State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


Awards

Page: 143

Jet will soar into the ARIA Hall of Fame later this year.
The rockers cap a reunion, and the 20th anniversary of their debut album, with elevation into the Australian recorded music industry’s Hall of Fame, which will take place during the 2023 ARIA Awards, set for Nov. 15 in Sydney.

“We’re all quite chuffed and honored to be in such esteemed company,” comments frontman Nic Cester in a statement issued by ARIA. “We are humbled to receive this recognition.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Formed in Melbourne and led by Nic Cester (vocals/guitar) and his brother Chris Cester (vocals/drums), along with Cameron Muncey (vocals/guitar) and Mark Wilson (bass), Jet roared out the blocks with Get Born, their debut LP which dropped in 2003 — 20 years ago.

Packing a sound that fell somewhere between the steady, thump and grind of Iggy and the Stooges and the bombast of Oasis, Jet got away with the Get Born single “Are You Gonna Be My Girl,” which enjoyed global exposure in an early Apple iPod campaign, and cracked the top 40 of the Billboard Hot 100 chart (peaking at No. 29).

Get Born also contained the singles “Look What You’ve Done,” “Rollover DJ “and “Get Me Outta Here.” At the 2004 ARIA Awards, the LP won six categories and it’s certified nine-times platinum in Australia, making it one of the top five highest-selling Australian rock albums of all time, the trade body reports.

Follow-up albums include Shine On (2006) and Shaka Rock (2009), all of which cracked the top 40 on the Billboard 200 chart.

Jet was finally grounded in 2012, before briefly reforming in 2017 to play with Bruce Springsteen and the E-Street Band on their sold-out Australian tour of that year. A handful of dates followed, including a slot at Fuji Rock festival in Japan. Then, the act announced earlier this year a reunion tour.

Those dates are slated to kick off this Friday, Sept. 22 at Melbourne’s Forum Theatre, though Chris Cester won’t be on the road due to “family reasons,” according to a statement from the band.

“Throughout their career,” comments ARIA CEO Annabelle Herd, “Jet has achieved numerous accolades and milestones including seven ARIA Awards, chart-topping albums, and sold-out tours around the world. They changed the face of Australian rock music with a culture shifting album and have been a huge influence for other musicians over their career and that truly deserves our highest honor.”

Jet ends a years-long Hall of Fame drought. Organizers had shelved the segment, arguably the most important spot in the record industry’s flagship event, when the pandemic ruined the live experience. Those barriers are no longer a concern. The last artist elevated into the ARIA Hall of Fame was the late Indigenous artist Archie Roach, in 2020.

Herd adds, “We couldn’t be happier to welcome them to the ARIA Hall of Fame as the first inductees since 2020.”

As previously reported, the 2023 ARIA Awards will take place at Sydney’s Hordern Pavilion.

ARIAs will premiere live on Stan for the first time (from 5pm local time). That live stream will be followed by a free-to-air feed from commercial TV broadcaster the Nine Network (from 7.30pm local time) with performances and moments available on-demand on the @ARIA.official YouTube channel.

The 2023 edition of the ARIAs marks the fifth year in partnership with streaming giant YouTube. Nominations will be presented 10am local time on Sept. 21, and streamed live on the ARIA Awards website.

Luminaries from Nashville’s country music industry celebrated more than a dozen honorees as part of the 16th annual Academy of Country Music Honors, which airs Monday evening (Sept. 18) at 8 p.m. ET on Fox (and streams the following day on Hulu).
The evening celebrated not only many of country music’s hitmaking artists, but many throughout the music business who have made an indelible mark on the industry, and pushed the genre forward in many ways — including songwriters, musicians and industry executives.

Four-time ACM Award winner Carly Pearce returned as host for a third consecutive year. Reigning ACM new female artist of the year Hailey Whitters offered up a jovial, sassy rendering of her hit “Everything She Ain’t” and honored many of the studio winners during the evening.

Early in the evening, Breland was honored with the inaugural ACM Lift Every Voice Award, the newest ACM Honors accolade. Keith Urban, who called Breland “a superb songwriter and the real deal…he’s got a great heart,” joined Breland for a rendition of “Throw It Back.”

Breland offered perhaps one of the most insightful, stirring acceptance speeches of the evening.

“I just want to say winning this award is truly the highest honor that I’ve received in my career,” he said, going on to name several influential Black musicians such as Rufus “Tee Tot” Payne, who taught Hank Williams, as well as the railroad workers who influenced Jimmie Rodgers and the Grand Ole Opry’s first Black country star, DeFord Bailey. Breland also recognized Mickey Guyton, Darius Rucker and The War and Treaty for their music and their work in progressing diversity within country music.

A trio of superb singer-songwriters — Clint Black, Mary Chapin Carpenter (two members of country music’s illustrious “Class of ‘89”) and the late K.T. Oslin — were each honored with the ACM Poet’s Award.

Lady A honored Black by performing his 1993 hit duet with Wynonna “A Bad Goodbye,” while Trisha Yearwood performed “This Shirt” from Carpenter’s 1989 album State of the Heart.

Black said, “This only happens because so many people come together and get behind a guy or girl and make things happen for them.”

One songwriter honored another as Brandy Clark performed a heart-tugging, tender rendition of the late Oslin’s “’80s Ladies.” Meanwhile, acclaimed journalist/author Robert K. Oermann gave a touching acceptance speech honoring his dear friend Oslin, who died in 2020.

Pearce joined songwriter Emily Shackelton to perform Pearce’s “What He Didn’t Do,” to honor their co-writer on the song, this year’s ACM songwriter of the year recipient Ashley Gorley.

Meanwhile, HARDY was feted with the ACM artist-songwriter of the year honor.

The crowd began cheering as Bailey Zimmerman took the stage to sing HARDY’s “Signed Sober You.” Zimmerman told HARDY, “You’ve been an inspiration because you’ve always been you and done things your way. You’ve taught us we can do what we want and still be successful.” Dennis Matkosky, co-founder of Relative Music Group (HARDY was named partner in the company a couple of years ago), presented HARDY with the artist-songwriter of the year honor.

Longtime music industry members were also honored for their career contributions to the genre. Two country radio titans, Bill Mayne and Charlie Cook, were each honored with the ACM service award. Cook serves as vp of country music, programming operations manager for Cumulus Nashville’s five-station cluster, and program director for WSM-FM and WKDF-FM. Throughout his career, Mayne worked at both record labels and in radio; he also held the executive director role at Country Radio Broadcasters from 2011 until his retirement in 2019.

Chris Janson presented Cook with his honor, saying, “Without country radio I wouldn’t be standing here…thank you for believing in me,” before performing his hit “Good Vibes.”

Country Thunder Festival executive producer Troy Vollhoffer was named the recipient of the ACM Lifting Lives Award, given to an artist, duo/group or industry professional who has devoted themselves to improving lives through the power of music. Vollhoffer’s Premier Global Production company has been one of the foremost staging and lighting companies for decades. Meanwhile, Vollhoffer has served on the board of ACM Lifting Lives, rising to officer positions including vice president, president and ultimately chair of the board in 2022. He has also served on advisory boards for the T.J. Martell Foundation and Vanderbilt Children’s Hospital.

Storme Warren honored the late Charlie Daniels with the ACM spirit award, while Billy Ray Cyrus, Firerose and Travis Denning celebrated the legendary singer-songwriter-guitarist-fiddler in song with a rendition of Daniels’ “Long Haired Country Boy.” A recipient of the 1997 ACM Pioneer Award, Daniels was inducted into the Country Music Hall of Fame in 2016 and died in 2020.

Other performers during the evening included Sara Evans offering a rendition of her hit “Born to Fly,’ while Dennis Quaid performed “Fallen.”

Tim McGraw and now-retired Universal Music Group Nashville chairman/CEO Mike Dungan were the recipients of this year’s ACM Icon Award, which honors an artist, duo/group or industry leader who has advanced the popularity of the genre through their contributions in various sectors of the industry.

During his decades in the industry, Dungan has championed artists including Brooks & Dunn, Pam Tillis, Brad Paisley, Brothers Osborne, Stapleton, Carrie Underwood, Luke Bryan, Kacey Musgraves, Jordan Davis and Parker McCollum.

“He took so many artists under his wing,” Davis told Dungan from the stage. “What you’ve done in country music will last a lifetime and this genre is better because you are part of it.” Davis was then joined by contemporary Christian music hitmaker (and now UMG Nashville-aligned artist) Anne Wilson for a rendition of Davis’ No. 1 hit “Buy Dirt” (the original featured Luke Bryan). Meanwhile, Priscilla Block offered up what she called “the song that brought us together in the first place,” her breakthrough hit “Just About Over You.”

McGraw earned his first ACM honors back in 1994, picking up top new male vocalist and album of the year (for Not a Moment Too Soon). In 1997, he earned single, song, vocal event and video of the year honors for his enduring duet with his wife Faith Hill, “It’s Your Love.” Those are just a few of the 21 ACM Awards honor McGraw has picked up during his nearly four-decade career.

Brett Young honored McGraw with an especially soulful rendering of “Don’t Take the Girl,” while Nelly performed his genre-blending McGraw collaboration from 2004, “Over and Over,” noting that he and McGraw recorded the song not because either necessarily was in need of a hit, but out of pure respect for each other’s artistry.

“He believed in what I was trying to do; it’s an honor to call him a friend,” Nelly said, stepping down from the stage to hug McGraw, who was seated front row in the Ryman Auditorium, alongside Hill and their children.

Country Music Hall of Famer Randy Travis honored Kane Brown with the ACM international award, while Lee Brice performed Brown’s recent No. 1 hit “Like I Love Country Music.” Brown recently notched his 10th No. 1 Country Airplay hit with “Bury Me in Georgia” and has crisscrossed the globe on his international Drunk or Dreaming tour, visiting Australia, New Zealand, Canada, the U.K. and Europe.

“Country music let me into the family and now I get to travel the world and be different, which is what I’ve always wanted to be and what I always have been,” Brown said in accepting his honor.

Closing out the evening was a celebration for ACM Triple Crown winner Chris Stapleton. The ACM Triple Crown honor is given to artists who have previously earned ACM new male or female artist of the year, ACM male or female artist of the year and ACM entertainer of the year trophies during their career. The ACM triple crown honor has been awarded to only eight other artists, including Kenny Chesney, Carrie Underwood, Miranda Lambert, Merle Haggard and Barbara Mandrell.

“Every now and then someone comes through who levels the walls and moves things forward,” said singer-songwriter-musician and country music historian Marty Stuart, in honoring Stapleton with the ACM triple crown honor.

Husband-and-wife duo The War and Treaty brought the audience to its collective feet with their otherworldly, showstopping offering of Stapleton’s “Cold,” their unparalleled voices melting over the song’s soulful angst.

Stapleton was humble in accepting his ACM Triple Crown honor, thanking his family and his team and saying, “I was just out here playing songs, seeing if something could happen. Still kind of feel that way sometimes…I’m so grateful…It’s a wonderful and rare thing to get to do something you love so much.”

No doubt, many in the room that evening would agree with Stapleton’s simple, heartfelt sentiment.

Initiated by the Wave Music Committee and hosted by Tencent Music Entertainment Group, the 1st Wave Music Awards ceremony was held in Chengdu, China, on Aug. 24. The Wave Music Awards handed out 35 awards, including song of the year, album of the year, best male artist and best female artist.
Eason Chan’s “Homo Sapiens” was selected as song of the year, G.E.M.‘s Revelation won album of the year, and Jay Chou‘s “Greatest Works of Art” was named record of the year. Qingfeng Wu and G.E.M. were recognized as the best male and female artists.

Additionally, six groups of performers, including Qingfeng Wu, Jia Lei and Vinida Weng, were invited as performers, putting on stellar displays of highly charismatic live shows for the fans.

This year’s Wave Music Awards were also livestreamed on the four platforms of QQ Music, Kugou Music, Kuwo Music and We Sing under Tencent Music Entertainment Group, allowing more music lovers to witness the moment of the Wave Music Awards together.

The Wave Music Awards cover seven fields, including artists, creation & engineering, genres and languages, with a total of 35 awards. The Wave Music Committee, a group of hundreds of top Chinese musical professionals, worked together for several months to select the highest-quality Chinese music works in 2022.

At the awards, three major honors that were highly anticipated by the industry and music lovers — song of the year, album of the year and record of the year — were awarded to Eason Chan’s “Homo Sapiens,” G.E.M.’s Revelation and Jay Chou’s “Greatest Works of Art,” respectively. In terms of personal achievements, Qingfeng Wu stood out as the best male artist of the year, while G.E.M. shone as the best female artist of the year. Oaeen was named the best duo/group, and Yichun Shan was recognized as the best new artist.

Oaeen

John Jiao/Billboard China

Meanwhile, this Wave Music Awards also included a selection of musical works in various genres like rock, folk, rap, jazz and world music. Accusefive walked away with the best pop song award for “You Are My Magic”; Jackson Wang’s MAGIC MAN was named best pop album; Lexie’s “3.14159” was recognized as best electronic song; GAI’s “Tales of Weiyuan” won best rap song; Dou Wei / Chao Jian’s XianwenXiayue was named best world music album; Julia Peng Peng won best dialect album with Living Room Dreaming; and Jia Lei’s contribution to the theme song of the same name of the TV series A Lifelong Journey won best film and TV song, and she also performed the song live.

Lexie

John Jiao/Billboard China

As a way to recognize and encourage a wider audience of songwriters working behind the scenes in the music industry, this Wave Music Awards also included special music awards in the category of creation & engineering. Among these, “I Remember” by Lei Zhao won best lyrics, “Greatest Works of Art” of Jay Chou won best composition, Howe Chen snagged best song arrangement for “None of the Above” arranged for LaLa Hsu, and Penny Tai secured best album production award for The Passive Audience.

Howe Chen

John Jiao/Billboard China

Penny Tai

John Jiao/Billboard China

The 1st Wave Music Awards was staged in response to the increasing focus on quality-driven creation in the Chinese music scene, while also reflecting the Wave Music Committee’s long-term focus on maintaining the sustainable vitality of musical works. The innovative model of “Awards Ceremony + Songwriting Forum” has not only recognized the tremendous achievements of China’s top songwriters, but also paved the way for ideas and directions to further develop the music industry. Going forward, Wave Music Awards will remain focused on honoring annual outstanding music pieces, highlighting the industry’s quality content creations to fully unleash the value of good music.

Emmy-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (WCE) will serve as executive producing showrunners for the 81st Golden Globe Awards, with Weiss also set to direct the live show on Sunday, Jan. 7, 2024.
Weiss has won 14 Primetime Emmys – 12 for executive producing and/or directing the Tony Awards, the other two for directing the Oscars. Kirshner has won nine Primetime Emmys, all for his work on the Tonys.

“We look forward to raising the bar for the awards season right out of the gate!” Weiss and Kirshner said in a statement.

“We’re so thrilled to have Glenn and Ricky helm this year’s Golden Globe Awards,” said Jay Penske, CEO, chairman and founder, Penske Media, and CEO of Dick Clark Productions. “Their vision, creativity, unparalleled track record and masterful skillsets make them ideal partners as we endeavor to create our most vibrant and memorable show yet.”

“With an incomparable body of work in live event production that spans decades, Glenn and Ricky bring with them an unparalleled wealth of knowledge and expertise to the Golden Globes,” said Helen Hoehne, longtime president of the Golden Globes. “Their professionalism and innovation are revered throughout the industry, and we look forward to seeing their creative vision come to life on Jan. 7.” 

Weiss and Kirshner formed boutique production company WCE in 1999 and have since produced dozens of live television specials. In addition to the Tonys and the Oscars, their credits include The Primetime Emmy Awards, Super Bowl Halftime Shows, Kennedy Center Honors, and presidential inaugurations. Weiss has a longtime alliance with Dick Clark Productions serving as director for the Academy of Country Music Awards, American Music Awards and Dick Clark’s New Year Rockin’ Eve With Ryan Seacrest.

Golden Globe nominations are set to be announced on Monday, Dec. 11. No host has been announced for the Jan. 7, 2024 ceremony. Comedian Jerrod Carmichael hosted the 2023 show, which was held at the Globes’ usual venue, The Beverly Hilton Hotel in Beverly Hills, Calif., and carried on NBC. The Golden Globes are expected to reveal their distribution partner, and a full list of their new voting body, by Oct. 2.

Dick Clark Productions (DCP) and its partners will plan, host and produce the annual Golden Globe Awards, which are one of the few awards ceremonies to include achievements in both motion pictures and television. The awards date to 1944.

DCP and Eldridge acquired all the Golden Globes’ assets, rights, and properties from the Hollywood Foreign Press Association (HFPA) on June 12. The transaction resulted in the wind-down of the HFPA and its membership. The proceeds from the transaction, plus the existing resources of the HFPA, transitioned into a newly formed Golden Globe Foundation which continues the legacy of the HFPA’s history of entertainment-related charitable giving. 

Over the last three decades, the licensing fees from the Golden Globe Awards have enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities.

The Golden Globe Awards timetable was announced last month. Here it is:

81st Annual Golden Globe Awards timetable

Monday, Oct. 2: Submission website opens for 2024 Golden Globe motion picture and television entries

Monday, Nov. 6: Deadline for submission of Golden Globe motion picture and television entry forms

Monday, Nov. 20: Deadline for television nomination ballots to be sent to all voters

Monday, Nov. 27: Deadline for receipt of television nomination ballots by Ernst & Young at 5:00 p.m. PT

Tuesday, Nov. 28: Deadline for motion picture nomination ballots to be sent to all voters

Tuesday, Dec. 5: Final screening date for motion pictures; Final date for Golden Globes voters to attend non-exclusive, all-access motion picture press conferences

Wednesday, Dec. 6: Deadline for the receipt of motion picture nomination ballots by Ernst & Young at 5:00 p.m. PT

Monday, Dec. 11: Announcement of nominations for the 81st Annual Golden Globe Awards AT 5:00 a.m. PT

Friday, Dec. 15: Final ballots sent to all voters

Wednesday, Jan. 3, 2024: Deadline for the receipt of final ballots by Ernst & Young at 5:00 p.m. PT

Sunday, Jan. 7, 2024: Presentation of the 81st Annual Golden Globe Awards at 5 p.m. PT

Penske Media Corporation, Billboard’s parent company, is a part-owner of dick clark productions and has a partnership with Eldridge.

Trisha Yearwood and the late John Prine are this year’s inductees into the Austin City Limits Hall of Fame Induction & Celebration, set for Oct. 26 at The Moody Theater in Austin, Texas.
Actor/filmmaker Ethan Hawke will induct Prine, while Don Henley will induct Yearwood. Henley is also set to perform in tribute to Yearwood, with whom he paired on the 1992 country smash “Walkaway Joe” and a 2001 reunion hit, “Inside Out.” Yearwood will also perform.

Other music guests include Tyler Childers, Allison Russell, Tommy Prine and Kurt Vile, honoring Prine, and Jo Dee Messina and Ronnie Dunn, saluting Yearwood.

Yearwood debuted on Austin City Limits in 1992 and went on to make two additional headlining appearances in 1996 and 2000. She returned in 2015 as a guest of Henley’s. The Austin City Limits website amusingly (and no doubt affectionately) describes Yearwood as a “country music star and a culinary mastermind.” While giving her TV side-gig equal weight to her recording career is a bit jarring, she has been awarded for both. She won a Daytime Emmy in 2013 as the host of Trisha’s Southern Kitchen. She has also won three Grammys, three CMA Awards and three ACM Awards for her non-culinary efforts.

One woman has been inducted into the Austin City Limits Hall of Fame every year since 2015, the Hall’s second year. Yearwood follows Loretta Lynn (2015), Bonnie Raitt (2016), Rosanne Cash (2017), Marcia Ball (2018), Shawn Colvin (2019), Lucinda Williams (2021) and Sheryl Crow (2022). (There was no ceremony in 2020 because of the pandemic.)

Trisha Yearwood and Don Henley perform on ‘The Tonight Show’ on September 06, 2001.

Paul Drinkwater/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images

Prine appeared regularly on Austin City Limits throughout his celebrated five-decade career. He made his first appearance in 1978 and returned for his eighth and final appearance in 2018. Prine, a four-time Grammy winner, was inducted into the Songwriters Hall of Fame in 2019. He died in 2020. Prine is the fifth musician to be inducted into the Austin City Limits Hall of Fame posthumously, following Stevie Ray Vaughan (2014), B.B. King (2016), Roy Orbison (2017) and Ray Charles (2018).

The annual Austin City Limits Hall of Fame Induction & Celebration is Austin PBS’ largest fundraising event. The live production will be recorded and broadcast across PBS stations nationwide in 2024. Tickets for the 2023 edition can be purchased online.

Established in 2014, the Austin City Limits Hall of Fame recognizes musicians and other individuals who have been instrumental in making television’s longest-running popular music show an institution.

Austin City Limits and the Austin City Limits Hall of Fame are produced by Austin PBS, KLRU-TV. Proceeds from the event benefit Austin PBS, a community-supported, non-profit organization providing public television and educational resources to Central Texas as well as producing quality national programming.

The Moody Theater is, appropriately, located on W. Willie Nelson Blvd in Austin. A VIP party begins at 6 p.m. The show starts at 7:30 p.m. Attire is “Austin fun.”

Rolling Stone founder Jann Wenner was given a final chance to explain himself to the Rock and Roll Hall of Fame Foundation on Saturday (Sept. 16) during an emergency conference call before he was voted off the organization’s board of directors. But instead of quelling outrage at comments he made regarding female and black artists in a New York Times interview that ran Friday Friday, the 77-year-old media icon angered longtime allies on the board with his “bad apology,” sources tell Billboard.

In the New York Times piece, Wenner said women and Black artists didn’t “articulate” on a high enough level in his interviews with them to be included in his new book The Masters — a book consisting of his interviews with the likes of Bono, Bob Dylan, Jerry Garcia, Mick Jagger, John Lennon and Pete Townshend during his time at Rolling Stone. An emergency meeting was called with the board’s high-profile music industry executives dialing in, including Youtube global head of music Lyor Cohen, music manager and executive Irving Azoff and former chairman and CEO of Universal Music Group and Sony Music Entertainment Doug Morris, as Wenner made a “self-serving” and poorly articulated attempt to explain himself, according to a source.

Underwhelmed by Wenner’s Mea culpa, board members like Rob Light, managing partner and head of the music at Creative Artists Agency, lambasted Wenner’s conduct and eventually a vote was held. Every board member on the call voted to end Wenner’s tenure with one exception — music manager Jon Landau, who cast the single no vote. (Landau was formerly a music critic, who wrote in Rolling Stone’s inaugural issue and for years following.) After a few quick remarks, the meeting was adjourned, and a press release was quickly drafted to announce the decision. Landau and Light did not respond to request for comment.

“Jann Wenner has been removed from the Board of Directors of the Rock & Roll Hall of Fame Foundation,” read the press release. No more information was given.

Wenner’s controversial statements to The New York Times were made when asked why the book does not feature any interviews with people of color or female musicians. Wenner notes in his introduction that neither are in his “zeitgeist.”

“When I was referring to the zeitgeist, I was referring to Black performers, not to the female performers, OK? Just to get that accurate,” Wenner told the Times’ David Marchese. “The people had to meet a couple criteria, but it was just kind of my personal interest and love of them. Insofar as the women, just none of them were as articulate enough on this intellectual level.”

Speaking on Black artists, Wenner said “You know, Stevie Wonder, genius, right? I suppose when you use a word as broad as ‘masters,’ the fault is using that word. Maybe Marvin Gaye, or Curtis Mayfield? I mean, they just didn’t articulate at that level.”

Wenner helped found the Rock and Roll Hall of Fame in 1983 with Atlantic Records founder and chairman Ahmet Ertegun, as well as record executives Seymour Stein, Bob Krasnow and Noreen Woods, and attorneys Allen Grubman and Suzan Evans.

He was was inducted into the Rock & Roll Hall of Fame as a non-performer in 2004 and served as chairman from 2006 through 2020. Wenner left Rolling Stone in 2019 when the publication was acquired by Penske Media Corporation, which now also owns Billboard.

HARDY will be presented with the ACM Artist-Songwriter of the Year award at next week’s Academy of Country Music Honors, and his pal Bailey Zimmerman celebrated the accomplishment with a soulful performance of “Signed, Sober You,” shared exclusively with Billboard. In the snippet from the performance, Zimmerman delivers the track backed by just an acoustic […]

When Ashanti and French Montana presented best R&B at Tuesday night’s MTV Video Music Awards, the category’s winner, SZA, was not present to pick up her Moon Person for “Shirt” — but she didn’t just skip the show for no reason, her manager revealed.
SZA entered the Sept. 12 ceremony as one of the night’s most-nominated artists, with eight nods total, including video of the year (“Kill Bill”), best art direction (“Shirt”) and album of the year (SOS). Despite being one of the most omnipresent artists of the past year, however, SZA’s name was left off the list of nominees for artist of the year.

In an interview with The Hollywood Reporter published Friday (Sept. 15), Terrence “Punch” Henderson, SZA’s longtime manager, said, “Obviously, she had one of the best years, if not the best year, of any artist at this point. I don’t see why she wouldn’t be nominated for artist of the year. It just really didn’t make any sense to me. It’s disrespectful.”

SZA released SOS in December, and her critically lauded sophomore studio album has dominated 2023. The record has been present in the top 10 of the Billboard 200 nearly every week this year, spending 10 nonconsecutive weeks at No. 1 and ranking at No. 2 on Luminate’s 2023 Midyear Music Report. “Kill Bill,” the record’s breakout hit, topped the all-genre Billboard Hot 100 and spent months in the chart’s top 10. On Hot R&B/Hip-Hop Songs, “Kill Bill” broke the record for most weeks spent at No. 1 (21 weeks).

SOS also yielded the Hot 100 top 10 singles “Nobody Gets Me” (No. 10) and “Snooze” (No. 7), which reached the top 10 in its 35th week on the chart. Prior to the album’s release, two other singles hit the top 10: “Good Days” (No. 9) and “I Hate U” (No. 7). The VMA-winning “Shirt” peaked at No. 11 and topped both the Rhythmic and R&B/Hip-Hop Airplay charts.

During a call about a potential SZA performance at the show, Punch says MTV “couldn’t give a clear answer as to why she wasn’t [nominated for artist of the year]. It was just, ‘Well, she’s nominated for all these other [awards].’” The nominees for artist of the year at the 2023 MTV Video Music Awards were Beyoncé, Karol G, Shakira, Doja Cat, Nicki Minaj and eventual winner Taylor Swift.

The nearly four-hour-long 2023 VMAs ceremony featured an overwhelming amount of performances, none of which included SZA — despite the initial efforts to have her grace the show’s stage. During one of those negotiations, “because there were people on [the call] about logistics for the show who didn’t have anything to do with [the nominations],” Punch said, “they ended up saying, ‘OK, well we could do another call.’” Nonetheless, MTV “didn’t want to discuss artist of the year, which to me was really a slap in the face,” he remarked.

“Why wouldn’t she be nominated for artist of the year? Even with the other artists that were nominated for artist of the year, some of them were even off-cycle. They didn’t have an album out. I mean, no disrespect to them or anybody else; everybody’s great and all of that, but still, you can’t discredit what SOS has done and is currently doing,” Punch added.

Three of the nominees — Doja Cat, Minaj and Shakira — had not released albums since the 2022 VMAs ceremony.

Ultimately, MTV’s failure to provide an explanation for the snub and reach a resolution spurred Punch to pull SZA’s performance. “I figured, why go perform and do this if she’s not going to be respected to the highest level? So it was my call to actually pull out of the performance,” he explained. However, the Top Dawg Entertainment president noted that SZA is “a very sweet person and she’s not for all of the nonsense and the politics and the back-and-forth and all of that. So, our feelings might be a little different.

“Ultimately, I felt it was disrespectful and I was very stern on that and influencing that,” Punch concluded. “If there’s any issues or backlash and all of that, I’m taking all of that.”

Despite the VMAs kerfuffle, SZA is currently powering through the final leg of her SOS headlining arena tour. According to Billboard Boxscore, the tour has grossed $34.5 million and sold 238,000 tickets. On Friday (Sept. 15), the Grammy-winning singer-songwriter released two singles: a Justin Bieber-assisted acoustic reboot of “Snooze” and a highly anticipated Drake collaboration titled “Slime You Out.”

Last week (Sept. 8), SZA announced a deluxe edition of SOS titled LANA at a surprise event at New York’s Brooklyn Navy Yard. The expanded version of her triple-platinum album will arrive “this fall.”

SZA, an Academy Award-nominated songwriter, has earned eight top 10 hits on the Hot 100 from 40 career entries. On the Billboard 200, she has earned two top five albums: 2017’s Ctrl (No. 3) — which has spent a whopping 326 weeks on the ranking — and 2022’s SOS (No. 1).

The revelation of SZA’s situation comes after another R&B artist — Grammy-nominated “On My Mama” singer Victoria Monét — revealed to fans that MTV told her team that it was “too early in [her] story” to perform at the VMAs. Monét is a three-time Grammy nominee with writing credits for a range of artists including Ariana Grande and BLACKPINK. She has also charted a pair of albums on the Billboard 200 and two songs on the Hot 100; Monét made her recording debut in 2014.

Songwriters Justin Tranter and the late Allee Willis, country artist and podcast host Rissi Palmer and ASCAP CEO Elizabeth Matthews will be honored at the 2023 SONA Warrior Awards, which will be held on Oct. 29 at 1 Hotel in West Hollywood, California. Songwriters Bonnie McKee and Shane Stevens are set to host the show. […]

Blake Shelton, Carly Pearce, Dan + Shay, HARDY, Jelly Roll, Kane Brown, Kelsea Ballerini, Little Big Town, Toby Keith and Wynonna Judd are set to perform at the inaugural People’s Choice Country Awards, which will air Thursday, Sept. 28 at 8 p.m. ET/PT on NBC and Peacock.
That’s just four days before voting opens for the 2023 Country Music Association Awards, where several of these performers are nominees. Jelly Roll has five CMA nominations; HARDY has four. Pearce and Ballerini are competing for female vocalist of the year at the CMAs. Dan + Shay is up for vocal duo of the year. Little Big Town is up for vocal group of the year. Brown is vying for musical event of the year, where he is competing with three other PCCA performers – Jelly Roll, HARDY and Pearce. Can a strong performance on one awards show boost your chances of winning on another show? Let’s just say it can’t hurt.

Voting for the CMA Awards extends from Monday Oct. 2 through Friday Oct. 27.

Voting for the People’s Choice Country Awards is now closed. Morgan Wallen is the leading nominee with 11 nods, followed by Luke Combs and HARDY, with nine each.

Little Big Town is hosting the People’s Choice Country Awards, which will be taped at the Grand Ole Opry House in Nashville. Keith will receive the Country Icon Award and Wynonna will take home the Country Champion Award.

A limited number of show tickets and VIP packages are available now at Opry.com.

The People’s Choice Country Awards are produced by Den of Thieves. Jesse Ignjatovic, Evan Prager and Barb Bialkowski will executive produce, along with RAC Clark as executive producer and showrunner.

Backstage Live: People’s Choice Country Awards, a livestream featuring red-carpet arrivals, backstage chats and other behind-the-scenes coverage, will air on Peacock, PCA Twitter, NBC Twitter/Facebook/YouTube, Today All Day/Twitter, E! News Twitter/Facebook/YouTube/E! Online, Access Twitter/YouTube, and Circle social platforms.

These projects are touted as an example of collaboration resulting from NBCUniversal’s equity investment in Opry Entertainment Group alongside Atairos, which was finalized last year.  

Ballerini performed “Penthouse” on the MTV Video Music Awards on Tuesday Sept. 12, where she was the only country performer on the bill.