to the broad range of subgenres with folk roots that include banda, mariachi, norteño and corridos — has long been absent from the main categories of the Latin Grammy Awards. Though regional Mexican has its own field with five categories, a living regional Mexican artist hasn’t taken home the trophy for album, record or song of the year in the 23-year history of the Latin Grammys. (Juan Gabriel won posthumously in 2016 for Los Dúo, Vol. 2.)
The absence reflects an unspoken stigma: Regional Mexican is considered unsophisticated music for the masses and, therefore, unworthy of a win in the Big Four categories. Only one act associated with the genre — Monterrey, Mexico, DJ collective 3BallMTY — has won a Big Four award (best new artist), and that was over a decade ago in 2012.
But now, with a 42.1% increase in consumption of regional Mexican music year over year, according to Luminate, the genre’s crossover may be impossible to ignore. The growth started in May 2021, when Gera MX and Christian Nodal’s collaboration “Botella Tras Botella” became the first regional Mexican song to enter the Billboard Hot 100 in its 63-year history. Two years later, regional Mexican is the dominant Latin genre on the Hot 100: For the week ending June 25, 13 of the 17 Spanish-language tracks on the chart fell under the regional Mexican umbrella as acts like Grupo Firme and Fuerza Regida sell out arena tours alongside veterans like Pepe Aguilar. Also in June, Génesis, the new album from ascendant superstar Peso Pluma, debuted at No. 3 on the Billboard 200.
“Regional Mexican is no longer seen as the ugly duckling,” says Maria Inés Sánchez, head of marketing at AfinArte Records and a vocal advocate of the genre, on its potential presence at the Latin Grammys. “This will definitely be the year — and it’s just the beginning.”
Following are 10 regional Mexican acts that have a chance at a main-category nomination.
Yahritza y Su Esencia
The Washington state family band is fronted by Yahritza, whose glorious voice floats over the guitars of her brothers Mando and Jairo. Nominated last year for best new artist, the trio stands a chance in the song and record of the year categories this year, with a new Columbia Records deal and a poignant single, “Frágil,” featuring Grupo Frontera.
Carín León
León’s velvety voice, melodic approach and outside-the-box collaborations with C. Tangana and Matisse make him better known in pop and alternative than other regional Mexican acts. His new album, Colmillo de Leche, arrived in May just ahead of the eligibility cutoff, making him a top candidate for an album of the year nod.
Eslabon Armado
Last year, the Mexican American group known for its romantic sierreños was shut out of the Latin Grammys, even though the band’s 2022 album, Nostalgia, became the first top 10 regional Mexican title ever on the Billboard 200. This year, the act returned with a vengeance: Its runaway smash, “Ella Baila Sola” with Peso Pluma (a No. 4 hit on the Hot 100), should be a contender for both song and record of the year.
Edén Muñoz
The former Calibre 50 frontman has emerged as a formidable solo artist who collected his fourth consecutive SESAC Latina songwriter of the year award in June and is also making waves as a producer. (Credits include Ángela Aguilar’s “Qué Agonía.”) His first solo album, Consejos Gratis, arrived in October and could be a contender.
Grupo Frontera
The sextet from the border town of McAllen, Texas, got its start late last year covering pop songs to its Mexican cumbia beat, but with the help of a mentor in songwriter-producer Edgar Barrera, the band has quickly evolved. Hit singles with Bad Bunny (“un x100to”) and Carín León (“Que Vuelvas”) should give the act a shot at both song and record of the year, as well as best new artist.
Ángela Aguilar
The 19-year-old daughter of ranchera icon Pepe Aguilar lost best new artist to Karol G in 2018, but that hasn’t stopped her from bringing traditional Mexican music to the masses. In the five years since, she has become a fixture of the Latin Grammys telecast, while also touring alongside her famous father and releasing major collaborations with artists like Steve Aoki and Fito Páez. “Qué Agonía,” her successful duet with Yuridia, could get a nod for song or record of the year.
Fuerza Regida
The quintet from San Bernardino, Calif., is known for bold music that straddles Mexican and U.S. sensibilities, mixing tuba and guitars with delicious crunch. Although the act’s in-your-face sound and cheeky lyrics may not suit all voters, Fuerza Regida has a finger on the pulse of the streets — don’t discount the group for album of the year with its back-to-back releases Pa Que Hablen and Sigan Hablando.
Peso Pluma
The 24-year-old from Guadalajara, Mexico, is the genre’s current golden boy, debuting just one year ago and already charting 11 tracks on the Hot 100 and 20 on Hot Latin Songs. A disruptor who collaborates both within and outside the genre, Peso Pluma could take home best new artist.
Natanael Cano
Since bursting onto the scene three years ago, the 22-year-old has been considered by many to be the originator of the current corridos tumbao movement — and yet he has not received a single Latin Grammy nod. While his new album, Nata Montana, released in June, didn’t make the deadline, a trio of singles on the Hot 100 do: “PRC” (with Peso Pluma) and “Pacas de Billetes” and “AMG” (with Peso Pluma and Gabito Ballesteros).
Christian Nodal
Widely seen as a successor to the grand ranchera tradition of Alejandro and Vicente Fernández, Nodal may be the most versatile regional Mexican singer today. Although he has already won Latin Grammys in the regional Mexican field, newfound awareness (including a single with Romeo Santos, “Me Extraño”) may boost his chances at main category nods.
This story will appear in the July 15, 2023, issue of Billboard.
The Recording Academy has added three new categories for the 66th Annual Grammy Awards, which are set for Sunday Feb. 4, 2024 — best African music performance, best alternative jazz album and best pop dance recording. This brings the total number of categories to 94, the highest total since the number reached an all-time peak of 109 in 2010.
“By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide.”
Here’s a closer look at the three new Grammy categories. —Paul Grein
Best Alternative Jazz Album
From swing to bebop to fusion, evolution has defined jazz throughout its history. The Grammys’ new best alternative jazz album category acknowledges that constant change, as a new generation brings the storied genre into the 21st century.
In recent years, the Grammys’ existing best jazz instrumental album category has recognized esteemed musicians of yesteryear, awarding the likes of Ron Carter, Wayne Shorter and Chick Corea — who all played with Miles Davis in the late 1960s and early ’70s. By contrast, less conventional jazz artists such as Kamasi Washington and Makaya McCraven, and bands such as Sons of Kemet and The Comet Is Coming (both led by acclaimed British saxophonist Shabaka Hutchings), have remained absent from the category’s nominees. Robert Glasper, the genre-hopping musician who has played with artists from Herbie Hancock to Mac Miller, received a single jazz category nomination in 2016, but snuck into the best R&B album category last year; his surprise win with Black Radio III caused fellow nominee Chris Brown to infamously remark: “Who the f–k is Robert Glasper?”
In its announcement of this new category, the Recording Academy noted that alternative jazz “may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz … with other genres,” including R&B, hip-hop, classical, rap and dance music. As genre distinctions become less rigid, the category’s value rests in how it will allow musicians like Washington — who earned recognition outside the jazz community for his contributions to Kendrick Lamar’s 2015 album, To Pimp a Butterfly — to be honored without conforming to more traditional conceptions of jazz.
Contenders may include Dinner Party, the collaborative project of Washington, Glasper and fellow jazz-meets-hip-hop traveler Terrace Martin; Angel Bat Dawid, the clarinetist-composer signed to influential contemporary jazz label International Anthem; saxophonist Sam Gendel, a prolific puveyor of ambient jazz; and the trio comprising Vijay Iyer, Shahzad Ismaily and Arooj Aftab for Love in Exile. (Aftab was nominated for best new artist and won for best global music performance in 2022.). —Eric Renner Brown
Best African Music Performance
From Afrobeats crossover hits like Burna Boy’s “Ye” and Wizkid’s “Joro” in 2018 and 2019, respectively, to more recent smashes like Rema’s “Calm Down” and CKay’s “Love Nwatiti,” the myriad sounds of Africa have become increasingly dominant in the U.S. and U.K. mainstream markets. After the broad best global music performance category flattened the diversity of non-Western musical stylings, the Recording Academy’s new best African music performance category aims to respond to the explosive growth of the continent’s music.
In 2021, the Grammys awarded the inaugural best global music performance trophy to Arooj Aftab’s “Mohabbat” — a shock to those betting on Wizkid & Tems’ “Essence,” by far the most commercially successful song in the category. The following year, “Bayethe,” a collaboration among South African artists Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode, beat out Burna Boy’s cultural and commercial juggernaut, “Last Last,” yet another marker that an adjustment was needed to properly recognize Afrobeats and its impact.
From its inception, the global music category was an attempt to recognize hundreds of genres across a plethora of languages, cultures and countries. But the rise of Afrobeats, Afro-pop and, more recently, amapiano, has become undeniable. Thanks to a Selena Gomez remix, Rema’s “Calm Down” holds the longest reign on the Billboard U.S. Afrobeats Songs chart (45 weeks and counting, as of the July 15 chart).
On the Hot 100, it peaked at No. 3. In July, Burna Boy became the first Nigerian artist to headline a U.S. stadium with his stint at New York’s Citi Field as a part of his Love, Damini tour.
The new best African music performance category seeks to honor “recordings that utilize unique local expressions from across the African continent, highlighting regional melodic, harmonic and rhythmic musical traditions.” The award will highlight subgenres including, but not limited to, Afrobeats, Afro-fusion, Afro-pop, alté, amapiano, genge, fuji, Ghanaian drill, Afro house, South African hip-hop and Ethio-jazz.
As the eligibility period draws to a close, keep an eye on these potential best African music performance nominees: “2:30” by Asake; “Sittin’ on Top of the World,” Burna Boy; “Charm,” Rema; “People,” Libianca; “Unavailable,” Davido & Musa Keys; “Soweto,” Victony; “Party No Dey Stop,” Adekunle Gold & Zinoleesky; “Reason,” Omah Lay; “Mnike,” Tyler ICU, Tumelo.za, DJ Maphorisa, Nandipha808, Ceeka RSA & Tyron Dee; and “Amapiano,” Asake & Olamide. —Kyle Denis
Best Pop Dance Recording
The Recording Academy has long attempted to cram dance and electronic music’s disparate styles into an all-encompassing pair of categories: best dance/electronic recording and best dance/electronic album. The collision of house, EDM, intelligent dance music and other subgenres has made for strange nominee bedfellows over the years — like in 2022, when Tiësto’s pop-centric crossover smash, “The Business,” competed against the delicately experimental “Loom” from Icelandic composer Ólafur Arnalds featuring Bonobo.
But nowhere has the Grammys’ dance/electronic culture war been so acute as with pop dance (or “dance pop,” as it’s more commonly called), the style that rides the line between the two genres with big melodies, center-of-attention vocals and traditional pop structures. In 2005, Britney Spears’ “Toxic” triumphed over songs like The Chemical Brothers’ “Get Yourself High” for best dance recording. While the categories started shying away from pop stars amid the EDM boom of the 2010s, the pop structures inherent to EDM presented their own challenges.
The dance screening committee, which employs a panel of experts to review submissions to the two dance categories that may be better suited elsewhere, historically struggled with where to place dance pop songs. A source on this committee says it was always hard to classify songs with, for example, a house beat but otherwise fully pop production. Which is why the Grammys have taken an overdue step in their acknowledgment of the music’s wide appeal with its addition of best pop dance recording. The change also earns the genre at large a greater Grammys presence with the addition of five more nominees.
The pop dance category would neatly fit a few early front-runners, including Illenium and the output from his self-titled rock/EDM hybrid album and Jessie Ware’s disco-infused set, That! Feels Good! The category will also likely be the new home for major pop stars making dance-centric songs, with Kylie Minogue’s thumping “Padam Padam” a contender for 2024. While the dance genre is dizzyingly eclectic, the addition of pop dance is one thing everyone can agree on. —Katie Bain
This story will appear in the July 15, 2023, issue of Billboard.
When the nominations for the 66th annual Grammy Awards are announced Nov. 10, Taylor Swift and SZA are each likely to receive nods for album, record and song of the year. It will be a bit harder to crack the Big Four categories than it was the last two years: The Recording Academy is cutting the number of nominees in each of those categories from a bloated 10 to eight, which was the magic number from 2018 to 2020. (Before that, it was generally five.)
And this year’s eligibility period closes two weeks earlier than usual, running from Oct. 1, 2022, through Sept. 15, 2023. Following are Billboard’s best bets for who will be in contention.
In a welcome change, the academy reinstituted a baseline of involvement needed to receive a nomination in this category. Credited and featured artists, songwriters, producers, engineers, mixers and mastering engineers must have worked on at least 20% of an album’s playing time to receive a nod. This is up from no baseline the last two years, when the academy handed out nominations in this category like they were Halloween candy.
Boygenius, The Record
The trio, consisting of Phoebe Bridgers, Julien Baker and Lucy Dacus, co-produced its long-awaited debut album with Catherine Marks. Previous “supergroup” collaborations to be nominated in this category include Crosby, Stills & Nash; the all-star Trio consisting of Dolly Parton, Linda Ronstadt and Emmylou Harris; Traveling Wilburys; and The Three Tenors. Billboard 200 peak: No. 4.
Drake & 21 Savage, Her Loss
This year’s 50th anniversary of hip-hop has received yearlong coverage, which boosts the already good chance that at least one rap album will make the finals. Her Loss was up for album of the year at the BET Awards in June. This would be the third album of the year nomination as a lead or co-lead artist for Drake (following Views and Scorpion) and the first for 21 Savage. Billboard 200 peak: No. 1 (one week).
Lana Del Rey, Did You Know That There’s a Tunnel Under Ocean Blvd
Del Rey’s ninth studio album could yield her second nod in this category, following Norman F–king Rockwell! four years ago. Del Rey co-produced the album with Jack Antonoff, Benji, Zach Dawes, Drew Erickson and Mike Hermosa. Billboard 200 peak: No. 3.
Foo Fighters, But Here We Are
One of the Grammys’ favorite bands collaborated with one of the Grammys’ favorite producers, Greg Kurstin, a two-time winner for producer of the year, non-classical. The Foo Fighters’ 11th studio album — their first since the death of drummer Taylor Hawkins in March 2022 — could yield their third nod in this category. Billboard 200 peak: No. 8.
Olivia Rodrigo, Guts
Rodrigo’s upcoming second album could very well follow her debut, Sour, to an album of the year nod. It was produced by Dan Nigro, who also did the honors on Sour. This would be the second time Rodrigo has been nominated alongside one of her idols, Taylor Swift, in this category. Sour competed with Swift’s evermore two years ago.
SZA, SOS
This tied for album of the year at the BET Awards with Beyoncé’s Renaissance (a Grammy nominee in this category last year). SZA’s second studio album had multiple producers, including Babyface, Jeff Bhasker, Benny Blanco and Shellback. Billboard 200 peak: No. 1 (10 weeks).
Taylor Swift, Midnights
This would be Swift’s sixth nomination in this category, which would put her in a tie with Barbra Streisand for the most nods by a woman in Grammy history. Swift co-produced Midnights with Jack Antonoff, Sounwave, Jahaan Sweet and Keanu. She could make history when the Grammys are presented Feb. 4, 2024, becoming the first person to win album of the year four times. She’s currently tied with Frank Sinatra, Stevie Wonder and Paul Simon with three wins each. Billboard 200 peak: No. 1 (six weeks).
Morgan Wallen, One Thing at a Time
This would be the first country album to be nominated in this category since Kacey Musgraves’ Golden Hour five years ago (which won) and the first by a male country artist since Chris Stapleton’s Traveller eight years ago. Joey Moi, Cameron Montgomery, Charlie Handsome and Jacob Durrett co-produced the collection, which is Wallen’s third studio album. Billboard 200 peak: No. 1 (15 weeks — longer than any other album since Adele’s 2011 release, 21).
Within Reach: Luke Combs, Gettin’ Old; Miley Cyrus, Endless Summer Vacation; Jelly Roll, Whitsitt Chapel; Noah Kahan, Stick Season; Karol G, Mañana Será Bonito; Lil Baby, It’s Only Me; Metro Boomin, Heroes & Villains; Janelle Monáe, The Age of Pleasure; Paramore, This Is Why; Ed Sheeran, – (Subtract); Sam Smith, Gloria; Tanya Tucker, Sweet Western Sound; Lainey Wilson, Bell Bottom Country
Clockwise: Luke Combs, Miley Cyrus, Taylor Swift and Rihanna.
Illustration by Andrei Cojocaru. Jeremy Cowart; Brianna Capozzi; Christopher Polk for PMC; Ezra Shaw/Getty Images.
Swift is still looking for her first win in this category, as are past contenders such as SZA and Rihanna. “Calm Down” by Rema & Selena Gomez, which would have been a strong contender, was released before the start of the eligibility year. Rema’s solo recording of the song was entered, but not nominated, for best global music performance last year.
Miley Cyrus, “Flowers”
Cyrus’ father, Billy Ray Cyrus, has received two record of the year nods — for “Achy Breaky Heart” and “Old Town Road,” his collaboration with Lil Nas X. The Cyruses would become just the third parent and child to each receive record of the year nods, following the Sinatras (Frank and Nancy) and the Coles (Nat “King” and Natalie). Billboard Hot 100 peak: No. 1 (eight weeks).
Luke Combs, “Fast Car”
Tracy Chapman’s original version of this song was a 1988 record of the year nominee. This would become only the second song in Grammy history to be the basis of two singles that received record of the year nods. The first was “Mack the Knife.” (Bobby Darin’s recording was the 1959 winner, while Ella Fitzgerald’s was a 1960 nominee.) Hot 100 peak: No. 2 (so far).
Lil Durk & J. Cole, “All My Life”
The melodic chorus on this hip-hop smash gives it broad-based appeal. This would be the first collaboration by two rappers to receive a nod in this category since DaBaby’s “Rockstar” (featuring Roddy Ricch) three years ago. J. Cole finally won his first Grammy (after amassing 12 nominations) four years ago for “A Lot.” Lil Durk is still looking for his first win. Hot 100 peak: No. 2.
PinkPantheress & Ice Spice, “Boy’s a Liar, Pt. 2”
This is vying to become the third collaboration by two women in the past four years to land a nod in this category. Megan Thee Stallion’s “Savage” (featuring Beyoncé) was nominated three years ago, and Doja Cat’s “Kiss Me More” (featuring SZA) was a contender two years ago. Hot 100 peak: No. 3.
Rihanna, “Lift Me Up”
This soulful ballad from Black Panther: Wakanda Forever arrived at the start of the eligibility year. This would be Rihanna’s fourth record of the year nominee, and her first on her own. She was previously nominated for collaborations with Jay-Z (“Umbrella”), Eminem (“Love the Way You Lie”) and Drake (“Work”). Hot 100 peak: No. 2.
SZA, “Kill Bill”
This would be SZA’s third record of the year nominee, and her first on her own. She was previously nominated for collaborations with Kendrick Lamar (“All the Stars”) and Doja Cat (“Kiss Me More”). Hot 100 peak: No. 1 (one week).
Taylor Swift, “Anti-Hero”
This would be Swift’s fifth nod in this category. She was previously nominated for “You Belong With Me,” “We Are Never Ever Getting Back Together,” “Shake It Off” and “Blank Space.” Swift would be the first artist whose first five nominations in this category were for solo recordings (and not collaborations or group/duo recordings) since Frank Sinatra in the ’50s and ’60s. Hot 100 peak: No. 1 (eight weeks).
Morgan Wallen, “Last Night”
This single and/or Combs’ “Fast Car” would be the first country single (going by Grammy performance category placements) to receive a record of the year nod since Lady A’s “Need You Now” 13 years ago (which won). Taylor Swift’s subsequent “We Are Never Ever Getting Back Together” topped Billboard’s Hot Country Songs chart, but vied for a performance nod in the pop field at the Grammys. Hot 100 peak: No. 1 (13 weeks).
Within Reach: Zach Bryan featuring Maggie Rogers, “Dawns”; Lana Del Rey, “A&W”; Jelly Roll, “Need a Favor”; Labrinth, “Never Felt So Alone”; Coi Leray, “Players”; Lil Uzi Vert, “Just Wanna Rock”; Dua Lipa, “Dance the Night”; Janelle Monáe, “Lipstick Lover”; Paramore, “This Is Why”; P!nk, “Trustfall”; Olivia Rodrigo, “Vampire”; Ed Sheeran, “Eyes Closed”; Toosii, “Favorite Song”; Tanya Tucker & Brandi Carlile, “Ready As I’ll Never Be”
From left: Tanya Tucker & Brandi Carlile, Jelly Roll & Lil Durk.
Illustration by Andrei Cojocaru. Gary Miller/WireImage; Chum Daddy; Katie Jones for WWD.
Last year, six of the 10 record of the year nominees were also nominated for this songwriter’s award. This year, five out of eight could double up. Luke Combs’ “Fast Car” won’t be eligible because it was already well-known. Tracy Chapman was nominated in this category in 1988 for writing it.
“A&W”Songwriters: Lana Del Rey, Jack Antonoff, Sam Dew
Del Rey and Antonoff were nominated in this category four years ago for co-writing “Norman F–king Rockwell.” He won this honor 11 years ago for co-writing fun.’s “We Are Young” (featuring Janelle Monáe). This would be Dew’s first nomination in the category.
“All My Life”Songwriters: Lil Durk, J. Cole, Dr. Luke, Rocco Did It Again!, Ryan OG, LunchMoney Lewis, Theron “Uptown AP” Thomas
This would be Dr. Luke’s third nomination in this category following nods for Katy Perry’s “Roar” and the Doja Cat-SZA collaboration “Kiss Me More.”
“Anti-Hero”Songwriters: Taylor Swift, Jack Antonoff
“Anti-Hero” could give Swift a record seventh nomination for song of the year, which would surpass Paul McCartney and Lionel Richie for the most nods in the history of the category. Surprisingly, this would be the first Swift-Antonoff collaboration to be nominated for this award.
“Flowers”Songwriters: Miley Cyrus, Gregory “Aldae” Hein, Michael Pollack
This would be the first nod in this category for all three co-writers. The song is a modern twist on such hits as “You Don’t Bring Me Flowers,” a nominee in this category 45 years ago, and Bruno Mars’ “When I Was Your Man,” a nominee for best pop solo performance 10 years ago.
“Kill Bill”Songwriters: SZA, Carter Lang, Rob Bisel
This would be SZA’s third nod in this category; she was among the co-writers of “All the Stars” and “Kiss Me More.” Lang was also nominated in this category for co-writing the latter. Bisel was nominated for record of the year as an engineer-mixer on the irresistible pop smash.
“Lift Me Up”Songwriters: Ludwig Göransson, Rihanna, Tems, Ryan Coogler
This would be the first nomination in this category for Rihanna, Tems and director Coogler. Göransson won this award five years ago for co-writing Childish Gambino’s “This Is America.” “Lift Me Up” would be the first Academy Award nominee for best original song to also be nominated for the top songwriting Grammy since “Fight for You” from Judas and the Black Messiah two years ago.
“Need a Favor”Songwriters: Jelly Roll, Rob Ragosta, Joe Ragosta, Austin Nivarel
This song, released as the lead single from Jelly Roll’s breakthrough album, Whitsitt Chapel, has a refreshingly honest and affecting chorus, which begins: “I only talk to God when I need a favor/And I only pray when I ain’t got a prayer.”
“Ready As I’ll Never Be”Songwriters: Brandi Carlile, Tanya Tucker
This would be Carlile’s fifth nomination in this category and Tucker’s second. They previously collaborated on “Bring My Flowers Now,” a nominee here two years ago. “Ready As I’ll Never Be,” which was featured in the 2022 documentary The Return of Tanya Tucker, could also receive a nod for best song written for visual media.
Within Reach: “Boy’s a Liar, Pt. 2,” PinkPantheress & Ice Spice; “Dance the Night,” Dua Lipa; “Dawns,” Zach Bryan featuring Maggie Rogers; “Eyes Closed,” Ed Sheeran; “Growin’ Up and Gettin’ Old,” Luke Combs; “Last Night,” Morgan Wallen; “Lipstick Lover,” Janelle Monáe; “Never Felt So Alone,” Labrinth; “Players,” Coi Leray; “Thank God,” Kane Brown & Kaitlyn Brown; “This Is Why,” Paramore; “Trustfall,” P!nk; “Vampire,” Olivia Rodrigo
Clockwise: Gracie Abrams, Ice Spice, Peso Pluma and PinkPantheress.
Illustration by Andrei Cojocaru. Mark Horton/Getty Images; Mike Coppola/Getty Images; Jerry Budar; Mia Teresa.
Though The Record is boygenius’ first album, the trio won’t be eligible here because one of its members, Phoebe Bridgers, is a previous Grammy nominee. She received four nods, including best new artist, three years ago.
Zach Bryan and GloRilla probably won’t be eligible because they were nominated in performance categories last year. The Grammy rulebook makes an exception for such artists, provided they hadn’t at the time of those nominations released enough material to be “eligible in this category for the first time.” Bryan and GloRilla were both eligible and entered for best new artist last year.
The Grammy screening committee will have the final say on whether Coi Leray and Jelly Roll are eligible. Neither has been nominated before, but both have been around awhile. Leray was nominated for best new artist at the BET Awards two years ago, and Jelly Roll has been releasing records since 2011.
Gracie Abrams
Aaron Dessner and Matias Tellez co-produced the singer-songwriter’s first studio album, Good Riddance. Abrams has served as an opening act on Olivia Rodrigo’s Sour tour and Taylor Swift’s The Eras Tour. Fun fact: Abrams’ father, J.J. Abrams, won two Primetime Emmy Awards as executive producer/director of Lost.
Ice Spice
The rapper, born Isis Naija Gaston, has landed four top 10 hits on the Billboard Hot 100 in 2023 thanks to collaborations with PinkPantheress (“Boy’s a Liar, Pt. 2”) and past best new artist nominees Taylor Swift (“Karma”) and Nicki Minaj (“Princess Diana,” “Barbie World”). Ice Spice was nominated for best new artist at the 2023 BET Awards.
Jelly Roll
The rapper turned country artist had a star-making night in April at the CMT Music Awards, where he performed “Need a Favor” and won three trophies. Jelly Roll, born Jason Bradley DeFord, will turn 39 in December, which would make him the oldest individual nominee in this category since Andrea Bocelli, who was 40 when he was nominated 25 years ago.
Coco Jones
Jones won best new artist at the BET Awards, beating GloRilla and Ice Spice. The former child star was featured on Radio Disney’s The Next Big Thing in 2010-11 and starred in the Disney Channel film Let It Shine in 2012. Her breakthrough track, “ICU,” reached No. 63 on the Hot 100 in May. Jones was also featured on a track on Babyface’s 2022 album, Girls Night Out.
Noah Kahan
The singer-songwriter’s third album, Stick Season, vaulted to No. 3 on the Billboard 200 following the release of an expanded edition in June. It will probably be nominated for best Americana album or best folk album.
PinkPantheress
The British singer-songwriter was nominated for the rising star award at the Ivor Novello Awards in 2022. She won the BBC’s Sound of 2022 poll and has been nominated for three NME Awards. “Boy’s a Liar, Pt. 2” reached No. 3 on the Hot 100.
Peso Pluma
The Mexican singer-songwriter-rapper born Hassan Emilio Kabande Laija is vying to become the third Latin artist to be nominated in this category in the past five years, following Rosalía and Anitta. Génesis, his third studio album, entered the Billboard 200 at No. 3, becoming the highest-charting regional Mexican album to date.
Bailey Zimmerman
The singer-songwriter’s first studio album, Religiously. The Album, reached No. 7 on the Billboard 200. Zimmerman was nominated for new male artist of the year at the Academy of Country Music Awards in May.
Within Reach: Lola Brooke, Doechii, Fifty Fifty, FLO, HARDY, JVKE, Kelela, RAYE, Rema, Toosii, The War and Treaty, Hailey Whitters
This story will appear in the July 15, 2023, issue of Billboard.
The dividing line between music fans and sports fans was all but erased at the 31st annual ESPY Awards, which were presented at the Dolby Theatre in Los Angeles on Wednesday (July 12). Lil Wayne opened the show performing his 2008 hit “A Milli.” H.E.R. performed her latest single, the elegant power ballad “The Journey,” as a tribute to the 30th anniversary of basketball coach Jimmy Valvano’s inspirational speech at the first ESPYS in 1993 when he was terminally ill with cancer.
Several other music stars were also on board for the three-hour show, which was telecast on ABC. Quavo and Lil Dicky were among the presenters. Common narrated a segment paying tribute to Liam Hendriks, who battled back from Stage 4 non-Hodgkin lymphoma.
Angel Reese, who won best breakthrough athlete for leading the Louisiana State University women’s basketball team to the college title this past spring, has become a pop-culture star. Reese recently made a cameo in Latto’s “Put It On Da Floor Again” music video, in which featured act Cardi B raps, “I been ballin’ so damn hard could’ve went to LSU.”
This is the second year in a row that a woman has won in the gender-neutral best breakthrough athlete category. Skier Eileen Gu won last year. This is the first time in the history of the ESPYS that women have won back-to-back awards in this category.
Reese competed in the category with Iowa basketball star Caitlin Clark, her NCAA finals foe. But Clark also won an award this year – best college athlete, women’s sports.
Patrick Mahomes of the Kansas City Chiefs won two awards – best athlete, men’s sports and best NFL player. The Chiefs also won as best team. Argentina soccer superstar Lionel Messi also won two awards – best championship performance and best soccer player.
ESPN sports analyst Pat McAfee gave an opening monologue, though there was no formal host, due to the ongoing Writers Guild of America strike.
The show, which was co-produced by ESPN and Full Day Productions, was a lot like a music awards show in a couple of respects. Even with a generous three-hour time slot, it ran over by about 10 minutes. And only eight competitive awards were announced on the show. The other 14 competitive awards didn’t rate so much as a mention (but we have them here for you).
Here’s the full list of winners, including special awards and sports humanitarian awards.
Best Athlete, Men’s SportsNikola Jokić, Denver NuggetsAaron Judge, New York YankeesWINNER: Patrick Mahomes, Kansas City ChiefsLionel Messi, Argentina
Best Athlete, Women’s SportsWINNER: Mikaela Shiffrin, SkiSophia Smith, Portland ThornsIga Świątek, TennisA’ja Wilson, Las Vegas Aces
Best Breakthrough AthleteCaitlin Clark, Iowa Women’s BasketballBrock Purdy, San Francisco 49ersWINNER: Angel Reese, LSU Women’s BasketballJulio Rodríguez, Seattle Mariners
Best Record-Breaking Performance–Novak Djokovic wins his 23rd Grand Slam title, breaking a tie with Rafael Nadal for the most major singles trophies in the history of men’s tennis.–WINNER: LeBron James surpasses Kareem Abdul-Jabbar for NBA career scoring record.–Mikaela Shiffrin breaks the record for the most World Cup victories with her 87th win.–Max Verstappen wins the Mexican Grand Prix, breaking the record for most wins in a season.
Best Championship Performance–Leon Edwards, UFC – defeats Kamaru Usman by fifth-round KO to win UFC welterweight title, handing Usman his first UFC loss.–Nikola Jokić, Denver Nuggets – 2023 NBA Finals MVP.–WINNER: Lionel Messi, Argentina – 2022 World Cup Final – scored two goals and scored in the penalty shootout to win Man of the Match. He won the Golden Ball as FIFA’s best player of the tournament.–Rose Zhang, LPGA – defeated Jennifer Kupcho in a two-hole sudden death playoff, becoming the first woman in 72 years to win her first professional start.
Best Comeback Athlete–Jon Jones, UFC – Jones’ first fight in the UFC since 2020. He was last seen in action against Dominick Reyes, where he defended his light-heavyweight championship at UFC 247.–WINNER: Jamal Murray, Denver Nuggets – Murray missed the entirety of last season due to a torn ACL in his left knee. He suffered the injury on April 12, 2021, and didn’t play in the 18 months since then.–Alyssa Thomas, Connecticut Sun – 2022 WNBA Comeback Player of the Year. Thomas missed all but six games last season while recovering from a torn Achilles tendon. The eight-year veteran started all 36 of Connecticut’s games in 2022, and was an All-Star earlier this season.–Justin Verlander, Current New York Mets / Houston Astros – 2022 NL Comeback Player of the Year, after being limited to only six innings in 2020 and missing the entire ’21 season due to Tommy John surgery, the Astros’ ace returned this season to go 18-4 with a 1.75 ERA.
Best PlayMichael Block Hole-in-One! GOLFWINNER: Justin Jefferson with the Catch of the Century NFLAlly Lemos with the perfect corner to tie the National Championship game NCAATrinity Thomas Perfect 10 Tying the All-Time NCAA Record NCAA
Best TeamDenver Nuggets, NBAGeorgia Bulldogs, NCAA FootballWINNER: Kansas City Chiefs, NFLLas Vegas Aces, WNBALouisiana State Tigers, NCAA Women’s BasketballOklahoma Sooners, NCAA SoftballVegas Golden Knights, NHL
Best College Athlete, Men’s SportsZach Edey, Purdue Men’s BasketballDuncan McGuire, Creighton SoccerBrennan O’Neill, Duke LacrosseWINNER: Caleb Williams, USC Football
Best College Athlete, Women’s SportsJordy Bahl, Oklahoma SoftballWINNER: Caitlin Clark, Iowa Women’s BasketballIzzy Scane, Northwestern LacrosseTrinity Thomas, Florida Gators Gymnastics
Best Athlete With a DisabilityErica McKee, Sled Hockey TeamWINNER: Zach Miller, SnowboardingAaron Pike, Wheelchair Racing & Cross-Country SkiingSusannah Scaroni, Wheelchair Racing
Best NFL PlayerNick Bosa, San Francisco 49ersJalen Hurts, Philadelphia EaglesJustin Jefferson, Minnesota VikingsWINNER: Patrick Mahomes, Kansas City Chiefs
Best MLB PlayerPaul Goldschmidt, St. Louis CardinalsAaron Judge, New York YankeesWINNER: Shohei Ohtani, Los Angeles AngelsJustin Verlander, Houston Astros
Best NHL PlayerJonathan Marchessault, Vegas Golden KnightsWINNER: Connor McDavid, Edmonton OilersDavid Pastrňák, Boston BruinsLinus Ullmark, Boston Bruins
Best NBA PlayerJimmy Butler, Miami HeatJoel Embiid, Philadelphia 76ersWINNER: Nikola Jokić, Denver NuggetsJayson Tatum, Boston Celtics
Best WNBA PlayerSkylar Diggins-Smith, Phoenix MercuryCandace Parker, Chicago Sky (Current Las Vegas Aces)Breanna Stewart, Seattle Storm (Current New York Liberty)WINNER: A’ja Wilson, Las Vegas Aces
Best DriverBrittany Force, NHRAKyle Larson, NASCARJosef Newgarden, IndyCarWINNER: Max Verstappen, F1
Best UFC FighterLeon EdwardsWINNER: Jon JonesIslam MakhachevAmanda Nunes
Best BoxerGervonta DavisDevin HaneyWINNER: Claressa ShieldsShakur Stevenson
Best Soccer PlayerAitana Bonmatí, Spain/BarcelonaErling Haaland, Norway/Manchester CityWINNER: Lionel Messi, Argentina/PSGSophia Smith, USWNT/Portland Thorns
Best GolferWyndham ClarkNelly KordaJon RahmWINNER: Scottie Scheffler
Best Tennis PlayerCarlos AlcarazWINNER: Novak DjokovicAryna SabalenkaIga Świątek
Special Awards
Pat Tillman Award for Service: Buffalo Bills’ training staff for helping Damar Hamlin recover from a devastating injury
Arthur Ashe Award for Courage: The U.S. Women’s National Soccer Team for successfully fighting for pay parity.
Jimmy V Award for Perseverance: Chicago White Sox pitcher and cancer survivorLiam Hendriks for battling back from a diagnosis of Stage 4 non-Hodgkin lymphoma.
Sports Humanitarian Awards
Muhammad Ali Sports Humanitarian Award:Jrue Holiday (Milwaukee Bucks) & Lauren Holiday (retired U.S. Women’s National Team)
Billie Jean King Youth Leadership Award: Jordan Adeyemi, Ashley Badis, Rishan Patel
Sports Humanitarian Team of the Year: San Antonio Spurs
Stuart Scott ENSPIRE Award Honoree: Dr. Richard Lapchick
Numerous music-related shows were nominated in program categories for the 75th annual Primetime Emmy Awards. The nominations were announced on Wednesday (July 12). The awards will be presented on Monday, Sept. 18.
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna (Fox) is nominated for outstanding variety special (live), where it is competing with the Tonys (CBS), the Oscars (ABC), Elton John Live: Farewell From Dodger Stadium (Disney+) and Chris Rock: Selective Outrage (Netflix). Last year, The Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar, 50 Cent became the first Super Bowl halftime show to win a top program Emmy.
These are the first Primetime Emmy nominations for Rihanna and Elton John. If the British superstar wins, he’ll become an EGOT. Chris Rock is a four-time Primetime Emmy winner, including a 1997 award for outstanding variety, music or comedy special for Chris Rock: Bring the Pain.
Jimmy Kimmel Live! (ABC) received its 12th nomination for outstanding talk series, which puts it in a tie with Real Time With Bill Maher for the most nods in the category without a win (yet). Competing with Kimmel’s show this year are The Late Show With Stephen Colbert (CBS, its seventh nod in the category), The Daily Show With Trevor Noah (Comedy Central, its sixth), Late Night with Seth Meyers (NBC, its second) and The Problem With Jon Stewart (Apple TV+, its first).
Last Week Tonight With John Oliver, which won for outstanding talk series the last seven years in a row, was moved to outstanding scripted variety series, where it is nominated. Its chief competition in its new category is Saturday Night Live, which has won here the last six years in a row. The Emmys have thus shaken up two categories where there was very little suspense. The scripted variety series category is rounded out by HBO’s A Black Lady Sketch Show, nominated for the fourth year in a row.
NBC’s The Voice is nominated for outstanding reality/competition program for the 12th time, which constitutes a new record for a music or dance program. It tops Dancing With the Stars (11 nods), American Idol (nine) and So You Think You Can Dance (five).
Dear Mama (FX), a program about Tupac Shakur and his mother, Afeni Shakur, is competing for outstanding documentary or non-fiction series. Another series about a rapper, jeen-yuhs: A Kanye Trilogy, about Ye, formerly known as Kanye West, was nominated last year, but lost to The Beatles: Get Back.
George & Tammy (Showtime), about country music legends George Jones and Tammy Wynette, is nominated for outstanding limited or anthology series.
Weird: The Al Yankovic Story (The Roku Channel) and Dolly Parton’s Mountain Magic Christmas (NBC) are nominated for outstanding television movie. Dolly Parton’s Christmas on the Square won in this category two years ago. Other recent music-related movies to win in this category are Bessie (about gospel legend Bessie Smith, 2015) and Behind the Candelabra (about entertainer Liberace, 2013).
Carol Burnett: 90 Years Of Laughter + Love is nominated for outstanding variety special (pre-recorded). This is the seventh consecutive decade the TV icon has received a nomination. She landed her first nod in 1962 for her work on The Garry Moore Show.
The 75th Emmy Awards are set to telecast live coast-to-coast from Los Angeles on Monday, Sept. 18, (8:00-11:00 p.m. ET/5:00-8:00 p.m. PT) on FOX. Emmy winners Jesse Collins and Dionne Harmon and Emmy nominee Jeannae Rouzan-Clay of Jesse Collins Entertainment will executive produce the show.
Here are the nominees in all program categories.
Outstanding Variety Special (Live)
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation
Chris Rock: Selective Outrage • Netflix • Netflix / Tenth Planet
Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production
The Oscars • ABC • Academy of Motion Picture Arts and Sciences
75th Annual Tony Awards • CBS • White Cherry Entertainment
Outstanding Variety Special (Pre-Recorded)
Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions
John Mulaney: Baby J • Netflix • Netflix
Lizzo: Live In Concert • HBO Max • HBO Max in association with LizzoBangers and Done+Dusted
Norman Lear: 100 Years Of Music & Laughter • ABC • Done+Dusted
Trevor Noah: I Wish You Would • Netflix • Bob Bain Productions, Day Zero Productions and Mainstay Entertainment for Netflix
Wanda Sykes: I’m An Entertainer • Netflix • Push It Productions for Netflix
Outstanding Talk Series
The Daily Show With Trevor Noah • Comedy Central • Central Productions, LLC
Jimmy Kimmel Live! • ABC • ABC Signature in association with Kimmelot
Late Night With Seth Meyers • NBC • Universal Television and Broadway Video
The Late Show With Stephen Colbert • CBS • CBS Studios
The Problem With Jon Stewart • Apple TV+ • Busboy / EDEN in association with Apple
Outstanding Scripted Variety Series
A Black Lady Sketch Show • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media
Last Week Tonight With John Oliver • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television
Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video
Outstanding Reality Competition Program
The Amazing Race • CBS • WorldRace Productions, Inc.
RuPaul’s Drag Race • MTV • World of Wonder
Survivor • CBS • MGM Television
Top Chef • Bravo • Magical Elves
The Voice • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios; The Voice USA, Inc.
Outstanding Television Movie
Dolly Parton’s Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions
Fire Island • Hulu • Searchlight Pictures Presents, a JAX Media Production
Hocus Pocus 2 • Disney+ • Walt Disney Pictures
Prey • Hulu • 20th Century Studios
Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment
Outstanding Comedy Series
Abbott Elementary • ABC • Delicious Non-Sequitur Productions in association with Warner Bros. Television and 20th Television
Barry • HBO Max • HBO in association with Alec Berg and Hanarply
The Bear • FX • FX Productions
Jury Duty • Amazon Freevee • Amazon Studios
The Marvelous Mrs. Maisel • Prime Video • Amazon Studios
Only Murders in the Building • Hulu • 20th Television
Ted Lasso • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television
Wednesday • Netflix • A Netflix Series / An MGM Television Production
Outstanding Drama Series
Andor • Disney+ • Lucasfilm Ltd.
Better Call Saul • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television
The Crown • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
House of the Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions
The Last of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Succession • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat
The White Lotus • HBO Max • HBO in association with Rip Cord and The District
Yellowjackets • Showtime • SHOWTIME Presents, Entertainment One
Outstanding Limited or Anthology Series
BEEF • Netflix • A Netflix Series / An A24 Production
Dahmer – Monster: The Jeffrey Dahmer Story • Netflix • Ryan Murphy Productions for Netflix
Daisy Jones & The Six • Prime Video • Hello Sunshine, Amazon Studios
Fleishman Is In Trouble • FX • ABC Signature
Obi-Wan Kenobi • Disney+ • Lucasfilm Ltd.
Outstanding Structured Reality Program
Antiques Roadshow • PBS • GBH
Diners, Drive-Ins And Dives • Food Network • Knuckle Sandwich and Citizen Pictures
Love Is Blind • Netflix • Kinetic Content for Netflix
Queer Eye • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix
Shark Tank • ABC • MGM Television in association with Sony Pictures Television
Outstanding Unstructured Reality Program
Indian Matchmaking • Netflix • The Intellectual Property Corporation (IPC) for Netflix
RuPaul’s Drag Race: Untucked • MTV • World of Wonder
Selling Sunset • Netflix • Done+Done Productions and Lionsgate for Netflix
Vanderpump Rules • Bravo • Evolution Media
Welcome To Wrexham • FX • Boardwalk Pictures
Outstanding Game Show
Family Feud • ABC • Fremantle
Jeopardy! • ABC • Quadra Productions in association with Sony Pictures Television
The Price Is Right • CBS • Fremantle
That’s My Jam • NBC • Universal Television Alternative Studio in association with Electric Hog Dog
Wheel Of Fortune • ABC • Quadra Productions in association with Sony Pictures Television
Outstanding Animated Program
Bob’s Burgers • The Plight Before Christmas • FOX • 20th Television Animation
Entergalactic • Netflix • Netflix / Mad Solar / Khalabo Ink Society / Edelgang
Genndy Tartakovsky’s Primal • Shadow Of Fate • Adult Swim • Cartoon Network Studios Rick And Morty • Night Family • Adult Swim
Rick and Morty LLC, Williams Street
The Simpsons • Treehouse Of Horror XXXIII • FOX • A Gracie Films Production in association with 20th Television Animation
Outstanding Documentary or Nonfiction Special
Being Mary Tyler Moore • HBO Max • Hillman Grad Productions, Debra Martin Chase Productions, The Mission Entertainment and Good Trouble Studios; Ben Selkow, Produced by; James Adolphus, Produced by; Lena Waithe, Produced by; Rishi Rajani, Produced by; Debra Martin Chase, Produced by; Andrew C. Coles, Produced by; Laura Gardner, Produced by
Judy Blume Forever • Prime Video • Amazon Studios Meredith Kaulfers, Executive Producer; Sara Bernstein, Produced by; Justin Wilkes, Produced by; Davina Pardo, Produced by; Leah Wolchok, Produced by; Marcella Steingart, Produced by
My Transparent Life • Prime Video • Elysium Media; Serena De Comarmond, Executive Producer; Evan Jenkins, Producer
Pamela, A Love Story • Netflix • A Netflix Documentary / A Dorothy St Pictures, Tripod Media, and Colony Entertainment Production; Jessica Hargrave, Producer; Ryan White, Producer; Julia Nottingham, Producer; Brandon Thomas Lee, Producer; Josh Braun, Executive Producer
Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio; Nelle Fortenberry, Executive Producer; Laurene Powell Jobs, Executive Producer; Nicole Stott, Executive Producer; Davis Guggenheim, Produced by. Annetta Marion, Produced by; Jonathan King, Produced by; Will Cohen, Produced by
Outstanding Documentary or Nonfiction Series
Dear Mama • FX • FX Presents A Defiant Ones Media Group Production / An Amaru Entertainment Production in association with DreamCrew Entertainment, Interscope, MACRO, Polygram Entertainment; Lasse Järvi, Executive Producer; Nelson George, Executive Producer; Peter Nelson, Executive Producer; Jamal Joseph, Executive Producer; Ted Skillman, Executive Producer; Allen Hughes, Executive Producer; Stef Smith, Produced by; Loren Gomez, Producer; Joshua Garcia, Producer; James Jenkins, Producer
100 Foot Wave • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Maria Zuckerman, Executive Producer; Ryan Heller, Executive Producer; Joe Lewis, Executive Producer; Chris Smith, Executive Producer; Nancy Abraham, Executive Producer; Lisa Heller, Executive Producer; Bentley Weiner, Executive Producer
Secrets of the Elephants • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic; James Cameron, Executive Producer; Maria Wilhelm, Executive Producer; Pamela Caragol, Executive Producer; Lucinda Axelsson, Executive Producer; Caroline Hawkins, Executive Producer; Jonathan Frisby, Series Producer; Dr. Paula Kahumbu, Producer; Kim Butts, Producer
The 1619 Project • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times; Nikole Hannah-Jones, Executive Producer; Roger Ross Williams, Executive Producer; Shoshana Guy, Executive Producer; Caitlin Roper, Executive Producer; Kathleen Lingo, Executive Producer; Helen Verno, Executive Producer; Oprah Winfrey, Executive Producer; Geoff Martz, Co-Executive Producer; Carla Gardini, Co-Executive Producer; Jonathan Clasberry, Producer
The U.S. and the Holocaust • PBS • Florentine Films and WETA; Sarah Botstein, Produced by; Lynn Novick, Produced by; Ken Burns, Produced by; Mike Welt, Produced by
Exceptional Merit in Documentary Filmmaking
The Accused: Damned or Devoted? • PBS • A 64th Street Media and Brook Lapping Production Mohammed Ali Naqvi, Produced by/Directed by
Aftershock • Hulu • ABC News Studios, Onyx Collective; Paula Eiselt, A Film by Tonya Lewis Lee, A Film by
Last Flight Home • Paramount+ • Interloper Films, MTV Documentary Films Ondi Timoner, Produced by; David Turner, Produced by
The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava; Alex Pritz, Produced by; Darren Aronofsky, Produced by; Sigrid Dyekjær, Produced by; Will N. Miller, Produced by; Gabriel Uchida, Produced by; Lizzie Gillett, Produced by; Txai Suruí, Executive Producer
Outstanding Hosted Nonfiction Series or Special
The Light We Carry: Michelle Obama & Oprah Winfrey • Netflix • A Netflix Special in association with Higher Ground Productions & Jesse Collins Entertainment; Michelle Obama, Executive Producer; Jesse Collins, Executive Producer; Dionne Harmon, Executive Producer; Tanisha Whitfield, Supervising Producer; Tonia Davis, Produced by; Ethan Lewis, Produced by; Oprah Winfrey, Host
My Next Guest Needs No Introduction With David Letterman And Volodymyr Zelenskyy • Netflix • A Jax Media and Worldwide Pants Production for Netflix; Tom Keaney, Executive Producer; Mary Barclay, Executive Producer; John Skidmore, Executive Producer; Justin Wilkes, Executive Producer; Michael Steed, Executive Producer; Razan Ghalayini, Co-Executive Producer; Tommy Alter, Producer
Stanley Tucci: Searching for Italy • CNN • CNN Original Series, RAW; Stanley Tucci, Executive Producer/Host; Shauna Minoprio, Executive Producer; Robin O’Sullivan, Executive Producer; Amy Entelis, Executive Producer; Lyle Gamm, Executive Producer; Jon Adler, Executive Producer; Katie Isaacson, Supervising Producer; Fiona Cleary, Series Producer; Nadya Mahdi, Series Producer; Francesco Ficarra, Producer
Taste The Nation With Padma Lakshmi • Hulu • Part2 Pictures, Delicious Entertainment; Padma Lakshmi, Executive Producer/Host; David Shadrack Smith, Executive Producer; Rachel Tung, Executive Producer; Lauren Budabin, Co-Executive Producer; Matthew Alvarez, Producer
United Shades of America With W. Kamau Bell • CNN • CNN Original Series, Zero Point Zero Production, Inc. W. Kamau Bell, Executive Producer/Host; Christopher Collins, Executive Producer; Lydia Tenaglia, Executive Producer; Sandra Zweig, Executive Producer; Morgan Fallon, Executive Producer; Amy Entelis, Executive Producer; Lyle Gamm, Executive Producer; Dwayne Kennedy, Supervising Producer; Crystal Isaac, Producer; Andrew Ford, Producer
Outstanding Emerging Media Program
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic
Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google Eleven Management
MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O’Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director
The Notorious B.I.G. Sky’s The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer
You Destroy. We Create | The War On Ukraine’s Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media
Outstanding Short Form Comedy, Drama or Variety Series
Awkwafina Is Hangin’ With Grandma • Comedy Central • MTV Entertainment Studios, Comedy Partners; Nora Lum, Executive Producer; Teresa Hsiao, Executive Producer; Emily Moffatt, Executive Producer; Harika Manne, Executive Producer; Minnie Bennett, Supervising Producer
Better Call Saul Filmmaker Training • AMC • AMC Networks Content Room, Bacon & Sons Film Co.; Dan Appel, Executive Producer; Melissa Bernstein, Executive Producer; Peter Gould, Executive Producer; Ariel Levine, Executive Producer
Carpool Karaoke: The Series • Apple TV+ • CBS Studios in association with Fulwell 73 and Apple; Ben Winston, Executive Producer; James Corden, Executive Producer; Eric Pankowski, Executive Producer; David Young, Co-Executive Producer; Blake Webster, Producer
I Think You Should Leave With Tim Robinson • Netflix • Netflix; Tim Robinson, Executive Producer; Zach Kanin, Executive Producer; Akiva Schaffer, Executive Producer; Ali Bell, Executive Producer; Alex Bach, Executive Producer; Alice Mathias, Executive Producer
Only Murders in the Building: One Killer Question • Hulu • 20th Television; Dave Roth, Executive Producer; Zuriht Serna, Executive Producer; Trisha Choate, Executive Producer; Jillian Novak, Executive Producer; Xavier Salas, Executive Producer
Outstanding Short Form Nonfiction or Reality Series
House Of The Dragon: Inside The Episode • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions; Anthony Mauro, Executive Producer; Cristina Catanzaro, Co-Executive Producer; Mia Hildebrand, Co-Executive Producer; Dan Storey, Supervising Producer; Ashley Morton, Supervising Producer; Dana Froome, Producer
The Last Of Us: Inside The Episode • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog; Emily Giannussa, Executive Producer; Julio Cabral, Executive Producer; Badger Denehy, Executive Producer; Eddie Maldonado, Executive Producer; Kathy Rocklein Sontag, Executive Producer
Saturday Night Live Presents: Behind the Sketch • NBC • SNL Studios in association with Universal Television and Broadway Video; Lorne Michaels, Executive Producer; Grace Shaker, Supervising Producer; Dina Moles, Supervising Producer; Dan D’Lauro, Producer; Matt Yonks, Producer; Mike Diva, Producer
Succession: Controlling the Narrative • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions; Chris Grasso, Executive Producer; Melora Soodalter, Executive Producer; Lindsay Nowak, Senior Producer; Jack Quinn, Producer
The White Lotus: Unpacking the Episode • HBO Max • HBO in association with Rip Cord and The District; Shanna Yehlen, Executive Producer; Jim Weiner, Executive Producer; Ximena Lopez, Co-Executive Producer; Katla McGlynn, Co-Executive Producer
For the most part, the nominations for the 75th Emmy Awards went according to plan, but as ever, there were some snubs and surprises.
Nominations were announced Wednesday (July 12) from the Hollywood Athletic Club, the site of the first Emmy ceremony in 1949. The virtual ceremony was hosted by Emmy-nominated actress Yvette Nicole Brown and Television Academy chair Frank Scherma.
Succession was the year’s most nominated program, with 27 nominations, followed by The Last of Us (24), The White Lotus (23), Ted Lasso (21) and The Marvelous Mrs. Maisel (14).
Adam Blackstone, Nicholas Britell and pop titans Ed Sheeran and Max Martin were among the nominees in the seven music categories. Here’s a full report. And here, RuPaul, John Legend, Riley Keough and more stars celebrated their Emmy nominations.
There were 38 first-time performer nominees this season, including Jessica Chastain (George & Tammy), Taron Egerton (Black Bird), Riley Keough (Daisy Jones & The Six), James Marsden (Jury Duty), Jenna Ortega (Wednesday), Pedro Pascal (The Last of Us, Saturday Night Live and Patagonia: Life on the Edge of the World), Daniel Radcliffe (Weird: The Al Yankovic Story) and Jason Segel (Shrinking).
In addition to Pascal, performers with multiple nods this year include Murray Bartlett (The Last of Us and Welcome to Chippendales), Alex Borstein (The Marvelous Mrs. Maisel and Family Guy), Quinta Brunson (Abbott Elementary and Saturday Night Live), Bill Hader (performance, directing and writing for Barry), Sharon Horgan (performance and writing for Bad Sisters), Melanie Lynskey (Yellowjackets and The Last of Us), Jason Sudeikis (performance and writing for Ted Lasso), and Ali Wong (BEEF and Tuca & Bertie).
The nominations may be revised in cases where names or titles are incorrect or appeals for changes are approved by the Television Academy’s Emmy Awards Committee. Producer nominees in certain program categories will be announced mid-August and may increase the number of multiple nominees. Final-round online voting begins Aug. 17.
The complete list of Emmy nominations, and other Academy news and updates are available at Emmys.com.
The 75th Emmy Awards is scheduled to broadcast live coast-to-coast on FOX on Monday, Sept. 18, (8:00-11:00 p.m. ET/5:00-8:00 p.m. PT) from the Peacock Theater at L.A. LIVE. Emmy winners Jesse Collins and Dionne Harmon and Emmy nominee Jeannae Rouzan-Clay of Jesse Collins Entertainment will executive-produce the show.
The 2023 Creative Arts Emmy Awards are scheduled to take place at the Peacock Theater over two nights on Saturday, Sept. 9, and Sunday, Sept. 10. An edited presentation is planned to air on Saturday, Sept. 16, at 8:00 p.m. ET/PT on FXX.
Here’s a list of snubs and surprises, with a focus on music, talk and variety categories.
Snubs: Selena Gomez & Steve Martin
07/12/2023
The 75th Emmy Awards will air live from Los Angeles on September 18.
07/12/2023