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Awards

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The MTV Video Music Awards are adding a new category this year – best Afrobeats. The Grammys are adding a similar category, best African music performance, this year (for the awards that will be presented on Feb. 4, 2024). The American Music Awards were the first major music awards show to add such a category. They added favorite Afrobeats artist at the show that aired on Nov. 20, 2022. Wizkid was the inaugural winner, beating Burna Boy, CKay, Fireboy DML and Tems.
The apparent front-runner for best Afrobeats at the VMAs is Rema & Selena Gomez’s “Calm Down,” which is nominated in two other categories, best song and best collaboration. “Calm Down” has been a giant crossover hit, reaching No. 3 on the Billboard Hot 100. The song dips a notch to No. 6 in its 49th week on the Hot 100, as it spends a seventh week atop Radio Songs.

Ayra Starr has two nominations in the VMAs’ best Afrobeats category – for her own “Rush” and as the featured artist on Wizkid’s “2 Sugar.”

The other nominees in the category are Burna Boy’s “It’s Plenty,” Davido featuring Musa Keys’ “Unavailable,” Fireboy DML & Asake’s “Bandana” and Libianca’s “People.”

Best Afrobeats is the third genre-specific category to be added at the VMAs in this century, following Latin (2006) and K-pop (2019). The VMAs’ five other genre-specific categories were all introduced in the last century — rock (1989), alternative (1991), R&B (1993), and pop and hip-hop (both 1999).

The Grammy nominations will be announced on Nov. 10, at which time we’ll learn the nominees in their new best African music performance category.

The Recording Academy announced the category (one of three being added this year) on June 13. The Rules and Guidelines for the upcoming 66th Annual Grammy Awards describes the category thusly: “Eligible recordings include vocal and instrumental performances with strong elements of African cultural significance that blend a stylistic intention, song structure, lyrical content and/or musical representation found in Africa and the African Diaspora. The African Diaspora is the worldwide collection of communities descended from native Africans or people from Africa, predominantly in the Americas.”

The 2023 VMAs will be held on Tuesday, Sept. 12 at 8 p.m. ET/PT live from the Prudential Center in Newark, N.J.

Taylor Swift, who last year became the first three-time winner of the VMAs’ marquee award, video of the year, is nominated in that category again this year for “Anti-Hero.” Could she possibly win that award again when the VMAs are presented at Prudential Center in Newark, N.J. on Sept. 12? Of course she could. “Anti-Hero” […]

Taylor Swift is the top nominee for the 2023 MTV Video Music Awards with eight nods, followed by SZA (six); Doja Cat, Kim Petras, Miley Cyrus, Nicki Minaj, Olivia Rodrigo and Sam Smith (five each); and BLACKPINK, Diddy and Shakira (four each).
Women account for six of the seven nominees for video of the year – Doja’s “Attention,” Cyrus’ “Flowers,” Minaj’s “Super Freaky Girl,” Rodrigo’s “vampire,” SZA’s “Kill Bill” and Swift’s “Anti-Hero.” The seventh nod is for a history-making collab – Smith & Petras’ “Unholy,” which made Smith and Petras the first openly non-binary and openly transgender solo artists, respectively, to have a No. 1 song on the Billboard Hot 100.

For the first time since the VMAs introduced the artist of the year category in 2017, all of the nominees are women – Beyoncé, Doja, Karol G, Minaj, Shakira and Swift. This is also the first time that two of the nominees have come from the world of Latin music. The first Latin artist to be nominated in this category was Bad Bunny, who won last year.

In addition to her nod for artist of the year, Swift is up for seven awards for her megahit “Anti-Hero”– video of the year, song of the year, best pop, best direction, best cinematography, best visual effects and best editing.

Swift and Kendrick Lamar are both nominated for best direction. Lamar is nominated for “Count Me Out,” which he co-directed with Dave Free. Both Swift and Lamar have won twice in this category for videos they directed or co-directed. Swift won for directing “The Man” (2020) and “All Too Well (The Short Film)” (2022). Lamar won for co-directing “Alright” (2015) and “Humble.” (2017).

Despite tallying six nods, SZA was not nominated for artist of the year. Her smash “Kill Bill” is up for five awards – video of the year, song of the year, best direction, best art direction and best editing. “Kill Bill” was not nominated in a genre category; SZA’s “Shirt” is up for best R&B instead.

This year boasts a record 35 first-time VMAs nominees, including Petras (five); Metro Boomin and Rema (three each); and Ayra Starr, GloRilla, Ice Spice, Peso Pluma, Reneé Rapp and Yung Miami (two each).

Other artists receiving first-time nods include Aespa, boygenius, Burna Boy, Davido, Eslabon Armado, Fletcher, Fifty Fifty, JVKE, Lauren Spencer Smith, Musa Keys, PinkPantheress, Saucy Santana, Stephen Sanchez and Toosii.

Double nominees GloRilla, Ice Spice, Peso Pluma and Reneé Rapp are nominated for best new artist, along with Kaliii and PinkPantheress.

The VMAs added a category this year – best Afrobeats. This is the third genre-specific category that the VMAs have added in this century, following Latin (2006) and K-pop (2019). The VMAs’ five other genre-specific categories were all introduced in the last century — rock (1989), alternative (1991), R&B (1993), and pop and hip-hop (both 1999).

The 2023 VMAs will be held on Tuesday, Sept. 12 at 8 p.m. ET/PT live from the Prudential Center in Newark, N.J.. The host has not yet been announced.  Jack Harlow, LL Cool J and Nicki Minaj hosted last year’s show, which was held in the same venue.

Beginning Tuesday (Aug. 8), fans can vote for their favorites across 15 gender-neutral categories by visiting vote.mtv.com through Friday, Sept. 1. Voting for best new artist will remain active into the live show. Nominations for social categories including group of the year and song of summer will be announced at a later date.

Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers of the 2023 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.

Here’s the complete list of nominations for the 2023 MTV Video Music Awards:

Video of the year

Doja Cat – “Attention” – Kemosabe Records / RCA Records

Miley Cyrus – “Flowers” – Columbia Records

Nicki Minaj – “Super Freaky Girl” – Republic Records

Olivia Rodrigo – “vampire” – Geffen Records

Sam Smith, Kim Petras – “Unholy” – Capitol Records

SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records

Taylor Swift – “Anti-Hero” – Republic Records

Artist of the year

Beyoncé – Parkwood Entertainment / Columbia Records

Doja Cat – Kemosabe Records / RCA Records

Karol G – Interscope Records

Nicki Minaj – Republic Records

Shakira – Sony Music US Latin

Taylor Swift – Republic Records

Song of the year

Miley Cyrus – “Flowers” – Columbia Records

Olivia Rodrigo – “vampire” – Geffen Records

Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records

Sam Smith, Kim Petras – “Unholy” – Capitol Records

Steve Lacy – “Bad Habit” – L-M Records / RCA Records

SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records Records

Taylor Swift – “Anti-Hero” – Republic Records

Best new artist

GloRilla – CMG / Interscope Records

Ice Spice – 10K Projects / Capitol Records

Kaliii – Atlantic Records

Peso Pluma – Double P Records

PinkPantheress – 300 Entertainment

Reneé Rapp – Interscope Records

Best collaboration

David Guetta & Bebe Rexha – “I’m Good (Blue)” – Warner Records

Post Malone, Doja Cat – “I Like You (aHappier Song)” – Mercury Records / Republic Records

Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records

Karol G, Shakira – “TQG” – Universal Music Latino

Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records

Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records

Best pop

Demi Lovato – “Swine” – Island Records

Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records

Ed Sheeran – “Eyes Closed” – Atlantic Records

Miley Cyrus – “Flowers” – Columbia Records

Olivia Rodrigo – “vampire” – Geffen Records

P!nk – “Trustfall” – RCA Records

Taylor Swift – “Anti-Hero” – Republic Records

Best hip-hop

Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records

DJ Khaled ft. Drake & Lil Baby – “Staying Alive” – We the Best / Epic Records

GloRilla & Cardi B – “Tomorrow 2” – CMG / Interscope Records

Lil Uzi Vert – “Just Wanna Rock” – Atlantic Records / Generation Now

Lil Wayne ft. Swizz Beatz & DMX – “Kant Nobody” – Young Money Records

Metro Boomin ft Future – “Superhero (Heroes and Villains)” – Boominati / Republic Records

Nicki Minaj – “Super Freaky Girl” – Republic Records

Best R&B

Alicia Keys ft. Lucky Daye – “Stay” – RCA Records

Chlöe ft. Chris Brown – “How Does It Feel” – Parkwood Entertainment / Columbia

Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records

SZA – “Shirt” – Top Dawg Entertainment / RCA Records

Toosii – “Favorite Song” – South Coast Music Group / Capitol Records

Yung Bleu & Nicki Minaj – “Love in the Way” – Empire Distribution

Best alternative

blink-182 – “Edging” – Columbia Records

boygenius – “the film” – Interscope Records

Fall Out Boy – “Hold Me Like a Grudge” – Fueled By Ramen                                                                        

Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records

Paramore – “This Is Why” – Atlantic Records

Thirty Seconds to Mars – “Stuck” – Concord Records

Best rock

Foo Fighters – “The Teacher” – RCA Records

Linkin Park – “Lost (Original Version)” – Warner Records

Red Hot Chili Peppers – “Tippa My Tongue” – Warner Records

Måneskin – “The Loneliest” – Arista Records

Metallica – “Lux Æterna” – Blackened Recordings

Muse – “You Make Me Feel Like It’s Halloween” – Warner Records

Best Latin

Anitta – “Funk Rave” – Republic Records

Bad Bunny – “Where She Goes” – Rimas Entertainment

Eslabon Armado, Peso Pluma – “Ella Baila Sola” – DEL Records, Inc. / Prajin Parlay, Inc. Grupo Frontera Bad Bunny – “un x100to” – Rimas Entertainment

Karol G, Shakira – “TQG” – Universal Music Latino

Rosalia – “Despecha,” – Columbia Records

Shakira – “Acróstico” – Sony Music US Latin

Best K-pop

aespa – “Girls” – SM ENTERTAINMENT Co., Ltd.

BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records

Fifty Fifty – “Cupid” – ATTRAKT / Warner Records

Seventeen – “Super” – HYBE / Geffen Records

Stray Kids – “S-Class” – JYP / Republic

TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records

Best Afrobeats

Ayra Starr – “Rush” – Mavin Global Holdings

Burna Boy – “It’s Plenty” – Atlantic Records / Spaceship Entertainment Ltd

Davido ft. Musa Keys – “Unavailable” – Sony Music U.K. / RCA Records

Fireboy DML & Asake – ”Bandana” – Empire Distribution

Libianca – “People” – Sony Music U.K. / RCA Records

Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records

Wizkid ft Ayra Starr– “2 Sugar” – Starboy / RCA Records

Video for good

Alicia Keys – “If I Ain’t Got You (Orchestral)” – Netflix

Bad Bunny – “El Apagón – Aquí Vive Gente” – Rimas Entertainment

Demi Lovato – “Swine” – Island Records

Dove Cameron – “Breakfast” – Columbia Records

Imagine Dragons – “Crushed” – KIDinaKORNER / Interscope Records

Maluma – “La Reina” – Sony Music US Latin

Push performance of the year

August 2022: Saucy Santana – “Booty” – Arena Records / RCA Records

September 2022: Stephen Sanchez – “Until I Found You” – Mercury Records / Republic Records

October 2022: JVKE – “golden hour” – AWAL

November 2022: Flo Milli – “Conceited” – ’94 Sounds / RCA Records

December 2022: Reneé Rapp – “Colorado” – Interscope Records

January 2023: Sam Ryder – “All the Way Over” – Elektra Entertainment

February 2023: Armani White – “Goated” – Def Jam

March 2023: Fletcher – “Becky’s So Hot” – Capitol Records

April 2023: TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records

May 2023: Ice Spice – “Princess Diana” – Heavy on It / 10K Projects / Capitol Records

June 2023: FLO – “Losing You” – Uptown/Republic Records

July 2023: Lauren Spencer Smith – “That Part” – Island Records

Best direction

Doja Cat – “Attention” – Kemosabe Records / RCA Records – Directed by Tanu Muiño

Drake – “Falling Back” – OVO/Republic Records – Director X (Julien Christian Lutz)

Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Directed by Dave Free & Kendrick Lamar

Megan Thee Stallion – “Her” – 300 Entertainment – Directed by Colin Tilley

Sam Smith, Kim Petras – “Unholy” – Capitol Records – Directed by Floria Sigismondi

SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Directed by Christian Breslauer

Taylor Swift – “Anti-Hero” – Republic Records – Directed by Taylor Swift

Best cinematography

Adele – “I Drink Wine” – Columbia Records – Cinematography by Adam Newport-Berra

Ed Sheeran – “Eyes Closed” – Atlantic Records – Cinematography by Natasha Baier

Janelle Monae – “Lipstick Lover” – Atlantic Records – Cinematography by Allison Anderson

Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records 0 Cinematography by Adam Newport-Berra

Miley Cyrus – “Flowers” – Columbia Records – Cinematography by Marcell Rev

Olivia Rodrigo – “vampire” – Geffen Records – Cinematography by Russ Fraser

Taylor Swift – “Anti-Hero” – Republic Records – Cinematography by Rina Yang

Best visual effects

Fall Out Boy – “Love From the Other Side” – Fueled By Ramen – Visual Effects by Thomas Bailey and Josh Shaffner

Harry Styles – “Music for a Sushi Restaurant” – Columbia Records – Visual Effects by Chelsea Delfino and Black Kite Studios

Melanie Martinez – “VOID” – Atlantic Records – Visual Effects by Carbon

Nicki Minaj – “Super Freaky Girl” – Republic Records – Visual Effects by Max Colt and Sergio Mashevskyi

Sam Smith, Kim Petras – “Unholy” – Capitol Records – Visual Effects by Max Colt / FRENDER

Taylor Swift – “Anti-Hero” – Republic Records – Visual Effects by Parliament

Best choreography

BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Choreography by Kiel Tutin, Sienna Lalau, Lee Jung (YGX), Taryn Cheng (YGX)

Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records – Choreography by Charm LaDonna

Jonas Brothers – “Waffle House” – Republic Records – Choreography by Jerry Reece

Megan Thee Stallion – “Her” – 300 Entertainment – Choreography by Sean Bankhead

Panic! At The Disco – “Middle of a Breakup” – Fueled By Ramen – Choreography by Monika Felice Smith

Sam Smith, Kim Petras – “Unholy” – Capitol Records – Choreography by (LA)HORDE – Marine Brutti, Jonathan Debrouwer, Arthur Harel

Best art direction

boygenius – “the film” – Interscope Records – Art Direction by Jen Dunlap

BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Art Direction by Seo Hyun Seung (GIGANT)

Doja Cat – “Attention” – Kemosabe Records / RCA Records – Art Direction by Spencer Graves

Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records – Art Direction by Brandon Mendez

Megan Thee Stallion – “Her” – 300 Entertainment – Art Direction by Niko Philipides

SZA – “Shirt” – Top Dawg Entertainment / RCA Records – Art Direction by Kate Bunch

Best editing

BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Editing by Seo Hyun Seung (GIGANT)

Kendrick Lamar – “Rich Spirit” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Edited by Grason Caldwell

Miley Cyrus – “River” – Columbia Records – Edited by Brandan Walter

Olivia Rodrigo – “vampire” – Geffen Records – Edited by Sofia Kerpan and David Checel

SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Edited by Luis Caraza Peimbert

Taylor Swift – “Anti-Hero” – Republic Records – Edited by Chancler Haynes

Yothu Yindi, the Australian rockers, activists, and traditional songmen, will be inducted into the National Indigenous Music Awards (NIMAs) Hall of Fame this weekend.

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Hailing from a small Yolŋu town in Northeast Arnhem Land, Yothu Yindi had a global hit with their 1991 song “Treaty,” written to highlight the then-Hawke Government’s broken promise of a treaty with Aboriginal people.

Blending rock and traditional Aboriginal music, “Treaty” went on to win song of the year at the ARIA Awards, one of the collective’s eight career wins.

Yothu Yindi played it the following year in New York to help launch the United Nations’ “International Year of the World’s Indigenous People,” and the track would log two weeks on the Official U.K. Singles Chart.

Later, the trailblazers performed their signature track at the closing ceremony of the Sydney 2000 Olympic Games, and, in 2012, elevation into the ARIA Hall of Fame.

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Their influence can be seen today in Australia’s music landscape. Multiple award-winning Yolŋu surf-rock act King Stingray — multiple nominees at the 2023 NIMAs — includes band member Yirrŋa Yunupiŋu, the nephew of late Yothu Yindi frontman Mandawuy Yunupiŋu, and the Stingers’ Roy Kellaway is the son of the veteran act’s bass player, Stu Kellaway.

The current incarnation of Yothu Yindi features frontman Yirringa Yunupiŋu, nephew of Mandawuy, who had co-founded the group in 1986.

From the start, Yothu Yindi “was about indigenous culture, about indigenous rights, about our rights and place in Australia,” Mandawuy told guests at the ARIAs in 2012, adding that his group “has been about messages and bringing people together and asking them and the people to respect and understand one another.”

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Yunupiŋu, who died in 2013 at the age of 56, and bandmate Geoffrey Gurrumul Yunupiŋu, who passed in 2017, aged 46, will be posthumously saluted when Yothu Yindi is inducted for “its long and powerful contributions to Indigenous and Australian music,” reads a statement from organizers.

The induction ceremony will take place during the 19th annual NIMAs, the annual celebration of Australia’s First Nations music community, set for Saturday, Aug. 12 at Darwin Amphitheatre on Larrakia Country.

As previously reported, the Stingers are up for song and film clip of the year. Other multiple nominees include gifted vocalist Budjerah and Arnhem Land newcomers Wildfire Manwurrk.

Sponsored by Amazon Music, the NIMAs will feature performances from Thelma Plum, Barkaa and Budjerah, while veteran pop star Jessica Mauboy will be on hand to present an award.

Keith Urban and Kix Brooks are among the five newest hitmakers set to be inducted into the Nashville Songwriters Hall of Fame.
The two country artists — who each wrote several of their own hits — will join the hall alongside fellow inductees Casey Beathard, David Lee Murphy and Rafe Van Hoy.

Since its founding in 1970, the Nashville Songwriters Hall of Fame has honored many of Music City’s premier songcrafters, inducting 235 songwriters, including Bill Anderson, Bobby Braddock, Garth Brooks, Felice and Boudleaux Bryant, Don and Phil Everley, Harlan Howard, Loretta Lynn, Kris Kristofferson, Willie Nelson, Dolly Parton, Hank Williams, Cindy Walker, Fred Rose and Cindy Walker.

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During a press conference held at Nashville’s historic Columbia Studio A on Thursday (Aug. 3), the Nashville Songwriters Hall of Fame executive director Mark Ford and chair of the board of directors Rich Hallworth revealed that Beathard and Murphy will be added to hall’s ranks, inducted into the contemporary songwriter category, while Van Hoy will be inducted in the veteran songwriter category. Urban will be inducted as the contemporary songwriter-artist, while Brooks will be inducted as the veteran songwriter-artist.

During the press conference, Urban recalled his early days in Nashville, his first time visiting the Bluebird Café and his years spent in writing rooms along Nashville’s Music Row. He also expressed gratitude for being inducted alongside Brooks.

“Kix was one of the first that came along, who sat at [Nashville venue] Jack’s Guitar Bar to hear me play, and later took me on tour. He’s been a champion ever since. I’m honored to be here with you,” Urban told Brooks.

Urban penned many of his own hits, including “But For the Grace of God,” “Somebody Like You,” “Wasted Time” and the CMA Award nominated songs “Tonight I Wanna Cry” and “Better Life.” His 2009 song “Sweet Thing” was named SESAC’s country song of the year, while 2012’s “For You” was featured in the film Act of Valor and earned Urban a Golden Globe nomination for best original song.

Country Music Hall of Fame member (as part of the duo Brooks & Dunn) Brooks had a hand in writing many of the duo’s hits, including “Brand New Man,” “My Next Broken Heart,” “Lost and Found,” the 1995 ACM song of the year nominee “You’re Gonna Miss Me When I’m Gone” and the 2003 CMA song of the year nominee “Red Dirt Road.” He has also written chart-toppers including John Conlee’s “I’m Only In It For the Love,” Nitty Gritty Dirt Band’s “Modern Day Romance” and Highway 101’s “Who’s Lonely Now.”

Brooks said, “I walked in here and saw these guys and was like, ‘We’re doing this together?’” He recalled a time when he and David Lee Murphy were sweeping floors at what is now the Musicians Hall of Fame. He wrote “I’m Only In It for the Love” with fellow inductee-elect Van Hoy.

“I came here as fan of songwriters. That’s all I wanted to do,” Brooks said. “My heroes were not just artists, but artists who wrote their own songs. To even think I would even be recognized in the same sentence as the mention of their names …”

California-born, Virginia-raised Beathard moved to Nashville in 1991; by 1998, he earned his first writing deal and penned the title track to Kenny Chesney’s I Will Stand album. In 2002, he earned his first No. 1 with Tracy Byrd’s “Ten Rounds with Jose Cuervo.” Additional hit writing credits followed, including “Find Out Who Your Friends Are” (Tracy Lawrence), “Cleaning This Gun” (Rodney Atkins), Kenny Chesney’s “Don’t Blink,” “No Shoes, No Shirt, No Problems” and “The Boys of Fall.” He’s also frequently collaborated with Eric Church, writing “Like Jesus Does,” “Hell of a View” and “Like a Wrecking Ball.” He also penned “There Was Jesus,’ recorded by Dolly Parton and Zach Williams. Beathard was named BMI’s country songwriter of the year in 2004 and 2008, and was named NSAI’s songwriter of the year in 2008.

“I’m just grateful to God and to everybody in this room … for considering me,” Beathard said. “It’s humbling beyond words and I’m just grateful.”

Murphy moved to Nashville in 1983, before forming the band The Blue Tick Hounds and eventually signing with MCA Records a decade later. In 1994, his debut album spurred the hit singles “Party Crowd” and “Dust on the Bottle.” In the 2000s, he began writing songs for other artists, penning several hits for Kenny Chesney, including “Living in Fast Forward,” “Here and Now” and “Everything’s Gonna Be Alright,” which Murphy performed as a duet with Chesney. The song earned Chesney and Murphy the 2018 CMA Award for musical event of the year. Murphy also penned hits including “Big Green Tractor” (Jason Aldean), “Why We Drink” (Justin Moore) and “Are You Gonna Kiss Me or Not” (Thompson Square).

“It’s a huge honor to be here today,” Murphy said. “Most writers, this is one of those ten feet off the ground moments … The songwriter community in Nashville is such a tight-knit community … guys that I write with all the time. It’s a special group of people that are songwriters in Nashville. They are supportive and hugely talented and creative. That makes it even more special that I am here today with these guys … this is something I will always remember.”

Raised in Bristol, Tenn., Van Hoy and his family moved to Nashville after he graduated from high school in 1972. Curly Putman signed him to Green Grass Music, which led to a publishing deal with Tree International. In 1976, Van Hoy found success as a writer on the George Jones/Tammy Wynette classic “Golden Ring.” His catalog of writing hits would grow to include the 1983 best country song Grammy-nominated “Baby I Lied” (Deborah Allen), “Friday Night Blues” and “I’m Only In It For the Love” (John Conlee), “Hurt Me Bad (In a Real Good Way)” (Patty Loveless), “Let’s Stop Talkin’ About It” (Janie Fricke) and “What’s Forever For” (recorded by artists including Michael Martin Murphey, Anne Murray, Johnny Mathis, B.J. Thomas and Olivia Newton-John).

“To be in the Hall of Fame is something I always dreamed of,” Van Hoy said. “To be included with the club of brilliant minds and brilliant songwriter that are in the Hall of Fame is unbelievably humbling and immense gratitude from my heart.” He also noted that earlier in the day, his phone started playing Tammy Wynette’s “’Til I Get It Right.” “I hadn’t touched it,” he said. “It was like my buddies [the song’s writers] Red Lane and Larry Henley were saying, ‘Welcome in.’”

The honorees will formally inducted into the prestigious organization during the 53rd Anniversary Nashville Songwriters Hall of Fame Gala on Wednesday, Oct. 11, to be held at Nashville’s Music City Center.

Not many non-technical awards given out at the first-ever MTV Video Music Awards in 1984 — which included such now-defunct categories as best stage performance in a video and most experimental video — are still around in any form nearly three decades later. But the Video Vanguard, a lifetime achievement honor awarded to an artist […]

Eight managers, who have guided the careers of everyone from Nirvana to Robert Goulet, have been named as 2023 inductees to the Personal Managers Hall of Fame. Two of the managers, George Shapiro and Shirley Grant, are being honored posthumously.

The 2023 inductees will join 50 current Hall of Fame members, which include Sid Bernstein, Bernie Brillstein, Brian Epstein, Ken Kragen, Doc McGhee, Patricia McQueeney, Dolores Robinson, Jack Rollins and David Sonenberg.

“The Personal Managers Hall of Fame celebrates illustrious careers in entertainment, music, sports and talent management,” Clinton Ford Billups Jr., national president of the sponsoring National Conference of Personal Managers (NCOPM), said in a statement. “The 2023 inductees reflect the contributions, ethics and history of personal management that the Hall of Fame acknowledges and honors.”

Nominations are solicited nationwide from the personal management community. Inductees are selected by the national board of officers of the National Conference of Personal Managers, the nation’s oldest trade association committed to the advancement of personal managers and their clients.

The 2023 Personal Managers Hall of Fame red carpet reception and induction ceremony will be held Wednesday, Oct. 25 at the Golden Nugget Hotel and Casino in Las Vegas.

More information and tickets for the Personal Managers Hall of Fame is available at www.PersonalManagersHallofFame.org.

Here’s the full list of 2023 inductees to the Personal Managers Hall of Fame.

Phil Brock – CEO of Studio Talent Group, which for more than 25 years has represented actors for commercials, film, television and theatre, including Richard Moll, Mary Woronov and Emmy winner Pat Harrington Jr. (One Day at a Time). Brock was elected in 2020 as a member of the Santa Monica (Calif.) City Council.

Chris DiPetta – Veteran talent manager, television producer and owner of Atlanta comedy club The Punchline. For more than three decades, Chris DiPetta has managed the career of Billy Gardell, actor, comedian and star of the CBS sitcoms Mike and Molly and Bob Hearts Abishola.

Danny Goldberg – Has worked in the music business as a personal manager, record company president, publicist and journalist since the late 1960s.  His current management clients include The Waterboys and Martha Wainwright and three-time Grammy winner Steve Earle. 

Vera Goulet – For more than three decades, managed the career of her late husband Robert Goulet, who won a Grammy as best new artist of 1962 and a Tony for best actor in a musical in 1968 for The Happy Time. The singer/actor died in 2007.

Shirley Grant – During a career spanning more than four decades, guided the careers of Jonas Brothers, Keshia Knight Pulliam, Christina Ricci, Allison Smith and JD Roth, as well as Broadway stars Alex Boniello and Michael Lee Brown. Grant died in 2020. (Posthumous inductee)

Susan Joseph – A personal manager, concert promoter and branding consultant. Her clients have included songwriter Diane Warren, actress Nell Carter, singer Laura Branigan and actress Pia Zadora.

George Shapiro – A champion of comedy who guided the careers of Carl Reiner, Andy Kaufman, Peter Bonerz, Marty Feldman, Gabe Kaplan, Robert Wuhl, Bill Persky & Sam Denoff, Austin & Irma Kalish, and Norman Barasch. Shapiro died in 2022 at age 91. (Posthumous inductee)

David Spero – A music manager who has overseen the careers of Bad Company, Dickey Betts, Petula Clark, Billy Bob Thornton, Yusuf / Cat Stevens, Survivor, Don Felder, Patty Smyth, Joe Walsh and many others. Spero is also a 1970s rock-radio pioneer and a member of the Rock and Roll Hall of Fame board of directors.

In 1991, the MTV Video Music Awards exhibited both showmanship and class when they allowed Paul Reubens to begin his comeback on their stage. Reubens, who died on Sunday (July 30) at age 70, made the most of the opportunity.
Reubens, creator of the beloved Pee-wee Herman character, had been arrested in Sarasota, Fla. in July 1991 for masturbating in an adult theater. Even years before the Internet and TMZ, this was very big news – not important, to be sure, but deeply embarrassing and career-imperiling, especially for someone who had a big following among kids.

Such artists as Cyndi Lauper and Big Top Pee-wee director Randal Kleiser spoke out in Reubens’ support, but far more celebs were quiet, while comics and late-night talk show hosts, including Arsenio Hall, who hosted the VMAs for the fourth year in a row, had a field day at Reubens’ expense.

The MTV Video Music Awards, then at the peak of their influence, came to Reubens’ support. At the top of the Sept. 5, 1991 show, the announcer said “MTV is proud to introduce someone who has been a friend for a long time.” Reubens, in his Pee-wee costume, then walked on stage to a very warm response from the audience, which stood and chanted his name.

Reubens had a great line ready: “Heard any good jokes lately?,” followed by “So funny I forgot to laugh.” Reubens, who had probably spent the previous six weeks wondering if he still had a career, seemed genuinely moved by the audience response and said, “Thank you very much. That really means a lot to me,” before suggesting that he had something to say.

“I just one have thing that I’d like to say to all of you out there and to everyone in the nation – and that is, Welcome to the 1991 MTV Video Music Awards.”

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MTV had created a perfect television moment – it wasn’t overdone or overwritten. MTV had made a statement, but the network also trusted the audience to get the statement without beating them over the head with it.

With the 2023 Video Music Awards set for Sept. 12, the network can only hope that they handle unforeseen developments with as much class and grace as the producers did that year. (Joel Gallen produced the 1991 show. Doug Herzog, Judy McGrath and Gregory Sills were executive producers.)

R.E.M. were the big winners on the 1991 show, with six awards, including video of the year for “Losing My Religion.” That top award was presented by George Michael and Cindy Crawford. Michael would experience his own embarrassing arrest for lewdness in April 1998. Again, MTV helped right the ship by airing his laugh-it-off video “Outside,” which was released six months later.

Shadoe Stevens, best known as host of American Top 40 from 1988 to 1995; Bob Rivers, an air personality and prolific producer and songwriter of parody songs; and Nina Totenberg, legal affairs correspondent for NPR, are among the eight 2023 inductees into the Radio Hall of Fame.

Other honorees include Gerry House, who was heard on WSIX-FM in Nashville for many years and also wrote hits for such top country stars as George Strait, Reba McEntire and LeAnn Rimes; John DeBella, who played a major role in developing the Morning Zoo format; and Pat St. John, who began his radio career in Windsor, Ontario in 1969, but is best known for the 42 years he spent in the New York City radio market.

Six inductees were determined by a voting participant panel comprised of more than 950 industry professionals. The two remaining inductees were voted on by the Radio Hall of Fame nominating committee. 

“My congratulations to our newest inductees,” Kraig T. Kitchin, co-chair of the Radio Hall of Fame, said in a statement on Monday (July 31) when the Museum of Broadcast Communications announced the selections. “I’m thrilled to see each individual receive this recognition from the industry they’ve devoted their professional lives to.”

Dennis Green, co-chair of the Radio Hall of Fame, added: “On behalf of the Radio Hall of Fame nominating committee, we are proud to induct eight individuals into the Radio Hall of Fame who have made an indelible impact upon the industry. It is a pleasure to honor the careers of these individuals who quite simply define excellence in the industry and have earned the right to be called a Hall of Famer.”

The inductees will be honored at the in-person 2023 Radio Hall of Fame Induction ceremony on Thursday, Nov. 2, at the InterContinental New York Barclay Hotel in New York City. Christopher “Mad Dog” Russo, a 2022 Radio Hall of Fame inductee, will serve as master of ceremonies for the event. Tickets are on sale now at www.radiohalloffame.com. A portion of each ticket purchase is a tax-deductible charitable donation to the Museum of Broadcast Communications.

The Radio Hall of Fame was founded by the Emerson Radio Corporation in 1988. The Museum of Broadcast Communications took over operations in 1991. 

Here’s a complete list of 2023 Radio Hall of Fame inductees:

John DeBella

Gerry House

Deborah Parenti

Bob Rivers

Pat St. John

Shadoe Stevens

Nina Totenberg

Charles Warfield

Arctic Monkeys’ The Car was named one of the 12 albums of the year by the 2023 Mercury Awards on Thursday (July 27). It’s the band’s fifth album to be shortlisted for the honor, which puts them in a tie with Radiohead for the most shortlisted albums since the award was introduced in 1992.
Arctic Monkeys won the award in 2006 with Whatever People Say I Am, That’s What I’m Not and were finalists with Favourite Worst Nightmare (2007), AM (2013), Tranquility Base Hotel & Casino (2018) and now The Car. Radiohead was shortlisted with OK Computer (1997), Amnesiac (2001), Hail to the Thief (2003), In Rainbows (2008) and A Moon Shaped Pool (2016). Radiohead has yet to win the award.

Should Arctic Monkeys win again, they will join PJ Harvey as the only two-time winners of the award. Harvey won in 2001 with Stories form the City, Stories from the Sea and in 2011 with Let England Shake.

Two of the shortlisted albums — The Car and Fred Again..’s, Actual Life 3 (January 1 – September 9 2022) appeared on Billboard’s list of The 50 Best Albums of 2022: Staff List.

The Mercury Prize — officially known as The Mercury Prize with FREENOW — celebrates the best of British and Irish music across a range of contemporary music genres.

The 2023 awards show will take place on Thursday, Sept. 7, at the Eventim Apollo in Hammersmith, London. The event will feature live performances from many of the shortlisted artists and the evening will culminate in the announcement of the overall winner.

The shortlist was revealed at a launch event. It was also announced live on BBC Radio 6 Music by Tom Ravenscroft as part of a Mercury Prize special. BBC Music, The Mercury Prize’s broadcast partner, will provide coverage of the event across BBC TV, radio, online and social media.

The shortlist was chosen by an independent judging panel chaired by Jeff Smith, head of music, 6 Music & Radio 2. Unlike judging panels for the Grammy Awards, where the members’ names are not revealed, the Mercury Prize publishes the names of all of the committee members. In addition to Smith, this year’s committee consisted of: Anna Calvi – musician, songwriter & composer; Danielle Perry – broadcaster & writer; Hannah Peel – musician, songwriter & composer; Jamie Cullum – musician & broadcaster; Jamz Supernova – broadcaster & DJ; Lea Stonhill – music programming consultant;  Mistajam – songwriter, DJ & broadcaster; Phil Alexander – creative director, Kerrang!/contributing editor, Mojo; Sian Eleri – broadcaster & DJ, Tshepo Mokoena – music writer & author; Will Hodgkinson – chief rock & pop critic, The Times.

Here’s the complete list of 2023 Mercury Prize albums of the year:

Arctic Monkeys, The Car

Ezra Collective, Where I’m Meant to Be

Fred Again., Actual Life 3 (January 1 – September 9 2022)

J Hus, Beautiful and Brutal Yard

Jessie Ware, That! Feels Good!

Jockstrap, I Love You Jennifer B

Lankum, False Lankum

Loyle Carner, hugo 

Olivia Dean, Messy 

RAYE, My 21st Century Blues

Shygirl, Nymph

Young Fathers, Heavy Heavy